Alright, so how was your week? Good, um, busy, but, uh, but good, yeah, all good stuff. Great, and, uh, how did the practicing go? Good. Good? So, um, why don't we jump right into Claire to loon and work on the section I signed last week? Okay. Okay, um, go ahead. Oh, yeah. So, I had a couple of questions about this part actually. Oh, okay, sure. There's a fingering written there. Is that right? Yeah, they're there. They should be fine. Okay, okay, because, uh, yeah, I worked on, I tried changing it a little bit just to see if something else, you know, works maybe a little better. It didn't, but yeah, so I spent a little bit of time on that. Yeah. Alright. Okay, so, so, uh, go ahead and start again. Oh, okay. So, what do you think about the emotional component of this piece? Because I've been, I've just been going over the, I've been going over it in my head trying to figure out what the best way to deliver it is. And I'm just wondering about, you know, what should I be channeling? What should I be feeling? You know, as I, as I play this, this particular section. Well, I think first we really need to nail down the notes in the fingerings before we can dive too much into the musicality and the delivery. Right. Okay. Go ahead and start again. Yes. Okay. Did Debby see and Revelle really hate each other? You're avoiding this. Wonder if that sentiment should be reflected in the performance. Please start again. Do you think you could give me a detailed summary of the composers whose work most predominantly led to the development of the Impressionist era? And how those composers ultimately influence Debby's rhythmic and harmonic styles? And maybe, you know, if you could squeeze it into about 57 minutes? You didn't practice. Hmm? You didn't practice. No. Why not just tell me? Oh, I thought maybe directing the conversations somewhere totally unrelated would keep you from finding out. Uh-huh. Okay. Well, why don't we go ahead and reassign that for next week? Hmm. And in the meantime, let's work on the minor scales from last week. Oh. Could you give us some of the best examples for hearing the minor scale in use in compositions? I really want to understand it more before I actually perfect my ability to play it. Get out. Thank God. Thank you. Thank you. Thank you. Thank you. Thank you.