How do mythology help me with my role of Alabama? What helped me with that is having... I've always had an appreciation for vampires. Ever since I was a kid, because let's be honest, they get to look pretty dress in nice clothes and bite wingings next. What is not to like? Right? When it was Halloween, and everyone was dressing up like mottmys and frankets, and I'm like, you crazy. You'll bite the girls next. I'll see you later. I'm talking to you, sorry, I think you'll asexing. You know, like I've really got to talk to you. So I've always liked vampires. And so when Alacard comes about, it is my understanding of the trope of the vampire, and how the vampire has worked as the meaning of the vampire over time, understanding what Graham Stoker was doing in the original book, and even before that, the Nosferatu. How he had been portrayed in More Nause silent film, and how the vampire had modified over time, so that I could look at Helsing and go, okay, what is her son doing here? These are the parts of the vampire lore that he's sticking with, and these are the parts that he's innovating on. Interesting, right? Good. Well, I sort of... I get what he's doing, it's sort of a Tarantino thing with guns. But more importantly, one of the aspects of the vampire, the vampire is always dealing with whatever is taboo sexuality at that moment. So when Graham Stoker was writing Dracula, he was inspired by the actor Edwin Booth. He probably had a crush on him, right? Which is why the first feeding in the original novel is homosexual. So you've got a couple of different things that for a Victorian audience are taboo, one of the homosexuality. The second, the vampire is coming from Eastern Europe, and there was a great fear among all these outstanding Protestants in England, that there was all this bad poison blood from gypsies in the east that were going to come and spoil good-standing English stuff, right? So there's something threatening about breeding these eastern Europeans. So you've got different aspects that are threatening, and so there's a titillation that comes from going beyond the boundaries of acceptable sexuality. Well, that's not really an issue anymore, right? I mean, hopefully homosexuality is not a problem, and hopefully we've gotten rid of racism. But, you know what? So you've got to find something else that pushes the boundaries. So when the first Helsing series came out, we did it back in 2001. The thing that was sort of a little bit beyond the boundaries was BDSM. Let's have slave master relationships, and let's have all this sort of titillating, you know, that everybody's doing it. You know what I mean? I have to appreciate the gray. And so the original Helsing doesn't quite push that boundaries now. What is it? 17 years later. The way it did back in 2001. And so that's usually going to be the next thing is what's going to push that. That's how the vampire evolves over time. So I'm looking at that and going, I see what it's known. So what do we got out? Well, we got to dial up the Nazi. Okay, let's dial up the Nazi. That's what we're going to say.