That's how it is. It's a figure. Shut up. You're a poor fish. Yeah. Ah, shit. Yeah, he knows exactly what he's talking about. Oh, it's wrong, I guess. Wait, is the camera. Hold on. Oh, it's the camera. Yeah, you are right. I had a listen. I trust that. I should just slide through it. It's just a problem. Damn it. What's up, guys? So today we are here on South Beach, most of beach with they call it now, and we are with our model Valentina and Daisy. So we're going to be doing some campaign-style shooting. This is all going to be in direct sunlight. It's going to be very harsh light. So we're going to be playing with the angle. So the main focus on this is that you want to keep on looking at your subject and the way the sun is falling on their face. Once you actually start getting an actual location, we actually want to shoot pretty much just go running guns. So we're not going to be using anything at all. We're not going to be using any lights, any reflectors, nothing. Just bare sun. Any regular camera, a pretty decent lens, and you can pretty much take the same shots that I'm doing today. So before you guys go crazy on the comments, I realized that I left my pro photo air remote on the camera, but that's from a previous shoot that we did, not for the one that we're doing today. So you're actually going to be facing towards the pelican? There you go. And then twist a little bit more. Yeah, exactly. Keep going, keep going right there. Good. Right there. Perfect. Now you squeeze your back on the right side. Yes. Twist to your left now. Perfect. Yes. You're right there. So I don't even think you need to edit this. It's almost like a blender, right? Dude, it looks good. I like these. More walking space. You're going to be walking overhead, correct? Yeah. Yeah, perfect. And remember the twist that I told you about your waist? Yeah, twist more, more. Yep, and then your chest to me. Yep, perfect. Turned up, played a little bit so you could see it. Yep, perfect. Good, stay right there. Yeah. Come on. Keep going, keep going, keep going. Let it all out, let it all out, let it all out, let it all out. Keep going, keep going, keep going, keep going. Yep, there we go. Yes. Push, push, push, push, push, push, push. Higher, higher, go higher, go higher. Yes, yes, give me the strain in the face. Yes. Higher. So if you notice, Valentina is a great model. You see her images and she looks amazing. But she has to put in the work. So don't think that you, because you have a six pack, you have some great legs, you got some great arms, it's that easy. I push her, I make her come out of her shell and actually push her hard to get those shots. So it's not just because you have a fit body and you just stand there and you look pretty. No, you literally have to push her. You see how I push her. She's an amazing model, I still push her, because I just want to try and get the best out of her. So never be afraid to push your model. Get those good shots. Alright, so if you notice, if you turn your head to your left, you're going to get all this shadow on her face. Start turning to the right a little bit. Keep going, keep going. Now, the sun's hitting her, but you're going to see this almost like a raccoon eye. If you keep on turning more to the right a little bit, you notice how the raccoon eye goes away. So if any pose that you're actually going to be doing, you're going to have to have her facing forward there. So the sun is directly on her face. She's going to have the butterfly look, but you're not going to have shadows on her face. Close that thumb a little bit. Much better, close the eyes. And open on three, one, two, three. Nice one more. Ooh, right there, love that. Wow, perfect, perfect. Love it. Nice. There we go. Determine, there we go. Perfect, perfect, love that. Come closer to the net. Good. Yes. So if you notice on those shots, it was quick. I got under the location. We did a couple shots. Move on to the next one. Never try and burn out a model in the same location, same poses. Just keep on moving. You get a lot more shots and take a lot better use of your time. So you just saw what we did today. I ran you through kind of like what I do for a campaign shoot. Talk to the actual client, what they want, what they want to expect, what are the looks that they're trying to achieve. That way you don't burn out. You don't actually waste three four hours a day. Just shooting crap that you don't need. Make sure you know what the client wants. Make sure you get the angles that you want. You really don't have to have lights, reflectors, all that crazy stuff. You saw me. I was pretty much, I had two different lenses 24 to 70 and a 70 to 200. My camera, and that was it. Play with the sun, look at the angles that I was actually trying to get. Make sure I didn't get two point shadows and always made the model move and always push them to actually get the best shots that we possibly could. So run right through it. Get the shots that you need. Wrap it up and you're done for the day. You don't have to be here eight hours because the sun is brutal. So that's it. Done for the day. Done for the day. Done. Cut it. Thanks for watching.