What is your opinion about the European Union? We work on a lot of interiors in Asian countries, a lot of furniture in European countries, and industrial design all over the place, like Japan and the States and Europe as well. There is no special thing, I guess, that is a problem for myself as well, because I enjoy designing anything. Whether it's a paperclip or if it's a big interior, it's basically the same for me, I guess. I just add it to design, and I just enjoy whatever I'm doing. I guess the process is fairly basic. I start from rough sketches, I'm not a good sketcher, but stupid sketches. And then we move on to renderings and models. We make a lot of models. We have three rapid prototyping machines in our studio, which were 24 hours a day. We're considering buying maybe one or two more, because it's really important to see the idea, to see the form physically. And it's really the story that is the most important thing for myself. When I meet a new client, I hear what's going on, and if I cannot come up with a solution for them or a nice story for them, it's really difficult for me to see that project. I have a feeling that when you're a good sketcher, when you draw pictures and sketches in a very beautiful way, it makes the story a bit blurry. So since I'm not good at that, that helps me. It's really awful sketches, but it has to be something that everyone can understand. And I think that's important. The more the simpler the sketch is, the better the story is, I think. Because I think a good idea has to be something that you can tell your mother or a small child who knows nothing about design through the phone. And then if she thinks it's interesting, I think that's good design.