I'm Charlie, my teacher at Shalik High School in Center to New Jersey. Okay. And tell me about the piece, good bye, Manhattan. Hello. London? Can't read my hand right now. How did that piece come about? I had a lovely author come to me in her 80s and he asked me to do four children's books over the course of four summers. And this was the final book that I did with her. The plot is a young girl who's parents living in Manhattan from mothers in the talk for her father's a journalist. There reassigned to a small town outside of London where the mood of transportation is bicycles and pony carts. And Bethany's very very upset about leaving Manhattan. So on the cover I had to try and catch the winsey of her nostalgia, but also that little bit of excitement about the unknown. So you have the symbols for the Guggenheim and the Apple on the sign. And that whole rush of Manhattan I actually pulled the street lights with my fingers. And then hidden in her hair as you look closer is that unknown in the wind in the air the British flag. It was a very beautiful painting and I understand she sat for you. Yeah, that little girl was actually the younger sister of my youngest daughter's boyfriend. And she was hanging out with me for the summer anyway. I was babysitting. And so we had a really great time. Did that present any challenges? Usually having a child sit or interviewing children tends to have a unique challenge to them. Well, that's where the educator and me came into play. I would keep my palettes from the day's work and let her play with them. So lots of times she was working on something and then I would groom her and co-char for what I needed her to do with the pose. And she would literally just leave what she was doing creatively and strike the pose very quickly. So I thought that left some of that spontaneity in the photo shoot that I was working from. And my favorite thing though is the color in my eyes. I would like to add something. That summer I was in a very bad automobile accident. And the month of July I had two neck vertebrae fused. I couldn't drive the month of July and this is for all those artists who work best under pressure. In the month of August I had 23 camsys to do. The last week of the summer I still had that cover piece and two camsys. And a woman in her 50s can still pull an all nighter. Because they did two camsys, stayed up all night and that was my finished piece by dawn. And it looks beautiful and you would never ever even start from the 80s under pressure. Right? I love the 80s. Thanks a lot. Well I'm not done. I wanted to know what advice you would give to young artists. How do you inspire the children that you teach? Well my one motto is time as art. They think that they want to become an artist and they have to be able to find the time, make the time and sacrifice the time. Good voice, good words. Thank you so much.