Berry Bickle

Category:Articles with hCards
Berry Bickle (a mụrụ ya n'afọ 1959) bụ onye mba Zimbabwe na-ese ihe nke bi na Maputo. A mụrụ ya na Bulawayo, Bickle gụrụ akwụkwọ na  Chisipite Senior School na Harare. Mgbe e mesịrị, ọ gara Durban Institute of Technology, ebe ọ nwetara nzere diplọma mba na nka, na Mahadum Rhodes nke mba South Africa, ebe o nwetara nzere mastas na nka. Bickle bụ onye guzobere Bulawayo's Visual Artists' Association.

Ọ na-ekewa oge ya n'etiti Zimbabwe na Mozambique, ọrụ ya na-enyocha akụkọ ihe mere eme nke mpaghara ahụ. N'afọ 1988, ya na Tapfuma Gutsa haziri nzukọ Pachipamwe, nzukọ Triangle Art Trust nke mbụ a haziri na Afrịka.Pachipamwe International Artists' Workshop is held annually in Zimbabwe between 1988 to 1994. Set of images of the workshop. N'afọ 2010, ọ ghọrọ Rockefeller Foundation Creative Arts Fellow ma na-arụ ọrụ na Rockefeller Foundation Bellagio Center na usoro Suite Europa .

 Ọrụ 
Berry Bickle bụ onye na-ese ihe na multimedia nke na-arụ ọrụ na ntinye, ihe onyonyo, foto, na ceramik. Ọrụ ya bụ n'ozuzu nrụnye, ọ bụkwa ọrụ mgbasa ozi agwakọta nke gụnyere edemede; ụfọdụ gụnyere ihe onyonyo na foto. Bickle na onye mba Zimbabwe na-ahụ maka ụrọ, Marjorie Wallace, na-arụkọ ọrụ nke ọma. Ya na onye na-ese ihe na mba Peru bụ Adrian Velasquez arụkọla ọrụ.
Ihe ngosi ahụ na mbipụta Inscribing Meaning: Writing and Graphic Systems in African Art na-egosipụta ọnụnọ nke ederede na ọrụ Bickle na mkpa ọ dị ime iheInscribing Meaning: Writing and Graphic Systems in African Art, curated by Christine Mullen Kreamer, Mary Nooter Roberts, Elizabeth Harney, Allyson Purpura, Smithsonian National Museum of African Art, 2007. na ịnakọta okwu; na usoro a, onye na-ese ihe na-edepụta ọrụ ya "Re-Writes".Berry Bickle, Re-Writes in Inscribing Meaning: Writing and Graphic Systems in African Art, curated by Chistine Mullen Kreamer, Mary Nooter Roberts, Elizabeth Harney, Allyson Purpura, Smithsonian National Museum of African Art, 2007, p. 227-229; in particular the text refers to the works Wandering, Sarungano, Pessoa bowls series.

 "Maputo Utopias" series.[Melancholia from the series "Maputo Utopias", 2007 on IFA gallery website ].
 Suite Europa, 2010. Emepụtara usoro a n'oge obibi na Rockefeller Foundation Bellagio Center.
 Ịma mma ihi ụra, 2008
 Saịrini
 Ọbá akwụkwọ furu efu
 Ịwagharị
 Sarungano
 Pessoa bowls series

 Ihe ngosi 
A na-egosipụta ọrụ Berry Bickle na mba ụwa. N'afọ 2011, Bickle nọchitere anya Zimbabwe na Venice Biennale, n'oge ahụ ọ bụ ihe na-adịghị ahụkebe maka mba Afrịka. Pavilion Zimbabwe, nke Raphael Chikukwa haziri, akpọrọ "Ịhụ Onwe Anyị".

