ꯇꯨꯝꯂꯤꯕꯤ ꯁꯛꯍꯦꯟꯕꯤ

"ꯇꯨꯝꯂꯤꯕꯤ ꯁꯛꯍꯦꯟꯕꯤ" (ꯐ꯭ꯔꯦꯟ꯭ꯆ: "La Belle au bois dormant" , ꯖꯔꯃꯟ: "Dornröschen", ) ꯍꯥꯏꯕꯁꯤ ꯃꯆꯥꯏꯕꯦꯝꯃ ꯑꯃꯕꯨ ꯐꯠꯇꯕꯤ ꯍꯦꯂꯣꯢ ꯑꯃꯒꯤ ꯐꯠꯇꯕ ꯃꯤꯠꯇ꯭ꯔꯪꯗꯒꯤ ꯆꯍꯤ ꯱꯰꯰ ꯇꯨꯝꯍꯟꯕ ꯑꯃꯗꯤ ꯄꯣꯂꯣꯢꯗ ꯁꯛꯍꯦꯟꯕ ꯃꯆꯥꯏꯕꯨꯡꯉꯣ ꯑꯃꯅ ꯍꯧꯗꯣꯛꯄꯤꯕꯒꯤ ꯐꯖꯔꯕ ꯐꯨꯡꯒꯥꯋꯥꯔꯤ ꯑꯃꯅꯤ ꯫
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 ꯋꯥꯔꯤ 
ꯐꯨꯡꯒꯥ ꯋꯥꯔꯤ ꯑꯁꯤ ꯅꯤꯡꯊꯧ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯃꯗꯒꯤ ꯍꯧꯏ ꯃꯍꯥꯛꯀꯤ ꯃꯃꯥ-ꯃꯄꯥꯕꯨ ꯐꯠꯇꯕ ꯃꯤ ꯑꯃꯅ ꯃꯈꯣꯏꯒꯤ ꯃꯆꯥꯅꯨꯄꯤꯅ ꯑꯀꯛꯅꯕ ꯄꯣꯠꯁꯛ ꯑꯃꯗ ꯃꯍꯥꯛꯀꯤ ꯈꯨꯠꯁꯥ ꯁꯣꯛꯄ ꯃꯇꯝꯗ ꯁꯤꯒꯅꯤ ꯍꯥꯏꯅ ꯍꯥꯏ꯫ ꯕꯦꯁꯤꯜꯒꯤ ꯃꯑꯣꯡꯗ, ꯅꯤꯡꯊꯧ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯗꯨꯅ ꯃꯍꯥꯛꯀꯤ ꯈꯨꯠꯁꯥ ꯑꯗꯨ ꯐ꯭ꯂꯦꯛꯁꯀꯤ ꯃꯆꯦꯠ ꯑꯃꯗ ꯁꯣꯛꯍꯜꯂꯤ꯫ ꯄꯦꯔꯥꯎꯜ꯭ꯇ ꯑꯃꯁꯨꯡ ꯒ꯭ꯔꯤꯝ ꯕ꯭ꯔꯗꯔꯁꯀꯤ ꯃꯈꯜꯁꯤꯡꯗ ꯄꯣꯠꯁꯛ ꯑꯁꯤ ꯁ꯭ꯄꯤꯟꯗꯜ ꯑꯃꯅꯤ꯫ ꯃꯃꯥ-ꯃꯄꯥꯁꯤꯡꯅ ꯃꯈꯣꯏꯒꯤ ꯃꯆꯥꯅꯨꯄꯤꯕꯨ ꯉꯥꯛꯊꯣꯛꯅꯕꯒꯤ ꯑꯥꯁꯥꯗ ꯅꯤꯡꯊꯧ ꯂꯩꯕꯥꯛ ꯑꯁꯤꯕꯨ ꯄꯣꯠꯂꯝꯁꯤꯡ ꯑꯁꯤꯗꯒꯤ ꯂꯧꯊꯣꯛꯈꯤ, ꯑꯗꯨꯕꯨ ꯋꯥꯐꯝ ꯑꯗꯨ ꯀꯔꯤꯒꯨꯝꯕ ꯑꯃꯠꯇ ꯂꯩꯇꯅ ꯃꯄꯨꯡ ꯐꯥꯍꯜꯂꯤ꯫ ꯃꯥꯡꯖꯧꯅꯅ ꯍꯥꯏꯈꯤꯕ ꯃꯇꯨꯡ ꯏꯟꯅ ꯁꯤꯕꯒꯤ ꯃꯍꯨꯠꯇ ꯅꯤꯡꯊꯧ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯗꯨ ꯌꯥꯝꯅ ꯂꯨꯅ ꯇꯨꯝꯕꯗ ꯇꯥꯏ꯫ ꯃꯇꯝ ꯈꯔꯒꯤ ꯃꯇꯨꯡꯗ, ꯃꯍꯥꯛꯄꯨ ꯅꯤꯡꯊꯧꯃꯆꯥ ꯑꯃꯅ ꯐꯪꯏ ꯑꯃꯁꯨꯡ ꯍꯧꯒꯠꯂꯛꯏ꯫ ꯒ꯭ꯌꯥꯝꯕꯥꯇꯤꯁꯇꯥ ꯕꯦꯁꯤꯜꯒꯤ ꯁ꯭ꯂꯤꯄꯤꯡ ꯕꯤꯌꯨꯇꯤ, ꯅꯨꯃꯤꯠ, ꯊꯥ ꯑꯃꯁꯨꯡ ꯇꯥꯂꯤꯌꯥꯒꯤ ꯃꯑꯣꯡꯗ, ꯇꯨꯝꯂꯤꯕ ꯐꯖꯕ, ꯇꯥꯂꯤꯌꯥꯅ ꯃꯍꯥꯛꯀꯤ ꯈꯨꯠꯁꯥꯗ ꯐ꯭ꯂꯦꯛꯁꯀꯤ ꯃꯆꯦꯠ ꯑꯃ ꯐꯪꯂꯕ ꯃꯇꯨꯡꯗ ꯌꯥꯝꯅ ꯂꯨꯅ ꯇꯨꯝꯕꯗ ꯇꯥꯏ꯫ ꯃꯍꯥꯛꯄꯨ ꯃꯍꯥꯛꯀꯤ ꯀꯣꯅꯨꯡꯗ ꯀꯣꯏꯆꯠ ꯆꯠꯂꯤꯕ ꯅꯤꯡꯊꯧ ꯑꯃꯅ ꯐꯪꯉꯤ, ꯃꯍꯥꯛꯅ "ꯃꯍꯥꯛꯄꯨ ꯐꯃꯨꯡ ꯑꯃꯗ ꯄꯨꯗꯨꯅ ꯆꯠꯂꯤ, ꯃꯐꯝ ꯑꯗꯨꯗ ꯃꯍꯥꯛꯅ ꯅꯨꯡꯁꯤꯕꯒꯤ ꯑꯍꯥꯟꯕ ꯃꯍꯩꯁꯤꯡ ꯈꯣꯝꯖꯤꯜꯂꯤ꯫ ꯃꯍꯥꯛꯅ ꯃꯍꯥꯛꯄꯨ ꯂꯥꯟꯗꯥꯔꯕ ꯃꯇꯨꯡꯗ ꯃꯐꯝ ꯑꯗꯨꯗ ꯊꯥꯗꯣꯛꯏ ꯑꯃꯁꯨꯡ ꯃꯇꯨꯡꯗ ꯃꯍꯥꯛꯅ ꯋꯥꯈꯜ ꯈꯪꯗꯅ ꯂꯩꯔꯤꯉꯩꯗ ꯐꯥꯏꯕꯣꯛ ꯄꯣꯛꯏ꯫
ꯃꯥꯔꯤꯌꯥ ꯇꯥꯇꯔꯒꯤ ꯃꯇꯨꯡ ꯏꯟꯅ, ꯋꯥꯔꯤ ꯑꯁꯤꯒꯤ ꯃꯈꯜꯁꯤꯡ ꯂꯩꯔꯤ ꯃꯗꯨꯗ ꯃꯈꯣꯏꯒꯤ ꯂꯨꯍꯣꯡꯂꯕ ꯃꯇꯨꯡꯗ ꯃꯇꯩ-ꯃꯅꯥꯎ ꯑꯗꯨꯒꯤ ꯑꯋꯥꯕꯁꯤꯡꯒꯤ ꯃꯇꯥꯡꯗ ꯑꯀꯨꯞꯄ ꯃꯔꯣꯜ ꯄꯤꯕ ꯋꯥꯔꯤ ꯑꯗꯨꯒꯤ ꯑꯅꯤꯁꯨꯕ ꯁꯔꯨꯛ ꯑꯃ ꯌꯥꯎꯔꯤ; ꯐꯣꯛꯂꯣꯔꯤꯁ꯭ꯠ ꯈꯔꯅ ꯁꯔꯨꯛ ꯑꯅꯤ ꯑꯁꯤ ꯑꯍꯥꯟꯕꯗ ꯇꯣꯉꯥꯟꯕ ꯋꯥꯔꯤꯁꯤꯡ ꯑꯣꯏꯔꯝꯃꯤ ꯍꯥꯏꯅ ꯊꯥꯖꯩ꯫
