Hi, I'm Tim McEver. I'm a visual effects supervisor working on Hollywood visual effects. I'm been asked to open the show for Nathiraj Maharshi at the Jahangir Gallery. The show is called the 4th Eye, and it features the work of Nathiraj, which is amazing photography. The work of Nathiraj is amazing. I've been able to see him both in action shooting as well as seeing the results. I think his photography is amazing. It's unlike anything else. They always say that the eyes are the window to the soul. We can see the souls of his subjects with the way that he shoots and where he paints with light, the way that he, what angles he likes to capture them from, he reveals the inner most essence of these subjects. Thank you very much, actually. You are coming to inherit my exhibition. It's a very honored guys. Already you would have watched the film of Tim sir, a total recall. So he back-nose-cut-a-ward, really say goose bumps on getting. Thank you so much sir, really. It's a honor to capture you and honor to invite you. You saw my images. I love them. Why, what is the speciality in my capture stuff? You capture the soul. You capture the soul of these people. And you get them to emote these truths of themselves. And they give it up for Nathiraj when he photographs them. And that's not easy. It's not easy, and then it's not always captured beautifully. And there's that always beautiful painterly light. Nathiraj does this. He does this in all his work and it's amazing. Being a VFX expert, actually, you watch many images of which is led by many experts, photographers. But what kind of difference you found here, actually, the color, the images? Well you work beautifully both in color and black and white. The black and white is so strong and so beautiful. And sometimes when you see black and white work these days, you say, well, it looks like they just took a color image and they made it black and white. It exploits everything that black and white photography can be as the highest art form and makes the images come alive and tell the truth of the soul with the way he manages it. It's beautiful. It's wonderful. He also does amazing color work. And the portraits that I've seen in color as well, the color is not overly done. It tells the story. It's not just that everything happened to be that color. You know, they're really well thought out. The colors are chosen carefully and they're not too much. And this is India. It's a very colorful place. And Nathiraj could be like so many that the culture has put out that push that too far. And I like his restraint. I like the level that he uses it. And I like the way that it helps tell the story. He's trying to tell what the photograph. Guys, don't forget 2019 January 2nd, 5pm. We are going to inaugurate the show. And please don't miss. You can visit the exhibition from January 3rd to 8. Time means level AM to 7pm. Don't miss. No doubt. I'm not going to disappoint you. You guys are going to experience something surprise. Thank you. Love you all. See you there. For me, capturing has always been like meditation. Until you do not go deeper within, you will not find the true soul of an art form. Being a self-taught photographer, I did not fear to experiment or work in discomforting environments. And most importantly, I did not explore this far through the lens 4, an approval of the eyes that fear to dig through the unexplored corners of the soul in the commercial world. In today's time, people are constantly demolishing the very purpose of their souls and remain ignorant of feelings. I wish to capture that intensity and bring it out in my portraits as if slated a poetry on the canvas in this thing. Vajrana Mnaturaj Maharishi Yus. 4th Eye