Martine Syms

BuMartine Syms (amụrụ 1988) bụ onye omenkà America bi na Los Angeles, ọkachamara na usoro dị iche iche gụnyere mbipụta, vidiyo, nrụnye, na arụmọrụ . Mgbalị nka ya na-agbagharị gburugburu gburugburu njirimara, ọkachasị nnochite anya nke onwe, na-elekwasị anya na isiokwu dịka feminism na omenala ojii.  Syms na-ejikarị ọchị na nkọwa mmekọrịta ọha na eze dị ka ụgbọ ala maka nyocha n'ime ọrụ ya.  N'afọ 2007, o webatara okwu a bụ " Conceptual Entrepreneur " iji kọwaa ụzọ nka nka. 

 Ndụ mbido 
A mụrụ Martine Syms na 1988 na Los Angeles . Ọ tolitere na mpaghara Altadena nke obodo ya na ụmụnne ya atọ.  N'oge ọ bụ nwata, ndị mụrụ ya nwetara ụlọ akwụkwọ n'ụlọ n'agbata afọ 7 na 12.  N'ịghọta mmasị ya n'oge ọ bụ nwata, Syms gosipụtara ọchịchọ ya ịghọ onye na-ese ihe n'oge. N'ịtụgharị uche n'ahụmahụ ụlọ akwụkwọ ya, Syms ekwuola banyere ihe ịma aka nke ịnweta agụmakwụkwọ dị mma na mpaghara ya, na-ekwu, " Ebe m tolitere enweghị ụlọ akwụkwọ ọha na eze kacha mma, ọ na-esikwa ike ime ka anyị niile banye n'otu ebe. ụlọ akwụkwọ nkeonwe - maka ọtụtụ ihe kpatara ịkpa ókè agbụrụ, site na ihe ọ dị ka ."  Nne na nna Syms abụọ kwalitere mmepe okike ya, nne ya nwere mmasị na nka na ide na nna ya bụ onye na-ese foto. Dịka akụkụ nke njem nka ya, ọ sonyere na California State Summer School for Arts (CSSSA) na CalArts.

Na 2007, Syms nwetara nzere bachelọ nke Fine Arts (BFA) na fim, vidiyo, na mgbasa ozi ọhụụ sitere na oflọ Akwụkwọ nke Art Institute of Chicago .  O mechara nweta nzere Master of Fine Arts (MFA) na Bard College na Annandale-on-Hudson, New York, na-agụcha akwụkwọ ya na 2017. 

 Ọrụ 
Site na 2007 ruo 2012, Syms bụ onye isi ngalaba nke Golden Age, oghere na-ese ihe na Chicago. 

Na 2015, Syms sonyere na New Museum Triennial Surround Audience . N'ime otu afọ ahụ, e gosipụtara vidiyo ya akpọrọ " Notes on Gesture " na Bridget Donahue Gallery na New York City na Machine Project na Los Angeles. Vidio a na-enyocha mkpa mmegharị ahụ nke yiri ka ọ bụ obere ihe n'ịkpụzi njirimara mmadụ. 

Syms jikọrọ aka na Willo Perron na Associates n'inyere aka na ide okwu Kanye West na 2015 MTV Video Music Awards, ebe o kwuputara ọkwa ya maka ntuli aka onye isi ala 2020 . 

N'afọ 2016, Syms gosipụtara ihe ngosi arụmọrụ " Misdirected Kiss " na Storm King Art Center na New York 's Hudson Valley, yana na Broad Museum na Los Angeles . Aha ọrụ ahụ sitere na ihe nkiri 1904 " The Misdirected Kiss ." Incorporating element reminiscent of a TED okwu, arụmọrụ na-enyocha nke ọma okwu metụtara asụsụ na nnọchiteanya.   N'otu afọ ahụ, Syms mere ihe ngosi solo na Institute of Contemporary Arts na London, nke akpọrọ " Martine Syms: Fact & Trouble ,"  nke gosipụtara usoro vidiyo ya " Nkụzi ." 

