Some of the things what we do is not really a modern dance in a strict sense. I think sometimes we are just as much as visual involved than just being a choreographer. Each collaborator brings something different. So it's just not as a norm, but we happen to hang around with people who are very passionate and that's very contagious. We kind of feed it in each other's passion. By having a process of making something, we tend to grow into it. Frigitives, of course, are applied to human beings, but in nature, it's applied more in the nature. I think we still work from that larger scheme of the changing nature. Every moment in a way we are facing in a few and a few tragedy moments. We came to America at right moment. 76, we arrived at some Francisco. You know, all this chaos was gone. So somehow we could bring our body, pure bodies, into the American culture easy. And again, if I came here today, it's again different to America, not society. Our body is not the same body as at 26 years old as I studied in America. But there are still same me, you know. So the body will tell you the difference. At the same time, it is the same body that we are speaking. And that kind of gives you the scheme of economic trauma. How the things have changed, but how things are still the same. As far as we keep our own artistic activities in the region.