So after a massive week at work where I've not had a chance to get out and do my own thing I thought I'd sit down and show you Five of my film cameras that I've never ever shot. I bought them looked at them played with them Stuck them in the cupboard for another day that day is getting closer and need to shoot each of these five cameras I thought I'd let you make a decision which camera I should shoot next So I'll give you a quick overview of each of the cameras and then let you decide what I'm gonna do Let's start off with this one. This is a camera that I've had quite a while maybe 80 months to years I bought it love playing with it really fancy using it. Never got around to it. It's a camera I'm gonna have to think about a camera that I can't just pick up and run out and get some photographs I'm gonna put some thought into this one. So Basically it is an Erie's flex or an Es flex. I'm not sure how to say twin lens reflex camera from the 1950s And she is a thing of absolute beauty It shoots 120 roll film six by six frames giving me 12 frames per roll film now The only downside to this camera that I can find so far it's got two lenses twin lens go figure the top lens is a Viewing or composing lens whereby you look through the waist level find it You'll focus it compose it and then the bottom lens that is your actual taking lens now listen to this That has got an absolutely gorgeous shutter mechanism Beautiful it comes with an Olympus Zoeco lens 75 millimeter f 3.5 cracking cracking camera. So that's option number one Option number two is the Minolta Heimatic 7 this is from 1963. It's a 35 millimeter rangefinder camera fixed Minolta rock or 45 millimeter 1.8 lens Which is supposed to be absolutely outstanding quality very quiet really quiet That's it It's got quite quite noisy wind on but the actual shutter Beautiful very nice nice and stealthy for street work. All right. So that's option number two Option number three is my latest little acquisition. This is a Canon AE1 from 1976 Then only go for maybe four five hundred dollars something like that with a lens This one had no lens and a faulty actually Non-functioning light meter. I'm not bothered about that. I can use a hand-element or use the sunny 16 rule But because it's little fault. I've got this for $60 $60. I mean come on say it's not worth not getting $60 because they had no lens obviously I had to get a lens but but but but 17 18 years ago I'm cleaning the old office out and I dropped on this this is Canon FDA lens 50 millimeter 1.8 in Reasonably good condition is clean no fungus no haze a little bit battered a little bit dirty a little bit warm But it works it works stay ideal lens for this camera It just locks on there with this color and now for $60 a free lens. Oh happy days listen to this one Bit of a minute slap there But until guys 35 millimeter SLR beauty all right, so this one Now this one is one that I absolutely oh I Lusted off this camera for so so long finally got it. It is a Canon Canon it G3 QL 17 It comes with what is supposed to be a fantastic 45 millimeter 1.7 lens supposed to be taxiap one fault with it Though I was playing with it. I was eaching to get some filming to it and get out just looking at the shutter first Nice little quiet shutter Very stealthy for street work Lovely false it's got a fault on it basically with this camera you lift up the rewind crank Pop it open and the back pops open like that then to close it you shut it up obviously put the crank down and that's possibly locked But it's not it's not look look. It's not Man, it's frustrating. Nice locked, but unfortunately it comes open so so damn easily And I'm obviously concerned that I stick some filming there. I get out shooting the back door pops open and the films growing So I put it on the back burner put it in the cupboard and thought another day I've come with a little solution when I decide or when you decide that I'm going to shoot this camera And we load it with film and then I'll tape up the back door with gaffer tape So we get no light leaks and we get no back door malfunctions because at my age the last thing I need is a back door malfunction If you know what I mean all right, so that is a good option beautiful beautiful camera look look I'm telling you tell you it's gonna kill me is that one finally look at this one now This is a cracking little camera this came in the original box It's got all the relevant documentation with it and purchases seat and guarantees and blah blah blah Gorgeous little other case. This is an ag for super solanette from 1950s and she's a cracking 35 millimeter rangefinder camera, but not just any rangefinder camera watch this this is a Folder look at that. Oh An absolute diamond it comes with an ag for solanette 50 millimeter 3.5 lens Beautiful now obviously with all these folders You've got to be so careful when opening the back door don't let it spring open Especially when you've got film in it, but just Let it come open nice and gentle like that Otherwise if you open it too fast it will create a vacuum inside and it'll pull your film about all over the show So that one is another Cracking option of a camera that cannot wait to shoot make a comment below decide which camera you want me to shoot next week Will it be the area's flex medium format camera the Canon SLR minolta Hi-matte 7 the Canon Canon X QL 17 G3 blah blah blah blah blah the ag for super solanette the ball is in your All right guys, thanks for watching until next week Decide where I'm doing