Impressionism
Subtitle: beneath the surface
By: Paul Smith.
Series: Perspectives; Perspectives (Harry N. Abrams, Inc.)
Publisher: Harry N. Abrams, Inc.; H.N. Abrams
Published: 1995
Place of publication: New York
Language: eng
Number of pages: 176
Subjects: Impressionism (Art) -- France; Painting, French -- 19th century
Description: The art of the Impressionists is beloved of experts and non-experts alike. Paul Smith reexamines this popular group of artists in light of recent scholarship on the social context of late nineteenth-century France. He begins with Edouard Manet, often seen as a forerunner of Impressionism: a sophisticated, detached, ironic observer of the social scene in Paris.

He then examines various key artists of the Impressionist movement - Renoir, Degas, Morisot, Cassatt, Monet, Pissarro - to offer a lively reading of such topics as the role of women in Impressionism, the influence of industrialization, the invention of modern color theory, the social position of the artist, and the use of psychoanalytic theory in the understanding of art. The result is to make this very familiar art movement seem fresh and new.

To conclude, he proposes Cezanne's art as the culmination of, and heir to, the Impressionist experiment.
Notes: Includes bibliographical references (p. 170-171) and index.