ꯑꯦꯅꯤ ꯑꯦꯔꯅꯥꯛꯁ

ꯑꯦꯅꯤ ꯑꯦꯔꯅꯥꯛꯁ (ꯄꯣꯛꯄꯒꯤ ꯃꯃꯤꯡ ꯑꯦꯅꯤ ꯗꯨꯆꯦꯁꯅꯦ ; ꯄꯣꯛꯄꯥ ꯱꯹꯴꯰ ꯁꯦꯞꯇꯦꯝꯕꯔ ꯱) ꯑꯁꯤ ꯐ꯭ꯔꯥꯟꯁꯀꯤ ꯑꯏꯕ ꯑꯃꯗꯤ ꯂꯣꯏꯅꯁꯤꯂꯣꯟꯒꯤ ꯄ꯭ꯔꯣꯐꯦꯁꯔ ꯑꯃꯅꯤ ꯫  ꯑꯌꯥꯝꯕꯅꯥ ꯑꯣꯇꯣꯕꯥꯏꯑꯣꯒ꯭ꯔꯥꯐꯤꯛ ꯑꯣꯏꯕ ꯃꯍꯥꯛꯀꯤ ꯂꯣꯏꯅꯁꯤꯂꯣꯟꯒꯤ ꯋꯥꯔꯤ ꯑꯁꯤꯅꯥ ꯁꯣꯁꯤꯑꯣꯂꯣꯖꯤꯒꯥ ꯌꯥꯝꯅ ꯅꯛꯅꯕ ꯃꯔꯤ ꯑꯃꯥ ꯊꯝꯂꯤ ꯫ ꯑꯦꯔꯅꯥꯛꯁ ꯑꯁꯤ ꯲꯰꯲꯲ꯒꯤ ꯅꯣꯕꯦꯜ ꯄ꯭ꯔꯥꯏꯖ ꯏꯟ ꯂꯤꯇꯔꯦꯆꯔ ꯄꯤꯈꯤ "ꯃꯍꯥꯛꯅꯥ ꯄꯔꯁꯣꯅꯦꯜ ꯃꯦꯃꯣꯔꯤꯒꯤ ꯃꯔꯨꯁꯤꯡ, ꯑꯦꯁ꯭ꯠꯔꯦꯟꯖꯃꯦꯟꯠꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯀꯂꯦꯛꯇꯤꯕ ꯔꯦꯁ꯭ꯠꯔꯦꯟꯇꯁꯤꯡ ꯑꯗꯨ ꯃꯍꯥꯛꯅꯥ ꯐꯣꯡꯗꯣꯛꯈꯤꯕ ꯊꯧꯅꯥ ꯑꯃꯁꯨꯡ ꯀ꯭ꯂꯤꯅꯤꯀꯦꯜ ꯑꯦꯛꯌꯨꯏꯇꯤꯒꯤꯗꯃꯛ" ꯫ 

