Uh Hello, I'm William and this is a painting of a recent landscape painting. I'm working Gourash with it. I haven't worked Gourash for a while. It's a fun medium. I brought Gourash, it would have been last year and I haven't used it much mainly because I lost my very nice black brush which I brought at the same time. I've been working oil for quite a bit over the last two years. I've been working on the reference from its original digital painting. I'm working on digital painting rather than working on a photograph all the time. It gives it something different. I have more of an understanding of the painting before I start working on a photograph which is quite far and especially if you didn't take the photo yourself. I'm just laying in this burnt sienna over top of coloured pencil that's already applied. The Gourash is actually a base and I'm intent to actually build up acrylics and oils over top of this but for now I'm really enjoying the process of applying Gourash to this piece of wood. As you can see I've just gone in with some lemon yellow, light and arach. It's kind of the water area that I'm working on at the moment with it but it's kind of going quite green so it's almost turning it into a field of some sort rather than being rather than say water. So, but different like in the digital paintings that I've been doing this would be blue and the mountains and such would be more of a yellow and red. As you can see I'm standing back from the canvas at the moment. It's really important to stand back and get an overview of the work. You can see a lot more if you're up close at really limits your viewing space. I think it's really important to stand back. Getting into the sky, getting that blue and it's a nice dark, ultra marine blue but I'm also mixing in some of my ink to it because I've got some cobalt blue ink. That I thought I may as well use up. It's an incredible ink. It's extremely concentrated so beautiful to mix in with the Gourash. Looking at this now I feel the mountains are somewhat flat. I fixed this a bit later on in the painting but for now I'm just concentrating on that sky and getting it down as quick as I can. A bigger brush would actually be nice. I feel this brush is too small. Bigger brushes are always better especially for the initial painting. Getting it down it's far better to use a big brush than a small one. The small one just covers no space. It doesn't hold the paint. Big brushes are the way. This is quite an expensive brush so I couldn't really afford to get a bigger version of it. I'll see how a guy might pick up a bigger version at some point. It's blight so it's got their flat properties which I enjoy. They didn't have a flat version of this type of brush. Otherwise I would have gone with a flat brush. The furflake brush is but blight is very similar. You can see I'm going in with some blue into this yellow on the ground to try and create some contrast and depth within the ground for the mountains to be at a distance. This painting took me 30 minutes in total but I've speeded up four times so it's much quicker to watch. I may release the 30 minute version as well for you who aren't interested in watching the full length. You're still working on the ground just basically filling in any areas that are blank. I'm not really too consumed about what I put in the blank areas as long as I put some colors in. It's just about filling it in as quickly as possible. I'll try to add as much detail as possible. As you can see I've gone back to those mountains. They were really annoying me. Being so flat and everything I've tried to put in some darker areas into it in order to try and create some depth into it. Some of the edges of the sky as well just to contrast into the sky more blue and such. Moving around the painting quite a bit. That's okay. Find areas that interest me and work on that and switch to another area. The main thing is cover the canvas and paint. I'm doing some drip action happening. I'm a big fan of those drips especially with the watercolor and that create incredible effects. Looking at the painting now it's been almost 12 hours since I've done it. It looks much more wet and looks much better than dry. It's quite lost a lot of the texture and feel that it had when I first painted it. I think I'm building up layers and that will help. Getting back into the sky, adding burnt sienna into the sky to give some contrast to the sky. It's actually coming towards the end of the painting. Although I intend to go back into this. Maybe not with Gourash. Maybe I'm not sure about it differently with acrylic and with oil paint. I hope you've enjoyed watching this and I'll produce more of these with my digital painting as well. Thank you. .