Hi, I'm Hai Mei Haiyan and we're here in London today in the Seychelles room for the London Design Festival presenting this new collection and design for them. It's quite a challenging collection because we use very many different materials and it was for me a very interesting learning process. My collection in which I had so much fun also doing and I hope people can enjoy it as much as I did. One of the most interesting pieces was the Arpa Chair I call it Arpa because in Spanish Arpa is like the the heart like the instrument. You have the really small strings, really small wires and the whole shape of it is sort of holding you in a specific way. On the other side it has a contrast which is the fact that we've made all the opposed to feathers. It has a very very comfortable and made back sort of look and well I invite people to sit in it because it's really comfortable but it's quite interesting you know this sort of contrast in between a very transparent chair but at the same time a piece that has quite an iconic feel. On the other hand we've made this other chair which I call it Bidley which I call it Bidley because it's based on a beetle really. It has really small legs and a quite a bigger body. So the inspiration really came from there and in general that's what I do. I get inspired by looking at images and things you know and from them I can really get some ideas out and I think that's what I did with this collection. I tried to get inspired of what you see observing differently. I really felt that in the space we needed some drawings and we needed to tell a story around and so I meant that I invented this sort of character that goes around the space which it's surrounded by the pieces and so on. So I always like this combination. It's not necessarily the most important but I'm someone that really starts from a drawing and I guess people have seen that from a lot of the works that I've done before. I like your research always in a material. I mean I feel like when you get deep into the specific material you can really learn and knowing it's history is very interesting because sometimes you can refer to that history to create a piece. I mean a piece can be based on a specific moment of history or it can be based on a technique that was done in a specific time. For example in ceramics and porcelain it happens to me a lot. The fact that a specific time or technique or a material that was suddenly put into the process just click on me for create something new. So I think to know about history and to know about techniques like that is the most interesting thing when you create stuff. I am someone that feels like the design is never finished with a sketch. I feel like there's a very important part of the relationship you have to have with art design in general and I'm really proud to say that in the last ten years that I've been working in design I've met some of the most interesting people going around in France, in Italy, in England. And I think this is what I like the most of this profession is that it is like a world in which you can immerse yourself into all these different characters and into all these different adventures going around on the road and meeting people in the bronze factory, in the metal factory, in the marble place and get to know that that little detail looks better than that other one and that little thing there, it could be much more interesting than that one and you know it's like a laboratory you know. So this is exactly why this profession is beautiful is that you can really enjoy and this collection I must say that it has been a very enjoyable collection. It started with a very simple relation, a very simple conversation in London and you have got us to create this in in a year so you know really proud of that and really happy about that.