奧費主義

奧費主義（），或稱俄耳甫斯立體主義（cubisme orphique）是一個立體派的分支，該主義受野獸派、佛洛依德和米歇爾·歐仁·謝弗勒爾等的影響，其作品內容主要為光線構成的絕對的抽象。這個術語本身則是由法國詩人紀堯姆·阿波利奈爾在1912年提出的。奧費主義是立體派藝術向抽象藝術轉折的關鍵期，其先鋒人物為法蘭提塞克·庫普卡、羅伯特·德勞內和索尼婭·德勞內。Tate Glossary  retrieved 31 July 2014

這個術語的真正含義一直較令人費解。它來自古希臘神話中的俄耳甫斯，原因可能是因為後者被當做了理想的藝術家的典型，又是神秘主義的象征。

注釋

參考書目
Baron, Stanley; Damase, Jacques. Sonia Delaunay: The Life of an Artist. Harry N. Abrams, Inc., 1995
 Buckberrough, Sherry A. Robert Delaunay: The Discovery of Simultaneity. Ann Arbor, Michigan: UMI Research Press, 1978.
 Chadwick, Whitney; de Courtivron, Isabelle. (ed) Significant Others: Creativity and Intimate partnership. London: Thames & Hudson, 1993.
 Chip, Herschel B. "Orphism and Color Theory". The Art Bulletin, Vol. 40, No. 1, pp. 55–63, Mar 1958. 
 Damase, Jacque. Sonia Delaunay: Rhythms and Colours. Greenwich, Connecticut: New York Graphic Society Ltd, 1972.
 Gale, Matthew. Dada and Surrealism. New York: Phaidon Press Inc., 2006
 Hughes, Gordon "Envisioning Abstraction: The Simultaneity of Robert Delaunay's First Disk". The Art Bulletin, Vol. 89, No. 2, pp. 306–332, Jun 2007. The College Art Association.
 MoMA. Orphism 
 Seidner, David. Sonia Delaunay. BOMB Magazine, 2/Winter, ART, 1982. https://web.archive.org/web/20090903142313/http://www.bombsite.com/issues/2/articles/60
 Stangoes, Nikos (ed). Concepts of Modern Art: Fauvism to Post-Modernism. Chapter: "Orphism", Virginia Spate. (Revised) London: Thames & Hudson, 1981.

外部連結

 MoMA Collection: Robert Delaunay 
 MoMA Collection: Sonia Delaunay 
 MoMA Collection: František Kupka

Category:立體主義
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Category:藝術運動
Category:20世纪巴黎