I know that the skulls here because I scored the edge, that's just a guide and here's the beginning of the next stripe. So what I'm going to try and do is just work on these areas to make them lighter. The silicone tool works really well for this and you know again I'm working with oils now. Here are the two paintings side by side and as you can see they're they're coming along and but this is a stage that proves to be most challenging to me because I have to really slow down and start to look at all the things that are going to be good. I'm going to be working on right now and whether my paintings on the left or right panel, whether they should stay together as a diptych, whether they can stand alone, whether they should stand alone. You know what are the problems that I see? What is it about each panel that's keeping me from feeling at peace? The looser I am in the early stages of a painting, sometimes I can lead to a lot more challenge later on especially during these final stages. That's one of the reasons why I've grown to love that approach because I know that at the end I will have created some major problems and if I keep mixing up the way that I start that I know that the types of problems I have at the end will always be different and a different challenge. So I like that and that's why I continue to challenge myself in the way that I get started. Sometimes that might mean limiting my colors, having a limited color palette or maybe not limiting my colors. That would be the opposite. It can just lead to a lot of different ways to push myself. So right now I'm looking at these two panels side by side and I feel like the left one is a little bit more strong than the one on the right. I'm going to turn each panel around. So in other words, I have to look at them as a pair but I also have to analyze each one individually because at this point I'm really not. I don't feel like they need to stay as a dip tick. Each one has kind of taken on a life of its own. The one on the right has a lot more shapes that go outside of that banded rectilinear form. It's the one on the left. It's pretty much stayed that way and I may just develop each one independently now. I'm really not sure. But until I made the decision, I just want to look at them together. But I still have to rotate each panel. 90 degrees. Keep doing that until I've seen all four views and all the different combinations. You You You You You You You