Dr. Sanjay, while reading definition of poetry by William Wordsworth, he made some interesting reference to the words like spontaneous overflow of powerful feelings, emotions recollected in tranquility. It would be interesting if you can discuss this particular definition of William Wordsworth reference to anyone of his own poems. Okay. Interesting. Yes, of course. First of all, it's a very famous definition and we can see that after Dryden Wordsworth offers this definition. So in a way, he seems to be taking the focus away from classical, new classical focus on drama to something which is closer to the romantic sensibility that is something which is more inward poetry. And we can see that the romantic period is dominated by only the genre, poetry. Jane Austen is of course there, but predominantly by poetry. So here is Wordsworth's famous definition, right? It is the spontaneous overflow of powerful feelings and digs its origin from emotion recollected in tranquility. Now, if we look at his very famous poem, Daffodils, we will find that Daffodils is a poem which has four stanzas and three top three, first three stanzas out of four that tense is the past. Okay. Which means the poem begins with, I, I, I, begins with I wandered lonely as a cloud, wandered past tense. Yeah. Then it goes on and 10,000 Soya at a glance. Soya at a glance, I gazed and gazed but little thought. Okay. If you look at it and then the final stanzar when it comes that for off-twin on my couch I lie in vacant or in pensive mood, they flash upon the inward eye. Now that takes it into the present. So if we can imagine the poet reclining on a couch, recollecting his nature walk, lake poets, very famous for their walk in the lake district. And there he must have seen a whole wide stretch of Daffodils. And he must have his inward eye, he must have captured that. And now he lies. There is also typical to especially words worth and subsequent romantic poets. The city countryside divide. When he is pensive, when he is vacant often he is in a city ambience. And when he is very vitally energized he is always in the lap of nature. Now when he is in a vacant or in pensive mood he recollects the Daffodils. So if we just look at and it would be very interesting just the simple exercise often we do not touch upon when we ask students just look at the tens of the poems. It would be a good exercise of say language, grammar. And in the process we would be doing stanzar wise the poem. And tracking the imagery in the poem, the tone of the poet, the eye predominant in romantic poetry, the eye, the subjective, very subjective eye of the poem. And so if we look if we follow Daffodils stanzar by stanzar we will find just looking at the tens gives us how this recollection in tranquility happens. And then how does the poem end? Poem ends with then my heart with pleasure, fails and dances with the Daffodils. Now how does the definition end that the tranquility gradually disappears? And an emotion, so the tranquil emotion disappears and an emotion kindred to that which was before that spontaneous outburst of emotion, that great happiness. So when he remembers that Daffodils once again tranquility vanishes and that spontaneity of happiness that he felt as if comes back makes a re-encreate. So in this sense if we track the mood of the poet, the tone of the poem and the tense in the poem Daffodils we can see how very well this poem in a nutshell, the small poem works out the definition of words worth definition of poetry. Thank you. Thank you.