Song

Song yet kyang a ba yya ku mon bu̱ du̱wat ti a̱yin na n bvwan nkap rwam bu̱ myyi rwam an dwak a yet ka̱sham u̱ tyei du̱dang ccang wwon u bvu ta̱twang nkyang nzaan na ba tssa au ba hwa ni. Song na sshi a̱ zan sot rot yya ji ba n trung a̱tak a au yya bu̱ rwam a ni au yya ji ba n za̱ nywa ni au nkkang a bu ka̱ra̱k ka bu̱ ka̱ram ka ba n nza song ni. Song na cong ndung bu̱ a̱bvom ka̱ram ka̱yaan a̱ntyok ba̱pfo nu a̱ na bra̱ng kyang a̱bvom a̱ bvo song brak.

Ntakai nsong a̱n shii ba̱ na na̱hwa ,  a̱nyyi ka̱bvwa a̱mbvwo a̱nzzup bu̱ a̱nyyi ka̱zzu. Sa̱rei a̱ na byyi pfong nba au u̱ du̱wat yya swat bu̱ tada au ma̱nan au du̱yywa bu̱ nkyang a̱ mon bu̱ kok ntong au ba̱hyum bu̱̇ yya tssup ni. Song ssang bu̱ ka̱bvwa cip rwam bu̱ ba̱gwai pfong ansham ba ma, ba na shyi u̱ du̱wat zun rwam bu̱ a̱mbvwo bu̱ nyep rwam an cat du̱kunkrang. Yya nsong bu̱ ma̱nan nsong an shyi u ka̱sa ka sarei a ka tyai yya bu̱ du̱wat  nsong ba̱tatai.

Ba̱pfo ka̱zzu ba na n yei ba̱pfo ka̱tswa ni a̱ yet kyang a ba na̱ yya a̱n tyyei ba̱nyet shok u̱ ka̱zzu ni ba̱nyet ba a̱ bvwo song a̱ ni. 
 Ba na nkok nkkang an song bu̱ tssup nkyang ba̱pfo bu̱  It often tells a story, potentially using mime, costume and scenery, or it may interpret the musical accompaniment, which is often specially composed and performed in a theatre setting but it is not a requirement. Examples are Western ballet and modern dance, Classical Indian dance such as Bharatanatyam, and Chinese and Japanese song and dance dramas, such as the dragon dance. Most classical forms are centred upon dance alone, but performance dance may also appear in opera and other forms of musical theatre.

Participatory dance, whether it be a folk dance, a social dance, a group dance such as a line, circle, chain or square dance, or a partner dance, such as in Western ballroom dancing, is undertaken primarily for a common purpose, such as social interaction or exercise, or building flexibility of participants rather than to serve any benefit to onlookers. Such dance seldom has any narrative. A group dance and a corps de ballet, a social partner dance and a pas de deux, differ profoundly. Even a solo dance or interpretive dance may be undertaken solely for the satisfaction of the dancer. Participatory dancers often all employ the same movements and steps but, for example, in the rave culture of electronic dance music, vast crowds may engage in free dance, uncoordinated with those around them. On the other hand, some cultures lay down strict rules as to the particular dances people may or must participate.[1]

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