Na 2017, Syms nwere ihe ngosi solo na Museum of Modern Art na New York, nke akpọrọ " Projects 106: Martine Syms ," nke na-agbagharị na ihe nkiri dị ogologo nke a na-akpọ " Inense, Sweaters & Ice ."  Na mgbakwunye, Syms ka edepụtara aha maka Ọdịnihu Art Prize  wee nata onyinye Louis Comfort Tiffany Foundation n'otu afọ ahụ.  Syms sonyeere ngalaba nke California Institute of Arts na Septemba 2018  wee nye ya onyinye Graham Foundation Fellowship maka Advanced Studies na Fine Arts.  Ọ natakwara Commission Fields Commission na mgbasa ozi dabere na oge site na Philadelphia Museum of Art na Fondazione Sandretto Rebaudengo . 

Syms hibere Dominica Publishing, akwụkwọ akụkọ ndị nka raara nye inyocha njirimara ojii na nka na omenala ọhụụ.  

 Conceptual entrepreneur 
Echiche nke ndị na-ese ihe na-achọ mkpebi onwe onye nke ego bụ isiokwu na-emegharị ugboro ugboro na nka ọgbara ọhụrụ na nke oge a. Ndị na-ese ihe dị ka Marcel Duchamp, Marcel Broodthaers, Piero Manzoni, David Hammons, na Joe Scanlan enyochala echiche a. Scanlan, karịsịa, kwuputara echiche a na ederede ya " Ndị mmadụ na ahia ," nke na-eme ka ikike azụmahịa nke nkà echiche pụta ìhè. Scanlan na-arụ ụka na ndị na-ese ihe nwere nkà pụrụ iche na ụzọ mmepụta ihe, dị ka Agnes Martin na David Hammons, na-agụnye akara nke onwe, ntinye uru na ụkpụrụ mmepụta oge. A na-elegharakarị ndị na-ese ihe anya maka ntinye aka ha na mmepụta ọhụrụ azụmahịa nke ọgbara ọhụrụ.  Syms na-anabata echiche nke mkpebi onwe onye site na ụlọ ọrụ na-adịgide adịgide, na-emetụta mmasị ya na egwu onwe ya na azụmahịa ndị ojii nwere.   E gosipụtara ihe osise ya na ebe dị iche iche, gụnyere ọrụ mmadụ, Bridget Donahue Gallery, New Museum, Kunsthalle Bern, Ụlọ ihe nkiri Studio na Harlem, Index Stockholm, MOCA Los Angeles, na MCA Chicago .   Ugbu a, Syms na-ejide ọkwa nkuzi na California Institute of Arts . 

 Ọrụ 
Omume nka nke Syms na-abanye n'ime njirimara ndị ojii nke oge a, tiori queer, na mkpa asụsụ. Nchọgharị ya na-ewere ọnọdụ site na usoro dị iche iche dịka vidiyo, arụmọrụ, ide ihe, wdg   Syms na-eji ọdịdị nkenke nke vidiyo akpọrọ ihe dị ka ụzọ isi nyefee ozi dị mkpa  ma were onwe ya dị ka onye nchịkọta nke "mgbasa ozi na-enweghị mgbei."  Dịka ọmụmaatụ, ọ na-enyocha ọrụ nke smartphones dị ka ngwá ọrụ maka ịmepụta njirimara,  n'agbanyeghị na ọ na-ezere iji mgbasa ozi ọha. Syms na-enweta ọñụ n'ịchọgharị ka njirimara arụrụ onwe ya si apụta site na nyiwe ndị a.  N'ime usoro nka ya, Syms na-ejikarị oghere gallery mepụta mkpokọta mgbasa ozi .  O nwere nka nka dị iche iche, gụnyere koodu nkuzi onwe onye agbakwunyere na klaasị na Armory Center for Arts na Los Angeles.  Satire bụ isi iyi nke mkpali maka Syms, na-eji parody na mkparị zie ozi nka nka.  Ọ na-akọwa ụdị ọrụ ya dị ka ihe na-arụ ọrụ, na-emegharị ụzọ ya n'oge njem okike. 

 Mbipụta 
Na 2011, Syms nyere aka na Atụmatụ Ọdịnihu na mmemme mmemme site na ibipụta Mmetụta na Ọdịiche .  Akwụkwọ a na-enyocha arụmọrụ nke njirimara ojii na sinima nke oge a ma bụrụ akụkụ nke nkwado nkwado nke Steffani Jemison duziri. 

