Have you been in any of the Austin Powers commercials? Commercials. You know, and Mike will sign on to do like a Doreed, you know what I mean? Like a endorsement. We did one, we did one for GM, uh, Reese for the Super Bowl. We have to help the planet. Oh, please, cheer for myself. C'mon! So you probably made more money for the commercial than you did. If I know show business, you definitely made more money in the commercial than you did in the first Plus to Plus. The first one was, it was like, Sags scale. Yeah, yeah, I think I had a Plus 10 scale, but it was still pretty great. An independent movie. So if I had a Sags modified, yeah, maybe, maybe that buddy. I think I took, maybe took home like 15 for the whole thing I only worked like five days on the movie. Could have fooled us. Do you remember reading the Austin Powers script? Yeah, I remember reading it. I'm not even in, I'm like writing for all that, and like, you know, whatever. Yeah, I remember reading it and going, he fucking did it. And Mike said it was like, Mike who's gonna come on here. He was like, I didn't think it was any good. I was like, dude. It was very nervous. I thought it was, it was insane. It's like a parody of blow up. Yeah. We're like, okay. Like it's so cool. It felt to me, here's what's funny is I read that and the Caratot movie, chairman of the board. In the same afternoon. Well, I don't know if it was the same afternoon, but I had them in the same level of consideration. Cause I had audition for Gold. You were gonna play Carat. Yeah. Well, I had auditioned for both and then been offered both. And so I was gonna be either the best friend number three in the Caratot movie or I was gonna be Scott Nemo. At the time, I was doing American Buffalo in the Ogle of Theater in San Diego. And I had just gotten on a path of like being an actor. I'm in a gazing. I might be Lawrence Olivier. No, it wasn't like that, but it was really, I'd already spent like 20 years acting at that point and was having a sort of revelatory experience in a very small play, in a very small theater that is a three person play. And we were just doing the fucking thing. So it felt different to me as a performer than it had. And I was loving it. I was loving that experience of being able to really spend time on a particular scene, on a particular moment and craft it so explicitly that you could put it on for the audience night after night. And to work through what the point is of each of these scenes, what the music is and to end and then to be able to do that over and over again, I was really in a fucking magical place as a performer. So when I auditioned for Scott Evil, and we've talked about like Jay Roach and I, Mike and I, we always, I've talked about this a lot. I took those scenes like I was in a drama and that I think is why it worked so well because Mike's so ridiculous. The story of the show. Yeah, you were, you were, but especially the first one, you were very like legit angry. I hate you. Yeah, well then like in pain and I love, just as a human that's always evolving, I love the trauma that's left to us by our parents, by our surroundings. And there was something just so funny about human frailty, right? Like the, the, the relatable humanity of us all, like our inclination should be deeply affected by shit that we should be able to cast off just because it has some kind of familial or like the deeply emotional time. And I love the idea of this dad, because the way they'd set it up, it was like perfect, where you've got this absurdist character that wants a very relatable thing, a relationship with his son. I'm your father. And you've got this son who gets the benefit even by all of the subsurface circumstance of being able to give a relatable response. Really? You lazy, I psycho? And so for me, there was nothing fucking funnier. Then when Scott Evil is like genuinely hurt or in the scene with Carrie Fisher. Yeah, what brings you here with us today? Well, I just really met my dad for the first time five days ago. I was partially frozen his whole life. That is beautiful that you can admit to that. She's kind of kidding. You're not. No, I'm just out of his mind. Yeah, we talked about that too. He was like the more straight you are than this scene, the better this thing works. And the upside for that day was that's the first thing that Mike and I filmed together. And so the emphasis of me meeting him was lessened. We were both so excited that Carrie Buck was so young. Agreed to do this. I was excited when she came on screen. I was like, fuck. Yeah. So that was our whole day. And he, I walked into the makeup trailer early and he was getting his head shaved to be Dr. Evil. And I thought, well, this motherfucker's committed. Like this is an actual, he's gonna really go there because he's not dickin' around. And then we talked about the scene and then when we got on set, it was Carrie. It's excited. Then we would like sort of have conversations in the margins about like, okay, what are we gonna do and this and that, but it was very collaborative right from the get. And a good first thing because you're not connecting. Yeah. Yeah. The best, petulant teen scene for my money is your scenes in Austin Powers. Do you ever see six degrees of separation? Yeah. The like college kids that are yelling at the parents. One of them's JJ Abrams. I'm so embarrassed to know you. Really? It's insane. Isn't that, is it in summer home? No, it's no. It's a kid named Oscar Perkins who I went to school with at NYU. Oh really? Who's Anthony Perkins son. I don't know if he acts anymore, but he's great. JJ's not bad. Yeah. It's like, I'll cut to it here, but it's, he just, his monologue is so fucking funny. JJ's got a mole. He's like, that was my pink shirt and you gave it away. You gave a complete stranger, my pink shirt. That shirt was a Christmas present from you. I treasure that shirt. I love that shirt. My collar has grown a full size from weightlifting. You saw that my arms are grown. You saw that my neck had grown and you bought me that shirt for my new body. That was, that represented growth to me from lifting. If my neck had gotten so fucking funny. But, yeah, it just goes to show like your pain is your pain, no matter. Yeah, it's all really what you need. It's like, you're pain is your pain, but all teenage pain is the same. Yeah. Hey, did you like that? Did you like that? Yeah, did you like it though? You want more? Don't want to work? Would rather watch videos of me grab assing with people? First, I'll go up here to subscribe and then go up here to watch more clips. This is like when the weather man says, there's a high-pressor system coming in. Although I'm not really used to the green screen.