 ꯄꯨꯟꯁꯤ ꯑꯃꯁꯨꯡ ꯊꯕꯛ 

 ꯑꯉꯥꯡ ꯑꯣꯏꯔꯤꯉꯩ ꯑꯃꯁꯨꯡ ꯃꯍꯩ-ꯃꯁꯤꯡ ꯇꯝꯕ 
ꯑꯦꯔꯅꯥꯛꯁ ꯅꯣꯔꯃꯦꯟꯗꯤꯒꯤ ꯏꯚꯦꯇꯣꯠꯇꯥ ꯆꯥꯎꯔꯛꯈꯤ ꯫ ꯃꯍꯥꯛ ꯋꯥꯔꯀꯤꯡ ꯀ꯭ꯂꯥꯁꯀꯤ ꯃꯐꯝ ꯑꯃꯗꯒꯤꯅꯤ,  ꯑꯗꯨꯕꯨ ꯃꯍꯥꯛꯀꯤ ꯃꯃꯥ-ꯃꯄꯥꯅꯥ ꯑꯔꯣꯏꯕꯗꯥ ꯀꯦꯐꯦ-ꯒ꯭ꯔꯣꯁꯔꯤ ꯁ꯭ꯇꯣꯔ ꯑꯃꯥ ꯂꯩꯈꯤ ꯫ ꯃꯍꯥꯛ ꯔꯨꯌꯦꯟ ꯑꯃꯁꯨꯡ ꯃꯇꯨꯡꯗ ꯕꯣꯔꯗꯔ ꯌꯨꯅꯤꯚꯔꯁꯤꯇꯤꯁꯤꯡꯗꯥ ꯇꯝꯈꯤ, ꯁ꯭ꯀꯨꯜ-ꯑꯣꯖꯥ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯀ꯭ꯋꯥꯂꯤꯐꯥꯏ ꯑꯣꯏꯈꯤ, ꯑꯃꯁꯨꯡ ꯃꯣꯗꯔꯟ ꯂꯤꯇꯔꯦꯆꯔꯗꯥ ꯍꯦꯟꯅꯥ ꯋꯥꯡꯕ ꯗꯤꯒ꯭ꯔꯤ ꯑꯃꯥ ꯐꯪꯈꯤ (꯱꯹꯷꯱)꯫ ꯃꯍꯥꯛꯅꯥ ꯃꯇꯝ ꯈꯔꯒꯤ ꯑꯣꯏꯅꯥ ꯊꯤꯁꯤꯁ ꯄ꯭ꯔꯣꯖꯦꯛꯠ ꯑꯃꯗ ꯊꯕꯛ ꯇꯧꯈꯤ, ꯂꯣꯏꯁꯤꯟꯗꯅꯥ, ꯃꯔꯤꯚꯛꯁ ꯫https://bibliobs.nouvelobs.com/romans/20111209.OBS6413/annie-ernaux-I-would-venge-ma-race.html.

꯱꯹꯷꯰ꯒꯤ ꯃꯌꯥꯏ ꯆꯜꯂꯛꯄꯗꯥ ꯃꯍꯥꯛꯅ ꯕꯣꯅꯦꯚꯤꯜ ꯂꯥꯏꯁꯦꯗꯥ ꯇꯝꯕꯤꯈꯤ, . ꯑꯦꯟꯅꯦꯁꯤ-ꯂꯦ-ꯚꯤꯌꯨꯗꯥ ꯂꯩꯕꯥ ꯏꯚꯤꯌꯔ ꯀꯣꯂꯦꯖꯗꯥ, ꯃꯗꯨꯒꯤ ꯃꯇꯨꯡꯗꯥ ꯄꯣꯟꯇꯣꯏꯁꯇꯥ, ꯅꯦꯁ꯭ꯅꯦꯜ ꯁꯦꯟꯇꯔ ꯐꯣꯔ ꯗꯤꯁ꯭ꯇꯦꯟꯁ ꯂꯔꯅꯤꯡ (ꯁꯦꯟꯇꯔ ꯅꯦꯁ꯭ꯅꯦꯜ ꯗꯤ ꯑꯦꯟꯁꯦꯏꯅꯦꯃꯦꯟꯇ ꯑꯦ ꯗꯤꯁ꯭ꯇꯦꯟꯁ - ꯁꯤ.ꯑꯦꯟ.ꯏ.ꯗꯤ.)ꯗꯥ ꯌꯥꯎꯗ꯭ꯔꯤꯉꯩ ꯃꯃꯥꯡꯗ ꯃꯍꯥꯛꯅꯥ ꯇꯝꯕꯤꯈꯤ ꯫ Annie Ernaux, Cercle-enseignement.com, accessed October 12, 2011.

