Hi, this is Shady and today we're going to be taking a look at the old school throws of catch wrestling. Often when we discuss catch wrestling it's usually the groundwork, the pins, the neck cranks, the double wrist locks, all these things trying to rival it with judos, legendary renails and talking about how you can incorporate it, you know, BJJ versus catch wrestling, the whole thing. But what I will do today is go through the throws of course with a book in hand or on the screen. It will be in the description below. So the book that I will be using today is the art, the science of wrestling and the art of jiu-jitsu. If you think about it, it's a very clever title. So the link will be in the description. I'm not going to go through everything the jiu-jitsu parts. I'm just going to go through the wrestling part for obvious reasons, but it's over 200 pages long. So you can really enjoy this book. So the first throw is your inside leg and arm drop. There's really nothing to talk about this one. In terms of having something unique that's not in judo, it's your classical kataguruma firements carry even on one knee. So you can find it anywhere in a lot of folk style wrestling styles or disciplines. So you even have the one knee blocking the leg. Let's check out a kodokan example of it. So here he pulls kuzushi and you have the one knee thing and just hurls them over, wheels them over the shoulder with the hand. Again, there's not much to say about this one other than you can find it anywhere in the world. The next one is very interesting. The next one is you know back heel and you have the arm is wrapping around. So the back heel is your osoto kind of like this cottage back called wrestling. So you see he has the arm over his head while the other one is wrapping the stomach and grabbing the waist and he's driving them backwards with his osoto otoshi or osoto gari, the back heel in English terminology. So this one is very interesting to find yourself in this one. However, there is a judo approach to this, but the entry is I'm pretty sure it's 100% different than your catch wrestling entry, but there's not much detail on it, but here's the judo one. It's none other than the Pedro footage courtesy fighting films link in the description. Of course, you see Kaila Harrison fainted a sode to the komegochi, gets underneath the arm turns completely to the other side rather than throwing her opponent forward and from there she wraps around the back, not around the stomach. So that's the only difference. Here you see she has the her head underneath the arm, but the other arm of Kaila look it's around the back, not wrapping the stomach and finishes with osoto gari. So it's a very similar position. It's one arm that's changing. However, I'm very curious to see how the catch wrestler went into it. So this one here, of course, you have your leg grab and a leg rep happening at the same time. This is something you see everywhere here in catch wrestling, you pick up the leg and then you rep the other one. While you can also see it in striking disciplines such as moitai, kudo, karate, etc. people lifting the leg up and then going for an o uchi gari with the other one. So here you see he picks up the leg and then you can see him doing a back heel or inner back heel with the other one. So o uchi gari. So this is your old school judo, soto ashi dori o uchi gari. So you grab from the outside soto ashi dori or ashi tori leg grab tori mass is to grab or take an o uchi gari in a rep. So this is courtesy of efficient judo. Like I said, you can see it in a lot of striking disciplines, you see moitai, you see in MMA, you see it here in karate, a lot of people just grab and then either do like a kochi or dashi gari with the other leg or just pummel them but grabbing the leg when it comes to striking and then ripping the other one is also very common. So again, the human body is one around the world. So it's very easy to come to the same conclusion. However, the entry is what I'm interested in but these old books, you know, they they cannot provide you with a lot and it's understandable considering their time and printing and all that energy that had to go into them. This next one here is your double leg take down. Now this one I find interesting, he's grabbing the calf, the calves rather than you know the lower part of the thigh on the knee and the way he's bent down in my opinion, I don't know, maybe I'm wrong but in my opinion it's not the most optimal way to go for a moro tegari or a huge pickup with the legs like a scooing agai. So the way he's bent down like this, it's not as efficient, maybe there is something to it. So this is your judo's moro tegari, you enter, you don't have to pick up, you just actually dive in kind of like a tackle but you have to really go low, not just bend your back downwards like the wrestler did so that's my question mark on this is how does he actually finish it because the way he's standing it's not a very efficient one and at the same time he's very much prone to so many attacks standing like this. And the final one is your osu tegari from a double wristlock grip. You see double wristlock grip in my opinion is a very underrated grip for take down. In grappling you see it often but only for sramigai shi like shori hamada uta abe keep masahiko kimura the great masahiko kimura and I'll show you if your example later on but from this one there is just so much in my opinion you can do maybe you can do like a legless fireman you can do like a like ikey los kokyonage there is many things that you can do you can just whip it downward and they would fall and they would roll you can do a yoko wakare from this position or ude gai shi they also call it but here it's a grip and you can easily take someone's balance off because of the shoulder how you can control it so here you see uta abe is doing a sumigai shi with this grip and amandin bushar is just tapping endlessly that poor woman so and of course here you see the great masahiko kimura doing it as a sumigai shi and using the grip to actually maintain a pin this is a very efficient grip to actually maintain a pin not just to submit someone here i'll show you a very simple example it doesn't even grip it as the kadaver wristlock grabs his thigh and it's in ushiro kesa katame and it's very hard to get out of this one and he's only maintaining the arm contact like he controls the entire body keeps it down only with this grip and he just hooks his thigh with it so it's a very efficient grip not only for the submission you know the kimura or the double wristlock or ude gai rami but also for various take downs in my opinion so let me know from russian tie can you get that grip i'm not entirely sure no ghi is not really my world so if you have anything else to add please let me know down below the book will be down in the description below also i'm very thankful for my friends for sending me these links these books all these all these material that i can just go through and discuss with you all also consider supporting me on patreon for exclusive content only this was shedi and thank you for listening