Alright, so I'm completed and yeah the hour looks nice and shiny now. I think we should add quite a bit of weathering, not like a total weathered no marine but just a bit here a bit more on the lower side of the model and just to add that extra bit of life. I've added some two brown tones to the palette, one is called a dry bark I think and we'll mix that a bit of black and we'll start painting in little stretches. So you can look for parts in your blending there and not perfect on that stage. For example here, a little bit of scratch there. It's not that visible because our base color is quite dark but it will be a little bit easier to see here in the highlight areas. So I'm just adding little dots and lines indicating scratches especially here on the edges. Okay, let me just add some highlights underneath so we can see a little bit there. Just to get a little bit hard for the camera to pick that up I think. I think it's just to add that little bit of texture and also a little bit of storytelling element because you don't want that marine to live like he's just directly out of the fabrication hall. Now there are any other words you could approach by doing like this. You saw for taking a sponge or something like that down there. Yeah, if you want to go for a stronger weathered look you can also do that with a sponge or just dabbing on the dark paint then painting some highlights on afterwards. Here because we don't want the marine to be too weathered I decided to do it with a brush. I prefer that because it's a lot more controlled but a sponge could be one solution or you could also do it for example with liquid mask and dab that on then paint over it and pull it off. Is it important as well to think about the material that you're actually trying to represent based on how you do the chip and so for example some of the since some effects when you paint the black chips and black scratches then put the tarot paint over the top. Yeah or it's also interesting sometimes to try to achieve like a multi-layered look with like different car barnishes over another. So yeah I think about the material you want to recreate and choose a look that's fitting. Make also sure that the highlights for example here in the shadow areas and not too bright and not like the ones I've painted on that side for example because they're in the highlight. These here in the inside are quite a bit darker. Here on the tip of the shoe you also add a bit more. Select like random dots. Next to this scratch to indicate finer scratches and a more beaten material. Okay also areas like the knee pads are always good to play a little with weathering. Okay up here I just want to like a minimum weathering so just a few one or two small scratches. Yeah I think like that it's quite nice it's not over done but it just at that negative texture feel to the model. I think it's quite nice if you see those two legs in comparison this here looks also with kind of HD because you see more details so do scratches all over the model in the very same way. I think one thing I'd like to show you I imagine him later on standing on a like Mars pattern base so orange brown added some scrap brown to the pellet. I think it's scrap. Yeah the new names are a bit funky so it's like an orange brown but like the old brown brown and I will use that to do that step here also with pigments for example but I prefer using mostly acrylics for effects like that because pigments are quite nice from the look but it's really hard to go on and work with acrylics over them again so because they're really hard to make them stay on the surface. So a bit like we've done on the OSL we would just glaze in a bit of that scrap brown here to the low part of the armor to get like a bit of dust look on there. It's quite good to do that after you've done the little scratches so the scratches just shine through the dust. It's quite important that you do that here with a color that is not more than a more satin than the color you used before otherwise that looks a bit wet and especially to get that dust atmosphere it's really good to let it go for a flat matte drying color. It's really nice to see the difference now with the two legs. I think I will just keep the orange brown here to the lower edge of the leg. I think I will just continue like that with little scratches and the dust here on that leg and we'll be back once that is done.