Hi everyone, Keith here. I've had a few people asking me about two different banjo licks in my songs. One of them being song called Gone Tomorrow here today and I just thought I'd grab this six-string hearing and play you the figure of how I'm doing it. So let's see. I'll zoom in here a little bit. So basically we got the open D string. Just an open D. You can see what's going on. Pointy finger. On the G string, on whatever the hell this fret is, that one right there. And then pinky on the B string up here. Those are my three primary strings I'm going to use for this opening figure. The reason I'm using the pinky is because I got to slide it up for to make that chord. So here on this end I'm just rolling with if we don't flat pick it which I think I did on the record was a flat pick but if we use fingers it would be... That's that first part. The next one is going to slide from here. That's the high E and the B string making no sounds. This is a ton between them making it almost a dissonant thing. So... That's that sequence. And then you can click the phrase by... On that B string. So together it's... There you go. The next one is somebody like you. In E. So three finger patterns. So G string, B string and the E string, B string. I'm just putting my pointy finger on the... What do they tell that for it is? So there's a open here. And it's just... You can use any finger. It's just sliding that finger up a tone every time until a half tone. So... That's a simplistic foundation of it is the movement of... So you're only ever moving one string at a time. So I mean you're only moving one string on a fret at a time. So it's really... Then it's just more about the hammer-ons. I hope that's of somehow. Bye.