At what point was it where you realized that your artistic vision and what you had to offer as an artist was number one unique and number two something that other people would enjoy listening to and drive inspiration from. I think that it's kind of thing you never know because people would be complimentary to even know you're saying. So always I think once I got in the high school people started to comment on my playing where I could play but my father was always. He always only listened to music so I will go sometimes and play with him and I will circulate breathe and play but the people cheer for me and he would just. When I was finished he would say hey man the circus is down the street. And I think I was very fortunate because of course we trusted him he knew so much more than we knew and we also knew he was just about music. And at a certain point I started to get recognized I actually I really couldn't play. So I understood that somebody has to get publicity. I got publicity. The question for me in my 20s was just how can I learn how to play. I was winning awards and stuff and could I play as good as real musicians who could play with his yard, clock Terry or trampolines really could play no. And it was about being dedicated to learning. And so far as the people rallying around me I think the one advantage I had over people in my age group was that I was philosophical and I believed in jazz and I never wavered. So no matter bad reviews no matter what was said I would be very clear philosophically. Another thing is I would discuss racial issues and be very serious about it. I was not afraid to state an opinion and to stand by it and I also had to take what came with it. And I took it and it was a good 20 years of it. So the dizzying less we once told me when he read an interview he pointed at the interview in this trumpet case he pulled it out he went. He said oh. I said oh yeah man I just said he said no no no no no a lot of this stuff is true. But be ready for the return. It might not ever stop. Then I was like 19 or 20. I didn't understand what he meant. At 42 I understood it. So I think that because people could identify with my perspective and I was always very clear about my perspective and always about the music and did not waver about it. It allowed all the people who believed in it to kind of say hey we might not agree with everything this guy is saying but he is about the music. And in that way I think I was fortunate. And it just being around my father gave me an example of what we talked about early. It's something relevant if it's not in people's mouths. Well I saw him play gig after gig after gig for not that many people for many years and it was relevant to him. So when I came out here I was shocked that I got publicity and people knew who I was. I really was trying to be like him. And everything has been gravy since then. You know like okay. And I think it's a matter of just that maintaining a seriousness and a belief. Because when you play your philosophy is what you are expressing.