It's amazing what the classes and trust in the Aaron and it's given me the opportunity to research more and to look into the background more because of course you're asked questions about things and for most of my life I've been planning on buying writers to the sea. I thought I must get that play or whatever it is because I need to look into it and I was moving some books one night and there it was all along and a really old edition of it on the shelf and it's a little short play by John Milton Singh and what's really really beautiful is Singh was I don't they are in islands because he eats told him to get the heck out of Paris because he wasn't going to learn anything in Paris and going right about these amazing people and live closely with them and that's really dead and in fact he took photographs which are in Trinity College I have the photographs somewhere but in writers to the sea two sisters are discussing the brother lost at sea or the brother missing I should say and someone brings a shirt to the high surre piece of clothing a piece of flour and the two sisters called caffeine and norra one of them says to the other I'm thinking partly put it on him in the morning for his own shirt was heavy with the salt in it pointing to the corner because his shirt's in the corner but she's thinking this other one is like what he put on him there's a there's a bit of the sleeve was all the same stuff give me that and it'll do norra brings her over a piece of the flannel to they compare the two flannels and caffeine said it's the same stuff norra but if it's itself isn't there great roles of it in shops and all the way and as many another man would have a shirt of it as well as Michael himself so Calline said I'll get over yourself it's as common as anything this flannel don't be worrying and norra took up stockin and kind of the stitches quiet like and she's like it's Michael Calline as Michael God spare his soul and what will herself say when she hears this story and partly I don't see so Calline takes the stockin from her and says it's a plain stockin and norra says this line which is written by saying who is a young man in his 20s or I think then and I think this is just a beautiful line it's the second one of the third pair I knitted and I put up three scores stitches and I dropped four of them very technical which netting is not appreciated for its technicalities always but from that line has come all this wonderful myth about recognition of the brother it was a stockin at the time and the recognition wasn't so much the the semblance of the pattern it was the knitters recognition of her own work and that is actually a very untrusting and remarkable thing because we made 50 different handnuts for Japan in 2014 for Isitai and Michikoshi and everyone by a different knitter and I designed the three you could call them layouts or blueprints and on each one it was like a test then I would go well that was so and so or that was so and so because even though it was the identical design there are little things in the technique little signs of the knitter exactly like handwriting two people type a piece just as you want it it's going to look the same there's no sign of the person who who typed that up two people hand it a thing there are these little signs of the maker