Then we've got an update here courtesy of Resident of Azure again. This time announcing the new print works up and coming club nights. It says here print works reveals details of full coming club nights. Chemical brothers and really lends actress and among the names confirmed to play over the London club's autumn winter season. So I've been hoping to update me now, I've been properly just yet, not too sure, but take us up and selling out, you know, hand over face people have been gagging to go back to our venue again. You know, I'm not really the biggest fan of the place, but in terms of a spectacle in terms of place to go, especially post COVID, it's definitely a location I'd probably have on my list in terms of just going as to an event, but in terms of a rave is so can be a bit off, but I get it. So I've been on the, anyway, continue to find the club print works as I'm for details of its autumn winter events program. It says an appress release today over very five shows running from September the 17th until January the 1st of the announced. Do you have a weekend on September the 17th to 19th season, the first edition of redacted, which are a place with no phones and a dance for policy with lineups only a dance of the day, which again is admirable, but considering the crowd that they attract is a little bit redundant because you're definitely going to find the picture to or more of video on social media the other day of that event, but you know, it can't help to try. It says October will see sound crash with John Hopkins, Modelska, Modelska, sorry, actress among along with the Hacienda classical regenerate nights curated by Clapton and Green Velvet. That has the end of classical, but why people love that shit in it. They love classical kind of, but I get it in it because if you lived during that Hacienda era to see them sort of like in a gear rendition with a classical music set, a classical orchestra, whatever, maybe. It's definitely going to bring back some nostalgic force for you, but it's just just funny. It's just a reminder of that kind of classical techno shit. Anyway, since November, printbox also a play host to set from Todd Turge and an alien messierplex with Amelia Lentz headlining the XR pie. So just when we thought we were kind of rid of Amelia Lentz, how no flipping skinny arms going to be back again, wailing and airplane, dredgy, just fucking top 50, you know, beat poor techno. Like nothing changes and everything remains the same. The air thing, the air thing remains the same in the dance music and the post COVID, which again is not a bad thing because as much as these people are, you know, a little bit redundant and boring, they also need a way to make a living. You know what I mean? That's the real weird part about all this discourse that exists with people be like, or how can you book certain artists are playing play grays and this one like it's like, yeah, they were playing the play grays because they needed the money to eat. And now that the clubs are open, they need the money to survive and to pay their rents. You know what I mean? Like I don't exactly blame these guys for deciding to take the gigs. Like those play grays as well, looking back, it's never really in my opinion. It was never really the fall of the contractors, independent contractors of the years ago in play. It's more so on the unscrupulous promoters and the people kind of taking advantage of lax governmental restrictions. Right? Those are the people that really should be held to accounts, especially the ones who are from that country, the ones our purpose, he put in their own fellow citizens at risk by putting an array of Northern land their pockets. There should be more to blame than the DJ who had been hired to play this event. I'd have been to have really me say and if the event goes on or off, because they're not organizing it. But there's one thing I know about being a promoter and obviously doing my DJing thing on the side is that the one thing that you can never really, the one thing that's very difficult to get a DJ to do is to promote a party, even if it's just sharing something on their social media feed, right? They're notoriously just, you know, uncorporative when it comes to that kind of stuff. Maybe because they just don't think it's something that they need to do because they've been booked to play or because it lays it doesn't matter. But you know, it's not as if these guys are organized in these events. They were the ones just playing them. So I don't know, man, it's just interesting to see people arguing about who should be playing these events post lockdowns. But then also not realizing or kind of being compassionate to the idea that these people who are the business technic kind of tier A people, they still need to make a living. I mean, it's not like, you know, I mean, it's as I have bills to pay, you know, I mean, like I'm sure she has a perfectly, you know, good reasons as to why she did what she did prior and is what it is. She gives us, it's just funny to just see the same names again. It's just funny, mostly in my opinion because people made such a big stink about things changing when they obviously weren't going to change. I know you're from the start because the reality is that these places have to make money too. They have been closed for two years. They need to ensure that they sell out, you know, events before they even launched and they have to sell over certain amount to make it viable and the hiring or securities are really going to cost them an armament. And yeah, it's a lot goes into putting on the club night, especially at that scale. So to expect them to just be like booking your friends that you know, because you know, they haven't got to look. It's just a little bit naive, but it's just interesting to see them black and white. The same places are not seeing a plane. Their first ever London show and bugged out chemical brothers with DJ set another one for the white mandem. The season closes out with a from our mine party, which will bring richie hall in Robert Hood and a live set from octave one. That'll be bad. Additionally, print was recently revealed in quills, a space within the building, which is made which has been made open to the public for the first time, which shows an additional room at selected venues read below for more details, bloody blah blah blah. So yeah, big, big list of events coming forward with print works. Again, you know, most of those tickets will probably end up selling up, especially for the better ones, so make sure you jump in those tickets ASAP. And like I said, enjoy for what it is. It might not be the best, it might not be the most for, it might be the most, um, what you call it progressive or, you know, pushing off the envelope lineups and programming, but it still serves a good place in terms of the London clubbing landscape. I mean, the ability to see these people playing in such a kind of well put together place that has good, great production value and sound, all that Milwaukee is good. So, deaf, check it out. If you're that way inclined, deaf, check it out. Am I still.