When I moved to LA, I didn't know what the path was gonna be. I just wanted to create and just hit Craigslist every day. Starting out, you gotta run through the mud for a while. Then you can step up to the next level. I work with different musicians, DJs, pop artists. What a Robinson, Alson Rondeland, Nightmare Slander, Alzy. I've literally shot hundreds of festivals in the past couple of years. Festivals in Japan, Coachella, Ultra, Lastenbury. Over a year, I might do multiple tours. Even in just this one month, I was in Texas for South by... I was in South America for a while. I have 40 pairs of underwear and 40 pairs of socks. So I can... that last anyone. I'll go into Miami with a couple artists named Nightmare Slander. They have a party they're gonna do on a boat. One of the best things with working with a figure artist is like figuring out what their story is and their vibe is and then tell that in the best way. Most of the time, I like figuring out what their story is before I get there. There's so many moving parts that it's really tough to always get all of them right. You make sure all your batteries are charged, you make sure your memory cards are clean, you make sure you have all your gear, you make sure all the screws are tight on the stabilizer. Keeping everything in the same bag helps. What sets anyone apart is just style that they cultivate. You can't start at the top. I'd worked so many different jobs. I really didn't like. The first one that I got was filming a high school football team and then it just started evolving. After being out here for a handful of years, I bought a vinyl with my photo on it. The cover of Also Wonderland's first album just like holding it in my hand since eight. I don't think as an artist, you're ever fully satisfied. I'm always ready to start working on the next thing. So I'm gonna keep going.