Anne Barlow

Anne Barlow mai kula sannan kuma darakta ce a fagen Fasahar zamani ta duniya, kuma a halin yanzu ita ce Daraktan Tate St Ives,  Art Fund Museum of the Year 2018.  A can tana jagorantar da kuma kula da hangen nesa da shirin fasaha, gami da nune-nunen wucin tsaro, nune-nununen tarin, mazaunan masu zane-zane, sabbin kwamitocin, da shirin ilmantarwa da bincike. A Tate St Ives, Barlow ya shirya nune-nunen solo na aikin masu fasaha ciki har da: Outi Pieski (2024); Hera Büyüktaşcıyan (2023); Burçak Bingöl (2022); Prabhakar Pachpute (2022)); Thảo Nguyên Phan (2022)); Petrit Halilaj (2021); Haegue Yang (2020); Otobong Nkanga (2019); Huguette Caland (2019); Amie Siegel (2018) da Rana Begum (2018). Sannan ta kuma kasance mai kula da "Naum Gabo: Gine-gine don Rayuwa ta Gaskiya" (2020) kuma mai kula da haɗin gwiwa tare da Castello di Rivoli, Turin don Anna Boghiguian a Tate St Ives (2019). 

 Sana'a 
Barlow ta kasance tsohuwar Daraktar Fasaha na Tate St Ives (2017-2018)   da Daraktan Art a Gabaɗaya  a Birnin New York (2007-2016). A lokacin da take aiki a Art in General, ta ba da izini da kuma tsara ayyukan  tare da masu fasaha ciki har da: Dineo Seshee Bopape (2016); Donna Huanca (2015); Adelita Husni-Bey (2015); Marwa Arsanios (2015); Basim Magdy (2014); Sara Greenberger Rafferty (2014); Jill Magid (2013); Meriç Algün Ringborg|Meriç Algun Ringborg (2013); Shezad Dawud (2013); Anetta Mona Chişa da Lucia Tkáčová (2013); Ohad Meromi (2010); Surasi Kusolwong (2007) da Ana Prvacki (2007). Barlow kuma ya ƙaddamar da kula da haɗin gwiwar shirye-shirye tare da ƙungiyoyin fasaha a Brisbane, Bucharest, Alkahira, Holon, Lisbon, London, Manchester, Riga, Tallinn, Tbilisi, Vilnius, Warsaw, da Zagreb. A cikin shekarar 2014, ta ƙaddamar da Art in General's award-win lashe-gasar taron shekara-shekara "Menene Yanzu?" akan batutuwa masu mahimmanci da lokaci a cikin filin, kafa haɗin gwiwar ilimi tare da Cibiyar Lissafi na Vera don Art da Siyasa a Sabuwar Makaranta, New York, da kuma kula da taron tattaunawa "Haɗin kai da Tari"  (2014); "Siyasar Sauraro"  (2015); da kuma "Akan Identities na gaba"  (2016).

A cikin shekarar 2023, Barlow ta ba da kyautar Samdani Art Award don taron Dhaka Art na shida বন্যা / Bonna, Bangladesh.   Ta tsara kuma ta ba da gudummawa ga ayyuka da yawa na shekara-shekara ciki har da "Dabarun nan da Yanzu";   "Arewa ta Arewa maso Gabas",  Latvia Pavilion a 55th Venice Biennale (Co-Curator, 2013); 2nd Tbilisi Triennial,  Jojiya (mai kula da aikin bako, 2015) da "Ci gaba da Kashewa" don Nunin Urushalima VII,  wanda aka gabatar a cikin tsarin Qalandiya International na biyu (mai kula da fina-finai na baƙi, 2014). A cikin shekarar 2013, ta ƙaddamar da Ɗabi'ar Ƙarni na "Armory Open Forum"  shirin don Nunin Armory, New York      

Kafin Art in General, Barlow ya kasance Mai Kula da Ilimi da Shirye-shiryen Watsa Labarai a Sabon Gidan Tarihi, New York (1999-2007) inda ta jagoranci sabbin kafofin watsa labarai na sashen, shirye-shiryen jama'a, da ayyukan haɗin gwiwa. Daga shekara ta 2004–2006, ta yi tunani da haɓaka yunƙurin "Museum as Hub"  kuma ta kafa haɗin gwiwa na farko  a Alkahira, Eindhoven, Mexico City, da Seoul. Ta kuma tsara gidajen tarihi da yawa da nune-nunen kan layi; ƙaddamar da samar da Shirye-shiryen Al'adun Dijital na gidan kayan gargajiya; da kuma shirya dawafi tsakanin ladabtarwa, shirye-shiryen jama'a, wasan kwaikwayo da watsa shirye-shirye. Ta kasance mai kula da fasahar zamani da ƙira a Glasgow Museums (1994 – 1999), inda ta lura da tarin zane-zane na zamani na duniya, shirin nune-nunen, wuraren zama na masu fasaha, kwamitoci, da sabbin saye.

