ᱢᱟᱢᱛᱟ ᱥᱚᱝᱠᱚᱨ

ᱢᱚᱢᱚᱛᱟ ᱥᱚᱝᱠᱚᱨ (ᱡᱟᱱᱟᱢ ᱗ ᱡᱟᱱᱩᱣᱟᱨᱤ ᱑᱙᱕᱕) ᱫᱚ ᱢᱤᱫ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ ᱟᱨ ᱮᱱᱮᱡ ᱨᱩᱥᱤᱠᱟ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱵᱟᱝᱞᱟ ᱥᱤᱱᱮᱢᱟ ᱨᱮ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱮ ᱵᱟᱰᱟᱭᱚᱜᱼᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱥᱚᱛᱭᱚᱡᱤᱛ ᱨᱟᱭ, ᱢᱨᱤᱱᱟᱞ ᱥᱮᱱ, ᱨᱤᱛᱩᱯᱚᱨᱱᱚ ᱜᱷᱳᱥ, ᱵᱩᱫᱫᱷᱚᱫᱮᱵᱽ ᱫᱟᱥᱜᱩᱯᱛᱚ ᱟᱨ ᱜᱚᱣᱛᱚᱢ ᱜᱷᱳᱥ ᱞᱮᱠᱟᱱ ᱰᱟᱭᱨᱮᱠᱴᱚᱨ ᱠᱚᱣᱟᱜ ᱯᱷᱤᱞᱢ ᱨᱮᱭ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱫᱼᱟ ᱾ ᱢᱤᱫ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ ᱥᱟᱶᱛᱮ, ᱩᱱᱤ ᱫᱚ ᱢᱤᱫ ᱮᱱᱮᱡ ᱨᱩᱥᱤᱠᱟ ᱟᱨ ᱠᱚᱨᱤᱭᱚᱜᱨᱟᱯᱷᱚᱨ ᱦᱚᱸ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱥᱮᱨᱮᱧ ᱨᱩᱥᱤᱠᱟ ᱯᱚᱸᱰᱤᱛ ᱨᱚᱵᱤ ᱥᱚᱝᱠᱚᱨ ᱤᱡ ᱵᱷᱟᱹᱜᱽᱱᱤ ᱠᱩᱲᱤ ᱠᱟᱱᱟᱭ ᱾ ᱟᱡ ᱫᱟᱫᱟ, ᱟᱱᱚᱱᱫᱚ ᱥᱚᱝᱠᱚᱨ, ᱫᱚ ᱢᱤᱫ ᱤᱱᱰᱚ-ᱣᱮᱥᱴᱚᱨᱱ ᱯᱷᱤᱭᱩᱡᱚᱱ ᱥᱮᱨᱮᱧ ᱨᱩᱥᱤᱠᱟᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾

ᱡᱟᱱᱩᱣᱟᱨᱤ ᱒᱐᱒᱕ ᱨᱮ, ᱢᱚᱢᱚᱛᱟ ᱥᱚᱝᱠᱚᱨ ᱫᱚ ᱥᱤᱧᱚᱛ ᱥᱚᱨᱠᱟᱨ ᱯᱟᱦᱴᱟ ᱠᱷᱚᱱ ᱥᱤᱧᱚᱛ ᱨᱮᱱᱟᱜ ᱯᱩᱱ ᱟᱱᱟᱜ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱱᱟᱜᱚᱨᱤᱠ ᱥᱤᱨᱯᱷᱟᱹ ᱯᱚᱫᱽᱢᱚ ᱥᱨᱤ ᱛᱮᱠᱚ ᱢᱟᱹᱱ ᱦᱟᱞᱟᱝ ᱠᱮᱫᱮᱭᱟ ᱾
ᱩᱱᱤ ᱫᱚ ᱢᱤᱫ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱯᱷᱤᱞᱢ ᱥᱤᱨᱯᱷᱟᱹ ᱟᱨ ᱯᱩᱱᱭᱟᱹ ᱯᱷᱤᱞᱢᱯᱷᱮᱭᱟᱨ ᱥᱤᱨᱯᱷᱟᱹ ᱵᱟᱝᱞᱟ ᱭ ᱧᱟᱢ ᱟᱠᱟᱫᱼᱟ ᱾

