ᱦᱟᱨᱰᱠᱚᱨ ᱯᱳᱨᱱᱳᱜᱽᱨᱟᱯᱷᱤ

ᱦᱟᱨᱰᱠᱚᱨ ᱯᱳᱨᱱᱳᱜᱽᱨᱟᱯᱷᱤ ᱥᱮ ᱦᱟᱨᱰᱠᱚᱨ ᱯᱳᱨᱱ ᱫᱚ  ᱯᱳᱨᱱᱳᱜᱽᱨᱟᱯᱷᱤ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱡᱳᱜᱟᱹᱣ ᱨᱮᱭᱟᱜ ᱦᱤᱸᱥ ᱥᱮ ᱡᱳᱜᱟᱣ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱡᱮᱞᱮᱠᱟ ᱵᱷᱮᱡᱤᱱᱚᱞ ᱮᱮᱞ ᱥᱮ ᱳᱣᱟᱨᱮᱞ ᱤᱱᱴᱟᱨᱠᱳᱥ ᱯᱷᱤᱝᱜᱟᱨᱝ ᱮᱱᱤᱞᱤᱝᱜᱟᱥ ᱮᱡᱚᱠᱩᱞᱮᱥᱚᱱ ᱟᱨ ᱯᱷᱮᱴᱤᱥ ᱠᱷᱮᱞ ᱨᱮᱭᱟᱜ ᱵᱚᱨᱱᱚᱱ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱱᱚᱶᱟ ᱥᱟᱵᱟᱫ ᱫᱚ ᱠᱚᱢᱼᱵᱩᱛᱚ ᱥᱳᱯᱴᱠᱳᱨ ᱯᱳᱨᱱᱳᱯᱷᱮᱨᱤ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱦᱤᱸᱥ ᱾ ᱦᱚᱨᱰᱠᱳᱨ ᱯᱳᱨᱱᱳᱯᱷᱚᱨᱤ ᱥᱟᱫᱷᱟᱨᱚᱱᱛᱚ ᱪᱤᱛᱟᱹᱨ ᱟᱨ ᱠᱟᱴᱩᱱ ᱨᱮᱭᱟᱜ ᱨᱩᱯᱮ ᱦᱟᱛᱟᱣᱼᱟ ᱾ 1990 ᱜᱮᱞᱟᱝ ᱨᱮᱭᱟᱜ ᱛᱟᱞᱟ ᱠᱷᱚᱱ , ᱜᱳᱨᱰᱠᱳᱨ ᱯᱳᱨᱱᱳᱯᱷᱨᱤ ᱤᱱᱴᱟᱨᱱᱮᱴ ᱨᱮ ᱟᱹᱰᱤ ᱡᱟᱹᱥᱛᱤ ᱞᱮᱠᱟᱛᱮ ᱧᱟᱢᱚᱜᱼᱟ , ᱡᱟᱦᱟᱸ ᱫᱚ ᱱᱚᱶᱟ ᱫᱚ ᱢᱟᱲᱟᱝ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱡᱟᱹᱥᱛᱤ ᱠᱚ ᱧᱟᱢ ᱫᱟᱲᱮᱹᱭᱟᱜᱼᱟ ᱾

