ᱵᱤᱱᱟ ᱢᱟᱡᱩᱢᱫᱟᱨ

ᱰᱟᱹᱠᱛᱟᱹᱨ ᱵᱤᱱᱟ ᱢᱟᱡᱩᱢᱫᱟᱨ (᱒᱘ ᱢᱟᱨᱪ ᱑᱙᱒᱗ – ᱓᱐ ᱢᱮᱭ ᱒᱐᱑᱓) ᱫᱚ ᱢᱤᱫ ᱵᱷᱟᱨᱚᱛᱤᱭᱚ ᱮᱠᱟᱰᱮᱢᱤᱠ, ᱞᱮᱯᱷᱴ-ᱣᱤᱝ ᱮᱠᱴᱤᱵᱷᱤᱥᱴ ᱟᱨ ᱱᱟᱨᱤᱵᱟᱫᱤ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱵᱷᱟᱨᱚᱛ ᱨᱮ ᱛᱤᱨᱞᱟᱹ ᱥᱮᱪᱮᱫ ᱨᱮ ᱢᱤᱫ ᱯᱟᱭᱱᱤᱭᱚᱨ, ᱩᱱᱤ ᱫᱚ ᱵᱷᱟᱨᱚᱛᱤᱭᱚ ᱛᱤᱨᱞᱟᱹ ᱟᱱᱫᱚᱞᱟᱱ ᱨᱮᱱ ᱢᱤᱫ ᱢᱩᱬ ᱦᱚᱲ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱩᱱᱤ ᱫᱚ ᱛᱤᱨᱞᱟᱹ ᱥᱮᱪᱮᱫ ᱨᱮ ᱥᱠᱚᱞᱟᱨᱤ ᱥᱚᱸᱫᱷᱟᱱ ᱥᱟᱶ ᱮᱠᱴᱤᱵᱷᱤᱡᱤᱢ ᱡᱩᱢᱤᱫ ᱠᱟᱛᱮ ᱯᱩᱭᱞᱩ ᱛᱤᱨᱞᱟᱹ ᱮᱠᱟᱰᱮᱢᱤᱠ ᱠᱚ ᱛᱟᱞᱟ ᱨᱮ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱩᱱᱤ ᱫᱚ ᱵᱷᱟᱨᱚᱛ ᱨᱮ ᱛᱤᱨᱞᱟᱹ ᱠᱚᱣᱟᱜ ᱦᱟᱞᱚᱛ ᱪᱮᱛᱟᱱ ᱨᱮ ᱯᱩᱭᱞᱩ ᱨᱤᱯᱚᱨᱴ ᱩᱫᱩᱜ ᱞᱟᱹᱜᱤᱫ ᱵᱷᱟᱨᱚᱛ ᱨᱮ ᱛᱤᱨᱞᱟᱹ ᱠᱚᱣᱟᱜ ᱦᱟᱞᱚᱛ ᱪᱮᱛᱟᱱ ᱨᱮ ᱯᱩᱭᱞᱩ ᱠᱚᱢᱤᱴᱤ ᱨᱮᱱ ᱥᱮᱠᱨᱮᱴᱟᱨᱤ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱴᱩᱣᱟᱨᱰᱥ ᱤᱠᱣᱟᱞᱤᱴᱤ (᱑᱙᱗᱔)᱾Interview with Vina Mazumdar, Global Feminisms Project Deep Blue, Michigan University ᱩᱱᱤ ᱫᱚ ᱥᱮᱸᱴᱟᱨ ᱯᱷᱚᱨ ᱣᱩᱢᱮᱱᱥ ᱰᱮᱵᱷᱮᱞᱚᱯᱢᱮᱸᱴ ᱥᱴᱟᱰᱤᱥ (ᱥᱤᱰᱟᱵᱽᱞᱩᱰᱤᱮᱥ) ᱨᱮᱱ ᱵᱩᱱᱭᱟᱹᱫᱤ ᱰᱟᱭᱨᱮᱠᱴᱚᱨ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱢᱤᱫ ᱟᱴᱚᱱᱚᱢᱚᱥ ᱥᱚᱝᱜᱚᱴᱷᱚᱱ ᱡᱟᱦᱟᱸ ᱫᱚ ᱵᱷᱟᱨᱚᱛᱤᱭᱚ ᱠᱟᱣᱱᱥᱤᱞ ᱚᱯᱷ ᱥᱚᱥᱤᱭᱟᱞ ᱥᱟᱭᱤᱱᱥ ᱨᱤᱥᱚᱨᱪ (ᱟᱭᱤᱥᱤᱮᱥᱮᱥᱟᱨ) ᱨᱮᱱᱟᱜ ᱞᱟᱛᱟᱨ ᱨᱮ ᱑᱙᱘᱐ ᱥᱟᱞ ᱨᱮ ᱛᱷᱟᱯᱚᱱ ᱦᱩᱭ ᱞᱮᱱᱟ᱾ ᱩᱱᱤ ᱫᱚ ᱥᱮᱸᱴᱟᱨ ᱯᱷᱚᱨ ᱣᱩᱢᱮᱱᱥ ᱰᱮᱵᱷᱮᱞᱚᱯᱢᱮᱸᱴ ᱥᱴᱟᱰᱤᱥ, ᱫᱤᱞᱞᱤ ᱨᱮ ᱢᱤᱫ ᱱᱮᱥᱱᱟᱞ ᱨᱤᱥᱚᱨᱪ ᱯᱨᱚᱯᱷᱮᱥᱚᱨ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾Our people  Centre for Women's Development Studies, website.