 ᱮᱛᱚᱦᱚᱵ ᱡᱤᱭᱚᱱ ᱟᱨ ᱥᱮᱪᱮᱫ 
ᱢᱚᱢᱚᱛᱟ ᱥᱚᱝᱠᱚᱨ ᱫᱚ ᱗ ᱡᱟᱱᱩᱣᱟᱨᱤ ᱑᱙᱕᱕ ᱨᱮ ᱮᱱᱮᱡ ᱨᱩᱥᱤᱠᱟ ᱩᱫᱚᱭ ᱥᱚᱝᱠᱚᱨ ᱟᱨ ᱚᱢᱞᱟ ᱥᱚᱝᱠᱚᱨ ᱛᱤᱠᱤᱱᱟᱜ ᱠᱚᱞᱮ ᱨᱮᱭ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾
She was the niece of musician Pandit Ravi Shankar. Her brother,  Ananda Shankar, was an  Indo-Western fusion musician.
ᱩᱱᱤ ᱫᱚ ᱩᱫᱚᱭ ᱥᱚᱝᱠᱚᱨ ᱤᱱᱰᱤᱭᱟ ᱠᱚᱞᱪᱚᱨ ᱥᱮᱱᱴᱚᱨ, ᱠᱚᱞᱠᱟᱛᱟ ᱨᱮ ᱚᱢᱞᱟ ᱥᱚᱝᱠᱚᱨ ᱟᱜ ᱛᱟᱹᱨᱤ ᱨᱮ ᱮᱱᱮᱡ ᱟᱨ ᱠᱚᱨᱤᱭᱚᱜᱨᱟᱯᱷᱤ ᱨᱮ ᱥᱮᱪᱮᱫ ᱮ ᱦᱟᱛᱟᱣ ᱞᱮᱫᱼᱟ ᱾Milestones Official biography.

 ᱠᱟᱹᱢᱤ ᱡᱤᱭᱚᱱ 
ᱥᱚᱝᱠᱚᱨ ᱫᱚ ᱑᱙᱗᱖ ᱥᱟᱞᱮ ᱨᱮ ᱢᱨᱤᱱᱟᱞ ᱥᱮᱱ ᱦᱚᱛᱮᱛᱮ ᱰᱟᱭᱨᱮᱠᱴ ᱟᱠᱟᱱ ᱢᱨᱤᱜᱚᱭᱟ ᱯᱷᱤᱞᱢ ᱠᱷᱚᱱ ᱟᱡᱟᱜ ᱯᱷᱤᱞᱢ ᱡᱤᱭᱚᱱ ᱮ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱫᱼᱟ ᱾ ᱱᱚᱣᱟ ᱯᱷᱤᱞᱢ ᱫᱚ ᱚᱱᱟ ᱥᱮᱨᱢᱟ ᱞᱟᱹᱜᱤᱫ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱯᱷᱤᱪᱚᱨ ᱯᱷᱤᱞᱢ ᱞᱟᱹᱜᱤᱫ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱯᱷᱤᱞᱢ ᱥᱤᱨᱯᱷᱟᱹ ᱭ ᱡᱤᱛᱠᱟᱹᱨ ᱞᱮᱱᱟ ᱾