 ꯂꯣꯏꯅꯁꯤꯂꯣꯟꯒꯤ ꯀꯦꯔꯤꯌꯔ 
ꯑꯦꯅꯤ ꯑꯦꯔꯅꯥꯛꯁꯅꯥ ꯃꯍꯥꯛꯀꯤ ꯂꯣꯏꯅꯁꯤꯂꯣꯟꯒꯤ ꯀꯦꯔꯤꯌꯔ ꯑꯁꯤ ꯱꯹꯷꯴ꯗꯥ ꯂꯦꯁ ꯑꯥꯔꯃꯣꯏꯔꯦꯁ ꯚꯤꯗꯦꯁ (ꯀ꯭ꯂꯤꯟ ꯑꯥꯎꯠ) ꯍꯥꯏꯕ ꯑꯣꯇꯣꯕꯥꯏꯑꯣꯒ꯭ꯔꯥꯐꯤꯛ ꯅꯣꯚꯦꯜ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯍꯧꯗꯣꯛꯈꯤ ꯫ ꯱꯹꯸꯴ꯗꯥ ꯃꯍꯥꯛꯅꯥ ꯃꯍꯥꯛꯀꯤ ꯑꯇꯣꯞꯄꯥ ꯑꯣꯇꯣꯕꯥꯏꯑꯣꯒ꯭ꯔꯥꯐꯤꯛ ꯋꯥꯔꯛ ꯂꯥ ꯄ꯭ꯂꯦꯁ (ꯃꯤꯑꯣꯏꯕꯒꯤ ꯃꯐꯝ)ꯒꯤꯗꯃꯛ ꯔꯦꯅꯣꯗ ꯄ꯭ꯔꯥꯏꯖ ꯐꯪꯈꯤ, ꯃꯁꯤꯅꯥ ꯃꯍꯥꯛꯀꯤ ꯃꯄꯥꯒꯥ ꯂꯩꯅꯔꯤꯕ ꯃꯔꯤ ꯑꯃꯁꯨꯡ ꯐ꯭ꯔꯥꯟꯁꯀꯤ ꯑꯄꯤꯛꯄꯥ ꯁꯍꯔ ꯑꯃꯗꯥ ꯆꯥꯎꯔꯛꯄꯥ ꯃꯇꯝꯗ ꯃꯍꯥꯛꯀꯤ ꯑꯦꯛꯁꯄꯔꯤꯌꯦꯟꯁꯁꯤꯡ, ꯑꯃꯁꯨꯡ ꯃꯇꯨꯡ ꯇꯥꯔꯛꯄꯗꯥ ꯆꯠꯈꯤꯕ ꯊꯧꯑꯣꯡꯁꯤꯡꯗꯥ ꯃꯤꯠꯌꯦꯡ ꯊꯝꯕ ꯑꯣꯇꯣꯕꯥꯏꯑꯣꯒ꯭ꯔꯥꯐꯤꯛ ꯅꯦꯔꯦꯇꯤꯕ ꯑꯃꯅꯤ ꯫ ꯏꯟꯈꯠꯂꯛꯄꯥ ꯃꯇꯝꯗꯥ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯀꯤ ꯃꯃꯥ-ꯃꯄꯥꯒꯤ ꯍꯧꯔꯛꯐꯝꯗꯒꯤ ꯂꯥꯞꯅꯥ ꯂꯩ ꯫   (Paywall))

