Hi, this is Shady. Today we're going to be looking at old lost and forgotten techniques released by the Kodokan themselves. I will link it in the description below of course and we're going to be discussing them. So from looking at them there either something a little bit new or a variation of the technique that we already have. So it's not too drastic however those variations can always make a comeback and also be a very surprising factor since the level of competition is very high. So this is the title. It is a Kieta Waza and Watsu Rarita Waza meaning lost techniques and forgotten techniques. So the first technique that we're going to be diving into is none other than Seiyo Otoshi, this picture from 1928. You can see so he is hooking the arm much like a shoulder throw but you can see he's reaching around his waist to grab the opponent's belt and from there he just cuts down and drops them. So it's not too much of a lift on the back like you would see in a Seiyo Naghe but there is loading on the back for sure as you can see from the photo but it cuts down using the sleeve grip and the belt grip. The belt grip will create a great assist to the arm because cutting on the lapel and the arm or only on the arm needs a lot of timing and needs a lot of sudden explosiveness down. So you see Seiyo Otoshi here, one knee or two it does not matter but from the picture you saw it was a more like a standing variation of Seiyo Otoshi but I would say if it was done today with the kneeling down and you really want to take them over it would be a Seiyo Naghe nothing more but if you remain with a straight back as you saw in the photo and just move a bit to decide your neck and cut them down then yeah maybe it's a drop not so much of a throw but nonetheless it's something if you can add your arsenal would be great. The next one is Seiyo Otoshi. Now this one is interesting this one from what I understood from reading the article it was gonna take the place of Sunigai Shii in Naghe no Katta from what I believe but later on they put Naghe no Katta in the Goku it is still a forward throw a sacrificing throw to the front and I'll show you what it looks and we can all agree that Sunigai Shii is a far more technical and also efficient throw them. This one so this one is you push them to the corner like either to the diagonal left or the diagonal right and as they react forward you actually go to your side and then throw them forward so this is something that kind of looks like Yokohakare but it's not it looks something like this so it goes slightly to the side and then you throw them forward you don't throw to your side as in Yokohakare you throw them to your back but you position yourself somewhat close to Yokohakare and we will see Yokohakare in a bit so the next one is all Yokohakare or major side separation kind of looks like a foot sweep as you kind of look at it first they say you put the sole of the foot on the side on the ankle level kind of like Yokoh Gake and then with your arms you take them sideways so today this would qualify as a variation of Yokoh Gake and we will see the variations but in Yokohakare there is very little movement in the arm especially in the basic form but in Yokohakare it's mostly the arms and let's see the basic form so you see here the lift and then you throw to your side notice how it's mostly the dropping of the weight and also the hands doing all the work but in the photo that we just saw it's you're using the sole of the foot to block their feet from going sideways and from there you use your arms to hold the same way here so let's see a competition example this is the Mongolian Jodokai it's brilliant how it's done so notice how she flattens herself to the side and then takes her down to her side using the sleeve only and some people will look at the basic version and think it's an effective one effect it really is as you see here on a very old competition example so she reaches for the leg and then from there she flattens herself and throws sideways separating so here is another one so it says here Yokohakare however the way he was gripping the first one it kind of looks similar and it says you block as in as if you're doing Yokoh Gake but here it's sleeve and the lapel and with the sleeve you push it to the to the ribs kind of like doing a foot sweep but you sacrifice yourself to the side in Yokohakare but here in the Yokohakare it's obviously you saw it's much different so in all Yokohakare it's the competition examples that we saw but more to the side I'm blocking the foot as if we are trying to sweep so let's take a look at the Yokoh Gake and see why the all Yokohakare is simply a variation of it so here you see not much work with the arms this is the basic form but it's mostly about really slapping the ankle with the sole of your foot and then you take them down the sleeve it's simply pushed as you see here to the side and then you go down now if you were to do that with a big big pull on the side as you saw here it's far more effective and you can actually do in randori it's a bit different than to just really push that sleeve towards their ribs so this one here it might look like sasai but it's actually Yokohakare but instead of throwing them to the front this can also be a all Yokohakare you can actually go to the side overhooks underhooks etc you can do it with no ghee easily now the final one is it might seem a little bit obvious but it's a debated technique so where is you know ni on belly in judo so here this 1929 picture I believe it says here on the bottom it's by Oda Sunetane himself you can see the ni on the solar plexus and then here another one from the side you can see the better so today Uki gata me we have it in a different way kind of like an s mount what they call mjujitsu today but this one here is the basic form I would say this one with a cross face they will not hold for 20 seconds they will be tapping almost immediately because if done correctly this can be used as a strangle and if you're pulling the sleeves towards you while really digging down the knee in the solar plexus they will not last long so this is what is qualified as an Uki gata me today so it looks like you're trying to go for an arm bar but then you grab the belt or the skirt then you transition into what is called an s mount it's a floating hold because of the buttocks are lifted off the ground it's not like the others where you have you know your four directions anchored your elbows and knees or your legs but here you can see there's a floating element and also ni on belly is the same anyone in judo who does a lot of ni on belly will tell you that they feel like they're almost like they're hovering or floating so hence the name so if you have anything else to add please let me know down below check the link for this kodoka article it's a big article it has the all Japan competition and this is included somewhere in the middle so take your time and read it and enjoy the pictures this was Shady and thank you for listening