ᱥᱚᱝᱠᱚᱨ ᱫᱚ ᱵᱟᱯᱞᱟ ᱟᱠᱟᱱᱟᱭ, ᱟᱨ ᱩᱫᱚᱭᱚᱱ - ᱢᱚᱢᱚᱛᱟ ᱥᱚᱝᱠᱚᱨ ᱰᱟᱱᱥ ᱠᱚᱢᱯᱟᱱᱤ ᱪᱚᱲᱟᱣ ᱮᱫᱟᱭ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱑᱙۸᱖ ᱨᱮ ᱛᱷᱟᱯᱚᱱ ᱞᱮᱱᱟ, ᱟᱨ ᱡᱟᱦᱟᱸ ᱫᱚ 'ᱢᱚᱢᱚᱛᱟ ᱥᱚᱝᱠᱚᱨ ᱵᱮᱞᱮᱴ ᱴᱨᱩᱯ' (Mamata Shankar Ballet Troupe) ᱥᱟᱶ ᱡᱮᱜᱮᱛ ᱡᱟᱠᱟᱛ ᱨᱮ ᱫᱟᱬᱟᱱᱟᱭ ᱾ ᱱᱚᱣᱟ ᱴᱨᱩᱯ ᱫᱚ ᱑᱙᱗᱘ ᱨᱮ ᱛᱷᱟᱯᱚᱱ ᱞᱮᱱᱟ, ᱟᱨ ᱑᱙᱗᱙ ᱨᱮ ᱨᱚᱵᱤᱱᱫᱨᱚᱱᱟᱛᱷ ᱴᱮᱜᱳᱨ ᱟᱜ ᱠᱟᱹᱢᱤ ᱪᱚᱱᱰᱟᱞᱤᱠᱟ ᱪᱮᱛᱟᱱ ᱨᱮ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱯᱨᱚᱰᱚᱠᱥᱚᱱ ᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱼᱟ ᱾Dialogues in dance discourse: creating dance in Asia Pacific, by Mohd. Anis Md. Nor, World Dance Alliance, Universiti Malaya. Pusat Kebudayaan. Published by Cultural Centre, University of Malaya, 2007. . Page 63. ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱦᱚᱨᱤᱠᱷᱮᱞᱟ, ᱟᱡᱽᱠᱮᱨ ᱮᱠᱞᱚᱵᱽᱭᱚ, ᱢᱤᱞᱟᱯ, ᱥᱤᱠᱟᱨ, ᱢᱚᱫᱚᱨ ᱟᱨᱛᱷ, ᱚᱢᱨᱤᱛᱚᱥᱭᱚᱯᱩᱛᱨᱚ ᱟᱨ ᱥᱚᱵᱚᱨᱤ ᱠᱚ ᱦᱮᱡ ᱮᱱᱟ ᱾She enjoys the reputation of a classic ‘modern’ dancer The Tribune, 27 March 2006.

Quoting, Jennifer Dunnings of New York Times :- "A vibrant theatrical experience. What distinguished the work was its way of telling a story so that the most jaded dance goers in the audience were lulled into rapt absorption." This was in 1983, while she reviewed; "Aajker Ekalabya"; a ballet on the theme of Guru-Disciple relationship as prevalent in the present day society.

 ᱥᱤᱨᱯᱷᱟᱹ 
 ᱑᱙᱙᱒: ᱟᱜᱚᱱᱛᱩᱠ ᱞᱟᱹᱜᱤᱫ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱯᱷᱤᱞᱢ ᱥᱤᱨᱯᱷᱟᱹ – ᱵᱤᱥᱮᱥ ᱡᱩᱨᱤ ᱥᱤᱨᱯᱷᱟᱹ (ᱯᱷᱤᱪᱚᱨ ᱯᱷᱤᱞᱢ)
 ᱑᱙᱙᱓: ᱥᱟᱠᱷᱟ ᱯᱨᱚᱥᱟᱠᱷᱟ ᱞᱟᱹᱜᱤᱫ ᱵᱤ.ᱮᱯᱷ.ᱡᱮ.ᱮ (BFJA) ᱥᱤᱨᱯᱷᱟᱹ – ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱜᱚᱲᱚ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ ᱥᱤᱨᱯᱷᱟᱹ
 ᱒᱐᱐᱐: ᱩᱛᱥᱚᱵᱽ ᱞᱟᱹᱜᱤᱫ ᱵᱤ.ᱮᱯᱷ.ᱡᱮ.ᱮ (BFJA) ᱥᱤᱨᱯᱷᱟᱹ – ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱜᱚᱲᱚ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ ᱥᱤᱨᱯᱷᱟᱹ
 ᱒᱐᱑᱘: ᱯᱷᱤᱞᱢᱯᱷᱮᱭᱟᱨ ᱥᱤᱨᱯᱷᱟᱹ ᱵᱟᱝᱞᱟ ᱒᱐᱑᱘ – ᱢᱟᱪᱷᱮᱨ ᱡᱷᱳᱞ ᱞᱟᱹᱜᱤᱫ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱜᱚᱲᱚ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ
 ᱒᱐᱒᱓: ᱯᱷᱤᱞᱢᱯᱷᱮᱭᱟᱨ ᱥᱤᱨᱯᱷᱟᱹ ᱵᱟᱝᱞᱟ ᱒᱐᱒᱓ – ᱯᱨᱚᱡᱟᱯᱚᱛᱤ ᱞᱟᱹᱜᱤᱫ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱜᱚᱲᱚ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ
 ᱒᱐᱒᱕: ᱯᱚᱫᱽᱢᱚ ᱥᱨᱤ
 ᱒᱐᱒᱕: ᱯᱷᱤᱞᱢᱯᱷᱮᱭᱟᱨ ᱥᱤᱨᱯᱷᱟᱹ ᱵᱟᱝᱞᱟ ᱒᱐᱒᱕ – ᱵᱤᱡᱚᱭᱟᱨ ᱯᱚᱨᱮ ᱞᱟᱹᱜᱤᱫ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱱᱟᱯᱟᱭ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ (ᱠᱨᱤᱴᱤᱠᱥ)

