Alexandre Benois

Alexandre Nikolayevich Benois (; ),Salmina-Haskell, Larissa. Russian Paintings and Drawings in the Ashmolean Museum. pp. 15, 23-24. Published by Ashmolean Museum, 1989Various sources, e.g. Encyclopædia Britannica, give his birth date as 21 April (Julian)/4 May (Gregorian). This cannot be correct; it implies a 13-day gap between the calendars; however, in 1870 the gap was 12 days. adalah seorang seniman Rusia, kritikus seni, sejarawan, kolektor dan anggota pendiri Mir iskusstva (Dunia Seni), sebuah gerakan seni dan majalah.Owen, Bobbi. Costume Design on Broadway: Designers and Their Credits, 1915-1985. p. 19 Greenwood Press: New York, 1987 Sebagai desainer untuk Ballets Russes di bawah Sergei Diaghilev, Benois menggunakan apa yang dianggap sebagai pengaruh mani pada balet dan desain panggung modern.

 Referensi 

 Bibliografi 
Katerina Clark, Petersburg: Crucible of the Cultural Revolution (Cambridge, MA, 1995).
John E. Bowlt, The Silver Age: Russian Art of the Early Twentieth Century and the 'World of Art' Group (Newtonville, MA, 1982).
Janet Kennedy, The Mir Iskusstva Group and Russian Art, 1898-1912 (New York, 1978).
Sergei Makovskii, Stranitsy khudozhestvennoi kritiki – Kniga vtoraia: Sovremennye Russkie khudozhniki (Saint Petersburg, 1909).
Gregory Stroud, Retrospective Revolution: A History of Time and Memory in Urban Russia, 1903-1923 (Urbana-Champaign, Illinois: University of Illinois at Urbana-Champaign, 2006).

 Pranala luar 


This Alexandre Nikolayevich Benois collection contains a skechbook with costume and set designs for Giselle by Adolphe Adam (1924) held by Jerome Lawrence and Robert E. Lee Theatre Research Institute, The Ohio State University Libraries.

Kategori:Pelukis Rusia