Ars

(artis, f.) est disciplina vel , partim translaticius partimque novatus, qui nihil est nisi facultas longae actionum praecipuarum seriei exsequendi ut finis quidam attingatur. Sensu stricto, ars contracta est in quadam habilitate, sed, latiore sensu, omnes vias modosque rerum bene agendarum comprehendit. 

Artifex est qui aliquam artem exerceat. Artifices magna superbia suis operibus gloriantur, saepeque censentur per suum magnum opus. Lucretius per suum De Rerum Natura, Michael Angelus Bonarotius per Davidis signum, Gulielmus Shakesperius per tales ludos sicut Romaeus et Iulia et Amletus, Princeps Daniae, Thomas Edison per globulum electricum, Gulielmus Marconi per radiophonum.

Olim omnes artes in artes liberales et artes illiberales divisae sunt. Artes sic liberales appellabantur quae hominibus liberis discendi aptae censebantur, sed per aetates, notio de eo quod hominibus liberis aptum est aliquanto mutavit; et, ut exempla infra data monstrant, multae novae artes hominibus liberis dignae tandem excogitatae sunt, quae inter artes liberales a maioribus posteris traditas non censentur. Illae bellae artes praecipue ad operis artifices pulchritudinem coluntur. Artes ingeniariae, ex contrario, sine fine aesthetico, ortae sunt praecipue ad propositum oeconomicum scientificumque. 

 Artium exempla 

 Bellae artes
 Ars mediorum 
 Ars musicalis
 Ars hodierna
 Ars oculorum
 Ars scaenica
 Poësis
 Saltatio

 Artes liberales
 Ars dialectica
 Ars litteraria
 Ars rhetorica
 Quadrivium

 Artes ingeniariae
 Ars electrica
 Ars mechanica
 Ars navigandi
 Biotechnologia

 Artes fabriles
 Ars ferraria
 Ars lignaria
 Ars machinaria

 Artes requietales
 Horticultura
 Sutura
 Textura

 Artes corporales
 Ars athletica
 Artes martiales
 Gymnastica
 Natatio

 Ars militaris
 Ars bellica
 Artes martiales

 Ars vivendi
 Ars coquendi
 Artes sexuales
 Artes praehistoricae

 Ars magica
 Ars praenoscendi futura

 Academia artium
 Theodorus Adorno
 Aesthetica
 Ars Romana
 Cultura
 Dada
 Elementa artis
 Historia artium
 Iconographia
 Liber artis
 Modernismus
 Motus artis
 Opus artis
 Parvulum sigillum
 Pictura
 Postmodernismus
 Realismus (artes)
 Schola artis

 Bibliographia 
 Arnold, Dana, et Margaret Iversen, eds. 2003. Art and Thought. Londinii: Blackwell. ISBN 0631227156.
 Carroll, Noel. 2000. Theories of Art Today.
 Danto, Arthur. 2003. The Abuse of Beauty: Aesthetics and the Concept of Art.
 Davies, Stephen. 1991. Definitions of Art.
 Felshin, Nina, ed. 1995. But Is it Art?
 Gilbert, Katharine Everett Gilbert, et Helmut Kuhn. 1953. A History of Esthetics. Ed. secunda. Indiana: Indiana University Press.
 Hatcher, Evelyn, ed. 1999. Art as Culture: An Introduction to the Anthropology of Art.
 Hodge, Susie. 2017. The Short Story of Art. Laurence King Publishing. ISBN 978-1-78067-968-6.
 Holly, Michael Ann, et Keith Moxey, eds. 2002. Art History Aesthetics Visual Studies. Portu Novo: Yale University Press. ISBN 0300097891.
 Robertson, Jean, et Craig McDaniel. 2005. Themes of Contemporary Art: Visual Art after 1980.
 Shiner, Larry. 2003. The Invention of Art: A Cultural History. Sicagi: University of Chicago Press. ISBN 978-0-226-75342-3.
 Whitehead, John. 2001. Grasping for the Wind.
 Wilde, Oscar. 1891. Intentions.
 Zegher, Catherine de, ed. 1996. Inside the Visible. Cantabrigiae Massachusettae: MIT Press.

 Bibliographia addita 
 Armstrong, Carol. et Catherine de Zegher, eds. 2006. Women Artists at the Millennium. Cantabrigiae Massachusettae: October Books / The MIT Press. ISBN 026201226X.
 Augros, Robert M., et George N. Stanciu. 1984. The New Story of Science: mind and the universe. Lake Bluff Illinoesiae: Regnery Gateway. ISBN 0-89526-833-7.
 Botar, Oliver A. I. 2006. Technical Detours: The Early Moholy-Nagy Reconsidered. Art Gallery of The Graduate Center, The City University of New York et The Salgo Trust for Education. ISBN 978-1599713571.
 Briant, Antony, et Griselda Pollock, eds. 2010. Digital and Other Virtualities: Renegotiating the image. Londinii et Novi Eboraci: I. B. Tauris. ISBN 978-1441676313.
 Burguete, Maria, et Lui Lam, eds. 2011. Arts: A Science Matter. Singapurae: World Scientific. ISBN 978-981-4324-93-9.
 Colvin, Sidney, ed. 1911. "Art." In Encyclopaedia Britannica, ed. Sidney Colvin, 2: 657–660.
 Croce, Benedetto. 2002. Aesthetic as Science of Expression and General Linguistic. Dombois, Florian, Ute Meta Bauer, Claudia Mareis, et Michael Schwab, eds. 2012. Intellectual Birdhouse. Artistic Practice as Research. Londinii: Koening Books. ISBN 978-3863351182.
 Gombrich, E. H. 1995. The Story of Art. Londinii: Phaidon Press. ISBN 978-0714832470.
 Gompertz, Will. 2012. What Are You Looking At?: 150 Years of Modern Art in the Blink of an Eye. Novi Eboraci: Viking. ISBN 978-0670920495.
 Jung, Carl. 1978. Man and His Symbols. Londinii: Pan Books. ISBN 0330253212.
 Kleiner, Gardner, Mamiya, et Tansey. 2004. Art Through the Ages, Twelfth Edition, 2 voll. Wadsworth. ISBN 0-534-64095-8 (vol. 1), et ISBN 0-534-64091-5 (vol, 2).
 Stiles, Kristine, et Peter Selz, eds. 1986. Theories and Documents of Contemporary Art. Berkeleiae: University of California Press.
 Tatarkiewicz, Władysław. 1980. A History of Six Ideas: an Essay in Aesthetics, conversus ex Polonico a Christophere Kasparek. Hagae: Martinus Nijhoff.
 Wollheim, Richard. 1968. Art and its Objects: An Introduction to Aesthetics.'' Novi Eboraci: Harper & Row. OCLC 1077405.

Nexus externi

 Ars Summum.
 ARC Centrum ad Artes Renovatas.
 Search 4.0 Art.
 Bibliographia De Artibus Ingeniariis per Historiam apud Bibliothecam Congressionalem.
 Bibliographia de Artium Ingeniariarum Historia apud Universitatem Minnesotensem.

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