I'm going to give you a quick run through of the menus because they are rather simple to use. And by hitting the menu button, we're going to go in here. And the first menu is the IQ menu, which kind of stands for image quality. And as you're going through here, first thing I have is my image size set up, and you can see if I move over to the right, I have 3x2, 1619, 1132, 1619. And this is basically in large and medium and small as far as catching those in JPEG mode. I have image quality, I'm shooting image quality as fine and raw at this point, and you'll see here where you can see the menu where it's fine, you can just have normal and fine, these are JPEG only, normal and raw, and of course just raw alone. So I'm doing raw and fine. And I do that also because with the film mode, you'll see in a second, film simulation mode, I can do a preview of things. So next thing is raw recording, and we're going to do essentially lossless compressed or uncompressed. I'm going to select the uncompressed. Film simulation. Now we all know that Fuji makes good film simulations, and I have it set for Belvia, and you have Astra Classic Chrome, which is just gorgeous to work with. Pro-negative standard, classic negative, and a E-turno. Oh, this is so good, it's E-turned cinema. Now this is the one I use a lot, this is like the most gorgeous black and white. So right now this is Acros filter, black and white, and you can select the black and white filters. Here's green, here's red, here's yellow, and here's standard. I use the red one a lot when I have dark deep blue skies, and I get these just gorgeous black skies. You can do monochromatic color, grain effects, color chrome effects, and of course these have to be turned on, they're often strong and weak, and color chrome. So let's go back through here. Now we have auto-focus, this is our next auto-focus manual focus. We have a steam whistle around the corner, so we'll just put up it. It's part of the environment of Indy. It's not a fire truck, it's a steam whistle. Focus area, focus area allows us to decide whether we want to use all the points. I can use the knob here to go back in and out to focus size. I have AF mode, single zone, wide with tracking, and then all. Of course if I use all and I go into the focus area, you can see all the different points that there are for focus, and it'll take advantage of all those. Auto-focus continuous custom settings. We have a number of these that we can use, which allow us to determine what kind of continuous auto-focus we want. I usually keep it on too, which is continue to track subject, ignore obstacles. So there's a whole slew of those, and you can also customize them to your liking here too. This is a beautiful thing. It works well. Store AF mode by orientation. I have it off, but you can turn it on. Show AF point displays on. Pre AF is off. Actually, it's good to turn it on because it's actually got a head start on pre-focusing when you bring it up to your eye. Auto-focus illuminator, I leave off because I don't want to use that if I don't have to. Now you see up here we have two of three. So this shows us two of the three menus. We're now on to face detection. There's a great auto-focus and face detection system on the Fuji, and I've gotten very good over the last year or so. And on this camera, it has all the same settings pretty much as the X Pro 3 has. So I can go in here and I have face detection on, move over to the right one more time, and I have eye detection off, eye auto on, so it'll look for an eye and catch the eye. I can do right eye. We're left eye priority. So I just kind of leave eye auto on and come back at auto-focus manual focus on or off. You can actually turn that on if you want to go backwards and use them with AF with manual focus, meaning you auto-focus, and then you can adjust with manual focus. Manual focus assist, I can select peaking. I also can set standard, and I can also, when I'm in the optical mode, have split image as well as monochromatic. It's pretty cool. A lot of choices, and you can see you can set the peaking levels and the colors so forth here. You got to focus check on if you want an instant AF, depth of field. I'm doing pixel or you can do film format basis. Let's go back to film format basis. Release priority. We all know what that is. Do we want to release priority based upon whether it's in focus or just release period. What this means is it won't release the shutter to take a picture until it's auto. In this case, at release, it'll just release period, no matter whether it's in focus or not. Let's go down to the third menu. Third menu is touch screen mode, which is kind of nice. I have it turned off now and corrected AF frame, which will correct the auto focus frame as you're working in manual focus. I'm going to run through these quick. We have sports finder mode. This gives you a little bit wider of a view so you can see what's coming into the screen. Self-timers off, self-timers setting. You can set all these interval time shooting. Great for that. A bracketing, auto exposure bracketing setting and you have a bunch of different ways you can set that where on the steps, whether you want to continue, whether you want the zero plus and negative. So you have a lot of varieties there to work with. Film simulation bracketing. This is kind of cool so if you actually set it up for bracketing, you can decide what film versions you want. So you can have a velvia, a chrome, an interra so you can actually film bracketing and get five versions of the images that you're looking for. Multiple exposure control. This is kind of nice. You can do multiple exposures with this camera. So you can actually shoot one picture and kind of hold and find something else frame and do another one. So you have additive, average, brighter, dark. So you have a couple selections that you can do with that. We have mechanical shutter and electronic shutter or a mechanical and electronic shutter that you can choose. Very kind of nice thing to have. Flickr reduction is off but if you're working in environments where the electricity is different cycles, this will help keep the flickr reduction in the electronic viewfinder controllable ISO settings. Very nice feature here is you can actually set three different ISO settings. So if you want to work in this case from ISO 160 to 12,800 with a minimum shutter speed of a 60 if you can or depending on how you're shooting, we can go to this which is now ISO 160 with a 3200 max at a 60 of a second. So easy to switch based upon to kind of where you're shooting with. A conversion lens off or on is when you screw a lens on to give you a wider angle. A neutral density filter, nice to have a neutral density filter built in when you need it. So that's a nice little feature with this camera. And then wireless communication, you can communicate with your cell phone and see the pictures and shoot and remotely control your camera. We have flash mode, we have movie mode. I'm not going to concentrate on the movie mode other than kind of run through the menus for you. You can see what there are. You can actually set a film simulation mode in the movie mode. That's fun to have. White balance, you can set manual, you have dynamic range, you have a tone curve, you can set the color biases here if you want. So it's got four screens. So the video side of things has got a lot more advanced. But remember it's not a zoom lens so you'd be working with a fixed lens kind of thing. But it's nice to know. Once again, if I'm photographing out at a family event and there's a birthday party and I want to catch a couple minutes of video that I have that control to do, do so with. And then we have our typical, I call it the wrench menu. But this gives us user settings. This is where we would format our cards at the date and time. Go through a number of different areas along those lines. Sound setup allows us to set the volumes for what we would like and play back volumes for the video. As you can see, I have it doing a click. You set the shutter sound. Screen setup allows us to set the screens up differently. We have an electronic viewfinder. I have an auto but I can also set it to manually work with the brightness. Electronic viewfinder color. If you find that the color is going one way or another, you can recompensate for that. Electronic viewfinder color adjustment, red and blue and so forth. So you've got a couple different choices here to work with. Auto rotate on playback. I have off but you can actually set it so that the playback rotates when you turn the screen vertically or horizontal. I have my scale set the feet. Optical viewfinder image display the full. You can also set it to small window if you'd like. And display custom settings. This is where you can decide what goes into the display. So if I want the framing guidelines on, I can just push that button. If I want the level turned on, I can push that button. So you have the ability to decide how much information you want to show in that display at all times. And you can change the display so it's a clean viewfinder or showing data by using the display back button down there. And last but not least is a large indicator showing things bigger. So if you're having trouble with your eyesight and so forth, large indicator mode, large indicator for display settings and information and contrast adjustment, if you want to make some of those adjustments and tell you how to do that. Most people want to touch this. So that gives you kind of like the run down. The camera is very very simple.