Alright, so let's dive on and I'll kind of stop some stuff and to go clearly is what I use for this. So in this section right here, I'm showing you guys how I do the hair spray shot. Clearly I have, if we go here, clearly I have over here, my assistant. She is holding a mag mod with a flash and sometimes I'll use a grid, sometimes I don't, so that's what she's using there and then I will let her know kind of where I want her at and I generally have her right behind the head, literally like right behind her, the flash right behind her head. I'll have the lady here, she'll kind of sit. I like going behind because I like the spray up and down instead of having the spray go like up like this or something like that and I like going from the side. You can see over in this direction here is the window light. There's a huge window that's coming in this direction. So you see that the light is all the way coming through the window right over here so it's hidden her face, it's doing all that stuff right in there in that section. So I like having that there because of that so it's really, really nice. All right, so now let's go ahead and play and you'll see kind of how I do that through here. I had the light make, I made to make sure the light was nice because you just got to make sure right, the light looks good in the photograph. So you see how she's going up like that and I'm actually going to be like, hey, can you change that? See in that moment I was like, hey, let's try like this but we got cut in that sequence but cool. She's still kind of going up but whatever. There it goes and those look really good. So those worked out well. And then for this, I also, so generally during the wedding I will always say, hey, can you let's do some faking the makeup shot. I want lips, I want some blush and then I love like the eyelash stuff like that because I like a overhead shot and then I love shooting right over her shoulder with some gorgeous light. So you'll kind of see that there. I'll also put my settings on these so you'll see all of my settings as well. But it's just really nice to be able to shoot like over her shoulder and stuff like that and get those angles here. Now I put her next to the window here. Generally I put her, I like to put her next to the window but you'll see here that it was creating like a split lighting so you can see how shaded it is right in here while the light coming in from over here. And so what I generally do here is I will actually rotate her to face the light a little bit more. I should do that here. We'll see how that goes but I should do that here. See that, you see the huge difference there? So there's a big difference now that there's more light and the shadow actually comes here rather than it was way over here really splitting her. And I don't want that. So this is really nice. This is super way more, maybe we're flattering for brides especially for brides like her who are gorgeous and want to be flattered. And I love here so like whenever they do the eyelashes I don't like for her to look up as much as I like for her to look down because then you really see the lashes and make a artist love that stuff. See those lashes way better. And something like this I'm shooting a 55 here so you can see that I'm just a little bit back further because a 35 isn't going to be super flattering but I like shooting the 55 because it's a little bit more flattering for her and she'll be happy about that. About these shots it's a little bit more thinning especially as she's looking down over her shoulder. Now when it comes to photographing the dress getting put on I really enjoy going with the shadows and sometimes I'll go against it because this light here looks really nice from this angle and she'll like that from this angle. But then the other way has a really nice depth especially with black and white and so sometimes I tend to go to that way and so it just really depends on how you like to shoot it. So generally I always have the bride before they even like while they're getting ready I don't have them put their shoes on because I like for somebody else to put the shoes on for them. I like for them to put their own earrings. Sometimes people like to have people put their earrings on for them and that's cool too. I'll get that. I always will have them in this let this window light where not necessarily split but it is across their body and what I always have is for women especially larger women I will have their chest go away from the light so you'll see like the broader I am the more light that shows the cut fat this cat is right here but the more I go this way the if you if the cat was looking the right direction the skinnier look because the light comes here but then I'll bring her face back over into this direction so when this is not in the way you can see from this split lighting here to coming here and over here this is a way more flattering for a female okay so that's how I'll kind of do that and go with that direction just like this okay and so that's what I'm going to do here. You see how right in here her shadow look this is all shadow because her shoulder this is light right here and this is all shadow right here and yet there's the shadow is only right in here so this is all light that hits her face here so really nice and flattering for a woman here so I always make sure that I have them facing the light the body away it's really nice and it's a great way to to make sure that she is just looks great. Same thing with the shoes I like to have the light with the shadows in here. Okay something to consider here never with women do we want to create angles that are like we don't ever want to create angles like this right so like she brought it up and it was like it was like this I want her down I want her more at instead of being at like a right angle maybe that's what that is I want her down here that's a lot more flattering for her and then what I have her do is as you'll see I have her body right go away so this is a lot of shadows on her back which is really nice and then her face is going to be turned towards me so you'll see what that looks like. Okay so did you all see that that was a huge difference look at how like brought her back looks how stiff it is all these things and then she dropped her shoulder like that and then it created a lot more curve so the ten like brides I have a tendency to be like this drop that front shoulder okay like so much more gorgeous and elongates it doesn't clump up in the neck here it doesn't clump up in the neck here and elongates down it's really nice and sometimes I sometimes I do have her face the light like that but I'm only shooting like chest up I'm not shooting her whole body so it's just a little bit different there it's not as she doesn't look as broad but this is more of a just kind of a glamor portrait instead of like this split lighting as much I love getting whenever they have a veil I love getting just like nice black and white or nice color with the veil over their face it's gorgeous and you don't even have to have the veil on at all so again I'm literally only shooting from like top of the chest up so I'm not worried about light on the body here I'm more concerned about light on the face which I do want it pretty well lit definitely not split lighting. I love that and back down good. You ready? Girl. Oh my gosh. I can't even look at that. Thank you so much. That's you girl so gorgeous. Cool so I hope that's helpful just for even that little stage of the bride getting ready there's some stuff there but that's generally what I do it's not too hard and you saw she was blown away by it so hopefully you guys enjoy that I hope it's helpful for you and if you need anything like I always say don't hesitate to let me know because I'm here for you.