 ᱯᱷᱤᱞᱢ ᱛᱟᱹᱞᱠᱟᱹ 

 ᱢᱨᱤᱜᱚᱭᱟ (᱑᱙᱗᱖)
 ᱚᱠᱟ ᱩᱨᱤ ᱠᱟᱛᱷᱟ (᱑᱙᱗᱗)
 ᱫᱩᱨᱚᱛᱛᱚ (᱑᱙᱗᱘)
 ᱮᱠ ᱫᱤᱱ ᱯᱨᱚᱛᱤᱫᱤᱱ (᱑᱙᱗᱙)
 ᱵᱟᱯᱤᱠᱟ ᱵᱤᱫᱟᱭ (᱑᱙᱘᱐)
 ᱠᱚᱞᱚᱝᱠᱤᱱᱤ (᱑᱙᱘᱑)
 ᱠᱷᱟᱨᱤᱡᱽ (᱑᱙᱘᱒)
 ᱜᱨᱤᱦᱚᱡᱩᱫᱫᱷᱚ (᱑᱙᱘᱒)
 ᱫᱚᱠᱷᱚᱞ (᱑᱙᱘᱒)
 ᱜᱨᱤᱦᱚᱡᱩᱫᱫᱷᱚ (᱑᱙᱘᱒)
 ᱱᱤᱥᱟᱱᱛᱮ (᱑᱙᱘᱕)
 ᱱᱤᱞᱠᱚᱱᱴᱷᱚ (᱑᱙᱘᱕)
 ᱥᱟᱠᱷᱟ ᱯᱨᱚᱥᱟᱠᱷᱟ (᱑᱙᱙᱑)
 ᱟᱜᱚᱱᱛᱩᱠ (᱑᱙᱙᱑)
 ᱥᱩᱱᱭᱚ ᱛᱷᱮᱠᱮ ᱥᱩᱨᱩ (᱑᱙᱙᱓)
 ᱯᱨᱚᱡᱟᱯᱚᱛᱤ (᱑᱙᱙᱓)
 ᱥᱳᱯᱟᱱ (᱑᱙᱙᱔)
 ᱰᱚᱴᱚᱨᱥ ᱚᱯᱷ ᱫᱤᱥ ᱥᱮᱱᱪᱩᱨᱤ (᱑᱙᱙᱕)
 ᱫᱚᱦᱚᱱ (᱑᱙᱙᱗)
 ᱩᱛᱥᱚᱵᱽ (᱒᱐᱐᱐)
 ᱣᱟᱨᱤᱥ (᱒᱐᱐᱔)
 ᱫᱟ ᱵᱚᱝ ᱠᱚᱱᱮᱠᱥᱚᱱ (᱒᱐᱐᱖)
 ᱥᱚᱢᱩᱫᱨᱚ ᱥᱟᱠᱥᱤ (᱒᱐᱐᱖)
 ᱵᱟᱞᱤᱜᱚᱸᱡᱽ ᱠᱳᱨᱴ (᱒᱐᱐᱗)
 ᱫᱨᱤᱥᱴᱤ ᱯᱨᱚᱫᱤᱯ (᱒᱐᱐᱘)
 ᱟᱵᱚᱦᱚᱢᱟᱱ (᱒᱐᱑᱐)
 ᱡᱟᱱᱤ ᱫᱮᱠᱷᱟ ᱦᱚᱵᱮ (᱒᱐᱑᱑)
 ᱨᱚᱧᱡᱚᱱᱟ ᱟᱢᱤ ᱟᱨ ᱟᱥᱵᱚᱱᱟ (᱒᱐᱑᱑)
 ᱡᱟᱛᱤᱥᱥᱚᱨ (᱒᱐᱑᱔)
 ᱟᱜᱚᱱᱛᱩᱠᱮᱨ ᱯᱚᱨᱮ (᱒᱐᱑᱕)
 ᱯᱤᱝᱠ (᱒᱐᱑᱖)
 ᱢᱟᱪᱷᱮᱨ ᱡᱷᱳᱞ (᱒᱐᱑᱗)
 ᱯᱷᱞᱮᱴ ᱱᱚ ᱖᱐᱙ (᱒᱐᱑᱘)
 ᱥᱟᱦ ᱡᱟᱦᱟᱸ ᱨᱤᱡᱮᱱᱥᱤ (᱒᱐᱑᱙)
 ᱥᱮᱥᱮᱨ ᱜᱚᱞᱯᱚ (᱒᱐᱑᱙)
 ᱚᱱᱛᱚᱨᱫᱷᱟᱱ (᱒᱐᱒᱑)
 ᱵᱷᱚᱴᱵᱷᱚᱴᱤ (᱒᱐᱒᱒)
 ᱚᱱᱛᱚᱨᱞᱤᱱ
 ᱯᱷᱞᱮᱴ ᱱᱚ. ᱖᱐᱙
 ᱯᱨᱚᱡᱟᱯᱚᱛᱤ (᱒᱐᱒᱒)
 ᱥᱤᱵᱽᱯᱩᱨ (᱒᱐᱒᱓)
 ᱯᱟᱞᱟᱱ (᱒᱐᱒᱓)
 ᱯᱨᱚᱫᱷᱟᱱ (᱒᱐᱒᱓)
 ᱵᱤᱡᱚᱭᱟᱨ ᱯᱚᱨᱮ (᱒᱐᱒᱔)
 ᱫᱮᱨᱤ ᱦᱚᱭᱮ ᱜᱮᱪᱷᱮ (᱒᱐᱒᱕)
  ᱯᱨᱚᱡᱟᱯᱚᱛᱤ ᱒  (᱒᱐᱒᱕)

