Builds of old development is not very much important to knowing the rules. The argues in fact that styles are better for worse eventually comes of itself. Out of that mysterious interior well of creative inspiration which I guess there is just everybody doing the degree or another. It's much more important than this feels to master fundamentals, both in theory, so that you understand what you're doing. And then an active practice developing one's musical muscles, not just technical facility but the brain connection with the art muscles. It's just developing that facility to the point where they subconscious mind can take over the basic mechanical task of playing, thus freeing the conscious to concentrate on the spontaneous creative element that distinguishes the best jazz and I guess the best and perhaps the ultimate activity. Now if that sounds like nonsense to you, if you're a non-musical musician let's say you'll be familiar with this separation of jurisdictions from such common experiences as driving your car. You'll remember when you learn to drive, you first consciously learn these separate movements, turning the key, pulling on whatever you did. And then you gradually relegated all of that movement to all of that individually will move to the subconscious which then took over the machine and which should be made to play the traffic tickets I think if we have things running right. But anyway, you're of subconscious eventually drives around town. So your conscious mind engages in conversation that listens to the radio or that sort of thing. And often you don't explain or trace your development somewhat to show how you've asked at this point because either swing when you're playing, you hear the tremendous facility that's horrendous here, bottom line and the years of dedication connected. I started to suddenly feel I was sick but this was fast-flowing. I mean, just six to thirteen I acquired the ability to slightly and display fast-flowing things so that actually both of us were performing more fast-paced and a few good things. So I'm intelligently musically but yet I couldn't play my subconscious energy without the notes. Now this is just I think able to play a masterpiece. And so I'm musically still not able to be creative and understand you cannot feel the players hoping my subconscious energy without having a lot of us. But really it wasn't so perhaps I started playing with something like thirteen and played at home and four or five nights a week and it was like impossible. For all these years all these years and wouldn't so I'd say maybe 20 or something like that that I began to feel I'd degree of expressive ability. The ability to now lay out my feelings clearly through some sort of a crash and I'm just in a simple area of the positive. I know we're hearing you playing and we were both playing at the same time when we were boys where you could become involved and explore the subject, you could explore and explore. And I kept hearing was excitement or wanting to success. So I say preceding the years of development, exploring all this. I think this again is true of some of the people and regardless of what deal again the young business executive, young man going into medicine, the law whatever it might be where all he sees the end results. Rather than saying there's the intrinsic value of that feeling what it can offer. Now the whole process of learning, the facility of the old play that it makes these problems from the outer level and run by one and to stay with it at a very good intense conscious concentration level until that process becomes secondary and so conscious. Now when that becomes so conscious then you can begin concentrating on that next problem which will allow you to do a little bit more, you know, move on and so on. This is what happened of course but that might give you an idea of how problems is approached and what degree of time and effort necessary to make all of this subconscious so that you can express yourself. I would say it's more than worth it but I think most people just don't realize the immensity of the problem and that indeed because they can't comprehend immediately think that they haven't got the ability or their science education to conquer that they never do see it too. But if you do understand the problem I think you can enjoy your whole trip through. I know I do like that because I've been tremendously fortunate in that final position that I know I have. I can remember having something to make a break and I think like that how should I factor a practical problem off the coming up? I'm a god in the vision has a second living thought and I said well ultimately I can't even conclude that all I must do is take care of the music even if I do it in a closet. If I really do that I'm going to come and open the door of the closet and say we're looking for you if not care.