There's something about the bounce that keeps the practicing vibrant. It's a great and fun tool. Time to keep on. The rise and fall incorporate the gravity bounce. It feels like having your own conductor to help you keep in touch. Martin Worton, Sound on Sound magazine. Bounce and tunes with me are fully accessible for deaf and blind musicians and anyone who needs high contrast visuals. I just like to say that I think this concept is fantastic. I've been a pianist for 23 years and I'm also profoundly deaf. Some of the complicated polyrhythms I've encountered have led to much time-dreaming and hair-throding, such as 5 over 3, 7 over 8, 6 over 8, etc. This visual approach makes it so easy to see the rhythmic interplay and to clap it until it becomes eternal. Thank you, Kyle Thomas. It starts with a deceptively simple idea that is beyond compare, the very best visualisation for rhythm ever. Add to this support for complete range of swing, accents, polyrhythms, additive rhythms, huge numbers of options to adjust every detail. And some incredible harmonic just-internation rhythmic, fractal evolutionary craziness at the advanced level and much more. Quite simply, the most remarkable metronome from music study, Aaron Wolf, guitar teacher. This adds sound to the rhythmic pattern of the pendulum wave. Find out more about this rhythm in my pure tones for healing article on Science 20.