ᱜᱟᱭᱟᱛᱨᱤ ᱪᱚᱠᱨᱚᱵᱚᱨᱛᱤ ᱥᱯᱤᱣᱟᱠ

ᱜᱟᱭᱟᱛᱨᱤ ᱪᱚᱠᱨᱚᱵᱚᱨᱛᱤ ᱥᱯᱤᱣᱟᱠ ᱮᱯᱷᱵᱤᱮ (ᱡᱟᱱᱟᱢ ᱒᱔ ᱯᱷᱮᱵᱽᱨᱩᱣᱟᱨᱤ ᱑᱙᱔᱒) ᱫᱚ ᱢᱤᱫ ᱵᱷᱟᱨᱚᱛᱤᱭᱚ ᱥᱠᱳᱞᱟᱨ, ᱥᱟᱶᱦᱮᱫ ᱛᱷᱤᱭᱳᱨᱤᱥᱴ ᱟᱨ ᱯᱷᱮᱢᱤᱱᱤᱥᱴ ᱠᱨᱤᱴᱤᱠ ᱠᱟᱱᱟᱭ᱾ ᱩᱱᱤ ᱫᱚ ᱠᱚᱞᱚᱢᱵᱤᱭᱟ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱨᱮ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱯᱨᱚᱯᱷᱮᱥᱟᱨ ᱠᱟᱱᱟᱭ ᱟᱨ ᱛᱷᱟᱯᱚᱱ ᱨᱮᱱᱟᱜ ᱤᱱᱥᱴᱤᱪᱩᱴ ᱯᱷᱚᱨ ᱠᱚᱢᱯᱮᱨᱮᱴᱤᱵᱽ ᱞᱤᱴᱮᱨᱮᱪᱟᱨ ᱮᱱᱰ ᱥᱳᱥᱟᱭᱤᱴᱤ ᱨᱮᱱ ᱢᱤᱫ ᱛᱷᱟᱯᱚᱱᱤᱭᱟᱹ ᱥᱚᱦᱮᱫ ᱠᱟᱱᱟᱭ᱾

ᱡᱟᱹᱥᱛᱤ ᱫᱟᱲᱮᱭᱟᱱ ᱯᱳᱥᱴᱠᱳᱞᱳᱱᱤᱭᱟᱞ ᱵᱩᱫᱷᱤᱡᱤᱣᱤ ᱠᱚ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱦᱚᱲ ᱞᱮᱠᱟᱛᱮ ᱠᱚ ᱢᱟᱱᱟᱣᱮᱭᱟ, ᱥᱯᱤᱣᱟᱠ ᱫᱚ ᱟᱡᱟᱜ ᱚᱱᱚᱞ "ᱠᱟᱱ ᱫᱟ ᱥᱚᱵᱚᱞᱴᱟᱨᱱ ᱥᱯᱤᱠ?" ᱟᱨ ᱡᱟᱠᱣᱮᱥ ᱰᱮᱨᱤᱰᱟ ᱟᱜ ᱰᱤ ᱞᱟ ᱜᱨᱟᱢᱟᱴᱚᱞᱚᱡᱤ ᱨᱮᱱᱟᱜ ᱩᱱᱩᱵᱟᱫᱽ ᱟᱨ ᱩᱯᱨᱩᱢ ᱞᱟᱹᱜᱤᱫ ᱵᱟᱹᱲᱛᱤ ᱩᱨᱩᱢ ᱜᱮᱭᱟᱭ᱾ ᱩᱱᱤ ᱫᱚ ᱢᱟᱦᱟᱥᱣᱮᱛᱟ ᱫᱮᱵᱤ ᱭᱟᱜ ᱟᱭᱢᱟ ᱠᱟᱹᱢᱤ ᱠᱚ ᱤᱝᱞᱤᱥ ᱛᱮ ᱦᱚᱸᱭ ᱩᱱᱩᱵᱟᱫᱽ ᱟᱠᱟᱫᱟ, ᱫᱮᱵᱤᱭᱟᱜ ᱡᱤᱭᱚᱱ ᱟᱨ ᱚᱞ ᱦᱟᱛᱟᱣ ᱥᱴᱟᱭᱤᱞ ᱤᱫᱤ ᱠᱟᱛᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱠᱨᱤᱴᱤᱠᱟᱞ ᱱᱳᱴ ᱥᱟᱶ, ᱡᱟᱹᱥᱛᱤ ᱠᱟᱭᱛᱮ ᱤᱢᱮᱡᱤᱱᱟᱨᱤ ᱢᱮᱯᱥ ᱟᱨ ᱵᱨᱮᱥᱴ ᱥᱴᱳᱨᱤᱡᱽ᱾