ᱮᱛᱚᱦᱚᱵ ᱡᱤᱭᱚᱱ ᱟᱨ ᱥᱮᱪᱮᱫ
ᱵᱤᱱᱟ ᱢᱟᱡᱩᱢᱫᱟᱨ ᱫᱚ ᱠᱚᱞᱠᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱛᱟᱞᱟᱼᱠᱞᱟᱥ ᱵᱟᱝᱜᱟᱞᱤ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ, ᱢᱚᱬᱮ ᱜᱚᱴᱟᱝ ᱜᱤᱫᱽᱨᱟᱹ ᱠᱷᱚᱱ ᱠᱚᱢ ᱩᱢᱮᱨ ᱨᱮᱱ ᱦᱚᱯᱚᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱯᱮᱭᱟ ᱠᱚᱲᱟ ᱜᱤᱫᱽᱨᱟᱹ ᱟᱨ ᱵᱟᱨᱭᱟ ᱠᱩᱲᱤ ᱜᱤᱫᱽᱨᱟᱹ ᱠᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱩᱱᱤᱨᱮᱱ ᱵᱟᱵᱟ, ᱯᱨᱚᱠᱟᱥ ᱢᱟᱡᱩᱢᱫᱟᱨ, ᱢᱤᱫ ᱤᱧᱡᱤᱱᱤᱭᱟᱹᱨ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱩᱱᱤᱨᱮᱱ ᱠᱟᱠᱟ ᱫᱚ ᱧᱩᱛᱩᱢᱟᱱ ᱱᱟᱜᱟᱢᱤᱭᱟᱹ ᱟᱨᱹ ᱥᱤᱹ ᱢᱟᱡᱩᱢᱫᱟᱨ (᱑᱘᱘᱘–᱑᱙᱘᱐) ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱩᱱᱤ ᱫᱚ ᱥᱮᱸᱴ ᱡᱚᱱᱥ ᱰᱟᱭᱚᱥᱮᱥᱟᱱ ᱜᱟᱨᱞᱥ ᱦᱟᱭᱟᱨ ᱥᱮᱠᱮᱱᱰᱟᱨᱤ ᱥᱠᱩᱞ, ᱠᱚᱞᱠᱟᱛᱟ ᱠᱷᱚᱱ ᱟᱡᱟᱜ ᱥᱠᱩᱞᱤᱝ ᱮ ᱠᱚᱨᱟᱣ ᱠᱮᱫᱟ, ᱛᱚᱵᱮ ᱵᱮᱱᱟᱨᱟᱥ ᱦᱤᱱᱫᱩ ᱭᱩᱱᱤᱵᱷᱟᱨᱥᱤᱴᱤ ᱨᱮᱱᱟᱜ ᱣᱩᱢᱮᱱᱥ ᱠᱚᱞᱮᱡᱽ ᱨᱮ ᱟᱨ ᱛᱟᱭᱚᱢ ᱛᱮ ᱟᱥᱩᱛᱚᱥ ᱠᱚᱞᱮᱡᱽ, ᱭᱩᱱᱤᱵᱷᱟᱨᱥᱤᱴᱤ ᱚᱯᱷ ᱠᱚᱞᱠᱟᱛᱟ ᱨᱮ ᱯᱟᱲᱦᱟᱣ ᱠᱮᱫᱟ, ᱚᱸᱰᱮ ᱫᱚ ᱩᱱᱤ ᱟᱥᱩᱛᱚᱥ ᱠᱚᱞᱮᱡᱽ ᱜᱟᱨᱞᱥ ᱥᱴᱩᱰᱮᱱᱴᱥ ᱭᱩᱱᱤᱭᱚᱱ ᱨᱮᱱ ᱥᱮᱠᱨᱮᱴᱟᱨᱤ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ᱾ ᱠᱚᱞᱮᱡᱽ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱚᱠᱛᱚ, ᱩᱱᱤ ᱨᱟᱢᱟ ᱨᱟᱣ ᱠᱚᱢᱤᱴᱤ ᱨᱮᱱ ᱜᱚᱲᱚ ᱨᱮ ᱢᱤᱫ ᱡᱩᱢᱤᱫ ᱮ ᱥᱟᱯᱲᱟᱣ ᱠᱮᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱩᱬ ᱦᱤᱱᱫᱩ ᱞᱚ ᱨᱤᱯᱷᱚᱨᱢ ᱦᱚᱛᱮᱛᱮ ᱦᱚᱯᱚᱱ ᱮᱨᱟ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱣᱟᱨᱤᱥ ᱟᱹᱭᱫᱟᱹᱨᱤ ᱵᱟᱹᱲᱛᱤ ᱞᱟᱹᱜᱤᱫ ᱥᱩᱯᱟᱨᱤᱥ ᱠᱮᱫᱟ᱾ ᱑᱙᱔᱗ ᱥᱟᱞ ᱨᱮ, ᱟᱡᱟᱫᱤ ᱛᱟᱭᱚᱢ ᱜᱮ, ᱩᱱᱤ ᱥᱮᱸᱴ ᱦᱩᱜᱷᱥ ᱠᱚᱞᱮᱡᱽ, ᱚᱠᱥᱯᱷᱚᱨᱰ ᱮ ᱪᱟᱞᱟᱣ ᱮᱱᱟ, ᱚᱸᱰᱮ ᱫᱚ ᱩᱱᱤ ᱑᱙᱕᱑ ᱥᱟᱞ ᱨᱮ ᱟᱡᱟᱜ ᱜᱽᱨᱟᱡᱩᱮᱥᱟᱱ ᱮ ᱯᱩᱨᱟᱹᱣ ᱠᱮᱫᱟ᱾ ᱩᱱᱤ ᱫᱚ ᱑᱙᱖᱐ ᱥᱟᱞ ᱨᱮ ᱟᱨ ᱦᱚᱸ ᱚᱠᱥᱯᱷᱚᱨᱰ ᱭᱩᱱᱤᱵᱷᱟᱨᱥᱤᱴᱤ ᱮ ᱨᱩᱣᱟᱹᱲ ᱦᱮᱡ ᱮᱱᱟ ᱟᱨ ᱚᱸᱰᱮ ᱫᱚ ᱩᱱᱤ ᱑᱙᱖᱒ ᱥᱟᱞ ᱨᱮ ᱟᱡᱟᱜ ᱰᱤᱹ ᱯᱷᱤᱞᱹ ᱮ ᱧᱟᱢ ᱠᱮᱫᱟ᱾

ᱠᱟᱹᱢᱤ
ᱩᱱᱤ ᱫᱚ ᱑᱙᱕᱑ ᱥᱟᱞ ᱨᱮ ᱯᱟᱴᱱᱟ ᱭᱩᱱᱤᱵᱷᱟᱨᱥᱤᱴᱤ ᱨᱮ ᱨᱟᱡᱽᱱᱤᱛᱤ ᱥᱟᱭᱤᱱᱥ ᱨᱮᱱ ᱢᱤᱫ ᱞᱮᱠᱪᱟᱨᱟᱨ ᱞᱮᱠᱟ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱮ ᱮᱛᱚᱦᱚᱵ ᱠᱮᱫᱟ, ᱟᱹᱰᱤ ᱞᱚᱜᱚᱱ ᱯᱟᱴᱱᱟ ᱭᱩᱱᱤᱵᱷᱟᱨᱥᱤᱴᱤ ᱴᱤᱪᱟᱨᱥ ᱮᱥᱳᱥᱤᱭᱮᱥᱟᱱ ᱨᱮᱱ ᱯᱩᱭᱞᱩ ᱥᱮᱠᱨᱮᱴᱟᱨᱤ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ᱾ ᱛᱟᱭᱚᱢ ᱛᱮ, ᱩᱱᱤ ᱵᱮᱨᱦᱟᱢᱯᱩᱨ ᱭᱩᱱᱤᱵᱷᱟᱨᱥᱤᱴᱤ ᱨᱮ ᱯᱟᱲᱦᱟᱣ ᱠᱮᱫᱟ, ᱚᱸᱰᱮ ᱩᱱᱤ ᱯᱨᱚᱯᱷᱮᱥᱚᱨ ᱵᱤᱫᱷᱩ ᱵᱷᱩᱥᱟᱱ ᱫᱟᱥ ᱨᱮᱱ ᱥᱩᱯᱟᱨᱤᱥ ᱪᱮᱛᱟᱱ ᱨᱮ ᱵᱟᱦᱟᱞ ᱦᱩᱭ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱚᱠᱥᱯᱷᱚᱨᱰ ᱭᱩᱱᱤᱵᱷᱟᱨᱥᱤᱴᱤ ᱠᱷᱚᱱ ᱩᱱᱤᱨᱮᱱ ᱜᱟᱛᱮ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱚᱱᱟ ᱚᱠᱛᱚ ᱨᱮ ᱰᱟᱭᱨᱮᱠᱴᱚᱨ ᱚᱯᱷ ᱯᱚᱵᱽᱞᱤᱠ ᱤᱱᱥᱴᱨᱚᱠᱥᱟᱱ, ᱳᱰᱤᱥᱟ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱚᱱᱟ ᱛᱟᱭᱚᱢ, ᱩᱱᱤ ᱭᱩᱱᱤᱵᱷᱟᱨᱥᱤᱴᱤ ᱜᱽᱨᱟᱱᱴᱥ ᱠᱚᱢᱤᱥᱚᱱ ᱥᱮᱠᱨᱮᱴᱮᱨᱤᱭᱮᱴ, ᱱᱟᱶᱟ ᱫᱤᱞᱞᱤ ᱨᱮ ᱢᱤᱫ ᱮᱡᱩᱠᱮᱥᱚᱱ ᱚᱯᱷᱤᱥᱟᱨ ᱞᱮᱠᱟ ᱡᱚᱭᱮᱱ ᱠᱮᱫᱟ ᱟᱨ ᱨᱤᱥᱚᱨᱪ ᱯᱨᱳᱡᱮᱠᱴ, 'ᱭᱩᱱᱤᱵᱷᱟᱨᱥᱤᱴᱤ ᱮᱡᱩᱠᱮᱥᱚᱱ ᱮᱸᱰ ᱥᱚᱥᱤᱭᱟᱞ ᱪᱮᱸᱡ ᱤᱱ ᱤᱱᱰᱤᱭᱟ' (ᱮᱯᱨᱤᱞ ᱑᱙᱗᱐ – ᱰᱤᱥᱮᱢᱵᱚᱨ ᱑᱙᱗᱐) ᱞᱟᱹᱜᱤᱫ ᱤᱱᱰᱤᱭᱟᱱ ᱤᱱᱥᱴᱤᱪᱩᱴ ᱚᱯᱷ ᱮᱰᱵᱷᱟᱸᱥ ᱥᱴᱟᱰᱤᱥ, ᱥᱤᱢᱞᱟ ᱨᱮᱱ ᱢᱤᱫ ᱯᱷᱮᱞᱳ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ᱾Fellows of the Institute  Indian Institute of Advanced Studies website.

