Rear Window

Rear Window is a 1954 American mystery thriller movie directed by Alfred Hitchcock. The movie is based on the story, It Had To Be Murder, by Cornell Woolrich. John Michael Hayes wrote the script The film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter and Raymond Burr. It was nominated for four Academy Awards. Critics consider it one of Alfred Hitchcock's best movies and one of the greatest movies of all time. 

 Plot 
The movie tells the story of a photographer L. B. "Jeff" Jefferies (played by James Stewart)  who has a broken leg.   He spends his days sitting in his Greenwich Village apartment watching his neighbors through their open windows. There is a ballet dancer Miss Torso, a pianist and songwriter, a couple with a dog who digs the flowers up, a newly married couple, 'Miss Lonelyhearts', and a jewelry seller Lars Thorwald with his bed-ridden wife. Lisa Fremont (played by Grace Kelly) is Jeff's girlfriend and visits several times. A nurse Stella (played by Thelma Ritter) also takes care of Jeff. 

One night Jeff hears and sees some unusual things. Jeff hears a woman scream, "Don't!" and glass breaking. He sees Thorwald leave the house several times at night with a suitcase. The next day Thorwald's wife is gone, and Jeff sees him cleaning a knife and saw. There is a large trunk. Jeff thinks there has been a murder. He tells Lisa and Stella. Jeff calls Tom Doyle to investigate. Doyle finds nothing. Witnesses say Thorwald's wife had left. Jeff sees Thorwald take out his wife's jewelry and her wedding ring. Lisa says that women would not leave their jewelry at home like that. The two agree that Thorwald's wife did not leave the apartment.   

The dog dies and the owner shouts at everyone. Everyone listens except Thorwald. Jeff thinks Thorwald killed the dog and that he buried something in the ground. Jeff calls Thorwald to get him out of the house. He does this so Lisa and Stella can search the ground. The two find nothing. Lisa surprisingly enters Thorwald's apartment. Jeff and Stella see Miss Lonelyhearts try to kill herself, but the piano music stops her. Distracted, Jeff and Stella do not notice Thorwald coming back. Thorwald goes to Lisa and starts grabbing her. Jeff calls the police and says there is an assault. The police arrive and arrest Lisa for breaking in. She shows her finger to Jeff that she has the wedding ring of Thorwald's wife. Thorwald sees Lisa's hand signal and sees Jeff. 

Jeff calls detective Doyle. Thorwald calls Jeff and enters Jeff's apartment. Jeff uses flashbulbs to slow down Thorwald by blinding him. Thorwald throws Jeff off the window. Jeff calls for help, and the police come. Jeff falls, but officers catch him. Doyle, Lisa and Stella rush to Jeff's side. Thorwald confesses murdering his wife. A few days later Jeff has casts on both legs. The neighbors of Greenwich Village are happy again. There is a new puppy. Miss Torso's love is back from war. Miss Lonelyhearts is seeing the pianist. The Thorwald's apartment is being painted and redone. Lisa is with Jeff. She reads Beyond the High Himalayas and then reads a fashion magazine.   

 Cast 

 James Stewart as L. B. "Jeff" Jefferies
 Grace Kelly as Lisa Carol Fremont
 Thelma Ritter as Stella
 Raymond Burr as Lars Thorwald
 Wendell Corey as NYPD Det. Lt. Thomas "Tom" J. Doyle
 Judith Evelyn as Miss Lonelyhearts
 Ross Bagdasarian as the songwriter
 Georgine Darcy as Miss Torso
 Sara Berner and Frank Cady as the couple living above the Thorwalds, with their dog
 Jesslyn Fax as "Miss Hearing Aid"
 Rand Harper and Havis Davenport as newlyweds
 Irene Winston as Mrs. Anna Thorwald

Uncredited

 Harry Landers as young man guest of Miss Lonelyhearts
 Ralph Smiles as Carl, the waiter
 Fred Graham as detective
 Eddie Parker as detective
 Anthony Warde as detective
 Kathryn Grant as Girl at Songwriter's Party
 Marla English as Girl at Songwriter's Party
 Bess Flowers as Woman at Songwriter's Party with Poodle
 Benny Bartlett as Stanley, Miss Torso's returning boyfriend
 Dick Simmons as Man with Miss Torso

Alfred Hitchcock makes a cameo appearance in the apartment of the pianist.  

