Top 3 underrated producers. Havik, Havik, Havik. Um... Underrated... You know, Pete Rock is dope, Primo's dope. None of them are underrated. Um... Maybe, um... Fuck wow. You know, he did uh... Getaway for us. I really don't know too many. I know there's probably a lot of them out there that's underrated, but... I definitely will put myself in the category. I listened to a lot of R&B music, you know what I mean? Um... I listened to a lot of Class Crew music, you know, because I just like to hear the whole orchestra with the strings, the bass and the different sounds. Like, I listen to like some Bach, you know what I mean? Just different things that I need to adjust the... Just to listen to music, period. It doesn't even have to have a tempo, but just to see how they put it together and just how it makes you feel. And I take that and I'm like, okay, what move do I want to put somebody in? When I'm making my style attract, you know? So I just love musical around. In this whole new world, the streaming, you know, Apple, Spotify, and whatever else you may have for the artist, you know, what do I feel about it? Love it, though, way to get your music out there on many, many different platforms. What my concern is for the artist, being an artist, is making sure that royalties are being collected and the artists are being rightfully paid. Because every day a new stream in sight is popping up and people are able to, you know, I want to say, still your music, but not pay you for your performance. So I have hoped that, you know, it will all be reigned in. And I love the streaming. It's dope, but they just have to make sure that they compensate the artist. My perspective on the artist is creating independent labels and, you know, only on masters. I mean, that's mandatory, you know what I mean? At first, it might not seem to glamorous or strapping it, but at the end of the day, the artist will be more happy because they control their music and their masters, you know what I mean? And if you push hard enough, you will be successful and the labels will come running after you. So that's where the artists really need to take it and believe in themselves and own a masters because it don't make sense. Because when you buy a house, the bank loans you money and when you finally pay back the loan, you own a house, but in music, when a record company lends you money, you don't get to keep the album after you pay it back. They own the masters. So they did kind of change the laws where you can get your masters back 30 years later, like, come on. That's too long. So, you know, artists need to just be like, I'm doing this independently. I believe in myself. Let's do it. And that's the way the artist should go.