ᱠᱳᱞ ᱴᱮᱞᱟᱨ

ᱠᱳᱞ ᱴᱮᱞᱟᱨ ᱫᱚ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱢᱤᱫ ᱦᱚᱲ ᱯᱳᱨᱱᱳᱜᱽᱨᱟᱯᱷᱤᱠ ᱚᱵᱷᱤᱱᱮᱛᱟ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱠᱟᱛᱮ ᱑᱙᱘᱐ ᱜᱮᱞᱟᱝ ᱨᱮ ᱜᱚᱭᱮ ᱟᱰᱩᱞ ᱪᱚᱞᱚᱠ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭ ᱠᱟᱹᱢᱤ ᱞᱮᱫᱟ ᱾ ᱑᱙᱘᱔ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱵᱟᱨᱼᱡᱩᱠᱤᱥᱚᱠ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱧᱩᱛᱩᱢᱟᱱ ᱯᱟᱴᱷ ᱞᱮᱫᱟᱭ ᱟᱨ 1985 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱜᱚᱭᱮ ᱟᱰᱩᱞᱴ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱯᱳᱭᱞᱳ ᱥᱮᱯᱷ ᱥᱮᱠᱮᱥ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮᱭ ᱯᱟᱴᱷ ᱞᱮᱫᱟ ᱾ ᱑᱙᱘᱙ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱜᱚᱡ ᱮᱱᱟᱭ᱾

ᱩᱱᱤ ᱫᱚ ᱱᱳᱵᱷᱟ ᱥᱴᱤᱭᱩᱫᱤᱭᱳ ᱨᱮᱭᱟᱜ ᱵᱮᱱᱟᱣ ᱦᱤᱨᱳᱥ (᱑᱙᱘᱔) ᱼ ᱨᱮᱭ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟᱭ ᱾Hardesty, p. 12. ᱩᱱᱤᱭᱟᱜ ᱯᱟᱴᱷ ᱮᱛᱚᱦᱚᱵ ᱫᱚ ᱵᱟᱝ ᱫᱚᱠᱟᱹᱨᱤᱱᱟᱜ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ᱾ ᱢᱮᱱᱥᱳᱴ ᱢᱮᱜᱟᱡᱤᱱ ᱨᱮᱱ ᱢᱤᱫ ᱦᱚᱲ ᱵᱤᱰᱟᱹᱣᱤᱭᱟᱹ ᱢᱮᱱ ᱞᱮᱫᱟᱭ ᱴᱮᱞᱟᱨ ᱫᱚ ᱜᱚᱴᱟ ᱜᱮ ᱠᱟᱹᱪ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫ ᱥᱮᱪᱮᱫᱤᱭᱟᱹ ᱟᱜ ᱪᱩᱨᱤᱛ ᱨᱮ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱞᱟᱹᱠᱛᱤ ᱟᱱᱟᱜ ᱯᱚᱨᱤᱠᱚᱞ ᱫᱟᱲᱮ ᱨᱮᱭᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱥᱮ ᱥᱳᱭᱞ ᱨᱮᱭᱟᱜ ᱮ ᱵᱟᱝ ᱛᱟᱸᱦᱮ ᱠᱟᱱᱟ᱾ ᱢᱮᱱᱠᱷᱟᱱ, ᱱᱚᱣᱟ ᱫᱚ ᱛᱟᱸᱦᱮ ᱠᱟᱱᱟ ᱩᱱᱤ ᱥᱟᱯᱲᱟᱣᱤᱡ ᱫᱟᱨᱟᱭ ᱛᱮ ᱮᱢ ᱟᱠᱟᱱ ᱪᱩᱨᱤᱛ᱾ ᱴᱮᱞᱟᱨ ᱟᱜ ᱞᱟᱭᱤᱱ ᱨᱮ ᱚᱞ ᱫᱚ ᱟᱹᱰᱤ ᱜᱟᱹᱨᱰᱩ ᱟᱨ ᱱᱟᱯᱟᱭ ᱛᱮ ᱢᱚᱱᱮ ᱦᱩᱭᱩᱜ ᱠᱟᱱ ᱛᱟᱭᱟ , ᱟᱢ ᱢᱚᱱᱮ ᱦᱩᱭᱩᱜ ᱛᱟᱢᱟ ᱡᱮ ᱩᱱᱤ ᱫᱚ ᱵᱤᱞᱤ ᱵᱟᱨᱠ ᱥᱟᱶ ᱮ ᱯᱟᱲᱦᱟᱣ ᱟᱠᱟᱫᱟ ᱾  ᱢᱤᱥᱠᱟᱥᱴᱤᱝ ᱚᱱᱟ ᱚᱠᱛᱮ ᱢᱟᱨᱮᱱ ᱱᱳᱵᱷᱟ ᱯᱷᱚᱨᱢᱩᱞᱟ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱢᱩᱲᱩᱫ ᱦᱤᱸᱥ ᱫᱚ ᱵᱟᱝ ᱠᱚ ᱵᱚᱱᱚᱫᱚᱞ ᱞᱮᱫᱟ ᱾ ᱚᱱᱟ ᱫᱚ ᱢᱤᱫ ᱦᱚᱲ ᱦᱚᱲ ᱟᱜ ᱧᱮᱞᱟᱱ ᱥᱮ ᱥᱮᱨᱮᱧ ᱨᱮᱭᱟᱜ ᱡᱟᱦᱟᱱ ᱫᱚ ᱵᱟᱝ ᱜᱮ ᱥᱚᱴᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱜᱚᱭᱮ ᱢᱮᱱᱛᱮ ᱢᱚᱱᱮ ᱦᱩᱭᱩᱜ ᱛᱟᱢᱟ᱾Hardesty, p. 13. Emphasis in original.