Na 2013, Syms bipụtara Mundane Afrofuturist Manifesto na Rhizome .  Ihe ngosi a na-akwado maka ndị na-emepụta ihe nka oji ojii ka ha lekwasị anya n'ịmepụta omenala nke na-echepụta ọdịnihu dị adị n'ụwa. Syms na-ekwusi ike ihe ịma aka nke iche n'echiche ụwa na-enweghị echiche efu ma ọ bụ mgbapụ, na-agba ume maka echiche nke ugbu a na ọdịnihu. N'ihota DuBois na Ol' Dirty Bastard, ọ na-atụgharị uche n'echiche nke "abụọ" na otú ọ dị ka a na-ahụ ya dị ka nsogbu. 

Na 2014, Syms wepụtara Ọtụtụ Days, na-egosi tebụl na-agụ ihe nkiri ya nke na-egosi nkezi ụbọchị na ndụ nwa agbọghọ ojii na 2050 Los Angeles. Neal Reinalda dere akara ọba ahụ. 

 Ndụ onwe onye 
Syms na-ekere òkè na bọl dị ka onye ọkpụkpọ maka Sativa Football Club, na-ewere ọnọdụ nke midfielder. 

 Nchịkọta, nkuzi na ihe ngosi 

 Nkuzi na ọgbakọ  

 William Greaves: Psychodrama, Interruption, and Circulation, Lewis Center for the Arts, Princeton University, Princeton NJ, co-organized with Fia Backström, 21 Feb, 2020
 with Colin Self, Sadie Coles HQ, London, 01 Oct, 2018
 March Meeting 2018: Active Forms, Sharjah Art Foundation, Shuwaihen, Sharjah, UAE, 17-19 Mar 2018
 Experience It: Martine Syms, A conversation with Martine Syms, Sharon Hayes and Jon Rafman, The Lab with California College of the Arts, San Francisco CA, USA, 26 Feb 2018
 Lounge Talk, Yebisu International Festival for Art and Alternative Visions, Tokyo Photographic Museum, Tokyo, Japan, 09 Feb 2018
 Martine Syms and Rizvana Bradley in conversation, Raven Row, London, England, 23 Apr 2017
 Friday Flights at the Getty, Getty Center, Los Angeles CA, USA, 26 Aug 2016
 Martine Syms, Todd Madigan Gallery & Department of Art at California State University, Bakersfield CA, USA, 16 Feb 2016
 Tip of Her Tongue: Martine Syms 'Misdirected Kiss''', The Oculus Hall at The Broad, Los Angeles CA, USA, 21 Jan 2016
 A Pilot For A Show About Nowhere, PNCA Mediatheque, Portland OR, USA, 12 May 2015
 Seven on Seven, 7th Edition: Empathy & Disgust, Rhizome, New York NY, USA, 2 May 2015
 Lessons of the Tradition, California State University at Long Beach, Long Beach CA, USA, 2015
 Quality Television, Light Industry, New York NY, USA 28 Apr 2015
 Lessons of the Tradition, Pomona College, Claremont CA, USA, 2015
 Nite Life, O, Miami Poetry Festival, Miami FL, USA, 2015
 In the Archives, Contemporary Artists Books, Los Angeles CA, USA, 2015
 Lessons of the Tradition, Virginia Commonwealth University, Richmond VA, USA, 2014
 Black Radical Imagination II, REDCAT, Los Angeles CA, USA, 14 Nov 2014
 Black Vernacular: Lessons of the Tradition, London College of Communication, London, England, 17 Oct 2014
 Do You Follow? Art in Circulation, Rhizome/ICA Institute of Contemporary Art London, London, England, 15-17 Oct 2014
 Black Vernacular: Lessons of the Tradition, Oberlin College & Observatory, Oberlin OH, USA, 29 April 2014
 Most Days, Moogfest Biennial, Asheville NC, USA, 26 Apr 2014
 Black Vernacular, Insights 2014 Design Lecture Series, Walker Art Center, Minneapolis MN, USA, 18 Mar 2014
 Direct Design, Minneapolis College of Art and Design, Minneapolis MN, USA, 2014
 Most Days, Arts Incubator, University of Chicago, Chicago IL, USA, 2014
 Direct Design, Otis College of Art and Design, Los Angeles CA, USA, 2014
 Becoming Artists: Critique, Originality & Identity - Managing Biography: Negotiating Audience, Yale University, New Haven CT, USA, 08 Feb 2014
 New Paradigms in Digital Media 'Mainstreaming' a DIY Culture, Johns Hopkins University, Baltimore MD, USA, 13 Apr 2013
 Conceptual Entrepreneurism, Maryland Institute College of Art, Baltimore MD, USA, 2013
 Black Vernacular: Reading New Media, SXSW, Austin TX, USA, 2013
 Science Fiction & What It Feels Like To (Already) Live In the Future, Actual Size, Los Angeles CA, 11 Jan 2013
 Real Talk, California Institute of the Arts, Valencia CA, USA, 05 Nov 2012
 Reading Politics, Summer Forum, Chicago IL, USA, 2012
 The Didactic Possibilities of Film Titles, Houston Museum of African American Art, Houston TX, USA, 2011
 Artist/Authors, The Gregory School, Houston TX, USA, 2011
 Implications & Distinctions, Project Row Houses, Houston TX, USA, 2011
 Future Plan and Program - Lecture by Steffani Jemison and Martine Syms, Prairie View A &amp; M University, Prairie View TX, USA, 19 Apr 2011

