Let's talk about three gumball machines. Now, if there is a more quintessentially American image than three gumball machines, I don't know what it would be. And here, you first, I think one's first reaction is just how joyful and how bright and how luminous and how happy one feels looking at these quotidian banal objects. And the pleasure that Tebo takes in doing these touch of highlights, these white crescent highlights on each of the gummy balls that you're going to fall out. But the whole, the tripartite, the trio of images with their blue shadows. When we get close, we see that the paint is literally sculpted on. He's drawing our attention to the means of creating this. Something perhaps about wanting more than we can have, about consumerism, but also about childhood pleasures. And it's also, for me, coming to this, it feels like the early and early excitement about pop art, about what could be done on canvas with paint that had not been number four. And Tebo was a commercial artist. He was an artist who worked for Disney. He did Pinocchio. And Warhol is working in a different language on the other coast at the same time. And I've loved this artist. I've seen quite a lot of his work. And when I look at this, I just feel happy.