ᱱᱚᱣᱟ ᱯᱟᱴᱷ ᱵᱮᱜᱚᱨ ᱦᱚᱸ ᱴᱮᱞᱟᱨ ᱫᱚ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱯᱟᱴᱷ ᱮ ᱪᱟᱞᱟᱣ ᱫᱚᱦᱚ ᱞᱮᱫᱟ ᱾  ᱩᱱᱤ ᱫᱚ ᱟᱨᱦᱚᱸ ᱵᱟᱨᱭᱟ ᱧᱩᱛᱩᱢᱟᱱ ᱯᱟᱴᱷ ᱞᱮᱫᱟᱭ, ᱯᱷᱟᱞ ᱜᱨᱚᱱᱯᱷᱚᱞ ᱵᱞᱟᱣᱩᱱ ᱟᱨ ᱵᱟᱨᱼᱡᱩᱠᱤᱥᱟᱱ ᱯᱨᱚᱰᱚᱠᱥᱚᱱ ᱠᱨᱚᱥ ᱳᱵᱷᱟᱨ᱾Adam Film World, 1991, p. 151.Adam Film World, 1991, p. 147. ᱮᱱᱛᱮ ᱨᱮᱦᱚᱸ ᱩᱱᱤᱭᱟᱜ ᱯᱟᱴᱷ ᱫᱚ ᱵᱟᱝ ᱦᱚᱸ ᱞᱟᱹᱭ ᱜᱟᱱᱚᱜᱼᱟ, ᱩᱱᱤᱭᱟᱜ ᱟᱨ ᱢᱤᱫᱴᱟᱝ ᱪᱤᱛᱟᱹᱨ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱞᱟᱭᱯᱷᱜᱟᱨᱰ , 1985 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱦᱤᱥ ᱵᱷᱤᱰᱤᱣᱳ ᱫᱟᱨᱟᱭ ᱛᱮ ᱵᱮᱱᱟᱣ ᱢᱤᱫᱴᱟᱝ ᱢᱩᱲᱩᱫ ᱯᱟᱴᱷ , ᱦᱩᱭᱫᱟᱲᱮᱭᱟᱜ ᱱᱚᱶᱟ ᱫᱚ ᱯᱳᱭᱞᱳ ᱨᱩᱠᱷᱤᱭᱟᱹ ᱡᱳᱜᱳᱜ ᱟᱱ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ᱾Burger, p. 27; Adam Film World, 1992, p. 158. ᱪᱤᱛᱟᱹᱨ ᱢᱩᱫᱨᱮ ᱥᱟᱱ ᱯᱷᱨᱮᱱᱥᱤᱠᱳ ᱮᱰᱥ ᱯᱷᱟᱣᱩᱱᱰᱮᱥᱚᱱ ᱨᱮᱱ ᱫᱤᱥᱚᱢ ᱜᱚᱢᱠᱮ ᱨᱚᱯᱟᱨᱴ ᱵᱳᱞᱟᱱ ᱫᱚ ᱨᱩᱠᱷᱤᱭᱟᱹᱣᱟᱱ ᱡᱳᱜᱳᱜ ᱦᱚᱨᱟ ᱠᱚ ᱤᱫᱤ ᱠᱟᱛᱮ ᱵᱤᱵᱮᱫᱟ ᱞᱮᱫᱟ ᱾ ᱜᱚᱭᱮ ᱮᱵᱚᱞᱴ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱱᱟᱜᱟᱢᱤᱭᱟᱹ ᱡᱮᱯᱷᱨᱤ ᱮᱥᱠᱳᱯᱷᱤᱭᱟᱨ ᱞᱟᱹᱭ ᱟᱠᱟᱫᱟ ᱡᱮ , ᱱᱚᱶᱟ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱩᱱ ᱫᱤᱱ ᱨᱮᱱ ᱠᱤᱪᱷᱩ ᱦᱚᱲ ᱦᱚᱲᱠᱩᱥᱤ ᱯᱟᱴᱷᱚᱠᱤᱭᱟᱹ ᱠᱚ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ , ᱡᱟᱦᱟᱸᱭ ᱠᱚ ᱢᱩᱫᱨᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱴᱮᱞᱟᱨ ᱾Escoffier, p. 211-212. ᱟᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱡᱤᱭᱚᱱ ᱢᱩᱪᱟᱹᱫ ᱫᱷᱟᱹᱵᱤᱡ ᱠᱳᱞ ᱴᱮᱞᱟᱨ ᱯᱨᱟᱭ ᱒᱕ ᱜᱚᱴᱟᱝ ᱯᱳᱨᱱᱳᱜᱽᱨᱟᱯᱷᱤᱠ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟᱭ᱾The number of films Taylor made is unclear, because sources vary. According to Atkol Video, Taylor made 21 films. See: Atkol Video, p. 88. Bruce Wayne's directory of adult film lists 34 films. See: Wayne, p. 218. Atkol lists two films (Bi-Ballers and Studio X) which Wayne does not. A cast listing cannot be independently confirmed for Bi-Ballers by Adam Film World