Thank you. One of the most popular lenses in the Micro 4-3 range for wide angle photography is the 7-14 pro lens. Absolutely ideal for architecture, for example, church interiors and some landscapes. However, that pro lens costs more than £1,000 and if that is too much of an outlay, then one should consider the alternative the 9-18, costing less than half the price of the pro lens. Now this particular model I purchased some years ago, it is not Micro 4-3, it is 4-3. However, I can still use it on my EM1 Micro 4-3 camera with the help of the MMS2 adapter. Once attached, it will work perfectly well with my EM1 camera and I would now like to show you some of the results. Adobe Lightroom has an excellent cataloging facility, especially if you are prepared to spend a bit more time naming where each image was taken. Whenever images are added to the catalog, the camera metadata is transferred, making it possible to isolate images taken with a particular camera or lens, even at a certain aperture or shutter speed. Therefore, it is important to shortlist the required images as here for the 9-18 wide angle lens. I am not a fan of the 9-18 in landscapes, it is better suited to architecture, especially interiors. Recently we had our kitchen improved and before we put the utensils back, I took a couple of record shots for which it was admirably suited. Whilst the perspective can be exciting or dramatic in landscapes, anything far away is reduced to a meaningless bump, but something like a boatyard in the foreground that takes over the composition and everything suddenly falls into place. A big city such as London works well, provided the composition features a strong foreground. At 9mm you have excellent depth of field, increased by using factor 11 and micro 4th 3rds technology, so getting everything sharp is easy. From Bermanssee I took the tube to North Greenwich home to the Millennium Dome, which offers a number of architectural features, not least the underground station itself. In my specialist field, church interiors come into their home particularly if they have a unique architectural style. St. Chats at Shrewsbury falls into that category. The 9-11 proving essential for capturing its unique circular design. Notice too that depth of field is surprisingly good at F4, something that micro 4th 3rds achieve better than many other formats. I had a field day at Cartmau Priory in Cumbria. It survived the reformation almost intact, the trick being that at the time it also served the local parish. One of its glorious is the Jackalbian screen, which I have shot at an angle or included as foreground interest to the view beyond. Although the building is large and airy, in more confined quarters particularly around the quire, the exposure could be anything from a 20th or second, right down to a half, but I kept the ISO at 200 for quality and commercial considerations. These shots are all hand held, sharpness, courtesy of the camera's superior image stabilizer. There is no additional stabilizer in the lens. Depth of field could have been restricted at wide aperture, but micro 4th and the optic set at 9mm say the day. Including a window was a severe test for exposure, balancing the dark interior with a much brighter window was challenging. I spot me at near the window, lightening the interior in lightroom, the file of course first say to raw. Noise can be an issue, and I didn't escape it entirely, but I think this one I hope looks okay.