 Ihe ngosi Solo 

 Armory Center for the Arts (Pasadena, CA), Martine Syms, The Queen's English, 2014
 Locust Projects (Miami), Art on the Move: Nite Life, 2015 White Flag Projects (Saint Louis, Missouri), Martine Syms, 2015
 Machine Project (Los Angeles, CA), Notes on Gesture, 2015
 Bridget Donahue (New York), Martine Syms: Vertical Elevated Oblique, 2015
 Audain Gallery (Vancouver, Canada), Borrowed Lady, 2016
 Human Resources (Los Angeles), Martine Syms: Black Box, 2016
 Karma International (Beverly Hills, California), Martine Syms: com port ment, 2016
 Institute of Contemporary Art (London, England), Martine Syms: Fact & Trouble, 2016
 Museum of Modern Art (New York), Projects 106: Martine Syms, 2017
 Camden Arts Centre (London, England), VNXXCAS: Martine Syms, 2017
 CONDO: Bridget Donahue hosted by Sadie Coles HQ (London, England), The Easy Demands, 2017
 Bridget Donahue (New York), Martine Syms: Big Surprise, 2018
 Graham Foundation (Chicago IL), Incense Sweaters & Ice, 2018
 Art Institute of Chicago (Chicago IL), SHE MAD: Laughing Gas, 2018
 Sadie Coles HQ (London, England), Grand Calme, 2018
 Serralves Foundation (Porto, Portugal), Contemporary Projects: Martine Syms, 2018
 Secession (Vienna, Austria), Boon, 2019
 Institute of Contemporary Art at Virginia Commonwealth University (Richmond VA), Shame Space, 2019
 Sadie Coles HQ off-site: 24 Cork Street (London, England), Ugly Plymouths, 2020
 SLAM | Saint Louis Art Museum (St. Louis MO), New Media Series, 2020
 5239 Melrose Avenue (Los Angeles CA), New York, and Sadie Coles HQ (London, England), Ugly Plymouths, presented by Bridget Donahue, 2020
 Bergen Kunsthall (Bergen, Norway), 2021