or Internet Adult Film Database (IAFD). However, although Adam Film World has no listing for Studio X, IAFD confirms the existence of the film and that Taylor is in the cast. See: Cole Taylor. Internet Adult Film Database. No date, accessed 2013-04-21. Ten films listed by Wayne (Best of Surge Vol. 2, Climactic Scenes #101, Fanta-size, Guys Who Eat Cum, Hot Shots Vol. 7: Daddies, In Too Deep, Lovers & Friends, Magnum Griffin Vol. 6, Muscle Studs, and Tight Friendship) are compilation films (existing scenes recut and repackaged) and not original productions. Of the remaining non-compilation films which Wayne lists, six films (All Hands on Dick, Hard Fucking Buddies, Lifeguard, Making It Huge, One Size Fits All, and Sighs) are not listed by Atkol. Adam Film World confirms that Cole Taylor is in the cast of One Size Fits All and Sighs. See: Adam Film World, 1992, p. 171, 175. The IAFD confirms Taylor is a cast member in All Hands on Dick and Making It Huge. See: Cole Taylor. Internet Adult Film Database. No date, accessed 2013-04-21.  Both IAFD and Adam Film World confirm that Cole Taylor is in Lifeguard. See: Adam Film World, p. 158; Cole Taylor. Internet Adult Film Database. No date, accessed 2013-04-21. No other database lists Hard Fucking Buddies and the existence of the film cannot be independently verified. Finally, neither Atkol nor Wayne list Cross Over as a Cole Taylor film. However, Adam Film World and IAFD confirm he is part of the cast of this bisexual film. See: Adam Film World, 1991, p. 147; Cole Taylor. Internet Adult Film Database. No date, accessed 2013-04-21. This leaves 25 films for Cole Taylor's original production filmography.

ᱦᱚᱲ ᱦᱚᱲ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱱᱟᱜᱟᱢᱤᱭᱟᱹ ᱞᱮᱠᱟᱛᱮ, ᱑᱙᱘᱙ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱨᱮᱠᱥ ᱦᱟᱨᱰᱮᱥᱴᱤ ᱴᱮᱞᱟᱨ ᱮ ᱜᱚᱡ ᱞᱮᱱᱟ᱾ ᱦᱚᱨᱰᱮᱥᱴᱤ ᱜᱚᱡ ᱚᱡᱮ ᱫᱚ ᱵᱟᱝ ᱥᱚᱫᱚᱨ ᱟᱠᱟᱫᱟ᱾Hardesty, p. 12. ᱵᱤᱨᱤᱫ ᱩᱪᱷᱟᱹᱱ ᱮᱰᱟᱢ ᱯᱷᱤᱞᱢ ᱳᱣᱟᱨᱞᱰ ᱞᱮᱠᱟᱛᱮ ᱴᱮᱞᱟᱨ ᱫᱚ ᱵᱟᱨᱼᱡᱩᱠᱤᱥᱟᱱ ᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾Adam Film World, 1991, p. 147.

 ᱯᱚᱛᱚᱵ ᱚᱞ 

 ᱮᱰᱟᱢ ᱯᱷᱤᱞᱢ ᱳᱣᱟᱨᱞᱰ 1991 ᱰᱤᱨᱮᱹᱠᱴᱳᱨᱤ ᱚᱯᱷ ᱜᱚᱭ ᱮᱰᱚᱞᱴ ᱵᱷᱤᱰᱤᱣᱥ ᱾ ᱞᱟᱥ ᱮᱱᱡᱮᱞᱥᱼᱞᱤᱯᱷᱤᱭᱟ. 1990 ᱾
 ᱮᱰᱟᱢ ᱯᱷᱤᱞᱢ ᱳᱣᱟᱨᱞᱰ ᱾ 1992 ᱰᱤᱨᱮᱹᱠᱴᱳᱨᱤ ᱚᱯᱷ ᱜᱚᱭ ᱮᱰᱚᱞᱴ ᱵᱷᱤᱰᱤᱣᱥ ᱾ ᱞᱟᱥ ᱮᱱᱡᱮᱞᱥᱼᱞᱤᱯᱷᱤᱭᱟ ᱾ 1991 ᱾
 ᱮᱴᱠᱳᱞ ᱵᱷᱤᱰᱤᱣ ᱾ ᱟᱴᱚᱠᱟᱞ ᱢᱟᱨᱟᱝ ᱠᱚᱲᱟ ᱵᱷᱤᱰᱤᱣ ᱞᱟᱹᱜᱤᱫ ᱟᱹᱰᱤ ᱜᱚᱭᱤᱰ ᱾  Plainfield N. J. ᱼ 1990 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱾
 ᱵᱟᱨᱜᱟᱨ ᱡᱩᱱ ᱟᱨ ᱳᱣᱟᱱᱼᱟᱱᱰᱮᱰ ᱦᱤᱥᱴᱨᱤᱡᱽᱼ ᱫᱟ ᱮᱨᱟᱴᱳᱼᱯᱳᱞᱤᱴᱤᱠᱥ ᱚᱯᱷ ᱜᱚᱭᱮ ᱢᱮᱞ ᱵᱷᱤᱰᱤᱣ ᱯᱳᱨᱱᱳᱯᱷᱨᱤ ᱾ 1995 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱱᱤᱭᱩᱭ ᱤᱭᱚᱨᱠᱼᱦᱳᱣᱳᱨᱛᱷ ᱯᱮᱥ ᱾
 ᱮᱥᱠᱳᱯᱷᱤᱭᱟᱨ ᱡᱮᱯᱷᱨᱤ ᱾ ᱡᱤᱭᱚᱱ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱝ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ' ᱵᱤᱯᱷᱠᱮᱠ ' ᱠᱷᱚᱱ ' ᱦᱟᱨᱰᱠᱳᱨ ' ᱦᱟᱹᱵᱤᱡ ᱜᱚᱭᱮ ᱯᱳᱨᱱ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱱᱟᱜᱟᱢ ᱾ Philadelphia ′′ PA: Running Press 2009 ᱾
 ᱦᱚᱨᱰᱮᱥᱴᱤᱣ ᱨᱮᱠᱥ ᱾ " ᱱᱳᱵᱷᱟ ᱥᱴᱤᱭᱩᱫᱤᱭᱳ " ᱫᱚᱥᱟᱨ ᱦᱤᱸᱥ ᱫᱚ ᱢᱩᱪᱟᱹᱫ ᱥᱮᱨᱢᱟᱠᱚ ᱾ ᱢᱟᱱᱥᱳᱴ ᱾ 1997 ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱟᱜᱚᱥᱴ ᱾
 ᱳᱭᱮᱱ ᱵᱨᱚᱥ ᱾ ᱜᱚᱭ ᱯᱳᱨᱱ ᱥᱴᱟᱨ ᱰᱤᱨᱤᱠᱟᱨᱴᱤ ᱾ ᱞᱚᱜᱩᱱᱟ ᱦᱤᱞᱥᱼᱞᱤᱯᱷᱤᱭᱟ ᱾ ᱼᱠᱳᱢᱯᱮᱱᱤᱭᱚᱱ ᱯᱮᱥᱼ2000 ᱾
 ᱥᱟᱹᱠᱷᱭᱟᱹᱛ 

ᱛᱷᱚᱠ:ᱮᱰᱟᱞᱴ ᱯᱟᱯᱟᱴᱤᱭᱟᱹ ᱠᱚᱣᱟᱜ ᱛᱟᱞᱟ
ᱛᱷᱚᱠ:ᱮᱰᱟᱞᱴ ᱠᱚᱲᱟ ᱯᱟᱯᱟᱴᱤᱭᱟᱹ