The tension that existed between you, between Uper and Quinn. And it was said that that tension was not fake. It existed on the set. And I don't know if that's because Robert Shaw was a method actor and wanted to carry over or what. But you have to straighten that out for us. Robert was the single most powerful personality. I've ever met. And when he was alone, when he was far from the set, he was the most graceful and generous gentleman. The closer we got to the set, Dr. Han Doctor Deco became Mr. Hyde and came and I became his target. And at the point that Michael Chapman, the operator, who was really a set of power for sets and warrants, what is this Robert Richard show that's going on? And I said it's just something that Robert does. But he had my number, psychologically. He told me that I couldn't do things that I could easily get on. Like I can't do 50 pushups. You can't jump from the top of the ship to the ocean. And I could, and I could certainly do both of those things. But in private, Robert was an amazingly talented and generous guy. And one night, I remember we were sharing bunks during a break. And he said, I know. I'll play the ghost, G.R. Antlin. If you play the ghost to my lear, I have to go to the pool to my lear. And you're dealing with one of the greatest Shakespearean actors. And I said, you've got it, but not for 10 years. And he said, why? I said, because you'll blow only off the stage. That's why. And we would have done that. Had he not died? And we would have done it. He once read the entire script of the man in the black spoof that he wrote. That was awesome. And it's nothing compared to what he did that day. He had seen Ben character himself. And at the end, when he says, children of Israel, children of Israel, if he had chosen you, you also would have followed where he led. At that moment, I looked up. And the entire cast and crew of Anstetun were at the windows of the Bove Orca. All of us had stopped working. Anstetun wasn't saying anything except, go on. And it was a privilege. And it was an insight into him. And if you know this, if you know more of him, then just that film. You know that he had a true, odd, neurotic, competitive urgency. So that it's why the odd screen hostility began as it did. And it's also because when did that moment where I come in and he takes my hands and says, these are not working man's hands. You've been counting money all your life? Yeah. He said, I had to be told to try a certain kind of not. And I am not in Mathuver, just say the least. But in the end, we're going to do that. And then I tossed it back and planted the space. Looked at me with a look that said, you've made the worst mistake of your life.