The film of 6 is the fifth behemoth album from 2000 so here we are celebrating a 20th anniversary. Wow, it's time flies. There's still songs of the record that dig a lot. Some of those songs we still play live. Like Antichristian phenomenon. Christus the Deliance. I remember the youth manifesto. 23. I wrote that song when I was 23 and it was like a summary of very emotional summary of who I was back then and where I was in my life. So very emotional, very personal touch to the record. Pretty diverse album with a weird sound. I'm not really the biggest fan of the sound like from time to aspect. It's not really what I dig much today. But back then it was it was a game changer. I mean we get a lot of very positive response because of the sound because it would be the clarity of the sound and you know you could really hear like every single beat every instrument. So yeah you line up as well. We welcome Havok. It was his debut. We welcome Nova. It was his debut on bass and behemoth. So a lot of you know new components coming together. You sound new label because it was avant-garde music and massive crazy number of shows all across Europe who just so yeah I dig out some of my archives and yeah I find out this Repentia magazine cover. I was one of the very first covers we'd get. I don't know if it's gonna seem much but this I don't think we have ever we have ever presented that photo. Another photo. Now look at this six pack. So dehydrated. We were touring with Krisian and Vader across Poland and I believe that photo was taken in Gdansk after the show. You can see my parents Irene and Zeno and myself drinking cold beer after show. It was actually a really good one. I remember the show. We had never presented that photo. I mean it was a separate photo session that I took with my friend Sada. So the band wasn't accompanying me. It was just me just fucking around at some old railway station I believe. There's two photos, live photos that I've been using around the Tellama 6 era. This photo I was wearing this terror shirt. Not very regional at these days like an every second kid. He was wearing that shirt but think that was cool. I was wearing that shirt quite often too. A wanted which is Christ figure space. So yeah alone shows we still wouldn't make it to US but I was desperate to you know to bring that very music to the United States of America actually. Tellama. 6 was the first album that we would license to an American label on professional professional terms. So I think that licensing that album on Olem Pink which was a sub label of Central Media brought us to the David deal with some true media for Zoskia Kultus and then Demi God. So yeah very important album. I still take it and I know there's plenty of you know I'm on heal legials who love that record so it's back to all the platforms I hope all that Spotify's and Apple music so go back and refresh your memory pick up the songs you like and play them you know on repeat and enjoy it and you're every now and then you'll hear and see behavior performing those songs enjoyed