I really hoped that they would do with a little town. And I wasn't sure which version they would do, but I'm really glad that chose the softer acoustic version. Because their voices are just, they just give you the chills. And it just feels like you're kind of just in, you know, like a little tiny bedroom and they're just seeing with their guitar singing and you're just listening to them do it. It just feels really intimate. I just nailed that. And their voices work so well together. It's just really haunting. I feel happy. OK. You want me to try to sing now or not? Yeah. OK, but remember there's some extra harmonies that we weren't doing. Well, let's just do it now. So Steve, here's what we're doing. OK, we'll try to count. So we're just kind of doing two, one, two, here we go. We had been watching the head with movie a lot in the tour bus. In the tour bus. And we started doing the cover of that wig in the angry edge, Richard, our guitar player would sing it and we would play it live. And I guess it would, I don't know, how John Cameron Mitchell found out or something. I don't know. Somebody that Kevin knows the manager knows somebody who knows John Cameron Mitchell. Exactly. We invited him down to the shows at the Barry Balvin. We did four shows in New York City. We invited John Cameron Mitchell and he came down and he sang the song. And we did it, we did it like a half step sharp. I told her about that. And we did it to sabotage it. Sorry, John. Whoops. We thought we were doing it right. And he came and he sang it. And we got to know him and be friends with him. And then the next thing, I guess again, the manager called us and said they call it people from the head. We people call them. They're doing a benefit. And now it's like the song Wicked Little Town. So me and Kelly learned it on acoustic guitars. To transfer, making it go over from piano to guitar. They can all get, we'll do it on guitars. Well, here's how it goes. We'll play, we'll call John Cameron Mitchell. We'll play it on his cell phone. Isn't it pretty? It's crazy John. Yeah, so we left it on a cell phone machine. And then he seemed to like it. Like that. It's too much later, he still had it on there. Yeah. No, but probably. But let me digress for a moment. And now I'm feeling weird because we don't have any more instrument out now. But I don't feel like I should just throw drums on there. And the bass, you know, we're doing it such a pretty sad song. You brought the acoustic calls? I don't know, maybe. I don't know. And that's how we got involved with it. One, two, here we go. I know the sound is in your eyes. And her eyes are in black and cloudy skies. And running up and down that hill, you turn it on and off that will. And then you can hear the sound of the drums. And then you can hear the sound of the drums. And then you can hear the sound of the drums. And then you can hear the sound of the drums. And then you can hear the sound of the drums. And lady luck has led you here. And they're so twisted up, they'll twist you up by fear. The pie is hateful and do I. You turn in tricks till you're turned out. The one so cold it burns, you're burning out blowing round. And if you've got no choice, you know you can follow my voice. And through the dark turns and noises, we give it a little down. The fate of his chess and their cool. You learn to lay, you use to wishes like a fool. And then you're someone you are not. And junction city ain't the spot. We were mums' life when she turned around. And if you've got no other choice, you know you can follow my voice. Through the dark turns and noises, we give it a little down. You