Aetas Baroca (musica)

Aetas Baroca in musica Occidentali est tempus quod a 1600 fere ad 1750 duravit.Claude V. Palisca, "Baroque," Grove Music Online (accessum 24 Augusti 2012), Online (situs lucrativus). Hoc tempus Renascentiae sequitur et se vicissim in Aetatem Classicam evolvit. Vocabulum baroca ex barroco 'margarita deformis' vocabulo Portugallico deducitur,Alison Mackay et Craig Romanec, "Baroque Guide". Tafelmusik. negante musicae ornatae et magnopere decoratae huius temporis descriptione; deinde, nomen ad architecturam etiam adhibitum est.
200px|thumb|Iacobus Peri vestimenta operatica gerit.
200px|thumb|Ioannes Philippus Rameau. Tabula ab Iacobo Andrea Iosepho Aved 1728 picta.

Musica Baroca est maior canonis musicae classicae pars, latissime peracta, audita, investigata. Inter compositores huius temporis sunt Ioannes Sebastianus Bach, Georgius Fridericus Handel, Alexander Scarlatti, Henricus Sagittarius, Samuel Scheidt, Antonius Vivaldi, Georgius Philippus Telemann, Ioannes Baptista Lully, Archangelus Corelli, Franciscus Couperin, Dionysius Gaultier, Claudius Monteverdi, Ioannes Philippus Rameau, et Henricus Purcell. 

Per Aetatem Barocam, tonalitas functionalis orta est, atque compositores, histriones, et acroamata exquisitiorem ornamentationem musicam evolvebant, notationem musicam mutabant, et novas instrumentorum cantorum rationes excogitabant. Musica Baroca magnitudinem, campum, et complexitatem perfunctionis instrumentalis expansit, et operam instituit ut genus musicae. Multa vocabula et notiones musicae huius aetatis iam in usu sunt.

Notae

Bibliographia
Clarke, Hugh Archibald. 1898. A System of Harmony. Philadelphiae: T. Presser.
 Chua, Daniel K. L. 2001. Vincenzo Galilei, modernity, and the division of nature. In Music theory and natural order from the Renaissance to the early twentieth century, ed. Suzannah Clark.
 Donington, Robert. 1974. "A Performer's Guide to Baroque Music." Google Books.
 Haagmans, Dirk. 1916. "Scales, Intervals, Harmony" Google Books.
 Norton, Richard. 1984. "Tonality in Western Culture: A Critical and Historical Perspective." Google Books.
Nuti, Giulia. 2007. The performance of Italian basso continuo: style in keyboard accompaniment in the seventeenth and eighteenth centuries. Aldershot Angliae: Ashgate Publishing. ISBN 978-0-7546-0567-6.
 Strunk, Oliver. 1952. Source Readings in Music History: From Classical Antiquity to the Romantic Era. Londinii: Faber & Faber.
 Wainwright, Jonathan, et Peter Holman. 2005. "From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century." Google Books.
 Wallechinsky, David. 2007. The Knowledge Book: Everything You Need to Know to Get by in the 21st century. Vasingtoniae: National Geographic Books. ISBN 1-4262-0124-9.
 Watkins, Glenn. 1991. "Gesualdo: The Man and his Music." Google Books.
 York, Francis L. 1909. "Harmony Simplified: A Practical Introduction to Composition." Google Books.

Bibliographia addita
 Christensen, Thomas Street, et Peter Dejans. 2007. Towards Tonality Aspects of Baroque Music Theory. Leuven: Leuven University Press. ISBN 978-90-5867-587-3.
 Cyr, Mary. 2008. Essays on the Performance of Baroque Music Opera and Chamber Music in France and England. Variorum collected studies series, 899. Aldershot Angliae: Ashgate. ISBN 978-0-7546-5926-6.
 Foreman, Edward. 2006. A Bel Canto Method, or, How to Sing Italian Baroque Music Correctly Based on the Primary Sources. Twentieth century masterworks on singing, 2. Minneapole: Pro Musica Press. ISBN 1-887117-18-0.
 Schubert, Peter, et Christoph Neidhöfer. 2006. Baroque Counterpoint. Upper Saddle River, Novae Caesareae: Pearson Prentice Hall ISBN 0-13-183442-8.
 Schulenberg, David. 2001. Music of the Baroque. Novi Eboraci: Oxford University Press. ISBN 0-19-512232-1.
 Stauffer, George B. 2006. The World of Baroque Music New Perspectives. Bloomington: Indiana University Press. ISBN 0-253-34798-X.
 Strunk, Oliver. 1952. Source Readings in Music History: From Classical Antiquity to the Romantic Era. Londinii: Faber & Faber.

Nexus externi
Barock Music (situs radiophonicus), www.barockmusic.com
Handel's Harpsichord Room, www.saladelcembalo.org
Music, Affect and Fire: Thesis on Affect Theory with Fire as the special topic, etd.lib.fsu.edu
Orpheon Foundation, www.orpheon.org (Vindobonae)
Overview of Baroque Music, www.essentialhumanities.net
Pandora Radio, www.pandora.com
Renaissance & Baroque Music Chronology, plato.acadiau.ca (de compositoribus)
Répertoire International des Sources Musicales (RISM), www.rism.info


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