 Themes and Motifs 

 Voyeurism 
A major theme in Rear Window is voyeurism.Sharff, S. (1997). The art of looking in Hitchcock's Rear window. New York: Limelight Editions. This is when someone intimately watches someone else. In the film, Jeff is spying on his neighbors. This act is morally questionable, and the audience participates in it. The camera follows Jeff's eyes. It switches back to facing Jeff. The camera allows the viewers to join Jeff in his actions. The audience should feel guilty. Stella criticizes Jeff's actions. She says that people should stop looking out and look at themselves. Lisa says Jeff's actions are like a disease. She is upset that Jeff only watches the neighbors. Jeff himself questions if it is alright to spy on a man with binoculars.  Lisa and Stella question Jeff's actions at first, but they join him later. The idea of spying can relate to surveillance in the state. During the time, people feared that the government would watch them the whole time. This fear was due to McCarthyism.A Hitchcock Reader. (2009). United Kingdom: Wiley, p. 208.  In the film, a helicopter comes close above the village. It is like the helicopter is spying on the village. There is almost no difference between private and public in the film. 

 Loneliness 
Another theme is loneliness and isolation. All the residents are separated from each other. They are like prisoners in their own apartments. Jeff cannot leave the apartment with his injury. The entire film is also limited to the space of the courtyard. The character Miss Lonelyhearts can represent the isolation of the neighbors. Jeff is detached from the neighbors as he watches them, and they do not know he is watching them. Jeff is like a photographer, taking mental pictures of his neighbors. The dog owner says that none of the people know the meaning of a neighbor and that they do not care.Fawell, J. (2004). Hitchcock's Rear Window: The Well-Made Film. United States: Southern Illinois University Press, p. 12-14, 48, 85, 116-122. 

 Gender and Marriage 
Gender roles are important in the film. It is after World War II and women were changing roles in society. In the film, male characters are no longer heroes. Hitchcock switches the roles of men and women.Alfred Hitchcock's Rear Window. (2000). United Kingdom: Cambridge University Press, p. 68, 76.  For instance, Thorwald murders his wife. Jeff is injured, his camera is destroyed, and he cannot walk. Detective Doyle cannot find evidence. Meanwhile, Lisa and Stella are the only ones who can investigate. Gender roles connect to marriage. Jeff talks about marriage on the phone. He analyzes Lisa a lot and is not ready to marry her. At one point, Jeff and Lisa argue. Jeff thinks that Lisa could not stand Jeff's lifestyle as a photographer. Stella says that people in the past just fell in love and that now they study each other like samples in a bottle. This type of marriage connects to the other themes of loneliness and surveillance. The couples are not just loving each other, but objectively studying each other. They are distant from each other and must constantly watch each other. Jeff, for example, watches Lisa. Marriage appears in other places. There is a newly married couple. Lisa gets the wedding ring of Thorwald's wife. The wedding ring is symbolic for marriage and is a form of situational irony. Lisa wants to marry Jeff, but she ends up with the wedding ring of Thorwald's wife.Fawell, J. (2004). Hitchcock's Rear Window: The Well-Made Film. United States: Southern Illinois University Press, p. 23-24.      

 Production 

 Development 
The screenplay of Rear Window is based on the short story It Had To Be Murder. Cornell Woolrich wrote the story in 1942. The main story about a man in a wheelchair watching neighbors and thinking there is a murder is the same. Hitchcock added characters such as Lisa and Stella. There was no romantic relationship in the story. In the film, there are also more neighbors."Rear Window Ethics: Remembering and Restoring a Hitchcock Classic". DVD Documentary, 1982. 

Two real murders inspired the film. The first is the "case of Dr. Crippen." Dr. Crippen buried his wife in his basement in 1910. He made the mistake of letting his secretary wear his wife's jewelry. In the second case, Patrick Mahon murdered Emily Kaye in 1924. He did this by cutting her up and throwing her parts out of a train window. The man later burned her head in a fireplace.Truffaut, F. (2015). Hitchcock. United Kingdom: Simon & Schuster, p. 222.  