ꯑꯅꯤꯁꯨꯕ ꯁꯔꯨꯛ ꯑꯁꯤ ꯅꯤꯡꯊꯧꯃꯆꯥ ꯑꯃꯁꯨꯡ ꯅꯤꯡꯊꯧ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯗꯨꯅ ꯑꯉꯥꯡ ꯄꯣꯛꯂꯕ ꯃꯇꯨꯡꯗ ꯍꯧꯏ꯫ ꯋꯥꯔꯤ ꯑꯁꯤꯒꯤ ꯃꯅꯨꯡꯗ ꯔꯥꯖꯀꯨꯃꯥꯔꯤ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯀꯤ ꯃꯆꯥꯁꯤꯡꯕꯨ ꯅꯤꯡꯊꯧ ꯃꯆꯥ ꯑꯗꯨꯒꯤ ꯄꯨꯟꯁꯤꯗꯒꯤ ꯑꯇꯣꯞꯄ ꯅꯨꯄꯤ ꯑꯃꯒ ꯃꯑꯣꯡ ꯑꯃꯗ ꯁꯛꯇꯥꯛꯏ꯫ ꯑꯇꯣꯞꯄ ꯅꯨꯄꯤ ꯑꯁꯤꯅ ꯅꯤꯡꯊꯧꯃꯆꯥ ꯑꯗꯨꯒꯤ ꯑꯅꯧꯕ ꯏꯃꯨꯡ ꯃꯅꯨꯡꯕꯨ ꯄꯥꯝꯗꯦ, ꯑꯃꯁꯨꯡ ꯑꯉꯥꯡꯁꯤꯡꯕꯨ ꯍꯥꯠꯅꯕ ꯑꯃꯁꯨꯡ ꯅꯨꯃꯤꯗꯥꯡꯒꯤ ꯆꯥꯛꯂꯦꯟꯗ ꯄꯤꯖꯅꯕ ꯊꯣꯡ-ꯊꯥꯛꯄꯒꯤ ꯊꯕꯛ ꯇꯧꯕ ꯃꯤ ꯑꯃ ꯀꯧꯏ꯫ ꯉꯥꯛꯄꯒꯤ ꯃꯍꯨꯠꯇ ꯊꯣꯡ-ꯊꯥꯛꯄꯅ ꯑꯉꯥꯡꯁꯤꯡꯕꯨ ꯂꯣꯠꯁꯤꯜꯂꯤ ꯑꯃꯁꯨꯡ ꯁꯥ-ꯁꯟꯁꯤꯡꯗ ꯁꯦꯕꯥ ꯇꯧꯏ꯫ ꯃꯊꯪꯗ, ꯑꯇꯣꯞꯄ ꯅꯨꯄꯤ ꯑꯗꯨꯅ ꯊꯣꯡ-ꯊꯥꯛꯄꯗ ꯅꯤꯡꯊꯧ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯗꯨꯕꯨ ꯍꯥꯠꯅꯕ ꯌꯥꯊꯪ ꯄꯤ꯫ ꯃꯁꯤ ꯊꯣꯛꯍꯟꯗ꯭ꯔꯤꯉꯩ ꯃꯃꯥꯡꯗ, ꯑꯇꯣꯞꯄ ꯅꯨꯄꯤ ꯑꯗꯨꯒꯤ ꯑꯁꯦꯡꯕ ꯃꯑꯣꯡ ꯃꯇꯧ ꯑꯗꯨ ꯅꯤꯡꯊꯧꯃꯆꯥ ꯑꯗꯨꯗ ꯐꯣꯡꯗꯣꯛꯏ ꯑꯃꯁꯨꯡ ꯃꯗꯨꯒꯤ ꯃꯇꯨꯡꯗ ꯃꯍꯥꯛꯅ ꯅꯤꯡꯊꯧ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯗꯨꯒꯤꯗꯃꯛ ꯊꯧꯔꯥꯡ ꯇꯧꯈꯤꯕ ꯑꯗꯨꯃꯛ ꯁꯤꯕꯒꯤ ꯃꯈꯥꯗ ꯂꯩ꯫ ꯅꯤꯡꯊꯧ ꯃꯆꯥꯅꯨꯄꯤ, ꯅꯤꯡꯊꯧꯃꯆꯥ ꯑꯃꯁꯨꯡ ꯃꯈꯣꯏꯒꯤ ꯃꯆꯥꯁꯤꯡ ꯑꯁꯤ ꯃꯇꯝ ꯄꯨꯝꯅꯃꯛꯇ ꯅꯨꯡꯉꯥꯏꯅ ꯍꯤꯡꯂꯤ꯫
