или ac yng Nghymra雁 itill yne o hwn un ar feb extremelybolaeth yu symbolas variety Buching thinking Oedd un sgawr gallan año Pho Elctwi'n cael hesuluol. Ond roedd elog fel doedd eu'r lle gallan segun os yna ryw i yn nghewn ar'n gylodo акwол a 젊 yn eu lle eich darthau iawn'r si embroider i na'u llenni galludenoidd Littleimoþemieoli eu am Adol oedd, fel ll faithful Nasdi Attackoud cl? a t bacteriaa am petни clwyd o gallu'r cylezio fir i'u mwydd e deixa ti. Children Werdysiiliau lly知道ol, fod間 am bobl am f racing an🾎wry, i materi defnyrsiag Eigenwyr, gyよ gwtekwyr ni, at iawn pan aros gwylllid yw, yna gwoli bennopil ffnwedio hynny is connaithio ar gyda toyzau swich ei ni, a ni'n swich gweld Tellworth. Mae bagel codig pan a ph craftwch kalwhi dgystal gyfer am petyn, tôi amerおlo, ni recorden sef Cullwyr, i'n gweith i, i'n gweith i'n gweith i'n gweith i'n gweith i'n gweith i'n gweith i'n gweith i'n gweith i'n gweith i'n gweith. So, what I'd like to do is keep them in the same order in the pallets as they are in the stand if that makes sense. So, I know that the dog blue is here, I know that the grey is here because sometimes you can see on the bottles the colour is easier than you can when they're in the pallets as like this, so that you've got something to refer to. So, what I thought would do as it's called landscape is to show you how to create a wash with the colours as if you were going to create a background for some landscape stamping, for example. So, what I think works best is if you're using a large piece of card as the largest flat brush you can and you're going to get a nicer coverage and less kind of random factors. Random factors are good though as well because that's some interest. So, wait your brush, give it a bit of a dry and then just decide to start painting colours now. I'm going to start with this kind of warmer, kind of honey kind of colour here and I'm just going to go across plenty of colour. And I'm going to say just I'm going to put them all, I'm going to use all colours on this to start with. Just so that you can see what they are, even if you put all of them on one piece of card it still works. So, we've got that nice kind of like, could be kind of a corn field kind of thing up there. If I wet it you see how it's blending out more now. So, it's less of a hard line and then I might want to pop some of the green at the bottom. But what I did was because this is quite a strong green, I quite like it on top of the brown because it makes it a lot more kind of muted, more of a woody kind of green rather than strong. But that's great, you can say, you want a little bit more brown on, go ahead and pop it on there, it's all your colour. Could be any time of the year, quite a tumble so far I think. Okay, make little hills if you want, just have fun. And you find that they go on so well that you really, you don't have to worry like you do with some colours. But you think, oh no, they're running away from me and I've lost it and I can't get it back. So, can you see how now I'm just popping a little bit of that blue up to that little kind of corn field you look there with the map. And if you want to wet it out, just pop some more, and you'll see it'll wake towards the top of the page. And then I might want to use the dark blue, I think that's the dark blue. Yeah, at the top, give it a bit more drama in the sky. Just go across like this. Now that's all pretty even and I've got a nice kind of, you know, even washers going on there, which is fab. But I might want to add a little bit more interest and a little bit something going on in there. I love here, can you see here what's happening because the green was put down there and then this was really wet the next layer. This is wicking and to me, that's looking like foliage, I've done nothing. So if you want to wick a colour from one colour into the next, wet the cord above that colour and it'll draw the colour up. Just call that and you can see it looks like kind of grasses or something. Like a little grassy mountain, love that fab. That'll make great background for your stamps. So what I'm going to do is I'm just going to go ahead and wet the sky a little bit more on May dark, excuse me, it comes there. May darken the sky just to touch more there for a bit more drama. If you think it's looking a bit not balanced, you've got too much dark blue there and it's looking too light at the top. You know what, I've just had a bit dark blue at the bottom as well. Then you've got another layer. You kind of start off and I just start off how ee really simple, stronger colour at the bottom, fade into virtue nothing in the middle, then stronger again fade into virtue nothing in the middle. Now the next thing, I'm going to drop some water in places like this. I think so it's already wicking and pushing colour out. Then I'm going to take a piece of kitchen paper, scrunch it up and then just blot. And you've got the easiest clouds ever. Because the thing is, as you can, we can actually fold each and out later as well even if you want them lighter. But you know the way clouds are, just one shade of it, you've got kind of part of this transparent part, it's really light. You've got a really nice star for an interest in sky here, much more interest than just that expansive blue. And there you've got a really, really simple start of a landscape. Now if you wanted to bleep today, I'm going to go ahead and dry that and then we can just have a bit of play and I'll show you some of that little bits. So there we are, we've come up dry this and what we can do is, if you plow down white enough or they're not fluffy enough, you can always fold bleach a little bit more out by just adding some water. And then just going across now, what I think will be really nice is if they're still part of it that's still lighter than the full bleach bar because you've blotters it out to start with. So you've still got some some interest there, it's not just a one flat colour. So big splotter of water with one of your brushes that came in your kit, really good for holding an out of water, these ones great cloud brushes and then just tap it and then just blot it. And there you've got some more clouds, a bit more interest going on there. Now I did mention that would use every colour but would miss one and that was the warm grey. Now if you want to add a bit more stormy look into your sky, you can always just put that in retrospectively if you want to just put some little streaks going through there. And what that will do is it will just take away some of the pure colour, the lighter. This is a great one for putting mixing with any of your sets actually. If you want to take away what they call the chroma, then dull it down so that the colour looks more grunge and less vibrant. So I want to put that clear back in there. This is looking much more like my, this kind of skylandsy colour I'm used to. Now I want a little bit stormier. So don't be scared, have a place, only a piece of card, even if you learn something you go, oh well, that didn't work. You know I have to do that the next time but I think that looks really, that looks much more interesting now. See that little bit of grey in there, grey our cloud and that I'll turn it around so I can see. And what you might want to do is use a little bit of grey even in the foreground just to tone it down a little bit as well just to mute the colours. But there's a little quick landscape, clouds, easy peasy, ready for your stamps if you're a stamper, stenciling, painting, whatever you want to do. More inspiration online, crataise companion.co.uk or sheena.tv for a gallery using the aquatins. And we'll see you for more technique videos. Fantastic, thanks, bye!