Hi, my name's Justin Love it. I'm a documentary filmmaker based here in Seoul, South Korea. And this is our channel, a little creative, a little organized. So in this video, I'm going to show you really quickly how to shoot 960 frames per second, Super Slow Mo on the Sony ZV-1. This camera is about 780 bucks, I think. It's definitely one of the cheapest cameras out there to be able to shoot this slow. Actually, I don't even know what this specs, but I assume it's just 8 bit 1080p. But it's not the best quality, but I haven't found another camera that can shoot this slow for this price. Anyways, this is how you do it. It's not that complicated, is this recording? First, it's going to HFR mode. Then it has exposure modes, program auto, aperture priority, shutter priority, or full manual. Program auto, basically, you can control ISO to adjust the exposure, aperture priority, use aperture. I mean, this, you really should keep the aperture all the way open because when you're shooting this, shooting this slow, you're going to need a lot of light. So you want to keep everything as low as possible. The main thing you want to be adjusting is your ISO, probably. So honestly, I would suggest going to manual so you can't adjust everything you want. So right now, my ISO is at 3200 and my aperture is at 1.8 and my shutter speeds at 1 over 250. You can't go lower than 1,000 because you're shooting 960 frames per second. But you can see how much darker it's getting just by me changing the shutter speed a little bit. I mean, I probably wouldn't shoot anything that's slow in here. Also, the ton of flicker with these lights I have in the background so I would just recommend shooting 1,000 or 1,250 aperture all the way open and ISO, use ISO to adjust, to adjust your exposure. If you want to change the settings of HFR, you have to go into menu. So click on the menu button on your camera and then if you look up, it's on the second tab, the purple tab with camera 2. It's one out of, it's page 1 out of 9. Go down to HFR settings. This one you want on 60. You can adjust your frame right here so you can do slower modes, like 480 frames per second 240 or 960. I'm doing my at 960 because I want this really slow. And then priority settings you want quality over shoot time and then record timing. This is important because you can do start trigger, end trigger, or end trigger half because when you press record, it's only going to record for a very short amount of time. I think it's like 5 seconds. And when you press the start trigger, it will record everything after 5 seconds or whatever action you're doing. So maybe it's like a water balloon popping. You can watch for the water balloon to pop and maybe wait one second after, then press record and it will have recorded everything that had happened just before you pressing record. So it depends on what you're recording. I have it on start trigger right now, but end trigger also works well. I probably put on end trigger for anything where I want to make sure I have the completed action and the before and after time isn't as important. For now, I guess I'll just leave it on start trigger. So once that's all set then you can go back to HFR shooting mode and then if you want to adjust the settings, you press the center button in the dial. You press that to start adjusting your exposure settings and then when you're ready to shoot, you press it again and then it will say preparing and then it starts recording with moving buttons. So whatever you want to then shoot, I mean maybe we can shoot my ring spinning. So it's out of focus right now, right? So I'm going to press the center button, get it in focus and spin this guy. Okay. And you can see it's already kind of noisy actually the footage. I mean we're at 2000 ISO, but and then also once so right now is being played back at 60 frames per second and it's already slowed down. Once you get down to your computer, you can slow it down by 50% again safely. You can slow it down even more to probably 25. I've slowed it down to 25%, but you might need to do a little bit of frame blending or some other extra steps just to make it look smooth. I mean just play around with it. That's what film is. You're playing around with footage. There are no rules. You can do whatever you want as long as it looks good or looks how you want it to look. Maybe you want it to look kind of like stutter staggered or not a smooth flow through the shutter through the frame rate, but yeah, just you know do what you want. Everyone's just fooling around and making mistakes and changing things. And anyways, that's it for this video. That's how you shoot Sony super slowmo and Sony the Sony ZV-I camera. It's definitely one of the cheapest cameras out there to be able to shoot this slow. And here's some of the footage I got just quickly with Will and Cohen. Hey, hold me no longer. Can't you feel the vibrations? I broke out and left traces. Go ahead, try just me if you can man. You'll be looking all night. I'm a Sam man. Move your lens into Japan. I'm sure the whole world who I am. Major look. Anyways, that is it. That's the video. If you are an amateur videographer or cameraman, I would totally recommend this camera or if you're a blogger, I would recommend this camera. And if you're a documentary filmmaker who need a little side camera for small random things or need to give over to the talent or something, I would also recommend this camera. That's it. If you loved it, like it. And please subscribe.