So this is the Raku firing about to take place. So some sawdust has been put out in some blanket boxes. It's going to get you up to a thousand degrees to reach the optimal temperature for Raku firing. Of course the exciting bit is going to be when he takes the things out of the kiln and plunges it into the sawdust and there will be lots of smoke and everybody will probably run away then. Oh yes, we did that John, we got some pictures. Yes, well we're setting up for Raku firing. The items have been glazed and now it's got a sort of oven being placed over the top of the kiln. Very precisely. I have a lid like that that just keeps the heat in there and on top of that. That does his head seem to be alright. How long is that going to take to heat up then built? About an hour. And you've got to hold it for an hour or you'd lodge it in some hour. We've just tested it. We'll go up to it from capacity. Occasionally it gets locked up and it doesn't. If you can't get that much flame out of it. Oh that flame's going down there, is it? So to start with it's what's called a lazy flame. Because we've got to get rid of the water that came into the pots from the glaze. The pots have soaked up into the water. So we've heated up to a quick to that turn and the steam blows apart. I hope you're not. That went in it. So I watched a go up every quarter an hour which reminds me to come and look at the kiln again. I've got a timer that's going to tell me how long it's been running for. I'm going to sit down there. And the interesting bits when you pull them out and chuck them in the sawdust. And then we get the alchemy. This is a medieval temperature centre, is it? It's a new tour. It goes back to what's it? It's an incisorant 950 in the whole place. I'm trying to keep it a little more size. It goes further back and it will go back. It was to be transferred and to stock it. That's the natural of the wind. It starts to rain in hydacos. It starts rained in it. It's going to be cool.mission Oh, yeah! Oh, yeah! Oh, yeah! Oh, yeah! Oh, yeah! Woo! It's delicious! Oh, man, I need a bit of it. Oh, man, I need a bit of it. It's delicious. It's delicious. It's all good. Oh, is it coming out? Okay, it comes to which?èsoooooweow Oh, that's a nice room! Yeah! föttisfeat We put the little one. Take the boxes for it. It's fine. It's fine. It's fine. It's fine. It's fine. It's fine. It's fine. All right. So that is a racquet. The quarter hour is staying there, it's going to the right about a thousand degrees. It's probably already down to 800. So the glazes are now solidified. Now it's got a carry on the cooling down. The solder is actually acts as an insulate. So it stops it from cooling down. It's quickly as it would be. It's just acting the open. Obviously it's in the box-elps. So quarter hour or so in there. 20 to 4. That's my marketing manager, Jenny. So they've come out of there. So it's been 10 minutes since. And then it goes into water and gets scrubbed with the wire wall to take the sort of it with a built-up net. And then it will look as magnifitant as some of the oxygen. It's quite a long line. It's quite small. It's not difficult. It's a little bit bigger than the other one. It's a little bit bigger than the other one. It's a little bit bigger than the other one. It's a little bit bigger than the other one. I'm not going to set it up in the background. I'm going to set it up in the background. It's going to catch the oil on the way. I'm not on the prized bit of oil. This wasn't the crotchade oil, was it? Well, now you come to make a smug, girl. Yes, it does. Sorry. Oh, it's flying. That's what I've gone into my car. Oh, no, it's not. It's probably a bit big. It does that big yellow pot. You know, he's done a lot of experimentation. But he's not doing reductions. He's using glazes. That was beautiful. And there's a 12-thousand. It's done. Now we get to what you do with the dishes. That's it. There are some people who do this a lot, lot quicker than this. And he takes sort of a minute from coming out of the queue to go into the water. But in my humble opinion, that's a great way of breaking the pot. I went to Glossomry once for the festival. As a guy who's been back before firing out, he was doing that. He had little foot rings on the bottom of the pot and they all fell off as he got into the gold wall for him. But you're a silly bug isn't that? It doesn't really enhance the pot at all to have that happen. I'm going to say take this and eat it. There we go. So try and get it into the water. So the whole pot is cool rapidly. Some of the glazes will change colour. So the floor's green is becoming a turquoise. What a black. I'll end up as the copper. Is that just a cooling oil? The copper comes because it's buried in the sawdust deep. So it's had all the oxygen start and rip down. This got into the sawdust while the glaze was still molten. So it's actually scarred the glaze. It's got lines on it. It's got even printed the sawdust. It sort of kind of means it's not as smooth and delicate looking. But on the other hand, it's quite interesting texture. You can get away with that and see what I'm just saying. Why make your problem is that I'm a domestic product of this in my life. I don't make this sort of fancy decorative stuff. It's useless. This pot remains porous because it's not quite a high temperature in the glaze crack. We've added advantage. It's very slightly toxic as well because the copper will come out in food. It's in some ways. In some ways it's a pretty silly idea. It's getting this big. We've got a little bit more on the other hand. We've added the corn spread a lot of the time. You can make it active.