 Filming 
The entire movie was shot at Paramount Studios. There was a complete set of Greenwich Village. It was one of the largest sets at Paramount. The set had a special drainage system and lighting for different parts of the day. There were 31 apartments on the set and 12 had full furniture.Bernhard Jendricke: Alfred Hitchcock. 1993, , p. 97.  

 Costume Design 
Edith Head was the costume designer for the movie. Costumes and clothing are important in the film for characterization. Grace Kelly is into fashion and has many different outfits. The different clothes relate to changes in the roles of the characters. For instance, when Lisa and Stella help Jeff to investigate they we are wearing simple day dresses.3. "The Dresses Had Told Me": Fashion & Femininity in Rear Window. Alfred Hitchcock's Rear Window. (2000). United Kingdom: Cambridge University Press, p. 91-105  

 Music 
Frank Waxman composed the score including the Piano song "Lisa". The film has mainly diegetic sounds. These are sounds that the characters in the film hear."Rear Window Ethics: Remembering and Restoring a Hitchcock Classic". DVD Documentary, 1982. 

Natural sounds were used that would get louder or softer with distance. There are several songs including "To See You Is to Love You" by Bing Crosby, songs by Nat King Cole ("Mona Lisa", 1950) and Dean Martin ("That's Amore", 1952), Richard Rodgers' song "Lover" (1932), and "M'appari tutt'amor" from Friedrich von Flotow's opera Martha (1844), and part of Leonard Bernstein's music for the ballet Fancy Free (1944).

 Reception 

 Box Office 
The film was a box office success. It was one of the highest grossing films of 1954. The film had a budget of $1 million and made over $37 million. 

 Critical Response 
The movie had very positive reviews. Critics praised the film as an intense, suspenseful, and exciting thriller. They considered the film to be a masterpiece of suspense that drew in viewers. Some noted that the film says a lot about human nature and the desire to intimately watch other people. The technical and artistic skills were also praised. The film has a 98% on Rotten Tomatoes. On Metacritic, the film has a rare 10/10 with "universal acclaim." The film was ranked number 5 on the Top 10 films of the Year on Cahiers du Cinéma.Johnson, Eric C. "Cahiers du Cinema: Top Ten Lists 1951-2009". alumnus.caltech.edu. Archived from the original on March 27, 2012. Retrieved June 30, 2022. 

 Awards 
The film was nominated for four Academy Awards Best Director, Best Adapted Screenplay, Best Cinematography - Color and Best Sound - Recording. The movie won Best Actress from the National Board of Review. The New York Film Critics Circle awarded Grace Kelly the NYFCC Award for Best Actress. The film won Best Motion Picture at the Edgar Allen Poe Awards. The film also got nominations from the Writers Guild of America and Directors Guild of America.  

 Legacy 
Rear Window was chosen to be part of the National Film Registry by the Library of Congress in 1997. In the British Film Institute's Sight & Sound, the movie was ranked the 53rd greatest film. In Time Out magazine the film ranked 21st and 26th greatest film of all time in 1998 and 2022. The film made several American Film Institute lists. They include number 42 in AFI's 100 Years...100 Movies, number 14 in AFI's 100 Years...100 Thrills, number 48 in AFI's 100 Years...100 Movies (10th Anniversary Edition) and number three in AFI's 10 Top 10 (Mysteries). 

Rear Window was restored in the late 1990s. Technicolor used a new dye process to improve the image. The movie influenced later films. Several films are based on Rear Window. They include Body Double (1984), Silver (1993) and Time Out (1998). In 1998, there was a TV show remake of Rear Window. Disturbia (2007) is a modern version of Rear Window about a serial killer. Rear Window has appeared in other TV shows such as The Simpsons, That '70s Show, Get Smart, The Flintstones, Psych, The White Collar, The Family Guy, Raising Hope, Castle, The Detectives and others.  

 Notes 

 References 

 Other websites 

Rear Window Quotes
Rear Window  Script/Screenplay
Rear Window at AllMovie 
Rear Window at Filmsite
Rear Window at American Film Institute Catalog
Rear Window at Rotten Tomatoes  

Category:1954 movies
Category:1950s mystery movies
Category:1950s thriller movies
Category:American mystery movies
Category:American thriller movies
Category:English-language movies
Category:Movies directed by Alfred Hitchcock
Category:Movies set in Manhattan
Category:United States National Film Registry movies