 ᱩᱯᱚᱨᱚᱥᱚ 
᱑᱙᱕᱐ ᱟᱨ ᱑᱙᱖᱐ ᱥᱮᱨᱢᱟ ᱨᱮ ᱟᱢᱮᱨᱤᱠᱟ ᱨᱮᱱ ᱟᱹᱢᱟᱹᱞᱤᱭᱟᱹ ᱠᱚ ᱚᱞᱪᱤᱠᱤ ᱵᱟᱵᱚᱫ ᱟᱹᱱ ᱟᱹᱨᱤ ᱠᱚ ᱵᱟᱰᱟᱭ ᱞᱟᱹᱜᱤᱫ "ᱦᱟᱨᱰᱠᱳᱨ ᱯᱳᱨᱱᱳᱜᱨᱟᱯᱷᱤ" ᱟᱨ "ᱵᱚᱨᱰᱟᱨᱞᱤᱱ ᱯᱳᱨᱱᱳᱜᱨᱟᱯᱷᱤ" (ᱟᱨᱵᱟᱝ "ᱵᱚᱨᱰᱟᱨᱞᱤᱱ ᱚᱵᱽᱥᱠᱮᱱᱤᱴᱤ") ᱛᱟᱞᱟ ᱨᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱠᱚ ᱵᱟᱰᱟᱭ ᱞᱮᱫᱟ᱾ "ᱵᱟᱨᱰᱟᱨᱞᱤᱱ ᱯᱳᱨᱱᱳᱯᱷᱨᱤ ᱫᱚ ᱡᱳᱜᱟᱹᱣ ᱟᱱᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱮ ᱧᱮᱞ ᱞᱮᱱᱟ , ᱢᱮᱱᱠᱷᱟᱱ ᱱᱚᱣᱟ ᱨᱮ ᱱᱟᱯᱟᱭ ᱜᱩᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ , ᱡᱮᱞᱮᱠᱟ ᱥᱟᱶᱦᱮᱫ ᱥᱮ ᱠᱟᱹᱨᱤ ᱟᱱᱟᱜ ᱜᱩᱱ ᱟᱨ ᱚᱱᱟᱛᱮ ᱡᱩᱠᱛᱤ ᱞᱮᱠᱟᱛᱮ ᱚᱵᱚᱞᱱᱤᱴᱤ ᱟᱹᱱ ᱫᱟᱨᱟᱭ ᱛᱮ ᱪᱷᱟᱹᱲ ᱮᱢ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ " ᱦᱟᱨᱰᱠᱳᱨ ᱯᱳᱨᱱᱳᱯᱷᱤᱨ ᱨᱮ ᱱᱚᱣᱟ ᱞᱮᱠᱟᱱ ᱜᱩᱱ ᱵᱟᱝ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱟᱨ ᱱᱚᱶᱟ ᱫᱚ ᱜᱚᱴᱟ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱛᱟᱣᱟᱜ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱨᱚᱛ ᱵᱷᱤ ᱨᱮ ᱾ ᱡᱩᱠᱛᱚᱨᱟᱥᱴᱨᱚ (1957) ᱥᱚᱨᱠᱟᱨ ᱛᱚᱛᱛᱨᱮ ᱯᱮᱭᱟ ᱛᱷᱚᱱᱚᱛ ᱨᱮᱭᱟᱜ ᱡᱳᱜᱠᱟᱹ ᱟᱱᱟᱜ ᱥᱟᱛᱟᱢ ᱠᱚ ᱵᱷᱮᱜᱟᱨ ᱞᱮᱫᱟᱠᱚ , " ᱧᱮᱞᱟᱱ ᱞᱮᱠᱟᱛᱮ ᱟᱹᱰᱤ ᱱᱟᱯᱟᱭ ᱥᱟᱶᱦᱮᱫ ᱨᱮᱭᱟᱜ ᱩᱭᱦᱟᱹᱨᱟᱱ " " , ᱥᱤᱢᱟᱹ ᱨᱮᱱᱟᱜ ᱢᱚᱱᱮᱡᱟᱱ... ᱢᱮᱜᱟᱡᱤᱱ " " , ᱠᱟᱴᱩᱱ " " , ᱱᱩᱰᱤᱥᱴ ᱯᱨᱚᱠᱴᱤᱥᱚᱱ " " ᱟᱨ " " ᱦᱟᱨᱰ ᱠᱳᱨ ᱯᱳᱨᱱᱳᱯᱷᱨᱤ " " , ᱡᱟᱦᱟᱸ ᱫᱚ ᱡᱟᱦᱟᱱ ᱦᱚᱲᱜᱮ ᱵᱟᱝ ᱞᱟᱹᱭ ᱫᱟᱲᱮᱹᱭᱟᱜᱼᱟ , ᱚᱱᱟ ᱠᱚ ᱥᱟᱶᱦᱮᱫ ᱟᱱᱟᱜ ᱢᱟᱹᱱ ᱠᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱑᱙᱕᱙ ᱥᱟᱞᱮ ᱨᱮ ᱤᱵᱚᱨᱦᱟᱨᱰ ᱟᱨ ᱯᱷᱤᱡᱤᱞᱤᱥ ᱠᱨᱳᱱᱦᱟᱥᱮᱱ ᱫᱚ "ᱮᱨᱳᱴᱤᱠ ᱨᱤᱭᱟᱞᱤᱥᱢ" ᱠᱷᱚᱱ "ᱯᱳᱨᱱᱚᱜᱽᱨᱟᱯᱷᱤ" ᱠᱚ ᱵᱷᱮᱜᱟᱨ ᱞᱮᱫᱟ ᱾ "ᱯᱳᱨᱱᱚᱜᱽᱨᱟᱯᱷᱤ" ᱨᱮᱱᱟᱜ ᱢᱩᱬᱩᱛ ᱩᱫᱤᱥᱟ ᱫᱚ ᱯᱟᱲᱦᱟᱣᱤᱭᱟᱹ ᱨᱮ ᱮᱨᱳᱴᱤᱠ ᱨᱟᱹᱥᱠᱟᱹᱭ ᱩᱫᱽᱜᱟᱹᱣ ᱦᱚᱪᱚ ᱠᱟᱱᱟ ᱾ ᱟᱨ ᱱᱚᱣᱟ ᱜᱮ ᱥᱟᱱᱟᱢ ᱠᱟᱱᱟ". ᱡᱚᱠᱳᱵᱮᱞᱤᱥ ᱵᱷᱤ ᱨᱮ ᱡᱚᱛᱚᱠᱷᱚᱱ ᱧᱩᱛᱩᱢᱟᱱ ᱾ ᱳᱦᱟᱭᱳ (1964) ᱯᱮᱴᱟᱨ ᱥᱴᱤᱣᱟᱨᱴ ᱚᱞ ᱞᱮᱫᱟᱭ ᱡᱮ ᱦᱤᱡᱩᱜ ᱯᱷᱤᱞᱢ ᱨᱮ ᱠᱟᱹᱢᱤᱭᱟᱭ᱾