 Ihe ngosi otu 

 The Green Gallery (Milwaukee), YOU CAN DEPEND ON THE SUNSHINE: Paul Cowan, Marco Kane, Martine Syms, 2007
 New Museum (New York), Museum as Hub: Alpha's Bet Is Not Over Yet, 2011
 MCA Chicago, We Are Here: Art & Design Out of Context, 2011
 The Green Gallery (Milwaukee), Three Card Monte, 2011
 Public Fiction (Los Angeles), Act II: The Props, 2012
 Institute of Contemporary Art (Philadelphia), First Among Equals, 2012 
 Badlands Unlimited, Apple iTunes, How to Download a Boyfriend, 2012
 Acid Rain TV (New York), The Didactic Possibilities of Film Titles, 2012
 Young Art (Los Angeles), Mise-En-Scéne, 2012
 Transfer Gallery (New York), gURLs, 2013
 Aran Cravey (Los Angeles), Rhetoric, 2014
 New Museum (New York), First Look: Martine Syms: Reading Trayvon Martin, 2014
 356 Mission (Los Angeles), Another Cats Show, 2014
 REDCAT (Los Angeles), Small New Films, 2014
 Cooper Union (New York), Black Radical Imagination, 2014
 Studio Museum (Harlem, New York), Speaking of People: Ebony, Jet and Contemporary Art, 2014–2015
 Project Row Houses (Houston, Texas), How We Work, 2015
 Todd Madigan Gallery (California State University), Open House, 2015
 ACTRE TV acretv.org, Tele-novela, 2015
 Chan Gallery, Pomona College (Claremont), Candice Lin/Martine Syms, 2015
 ICA Institute of Contemporary Art London (London, England), Artists' Film Club: Avant-Noir, Volume 2, 2015
 Bureau (New York), The Daily Show, 2015
 Walker Art Center (Minneapolis), Intangibles, 2015
 New Museum (New York), 2015 Triennial: Surround Audience, 2015
 The Coming Community, Artspace NZ (Auckland, New Zealand), Potentially Yours, 2016
 Astrup Fearnley Museet (Oslo, Norway), Los Angeles - A Fiction, 2016
 Galerie Conradi (Hamburg, Germany), Umwelt Inversion, 2016
 Oakville Galleries (Oakville, Canada), Down To Write You This Poem Sat, 2016
 Occidental Temporary (Paris, France), Cool Memories, 2016
 International Center of Photography (New York), Public, Private, Secret, 2016
 Hammer Museum (Los Angeles), Made in L.A. 2016: a, the, though, only Atlanta Contemporary (Atlanta), It Can Howl, 2016
 HOME (Manchester, England), Imitation of Life: Melodrama and Race in the 21st Century, 2016
 Whitechapel Gallery (London, England), Electronic Superhighway (2016-1966), 2016
 Index Stockholm- The Swedish Contemporary Art Foundation (Stockholm, Sweden), Autobiography, 2016
 Franklin Street Works (Stamford), Cut-Up: Contemporary Collage and Cut-Up Histories through a Feminist Lens, 2016
 K11 Art Foundation pop-up space (Hong Kong), .COM/.CN, presented by K11 Art Foundation and Klaus Biesenbach and Peter Eleey, 2017
 Museum of Art, Architecture and Technology (Lisbon, Portugal), Electronic Superhighway (2016-1966), 2017
 ICA Institute of Contemporary Art Philadelphia (Philadelphia), Speech/Acts, 2017
 Artspace (Sydney, Australia), The Public Body, 2017
 The Mistake Room (Los Angeles), Analog Currency, 2017
 Chateau Shatto (Los Angeles), At This Stage, 2017
 Palazzo Contarini Polignac (Venice, Italy), Future Generation Art Prize @ Venice 2017, organised by the Victor Pinchuk Foundation, 2017
 The Kitchen (New York), That I am reading backwards and into for a purpose, to go on:, 2017
 Trinity Square Video (Toronto, Canada), What does one do with such a clairvoyant image?, 2017
 Raven Row (London, England), 56 Artillery Lane, 2017
 Galerie PCP (Paris, France), Our Words Return in Patterns (Part 1), 2017
 Whitney Museum (New York), Whitney Biennal, as part of the John Riepenhoff installation, 2017
 Musée d'art Contemporain de Lyon (Lyon, France), Los Angeles - A Fiction, 2017
 Pinchuk Art Centre (Kyiv, Ukraine), Exhibition of 21 Artists Shortlisted for the Future Generation Art Prize 2017, 2017
 Public Art Fund (New York), Commercial Break, 2017
 Dazibao (Montreal, Canada), I Am the Organizer of My Own Archive, 2017
 Team Gallery (New York), The Love Object (organized by Tom Brewer), 2017
 University of Michigan Museum of Art (Ann Arbour MI), Art in the Age of the Internet, 1989 To Today, 2018
 Madre museo d'arte contemporanea Donnaregina (Naples, Italy), Per_forming a collection. The Show Must Go_ON, 2018
