Author: Max (Michaelis) Ehrlich
Born: 7 December 1892 in Berlin, Germany
Died: 1 October 1944 murdered in the Holocaust
Bio: 7 December 1892 – 1 October 1944) in Berlin, was a German actor, screenwriter, and director on the German theater, comedy and cabaret scene of the 1930s. He was murdered in The Holocaust at Auschwitz concentration camp in October 1944.

In the autumn of 1932, Ehrlich was at the high point of his career, one of Germany’s most beloved comics, masters of ceremony and cabaret stars. His creative accomplishments included leading roles in Max Reinhardt productions, the Haller-Revue, and other cabarets as well as stage groups. Also to his credit: forty-two movies, ten of which he directed, eight records, including chansons, operetta, comedy sketches and character imitations; numerous publications, amongst which his best selling book From Adelbert to Zilzer, a humorous collection of stories and anecdotes about sixty-two of his best known show business friends and colleagues.

Westerbork
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Subsequently, he returned to Holland once again, and joined Willy Rosen's "Theater der Prominenten" (Theatre of Celebrities), until in 1943 –like so many of his colleagues– Ehrlich was imprisoned in the Westerbork concentration camp. While at Westerbork, he created and became director of, the "Camp Westerbork Theatre Group", a cabaret troupe that during its eighteen month existence staged six major theatre productions, all within the concentration camp’s confines. A majority of the actors were famous Jewish show business personalities, prominent artists from Berlin and Vienna, such as Willy Rosen, Erich Ziegler, Camila Spira, and Kurt Geron; or well-known Dutch performers, like Esther Philipse, Jetty Cantor, and Jonny & Jones. At its high point, the group counted fifty-one members, including a full team of musicians, dancers, choreographers, artists, tailors, make-up, lighting and other technicians, as well as stage hands.

Most of the shows combined elements of revue and cabaret –songs and sketches– but, on one occasion, the program included a revue-operetta, Ludmilla, or Corpses Everywhere—a production whose theme sadly was a pre-sentiment of the actors’ and other prisoners’ fate. While some scenes were implicitly critical, of course, the Theatre Group at no time produced openly political cabaret or directly attacked the Nazi regime. To do so would have violated the most fundamental condition for the troupe’s and its members' survival, as life in Westerbork was dominated by the persistent threat of deportation on the next transport to an unknown but deeply feared fate in the East. So, standing helplessly and unaided before the fascists’ executioners and their lackeys, the Theatre Group, of necessity, limited itself to entertaining its audiences and to momentarily distracting them from the surrounding horrors. But in so doing, it also gave their captive audiences renewed hope and the courage to face an otherwise unbearable existence.

Doubtlessly, this artistic activity provided the means for everyone concerned, audiences and actors alike, to retain a small measure of humanity, free their minds –if only momentarily– from the tragedy of daily life and nourish the illusion of survival.

Death
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During the summer of 1944, increasing numbers of transports carried Westerbork's prisoners to the extermination camps in the East. Of 104,000 camp inmates, less than 5,000 survived. In the last transport to leave Westerbork, on 4 September 1944, Ehrlich was number 151 on the list of victims. Eyewitnesses recount that, after reaching Auschwitz, he was recognized by a Hauptsturmführer. As a result, Ehrlich was subjected to an additional martyrdom: brought before a group of SS officers holding their loaded guns aimed at him, he was ordered to tell jokes. On 1 October 1944, Ehrlich's was murdered in the Auschwitz gas chambers.

On 12 April 1945, British troops liberated Westerbork. By then, only 876 prisoners were left: 464 men, 309 women and 229 children; only two were Theatre Group members.