Raoul Lachenal

Ɗan Edmond Lachenal, Raoul Lachenal, ya yi aiki a ɗakin studio na mahaifinsa har zuwa 1911, lokacin da ya kafa sabon bita a Boulogne-sur-Seine . Duk da cewa wasu daga cikin kayan zane na Raoul Lachenal's Art Nouveau sun yi kama da kayan zane na mahaifinsa, ya kuma samar da kayan ado na musamman waɗanda za su iya yin tsayayya da ayyukan ƙwararrun masu zane-zane kamar Ernest Chaplet da Albert Dammouse.  A mafi kyawun aikinsa, ana iya kwatanta Lachenal da waɗannan manyan jaruman Faransa na sake fasalin tukwane .

Lachenal ya fara nuna kayan adonsa na Art Nouveau a shagunan gyaran gashi na Paris a shekarar 1904. Hotunan zamani sun nuna kayan ado masu siffar jiki ta halitta, hannayen da aka yi amfani da su wajen ɗaurewa, da kuma kayan ado da aka yanke kamar aikin Edmond Lachenal tun daga shekarar 1900. Ganin cewa uba da ɗa suna da gidan talla, batun marubutan ba shi da tushe a matakai daban-daban, musamman waɗanda suka shafi tasiri kai tsaye da kuma haɗin gwiwa. Duk da haka, kayan ado na ɗan ya bambanta ta hanyar amfani da kayan ado na gargajiya da kuma shimfidar glazes masu zafi sosai.

Tukunyar hannu ta whiplash ta yi fice wajen ƙira da kuma tasirin glaze, inda aka tsara hannayen a hankali a kusa da lebe da kafadar kayan, wanda ke fitar da sabon kuzari zuwa wani zane mai suna Art Nouveau leitmotif da aka yi amfani da shi fiye da kima. Abin da ya sa wannan kayan ya zama rayuwa, duk da haka, shine gilashin da aka yi amfani da shi mai kauri, wanda launukansa masu launin shunayya suka bambanta kamar yadda suke canzawa a zurfin jiki.

 Manazarta 
JJ