The first impression about Israel was something tense through people and through the Konorba Street everything seems to be not relaxed so I didn't know what it was but when time passes I begin to understand what it's about. I traveled many West Bank and Nagoya Desert and so I traveled a lot between Jerusalem and Jericho and I made a lot of pictures in between. There is some maladmin and some ruins and a bit of cement trees so maybe the most part I produced a lot was that area. I did research but it didn't help me actually when I photographed and then I found the most interesting image in the Midrubnoia on Named Road. The process is very different between what I did in Israel and what I did in other places. Usually when I go on the trip I didn't push myself to make a picture. I went there to see what the landscape was about and then if I feel like to photograph I bring out the camera but here I went to Israel to make a picture and then I didn't choose the place. From the beginning I had a little pressure that I had to express something and then produce an image. I made a exploratory mission for 10 days and then it had in a way to understand Israel. However, that was not the way I usually work. I had too much information to me. In the beginning I couldn't avoid complicated thought about the place while I'm facing the lens with the camera. I made a 4x trip and then later on I began to avoid all the information and then all the first impressions about Israel. I could be a little bit freer later on. But it still remains in my photograph. My process is my own technique. I make a print on the Korean mulberry paper with liquid light and then create some kind of texture almost like a skin. I think it creates some kind of encounter between the view and the landscape or object what I photographed. I let people feel through something beyond the image itself. In this project I could control both in the dark room in a very primitive way and then also I could control the tone on the computer. I'm very satisfied with what I came out made it. My work is about this place in Israel. However, people would feel the same place. And then also at the same time I want people to see our place. I hope to deal with some kind of eternal presence through the object or landscape. I want to share our emotions. It's not just about Israel or the people, the life in Israel. It's a fundamental emotion we all have. I always hope that the people understand my work without seeing the caption or description. That's my hope.