Not only commissions, not only contemporary art projects made by living artists, but also Gordon Mataclark. Yes. One of the seminal pieces for this exhibition is a piece called Fake States by Gordon Mataclark. It's a piece that is also a little less known of him. What is it? This is one of the collages of one of the 15 lots that Gordon Mataclark bought in the early 70s. And these were lots that New York State sold for really little money. This one was $25. And there were lots that were for this state. They were economically not very interesting for them. So in fact, it's about this lot here. Yeah, it's one is the one in Queens. And what Gordon Mataclark did at that time was go there, document them. And then we got the photographs show. But then it's his wife who made the collages. And right. So it's really about in between spaces, the left over. Yes, what is that which was not interesting for the city council themselves. But what Gordon Mataclark himself thought as the ideal spaces to test his ideas on an architecture. And it's important for us to have this in here because you see how it inspired a lot of contemporary artists working here. Or how you could... Tatashika Mamata. Yes, Karl Phillips. How you could at least make content links through these works. To make it a little bit more vivid, we also included the video of Jaime Davidovich, which was at the time a friend of Gordon Mataclark. And you see Gordon Mataclark and a friend of him measuring the sites, the lots that they bought. It's pretty funny to know that in the end they sold or funny. Interesting, maybe that they sold the lots because the taxes they had to pay on it were more expensive and became too expensive. As an art piece.