 ᱥᱟᱹᱠᱷᱭᱟᱹᱛ 

 ᱵᱟᱦᱨᱮ ᱡᱚᱱᱚᱲ 

 ᱢᱚᱢᱚᱛᱟ ᱥᱚᱝᱠᱚᱨ ᱰᱟᱱᱥ ᱠᱚᱢᱯᱟᱱᱤ, ᱣᱮᱵᱽᱥᱟᱭᱤᱴ
 ᱢᱚᱢᱚᱛᱟ ᱥᱚᱝᱠᱚᱨ ᱵᱮᱞᱮ ᱴᱨᱩᱯ ᱣᱮᱵᱽᱥᱟᱭᱤᱴ 

ᱛᱷᱚᱠ:ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ ᱠᱚ
ᱛᱷᱚᱠ:ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱛᱤᱨᱞᱟᱹ ᱮᱱᱮᱡ ᱨᱩᱥᱤᱠᱟ ᱠᱚ
ᱛᱷᱚᱠ:ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱛᱤᱨᱞᱟᱹ ᱠᱚᱨᱤᱭᱚᱜᱨᱟᱯᱷᱚᱨ ᱠᱚ
ᱛᱷᱚᱠ:ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱠᱚᱨᱤᱭᱚᱜᱨᱟᱯᱷᱚᱨ ᱠᱚ
ᱛᱷᱚᱠ:᱑᱙᱕᱕ ᱨᱮ ᱡᱟᱱᱟᱢ ᱠᱚ
ᱛᱷᱚᱠ:ᱡᱤᱣᱤᱫ ᱦᱚᱲ ᱠᱚ