ᱥᱯᱤᱣᱟᱠ ᱫᱚ ᱡᱮᱜᱮᱛ ᱨᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱡᱮᱜᱮᱛᱟᱹᱨᱤ ᱵᱤᱪᱟᱹᱨ ᱨᱮ ᱵᱩᱫᱷᱤᱡᱤᱣᱤ ᱠᱳᱞᱳᱱᱤᱣᱟᱫ ᱵᱤᱨᱩᱫᱷ ᱨᱮ ᱦᱭᱩᱢᱮᱱᱤᱴᱤ ᱞᱟᱹᱜᱤᱫ ᱨᱚᱲ ᱮᱫ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱹᱨᱤ ᱟᱨ ᱯᱷᱤᱞᱳᱥᱳᱯᱷᱤ ᱨᱮ ᱒᱐᱑᱒ ᱠᱤᱭᱳᱛᱳ ᱥᱤᱨᱯᱷᱟᱹ ᱠᱚ ᱮᱢᱟᱫᱮᱭᱟ᱾ ᱒᱐᱑᱓ ᱨᱮ, ᱩᱱᱤ ᱯᱚᱫᱽᱢᱟ ᱵᱷᱩᱥᱚᱱ ᱧᱟᱢ ᱞᱮᱫᱟ, ᱱᱚᱣᱟ ᱫᱚ ᱵᱷᱟᱨᱚᱛ ᱨᱮᱱᱟᱜ ᱨᱤᱯᱚᱵᱽᱞᱤᱠ ᱯᱟᱦᱴᱟ ᱠᱷᱚᱱ ᱮᱢ ᱟᱠᱟᱱ ᱛᱮᱥᱟᱨ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱪᱮᱛᱟᱱ ᱥᱤᱵᱷᱤᱞᱤᱭᱟᱱ ᱥᱤᱨᱯᱷᱟᱹ ᱠᱟᱱᱟ᱾ ᱒᱐᱒᱕ ᱨᱮ, ᱥᱯᱤᱣᱟᱠ ᱫᱚ "ᱥᱟᱶᱦᱮᱫ ᱛᱷᱤᱭᱳᱨᱤ ᱟᱨ ᱯᱷᱤᱞᱳᱥᱳᱯᱷᱤ ᱴᱚᱴᱷᱟ ᱨᱮ ᱟᱡᱟᱜ ᱜᱨᱟᱣᱩᱱᱰᱵᱨᱮᱠᱤᱝ ᱠᱟᱹᱢᱤ" ᱞᱟᱹᱜᱤᱫ ᱦᱳᱞᱵᱟᱨᱜᱽ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱠᱮᱫᱟ, ᱥᱮᱞᱮᱠᱥᱚᱱ ᱠᱚᱢᱤᱴᱤ ᱦᱚᱛᱮᱛᱮ᱾

ᱯᱳᱥᱴᱠᱳᱞᱳᱱᱤᱭᱟᱞᱤᱡᱤᱢ ᱥᱟᱶ ᱡᱩᱲᱟᱹᱣ ᱛᱟᱦᱮᱸᱱ ᱨᱮᱦᱚᱸ, ᱥᱯᱤᱣᱟᱠ ᱟᱡᱟᱜ ᱯᱚᱛᱚᱵ ᱮ ᱠᱨᱤᱴᱤᱠ ᱚᱯᱷ ᱯᱳᱥᱴᱠᱳᱞᱳᱱᱤᱭᱟᱞ ᱨᱤᱡᱚᱱ (᱑᱙᱙᱙) ᱨᱮ ᱱᱚᱣᱟ ᱰᱤᱥᱤᱯᱞᱤᱱ ᱠᱷᱚᱱ ᱟᱡᱟᱜ ᱵᱷᱮᱜᱟᱨ ᱠᱚ ᱠᱚᱱᱯᱷᱟᱨᱢ ᱞᱮᱫᱟ, ᱱᱚᱣᱟ ᱫᱚ ᱢᱤᱫ ᱴᱷᱟᱶ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱩᱱᱤ ᱒᱐᱒᱑ ᱨᱮ ᱚᱞ ᱟᱠᱟᱱ ᱚᱱᱚᱞ "ᱦᱟᱣ ᱫᱟ ᱦᱮᱨᱤᱴᱮᱡ ᱚᱯᱷ ᱯᱳᱥᱴᱠᱳᱞᱳᱱᱤᱭᱟᱞ ᱥᱴᱚᱰᱤᱡᱽ ᱛᱷᱤᱝᱠᱥ ᱠᱳᱞᱳᱱᱤᱭᱟᱞᱤᱡᱤᱢ ᱴᱩᱰᱮ" ᱨᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱫᱟ, ᱱᱚᱣᱟ ᱫᱚ ᱡᱟᱱᱩᱥ ᱟᱱᱵᱟᱣᱩᱱᱰ: ᱡᱚᱨᱱᱟᱞ ᱚᱯᱷ ᱠᱨᱤᱴᱤᱠᱟᱞ ᱥᱴᱚᱰᱤᱡᱽ ᱦᱚᱛᱮᱛᱮ ᱯᱟᱨᱥᱟᱞ ᱟᱠᱟᱱᱟ᱾

