The one that I chose is called Sunset of Glow. Here we go. Welcome back. Certainly glad you could join us today. I thought today we'd do a painting. I'm already feeling my curry. I'm already feeling my curry. One that'll make you feel good inside. So let's start out and have run all the colors across the screen that you need to follow with the story. I got all of them in the story. They're all here. They're all here. Let's do it. We'll start with our little tiny two inch brush today. We're going to go right into a small amount of the Indian yellow. Oh wait, this is Indian yellow. I have a fair amount of art fear. Can't make decisions that require like finality. I don't want to hear about a piece on it. This is super light. You've got to be gentle with just a little amount of paint. It's not an airy painting. I feel like you can see my brush strokes and you can't see his. You can tell that my easel is very sturdy because it bounces every time I do something. Now without cleaning the brush I'll go right into a little bit of yellow ochre. The same brush without washing it, which I love because that's how I do my makeup. This guy. Just a little bit of art fear. There's one of the brush hairs in there. His just looks so nice and smooth and mine just looks like actually hairy sunset. You have better brushes than you. Yeah, probably. I bought these in a pack for like $5. So some of his strokes are like a lot broader this way. So I'm going to try that. I have art fear. There's so many factors that I feel like have goofed up on. Be careful with the bright red. It's a gorgeous, gorgeous color. I'm going to be careful. It's so strong. One tube, a turn a hole of manic ocean red. There's brush strokes. No, it's okay. I have art fear. It's a good thing that Bob's really positive all the time because he always tells you that you can do it. So I know although my sunset has racing stripes, I know it's going to be okay. This is so blended. How do I get mine to be blended like that? Look at my brush. Why is my brush so angry at its light? So his red extends like across the length of this. So we got to get some more red. Which is making me nervous because I'm just nervous in general. I have art fear. So what I've learned so far is that you really just got to go for it. You can't do these nervous hairy strokes. You got to watch Bob and just really go for it. I'm going to make it more red now that my confidence is building. Oh, I have art fear. Oh God, what have I done? Bob, I've blended too far. What do I do? Leave it alone. Leave it alone. Leave it alone. It's getting a little worried there that my too much gene was going to kick in and we were just going to have a red armageddon sky. Bob reminded me to stay confident in myself. Let's see what he does. Let's use a lavender color. We'll just brush mix it here. I'll use a little Thelo Blue. Okay. I'm pretty crimsy. I'm a little blue. proportionately. How did he mix that without ruining this whole thing? Wait, hold on Bob. Can you imagine doing this live like on TV and you didn't have you too? It has a bit of art fear. It has came out like lavender about mine's just sort of like getting sweaty from the art fear. Just wherever, wherever. Oh, I've definitely done the liquid white wrong. It's dripping into my suns. So he says just do it wherever. Oh, you got that little Thelo Blue and just hit it here. Gorgeous colors. Shake off. Just beat the devil out of it. To beat the devil out of my brush, I'm going to take it over to my garbage because I'm not in an art studio. I'm in my home. So I will beat the devil in an appropriate place and not ruin my floors. The devil is everywhere. I've resorted to just wiping the devil which I think is still helpful. How are Christ can tell you? How are you going to tell me? Didn't it help? Yeah, that helped. OK. OK, so we're going to blend this so it doesn't matter if there's still a little purple in there. Oh. That's beautiful. The devil's still in here. Why do I always do it? Like, I'm doing fine and then I just get one devil in there. There's a big brush hair right in the middle. Wait, Bob, I got red in the sky. Don't give up on me, Bob. I'm going to go into the titanium white. I'll be right back. Don't go away. OK. Don't go away. A little bright red with it. A little bright red with it. A little sparkler. Go up in here. Big old cloud right up in here. It just sort of floats around. It has a good time all day. Oh, it has a good time all day. You know, clouds are one of the freest things in the nature, I believe. So don't have fun wherever you want them. OK. Let them go. There. Maybe. I don't know. Wherever I want them. Just decide where these clouds live in your world and put them in. I won't get our little, our little salt. Oh my God, is he done with the clouds already? A little white with it. Just be here. Go back, Bob. Hold on. Oh, God. What is that? There they go. What is he making? Oh, Bob. Oh, I'm scared to have art here. Something like that. Wherever. Wherever. This, he just like, he like bangs these out. And. The floating technique is off the chart. How does he like decide where they go? He has a vision of it. Do you have a vision? Do you see something? No, I see nothing all the time. Looks like somebody just punched a yellow pillowcase and a bunch of feathers came out. He just makes it look so easy and beautiful. Nice dark cloud in there. A dark cloud? The contrast will, it'll sparkle. It'll absolutely sparkle. He says it's going to sparkle, but I'm nervous. Oh, he's got white on a knife. OK, hold on. I can't blend with this. I get excited when I see it. He's turned me on. There. I'm very quiet with the squirrels. OK, well, he's showing his squirrels, which I deeply appreciate on a spiritual level. I'm going to try and fluff up my clouds with this little brush. Maybe I should have used this little brush like before. Now, am I just making too many clouds? Help. Press one in the comments now if my too much gene is being too much. I think we're doing OK. He just has these beautiful looking clouds. More lavender in the bottom. I'm going to just put that right down in here. Maybe we'll have a little mountain. We're back in the distance here. You already made a mountain bob? OK, hold on. I'm still mixing the paintboss. Oh, far away. Quiet little mountain. Quiet little dude. He lives we out there. It reminds me of a loud mountain. It's got some fresh and blue. The lives are on the crimson. Hold on. The mountain's still loud. Hold on, Buck. Oh, my God. That is so aesthetically pleasing. Oh, it's just a dark green. Dark green. Dark green. And put the indication here and there and there and here. I'm still mixing colors. How did you do that so fast? He did this end part faster than anything I've ever done in my life. Then he took his knife, which is somehow magically clean again, and made a little path. I've certainly enjoyed her time together. And I hope you tried this one from all of us here. I'd like to wish you happy time. He's done. And God bless my friend. I'm still trying to figure out what he did. Bob Ross has absolutely no paint on his shirt, not on his jeans, not on his hands. And I have managed to ruin almost everything in this entire room. You know what I did? I put the water line under what he called the reflection. So it's reflecting a reflection up into the mountain. Why don't I fix that? That makes more sense, right? My painting had a fatal flaw in it. I'm going to show mine versus his. It's not really about your ability. It's just about the freedom and the joy of painting, am I right? Bob Ross holds such an nostalgic and wonderful place in Sony People's Hearts that it is fun to see. Someone just recreate one of his paintings. So I think my too much jean really took over in a lot of places and I did put an awful, awful lot amount of liquid white on the canvas before we began. But other than that, he makes it really nice and fun and relaxing. And I also like, I wanted to do something nice this weekend's my birthday. So I made myself a painting for my birthday. Happy birthday. Thank you. This was really enjoyable. Do you like it? Well now we have a piece of art to remember this forever. Where are we going to hang it? Absolutely. We have to have dark in order to have light. We have to have dark. We have to have opposites. Dark in light, light in dark. Continually in painting. You have light on light. You have nothing. If you have dark on dark, you basically have nothing. There we are. It's like in life. I've got to have a little sadness once in a while so you know when the good times come. I'm waiting on the good times now.