ꯃꯍꯥꯛꯀꯤ ꯀꯦꯔꯤꯌꯔꯒꯤ ꯌꯥꯝꯅꯥ ꯇꯣꯏꯅꯥ, ꯃꯍꯥꯛꯅꯥ ꯐꯤꯛꯁꯟꯗꯒꯤ ꯂꯥꯞꯊꯣꯛꯇꯨꯅꯥ ꯑꯣꯇꯣꯕꯥꯏꯑꯣꯒ꯭ꯔꯥꯐꯤꯗꯥ ꯃꯤꯠꯌꯦꯡ ꯊꯝꯈꯤ ꯫  ꯃꯍꯥꯛꯀꯤ ꯊꯕꯛ ꯑꯁꯤꯅꯥ ꯄꯨꯋꯥꯔꯤ ꯑꯣꯏꯔꯕ ꯑꯃꯁꯨꯡ ꯃꯤꯑꯣꯏ ꯑꯃꯒꯤ ꯑꯦꯛꯁꯄꯔꯤꯌꯦꯟꯁꯁꯤꯡ ꯄꯨꯟꯁꯤꯜꯂꯤ ꯫ ꯃꯍꯥꯛꯅꯥ ꯃꯍꯥꯛꯀꯤ ꯃꯃꯥ-ꯃꯄꯥꯒꯤ ꯁꯣꯁꯤꯑꯦꯜ ꯄ꯭ꯔꯣꯒ꯭ꯔꯦꯁꯟ ( La place, La honte ), ꯃꯍꯥꯛꯀꯤ ꯇꯤꯟꯑꯦꯖ ꯆꯍꯤꯁꯤꯡ ( Ce qu'ils disent ou rien ), ꯃꯍꯥꯛꯀꯤ ꯂꯨꯍꯣꯡꯕꯥ ( La femme gelée ), ꯃꯍꯥꯛꯀꯤ ꯏꯁ꯭ꯇꯔꯟ ꯌꯨꯔꯣꯄꯤꯌꯟ ꯅꯨꯄꯥ ꯑꯃꯒꯥ ꯂꯣꯏꯅꯅꯥ ꯃꯍꯥꯛꯀꯤ ꯅꯨꯡꯁꯤꯖꯔꯕꯥ ꯑꯦꯐꯦꯌꯥꯔꯁ ( Passion simple ), ꯃꯍꯥꯛꯀꯤ... ꯑꯦꯕꯣꯔꯁꯟ ( L’événement ), ꯑꯂꯖꯩꯃꯔꯁꯀꯤ ꯂꯥꯏꯅꯥ ( Je ne suis pas sortie de ma nuit ), ꯃꯍꯥꯛꯀꯤ ꯃꯃꯥ ꯁꯤꯕꯥ ( Une femme ), ꯑꯃꯁꯨꯡ ꯕ꯭ꯔꯦꯁ꯭ꯠ ꯀꯦꯟꯁꯔ ( L’usage de la photo ) ꯫  ꯑꯦꯔꯅꯥꯛꯁꯅꯥ ꯐ꯭ꯔꯦꯗꯔꯤꯛ-ꯏꯚꯁ ꯖꯤꯅꯦꯇꯀꯥ ꯂꯣꯏꯅꯅꯥ L’écriture comme un couteau (ꯈꯨꯠꯂꯥꯏ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯏꯕꯥ)ꯁꯨ ꯏꯈꯤ ꯫ 

ꯅꯨꯄꯤ ꯑꯃꯒꯤ ꯋꯥꯔꯤ, ꯅꯨꯄꯥꯒꯤ ꯃꯐꯝ ꯑꯃꯁꯨꯡ ꯁꯤꯝꯄꯜ ꯄꯦꯁꯟ ꯑꯁꯤ ꯗ ꯅꯤꯎ ꯌꯣꯔꯛ ꯇꯥꯏꯝꯁ ꯅꯣꯇꯦꯕꯜ ꯕꯨꯀꯁ ꯍꯥꯏꯅꯥ ꯁꯛꯈꯪꯈꯤ, ꯑꯃꯁꯨꯡ ꯅꯨꯄꯤ ꯑꯃꯒꯤ ꯋꯥꯔꯤ ꯑꯁꯤ ꯂꯁ ꯑꯦꯟꯖꯦꯂꯦꯁ ꯇꯥꯏꯝꯁ ꯕꯨꯛ ꯄ꯭ꯔꯥꯏꯖꯒꯤꯗꯃꯛ ꯐꯥꯏꯅꯦꯂꯤꯁ꯭ꯠ ꯑꯃꯥ ꯑꯣꯏꯈꯤ ꯫ ꯁꯦꯝ ꯑꯁꯤ ꯱꯹꯹꯸ꯒꯤ ꯄꯕ꯭ꯂꯤꯁꯥꯔꯁ ꯋꯤꯛꯂꯤ ꯕꯦꯁ꯭ꯠ ꯕꯨꯛ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯈꯟꯈꯤ, ꯑꯥꯏ ꯔꯤꯃꯦꯟ ꯏꯟ ꯗꯥꯔꯛ꯭ꯅꯦꯁ ꯑꯁꯤ ꯗ ꯋꯥꯁꯤꯡꯇꯟ ꯄꯣꯁ꯭ꯅꯥ ꯱꯹꯹꯹ꯒꯤ ꯃꯀꯣꯛ ꯊꯣꯡꯕꯥ ꯃꯦꯃꯣꯔꯤ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯈꯟꯈꯤ, ꯑꯃꯁꯨꯡ ꯗ ꯄꯣꯁꯦꯁꯟ ꯑꯁꯤ ꯃꯣꯔ ꯃꯦꯒꯥꯖꯤꯟꯅꯥ ꯲꯰꯰꯸ꯒꯤ ꯃꯀꯣꯛ ꯊꯣꯡꯕ ꯂꯥꯏꯔꯤꯛ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯂꯤꯁ꯭ꯠ ꯇꯧꯈꯤ ꯫

