Oh, you have to be serious and talk about art. You don't have to be serious and talk about art. Right, let's talk about sardines. Okay, this is Eleanor Bauer, everyone. That's true. Okay. Wait, is this real? Yeah, we're going to talk about it. We're going to talk about it. Is this how you're going to introduce? That's going to be it. That's going to be it. That's how we're going to do it. Her show is midday and eternity. It's good they can't smell me. I'm here at American Realness. To me, to me. Oh, yeah, bye. I'm at American Realness to do a show called Midday and Eternity. A Dance Piece. Well, actually the parenthetical subtitle is the timepiece. Midday and Eternity, the timepiece. Midday and Eternity, the timepiece. We use iPods during the whole piece. The whole piece is queued, synchronized so that we are together in time. But we can also be very separate in space or in worlds or what we're doing physically. When we do this very set phrase, it's a phrase that we made on 60 beats per minute. And it's one word per second mostly. Sometimes two or three seconds for a word. And these words all came from analyzing and sort of picking apart and dissecting things you know very well so that you can recombine them and create new monsters of stuff that's unfamiliar and new. And so then taking those apart and using those words to reassemble these descriptive terms. What we did is we made these steps that kind of have that word in them. But by hearing the word always in your ear, each time you do it, you're no longer doing the step but you're doing the quality. Like every time I hear numb or foam like or adult, like whatever these two different words that we used to describe the dance. I know what the step is but getting reminded of that quality. I re-perform it in a different way each time. As I'm performing, I'm still working on the source or the interpretation. It doesn't feel like doing a written phrase. A lot of the time what happens is you do a written phrase and the body remembers it. So it becomes muscle memory and it becomes musicality and it becomes in the room with people like a social agreement or something. And that's a lot of what is the intelligence of dance. Like you practice something so that it becomes a visual like practice is about habit forming. That happens but in very short periods of time and then you dissipate, you don't see each other forever and then you come back and you perform this piece. And you've lost that culture, you've lost those habits, you don't see each other every day anymore. So what is the piece now and how can that piece also still be somehow a practice? I was also thinking about how the finished product can continue to be daily work. Thank you.