Tanda masa

Tanda masa (, meter signature,Alexander R. Brinkman, Pascal Programming for Music Research (Chicago: University of Chicago Press, 1990): 443, 450–63, 757, 759, 767. ; Mary Elizabeth Clark and David Carr Glover, Piano Theory: Primer Level (Miami: Belwin Mills, 1967): 12; Steven M. Demorest, Building Choral Excellence: Teaching Sight-Singing in the Choral Rehearsal (Oxford and New York: Oxford University Press, 2003): 66. ; William Duckworth, A Creative Approach to Music Fundamentals, eleventh edition (Boston, MA: Schirmer Cengage Learning, 2013): 54, 59, 379. ; Edwin Gordon, Tonal and Rhythm Patterns: An Objective Analysis: A Taxonomy of Tonal Patterns and Rhythm Patterns and Seminal Experimental Evidence of Their Difficulty and Growth Rate (Albany: SUNY Press, 1976): 36–37, 54–55, 57. ; Demar Irvine, Reinhard G. Pauly, Mark A. Radice, Irvine’s Writing about Music, third edition (Portland, Oregon: Amadeus Press, 1999): 209–10. . metre signature,Henry Cowell and David Nicholls, New Musical Resources, third edition (Cambridge and New York: Cambridge University Press, 1996): 63.  (cloth);  (pbk); Cynthia M. Gessele, "Thiéme, Frédéric [Thieme, Friedrich]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001); James L. Zychowicz, Mahler's Fourth Symphony (Oxford and New York: Oxford University Press, 2005): 82–83, 107. .  atau measure signatureEdwin Gordon, Rhythm: Contrasting the Implications of Audiation and Notation (Chicago: GIA Publications, 2000): 111. .) merupakan suatu aturcara dalam notasi muzik dunia Barat yang memperincikan serta menetapkan berapa banyak rentak yang akan terkandung dalam setiap bar serta mengukur berapa nilai not yang bersamaan dengan satu unit rentak tersebut.

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