Hey, it's me Alexis. I thought I'd do a little commentary of my time lapse. Spend about seven hours, maybe seven and a half. Eight, I don't know, drawn this. Went through a bunch of photos that my wife, Serena, had taken of me in Olympia and loved this one. It takes place in Moujon, which is in South of France. Place where it goes, a family for holiday. And I just love this photo of Olympia on my shoulders. This piece is called On the Shoulders of Olympia. And pretty happy. It's actually my first time trying low poly art. I've been obsessed with it. You probably saw what I launched my latest firm, 7776, that we did low poly artwork of all of our team members. I just love the style, I love the vibe. I grew up on these video games when the PlayStation showed up and rendered things in polygons. It was pretty damn cool. I don't know, the systetic just brings back memories for me of childhood and simpler time with computer graphics. And so I loved bringing Olympia to life with it. Took a while. Definitely took a lot of time. I had a lot of music planned. It was drinking a lot of coffee to get me in the zone and knocking this out. But it was a lot of fun. I'm going to be doing a lot more artwork like this. I just had so much fun doing it that I feel kind of motivated to do it some more. It's kind of therapeutic. And I learned a lot, even just thinking through shading each one of these triangles is, they're almost all triangles. Yeah, they should all be triangles. Each one of them is a chance to show a little bit of depth and perspective. You'll notice the first thing around, I didn't go nearly detailed enough on the face. Probably more detail or more triangles really is because there is more depth. Like a region that is a giant, not a part of a t-shirt, just want to be trying it because it doesn't need a ton of depth. It's just a flat smooth surface. But the more that you want to create these evocative feelings of roundness or depth, certainly on the eyes, the nose, fingers, hands, you know, do. Basically more detail. The more you need to go in there with more triangles. And even sampling the color is a process because you're using the eye dropper tool to pick one color out of all the ones in that region. And color also obviously plays a big role in those feelings of depth and shadow and shading. This is fun. This is a totally new medium for me. I've been drawing since I was a kid. I obviously created a lot of pretty iconic logos including the redd-alien and the crawled-these redded doodles. I did hundreds of them on the front page. Not just for holidays like Google, but for no reason you've done sometimes really. Just to entertain my mom. And there's the one thing I'm ready to do. And so this was an amazing piece. I'm going to be able to create. I'm grateful to have done it with proof, a great job. Kevin and the team. This was a lot of fun. That's a great alongside some amazing artists and create something that captures the most important and greatest achievement I have ever done. My daughter Olympia.