I want you to think about Dr. Dre's The Chronic. Dr. Dre, you know, he's really a classic music producer. He knows how to make stuff sound good. Like his innovation was making stuff sound good. How he played all of his old beats is he would load a drum loop into his sampler and he'd play different drum sounds over it. This is how he did all the VNWA stuff. So he wouldn't actually sample drum loops. He'd replay them. Okay. And then when he got like, you know, he got screwed pretty badly in the NWA deal. And when he made the Chronic, he did what was called interpolation. And basically what he did was he got a compulsory license to do cover versions of a lot of George Clinton and Parliament Funkadelic and Leon Haywood and Ohio players. You have to do cover versions of his songs. He then paid session musicians to come in and record those cover versions. In that, he owned the master sound recording rights to those cover versions. He would then sample those cover versions. And in that, he would only have to pay, you know, he'd only have to pay a publishing fee and get a mechanical license on the publishing side. He didn't have to get any master use clearance because he owned the masters. So you see what I'm saying? Interpolation is he licensed to do a cover version for the composition and lyrics. He hired session musicians to perform those lyrics and compositions. He then sampled those sound recordings. Those sound recordings, he owned the master rights to those cover versions. And then he just had to pay songwriting or publishing to the authors. So he basically took out the record label and recording out as artists out of the pay thing. That's kind of what interpolation is. You use small amounts of a whole, you know, another example would be like you could think of like the Fuji's Killin' Me Softly were Lauren Hill's, you know, seeing parts of Roberta Flax, Killin' Me Softly. So it's when you like only seeing a little bit or use a little bit of someone's lyrics, but you re-perform them. And you don't do a cover version, you don't change the meaning necessarily, but you re-perform them. That's what Dr. Dre essentially did. It's called interpolation. That will be on the test. And if you sit and you can kind of see this image here, this is the back of the record. You can look at all the songwriting credits and you can see where, you know, you know, let me ride, contains a sample of Mother Ship Connection written by George Clinton, Bootsie Collins, Bernie Whirl and published by Werner Chappell. You know, but it says nothing about like the record label. And that's because he interpolated his own recording of that composition. So if he actually sampled the sound recording, there'd be two credits on there. One credit to whoever, you know, owns the compositional rights and one credit to whoever owns the master rights. You have to list them on the song. So you can see that close up. You can kind of see what he did there. And some of the other samples list both, you know, the record label and the publishing company.