There he is to read. They are great stories. But he's a slightly scary man as well, isn't he? He just says charming, but there's something about him, which is what he's for. What you're feeling on the sociopathic, he's slightly, you know, there is something very dangerous in his obsession, and he takes, I think both Watson and him into a very dangerous realm of London, where everything opens up into a war zone. I mean, it is a battle, and I think that's part of the attraction that they have to each other, is the idea of the Watson, a way back into life, which is a little bit more interesting than his, not military. I was very interested in your role in this one, because a lot of people still think of you really through the office, which is your great breakthrough role. And this is a very, very, this is a much graver, darker kind of role. I just wanted to, which must be attractive, because you know... Yeah, it is. I mean, I think in every actor that we speak to, or here, wants to play sort of dark occasionally, or play villains, and even though Watson's obviously not a villain, he's got a serious side to him. And to be honest, I've been playing that sort of thing on and off anyway, it's just that this has kind of got, thank God, it's got a spotlight being... I mean, that moment when your parents arrived, I was at the screening of the BFI, and they were just like a huge sea of wreath, kind of, went over people... Yeah, it was getting hot, it was getting hot. No, sorry, that was... Yeah, crude. We talked about this before, I'm going to leave the jokes to Martin, it's much better than that one. Oh, Christ! I hope it's not only that. Oh, yeah, I see, well done. Thank you. Whoa, that was so good, lured. Yeah. What was that? Well, I hope it's not a fashion department, you know? I hope it's not a fashion department, I think it should just be whatever is good telly. Yeah, hopefully we're not a charity case. That's lovely, but I think it is that... You know, it's this... We're very proud of the quality of it, it's fantastic, it's been recognised. Now, we're very proud of it, it's been recognised. It must have been an odd atmosphere shooting it, like, you know, Martin and Ben, when you were out there, I mean, the crowds were massive, weren't they? I've just been sitting on Twitter and people would be tweeting pictures of massive, beagle-mania crowd standing and watching. So, basically, it became almost like a theatre performance while you were filming. Yeah, it'd be... Yes, it did. And is that weird? It was not being a premier, wasn't it? It was not being a premier and running lines, so... Yeah, it was odd, it was not like doing a play and not like filming either. It was a new genre of acting. Yeah, yeah. Did I do my day's work, genre of action? It tends to be mostly going in and out of begastry, rather than huge involved scene, which does help. And what are those crowds like? Describe what it's like when you get there. I mean, is it quiet respectfulness? Is the squeeing, is the throwing of items? Is it kind of what? No, no. I want you to describe the crowd. Tell us what you saw. Show us in a draw. It won't happen. Well, yeah, do you know what? It incredibly respectful, very, very tolerant and understanding of the filming process and just... They were tolerant about it. They were tolerant about it. They were tolerant about it. Yeah. I just tolerant on it. Really tolerant about it. No, but very... I'm happy to be there. And, you know, if there was a problem with rubbish or noise or, you know, any kind of crowd-orientated behaviour, then, yeah, they're very responsive. And, good too, you know. It was like those? It was easy to correspond with. Sherelaq is filmed before a live studio audience. Yeah, it was a bit like streaming. It started with a clinical deuterum. It was a therapy. It was a bit like streaming. And it was a bit like streaming. And it was a bit like streaming. I started with a hundred words of it. Academy, and it was enormous noise. And you said, what happened? I said, Martin, just don't feel like I could have cracked. So, next time, yes, so I'm to do what's the right-in-the-front, in the middle of the front row. There'll be a mic on its way so we can all hear you. Coming off the last series was such great popularity. and the great chemistry between John and Sherlock. How hard was it to kind of bring that chemistry back to life with this new season? I don't think the chemistry is hard, you know, because I've said over and over again that we can't take any credit for the chemistry. That's just luck. It's good luck or bad luck with the habit or you don't. You know, we have to work at the doing the stuff, you know, but it really helps when you get those scripts through. You know, there's nothing more pleasurable, I think, than, you know, every actor wants the next script they get to be fantastic. And we're in a very lucky position that we, you know, every once in a while we do a series where there's three scripts that are all fantastic, you know, and it's genuinely exciting to do. So it didn't feel for me like you got to work at that chemistry, because we know each other now and we know what the drill is and we know how the, how the deal works, you know. But within that, of course, you still have to work hard, you know, like you do with every job, but I think we kind of, we know our way around it now. I think I found it a lot easier this time than the second time, not because of any chemical reasons or whatever, but because of, because of just, I don't know, the first gap between the first and the second was a little bit weird. I'm almost staring at you on the first day going, oh yeah, I saw you on the television two years ago being well, the good and something in the summer in the summer that changed. And I don't know, yeah, no, it was much easier this time, much easier, which I was slightly wary of. I thought, oh, am I getting a bit too comfortable and the things we have to shift a little bit. That's my biggest fear actually is, is really it being sometimes too easy, because of the scripts, because of what we've already established and how we work together. And I kind of go, you know, we've got to keep evolving it and developing it and, you know, rethinking it. Can we, well, we're managing it for the next thought, I'm sure. Yeah, I think part of the thing, I'm sure we're all mindful of, from every department of us is mindful of, I guess, is not playing your reviews, you know, of not kind of, because, you know, when we first did this, we filmed it four years ago, there were no reviews and people seemed to quite like what we did. And we did that with no hindsight, with no knowledge, a bit about, oh yeah, they'll like it if we do this. Or I think I'll try this because I liked it when my eyes did that. Nothing like that, do you know what I mean? It's very hard to do this now. Where's impossible now to do it in a vacuum and pretend this isn't, you know, a successful show, thank God it is. But I think it's a good, you know, my inner Catholic wants me to be rigorous and, you know, strict about being the way that we were four years ago. So it's not that, yeah. It's not quite strict, but still, yeah. Ah, yeah, posties. Thank you.