Nietzsche and music
By: Georges Liébert ; translated by David Pellauer and Graham Parkes.
Publisher: University of Chicago Press
Published: 2004
Place of publication: Chicago
Language: eng
Number of pages: 291
Subjects: Nietzsche, Friedrich Wilhelm, -- 1844-1900 -- Criticism and interpretation; Nietzsche, Friedrich Wilhelm, -- 1844-1900 -- Views on music; Wagner, Richard, -- 1813-1883 -- Criticism and interpretation; Music -- Philosophy and aesthetics
Work titles: Nietzsche et la musique.
Description: "Nietzsche and Music provides the first in-depth examination of the fundamental significance of music for Nietzsche's life and work. Nietzsche's views on music are essential for understanding his philosophy as a whole.

Part biography and part critical examination, the work brilliantly demonstrates that despite failed attempts at a professional career as composer, Nietzsche never fully removed himself from the world of music but, instead, became a composer of philosophy, utilizing the musical form as a template for his own writings and creative thought. Liebert's study surveys Nietzsche's opinions about particular composers and compositions, as well as his more theoretical writings on music and its relation to the other arts.

He also explores Nietzsche's listening habits, his playing and style of composition, and his many contacts in the musical world, including his controversial and contentious relationship with Richard Wagner. For Nietzsche, music gave access to a realm of wisdom that transcended thought. Music was Nietzsche's great solace; in his last years, it was his refuge from madness."--Jacket.
Notes: Translation of: Nietzsche et la musique.

Includes bibliographical references and index.