Hello everyone, welcome to What's in Your Bag. I am Melissa Neu and my co-host for the day. Hello. I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I am Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm Melissa Neu and I'm also with I don't think their Hour is the only difference with the So it feels very similar to Fuji. It feels much smaller but I didn't expect it to fill the I was seeking for a long time. And a lot of people who came in the business with me, and it's like comments that they say, it's like, if I ever have to spend another day with 2.8 zooms around my shoulders, meaning like a 24 to 70 and 70 to 200, it's like, can feel like you've been beat up at the end of the day. And somebody who's at a wedding or a portrait shoot, you don't want to spend the end of the day, feel at the end of the day like you need to crawl into bed for a week. It's like you want to be fresh and have fun. Yeah, well, I'm impressed. I'm actually very impressed. So there's this body versus, you know, the Fuji or the Microphone, or the EMPIS. So why would you choose this over the others? Well, I mean, to me, full frames makes a really big difference. One of the cool things about it is you can get tons of different adapters that let you use all of the legacy lenses that you may have had sitting around for a while. This is a like a 75.1.4 that, you know, for the price of anything from, you know, 24 to maybe 100 bucks you get an adapter and you can shoot with it. I've even talked to people lately who's like, you mean I can really like shoot with my dad's Kodak Retina camera with this thing? And it's like, yeah, you can't. Here's the adapter. So it's, to me, being able to shoot with the lenses the way they were designed. Like if a 50 millimeter was designed as a 50, it's like, why not shoot with it? That's why I don't have the crop factor. So you need that full frame to get that full 50 millimeter? Yeah, and also it's like for this year at Thunder Plus X, but we had a show at the American Museum of Natural History and we made four by six foot prints from this. So it's like small camera, but the ability with the resolution to be able to make a gigantic print is really, really cool. Wow, cool. Well, I'm impressed. I'll whack it on here. Yeah, so this is an L bracket. I've actually got a couple different ones. This is the really right stuff. This is just their face plate. But I'll leave these things on all the time. And it's actually for me, it's just a little bit extra heft on the camera, but also if you're going into a tripod, you don't sit there trying to screw it in, you just lock it down. The camera you've got's got a newer L bracket. So this thing actually you can mount it either horizontally or vertically. And again, I'll just leave those, I'll leave those things on whenever I need. Yeah, awesome. Don't give me that over. Brian, where can we see your work? I'm on BrianSmith.com as the website. You can dig around there. There's sections for books, gear, there's a blog, every, hopefully everything people are looking for. We've got some of that on there. And on Twitter at BrianSmith. Thanks for watching.