This video is the big reveal of my new transparent watercolor palette. This video is going to be all about what colors I decided to include in my own transparent watercolor palette. As I mentioned in my previous video, I wanted to put together a transparent palette that has every color from the color wheel, plus some favorite colors that I just can't live without. I also wanted all my colors to be as transparent as possible. I am going to be using this palette to make artworks that have lots and lots of layers, so transparency was my utmost priority for this palette. So here is me labeling and filling my palette. I apologize for the lighting in this bit. I live in Scotland and sometimes the weather can get very dark indeed. I'm using my favorite Jackson's 28-wail palette. I like this palette as the wells are nice and deep. You can also write on the palette with a sharpie, which I like to do to note down details about each paint. It's very easy to remove the writing if you need to change anything as well. All you need is a nail varnish remover and cotton buds and the sharpie will come off very cleanly. I selected 21 colors in the end for myself. It was such a tough process selecting the colors. After hours and hours of testing and trying things, I came to the realization that I could keep trying to get the perfect palette forever. So I just had to stop and accept that this palette was going to change over time as I used it. To accommodate for this, I have left spaces in positions I may want to add more colors to. I am still looking for a good transparent cool red, so if you have any recommendations, please let me know in the comments below. I also left a space for a dark brown to come in and for indigo just in case I change my mind. Here are the 21 colors I selected for my transparent palette, or Brilliant by Holbein. Now I know Orillin is notorious for fading quickly or even graying, but this one by Holbein is a hue and is light fast. I'll talk more about this in a follow up video soon. Permanent yellow light by Holbein. This is my primary yellow. Permanent yellow orange by Holbein. This is my yellow orange. Brilliant orange by Holbein. This is my red orange. Scarlet lake by Holbein. This for now is my red, however it's a little too orangey, so I will be on the lookout for cooler transparent red. If you know of a good one, please let me know in the comments below. Kwinakudan Scarlet by Holbein. Kwinakudan rose by Daniel Smith. This is my absolute all time autofavourite color in the whole world. I would probably put this in any palette even if it didn't fit in. Kwinakudan violet by Holbein. This is my red violet. Kapazole violet by Daniel Smith. This is a new color to me and I still read it in this color just because it was such a gorgeous deep rich purple. Ultramarine violet by Shminkke. This is my trusty violet. It's not perfectly transparent but it neutralizes just right with my primary yellow. Ultramarine blue deep by Holbein. This is my blue violet. Again, this is not totally transparent but it neutralizes perfectly with my permanent yellow orange. Cello blue red shade by Holbein. Cello blue yellow shade by Holbein. This is my blue turquoise. Cello turquoise by Daniel Smith. This is my third favourite color ever for me and it's my turquoise in the color world. Cello green by Shminkke. Hooker's green by Holbein. This is my green which graze out perfectly with my Kwinakudan rose better than the fellow green does. Pemna green number one by Holbein. This is my yellow green. That's the color wheels covered and here's some extra colors I've added just because they were so pretty. Gold green by Daniel Smith. Kwinakudan gold by Daniel Smith. This is my second favourite color ever. Kwinakudan burnt orange by Daniel Smith which I am going to try using in place of the brown. And Antwap blue by Winden Newton which I'm trying out in place of my usual indigo. Here is the color chart showing how each color mixes with all the other colors in the palette. The chart is a hybrid of color charts created by Denise from In Liquid Color and E from E-Bolt. I'll leave links to the videos where I spotted their beautiful color charts. Instead of putting the same color mix on both the side and the top of the color chart, Denise puts a lighter mix of the same color across the top. This is a great way to see the range of intensity from the color mixes. Eve puts the pure pigment on the side and the bottom right next to their color names as well as going down the middle of the chart. This actually made the process so much easier for me by reducing the number of errors I would have made otherwise. I drew each square to be 2cm by 2cm. It resulted in a huge color chart. But I like it as you can see more textures and color variations at this side. The palette produces a huge range of beautifully intense colors. My only concern is that there isn't many dark shades so I might throw in one or two colors that are more dark such as indigo and burnt amber. I hope you have enjoyed this video. If you have any questions about the palette and my choice of colors, please ask away in the comments below. Thank you so much for watching. Please like, comment and subscribe and I will see you in the next video.