This article is sponsored by YM Cinema 65, the perfect gift for filmmakers, moviegoers, camera lovers, and cinephiles. Aari has announced the Trinity Live, which is defined as a new system that offers a lightweight rig with stable communication. The goal is to bring a cinematic aesthetic to broadcast applications. What we call cinematic broadcasting. The Trinity Live is an upgrade option for Trinity Generation 1, which improves the camera stabilizer's functionality within the Aari Multicam system and third-party broadcast camera applications. The structure and design of the Trinity allowed a craft unique long shots with heavy cinema cameras and lenses. The downside is that it's not an easy task to operate one properly as it demands the discipline of steady cam operation and beyond. If you want to be a Trinity operator, you must practice a lot. The 1917 operator used his own Trinity on set, as this stabilizer must be perfectly adapted to the operator's body. Professional operator can do marvels with the Trinity, and now all this camera kinetic goodness comes to broadcast. Read more about it on YM Cinema dot com.