The cinematographer is really in charge of the look of the film, so like the tone and mood. And the camera operator is the one who's literally manhandling the cameras. I work really closely to the directors and make sure that we're bringing the story to life. There's different ways of shooting with the cameras, either on a tripod that is just stationary, or there's the movement, or there's a dolly track, which is kind of like a little cart that goes on a track like a train. Let's say like a train, and you just push it forward or backwards, or you slide it. And then there's steady count, which is mostly used for tracking shots or going into tiny corners and trying to follow the action. Being a production assistant helps you find why you like within the film industry, because it takes a village to make all this thing. So there's so many departments, maybe you find the love on the sound department, maybe you never thought you would be involved in sound, but being a production assistant gave you access to that.