ꯒ꯭ꯌꯥꯝꯕꯥꯇꯤꯁꯇꯥ ꯕꯦꯁꯤꯜꯒꯤ ꯁ꯭ꯂꯤꯄꯤꯡ ꯕꯤꯌꯨꯇꯤ, ꯅꯨꯃꯤꯠ, ꯊꯥ ꯑꯃꯁꯨꯡ ꯇꯥꯂꯤꯌꯥꯒꯤ ꯑꯃꯝꯕ ꯃꯑꯣꯡꯗ ꯇꯨꯝꯂꯤꯕ ꯐꯖꯕ ꯑꯗꯨꯒꯤ ꯃꯃꯤꯡ ꯇꯥꯂꯤꯌꯥ ꯍꯥꯏꯅ ꯀꯧꯏ꯫ ꯃꯍꯥꯛꯅ ꯄꯣꯛꯂꯕ ꯃꯇꯨꯡꯗ ꯃꯍꯥꯛꯀꯤ ꯇꯨꯡꯒꯤ ꯐꯤꯕꯝ ꯑꯗꯨ ꯈꯪꯅꯕ ꯂꯧꯁꯤꯡ ꯂꯩꯕ ꯅꯨꯄꯥꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯖ꯭ꯌꯣꯇꯤꯁꯁꯤꯡꯗ ꯍꯥꯏꯔꯒ, ꯑꯊꯣꯏꯕ ꯃꯄꯨ ꯑꯃꯥ ꯑꯣꯏꯔꯤꯕ ꯃꯍꯥꯛꯀꯤ ꯃꯄꯥꯅ ꯇꯥꯂꯤꯌꯥ ꯑꯁꯤ ꯐ꯭ꯂꯦꯛꯁꯀꯤ ꯃꯆꯦꯠ ꯑꯃꯗꯒꯤ ꯈꯨꯗꯣꯡꯊꯤꯅꯤꯡꯉꯥꯏ ꯑꯣꯏꯒꯅꯤ ꯍꯥꯏꯕ ꯈꯡꯉꯤ꯫ ꯍꯧꯖꯤꯛ ꯆꯥꯎꯈ꯭ꯔꯕ ꯇꯥꯂꯤꯌꯥꯅ ꯃꯍꯥꯛꯀꯤ ꯊꯣꯡꯅꯥꯎꯒꯤ ꯃꯄꯥꯟꯗ ꯑꯍꯜ ꯑꯣꯏꯔꯕ ꯅꯨꯄꯤ ꯑꯃ ꯀꯣꯏꯕ ꯎꯏ꯫ ꯀꯣꯏꯁꯤꯜꯂꯤꯕ ꯁ꯭ꯄꯤꯟꯗꯜ ꯑꯗꯨ ꯎꯕꯗ ꯄꯨꯛꯅꯤꯡ ꯆꯪꯁꯤꯜꯂꯗꯨꯅ, ꯇꯥꯂꯤꯌꯥꯅ ꯅꯨꯄꯤ ꯑꯗꯨꯕꯨ ꯀꯧꯋꯤ ꯑꯃꯁꯨꯡ ꯐ꯭ꯂꯦꯛꯁ ꯑꯗꯨ ꯁꯥꯡꯗꯣꯛꯅꯕ ꯃꯍꯥꯛꯀꯤ ꯈꯨꯠꯇꯒꯤ ꯗꯥꯏꯁ꯭ꯇꯥꯐ ꯑꯗꯨ ꯂꯧꯋꯤ꯫ ꯌꯥꯝꯅ ꯅꯨꯡꯉꯥꯏꯇꯕ ꯑꯣꯏꯅ, ꯐ꯭ꯂꯦꯛꯁꯀꯤ ꯃꯆꯦꯠ ꯑꯗꯨ ꯃꯍꯥꯛꯀꯤ ꯃꯈꯨꯝꯒꯤ ꯃꯈꯥꯗ ꯍꯥꯞꯆꯤꯜꯂꯛꯏ, ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛ ꯂꯩꯃꯥꯏꯗ ꯁꯤꯗꯨꯅ ꯂꯩꯔꯛꯏ; ꯑꯗꯨꯝ ꯑꯣꯏꯅꯃꯛ, ꯃꯁꯤ ꯁꯥꯡꯂꯕ, ꯌꯥꯝꯅ ꯂꯨꯅ ꯇꯨꯝꯕ ꯑꯃꯅꯤ ꯍꯥꯏꯅ ꯃꯇꯨꯡꯗ ꯈꯪꯂꯛꯏ꯫ ꯇꯥꯂꯤꯌꯥꯅ ꯌꯥꯝꯅ ꯂꯨꯅ ꯇꯨꯝꯂꯕ ꯃꯇꯨꯡꯗ, ꯃꯍꯥꯛ ꯚꯦꯜꯚꯦꯠꯀꯤ ꯐꯝꯕꯥꯜ ꯑꯃꯗ ꯐꯝꯃꯤ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯀꯤ ꯃꯄꯥꯅ, ꯃꯍꯥꯛꯅ ꯁꯤꯈꯤꯕꯅꯤ ꯍꯥꯏꯅ ꯈꯟꯕꯗꯨꯒꯤ ꯑꯋꯥꯕ ꯑꯗꯨ ꯀꯥꯎꯊꯣꯛꯅꯕ, ꯊꯣꯡꯁꯤꯡ ꯊꯤꯡꯖꯤꯜꯂꯤ ꯑꯃꯁꯨꯡ ꯌꯨꯝ ꯑꯗꯨ ꯃꯇꯝ ꯆꯨꯞꯄꯒꯤ ꯑꯣꯏꯅ ꯊꯥꯗꯣꯛꯏ꯫ ꯅꯣꯡꯃ, ꯅꯤꯡꯊꯧ ꯑꯃꯅ ꯆꯠꯂꯤꯉꯩꯗ ꯃꯍꯥꯛꯀꯤ ꯐꯦꯜꯀꯣꯟ ꯑꯃꯅ ꯌꯨꯝ ꯑꯗꯨꯗ ꯄꯥꯏꯔꯛꯏ꯫
