Princeton liked for his music to be covered in the first place. He didn't care for that. And not only that, he went through painstaking processes to make his music hard to cover. He would stack the keyboards in a certain kind of way. He would detune things. He would do things with tape that nobody was trying. And he would hide things. Alphabet street. We didn't know until we opened the multi to get set to harvest samples one day. There's three bass tracks on it. There's three basses going the whole time. He's got it mixed in a way where it sounds continuous. Like it's just one bass track. It's very active. It's a lot to play. It's like, who anybody who's certain intersections of that recording. It's like there's two different things happening on bass. And it's like, well, who's going to be able to do that?