I'm Boven, thank you for being a part of the Teddy Jury this year. Can you start by giving a brief introduction of yourself and your work? Hello my name is Bo Bo Van from China, but recently living in Berlin. I am a committee member of the Beijing Queer Film Festival. I have been working for it since 2007 and I'm also a filmmaker. Previously made a lot of documentary featuring LGBT families in China, now in Berlin doing more fictional and experimental rock movies. And that your previous films that you made I think they have been used as sort of quite an activist purpose within China. I wondered if you think queer film can and should be used for activism. I think film is definitely one of the very important tools for communication. So my understanding about film in the beginning was something able to change the society. Of course I was too naive, the world wouldn't be changed just by film. So I would say activism in the country is one of the way of filmmaking. So that is why also right now I am exploring more diverse ways of filmmaking and more contribution to the queer film culture and society. And we have one queer film from China this year. And I wanted to just generally what the queer film scene is like in China. Is there an issue with censorship at all? Yeah, unfortunately because of the censorship and no queer film will be able to show on the big screen in China. So they have to work on the very bad situation. There is no money and very few people could work on it. I stayed for the Q&A for a dark working to the moon yesterday. I was very impressed how much effect that the director had made. And this is not the only case I can see in China any director want to feature this topic. They have to work 100 times more than people from doing other issues. So I really appreciate it. And I am calling Chinese government to change the censorship system and made LGBT topic to be able to be featuring film and to reach bigger audience. How do you think your background will help you with making a decision this year for the telephones? I think as the telejory it is very important that we have the diverse of the background. So from my background I can see the issues really lacking in the society in the film industry about Asian representation and also being on both sides of an activism documentary and fictional experimental film. I have a very different... Sorry can I? Yeah, go ahead. Oh god. I really appreciate that the tele-award organizer would invite people from different backgrounds to be on the jury. For me I think this background of both activism documentary and experimental films. I have a wider taste and different understanding about filmmaking. And in the same time I have noticed a very big lacking the representation of Asian in a queer film industry and actually in the whole art house movie circle. So I would give my opinion into this from my angle into the result of the jury giving a lot. Okay and what trends have you noticed recently in the queer film scene? I was really impressed that in the films we watched this time they're not only talking about a queer issue but it's across and in contrast with the other topics and such like a ratio and class and very diverse kind of topic. So being LGBT is not suggest the one label but it's just one of their element in the life. It's not necessarily to be the whole structure of the story and secondly I also feel a bit disappointed because so many films they are technically almost perfect. They have a big budget they have a really good camera and sound music but a lot of them are not really telling the story which make a big shame. I hope there will be more films that really care about what is it what kind of a challenge we are really facing and point out to them and let people think about it. Okay thank you.