Thank you, Joe, for this interview. First, I want to start with getting to know you as a person, so where did you start, where did you go up and how it all started? I was born in England and I traveled around a lot when I was young. My father was in the Air Force and I studied arts at school. When I was 19, I stopped painting altogether. Went and did a degree, then went to drama school and it was a stage actor in London for my 20s. While I was doing that, I started to enjoy writing. So I started writing screenplays and things like that and put the acting to one side. But screenplays took a long time, difficult to make money. So I started doing little chalk drawings to make some money on the side. Then I was approached to do a series of pictures in Spain by company, employed to it. I called my friend Max from school who is a very good artist and said, do you know how to do 3D art? He didn't know, I didn't know. Thank you very much. It's having a coffee. So we taught ourselves how to do it and we went on this tour in Spain. Then we started small and they just gradually got bigger. We started by doing chalk on the ground. But then we soon realised that people liked having their pictures taken with the artwork. And they wanted to get on the artwork. It's quite interactive as an art form. I think your finger might be in front of it. So we realised that we'd better do paint. But it's very obviously very difficult to get permission to paint on to pavements and sidewalks and things like that. So we started doing a lot of canvas. And it completely opened up a whole new world because we were able to be creating artworks that were fully interactive, that allowed people to jump on them, play with them, come up with different poses. And also reuse them as well. Because it's as I said it's difficult to get permission. In the very early days it meant that we could roll out the pictures without getting permission and then just roll them up very quickly. But now we'll of course do it properly in the right channels. So I didn't really start. So I didn't really start painting until I was 30. And what inspires you every day? What makes you get up from the bed and do what you do? It just sounds like a cliché but a new challenge I always wanted the last picture to be better than the one before. So the latest picture has got to be the best one. And I've got to come up with something new as well. But it's very easy to just do the same work over and over again. And all there is quite nice to carry on themes and techniques. It's always good to try and put a new spin on. So a lot of the time, well if I'm working on a project that I know is different, I'll wake up with a spring-wise step because it's exciting to be doing something new. It's wonderful. So what are some of the defining moments in your life? I think when there are some positives and negatives. I got married recently, which is lovely. It's an amazing woman called Mel who's a very talented actress. And she's very creative and stuff. That's obviously very good to be for me to be with somebody who is so creative. And then when Max died, my art part, I think he died two years ago. That was obviously that turned my whole world upside down. I was suddenly working on my own. But what was amazing is that a lot of Max's friends are very good artists. They stepped in and helped and got me through that first year with assisting me. So that was very good. I don't know, I've had loads of defining moments really. I have really simple parents, an amazing sister who really encouraged me. They haven't been the people who said get a proper job or give up going to an office job. You've got to earn some money. They've encouraged me all the time. So my family have been really influential. And it's just a constant number of defining moments every time they say keep going. That's nice. So what should take on talent? Is there anything called artistic talent? Do you believe in it? Is it just practice? I think it's practice. I don't know. I say that. I don't know if I could probably practice the piano for 20 years and still not be able to play. So I don't know. But I do know that I've only improved through just hours and hours of practice. So I think it's probably a combination and a little bit of both. Yeah, it's a horrible word of talent, isn't it? It makes it sounds a little bit smart. I think it's a lot of practice for the whole world. What are some of the biggest learning that you gain through these years? What I have realised is that it's rather than thinking somebody saying can you do this and then really working out and going do you know what, there are so many things that could go wrong. What I've learned is the best thing to do is say yes, I can do this. And then, because that's how it started, somebody said can you do a 3D picture in Spain? I didn't know how to do it, but I just said yes. So it made me learn how to do it because I knew that it was possible. And the same thing happened when I broke the wild record for the largest ever PC Street Art. They said do you want to do this? And I said yeah absolutely, is it possible? Yeah, they said it's November in England and it will be raining out on the street. Do you think you can do it? Yes. No problem at all. And as it turned out, it was really difficult. And you know for four days the rain washed all the paint away. We had to start again and again and again and again and again and again. But we got there in the end and we found solutions. So the biggest learning of this street art, which I've carried on into the rest of my life, is that pretty much apart from things like, you know, I can't physically jump to the moon, but most things are possible if you really go for it. Thank you. And what will be some of your advice to the people who are just starting out or kids who want to be pursuing art in their life? Yeah, I would say don't let the negativity in. There are a lot of people who will tell you that you can't do things that you shouldn't do that. Or you need to focus on what's important. And generally what's important, that's probably what's important to them, not necessarily for you. So I think it's just do what you think to write. Don't let anyone try and put a down on it. And believe in yourself I guess. Thank you for the wonderful interview. We're spreading happiness and making our life more interesting. I've got a lot of history over the world. I guess make people smile. Thank you so much.