ꯐ꯭ꯔꯥꯟꯁꯀꯤ ꯀ꯭ꯔꯤꯇꯤꯛꯁꯤꯡꯅꯥ ꯌꯥꯝꯅꯥ ꯄꯥꯝꯅꯕ ꯃꯍꯥꯛꯀꯤ ꯲꯰꯰꯸ꯒꯤ ꯄꯨꯋꯥꯔꯤꯒꯤ ꯋꯥꯔꯤ ꯂꯦꯁ ꯑꯦꯟꯅꯦꯁ (The Years) ꯑꯁꯤ ꯀꯌꯥ ꯑꯃꯅꯥ ꯃꯍꯥꯛꯀꯤ ꯃꯦꯒ꯭ꯅꯝ ꯑꯣꯄꯁꯅꯤ ꯍꯥꯏꯅꯥ ꯂꯧꯅꯩ ꯫  ꯂꯥꯏꯔꯤꯛ ꯑꯁꯤꯗꯥ ꯑꯦꯔꯅꯥꯛꯁꯅꯥ ꯃꯁꯥꯒꯤ ꯃꯔꯝꯗꯥ ꯑꯍꯥꯟꯕ ꯑꯣꯏꯅꯥ ꯇꯔꯦꯠꯁꯨꯕꯥ ꯃꯤꯑꯣꯏ ( elle, ꯅꯠꯇ꯭ꯔꯒꯥ ꯏꯪꯂꯤꯁꯇꯥ " she" ) ꯒꯤ ꯃꯔꯝꯗꯥ ꯏꯔꯛꯏ, ꯃꯁꯤꯅꯥ ꯑꯅꯤꯁꯨꯕ ꯃꯥꯂꯦꯃꯒꯤ ꯂꯥꯟꯖꯥꯎꯒꯤ ꯃꯇꯨꯡꯗꯥ ꯲꯰꯰꯰ ꯒꯤ ꯃꯌꯥꯏ ꯆꯜꯂꯛꯄꯗꯥ ꯐ꯭ꯔꯥꯟꯁꯀꯤ ꯈꯨꯟꯅꯥꯏꯒꯤ ꯃꯇꯥꯡꯗ ꯃꯌꯦꯛ ꯁꯦꯡꯅꯥ ꯎꯕꯥ ꯐꯪꯏ ꯫  ꯃꯁꯤ ꯅꯨꯄꯤ ꯑꯃꯒꯤ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯅꯥ ꯍꯤꯡꯂꯤꯕꯥ ꯍꯦꯟꯒꯠꯂꯛꯂꯤꯕꯥ ꯈꯨꯟꯅꯥꯏ ꯑꯗꯨꯒꯤ ꯄꯨꯛꯅꯤꯡ ꯊꯧꯒꯠꯅꯤꯡꯉꯥꯏ ꯑꯣꯏꯕꯥ ꯈꯨꯟꯅꯥꯏꯒꯤ ꯋꯥꯔꯤꯅꯤ ꯫ ꯆꯍꯤꯁꯤꯡ ꯑꯁꯤꯅꯥ ꯲꯰꯰꯸ꯒꯤ ꯑꯦꯀꯥꯗꯦꯃꯤ ꯐ꯭ꯔꯥꯟꯁꯦꯁꯀꯤ ꯐ꯭ꯔꯥꯟꯁ-ꯃꯧꯔꯤꯌꯛ ꯃꯅꯥ, ꯲꯰꯰꯸ꯒꯤ ꯃꯥꯔꯒꯥꯔꯤꯠ ꯗꯨꯔꯥꯁ ꯃꯅꯥ,  ꯲꯰꯰꯸ꯒꯤ ꯐ꯭ꯔꯦꯟꯆ ꯂꯣꯜꯒꯤ ꯃꯅꯥ, ꯲꯰꯰꯹ꯒꯤ ꯇꯦꯂꯤꯒ꯭ꯔꯥꯝ ꯔꯤꯗꯔꯁꯤꯡꯒꯤ ꯃꯅꯥ, ꯑꯃꯁꯨꯡ ꯲꯰꯱꯶ꯒꯤ ꯄ꯭ꯔꯤꯃꯤꯑꯣ ꯁ꯭ꯇꯔꯦꯒꯥ ꯌꯨꯔꯣꯄꯤꯑꯣ ꯃꯅꯥ ꯐꯪꯈꯤ ꯫ ꯑꯦꯂꯤꯁꯟ ꯑꯦꯜ.ꯁ꯭ꯇꯔꯦꯌꯔꯅꯥ ꯍꯟꯗꯣꯛꯄꯥ, ꯗꯤ ꯏꯌꯔꯁ ꯑꯁꯤ ꯳꯱ꯁꯨꯕꯥ ꯆꯍꯤꯒꯤ ꯐ꯭ꯔꯦꯟꯆ-ꯑꯃꯦꯔꯤꯀꯥꯟ ꯐꯥꯎꯟꯗꯦꯁꯟ ꯍꯟꯗꯣꯛꯄꯒꯤ ꯃꯅꯥꯒꯤ ꯐꯥꯏꯅꯦꯂꯤꯁ꯭ꯠ ꯑꯣꯏꯈꯤ ꯫ ꯲꯰꯱꯸ꯗꯥ ꯃꯍꯥꯛꯅꯥ ꯄ꯭ꯔꯤꯃꯤꯑꯣ ꯍꯦꯃꯤꯡꯋꯦ ꯃꯥꯏꯄꯥꯛꯈꯤ ꯫