 Zimbabwe/Tanzania: ndị na-ese ihe n'oge a, Helsinki, 1993.
 5th Havana Biennalle, Cuba, 1994.
 Nke mbụ Johannesburg Africus Biennale, 1995.
 On the Road, Africa95, London, England, 1995.
 MBCA-Decade of Award Winners, National Gallery, Harare, 1996.
 Ndị na-ese ihe megide ogbunigwe, Franco / Mozambique Cultural Centre, Maputo, 1999.
 World Video Festival, Gates Foundation, Amsterdam, 1999.
 Artistes contemporains du Zimbabwe, Pierre Gallery, Paris, 1999.
 Women in African Art, Vienna, 1999.
 2001 El tiempo de Africa, Centro Atlantico de Arte Moderno, Gran Canaria "Siyaphambili-2000", National Gallery, Harare, 2001.
 Art dans le Monde, Paris, 2001.
 Africas: The Artist and the City: A Journey and an Exhibition, Barcelona, Spain, 2002.
 Afrika Remix - Zeitgenössische Kunst eines Kontinents - Museum Kunst Palast, Düsseldorf, 2004.
 Visions of Zimbabwe - Manchester Art Gallery, Manchester (England), 2004.
 Africa Remix, Centre Pompidou, Paris, 2005.
 Textures - Word & Symbol in Contemporary African Art - National Museum of African Art, Washington, DC, 2005.
 Africa Remix - Contemporary Art of a Continent - Hayward Gallery, London (England), 2005.
 Body of Evidence (Selections from the Contemporary African Art Collection) – National Museum of African Art, Washington, DC, 2006.
 Africa Remix - Contemporary Art of a Continent - Mori Art Museum, Tokyo, 2006.
 7ème Biennale de l'Art Africain contemporain - Dak'Art Biennale de l'art africain contemporain, ihe ngosi nke N'Goné Fall haziri n'usoro ihe ngosi nke onye ọ bụla, Dakar, 2006.
 Kwa afọ MUSART - Museu Nacional de Artes (MUSART), Maputo, 2007.
 Ọpụpụ11, Mbipụta dị ntakịrị Nkebi nke 1 - Ọpụpụ11, Grand-Leez, 2007.
 Africa Remix - Contemporary art of a continent - Johannesburg Art Gallery (JAG), Johannesburg, 2007.
 L'oeil-Écran Ou La Nouvelle Image - Casino Luxembourg - Forum d'art contemporain, Luxembourg, 2007.
 Ọpụpụ11, Ngosipụta 02 - Ngosipụta nchịkọta - Ọpụpụ11, Grand-Leez, 2007.
 Videozone 4 - Videozone - International Video-Art Biennial, Tel Aviv, 2008.
 Ifa-Galerie Berlin, Berlin, 2008.
 Chance encounters - Sakshi Gallery, Mumbai, 2008.
 Animais: Caracterização e Representação - Museu Nacional de Artes (MUSART), Maputo, 2008.
 Chance Encounters - Seven Contemporary Artists from Africa - Centre for Contemporary Art, Lagos (CCA, Lagos), Lagos, 2009.
 Maputo: A Tale of One City - Oslo Kunstforening, Oslo, 2009.
 Biennale di Venezia - 54th International Art Exhibition, Pavilion of Zimbabwe, ngosi Seeing Ourselves curated by Raphael Chikukwa, Venice, 2011.
 The Divine Comedy. Eluigwe, Purgatory na Hel nke ndị na-ese ihe n'Afrịka nke oge a na-elegharị anya, 2014 Museum für Moderne Kunst (MMK), Frankfurt am Main.

 Leekwa 

 Ihe osise Zimbabwe

 Ebensidee 

 Akwụkwọ ọgụgụ 

 Gaël Teicher, Berry Bickle: plasticienne, Editions de l'Oeil, Paris, 2008.
 "A carta de Gaspar Vezoso I : TZR studies a painting by Berry Bickle", Zimbabwean Review 3 (2), April–June 1997: 1–2.
 A. J. Chennells, "Empire's offspring" in Gallery: the art magazine from Gallery Delta (7 March 1996): 3–6
 Peter S. Garlake, "Memory, mischief and magic in the country of my heart" in Gallery: the art magazine from Gallery Delta (17 September 1998): 22–25.
 Helen Lieros, "Earthãwaterãfire, ọrụ Berry Bickle na-adịbeghị anya" na Gallery: magazin nka sitere na Gallery Delta (11 Machị 1997): 20–21.
 Pierre-Laurent Sanner, "Berry Bickle" na Revue Noire 28 (March–April–May), 1998: 224–227.

 Njikọ mpụga 

 Ebe nrụọrụ weebụ Berry Bickle
 Ihe ngosi nke ọrụ Berry Bickle

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