Melvyn Douglas

Melvyn Edouard Hesselberg icha  Melvyn Douglas sutiyuq runaqa, ( paqarisqa Macon llaqtapi -  wañusqa New York llaqtapi) huk  Hukllachasqa Amirika Suyukuna mama llaqtayuq aranway pukllaq qarqan.

Taytan: Edouard Gregory Hesselberg; Maman: Lena Priscilla ShackelfordWarmikuna: Rosalind Hightower (1925–1930) / Helen Gahagan (1931–1980).Churinkuna: (3). Melvyn Gregory Hesselberg, Peter Gahagan Douglas (1933) and Mary Helen Douglas (1938)

Alma mater: Upper Canada College.

 Pilikulakuna 
 Esta noche o nunca (Tonight or Never) (1931), de Mervyn LeRoy.
 Prestigio (Prestige) (1932), de Tay Garnett.
 The Wiser Sex (1932), de Berthold Viertel wan Victor Viertel.
 The Broken Wing (1932), de Lloyd Corrigan.
 El caserón de las sombras (The Old Dark House), (1932), de James Whale.
 Como tú me deseas (As You Desire Me) (1932), de George Fitzmaurice.
 Sombras trágicas, ¿vampiros? (The Vampire Bat) (1933), de Frank R. Strayer.
 Nagana (1933), de Ernst L. Frank.
 El abogado (Counsellor at Law) (1933), de William Wyler.
 Woman in the Dark (1934), de Phil Rosen.
 Dangerous Corner (1934), de Phil Rosen.
 The People's Enemy (1935), de Crane Wilbur.
 Sucedió una vez (She Married Her Boss) (1935), de Gregory La Cava.
 Mary Burns, fugitiva (Mary Burns, Fugitive) (1935), de William K. Howard.
 Anne Oakley (Annie Oakley) (1935), de George Stevens.
 The Lone Wolf Returns (1935), de Roy William Neill.
 And So They Were Married (1936), de Elliott Nugent.
 The Gorgeous Hussy (1936), de Clarence Brown.
 Los pecados de Teodora (Theodora Goes Wild) (1936), de Richard Boleslawski.
 Women of Glamour (1937), de Gordon Wiles.
 Capitanes intrépidos (Captains Courageous) (1937), de Victor Fleming.
 La encontré en París (I Met Him in Paris) (1937), de Wesley Ruggles.
 Angel (Angel) (1937), de Ernst Lubitsch.
 I'll Take Romance (1937), de Edward H. Griffith.
 Arsène Lupin Returns (1938), de George Fitzmaurice.
 Siempre hay una mujer (There's Always a Woman) (1938), de Alexander Hall.
 The Toy Wife (1938), de Richard Thorpe.
 Fast Company (1938), de Edward Buzzell.
 That Certain Age (1938), de Edward Ludwig.
 La hora radiante (The Shining Hour) (1938), de Frank Borzage.
 There's That Woman Again (1939), de Alexander Hall.
 Tell No Tales (1939), de Leslie Fenton.
 Por un viaje a Paris (Good Girls Go to Paris) (1939), de Alexander Hall.
 Ninotchka (1939), de Ernst Lubitsch.
 The Amazing Mr. Williams (1939), de Alexander Hall.
 Demasiados maridos (Too Many Husbands) (1940), de Wesley Ruggles.
 He Stayed for Breakfast (1940), de Alexander Hall.
 Third Finger, Left Hand (1940), de Robert Z. Leonard.
 Esa cosa llamada amor (This Thing Called Love) (1941), de Alexander Hall.
 Un rostro de mujer (A Woman’s Face) (1941), de George Cukor.
 Lo que piensan las mujeres (That Uncertain Feeling) (1941), de Ernst Lubitsch.
 Our Wife (1941), de [John M. Stahl].
 La mujer de las dos caras (Two-Faced Woman) (1942), de George Cukor.
 We Were Dancing (1942), de Robert Z. Leonard.
 Todos besaron a la novia (They All Kissed the Bride) (1943), de Alexander Hall.
 Three Hearts for Julia (1943), de Richard Thorpe.
 Mar de hierba (The Sea of Grass) (1947), de Elia Kazan.
 The Guilt of Janet Ames (1947), de Henry Levin.
 Los Blandings ya tienen casa (Mr. Blandings Builds His Dream House) (1948), de H.C. Potter.
 My Own True Love (1949), de Compton Bennett.
 El gran pecador (The Great Sinner) (1949), de Robert Siodmak.
 Un Secreto de mujer (A Woman’s Secret) (1949), de Nicholas Ray.
 Odio y orgullo (My Forbidden Past) (1951), de Robert Stevenson.
 On the Loose (1951), de Charles Lederer.
 La fragata infernal (Billy Budd) (1962), de Peter Ustinov.
 Hud, el más salvaje entre mil (Hud) (1963), de Martin Ritt.
 La Americanización de Emily (The Americanization of Emily) (1964), de Arthur Hiller.
 La furia de los cobardes (Advance to the Rear) (1964), de George Marshall.
 Once Upon a Tractor (1965), de Leopoldo Torre Nilsson.
 Rapture (1965), de John Guillermin.
 Intriga en el Gran Hotel (Hotel) (1967), de Richard Quine.
 I Never Sang for My Father (1970), de Gilbert Cates.
 The Going Up of David Lev (1971), de James F. Collier.
 El candidato (The Candidate) (1972), de Michael Ritchie.
 Una mujer sin amor (One Is a Lonely Number) (1972), de Mel Stuart.
 Hollywood, Hollywood (That’s Entertainment, Part II) (1976), de Gene Kelly.
 El quimérico inquilino (Le locataire) (1976), de Roman Polanski.
 Alerta: misiles (Twilight’s Last Gleaming) (1977), de Robert Aldrich.
 Escalada al poder (The Seduction of Joe Tynan) (1979), de Jerry Schatzberg
 Bienvenido Mr. Chance / Desde el jardín (Being There) (1979), de Hal Ashby.
 Al final de la escalera (The Changeling) (1980), de Peter Medak.
 Tell Me a Riddle (1980), de Lee Grant.
 Historia macabra (Ghost Story) (1981), de John Irvin.
 The Hot Touch (1982), de Roger Vadim.

 Suñaykuna 
 Oskar Suñay 
 Mejor aranway pukllaq ripartu
 1963 Hud
 1979 Being There

 Kaypipas qhaway 
 Greta Garbo
 Elia Kazan
 Roger Vadim 
 Helen Gahagan

 Hawa t'inkikuna 

 IMDb Melvyn Douglas
 Ufisyal Web Site

Katiguriya:Qhari
Katiguriya:Paqarisqa 1901
Katiguriya:Wañusqa 1981
Katiguriya:Aranway pukllaq (Hukllachasqa Amirika Suyukuna)
Katiguriya:Oskar Suñay