ᱩᱱᱤ ᱫᱚ ᱠᱚᱢᱤᱴᱤ ᱚᱱ ᱫᱟ ᱥᱴᱮᱴᱟᱥ ᱚᱯᱷ ᱣᱩᱢᱮᱱ ᱤᱱ ᱤᱱᱰᱤᱭᱟ (᱑᱙᱗᱑–᱗᱔) ᱞᱟᱹᱜᱤᱫ ᱢᱮᱢᱵᱟᱨ ᱥᱮᱠᱨᱮᱴᱟᱨᱤ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱱᱚᱣᱟ ᱠᱚᱢᱤᱴᱤ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱑᱙᱗᱑ ᱥᱟᱞ ᱨᱮ ᱵᱷᱟᱨᱚᱛ ᱥᱚᱨᱠᱟᱨ ᱦᱚᱛᱮᱛᱮ ᱵᱟᱦᱟᱞ ᱦᱩᱭ ᱞᱮᱱᱟ, ᱑᱙᱗᱓ ᱥᱟᱞ ᱨᱮ ᱩᱱᱤ ᱥᱟᱶ ᱟᱨ ᱦᱚᱸ ᱵᱮᱱᱟᱣ ᱦᱩᱭ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱛᱟᱭᱚᱢ ᱨᱮ ᱵᱚᱞᱚᱱ ᱞᱮᱱ ᱦᱚᱲ ᱞᱮᱠᱟᱛᱮ ᱢᱮᱢᱵᱟᱨ ᱥᱮᱠᱨᱮᱴᱟᱨᱤ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱱᱚᱣᱟ ᱠᱚᱢᱤᱴᱤ ᱨᱮᱱᱟᱜ ᱨᱤᱯᱚᱨᱴ, ᱴᱩᱣᱟᱨᱰᱥ ᱤᱠᱣᱟᱞᱤᱴᱤ, ᱫᱚ ᱟᱹᱫᱤᱢᱵᱟᱹᱥᱤ ᱠᱷᱚᱱ ᱤᱱᱰᱚᱥᱴᱨᱤᱭᱟᱞ ᱥᱚᱥᱟᱭᱤᱴᱤ ᱨᱮ ᱵᱚᱫᱚᱞᱚᱜ ᱨᱮ ᱛᱤᱨᱞᱟᱹ ᱠᱚ ᱛᱟᱞᱟ ᱨᱮ ᱨᱮᱸᱜᱮᱡᱽ ᱨᱮᱱᱟᱜ ᱵᱟᱹᱲᱛᱤ ᱫᱤᱥᱟᱹ ᱠᱮᱫᱟ, ᱵᱷᱟᱨᱚᱛ ᱨᱮ ᱡᱮᱱᱮᱨᱮᱥᱚᱱ ᱨᱮᱥᱤᱭᱚ ᱨᱮᱱᱟᱜ ᱦᱚᱸ ᱠᱚᱢ ᱫᱤᱥᱟᱹ ᱠᱮᱫᱟ᱾ ᱢᱩᱪᱟᱹᱫ ᱨᱮ, ᱱᱚᱣᱟ ᱨᱤᱯᱚᱨᱴ ᱫᱚ ᱵᱷᱟᱨᱚᱛ ᱨᱮ ᱣᱩᱢᱮᱱᱥ ᱥᱴᱟᱰᱤᱥ ᱟᱨ ᱛᱤᱨᱞᱟᱹ ᱟᱱᱫᱚᱞᱟᱱ ᱵᱟᱱᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱢᱩᱪᱟᱹᱲ ᱢᱚᱲᱟᱣ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ᱾ ᱛᱟᱭᱚᱢ ᱛᱮ ᱢᱟᱡᱩᱢᱫᱟᱨ ᱫᱚ ᱑᱙᱗᱕ ᱠᱷᱚᱱ ᱘᱐ ᱦᱟᱹᱵᱤᱡ ᱤᱱᱰᱤᱭᱟᱱ ᱠᱟᱣᱱᱥᱤᱞ ᱚᱯᱷ ᱥᱚᱥᱤᱭᱟᱞ ᱥᱟᱭᱤᱱᱥ ᱨᱤᱥᱚᱨᱪ ᱨᱮ ᱰᱟᱭᱨᱮᱠᱴᱚᱨ, ᱯᱨᱳᱜᱽᱨᱟᱢ ᱚᱯᱷ ᱣᱩᱢᱮᱱᱥ ᱥᱴᱟᱰᱤᱥ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ᱾ ᱢᱟᱡᱩᱢᱫᱟᱨ ᱫᱚ ᱦᱤᱱᱫᱩ ᱞᱚ ᱨᱤᱯᱷᱚᱨᱢ ᱪᱮᱛᱟᱱ ᱨᱮ ᱨᱟᱢᱟ ᱨᱟᱣ ᱠᱚᱢᱤᱴᱤ ᱨᱮᱱᱟᱜ ᱥᱩᱯᱟᱨᱤᱥ ᱠᱚ ᱜᱚᱲᱚ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱡᱩᱢᱤᱫ ᱥᱟᱯᱲᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱠᱮᱫᱟ (ᱦᱚᱯᱚᱱ ᱮᱨᱟ ᱠᱚᱣᱟᱜ ᱣᱟᱨᱤᱥ ᱟᱹᱭᱫᱟᱹᱨᱤ ᱵᱟᱹᱲᱛᱤ ᱞᱟᱹᱜᱤᱫ)᱾

᱑᱙᱘᱐ ᱥᱟᱞ ᱨᱮ, ᱩᱱᱤ ᱥᱮᱸᱴᱟᱨ ᱯᱷᱚᱨ ᱣᱩᱢᱮᱱᱥ ᱰᱮᱵᱷᱮᱞᱚᱯᱢᱮᱸᱴ ᱥᱴᱟᱰᱤᱥ (ᱥᱤᱰᱟᱵᱽᱞᱩᱰᱤᱮᱥ), ᱱᱟᱶᱟ ᱫᱤᱞᱞᱤ ᱮ ᱥᱟᱶᱼᱵᱩᱱᱭᱟᱹᱫᱤ ᱠᱮᱫᱟ ᱟᱨ ᱑᱙᱙᱑ ᱥᱟᱞ ᱨᱮ ᱟᱡᱟᱜ ᱨᱤᱴᱟᱭᱟᱨᱢᱮᱸᱴ ᱦᱟᱹᱵᱤᱡ ᱑᱙᱘᱐ ᱥᱟᱞ ᱠᱷᱚᱱ ᱱᱚᱣᱟ ᱨᱮᱱ ᱵᱩᱱᱭᱟᱹᱫᱤᱼᱰᱟᱭᱨᱮᱠᱴᱚᱨ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱥᱤᱰᱟᱵᱽᱞᱩᱰᱤᱮᱥ ᱫᱚ "ᱮᱠᱥᱟᱱᱼᱨᱤᱥᱚᱨᱪ" ᱨᱮᱱᱟᱜ ᱠᱚᱱᱥᱮᱯᱴ ᱮ ᱥᱟᱹᱨᱩᱣᱟᱹᱛ ᱠᱮᱫᱟ ᱪᱮᱫᱟᱜ ᱥᱮ ᱱᱚᱣᱟ ᱫᱚ ᱯᱟᱪᱮ ᱵᱟᱝᱜᱟᱞ ᱨᱮᱱᱟᱜ ᱵᱟᱸᱠᱩᱲᱟ ᱦᱚᱱᱚᱛ ᱨᱮ ᱵᱮᱱᱟ ᱡᱟᱜᱟ ᱵᱟᱹᱱᱩᱜ ᱪᱟᱹᱥᱤ ᱛᱤᱨᱞᱟᱹ ᱠᱚᱭ ᱥᱟᱯᱲᱟᱣ ᱠᱮᱫ ᱠᱚᱣᱟ᱾ ᱱᱚᱣᱟ ᱫᱚ ᱟᱹᱰᱤ ᱞᱚᱜᱚᱱ ᱢᱤᱫ ᱯᱨᱚᱵᱷᱟᱣ ᱦᱟᱞᱟᱝ ᱤᱱᱥᱴᱤᱪᱩᱥᱚᱱ ᱮ ᱵᱮᱱᱟᱣ ᱮᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱵᱷᱟᱨᱚᱛ ᱨᱮ ᱣᱩᱢᱮᱱᱥ ᱥᱴᱟᱰᱤᱥ ᱨᱮᱱᱟᱜ ᱜᱟᱛᱤ ᱨᱮ ᱤᱱᱯᱮᱠᱴ ᱦᱩᱭ ᱞᱮᱱᱟ᱾ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱦᱚᱨᱟ ᱛᱟᱞᱟ ᱨᱮ, ᱢᱟᱡᱩᱢᱫᱟᱨ ᱫᱚ ᱣᱩᱢᱮᱱᱥ ᱥᱴᱟᱰᱤᱥ ᱨᱮᱱᱟᱜ ᱥᱠᱳᱞᱟᱨᱥᱤᱯ ᱟᱨ ᱮᱠᱴᱤᱵᱷᱤᱡᱤᱢ ᱥᱮᱫ ᱵᱟᱱᱟᱨ ᱛᱷᱚᱠ ᱮ ᱛᱷᱤᱨ ᱠᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱩᱱᱤ "ᱣᱩᱢᱮᱱᱥ ᱥᱴᱟᱰᱤᱥ ᱢᱩᱵᱷᱢᱮᱸᱴ" ᱞᱮᱠᱟᱛᱮ ᱥᱟᱹᱠᱷᱭᱟᱹᱛ ᱠᱮᱫᱟ᱾ ᱩᱱᱤ ᱫᱚ ᱤᱱᱰᱤᱭᱟᱱ ᱮᱥᱳᱥᱤᱭᱮᱥᱟᱱ ᱚᱯᱷ ᱣᱩᱢᱮᱱᱥ ᱥᱴᱟᱰᱤᱥ (ᱟᱭᱤᱮᱣᱤᱮᱥ, ᱵᱩᱱᱭᱟᱹᱫᱤ ᱑᱙᱘᱒) ᱨᱮᱱ ᱢᱤᱫ ᱵᱩᱱᱭᱟᱹᱫᱤᱼᱢᱮᱢᱵᱟᱨ ᱦᱚᱸᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱥᱤᱰᱟᱵᱽᱞᱩᱰᱤᱮᱥ ᱟᱨ ᱡᱮᱹ ᱯᱤᱹ ᱱᱟᱭᱤᱠ ᱱᱮᱥᱱᱟᱞ ᱯᱷᱮᱞᱳ, ᱟᱭᱤᱥᱤᱮᱥᱮᱥᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱵᱟᱨ ᱥᱮᱨᱢᱟ ᱞᱟᱹᱜᱤᱫ ᱥᱤᱱᱤᱭᱚᱨ ᱯᱷᱮᱞᱳ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱑᱙᱙᱖ ᱠᱷᱚᱱ ᱒᱐᱐᱕ ᱦᱟᱹᱵᱤᱡ ᱩᱱᱤ ᱥᱮᱸᱴᱟᱨ ᱯᱷᱚᱨ ᱣᱩᱢᱮᱱᱥ ᱰᱮᱵᱷᱮᱞᱚᱯᱢᱮᱸᱴ ᱥᱴᱟᱰᱤᱥ, ᱱᱟᱶᱟ ᱫᱤᱞᱞᱤ ᱨᱮᱱ ᱪᱮᱭᱟᱨᱯᱟᱨᱥᱚᱱ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾

ᱩᱱᱤ ᱫᱚ ᱒᱐᱑᱐ ᱥᱟᱞ ᱨᱮ ᱟᱡᱟᱜ ᱢᱮᱢᱳᱭᱟᱨ, ᱢᱮᱢᱳᱨᱤᱥ ᱚᱯᱷ ᱮ ᱨᱳᱞᱤᱝ ᱥᱴᱳᱱ ᱮ ᱪᱷᱟᱯᱟ ᱥᱚᱫᱚᱨ ᱠᱮᱫᱟ᱾ [ᱨᱤᱵᱷᱤᱭᱩ: ᱥᱩᱵᱟᱥᱤᱱᱤ ᱟᱞᱤ: ᱫᱟ ᱛᱷᱟᱨᱰ ᱯᱷᱮᱠᱴᱟᱨ, ᱯᱷᱨᱚᱸᱴᱞᱟᱭᱤᱱ, ᱵᱷᱳᱞᱭᱩᱢ ᱒᱗ – ᱤᱥᱩ ᱑᱕, ᱑᱗–᱓᱐ ᱡᱩᱞᱟᱭ ᱒᱐᱑᱐; ᱯᱟᱢᱮᱞᱟ ᱯᱷᱤᱞᱤᱯᱚᱥ: ᱵᱤᱱᱟ ᱢᱟᱡᱩᱢᱫᱟᱨᱥ ᱨᱳᱞᱤᱝ ᱥᱴᱳᱨᱤ, ᱓᱐ ᱚᱠᱴᱚᱵᱚᱨ ᱒᱐᱑᱐; ᱵᱤᱱᱟ ᱢᱟᱡᱩᱢᱫᱟᱨ, ᱫᱟ ᱯᱷᱟᱭᱤᱴᱟᱨ, ᱴᱟᱭᱤᱢᱥ ᱚᱯᱷ ᱤᱱᱰᱤᱭᱟ, ᱕ ᱡᱩᱱ ᱒᱐᱑᱐]


ᱱᱤᱡᱮᱨᱟᱜ ᱡᱤᱭᱚᱱ
ᱩᱱᱤ ᱫᱚ ᱑᱙᱕᱒ ᱥᱟᱞ ᱨᱮ ᱢᱩᱥᱤᱠᱟᱨ ᱥᱟᱸᱠᱟᱨ ᱢᱟᱡᱩᱢᱫᱟᱨ ᱥᱟᱶ ᱵᱟᱯᱞᱟ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱯᱟᱴᱱᱟ ᱨᱮ ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ ᱨᱮ ᱩᱱᱤ ᱥᱟᱞᱟᱜ ᱮ ᱧᱟᱯᱟᱢ ᱞᱮᱱᱟ᱾ ᱟᱡᱟᱜ ᱵᱟᱯᱞᱟ ᱪᱮᱛᱟᱱ ᱨᱮ, ᱩᱱᱤ ᱢᱟᱡᱩᱢᱫᱟᱨ (ᱟᱡᱟᱜ ᱵᱟᱝ ᱵᱟᱯᱞᱟ ᱧᱩᱛᱩᱢ) ᱠᱷᱚᱱ ᱢᱟᱡᱩᱢᱫᱟᱨ (ᱟᱡᱟᱜ ᱵᱟᱯᱞᱟ ᱧᱩᱛᱩᱢ) ᱨᱮ ᱥᱯᱮᱞᱤᱝ ᱮ ᱵᱚᱫᱚᱞ ᱠᱮᱫᱟ᱾ ᱱᱚᱣᱟ ᱡᱩᱨᱤ ᱠᱚᱣᱟᱜ ᱯᱩᱱᱭᱟ ᱜᱤᱫᱽᱨᱟᱹ ᱠᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ - ᱯᱮᱭᱟ ᱦᱚᱯᱚᱱ ᱮᱨᱟ ᱟᱨ ᱢᱤᱫ ᱦᱚᱯᱚᱱ᱾ ᱩᱱᱤᱨᱮᱱ ᱢᱤᱫ ᱦᱚᱯᱚᱱ ᱮᱨᱟ ᱫᱚ ᱠᱚᱢᱭᱩᱱᱤᱥᱴ ᱯᱟᱨᱴᱤ ᱚᱯᱷ ᱤᱱᱰᱤᱭᱟ (ᱢᱟᱨᱠᱥᱣᱟᱫᱤ) ᱨᱮᱱ ᱞᱤᱰᱟᱨ ᱥᱤᱛᱟᱨᱟᱢ ᱭᱮᱪᱩᱨᱤ ᱨᱮᱱ ᱯᱩᱭᱞᱩ ᱮᱨᱟ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱰᱟᱹᱠᱛᱟᱹᱨ ᱢᱟᱡᱩᱢᱫᱟᱨ ᱫᱚ ᱘᱖ ᱥᱮᱨᱢᱟ ᱩᱢᱮᱨ ᱨᱮ ᱢᱤᱫ ᱠᱷᱟᱴᱚ ᱟᱡᱟᱨ ᱛᱟᱭᱚᱢ ᱓᱐ ᱢᱮᱭ ᱒᱐᱑᱓ ᱨᱮ ᱫᱤᱞᱞᱤ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱦᱟᱥᱯᱟᱛᱟᱞ ᱨᱮ ᱵᱚᱸᱜᱟ ᱛᱟᱞᱟ ᱮᱱᱟ, ᱟᱨ ᱟᱡᱟᱜ ᱜᱤᱫᱽᱨᱟᱹ ᱠᱚ ᱛᱟᱦᱮᱸᱱᱟ᱾
ᱥᱟᱹᱠᱷᱭᱟᱹᱛ

ᱵᱟᱦᱨᱮ ᱡᱚᱱᱚᱲ
 Centre for Women's Development Studies, website
 Vina Mazumdar, Documentary Sparrow, India Duration: 92.07 min; Director: Vishnu Mathur; Genre: Documentary; Produced In: 2003. Sound and Picture Archive for Research on Women (SPARROW)
 Unlimited Girls – Interview with Veena Mazumdar, Part 1 Location: New Delhi; Duration: 68 min Director: Paromita Vohra (2002)
 Unlimited Girls – Interview with Veena Mazumdar, Part 2 Location: New Delhi; Duration: 42 min Director: Paromita Vohra (2002)