 ᱤᱧ ᱛᱮᱦᱮᱧ ᱱᱚᱣᱟ ᱥᱚᱨᱴᱦᱮᱱᱰ ᱵᱚᱨᱱᱚᱱ ᱢᱩᱫᱨᱮ ᱡᱟᱦᱟᱸ ᱞᱮᱠᱟᱱ ᱥᱟᱛᱟᱢ ᱠᱚ ᱦᱟᱛᱟᱣ ᱦᱩᱭ ᱟᱠᱟᱱᱟ ᱚᱱᱟ ᱵᱟᱰᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱟᱨᱦᱚᱸ ᱵᱤᱪᱷᱚᱱᱟ ᱨᱮᱭᱟᱜ ᱨᱤᱠᱟᱹ ᱵᱟᱝ ᱤᱧ ᱠᱚᱨᱟᱣᱼᱟ ᱟᱨ ᱦᱩᱭᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱤᱧ ᱪᱮᱫᱦᱚᱸ ᱚᱠᱛᱚ ᱨᱮᱦᱚᱸ ᱵᱤᱵᱮᱱᱟᱜ ᱞᱮᱠᱟᱛᱮ ᱚᱱᱟ ᱠᱚᱨᱟᱣ ᱨᱮ ᱥᱤᱜᱤᱞ ᱵᱟᱝ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱤᱧ ᱚᱱᱟ ᱵᱟᱰᱟᱭᱧᱟᱢᱚᱜᱼᱟ ᱡᱚᱠᱷᱚᱱ ᱤᱧ ᱚᱱᱟ ᱧᱮᱞᱚᱜᱼᱟ ᱟᱨ ᱱᱚᱶᱟ ᱠᱟᱹᱪᱨᱮ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱ ᱢᱳᱥᱚᱱ ᱪᱤᱛᱟᱹᱨ  ᱫᱟ ᱞᱚᱵᱟᱨᱥ  ᱚᱱᱟ ᱫᱚ ᱵᱟᱝ ᱠᱟᱱᱟ ᱾

ᱡᱚᱠᱳᱵᱮᱞᱤᱥ ᱵᱷᱤᱼᱨᱮ ᱾ ᱳᱦᱟᱭᱳ ᱟᱨ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱠᱟᱹᱪᱨᱮ , ᱢᱟᱨᱠᱤᱱ ᱡᱩᱠᱛᱚᱨᱟᱥᱴᱨᱚ ᱨᱮᱭᱟᱜ ᱥᱩᱯᱟᱨᱤᱢ ᱠᱳᱨᱴ ᱨᱩᱴᱤᱱ ᱮᱢ ᱞᱮᱫᱟᱭ ᱡᱮ , ᱥᱩᱢᱩᱝ " ᱦᱟᱨᱰᱠᱳᱨᱯᱳᱨᱱᱳᱯᱷᱨᱤ " ᱚᱵᱽᱱᱤᱴ ᱟᱹᱱ ᱫᱟᱨᱟᱭ ᱛᱮ ᱵᱚᱱᱫᱷᱚ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱟᱨ ᱮᱴᱟᱜ ᱠᱚᱫᱚ ᱯᱳᱭᱞᱳ ᱥᱟᱼᱵᱩᱫᱤᱥ ᱫᱟᱨᱟᱭ ᱛᱮ ᱨᱩᱠᱷᱤᱭᱟᱹ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱱᱚᱶᱟ ᱞᱮᱠᱟᱛᱮ " ᱥᱤᱢᱟᱹ ᱨᱮᱭᱟᱜ ᱚᱵᱽᱥᱤᱱᱤᱴᱤ " ᱨᱮᱭᱟᱜ ᱛᱷᱚᱱᱚᱛ ᱫᱚ ᱚᱵᱟᱥᱛᱤᱞ ᱦᱳᱭ ᱞᱮᱱᱟ ᱾ 1970 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱫᱤᱥᱚᱢ ᱜᱚᱢᱠᱮ ᱟᱜ ᱚᱵᱽᱥᱮᱱᱤᱴᱤ ᱟᱨ ᱯᱳᱨᱱᱳᱯᱷᱮᱨᱤ ᱠᱚᱢᱤᱥᱚᱱ ᱨᱮ ᱞᱟᱹᱭ ᱟᱠᱟᱱᱟ ᱡᱮ ,


