Look, I'm really thirsty. Shrida, I want to go to the mess hall and get eliminated or something. Will you stop thinking about your stomach at a time like this? At a time like what? Don't you realize what's happening? The other end challenge was, when they show the two shot, how much of it do you show and at what point? That's just sensitivity on when the best part dramatically in the scene to show the two shot as well as where the best performances. So, you'll see it's a combination of overshoulders into the composited shot. But she was great in this movie. She was maybe one of the two or three best performances I've ever seen in a movie. She had to be aware of the performance. She had to be aware of where her eye line was. And she was flawless. And she loved acting. She loved doing it. And there's lived to do this. But so Nancy Myers was more than a five because there's one shot where she crosses over in front of her. And her eyes are just a little bit too high as she followed her. And that's when I mentioned to you. And you said, well, I mean, because an editor knows that you're going to follow the moment of the person. You're not going to notice those things. That's slight of hand and editorially anyway. So, you can afford those little mistakes. Right. I always contend that when you spot things like that, except for the people that specialize in that sort of thing. There are people that all over the country who can't wait to pick out gaps in movies. But for the most part, if you're bored, you're looking for anything but the movie. Right. If you're involved. And that's where you pick up all kinds of things. But if you're involved in the movie, it's a lot different. This is so freaky. In this particular case, because you had an avid, you can... If you hadn't had an avid and you'd done this kind of film, you wouldn't have been able to... Oh, no. You couldn't fake it. You'd have to wait until someone put the shot in there. So you really saw the benefit? The avid has... Or digital editing has become... It's an amazing tool for an editor. Unfortunately, it has a lot of drawbacks in terms of studio interference. Anybody feels like they can come in and tell you or show you what you should do. And it's become a real tool for people getting what they want. Just show me that. You know, it only takes a second one. And then trying to push the director into doing what they want to do. So while it's an extremely user-friendly, and you do fantastic work, because you're working with all the elements at the same time, it has tremendous drawbacks. It hasn't necessarily spread the process up because you spend more time trying to... Appease everybody that's on the film, unless the film right out of the box is amazing. And then you don't have any problem at all. And usually with Nancy's films right out of the box, they preview really well.