Today we're going to have a 4-2-1 progression which has this lovely leading sound back to the tonic chord on the one there. So... 4... 2... 1... Another little handy thing you can do with this is go 4-2-4-1 for a different kind of feel. So yeah, using the same chords again but just changing the order like that, it comes up with a nice little groove and different idea. So different chords here you can use. I really like to use this sus chord here. This sus 2 or like an at-9 chord. Then use a minor 7. And then use another sus chord. So it's 2 again. So this is already sound very good. Very like... you know like a pop-on key or you know kind of emo, you made a west emo. You can't emo, emo, kind of sound, emo, kind of sound. But what I like to do, you probably see me do this a lot of times, is at this like... ...with sending melody into this. To me it doesn't feel complete so I actually changed this sus 2 here, the C sus 2. Into this major 7 shape here. Just to finish it off. Which I think sounds a bit cooler right. And one last trick before I go, you can also throw the third in here, the third minor. So we go 4, 3, 2, 1. So for example, you have the D, 4th. And we can go... ...Ford. And I encourage you to do this same thing up here with that moving melody. Some balancing the chords differently. So if you had a D major 9, you change to a D6 9. You have that kind of Japanese indie, mafrock kind of style. And then you can do the same for your B. Man and 9 here you can result in a cycle between it. Right, that's all for today folks. Hope you enjoyed this one. Anyway, enough waffling on there. Thank you for watching and I'll see you again soon. Goodbye.