Postimpressionismus

PostimpressionismusVerbum etiam Post-impressionismus et Post-Impressionismus scriptum. est motus artis plerumque Francicus qui inter 1886 et 1905 fere floruit, ab ultimo exhibitione impressionistica ad Fauvismum natum. Qui motus se gerebat adversus naturalisticam lucis colorumque tractationem quibus Impressionistae faverant. Postimpressionismus, quia proprietates abstractas resque contentas symbolicas late attingebat, neoimpressionismum, symbolismum, Cloisonnismum, Scholam Pont-Aven, et synthetismum amplectitur, cum operibus nonnullorum impressionistarum. Duces motus erant Paulus Cézanne (pater postimpressionismi appellatus), Paulus Gauguin, Vincentius van Gogh, Georgius Seurat.

Vocabulum primum adhibitum est a Rogerio Fry, pictore et critico Anglico, anno 1906, Anglice Post-Impressionism scribente.Richard R. Brettell, Modern Art, 1851-1929: Capitalism and Representation (Oxoniae" Oxford University Press, 1999), 21.Peter Morrin, Judith Zilczer, et William C. Agee, The Advent of Modernism: Post-Impressionism and North American Art, 1900-1918 (High Museum of Art, 1986). Franciscus Rutter, diurnarius et criticus Anglicus, in recognitione exhibitionis Salon d'Automne in Art News die 15 Octobris 1910 divulgata, Othon Friesz "ducem postimpressionisticum"Anglice "post-impressionist leader." appellavit; eodem tempore etiam erat praeconium exhibitionis The Post-Impressionists of France.Bullen 1988: 37.

Postimpressionistae impressionismum extenderunt dum eius circumscriptiones reiciebant: coloribus autem vividis, adhibitionibus pigmentorum saepe crassorum, rebusque vitae verae iam utebantur, sed formas geometricas malle, formam ad effectum expressivum distorquere, coloresque non naturales vel adeo libidinosos adhibere magis solebant.

Pinacotheca artificum postimpressionisticorum maximi momenti

Aeva artis
Cubismus
Expressionismus
Kapistae
Neoimpressionismus
Synthetismus

Notae

Bibliographia
Amann, Per. 1986. Postimpressionismus. Kirchdorf am Inn: Artbook International: Berghaus. ISBN 3763500987.
Bullen, J. B. 1988. Post-impressionists in England. Routledge. ISBN 0415002168, ISBN 9780415002165.
Donnell-Kotrozo, Carol. 1983. Critical essays on postimpressionism. Philadelphiae: Art Alliance Press, et Londinii: Associated University Presses. ISBN 0879820411.
Elgar, F. 1977. The Post-Impressionists. Oxoniae.
Fry, Roger, et D. MacCarthy. 1910. Manet and the Post-Impressionists. Catalogus exhibitionis. Londinii: Grafton Gals.
Fry, Roger. 1912. The Second Post-Impressionist Exhibition. Catalogus exhibitionis. Londinii: Grafton Gals.
House, John, et Mary Anne Stevens. 1979. Post-Impressionism. Cross-Currents in European Painting. Londinii: Royal Academy of Arts & Weidenfeld and Nicolson. ISBN 0297777130.
Rewald, John. 1973. The history of impressionism. Ed. quarta. Novi Eboraci: Museum of Modern Art; Grenovice Connecticutae: distributed by New York Graphic Society. ISBN 0870703606
Rewald, John. (1956), 1978. Post-Impressionism: From Van Gogh to Gauguin. Novi Eboraci.
Rewald, John. 1986. Studies in Post-Impressionism. Ed. Irene Gordon et Frances Weitzenhoffer. Novi Eboraci: H. N. Abrams. ISBN 0810916320.
Thomson, B. 1983, 1990. The Post-Impressionists. Editio retractata. Oxoniae et Novi Eboraci.

Nexus externi

Beyond Impressionism. Catalogus exhibitionis in Columbus Museum of Art, 21 Octobris 2017 – 21 Ianuarii 2018.
Fry, Roger. Post-Impressionism. Acroasis de "Manet and the Post-Impressionists," exhibitione in Pinacotheca Graftoniana, in The Fortnightly Review.
Georges Seurat, 1859-1891. Catalogus exhibitionis, Museum Metropolitanum Artis. 
Metropolitan Museum of Art Timeline.
Sickert, Walter. Post-Impressionists. Recognitio "Manet and the Post-Impressionists," exhibitionis in Pinacotheca Graftoniana, in The Fortnightly Review.
Toulouse-Lautrec in the Metropolitan Museum of Art. Catalogus exhibitionis, Museum Metropolitanum Artis.
Young, Marnin. 2017. "Roger Fry, Walter Sickert and Post-Impressionism at the Grafton Galleries." In The Fortnightly Review.

Categoria:Modernismus
Categoria:Motus artis