ꯃꯍꯥꯛꯅꯥ ꯲꯰꯱꯹ꯗꯥ ꯃꯍꯥꯛꯀꯤ ꯂꯥꯏꯔꯤꯛ ꯗ ꯏꯌꯔꯁꯀꯤꯗꯃꯛ ꯏꯟꯇꯔꯅꯦꯁ꯭ꯅꯦꯜ ꯕꯨꯀꯥꯔ ꯄ꯭ꯔꯥꯏꯖꯒꯤꯗꯃꯛ ꯅꯣꯃꯤꯅꯦꯠ ꯇꯧꯈꯤ ꯫ 

ꯃꯍꯥꯛꯀꯤ ꯂꯥꯏꯔꯤꯛ ꯀꯌꯥ ꯏꯪꯂꯤꯁꯇꯥ ꯍꯟꯗꯣꯛꯈ꯭ꯔꯦ ꯑꯃꯁꯨꯡ ꯁꯦꯚꯦꯟ ꯁ꯭ꯇꯣꯔꯤꯖ ꯄ꯭ꯔꯦꯁꯅꯥ ꯐꯣꯡꯈ꯭ꯔꯦ ꯫ꯑꯦꯔꯅꯥꯛꯁ ꯑꯁꯤ ꯄ꯭ꯔꯦꯁꯅꯥ ꯃꯃꯤꯡ ꯂꯧꯈꯤꯕꯥ ꯐꯥꯎꯟꯗꯤꯡ ꯑꯣꯊꯣꯔꯤꯇꯤ ꯷ꯀꯤ ꯃꯅꯨꯡꯗꯥ ꯑꯃꯅꯤ ꯫