Barlow ya kasance memba na juri na bangarori da kyaututtuka da yawa ciki har da: 2023 Ars Fennica Award, Helsinki, Finland (2023);  The Arts Foundation Futures Awards for Visual Arts (2022), London, UK;  Artist of Tomorrow, Prishtina, Kosovo (2020-22 da 2016); Kwamitin Zaɓin Pavilion na Burtaniya, 58th Venice Biennale (2019);  MAC International 2018, Belfast, Northern Ireland (2018);  "Montblanc Foundation Curatorium" (2017-2019); Lebanon Curatorial Center Advisory Committee, Mumbai Art Exhibition, India (2016)  Kyautar Fasaha ta zamani, Latvia (2016 da 2015); Kyautar T-HT, Zagreb, Croatia (2014); da Kyautar Akbank Curatorial, Istanbul, Turkiyya (2013). Barlow ya kuma kasance mai ba da shawara / mai ba da shawarar ga kungiyoyin tallafi ciki har da: Creative Capital, New York (2005 da 2006); Majalisar Jihar New York kan Fasaha (2003-2005); da Gidauniyar Rockefeller (2002 da 2003); kuma ya ba da lacca, ya dai-daita ko ya shiga cikin tattaunawa a ƙungiyoyi ciki har da Istanbul Modern (2020); Govett-Brewster Gallery, New Plymouth, New Zealand (2019); Art Basel Tattaunawa ta Art Basel Hong Kong (2019);  Tate Modern Art League, ASSportation (2018 da 2019);  Cibiyar Harkokin zamani;  Cibiyar Harshen zamani ta zamani ta zamani;  IS IS IS IS;  Stockholm;  Cibiyar Harshaw (2018 da 2015;  Ci gaba (2018 da 2014). A cikin 2020, Jami'ar Fasaha ta Plymouth ta ba Barlow lambar yabo ta girmamawa don nuna godiya ga gudummawar da ta bayar ga zane-zane da al'adu.

 Labarai 
Barlow edita ne/mai ba da gudummawa ga wallafe-wallafe da dama da suka haɗa da:

 'Radical Softness' a cikin Outi Pieski, Tate St Ives, UK (mai edita da mai ba da gudummawa, 2024)
 "Ƙungiyoyin da ba su sani ba" a cikin Masu Rarraba Duniya: Jarida ta Hera Büyüktaşcıyan, Tate St Ives, UK (2023)
 Rubutun mawaƙi akan Shiraz Bayjoo, Huma Bhabha, Huguette Caland, da Jumana Manna don A cikin Zuciyar Wata Ƙasa: Tunanin Ƙwararru a cikin Tarin Gidauniyar Sharjah Art Foundation, wanda Omar Kholeif ya shirya, wanda Snoeck, Deichtorhallen, Hamburg da Sharjah Art Foundation suka buga (mai ba da gudummawa, 2023) 
 "Kalma", a cikin Burçak Bingöl: Ƙananan Vibrations akan Duniya, Tate St Ives, UK (2022)
 Füsun Onur: A wani lokaci... Rukunin Turkiyya—Baje kolin fasaha na kasa da kasa na La Biennale di Venezia na 59, eds. Bige Örer da Nilüfer Şaşmazer, wanda Gidauniyar Al'adu da Fasaha ta Istanbul (İKSV) ta buga tare da Mousse Publishing don bugun Turanci, da Yapı Kredi Publications (YKY) don bugun Turkiyya (mai ba da gudummawa, 2022). 
 "Tarihin da ba a gama ba" a cikin Petrit Halilaj: mai tsauri sosai akan wannan koren gashin tsuntsu, Tate St Ives, UK (mai edita kuma mai ba da gudummawa, 2021)
 "John Wells" a cikin Labarin Anchor Studio, ed. Elizabeth Knowles, Borlase Smart John Wells Trust, Burtaniya (mai ba da gudummawa, 2021) 
 "Kalma" a cikin Rana Begum: Space Light Color, edited by Anita Dawood, Lund Humphries Publishers Ltd., UK (mai ba da gudummawa, 2021) 
 "Babu Haɗin Kai Ba tare da Jiki ba", Hira da Zineb Sedira, Jaridar PASS, Ƙungiyar Biennial ta Duniya (tare da Sylvie Fortin, 2021) 
 "Haɗuwar Asymetrical" a cikin Haegue Yang: Masu jan hankali masu ban mamaki, Tate St Ives, UK (mai edita da mai ba da gudummawa, 2020) 

Barlow kuma ya buga a cikin mujallu na fasaha da mujallu kamar ArteEast Quarterly, Mujallar ArtPulse, Jaridar Nazarin Curatorial, da Ibraaz.

 Ilimi 
Barlow yana kuma da Masters a cikin Tarihin Art daga Jami'ar Glasgow, Scotland.

 Manazarta 

 Hanyoyin haɗi na waje 

 Tate St Ives
 Art a Gaba ɗaya
Rukuni:Rayayyun mutane