My name is Jason Harvey and I am a detective with NYPD and I work as a forensic artist. We see them on lamppost, we see them on light post, you never actually see the work itself. Well we develop our sketches based on the memory of the witness of victim. When we first meet I just want you to introduce myself and build a rapport with them. And then after that we'll get into an interview and it basically starts off very simply and ask them to describe this person's face to me. We'll work with photographs with them and then after that we'll show it to the victim of witness and they'll tell us things that look good and things that don't look good and they'll make adjustments and work together to push it as close as we possibly could get it. I always tell them before we start, you know, the memory is not perfect when I expect them perfection. We just want to take what they remember about this person, put it on paper, and then we'll use it as a tool to help identify this person. Openness is very key. I know this show was kind of interesting because Adam would put these in a different context and art context and you could kind of appreciate them in that way. Jason's work is a lot more interesting than just labeling him as a forensic artist. Oh this is my first gallery because of it and it feels great. Yeah, and I didn't know what had fans. I knew his work just from watching the 11 o'clock news. We created these 26 characters that are kind of a nice cross-section between fantasy and reality. And that seemed to work because they're not tides for a real case. Here I could be more creative so they were fun. It's like a great representation of New York City. I just wish they were a little bit happier. It's been fascinating because people come up with back stories for the sketches which isn't something I was really thinking about when I made them. I have a passion for art and I'm very happy to be doing art in the police department. Pretty close. So you know you know. It's Louis CK right? Yeah. Yeah. Funny guy. In the real world of composites this would be successful because the sketch bears the likeness to the person which is the best you could really do. We can't make portraits of the people because we don't know what they look like. So no, I think you did a good job.