That's all right. Now how the hell you get on a smart guy, I can first of all, Todd just got damn light skin. Yeah. The underneath is light skin. The daddy is light skin. And you were dark skinned. He wasn't. I was hiding in the hell. Man, that's him. He threw it in the bed. Up to the like, Oh, yeah. Now I'm gonna keep it real with you, DC. Man, that audition was flawless, pro. That's one of the ones where you just knew you. That's the real thing. That's the real thing. You killed that audition. You killed real. Everybody want to be brother like you. I appreciate it. No, and that's how I think that was the thing. I feel like that shit you learned from Martin. Why you killed you? Hey, bro. We were two men, bro. I ain't gonna hold you. That's what shot us out. Shout out to Omar Good and two like, we, man, we would, after work, we would study other sitcoms and other performances. This show. So, you know, we would study Jamie. And this is the work we were doing after work, because we would go home. We ordered pizza, smoked a little something. Chill out, you know what I'm saying? And then we'd be like, man, let's look at what song and so on and doing. So we turn on the show, we study, be like, we gonna do that shit better next week. We gonna flip it like this and we, so me and Omar was like, doing that all the time. You know, just playing with the craft. Like, just trying to figure out how to be better. You know what I'm saying? How you got young niggas that work on a jump shot? We're gonna lay up, we're gonna left hand. That's what me and Omar would do every day, after work. We would just sit down and we look at shows and we look at different performers. And we would just find those different things that maybe weren't in your face. But they were subtle things that we knew we could play on and make in my own. Right. And then, the best big brother I ever seen growing up. Good looking. It was like, okay, you got your little brother for the color school, which is like, he's 10. But it came fuck up my cool. Yeah. But how can I embrace my 10-year-old little brother? Fuck it. Not only that, is he catching up to me? It was like, it was a lot of shit as a child that y'all taught us his kids. Like, and then it was black fatherhood. Yeah. Black parented. Man, we didn't know DC, man. The kind of example that we were setting, man. Just keeping it all the way and hunting. Like, we were just having fun. And I think for me and Omar in particular, we wanted to show young black kids who we really were versus like, how sitcom TV would try to portray us a lot of times, like, hoaking and corny or, you know, having just some weird shit. They were saying in the lines, we'd be like, how the fuck they get away with saying that? So it was like, we were the kids where, if they gave us a line, and we knew that shit wasn't going to fly in the community, we'd be like, I'm not saying it. Right. I'm not saying that, bro. Like, OK, you want to get that kind of joke across? Why don't we say it like this? Yeah. And I'll give them credit. Shout out to Danny Kaleus, the creator of the show. He listened to it. Like, he went, came down to Wardrobe. I was like, man, ain't no young black kid walking around wearing them shit on their feet. I was like, yo, I need some jays, man. I was like, OK, it's going to be calling up to Nike. Because they don't want you to have to lose logo with all this shit. They want to have logos on anything. Yeah. They want to pay for it. Right. So they'd be like, no, thank you, pay for that. Yeah, and I'll be like, don't do that. Don't make your own man who cares. Like, we got to be cool. So like, I need the opposites. Right. I need them. Before everybody else has them on the show. Yeah.