The project is the rents, grounding in Northern Magic and I've not just illustrated but I've written it but I thought I'd show how I illustrate. You'll notice I'm quite quite kind of loose and free and I'm not sure that I'm particularly following any kind of technique that I know of. I'm just winging it and I'd say that was my, if I have any tricks, that's definitely one of them. I don't come up with anything that will happen. I use the reverbera a lot as a result. Things will come and go. I've just stuck a squirrel in which means that the really badly drawn squirrel at the top of the page can go. That was also defied for six. And soon yes we have an eagle at the bottom top can go as well. And then we have a fruit. There are 24 fruit because there will be 24 ruins in it. This picture is meant to be of a big thoracal and the fruit will be ruins and it's going on the idea that there was a section in my book that maybe needed an illustration. And in that section I'm talking about how getting the roots to fit in with other systems is kind of risky because frequently things just don't fit together. And as a result I want to turn a picture with the ruins all kind of jumbled up, sort of thing not in the correct order, think of them because to be honest this system is quite chaotic and one of the things that's slightly appealing about Norse, Protonorse and kind of Saxon culture is that it does allow for quite a lot of anarchy. You can see we're using a biron now and you'll see. You'll start to see that cross hatching stuff like that. I do do it in a traditional way but I also do it any other way that I can think of. You know I see that as kind of free texture. And you know one weird thing with this picture was is that because I've got the camera there and because of the way I'm sitting normally when I do a picture, it's like the kind of sutra hole you know I'll be juggling all over it. Whatever, just kind of wherever I want the book to be I can have it and in this one I had to keep it still for the camera where you were just making really climbing challenge. I like mucking about with hatching, doesn't need to be done by a second. As can also be said about most of this if I haven't already mentioned it, the not work is I go out of my way to break it and I certainly don't go out of my way to keep it symmetrical or particularly kind of geomecological. In fact if you look at it, I've even gone to the effort of making sure that it doesn't make a square and that the picture kind of is suggesting that it's got frame around it but no one's broken. You know I think one thing that the pictures get across is the amoky that is the system that I'm describing. You know down below there I'm doing you know I must be called a Celtic not yet, it's not Celtic and it's not a not meant slide. Diamond shaped rings with a loop going through and not even continued before which is you know a kind of wooden bottom of that kind of not work. I totally I leap from very light to very dark probably a bit too eagerly. You know there's some meta-townness that I can play with there. Obviously cross hatching is light and dark as I was mentioning earlier but here and definitely. I like it, I like it but all I like is strong. And the runes the runes are now in note they're not in an order. Like I said I'm saying I'm saying chaos and I think it's almost finished. A bit more work on the norms and I've been sticking to the last mountain telephone mission. Just a mountain I should see the last thing I do is in Photoshop where I spread out the contrast. So it's just light and dark I've lost even more mid-tone and it's kind of finished. And what about the writing I hear you ask? Pretty much the same, social chaos.