 FRONT International: Cleveland Triennial For Contemporary Art, Toby Devan Lewis Gallery, Museum of Contemporary Art Cleveland, An Evening of Queen White, 2018
 Gwangju (South Korea), The 12th Gwangju Biennale Exhibition: Imagined Borders, 2018
 Grunwald Gallery, School of Art, Architecture + Design (Bloomington IN), Out of Easy Reach, 2018
 Kunstverein (Amsterdam, the Netherlands), Succession Sounds, 2018
 Whitney Museum of American Art (New York), Eckhaus Latta: Possessed, 2018
 Allen Memorial Art Museum (Oberlin OH), Radically Ordinary: Scenes form Black Life in America Since 1968, 2018
 Art Basel (Basel, Switzerland), Unlimited, 2018
 The Gallery, Michael's (Santa Monica CA), 2018
 Gallery 400 and DePaul Art Museum (Chicago IL), Out of Easy Reach, 2018
 Kadist Foundation (Paris, France), This is Utopia, to Some, 2018
 A Lone, installed adjacent to Capitol Hill Link rail station within city-wide project, Seattle WA, 2018
 Gordon Robichaux (New York), A Page from My Intimate Journal (Part 1), 2018
 Tokyo Photographic Art Museum (Tokyo, Japan), Yebisu International Festival for Art and Alternative Visions 2018, Mapping the Invisible, 2018
 ICA Institute of Contemporary Art Boston (Boston MA), Art in the Age of the Internet, 1989 to Today, 2018
 The Shed (New York), Manual Override, 2019
 Yuz Museum (Shanghai, China), tongewölbe T25 (Ingolstadt, Germany), In Production: Art and the Studio System, 2019
 Stony Island Arts Bank (Chicago IL), In the Absence of Light: Gesture, Humor and Resistance in The Black Aesthetic: Selections from the Beth Rudin DeWoody Collection, 2019
 Yerba Buena Center for the Arts (San Francisco CA), The Body Electric, 2019
 Luma Westbau, (Zürich Switzerland), It's Urgent! – Part II, 2019
 Gladstone Gallery (New York), Dry Land, 2019
 Hammer Museum (Los Angeles), Celebration of Our Enemies: Selections from the Hammer Contemporary Collection, 2019
 Los Angeles, The Foundation of the Museum: MOCA's Collection, Museum of Contemporary Art, 2019
 R & Company (New York), Chairs Beyond Right & Wrong, 2019
 Whitney Museum of American Art (New York), Whitney Biennial 2019, 2019
 Schinkel Pavillon (Berlin, Germany), Straying from the Line, 2019
 FuturDome (Milan, Italy), Hypertimes, 2019
 Lismore Castle Arts (Waterford, Ireland), Palimpsest, 2019
 Walker Art Centre (Minneapolis MN), The Body Electric, 2019
 ICA Institute of Contemporary Art at University of Pennsylvania (Philadelphia PA), Colored People Time: Mundane Futures, 2019
 MDC MOAD Miami Dade College Museum of Art and Design (Miami FL), The Body Electric, 2020
 The Luminary online (St. Louis MO), Self Maintenance Resource Center 2020, 2020
 TOWER MMK, MMK Frankfurt, (Frankfurt am Main Germany), Sammlung, 2020
 Gucci x Daelim Museum (Seoul, South Korea), No Space, Just a Place. Eterotopia, 2020
 Auckland Art Gallery (Auckland, New Zealand), Honestly Speaking: The Word, the Body and the Internet, 2020
 de Young Museum (San Francisco CA), Uncanny Valley: Being Human in the Age of AI, 2020
 Princeton University (Princeton NJ), William Greaves, Sondra Perry, Martine Syms, organized by Martine Syms, 2020
 MIT List Visual Arts Center (Cambridge MA), Colored People Time: Mundane Futures, Quotidian Pasts, Banal Presents, 2020
 Mary Porter Sesnon Art Gallery, UC University California Santa Cruz (Santa Cruz CA), We Are Not Aliens: Arthur Jafa, Martine Syms, and Afro-Futurism 2.0, as part of Beyond the End of the World: Approaches in Contemporary Art Seminar, 2020

 Ntụaka 

 Ọgụgụ ọzọ 

 Hunt, Amanda. "Martine Syms." a perture: Magazine nke Photography na echiche. Ed. Michael Famighetti. New York: Aperture Foundation, 2016. 132–137.

 St. Félix, Doreen. " Otu esi abụ nwanyị ojii na-aga nke ọma ." New Yorker'', Julaị 8, 2018. eweghachiri August 11, 2020.

 Njikọ mpụga 

 Webụsaịtị gọọmentị
 Martine Syms | Otu esi ahụ ọrụ 106 na Martine Syms, Museum of Modern Art
 Flashartonline.com
 Archive.kchungradio.org
 Vimeo.com
 Mbipụta Dominica

Òtù:Mmadụ ndi di ndụ
Òtù:Pages with unreviewed translations