Recorded music
Subtitle: performance, culture and technology
By: edited by Amanda Bayley.
Contributors: Bayley, Amanda.
Publisher: Cambridge University Press
Published: 2009
Place of publication: New York
Language: eng
ISBN-13: 9780521863094
Subjects: Sound recordings -- Social aspects; Music -- Social aspects; Sound recordings in musicology; Sound recordings -- Production and direction
Notes: Includes bibliographical references and index.
Table of contents: title: Recordings and their context. The rise and rise of phonomusicology / Stephen Cottrell ; Illusion and aura in the classical audio recording / Peter Johnson ; Ethical and cultural issues in the digital era / Andrew Blake ; The changing functions of music recordings and listening practices / Adam Krims; title: The recording process. Producing performance / James Barrett ; Modi operandi in the production of 'world music' recordings / John Baily ; Recording and the rattle phenomenon / David Patmore ; Jazz recordings and the 'capturing' of performance / Peter Elsdon; title: Recordings as texts. Jazz recordings as social texts / Catherine Parsonage ; Recordings as research tools : perspectives from ethnomusicology / Jonathan Stock ; Multiple takes : using recordings to document creative process / Amanda Bayley ; The phonographic voice : paralinguistic features and phonographic staging in popular music singing / Serge Lacasse ; The track / Allan Moore; title: Sonic creations and re-creations. From sound to music, from recording to theory / John Dack ; Modes of appropriation : covers, remixes and mash-ups in contemporary popular music / Virgil Moorefield ; Painting the sonic canvas : electronic mediation as musical style / Albin Zak; title: Epilogue : Recording technology in the twenty-first century / Tony Gibbs.