This video is sponsored by Distrokit. Hi, I'm Ash. Today I'm Megan. It's gonna start with the MIDI of Scary Monsters and nice Splat-splat-dies. Get that in... A classic. And I just love to eat. That says, today we make Melodic Midtempo. Brow? Geez, EDM Twitter. You just described 2015 Porter Robinson type beat. So we're gonna go ahead. We're gonna bring this down to 84, 85, something like that. That's that sound though. Oh, she's slow. Hang on, hang on, hang on. I got an idea. Do this and then we'll do that. So now it sounds like... Okay, okay, but with Porter. This this chord progression ain't gonna fly. So let's do a brand new chord progression. Maybe this. Oh my god. That's the one. That's the way it's gotta go. I'm gonna be long one. Yeah, okay. Something sad but pretty. Just like all my X's. Gotta adjust this lead so it's more Porter-ish. And I'm hearing like sad machine type beat. Wait. Wait. Chop, chop, chop, and... That's basically it. It's good, definitely be cool somewhere. Heck yeah, that chord progression with the chopped up lead. That's gonna be the main idea. I'm gonna build this out. Let's get a... add or something on this piano thing too. As I remember when I first heard Porter Robinson back in 2011 when he first released Spitfire EP, I thought he was just okay. And while it was well produced, it's like he was trying to emulate popular festival tunes of the time. With the exception of 100% in the ditch, that still slaps bring back Mumbaton. But within all these songs there was something lurking with songs like Vandalism and the Seconds. Then it releases language. Everything changed. It was clear that it was starting to pull his true influences instead of just copying what was popular. And I'm sure that's what eventually evolved into worlds. Freakin' art. Definitely think that there's something to be learned from that. It taught me to where my influences on my sleeve despite whatever's popular. And now whenever I make music, beyond all the technical stuff, I do my best to ensure that it comes from a real place. So thanks Porter. Let's just get some drums. If we're doing early 2010s EDM, everybody's the vengeance kits. We're gonna go ahead and do that. Perfect. Oh yeah. Get a little kick action going here. Need a snare as well. Sure. It's perfect 909 style clap. Beautiful. Oh, love it. This is pretty much it. Just gotta get some sounds that are good enough for a released song. You know we're back with the sponsor. Our good friends over at Distro Kid. And if you haven't heard about their amazing feature called Hyper Followed, check this out. It's a completely free and awesomely powerful promotional tool for anyone who uses Distro Kid. Check this out. One stop shop for all your links and streaming services. Dang. By the way, it will stream my new music. And you know how it is these days. You have so many different services. You don't know where to put them all. Distro Kid puts them all in one place for you. The instant you finish uploading on Distro Kid, you can start marketing your release and collecting pre-saves like that's a that's for concrete. You can go Spotify, pre-save it. Even customize it. Whoa. Customize it like this. Hit edit and include all of your socials. Include all of them. And as soon as it goes live. So even if you have a release date down the road, by the time the song goes live, it updates automatically. So it changes from pre-save link to live link. You don't have to update anything. Plus the link that you have never changes. You never have to update your marketing or social media. And you can find it just on your album page. So if you upload it a song, just right over here under Hyper Follow. And thank you so much to Distro Kid for sponsoring this video. Y'all are awesome. Okay, okay. We're about to add what I call the Porter Robinson Holy Trinity. It starts with a Supercell. It's a serum in there. This preset by the way is available for free on Discord or check out this video. I show you exactly what you do to make it. It's the Porter Robinson Holy Trinity. So I need a base. So for base, I'm going to use serum as well. It's going to sound something like this. For the lead, if I wanted to truly be Porter Robinson, I would use some sound fonts, but I'm going to be super lazy. And just use... This one's perfect because I can do this version and I can do that version. So I'm going to make two leads. And those are pretty much going to be the sounds we pick. So I can take this... This is going to be our lead and then bottom notes of here. Make it the base. These are a little high. Ring them down. Oh my gosh. This is sounding fresh. Side chain. And I'm going to put our pegiator on the base too so we can give it that. Oh baby, we got it. Okay, so do the pre-drawal. We can do... But if I was really Porter, we'd get some weeb stuff going. So I've got to do some research. Have y'all seen how good attack on Titans getting? You with these things. Perfect. Add an amp and a little plate. As for the vocal part, he does use vocal Lloyd, but my friend showed me a free plugin. This one's called Alter Ego. Kind of a busted version. It works for this and you can just type in Texas. Pretty freaking cool. You can just toss in some Japanese words to keep the culture. And it comes with a bunch of presets too. Pretty cool. I made the vocal chop into this. Added a bit of hat. Fills. Like, gotta have these boys in. Do it with the vocal chops as well. And of course, I'm going to sneak in a few samples from the original track as well. This guy, of course, we got to use this. Arrange it out even more. All the way to a build up. Here it is. You