Well, I know the day I'm a year older today, or yesterday actually. I'm going to be working on this today because I'm going to the foundry tomorrow morning. So I got some ideas in my brain as to what I'm going to be sculpting in the near future and it just has to formulate a little bit more of my mind. I'm going to spend today just basically going over the clay of this orthes, filling in little holes that need to be filled in because if I order a bronze of this, it'll cut down the cost greatly. I don't have to do a lot of after molding. When I read Bronze Casting goes back 5,000 years, I actually at one point in Tahoe when I lived in Tahoe, Lake Tahoe, California, there was a store at the mall where the gallery was showing my work and it was a store that sold antiquities, ancient items. There was a sword, a Samarian sword, I think it was. It was a bronze sword that dated it back 3,000 years and it was just an amazingly delicate casting. You can imagine what it was like to make it but to hold that sword in my hand was just unreal. That's what I'm going to be doing today. I'm not going to shoot all of this because quite honestly, it'll be like watching water drip off of a juxtapack. It'll be boring. But I just thought I'd tell you a little bit about what's going to happen tomorrow. I'm going to video the coloring of that bronze. The bronze is called the Unconquered and it's sat in clay for quite a while. At least 4 or 5 years I think. I could be wrong but it seems like it had been that long. It's going to be nice to have that in bronze finally. I've got several clays in my studio here in my house that have yet to be cast and it'll be nice to get them cast someday. So until tomorrow everybody, I'll say it was Oster Mignana. It's Oster Mignana. I'll say goodnight. I have a hunt little holes. I'm not going to smooth this clay out. It's going to stay pretty much rough. That's because I'm just like the roughness. It promotes movement, roughness, unfinished. It's like a blurry picture of a running horse or a person. What I'm doing is hitting the clay with a torch that should give a little bit of a shiny surface to the bronze. The finished bronze. Just melting the clay a little bit on the surface. You get just give it a different texture. Don't want to overdo it. You don't want to melt what little detail there is in this. I've called this piece Thundering Hoves. I can't like that title. I can just imagine the sound of 100-Dahorses stand-peating. Good night everybody. I'm just going to continue hitting this with a flame. I've got a white cloth set down on my sculpting sand so that I can take a good photograph. I just got to charge up the batteries of my cannon camera. So I can't use the camera for a long time. It needs to be charged up. Good night everybody. Good night everybody. That's Thundering Hoves. Let's see how long this is. 12 inches long and 7 high. And how wide. About 3.5-4 inches wide. Not bad. Not bad for a month's work or a couple months' work. Bye. Get on. Everybody. Get on. Get on. Get on. Get on. Give me a thumbs up and share my video. And then check out my instructional DVDs, the link down below this video. All right. See you next time.