This is Wilkheim Art School. This is part four at the final part in this free acrylic painting landscape course. I'm just going to add some ultramarine blue and some illizarin crimson to get started. This pink here is just a mix between the white and the crimson. That's all it is. Just start with the white. Add a tiny amount of the crimson. You don't need much at all to get this nice bright pink. I'm going to blend that edge to keep it a bit soft. I'm going to blend that edge to keep it a bit softer. I'm going to get some of this color, some of the blue color that we had for the sea. You can just break it up. I said for the sea, I used the one for the sky but it must take that when you're painting. I'm just lighting this with the white and this area is here. I can just add a touch to it. With the bright pink, it's nice that, isn't it? You can see how I can work side to side, just to feather that edge from it. I'm going to shade down that pink a bit with this other blue that we had already pre-mixed. You notice on this side of the picture there's a little bit of it here and a little bit of that color down there. You can see that down there. I'm going to go up here. I'm going to go up here. Now just with some more of the blue onto the pre-mixed sky color. I'm going to go up here. Right, so a little bit to that corner. Now when we have another look at the picture, we'll see how the burnt umber that we first put in here is too warm and not dark enough. We can just mix a black between using the burnt umber. Add some of that blue to it, the ultra-green blue. You see how that gives us a lovely dark black? Especially on the base of the land. You don't need to worry too much about the top. I quite like having part of it there. Then with the white on here, I'm just going to add a little highlight and I use quite a dry brush so it breaks on the texture of the canvas surface. A really lovely paint-fully approach and sometimes it's just what you're after. You know, a real feeling of the brush marks and the movement. You can of course work more into a painting to make it more realistic but sometimes these just work absolutely at real cracking little paintings. What I'd now do to bring it to a better finish is I'll start to introduce glazes and different colours and just to work on the whole thing just a bit more. This is Wilkamp from Wilkamp Art School. If you want to paint along with this, you can go to my website. There's a link to a download to this picture and all the steps that I've gone through on here so you can follow along at home. I'd love to see your results and get painting. For more advanced acrylic techniques, have a look at my course, The Art of a Crilix.