…for the first time, of course, for the first time in the form of exhibition. Intertwine to practices or to moduses of speech. One is lecture, and another one is performance. So this is the exhibition. We'll talk about the first lecture. The first lecture is lecture, and another one is performance. So this is the exhibition which tries to analyze. The question can be talked about specific form, which can be named lecture performance. And of course, it tries to look back into art history and to find some examples, which today we can even see as a historical example of these radical practice of the so-called ice speech or the speech in the first person, which is deeply embedded in the tradition of the so-called performance art. It includes one of the very important names in contemporary art, and in the art of the 60s, the 70s, 80s, and the 90s worldwide. For this region, and for this scene, it is very important in the terms that the audience here in Belgrade didn't have opportunity to see the artworks of these artists very often. There is somewhere else, or they are included in permanent exhibitions in some large institutions. So in that manner, we are happy to be able to exhibit works by, for example, Marta Rosler or Andrew Fraser, etc. Or some younger contemporary artists such as Mark Lackie, which has won the Turner Prize in 2008. We believe that this exhibition is interesting because it poses some fundamental questions related to the knowledge production in art, to the notion of knowledge production in art. Of course, it poses the question, what can we learn from contemporary art and what specific knowledge art can produce, and how can we use it today in a broader social and cultural life. So I think that not only because some important artists and works are represented through this exhibition, but also because the questions which are addressed, such are the question of fashion and identity, then the question of institutional critique, the question of artistic speech, the questions which explore the field of relation in between art and politics, then the question of genocide, then the question of theoretical practice, then the question of stereotypical representation, then the question of LGBT. The organization of the exhibition was very interesting because we were cooperating with two curators from Cologne, from Germany, who actually initiated this project together with the Museum of Contemporary Art. So we were really working together on this research, the two exhibitions that were the result of the research, one in Bagrad and one in Cologne are not totally the same. They are somehow also different, so they were just let's take curatorial freedom in choosing the artworks, but the cooperation was very, very, really good.