 ꯃꯅꯥ ꯑꯃꯁꯨꯡ ꯗꯤꯁ꯭ꯇꯤꯡꯁꯟꯁꯤꯡ ꯄꯤꯕꯥ 

 ꯱꯹꯷꯷ꯇꯥ ꯱꯹꯷꯷ꯇꯥ ꯐꯣꯡꯈꯤꯕꯥ ꯅꯣꯚꯦꯜ Ce qu'ils disent ou rienꯒꯤꯗꯃꯛ ꯄ꯭ꯔꯤꯛꯁ ꯗꯤ ꯑꯣꯅꯔ ꯫
 ꯱꯹꯸꯴ꯒꯤ ꯄ꯭ꯔꯤꯛꯁ ꯔꯦꯅꯣꯗꯣꯠ ꯐꯣꯔ ꯂꯥ ꯄ꯭ꯂꯦꯁ ꯫
 ꯲꯰꯰꯸ꯒꯤ ꯄ꯭ꯔꯤꯛꯁ ꯃꯥꯔꯒꯥꯔꯤꯠ-ꯗꯨꯔꯥꯁ ꯐꯣꯔ ꯂꯦꯁ ꯑꯦꯅꯤꯁ ꯫
 ꯲꯰꯰꯸ꯒꯤ ꯄ꯭ꯔꯤꯛꯁ ꯐ꯭ꯔꯥꯟꯁꯣꯏꯁ-ꯃꯧꯔꯤꯌꯥꯛ ꯂꯦꯁ ꯑꯦꯟꯅꯦꯁꯀꯤꯗꯃꯛ ꯫
 ꯲꯰꯰꯸ꯒꯤ ꯄ꯭ꯔꯤꯛꯁ ꯗꯦ ꯂꯥ ꯂꯦꯡꯒ꯭ꯌꯨ ꯐ꯭ꯔꯥꯟꯁꯦꯁꯀꯤꯗꯃꯛ ꯃꯍꯥꯛꯀꯤ ꯑꯣꯚꯔ ꯄꯨꯝꯅꯃꯛꯀꯤꯗꯃꯛ ꯫
 ꯲꯰꯱꯴ ꯌꯨꯅꯤꯚꯔꯁꯤꯇꯤ ꯑꯣꯐ ꯁꯦꯔꯒꯤ-ꯄꯣꯟꯇꯣꯏꯁꯀꯤ ꯗꯣꯛꯇꯔ ꯑꯣꯅꯔꯤꯁ ꯀꯧꯁꯥ ꯫
 ꯲꯰꯱꯶ ꯁ꯭ꯠꯔꯦꯒꯥ ꯌꯨꯔꯣꯄꯤꯌꯟ ꯄ꯭ꯔꯥꯏꯖ ꯐꯣꯔ ꯗꯤ ꯏꯌꯔꯁ (ꯏꯇꯥꯂꯤꯒꯤ ꯂꯣꯟꯗꯥ ꯒ꯭ꯂꯤ ꯑꯦꯟꯅꯤ (ꯂ’ꯑꯣꯔꯃꯥ) ꯍꯥꯏꯅꯥ ꯍꯟꯗꯣꯛꯄꯥ)
 ꯲꯰꯱꯷ꯀꯤ ꯄ꯭ꯔꯤꯛꯁ ꯃꯥꯔꯒꯥꯔꯤꯠ-ꯌꯨꯔꯁꯦꯅꯥꯔ, ꯁꯤꯚꯤꯜ ꯁꯣꯁꯥꯏꯇꯤ ꯑꯣꯐ ꯃꯜꯇꯤꯃꯤꯗꯤꯌꯥ ꯑꯣꯊꯣꯔꯤꯇꯤꯁꯤꯡꯅꯥ ꯃꯍꯥꯛꯀꯤ ꯊꯕꯛ ꯄꯨꯝꯅꯃꯛꯀꯤꯗꯃꯛ ꯄꯤꯈꯤ ꯫
 ꯲꯰꯱꯸ꯒꯤ ꯄ꯭ꯔꯤꯃꯤꯑꯣ ꯍꯦꯃꯤꯡꯋꯦ ꯄꯦꯔ ꯂꯥ ꯂꯦꯇꯦꯔꯦꯇꯨꯔꯥꯒꯤꯗꯃꯛ ꯃꯍꯥꯛꯀꯤ ꯑꯣꯚꯔ ꯄꯨꯝꯅꯃꯛꯀꯤꯗꯃꯛ ꯫
 ꯲꯰꯱꯹ꯒꯤ ꯄ꯭ꯔꯤꯛꯁ ꯐꯣꯔꯃꯦꯟꯇꯔ 
 ꯲꯰꯱꯹ꯒꯤ ꯄ꯭ꯔꯤꯃꯤꯑꯣ ꯒ꯭ꯔꯦꯒꯔ ꯐꯣꯟ ꯔꯦꯖꯖꯣꯔꯤꯅꯥ ꯎꯅꯥ ꯗꯣꯅꯥꯒꯤꯗꯃꯛ ꯫
 ꯲꯰꯱꯹ꯒꯤ ꯆꯍꯤꯒꯤ ꯑꯣꯏꯅꯥ ꯃꯥꯟ ꯕꯨꯀꯥꯔ ꯏꯟꯇꯔꯅꯦꯁ꯭ꯅꯦꯜ ꯄ꯭ꯔꯥꯏꯖꯒꯤꯗꯃꯛ ꯁꯣꯔꯠ ꯂꯤꯁ꯭ꯠ ꯇꯧꯈꯤ ꯫
 ꯲꯰꯲꯱: ꯔꯣꯌꯦꯜ ꯁꯣꯁꯥꯏꯇꯤ ꯑꯣꯐ ꯂꯤꯇꯔꯦꯆꯔ ꯏꯟꯇꯔꯅꯦꯁ꯭ꯅꯦꯜ ꯔꯥꯏꯇꯔ ꯑꯃꯥ ꯑꯣꯏꯅꯥ ꯈꯟꯈꯤ  ꯫
 ꯲꯰꯲꯲: ꯂꯣꯏꯅꯁꯤꯂꯣꯟꯒꯤ ꯂꯝꯗꯥ ꯅꯣꯕꯦꯜ ꯃꯅꯥ ꯐꯪꯈꯤ ꯫