ᱡᱤᱭᱚᱱ
ᱮᱛᱚᱦᱚᱵ ᱡᱤᱭᱚᱱ
ᱥᱯᱤᱣᱟᱠ ᱫᱚ ᱒᱔ ᱯᱷᱮᱵᱽᱨᱩᱣᱟᱨᱤ ᱑᱙᱔᱒ ᱨᱮ ᱵᱷᱟᱨᱚᱛ ᱨᱮᱱᱟᱜ ᱠᱚᱞᱠᱟᱛᱟ ᱨᱮ ᱜᱟᱭᱟᱛᱨᱤ ᱪᱚᱠᱨᱚᱵᱚᱨᱛᱤ ᱞᱮᱠᱟᱛᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ, ᱢᱤᱫ ᱵᱟᱝᱜᱟᱞᱤ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱮ᱾ ᱩᱱᱤ ᱨᱤᱱ ᱟᱯᱟᱛ ᱫᱚ ᱯᱟᱨᱮᱥ ᱪᱚᱸᱫᱽᱨᱟ ᱪᱚᱠᱨᱚᱵᱚᱨᱛᱤ ᱟᱨ ᱟᱭᱳ ᱫᱚ ᱥᱤᱵᱟᱱᱤ ᱪᱚᱠᱨᱚᱵᱚᱨᱛᱤ ᱠᱤᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾ ᱥᱮᱱᱴ ᱡᱚᱱᱥ ᱰᱤᱭᱳᱥᱮᱥᱚᱱ ᱜᱟᱨᱞᱥ ᱦᱟᱭᱟᱨ ᱥᱮᱠᱮᱱᱰᱟᱨᱤ ᱤᱥᱠᱩᱞ ᱨᱮ ᱟᱡᱟᱜ ᱥᱮᱠᱮᱱᱰᱟᱨᱤ ᱥᱮᱪᱮᱫ ᱯᱩᱨᱟᱹᱣ ᱠᱟᱛᱮ, ᱥᱯᱤᱣᱟᱠ ᱫᱚ ᱠᱚᱞᱠᱟᱛᱟ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱵᱷᱤᱛᱤᱨ ᱨᱮ ᱯᱨᱮᱥᱤᱰᱮᱱᱥᱤ ᱠᱚᱞᱮᱡᱽ, ᱠᱚᱞᱠᱟᱛᱟ ᱨᱮᱭ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸ ᱠᱷᱚᱱ ᱩᱱᱤ ᱑᱙᱕᱙ ᱨᱮ ᱜᱨᱮᱡᱩᱮᱴ ᱞᱮᱱᱟ᱾

ᱥᱯᱤᱣᱟᱠ ᱫᱚ ᱵᱟᱨ ᱫᱷᱟᱣ ᱮ ᱵᱟᱯᱞᱟ ᱟᱠᱟᱱᱟ- ᱯᱩᱭᱞᱩ ᱛᱟᱞᱵᱚᱴ ᱥᱯᱤᱣᱟᱠ ᱥᱟᱶ, ᱑᱙᱖᱔ ᱠᱷᱚᱱ ᱑᱙᱗᱗ ᱫᱷᱟᱹᱨᱤᱡ, ᱟᱨ ᱛᱟᱭᱚᱢ ᱵᱟᱥᱩᱫᱮᱵᱽ ᱪᱟᱴᱟᱨᱡᱤ ᱥᱟᱶ᱾ ᱩᱱᱤ ᱨᱤᱱ ᱫᱚ ᱜᱤᱫᱽᱨᱟᱹ ᱵᱟᱹᱱᱩᱜ ᱠᱚᱣᱟ᱾
ᱥᱟᱹᱠᱷᱭᱟᱹᱛ

ᱵᱟᱦᱨᱮ ᱡᱚᱱᱚᱲ

 "Righting Wrongs" (read full article)
 "Spivak's Rani of Sirmur"
 "'Woman' as Theatre" in Radical Philosophy
"In the Gaudy Supermarket" – A critical review of A Critique of Post-Colonial Reason: Toward a History of the Vanishing Present by Terry Eagleton in the London Review of Books, May 1999
"Exacting Solidarities" – Letters responding to Eagleton's review of Spivak by Judith Butler and others
Glossary of Key Terms in the Work of Spivak
 MLA Journals: PMLA, Vol. 123, No. 1, January 2008
 MLA Journals: PMLA, Vol. 125, No. 4, October 2010
 ; Gayatri Spivak describes her 2012 collection from Harvard University Press
  "Creating a Stir Wherever she goes" – The New York Times, February 2002
 Reading Spivak