Gisan tarihin indiya

Gidan kayan tarihi na kasa a New Delhi, wanda kuma aka sani da National Museum of India, yana daya daga cikin manyan gidajen tarihi a Indiya. An kafa shi a cikin 1949, yana riƙe da labarai iri-iri tun daga zamanin tarihi zuwa ayyukan fasaha na zamani. Yana aiki a ƙarƙashin Ma'aikatar Al'adu, Gwamnatin Indiya. Gidan kayan gargajiya yana kan Janpath."About us". Archived from the original on 14 April 2010. Retrieved 18 May 2010. Kwamitin Gwyer da gwamnatin Indiya ta kafa a shekara ta 1946 ne ya shirya zanen Gidan Tarihi n Ƙasa. Gidan kayan tarihin yana da ayyukan fasaha kusan 200,000, galibin Indiyawa, amma wasu daga ƙasashen waje, wanda ya shafe sama da shekaru 5,000.

Har ila yau, tana da Cibiyar Tarihi ta Tarihi, Kariya da Musanya a bene na farko da aka kafa a 1983 kuma ta kasance jami'a tun 1989, tana gudanar da darussan matakin digiri na biyu da na digiri a cikin tarihin fasaha, kiyayewa da kuma kayan tarihi.National Museum Institute of History of Art, Conservation and Museology, website". Archived from the original on 25 November 2018. Retrieved 18 May 2010.
Tarihi
A cikin 1946, kwamitin Gwyer ya gabatar da ra'ayin gina Gidan Tarihi na Ƙasa don Indiya. Sir Marice Gwyer, tsohon babban alkalin kasar Indiya kuma mataimakin shugaban jami'ar Delhi ne ya jagoranci kwamitin. Daya daga cikin mambobin kwamitin shi ne Sir Mortimer Wheeler, sannan ya jagoranci Cibiyar Nazarin Archaeological na Indiya (ASI), wanda galibi ana ambatonsa a matsayin manyan masu kafa gidan tarihi na kasa yayin da yake ba da shawarar ci gaban gidan kayan gargajiya duk da cewa rahotanbi sun nuna cewa ya damu da hada kan gidajen kayan tarihi na ASI a karkashin inuwar reshen gidan kayan gargajiya maimakon kafa sabon gidan kayan gargajiya Phillips, Kristina (2006). A Museum for the Nation: Publics and Politics at the National Museum oIndia (PhD). Minnesota.. Sir Sobha Singh ya ba da kwangilar aikinDayal, Mala (2010). Celebrating Delhi. Penguin Books India. ISBN 978-0-670-08482-1.
Pant, GN; K.K. Sharma (2001). Indian Armours in the National Museum Collection – A catalogue. National Museum, New Delhi. "Collection". Archived from the original on 26 March 2010. Retrieved 18 May 2010.
 "History of the National Museum". Archived from the original on 1 July 2020. Retrieved 19 December 2013. baje kolin baje kolin a locikin gidajen tarihi na Burlington House a cikin watannin hunturu na 1947-48.National Museum, New Delhi". National Portal and Digital Repository for Indian Museums. Archived from the original on 26 June 2019. Retrieved 29 October 2019. Wannan baje kolin fasahar Indiya da Pakistan a Landan za a iya cewa shi ne nuni na farko da gwamnatin Burtaniya ta dauki nauyinsa wanda ya ba kayayyakin tarihin Indiya matsayin babban fasaha. Singh, Kavita (5 July 2017), "The Museum is National", No Touching, No Spitting, No Praying, Routledge, pp. 107–131, doi:10.4324/9781315090481-7, ISBN 9781315090481 komawa zuwa Indiya, tare da JawaharlalBuck, Tracy (2008). "Confronting the Other in the Nationalist Art History Narratives and National Museum of India". NaMu Conference. Lokacin da aka yanke shawarar yin gidan kayan gargajiya na dindindin, an fara nuna abubuwan nunin a cikin dakunan jihar na Rashtrapati Bhavan (wanda ake kira Gidan Gwamnati) a ranar 15 ga Agusta 1949, kuma C. Rajgopalachari, Gwamna Janar na Indiya ya buɗe dakunan a hukumance.National Museum- Bulletin No bHar zuwa tsakiyar 1950s, da gaske ya kasance sigar dindindin na nunin wucin gadi - wanda ya ƙunshi guda ɗaya, kuma ya rage a cikin dakunan jihohi. A cikin 1955 ginin ya fara a kan sabon wurin da ake gina gidan tarihi na kasa a Janpath.Buck, Tracy (2007). Confronting the Other in the Nationalist Art History Narratives and National Museum of India.
wakilci mafi girma a wajen kantaDurbar Hall | Rashtrapati Bhavan". rashtrapatisachivalaya.gov.in. Archived from the original on 5 October 2019. Retrieved 29 October 2019
Sharma, Ritwik. "The National Museum in Delhi is on its third and final phase of expansion". Business Standard. Archived from the original on 8 January 2023. Retrieved 23 October 2019.
Grace Morley ita ce darekta na farko na Gidan Tarihi na Kasa, New Delhi, wanda a baya ya taka rawar gani a matsayin darektan kafa (1935-58) na San Francisco Museum of Art (yanzu San Francisco Museum of Modern Art).Parra-Martinez, Jose; Crosse, John (2018). "Grace Morley, the San Francisco Museum of Art and the Early Environmental Agenda of the Bay Region (193X-194X)". Feminismo/s (32). doi:10.14198/fem.2018.32.04. hdl:10045/85110. ISSN 1696-8166. Archived from the original on 29 October 2019. Retrieved 29 October 2019., ] Ta shiga gidan tarihi na kasa a ranar 8 ga Agusta 1960 kuma ta ci gaba da rike mukaminta har tsawon shekaru shida. Banerjee, Priyatosh. "DR. GRACE MORLEY AS THE DIRECTOR OF THE NATIONAL MUSEUM, NEW DELHI (1960–1966)". Archived from the original on 3 March 2016. Retrieved 23 October 2019.Ta kasance ɗaya daga cikin masu fafutukar tabbatar da dimokraɗiyya na al'adu waɗanda suka yi imanin cewa ya kamata fasaha ta kasance ga kowa da kowa-kuma ta kasance da tabbaci game da muhimmiyar rawar da gidajen tarihi za su iya takawa a wannan yunƙurin. "Grace McCann Morley and the Modern Museum · SFMOMA". www.sfmoma.org. Archived from the original on 29 October 2019. Retrieved 29 October 2019. cikin kayan aikinta na Gidan Tarihi na Ƙasa, an aiwatar da wannan sha'awar ba da zaman lafiya da mulkin demokraɗiyya ta hanyar gabatar da sassaka a cikin filaye masu farar fata-cube tare da ƙarancin bayanan mahallin. Morley, Grace. A Brief Guide to National Museum. p. 3. ce tsarin nuninta na 'ma'ajiyar gani', Morley, Grace. A Brief Guide to National Museum. p. 3. ƙaramin teak ɗin teak, injin sanyaya iska, hasken waƙa, da manyan gilashin gilasai tare da ɗimbin gilasai don nau'ikan gani wanda ya kai ga gidan kayan gargajiya ya sami karɓuwa na duniya kuma gidan kayan gargajiya a cikin aikinsa har yanzu yana nuna hotonta. Ta umurci kafintoci da su gina akwatunan nuni da gadaje irin na Eamesian, katifa da shari'o'in da ke nuna na zamani, layukan da ba su da kyau. Irin waɗannan abubuwa sun samar da cikakkiyar madaidaicin mataki don wasan kwaikwayon na zamani ta hanyar kallon masu sauraro. Shirye-shiryen launi masu jituwa, ban mamaki, haske mai duhu, matattarar sararin samaniya a kusa da abubuwa masu matakin ido, da tsire-tsire masu ganye na lokaci-lokaci don dakatar da gani, duk sun ba da gudummawa ga ƙirƙirar gidan kayan gargajiya na zamani10.4324/9781315090481-8

Gine-gine

Gidan kayan tarihi na ƙasa, fitar da tsarin gini"Treasures of National Museum, India - Google Arts & Culture". Google Cultural Institute. Archived from the original on 3 February 2019. Retrieved 11 November 2018. Sengupta, Anwesha (October 2014). "Breaking up: Dividing assets between India and Pakistan in times of Partition". The Indian Economic & Social History Review. 51 (4): 529–548. doi:10.1177/0019464614550767. ISSN 0019-4646. S2CID 153448066.
Treasures. New Delhi: Niyogi Books. 2015. ISBN 978-93-83098-80-4.
Duban ciki na Ginin kayan tarih hi
Gine-gine na yanzu na National Museum an tsara shi ne ta hanyar gine-gine Ganesh Bikaji Deolalikar, kuma Firayim Minista Jawaharlal Nehru ya aza harsashin ginin a ranar 12 ga Mayu 1955. Da zarar an shirya ginin, Dokta Sarvepalli Radhakrishnan, mataimakin shugaban Indiya, ya kaddamar da sabon gidan kayan gargajiya, a ranar 18 ga Disamba 1960 a Luwin ya kafa filin Lwin. shirin don Gidan Tarihi na Imperial kuma wani karamin gidan kayan tarihi na tsakiyar Asiya ya mamaye shi wanda ke dauke da muhimmin tarin mai binciken Sir Aurel Stein.Singh, Kavita (5 July 2017), "The Museum is National", No Touching, No Spitting, No Praying, Routledge, pp. 107–131, doi:10.4324/978131bb5090481-7, ISBN 9781315090481 http://museumsofindia.gov.in/repository/record/nat_del-59-530-2-4854/National Archived 21 April 2023 at the Wayback Machine Portal and Digital Repository
,Treasures. New Delhi: Niyogi Books. 2015. ISBN 978-93-83098-80-4.
An shirya gina ginin gidan kayan tarihi na ƙasa a matakai don a ƙarshe ya ba shi siffar octagonal. An kaddamar da kashi na farko a shekarar 1960, na biyu kuma an kammala shi a shekarar 1989. A kashi na uku kuma na karshe, an aza harsashin ginin a ranar 18 ga Disamba, 2017, kuma ya shafi rushe ginin Archaeological Survey of India (ASI) wanda aka koma Dharohar Bhawan.Sharma, Ritwik. "The National Museum in Delhi is on its third and final phase of expansion". Business Standard. Archived from the original on 8 January 2023. Retrieved 23 October 2019. Kamar yadda taswirori na ainihin shirin ke ba da shawara, kusan kashi ɗaya cikin huɗu ya rage don ƙarawa don kammala ginin. Ginin kayan tarihi na kasa yana da benaye guda uku tare da tasoshin da ke haskakawa daga kotun tsakiyar lambu.<ref> McCray, Porter (1982). "Oral history interview with Grace Morley, 1982 Feb. 6-Mar. 24". Archives of American Art. Archived from the original on 15 July 2021. Retrieved 23 October 2019.</ </ref> cibiyar kayan tarihi ta ƙasa, wacce kean bene na farko na gidan kayan gargajiya kuma yana da matsayin "wanda ake zaton jami'a ne", zai koma sabon harabar a Noida.Sharma, Ritwik. "The National Museum in Delhi is on its third and final phase of expansion". Business Standard. Archived from the original on 8 January 2023. Retrieved 23 October 2019.
Singh, Kavita (5 July 2017), "The Museum is National", No Touching, No Spitting, No Praying, Routledge, pp. 107–131, doi:10.4324 Phillips, Kristina (2006). A Museum for the Nation: Publics and Politics at the National Museum of India (PhD). Minnesota.
National Museum -Bulletin, Number 10 (June–December 2013) 978-93-83098-80-4 Collection". Archived from the original on 26 March 2010. Retrieved 18 May 2010.