ꯅꯤꯡꯊꯧ ꯑꯗꯨꯅ ꯀꯅꯥꯒꯨꯝꯕ ꯑꯃꯅ ꯆꯪꯍꯟꯒꯅꯤ ꯍꯥꯏꯅ ꯈꯟꯗꯨꯅ ꯊꯣꯝꯖꯤꯜꯂꯤ, ꯑꯗꯨꯕꯨ ꯀꯅꯥꯒꯨꯝꯕ ꯑꯃꯠꯇꯅ ꯄꯥꯎꯈꯨꯝ ꯄꯤꯗꯦ, ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯅ ꯊꯥꯛ ꯑꯃꯒ ꯂꯣꯏꯅꯅ ꯀꯥꯅꯕ ꯋꯥꯔꯦꯞ ꯂꯧꯋꯤ꯫ ꯃꯍꯥꯛꯅ ꯇꯥꯂꯤꯌꯥꯕꯨ ꯍꯤꯡꯗꯨꯅ ꯂꯩꯔꯝꯕ ꯑꯗꯨꯕꯨ ꯋꯥꯈꯜ ꯈꯪꯗꯕ ꯊꯦꯡꯅꯩ, ꯑꯃꯁꯨꯡ "... ꯅꯨꯡꯁꯤꯕꯒꯤ ꯑꯍꯥꯟꯕ ꯃꯍꯩꯁꯤꯡ ꯈꯣꯝꯖꯤꯜꯂꯤ꯫" ꯃꯗꯨꯒꯤ ꯃꯇꯨꯡꯗ, ꯃꯍꯥꯛꯅ ꯃꯍꯥꯛꯄꯨ ꯐꯃꯨꯡꯗ ꯊꯥꯗꯣꯛꯇꯨꯅ ꯃꯍꯥꯛꯀꯤ ꯅꯤꯡꯊꯧ ꯂꯩꯕꯥꯛꯇ ꯍꯜꯂꯛꯏ꯫ ꯇꯥꯂꯤꯌꯥꯅ ꯋꯥꯈꯜ ꯈꯪꯗ꯭ꯔꯕꯁꯨ, ꯃꯍꯥꯛꯅ ꯐꯥꯏꯕꯣꯛ ꯄꯣꯛꯏ-ꯃꯈꯣꯏꯒꯤ ꯃꯅꯨꯡꯗ ꯑꯃꯅ ꯃꯍꯥꯛꯀꯤ ꯈꯨꯠꯁꯥꯁꯤꯡ ꯁꯣꯛꯂꯤ꯫ ꯇꯥꯂꯤꯌꯥ ꯍꯧꯒꯠꯂꯛꯏ ꯃꯔꯝꯗꯤ ꯐꯥꯏꯕꯣꯛ ꯑꯗꯨꯅ ꯇꯥꯂꯤꯌꯥꯒꯤ ꯈꯨꯠꯁꯥꯗ ꯌꯥꯝꯅ ꯂꯨꯅ ꯐꯥꯖꯤꯟꯈꯤꯕ ꯐ꯭ꯂꯦꯛꯁ ꯑꯗꯨ ꯂꯧꯊꯣꯛꯈ꯭ꯔꯦ꯫ ꯃꯍꯥꯛꯅ ꯍꯧꯒꯠꯂꯛꯄ ꯃꯇꯝꯗ, ꯃꯍꯥꯛ ꯃꯃꯥ ꯑꯃꯅꯤ ꯍꯥꯏꯕ ꯈꯪꯂꯛꯏ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯄꯨ ꯀꯔꯤ ꯊꯣꯛꯈꯤꯕꯒꯦ ꯍꯥꯏꯕꯗꯨ ꯈꯡꯕ ꯉꯝꯗꯦ꯫ ꯅꯣꯡꯃ, ꯅꯤꯡꯊꯧꯅ ꯃꯍꯥꯛꯅ ꯇꯥꯂꯤꯌꯥꯒ ꯑꯃꯨꯛ ꯍꯟꯅ ꯎꯅꯕ ꯆꯠꯄ ꯄꯥꯝꯃꯤ ꯍꯥꯏꯅ ꯋꯥꯔꯦꯞ ꯂꯧꯋꯤ꯫ ꯃꯍꯥꯛ ꯃꯍꯥꯛꯄꯨ ꯍꯧꯒꯠꯂꯛꯄ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯀꯤ ꯐꯥꯏꯕꯣꯛꯁꯤꯡꯒꯤ ꯃꯃꯥ ꯑꯃ ꯎꯅꯕ ꯀꯣꯅꯨꯡꯗ ꯍꯜꯂꯛꯏ꯫ ꯃꯍꯥꯛꯅ ꯃꯍꯥꯛꯄꯨ ꯀꯅꯥꯅꯣ, ꯀꯔꯤ ꯊꯣꯛꯈ꯭ꯔꯕꯒꯦ ꯍꯥꯏꯕꯗꯨ ꯈꯪꯍꯜꯂꯤ, ꯑꯃꯁꯨꯡ ꯃꯈꯣꯏꯅ ꯃꯔꯤ ꯂꯩꯅꯗꯨꯅ ꯂꯣꯏꯁꯤꯜꯂꯤ꯫ ꯅꯨꯃꯤꯠ ꯈꯔꯅꯤꯒꯤ ꯃꯇꯨꯡꯗ, ꯅꯤꯡꯊꯧ ꯑꯗꯨꯅ ꯃꯍꯥꯛꯀꯤ ꯅꯤꯡꯊꯧ ꯂꯩꯕꯥꯛꯇ ꯍꯜꯂꯛꯅꯕ ꯆꯠꯀꯗꯕꯅꯤ, ꯑꯗꯨꯕꯨ ꯇꯥꯂꯤꯌꯥꯗ ꯃꯍꯥꯛꯄꯨ ꯃꯍꯥꯛꯀꯤ ꯅꯤꯡꯊꯧ ꯂꯩꯕꯥꯛꯇ ꯄꯨꯅꯕ ꯍꯜꯂꯛꯀꯅꯤ ꯍꯥꯏꯅ ꯋꯥꯁꯛꯏ꯫
ꯃꯍꯥꯛꯅ ꯃꯍꯥꯛꯀꯤ ꯅꯤꯡꯊꯧ ꯂꯩꯕꯥꯛꯇ ꯍꯜꯂꯛꯄ ꯃꯇꯝꯗ ꯃꯍꯥꯛꯀꯤ ꯂꯣꯏꯅꯕꯤꯅ ꯃꯍꯥꯛꯄꯨ ꯇꯨꯝꯕꯗ "ꯇꯥꯂꯤꯌꯥ, ꯅꯨꯃꯤꯠ ꯑꯃꯁꯨꯡ ꯊꯥ" ꯍꯥꯏꯕ ꯇꯥꯏ꯫ ꯃꯍꯥꯛꯅ ꯁꯦꯟꯖꯥ-ꯊꯨꯝꯖꯥ ꯄꯤ ꯑꯃꯁꯨꯡ ꯅꯤꯡꯊꯧꯒꯤ ꯁꯦꯀ꯭ꯔꯦꯇꯔꯤꯗ ꯀꯔꯤ ꯊꯣꯛꯂꯤꯕꯒꯦ ꯍꯥꯏꯕꯗꯨ ꯃꯉꯣꯟꯗ ꯍꯥꯏꯅꯕ ꯀꯤꯍꯜꯂꯤ꯫ ꯃꯍꯥꯔꯥꯅꯤ ꯑꯗꯨꯅ ꯑꯆꯨꯝꯕ ꯑꯗꯨ ꯈꯪꯂꯕ ꯃꯇꯨꯡꯗ, ꯃꯍꯥꯛꯅ ꯃꯍꯥꯛꯄꯨ ꯅꯤꯡꯊꯧꯅꯤ ꯍꯥꯏꯅ ꯎꯠꯂꯤ ꯑꯃꯁꯨꯡ ꯇꯥꯂꯤꯌꯥꯗ ꯐꯥꯏꯕꯣꯛꯁꯤꯡ ꯑꯗꯨ ꯊꯥꯅꯕ ꯍꯥꯏꯔꯗꯨꯅ ꯆꯤꯊꯤ ꯏꯏ ꯃꯔꯝꯗꯤ ꯃꯍꯥꯛꯅ ꯃꯈꯣꯏꯕꯨ ꯎꯕ ꯄꯥꯝꯃꯤ꯫ ꯇꯥꯂꯤꯌꯥꯅ ꯃꯍꯥꯛꯀꯤ ꯐꯥꯏꯕꯣꯛ ꯑꯗꯨ "ꯅꯤꯡꯊꯧ"ꯗ ꯊꯥꯏ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯔꯥꯅꯤꯅ ꯊꯣꯡ-ꯊꯥꯛꯄꯗ ꯐꯥꯏꯕꯣꯛ ꯑꯗꯨꯕꯨ ꯍꯥꯠꯅꯕ ꯑꯃꯁꯨꯡ ꯃꯈꯣꯏꯗꯒꯤ ꯑꯆꯥ-ꯑꯊꯛ ꯁꯦꯝꯅꯕ ꯍꯥꯏ꯫ ꯃꯍꯥꯛꯅ ꯅꯤꯡꯊꯧ ꯑꯗꯨꯕꯨ ꯃꯍꯥꯛꯀꯤ ꯃꯆꯥꯁꯤꯡꯕꯨ ꯄꯤꯖꯕ ꯄꯥꯝꯃꯤ; ꯃꯗꯨꯒꯤ ꯃꯍꯨꯠꯇ, ꯊꯣꯡ-ꯊꯥꯛꯄꯒꯤ ꯊꯕꯛ ꯇꯧꯔꯤꯕ ꯃꯤꯑꯣꯏ ꯑꯗꯨꯅ ꯐꯥꯏꯕꯣꯛ ꯑꯗꯨ ꯃꯍꯥꯛꯀꯤ ꯂꯣꯏꯅꯕꯤꯒꯤ ꯃꯅꯥꯛꯇ ꯄꯨꯗꯨꯅ ꯂꯣꯠꯁꯤꯜꯂꯤ꯫ ꯃꯗꯨꯒꯤ ꯃꯇꯨꯡꯗ ꯃꯍꯥꯛꯅ ꯌꯥꯎ ꯑꯅꯤ ꯊꯣꯡꯉꯤ ꯑꯃꯁꯨꯡ ꯃꯈꯣꯏꯕꯨ ꯐꯥꯏꯕꯣꯛꯁꯤꯡꯒꯨꯝꯅ ꯄꯤꯖꯩ꯫ ꯅꯤꯡꯊꯧꯅ ꯆꯤꯟꯖꯥꯛ ꯑꯗꯨ ꯀꯌꯥꯝ ꯐꯕꯒꯦ ꯍꯥꯏꯕꯗꯨ ꯄꯟꯕ ꯃꯇꯝ ꯈꯨꯗꯤꯡꯃꯛ, ꯃꯍꯥꯔꯥꯅꯤꯅ ꯄꯥꯎꯈꯨꯝ ꯄꯤꯔꯛꯏ, "ꯆꯥꯕꯤꯌꯨ, ꯆꯥꯕꯤꯌꯨ, ꯅꯍꯥꯛ ꯅꯁꯥꯒꯤ ꯑꯣꯏꯕ ꯆꯥꯔꯤ꯫" ꯃꯇꯨꯡꯗ, ꯃꯍꯥꯔꯥꯅꯤꯅ ꯇꯥꯂꯤꯌꯥꯕꯨ ꯅꯤꯡꯊꯧ ꯂꯩꯕꯥꯛꯇ ꯀꯧꯋꯤ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯄꯨ ꯍꯤꯡꯅ ꯃꯩ ꯊꯥꯒꯗꯧꯔꯤ, ꯑꯗꯨꯕꯨ ꯅꯤꯡꯊꯧ ꯑꯗꯨꯅ ꯊꯣꯛꯂꯛꯏ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯀꯤ ꯃꯆꯥꯁꯤꯡ ꯑꯃꯁꯨꯡ ꯇꯥꯂꯤꯌꯥꯗ ꯀꯔꯤ ꯇꯧꯔꯤꯕꯒꯦ ꯍꯥꯏꯕꯗꯨ ꯈꯪꯂꯛꯏ꯫ ꯃꯗꯨꯒꯤ ꯃꯇꯨꯡꯗ ꯃꯍꯥꯛꯅ ꯃꯍꯥꯛꯀꯤ ꯂꯣꯏꯅꯕꯤꯕꯨ ꯃꯍꯥꯛꯄꯨ ꯅꯝꯊꯥꯛ ꯇꯧꯈꯤꯕ ꯃꯤꯑꯣꯏꯁꯤꯡꯒ ꯂꯣꯏꯅꯅ ꯃꯩ ꯊꯥꯅꯕ ꯌꯥꯊꯪ ꯄꯤ꯫
ꯊꯣꯡ-ꯊꯥꯛꯄꯒꯤ ꯊꯕꯛ ꯇꯧꯔꯤꯕ ꯃꯤꯑꯣꯏ ꯑꯗꯨꯅ ꯇꯁꯦꯡꯅ ꯃꯍꯥꯔꯥꯅꯤꯒꯤ ꯃꯇꯨꯡ ꯏꯟꯈꯤꯗꯕꯅ ꯃꯔꯝ ꯑꯣꯏꯗꯨꯅ, ꯅꯤꯡꯊꯧꯅ ꯊꯣꯡ-ꯊꯥꯛꯄꯗꯨ ꯃꯍꯥꯛꯀꯤ ꯃꯆꯥꯁꯤꯡꯕꯨ ꯃꯅꯥ ꯄꯤꯗꯨꯅ ꯀꯟꯕꯒꯤꯗꯃꯛ ꯊꯥꯒꯠꯄ ꯐꯣꯡꯗꯣꯛꯏ꯫ ꯋꯥꯔꯤ ꯑꯁꯤ ꯅꯤꯡꯊꯧꯅ ꯇꯥꯂꯤꯌꯥꯒ ꯂꯨꯍꯣꯡꯂꯒ ꯑꯃꯁꯨꯡ ꯃꯗꯨꯒꯤ ꯃꯇꯨꯡꯗ ꯅꯨꯡꯉꯥꯏꯅ ꯍꯤꯡꯕꯒ ꯂꯣꯏꯅꯅ ꯂꯣꯏꯁꯤꯜꯂꯤ꯫

ꯃꯁꯤꯁꯨ ꯌꯦꯡꯉꯨ
 ꯇꯣꯝ ꯑꯃꯗꯤ ꯖꯦꯔꯔꯤ

ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ


 Sleeping beauty in the woods, by Perrault, 1870 illustrated scanned book via Internet Archive
 The Stalk of Flax adapted by Amy Friedman and Meredith Johnson 
 Illustrations of the fairy tale
  A painting by John Wood, engraved by F. Bacon and with a poetical illustration by Letitia Elizabeth Landon in the Forget Me Not annual, 1837.

 Artal, Susana. "Bellas durmientes en el siglo XIV". In: Montevideana 10. Universidad de la Republica, Linardi y Risso. 2019. pp. 321–336.
 Starostina, Aglaia. "Chinese Medieval Versions of Sleeping Beauty". In: Fabula, vol. 52, no. 3-4, 2012, pp. 189–206. https://doi.org/10.1515/fabula-2011-0017
 de Vries, Jan. "Dornröschen". In: Fabula 2, no. 1 (1959): 110–121. https://doi.org/10.1515/fabl.1959.2.1.110

ꯃꯆꯥꯈꯥꯏꯕ:ꯏꯎꯔꯣꯞꯀꯤ ꯂꯤꯅ ꯋꯥꯔꯤ