We recently covered the astonishing ancient megaliths known as the Colossus of Memnon, a pair of 1000-plus ton statues that have not only survived unknown eons into the modern day, but still possessed some of their most intriguing features all the way into known recorded history, most notably during the Roman Empire. And they were often regarded as having been able to sing at first light every day. We also touched upon the little-known conclusion, made by a number of individuals and even funded academics, referring to many other enigmatic artifacts that have been found across Giza and even Egypt as a whole, as having been once lay the worked. These often stone artifacts are so precise in their construction, with pottery even displaying a level of delicacy from their makers, that the only explanation for their existence could be attributed to having once been machine-worked, with the ancient Egyptians claimed as their so-called makers, having once possessed enormous lathes. Something modern man has only understood and utilized for a very brief time span, with a number of multi-tons' archophagy also sharing this explanation for their creation. Things to explain them as having once been made merely by hand is not only illogical, but almost an inconceivable tale to attach to such precisely-made stonework. Created with not only astonishing symmetry, but also an astoundingly delicate and precise attention to detail, which modern man has only attained using modern lathes. Yet any explanation as to how these lathes were powered, how these individuals worked such enormous stones, or indeed what tools they utilized to cut such hard stones, remains largely unexplained. It is as if modern academia had been cornered by these past capabilities of this now-loss civilization, having to admit that such precision can only be accomplished with seemingly advanced technology, yet conveniently leaving any practical explanation of what these technologies looked like, where they went, or how they were made or used, absent from their explanations of these incredible artifacts. Yet interestingly, ancient Egypt isn't not the only place which contains these remarkable relics. Bobo Lovos, also known as Bobo Lovka Palace, is a historical building located near the city of St. Petersburg, Russia. This palace was built towards the end of the 18th century, during the reign of Catherine II of Russia, and one of the most astonishing relics found within this building is the so-called bathtub, which is claimed to have been made for the Tsar Alexander I. This explanation of origin is regardless of its incredible size, symmetry, and indeed precision, in which it was once cut with, precision that just like the enigmatic artifacts that can be found within Egypt, should only have a logical explanation of creation, which included that of a lost technology, or more specifically, an enormous lay-thin heavy-duty, yet precision-cutting instruments. Yet curiously, this explanation is absent from mainstream academia's explanation, as to the origins of this enormous multi-toned stone dish. Nero's bathtub is yet another smoking gun of this now lost technology, and indeed lost civilization. And although the vaults beneath where it lay within the Vatican measures an incredible 25 kilometers in length, packed full of hidden writings, artifacts, and historical controversies, this so-called bathtub is housed in full public view upon the floors of the Catholic palace above. These hidden vaults spared its presence, as if when first displayed, those in possession of it did not recognize the past accomplishment that this so-called bathtub once was, not only the unusual shape of this other enormous dish for a bathtub, but the technology and techniques of stonework that would have once had to have been utilized to create it. They clearly believe that it was indeed created by Nero himself, and not a past relic of a now lost civilization, with all similar relics found within ancient Egypt exposed as ancient machine stones. The question is, who made these ancient relics? How did they make them? And if made by the claimed builders, why is this technology now lost? They are undoubtedly highly compelling.