What makes Queens dope and pretty special that, you know, it's not Manhattan, it's not the Bronx, you know, it's not Brooklyn, it's right next to Brooklyn and everybody think Queens is just a bunch of houses or whatever it is. But we got mad projects out there, it's mad hood, so we surprised people with the level of talent that we come with, you know, Randy and C, L. L. Coojee, you know, the same child called Quest, Nas, Poohmoffe getting from Queens, OC, he's from Queens, right? You know, then I got to go take it back. MC Shana Mollymar, you know what I mean? MC Shana Mollymar alone, you know, what he did, what he contributed to hip hop was unparalleled to anybody of that time, you know what I mean? He's the dopest producer of all time, you know what I mean? So, you know, when you have stuff like that in the air, it just becomes contagious, you know what I mean? It inspires you, I'm from Queens, you know, I'm saying Randy and C, L. L. Mollymar, you know what I mean? You can't beat that, so you take that and you run with it because it's in the air. You know, about this whole, you know, East Coast movement of today, and I'm kind of inspired by seeing people like, you know, West Side Gun and Conway and, you know, stuff like that and, you know, a Joey Badass or Action Bronson and, you know, even more newer people than that, is that we could, I would sound, that sound could survive amongst, you know, what's more prevalent on the radio, you know what I mean? And that just goes to show you that no matter what, a true artist, they do what they want to do, you know, so I don't see that East Coast sound really going nowhere and I do see it, you know, making a resurgence at some point. My perspective on, you know, how, you know, today's artists or today's fans look at, you know, the generation before them and the homage that they pay or don't pay, I think that's just really up to us, you know. They got a, you got to show respect for the music they came before, you know, to study the history of, you know, what's going on, like, you know, the Rolling Stones, they come out, you know, everybody knows who they are, you know, in the makeup performance front of a young crowd. But I must say that most of the time when we perform, the crowd is, you know, mixed with 20-year-olds and 19-year-olds, you know, you might not hear about it, but most of the people that come to our shows are under 25, you know, I'm actually with an old head set, you know, when I perform. And when I'm looking at these kids and the crowd, I'm wondering how they even fucking know about us, like, you know, so I think they do, they're paying homage and they own little ways by attending, you know, shows and performances.