Hey what's up guys and this video wanted to show you how I did this little sliding setup for this light you see and how I did it just using these three lights that I've got up here So in this scene I actually have two different setups because the first setup is going to be trying to simulate to make it look like this whole room is being lit by the practical lamp that's there actually in the shot and then later on when the boom the electricity cuts out we're making it look like there's basically lightning outside that's lighting the actual scene and then we see the girl in the scene actually lights the candle and this is how you know how it looks then when it's lit with the candle so for the first part of the scene I do actually have that practical there in the corner of the shot and it is providing a bit of the light but that by itself was not enough as you can see up here definitely wasn't lighting any of the objects here on the foreground and also wasn't providing a nice enough kind of a wrapping around soft light around our actress so the first light that I set up which was kind of what I would call my key light is this guy up here this is from came TV he's the came TV bolts and RGB light that is a big panel light and as you can see you can power it using female batteries or in this case I have it plugged in that's how I used it in this scene and it's you know you got all the controls up back here but you can also control this light using this remote control which by the way will work with all these other lights now the reason why I use this light as on my key light not these other ones that I have up here is because it's the biggest light so it's going to provide us the softest kind of light that wraps around around the girls face and if you actually look at this light if you are to take off this honeycomb filter from the top you can see it's a nice big even kind of a frosted surface so when you actually power this light on which looks like this you can see it is a very very even light now I'm gonna right now turn the intensity of this light down and as you can see I can do all of that using this remote like I said so that's one of the core set of features about this light and when you get any of these lights by the way you you can get this remote and you can connect it very easily just by adjusting the different channels the channel IDs that they have so you can you can control one or actually multiple lights at once using just this now the cool thing about these lights is that they're not just your standard LED lights these are actually also RGB lights so I can actually select it here you can switch here to different modes and as you can see here I can switch the different color temperatures I can go from it's a nice sort of a blue to red and oh man this is bright because I'm gonna turn it down even more the brightness of this light but yeah you can control all of this stuff using this little remote or you know by directly kind of interacting with the light here on the back that's the kind of cool thing and what another thing I like is like I said it's a nice kind of frosted light so it's gonna provide you a very even light and very even kind of smooth looking shadows and that's kind of what I wanted on on the girl in our scene now another thing I wanted to also make sure is our scene doesn't look overly lit I wanted to make it feel like it's that night and it's being lit mainly by that practical there so for that I wanted to make sure that this light doesn't just spill all over the place the light itself does come with barn doors like the one for example you can see up here and so I could have used these barn doors to control the spill now the problem with that is that I wanted to have this light as close as possible to the girl's face so that again it provides a softer light the closer you are the bigger the surface area is going to be in relation to the subject so the light is going to be softer so I don't want to be moving in the back so I had it just off screen the second I put these barn doors you can see they stick out quite a bit so another way of controlling light spill is by using these honeycomb filters and it just so happens that these lights come with it and the mount very easily because they're all magnetic well it's hatchet and as you can see now you can control the light spills so for example I can have this light now just point it at me I can increase the intensity here and as you can see up here it's pretty strong now all I have to do is just point it a little bit where these honeycombs basically all I'm seeing is the dark side of it so it's no longer actually hitting me now on my face but if I rotate it just a little bit it's now providing me light and if I point it directly at me then it becomes becomes much stronger so that's the cool thing about this honeycomb is that it doesn't add a lot of thickness or really size to your light but it really directs the light in one direction now the next light that I used is actually this little guy which is also a KMTV Boltson RGB light which you can power using the provided AC adapter or in this case as you can see I have this two Sony NPSL batteries and it's also really cool light because again you can use this remote or you can directly hear a just intensity of this light you can adjust the color of it or you can go switch into RGB mode so you can have the different you can see the different colors here that you can kind of cycle through you can actually program these and animate them and you can control this not only using the remote but you can even control it using the phone app so you can control it because it's connects via Wi-Fi there's a lot of cool things you can do with this I use this in kind of a very basic way because I just use this as my sort of a fill light and as you can see I had these objects here in the foreground of my shot which is this part of the couch and the pillow and then also these flowers that were on the table and without this fill light it just looks too dark again we even tell what it is but thanks to this little light I was able to kind of put it right next to the camera and just shine a little bit of this sort of a fill light just enough so that it still looks like the rest of the room is kind of darker but you can at least tell what the hell is in the shot now as you can see just with these two lights you can come up at a you know nice looking shot definitely looks better than what it looked like before without any lights in it and then the third light that I have up here is what I used to simulate the lightning effect outside the window so it's very basic I just put this light on a stamped set it outside it's kind of shining in through the window and then I just turned on one of these built-in scenes that it has which was in this case the lightning effect scene as you can see up here it's already flashing and you can adjust still here the intensity of the light with this or the basically how fast you want this to work so if I for some post speed this up now you can see you can make it all crazy fast I don't want to give you guys a seizure so I'll kind of slow it down and this is more or less the speed that I had when it was outside the windows it creates that effect of lightning kind of flashing and illuminates my or scene from there and then once I had this then all I had to do is you know once the lighting starts going then I just using again the remote was able to turn off all the lights there and in the room and then this way we were just left with this light shining through the window which again creates this kind of cold dramatic effect now by the way these lights do actually have other kind of built-in scenes that you can play around with for example they have this thing which is called a discocene and again you can adjust the intensity and the speed of it and it just cycles through the different colors that they have and then for example they have this one which is the TV lighting effect they have candle fire lighting effect they have different presets they can kind of play with and again you can set up your own ones through the the phone app now once the scene goes totally dark and then we have the girl light up a candle in that shot of the candle and the match itself all I really used is our again lighting light in the back kind of back lighting providing a bit of a rimmed light there so you can kind of see the outline again of her hand and the candle and then once again we cut to our white shot I have the lightening effect light back outside shining into the window but then I also used this big LED light with the grid on but very dimly lit and very kind of warm lighting color temperature that I set in there and I just sort of have this light following the girl as she's walking so that basically she's getting lit a little bit more evenly and also just gives a little bit of a boost because the candle light itself wasn't strong enough to to illuminate the scene nicely so again I just had this and I was just rotating it as she's walking along and I'm kind of following her so that the center of this light is heading mainly there where she's holding the candle and that's it for the scene you know the end all you got to do is do some color grading in my case I just used one of my preset color grading lights that again you guys can download on my website at tomatasfilms.com while you're there subscribe to my newsletter so you guys can stay notified about all the cool different lighting tutorials and film gear reviews and other things that I do and if you guys want to find out more about these really neat lights from KMTV then again just follow the information in the description below you know I'll show you guys the latest prices and places where you guys can find it and also the different specs if you in case you want to find out more info about these lights I myself am very happy I got these KMTV actually has other tube lights which are also RGB lights and again you can control them using this so if you guys want to check out all of that again you'll find out more info on my website or in the description down below anyways my name is Tom and I'll see you guys in the next one