ꯃꯁꯤꯒꯤ ꯃꯊꯛꯇꯥ, ꯃꯍꯥꯛ "ꯒꯣꯗꯃꯗꯔ" ꯑꯣꯏꯔꯤꯕꯥ ꯑꯦꯅꯤ-ꯑꯦꯔꯅꯥꯛꯁ ꯑꯦꯋꯥꯔꯗ ꯑꯁꯤꯅꯥ ꯃꯍꯥꯛꯀꯤ ꯃꯤꯡꯁꯨ ꯌꯥꯎꯔꯤ ꯫

 ꯕꯥꯏꯕꯂꯣꯒ꯭ꯔꯥꯐꯤ 

 Les Armoires vides, Paris, Gallimard, 1974; Gallimard, 1984, 

 Ce qu'ils disent ou rien, Paris, Gallimard, 1977; French & European Publications, Incorporated, 1989, 

 La Femme gelée, Paris, Gallimard, 1981; French & European Publications, Incorporated, 1987, 

 La Place, Paris, Gallimard, 1983; Distribooks Inc, 1992, 


 Une Femme, Paris, Gallimard, 1987

 Passion simple, Paris, Gallimard, 1991; Gallimard, 1993, 

 Journal du dehors, Paris, Gallimard, 1993

 La Honte, Paris, Gallimard, 1997
 Shame, Translator Tanya Leslie, Seven Stories Press, 1998, 
 Je ne suis pas sortie de ma nuit, Paris, Gallimard, 1997

 La Vie extérieure : 1993-1999, Paris, Gallimard, 2000

 L'Événement, Paris, Gallimard, 2000, 

 Happening, Translator Tanya Leslie, Seven Stories Press, 2001
 Se perdre, Paris, Gallimard, 2001
 Getting Lost, Translator Allison L. Strayer, Seven Stories Press, 2022
 L'Occupation, Paris, Gallimard, 2002

 L'Usage de la photo, with Marc Marie, Paris, Gallimard, 2005
 Les Années, Paris, Gallimard, 2008,  

 L'Autre fille, Paris, Nil 2011 
 L'Atelier noir, Paris, éditions des Busclats, 2011
 Écrire la vie, Paris, Gallimard, 2011
 Retour à Yvetot, éditions du Mauconduit, 2013
 Regarde les lumières mon amour, Seuil, 2014
 Mémoire de fille, Gallimard, 2016

 Hôtel Casanova, Gallimard Folio, 2020
 Le jeune homme, Gallimard, 2022

 ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ 

ꯃꯆꯥꯈꯥꯏꯕ:꯱꯹꯴꯰ ꯄꯣꯛꯈꯤꯕ ꯃꯤꯑꯣꯏ