1970 ᱜᱮᱞᱟᱝ ᱠᱷᱚᱱ ᱦᱚᱨᱰᱠᱳᱨ ᱯᱳᱨᱱᱳᱯᱷᱮᱨᱟᱡᱤ ᱟᱨ ᱥᱳᱯᱷᱴᱠᱳᱨ ᱯᱳᱨᱱᱳᱯᱷᱤ ᱢᱩᱫᱨᱮ ᱢᱩᱲᱩᱫ ᱵᱷᱮᱜᱟᱨ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ , ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱤᱢᱩᱞᱤᱴ ᱥᱮᱠᱚᱥ ᱵᱮᱣᱦᱟᱨ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱟᱨ ᱥᱤᱠᱥᱤᱠ ᱠᱟᱹᱢᱤ ᱠᱚ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱩᱫᱩᱜ ᱨᱮᱭᱟᱜ ᱯᱚᱨᱤᱢᱟᱱ ᱟᱨ ᱜᱟᱹᱨᱫᱷᱤᱭ ᱥᱤᱢᱤᱛ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱫᱟᱹᱭᱠᱟᱹ ᱞᱮᱠᱟᱛᱮ , ᱩᱭᱞᱤᱭᱟᱢ ᱨᱩᱴᱥᱮᱞᱟᱨ ᱟᱜ 1973 ᱨᱮᱭᱟᱜ ᱦᱟᱹᱴᱤᱧ ᱫᱚ ᱡᱳᱜᱟᱹᱣᱟᱱ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱞᱟᱹᱜᱤᱫ ᱮᱠᱥ ᱨᱮᱴᱤᱝ ᱫᱚ ᱦᱟᱹᱴᱤᱧ ᱟᱠᱟᱫᱟ ᱾ " XXXᱼᱨᱮᱴᱤᱝ ᱨᱮᱭᱟᱜ ᱢᱮᱱᱮᱫ ᱦᱚᱨᱰᱼᱠᱳᱨ , XXᱼᱨᱮᱴᱤᱝ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱥᱤᱢᱩᱞᱮᱥᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱟᱨ ᱢᱤᱫᱴᱟᱝ ᱮᱠᱥᱼᱨᱮᱴᱤᱝ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱚᱱᱢᱟᱱ ᱞᱮᱠᱟᱛᱮ ᱱᱟᱯᱟᱭ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱞᱟᱹᱜᱤᱫ ᱾Rotslter, William. Contemporary Erotic Cinema. New York: Penthouse/Ballantine Books, 1973. p. 251.
The distribution of hardcore pornography had been widely prohibited in many countries until the second half of the 20th century, when many countries began to allow some dissemination of softcore material. Supply is now usually regulated by a motion picture rating system as well as by direct regulation of points of sale. Restrictions, as applicable, apply to the screening, or rental, sale, or giving of a movie, in the form of a DVD, video, computer file, etc. Public display and advertising of hardcore pornography is often prohibited, as is its supply to minors.

 ᱥᱟᱹᱠᱷᱭᱟᱹᱛ 

ᱛᱷᱚᱠ:ᱮᱰᱟᱞᱴ ᱯᱷᱤᱞᱢ ᱞᱤᱥᱴ
ᱛᱷᱚᱠ:ᱡᱮᱱᱟᱨ ᱦᱚᱛᱮᱛᱮ ᱯᱚᱨᱱᱚᱜᱽᱨᱟᱯᱷᱤᱠ