Bring it inside of it, yeah? Nah bro, I shouldn't just... It's too tight. It's a little bit too tight. I feel like I'm not gonna be able to take off. Hey guys, it's Ray Alvarez and we're back with another AI series video. I had to take a little break as my daughter went into surgery, but today we're filming in my house. We're gonna get creative with K Alvarez and today we're gonna create a look that we're actually really proud of. But if you haven't subscribed, subscribe now. Leave me a comment, give me a like and let's get into the video. Alright guys, so like I said in the intro, I had to take a small break on filming YouTube videos as work and helping around with my daughter's recent surgery had taken priority. But, I'm back. And this video was filmed at home. So, I'm sorry guys, but I didn't film the lighting set up or anything like that as I was short on time. So, most of the credit goes to K as she built most of what you will see here in the final look from scratch. She found a fully rendered AI image that inspired the look in this video. It doesn't always have to be exact or cloned or copied. It's just an inspiration and we try to come close to it to an extent. So, Kate purchased a few large salibos, fused them together and then cut a hole in the middle. While designing this, we realized that we had a cut a hole because of the condensation along with the reflection that the light was making. And it wasn't going to allow us to get it right. But, most importantly, we had to make sure that Kate could breathe because she was not breathing. And it was going to be a pain to put it on and remove the makeshift helmet to allow for breathing breaks. So, this is why we ended up cutting hole in the middle. In this entire video, I kept it very minimal. The background you see here is the savage seamless roll of paper number two, sky blue. To like the scene, I used the Adorama Flashpoint AD400. The modifier of choice was the 48 inch softbox by Glow. And all of it was attached to my C-Stan. I'm shooting this with my new Sony A7R5 using one of my favorite lenses, the Sony 90mm G-Master 2.8. The lights are all synced and triggering by using the Flashpoint R2 transmitter attached to the top of my camera. Alright, so now that we have the details out of the way, I want to show you what they look like straight out of camera. And now, I want to show you what the final edit looks like. centuries old I forces custody with my entire amplifier to do everything I needed. What do you think about our author? Alright guys, so there you have it. We were really hard on this one. Leave us a comment down what you think about our video and our process. And give me a like. As always, I hope you learned something in this video. See you on the next one. Thanks for watching.