Rashin jituwa

Untangling hoto ne mai launi wanda mai ɗaukar hoto na ƙasar Kanada Jeff Wall ya ƙirƙira a shekarar 1994. Hoto ne da aka tsara, kamar yawancin hotunansa, wanda ke nuna wani yanayi da ke faruwa a wani ɗakin aiki na ƙasa inda, a gaba, makaniki yana ƙoƙarin buɗe babban tarin igiya. Hoton yana nuna launin cibachrome, kuma an nuna shi a cikin akwatin haske. 

 Bayani da bincike 
Wall sau da yawa yana samun kwarin gwiwa daga zane da sinima, da sauran hanyoyin sadarwa, don ƙirƙirar hotunansa na shirye-shirye. An shirya wannan a cikin wani situdiyo, inda aka sake ƙirƙirar shi kamar yadda aka saba a ɗakin aiki na ginshiki, inda 'yan wasa biyu ke kwaikwayon makaniki da kuma wanda zai iya zama abokin ciniki. Ana ganin makaniki yana zaune a hagu a kan tarin bututun roba. Yana sanye da kayan makaniki kuma yana fara aiki cikin haƙuri na kwance babban tarin igiya, kwance a ƙasa, a gabansa. Fuskarsa ta nuna yawan aiki da lokacin da har yanzu yake da shi. A bango akwai ɗakunan ajiya guda biyu tare da abubuwa da yawa, galibi suna da alaƙa da makaniki, kuma a hagu, an ga wani mutum yana kallo da kyau, wataƙila yana neman wani abu, alhali a bayyane yake bai san aikin mutumin a gaba ba.[1]

Robert Nelson, mai sukar fasaha, ya faɗi game da hoton: "Nails ɗin suna yaɗuwa a gaba cikin wani abin ɗaurewa mai girgiza, suna tunawa da tsohuwar ƙungiyar sassaka ta Laocoön. / Alamar wannan abin da aka yi amfani da shi da kuma iskar murabus a cikin mutumin da ke fuskantar ƙalubalen ya sa alama mai ƙarfi ta rashin yiwuwa, ko aikin da ke ɓata rai na gane shi. Hoton ya fassara ayyukan Hercules zuwa wani abu na tunani, inda suke sa kuzarinmu - ko rashinsa - ya zama bayyananne." 

 Tarin jama'a 
Akwai kwafin wannan hoton a National Gallery of Victoria, da ke Melbourne, da kuma Kunstmuseum Wolfsburg .   An yi zargin cewa dala AU 1,000,000 ne suka sayi kwafin da aka ajiye a National Gallery of Victoria a shekarar 2006, amma sayarwa ce ta sirri kuma ba a tabbatar da ainihin farashinsa ba. 

 Manazarta 
Untangling fantasy from reality, The Sydney Morning Herald, 5 December 2012