If there was a bad dream, then I would watch precise Instagram time. But in the end, someone placed their ones on the desk.qing, I wont. What's the big deal? City way. Good. We dont trust that. Our country's over travaillant, chill, light, fl congrats and ALEXaru's best friends. But not everyone has the right, so we're abroad. I'm going to do a little bit of the work. I'm going to do a little bit of the work. I'm going to do a little bit of the work. I'm going to do a little bit of the work. Good morning. We're back at the creek. I've had the really work fast this morning. The sun was coming up through the trees. It was making it difficult to make shots. So I really just kind of rushed around and tried to get a few photos. Now I've got a few clouds rolling in, which might extend my shooting time a little bit. We're on the lower section. I was waiting for the levels of the creek to drop to shoot down in here. And today I'm shooting trying to shoot a panorama. This area here is just really like the wings of rock. This rock shelf, the texture of it, this whole section. It might lead to itself well to a panorama. The shots I've done here, when I had time, I put on a polarizing filter and tried a few different strengths. I usually don't eliminate the reflections completely. I try to leave a little bit of that shine on the water, gives it a little more sparkle. But I'm experimenting because some of this dark areas, I might want to be really kind of blackish, really dark. So taking that shine off might give me a really nice contrast because the rocks over here are pretty light. I mean, I even need the polarizing filter to accomplish that. It gives me options. So along with the panoramic shot, I've got a number of shots just of this little waterfall here. And I also shot up on that lip just close to the water, just before it goes over the fall. Kind of tying the two falls together is a little different look. I won't know which of these images I'm going to use. They'll just get them all together beside which ones work best for the project. I just got to take a bunch of shots and figure out what's going to work best later on. While it's the clouds stay up, it might go to give you more shots. Maybe I'll run up to a different section of the park and see if I can find something else. I'm trying to get a little bit more of the water. I'm trying to get a little bit more of the water. I'm trying to get a little bit more of the water. I was attracted to these boulders. I'm going to stream right next to it. I'm trying this as a panoramic shot. I'm going to capture the boulders as kind of the main part of the image with the creek off to the right as kind of context. The light's changing really fast. So I'm clouds are coming and going. So I don't know if my exposures are going to be even enough to make a good stitch. I tried it a couple different ways. I think I'm going to try one more shot. I'm going to stand with the roll. When you do stitching, you kind of go through film. So I'm going to try this with a 20mm. You get a little bit closer. When you get a little closer, you can get higher so you can get a different perspective of the boulders. When you're back down here a little lower, it kind of compresses them a little bit. When you come up here, you can get that whiting look that kind of pushes them back a little. It pushes kind of opens up the frame a little bit. I'm not sure which one's the most effective. I think I probably should try to get shots for you to get a portion here. Well, I finished the roll. The 360 exposure. I think we're going to call that good for today. I'm curious to see how these panoramic shots turned out. I think we'll go back to the office and put those together. So that'll be a great shot. I think we'll go back to the office and put those together. So that'll be coming up here in this video. So you might want to stay tuned. Before I finished this video, I thought I'd put one of these panels together in a finity photo. Kind of walk you through the process. A finity photo is made stitching quite easy. So we're just going to go through the process just how you do it. In the file, we're going to start a new panel ramma. Click add. We're going to find your photos. Click on the images. They're numbered. Make sure I've got them all there. It looks right. Then you click stitch panorama. It really doesn't take too long. It looks right to you. Click OK. You'll load the document. Now it's going to render it. You can see the lines where all the frames are. Now it's tried to align them. Where the magic happens. Every time I see it do that, it just blows my mind. And hit apply. The first thing I would do now would be to set the crop. I'm going to use a custom ratio. We're going to do a 17 by 6. It looks pretty good. Apply. And then from there you would just edit just like you would any other photograph. You can zoom in and make sure there's no artifacts that you need to take care of. This looks pretty good. You don't see any major ghosting or anything. Everything looks nice and smooth. And it's a nice balanced image to start with. I have my highlights still there. And I've got enough detail in the shadows that I'm happy with. Now I just have to adjust the contrast. Do a little dodging and burning. And I'll have a pretty decent image I think. Thanks for joining me on another outing in this making of a scene project. I'm really enjoying this project. I'm having a lot of fun. If you're new to this channel, don't forget to subscribe. So until next time, I think you're coming along for the right. Thanks for watching.