So this is my gunna shoot a blower shot over a building that I've been meaning to shoot for a long, long time. I'm just gonna take a quick shot knowing that I'm not there yet. A light afternoon early evening bike ride. Just going down this rural line and I'm just gonna pick off a few photographs. I don't know. I've got nothing in mind. I've been down this road a few times but generally driving on the old leg end is a different experience. First thing I've seen as I'm riding along is this little farm track, a wire fence and a power pole. It doesn't look much of anything here. I'm hoping I can make a nice photograph of it. So it wasn't an amazing shot but it was a shot the first one of the night, my first one of the evening and I quite like it. A rusty old barbed wire fence to frame the shot. We'll come into the old chimney best that I've photographed a few weeks ago. I'm not gonna photograph it again. I'll tell you what it does make a nice photograph of that. It really does. So tempted to pull up but no. That will be for another day when we get a nice Milky Way over there. We'll shoot that again. Now we're gonna run out of silk track shortly. And what I'm doing is basically just following my nose looking for light. Whatever light is, that's where it falls to your after-library to be. That's where I'm aiming to be. Let's have a look at this. See if we can use this fence to our advantage. Golden grass, some brush on the top of the hill. So what we can do. Camera is the like a Q2, 28mm f1.7 lens. So that I saw 100, f11. It's giving me an 80th which is plenty hand-held. Again use the fence post. I'm trying to keep my shadow out of the shot as well. I'll do it quite like it. Again I'm using the bad by a fence. Set this at 1.7, focusing on the fence post. I quite like it. I'm not sure if I prefer the shot f11, but the shot at 1.7. I'm leaning at the moment towards 1.7. Just because it's really isolates the main subject. Alright, let's push on a bit further. Maybe get a shot of those beehives having to shoot for this white fence. Back to where if you're loving. Oh like that one, it's a rural photograph. A bit of a rural farm track. Sneaking off into the distance. Sad enough. And here we've got a wind damage fence. Tell you I'm getting desperate. Now this isn't much of anything at all, but I think it's going to make a nice shot. Pointy hill near the bush there is a fence line that winds round. And then just in the foreground there. We've got another Nally Rusty old fence line. And we're going to incorporate the tool. Just do a little bit of gentle pruning. F11 and then f1.7 just to make that post road pop. Definitely definitely 1.7. That is a nice aframe. Let's push on a bit further. And literally just like that, the sun is just about gone down. And it's quite blunt now. That could be the photography for this evening. Unless we do another blower shot. Why not? This isn't made. Gonna shoot a blower shot over a building that I've been meaning to shoot for a long, long time. It's the old village star 7-11. It's been closed. God knows how many years. Somebody's going to buy that one day. What's the bot it renovated it? It's gone forever. So you can just see the last remnants of the shop signage. Let's have a wander down. This is the main highway. Thankfully, it's a bit quiet. That's pretty cool. I'm thinking the other side of the road here. Looking back to the corner of the store. That is more or less hopefully what I'm going to get. Just slipping this into manual mode. Because it's getting quite damp now on the camera starting to hunt a little bit. So you're then focus peaking. It's slipping into manual. It zones in on the image. And then as you turn the focus ring, red highlights in there telling you what's in focus. And that is perfect. So we'll keep that as it is. Who's going to take a quick shot? No one near deck enough yet. Sit tight. Wait for light levels to drop. So probably get a 20 or 30 second exposure. Get some light painting going on. And I think that'll just make it pop. I've been wondering how to photograph this for a long time. They'll get it in first light, last light, dark light, dusk light, I think blow our eye. So we've got the camera on a 12 second self-timer to give myself time to get across the road. And then all we're going to do is take this LCD light. And you paint as we're going along. And the trick is to keep moving. If you stand still, you're going to be visible in the photograph. And we don't want that. We want to be out of the photograph. So you keep moving basically. He's always to it.