And also there's all the other things about speech, I mean the fact we don't use musical terminology which we should do really. I mean what key are you speaking in? You have any idea about what key you're speaking in? Are you in a major key or a minor key? Yeah, but it's true, isn't it? That's a major key and that's a minor key. And if you're speaking in a minor key or in a doctor's situation, but if you're speaking in a major key, you're absolutely sure what you're doing. So the selection of what key you speak in is very important and you can vary the keys, but that's the variation of speech you go from a minor idea to a major one. And that's a glissande. And if you don't make the glissande, yeah, if there isn't someone in the body where you were, you were. So you take me out there with you, all I get is a break, a break, unless you mean to make that break. I mean there are hundreds of things you have to select to do technically before your character is even expressed. Why does this person have hiccups? And if you have a character that has a hiccup, why do they have hiccups? Because there's something in the belly, nervously pulling. And if you just go, heck, heck, you're doing the wrong thing, you have to do it from here. Because that's what a hiccup is. And that changes the nature of how you speak and who you are, how changes your physical views. But it starts here. Everything starts really in the belly. That's the point.