A lot of hard work went into making the first film and a lot of people don't really keep in mind that you shot a lot of that twice once with Eric Stoltz, Michael J. Fox. And what I was wondering is, that being your first big film, were you kind of terrified after that happening that you might get fired to or you know that okay, there's enough footage of me without Eric Stoltz and the shot that okay, they're not going to fire me. I didn't have that confidence at all and I was very fearful that I would be fired at any minute. Honestly. I was so much the same. I was worried about that for the first day of shooting. Yes, I was. I just don't know. This is when my first big, I just didn't want to blow it. And you know, so everyone says, oh, there must have been funny back to the future stories. You must have a million of them. I really don't have many because I was really trying to memorize my lines, not make mistakes, do a good job. You know, I bump into anyone so that it would be great. And so that I wouldn't get far because Eric was doing it and we're filming and then things, there was something wrong. But I didn't know what was wrong, but there was clearly there's something going on. And then they stopped production on a particular day. We're not going to shoot this day. And that was very strange. And I was at home and I was thinking, are they, is the home movie going to stop? Is that why people were nervous? Are they going to just pull the plug on it? And then Bob Gale, a producer, writer called me at home said, Tom, could you come down to the studio? We would like to talk to you. It's me, I'm getting fired. I really thought that it was the longest, longest drive I've ever taken in my life. I said, Bob, please, just tell me on the phone, we'd like to tell you a person, we'd like to talk to you. I take this long drive and I'm thinking, and I'm thinking, what we think, you know, don't blow it, just stand up and say, well, thank you very much for the opportunity. And then I'll move to Alaska and work on one of those crap fishing boats, I guess. I don't know what to do. Now, it'll be, that'll be it. You know, and they took, they took me in and said, we have some bad news. Yes, we've had to fire Eric. It wasn't just, I said, what, will you say that again? We've had to fire Eric and we were casting Michael J. Fox and we're going to go back and redo all these scenes that we've done before. And I said, you, and I said, I get paid for that, right? Okay, so, well, yes, yes. And you'll still have free snacks? Yeah, there'll be snacks. Yes. So, and then we did the whole, we did, you know, the weeks of filming again. Yeah, I didn't have for knowledge that might happen. And I didn't smell it. I just didn't get any sense of it. Eric's also a good actor. He was acting good. And, you know, I just didn't pick up. That was something wrong. Because he wanted somebody with a comic flare. Eric doesn't, and they'd have a kind of a comic in this amount. So, they had to have Michael. And they'd also tried to get Michael before they started filming back to the future one. But he was tied up with, he's still in tune. Yeah, and I didn't see if I could work out. But when they, so it was like one o'clock in the morning, out of the set in the city of industry, the parking lot and all that start beginning stuff happens. And they asked, it's come back after lunch, which is 1 a.m. There's something like that. And to some place. And everybody was here. Spielberg was here. And blah, blah, blah. And they made the announcement. And I was like, oh my God. I felt that every day was a maybe day. Because I was still trying to get my bearings with Doc Brown. I was still trying to find them. So I really put a lot into every shot for six weeks. And I thought, oh my God, I've got to do that over again. And I was just like, oh, but it worked out. And I didn't have to do every shot over again. And then I was really apparent the chemistry with Michael just suddenly came alive. So we only have time.