You love the Disney metaphor, don't you? That's a big one with you. I mean, I think I know why you like just sort of movie-gen metaphors in general, but I know you're a film-key-ill-story, of course. Some of those Disney movies, man, they really nailed it. Like I would say Beauty and the Beast, they nailed that. Like they got the archetypal structure dead on. Like that's the fundamental hero myth for women. Is like, find a monster who wants to be a good man and help him be a good man. Don't find the, you know, half developed, harmless thing, find the guy that's, he's a monster. Been through it. Yeah, exactly, you know, and form a relationship with him. Okay, so find, and that's a scary thing to do, right? And a woman who hasn't had good experiences with men will prefer a man who's, well, the psychoanalytic idea would be castrated essentially, but rendered harmless. Right. Well, he won't hurt me, he's harmless. It's like, harmless is not virtuous. Harmless is dangerous, because harmless people have no force in the world. And so they can't move forward properly.