Nunin: Haɗin Indo-Siam
Wani baje kolin mai taken "Indo-Siam Connect: Binciken Al'adun Indiya a cikin fasahar Thai da dangantakar diflomasiyya tsakanin Indiya da Tailandia. Nunin, ya gabatar da ra'ayoyin al'adun gargajiyar da ke nunawa ta hanyar haɗin Indo-Siam kamar yadda aka gani a cikin ahbubuwa da National Museum, New Delhi". www.nationalmuseumindia.gov.in. Archived from the original on 13 April 2023. Retrieved 13 April 2023 The Indo-Siam Connect: Tracing the Indian Heritage in Thai Art and Living traditions, 28 February 2023, archived from the original on 13 April 2023, retrieved 13 April 2023 'The Indo-Siam Connect: Tracing the Indian Heritage in Thai Art and Living traditions, 28 February 2023, archived from the original on 13 April 2023, retrieved 13 April 2023
"The Special Exhibition on "The Indo-Siam Connect"". Royal Thai Embassy. 1 March 2023. Archived from the original on 21 April 2023. Retrieved 13 April 2023.
Wannan baje kolin ya gabatar da bambance-bambancen maudu'i ta hanyar nuna ci gaban da aka samu a kan lokaci, da kuma nau'ikan abubuwan gani daban-daban, wadanda ke nuna ci gaba da kuzarin alakar al'adu da fasaha da kasashen biyu ke yi. An gano alaƙar da ke tsakanin al'ummomin biyu ta hanyar ra'ayin kewayawa, daidaitawa da motsi na mutane, kayayyaki, da tsarin imani, wanda ya sauƙaƙa cikin hanyoyin watsa al'adu da ƙaddamar da gumaka, rubutu da ayyukan fasaha. Sakamakon haka, ya kai ga kafa biranen tsarkakewa a matsayin wakilcin ikon mulkin kasa da sarauta. Waɗannan sun dogara ne akan ra'ayoyin haɗin kai na alamar sararin samaniya, goyon bayan allahntaka da ruhaniya, wanda aka yi alama ta hanyar ƙirƙirar fitattun gine-ginen gine-gine, ciki har da temples da stupas. Wannan yaɗuwar musayar al'adu, wanda ke bayyana a cikin neman farkawa da ilmantarwa na ruhaniya, ya haifar da yada alamomi, al'adu, ayyukan yogic al'adun baka da tsarin imani. Wannan tafiya ta gani ta haskaka dukkan wadannan madogara daban-daban ta hanyar wadatar nau'ikan nune-nune da aka nuna.'The Indo-Siam Connect: Tracing the Indian Heritage in Thai Art and Living traditions, 28 February 2023, archived from the original on 13 April 2023, retrieved 13 April 2023
National Museum, New Delhi". www.nationalmuseumindia.gov.in. Archived from the original on 13 April 2023. Retrieved 13 April 2023 One Hundred Sixty Seventh Report on the Functioning of National Museum" (PDF). www.google.com. Archived (PDF) from the original on 17 October 2022. Retrieved 3 November 2019. Pratapaditya (2015). In pursuit of the past : collecting old art in modern India, circa 1875–1950. Mumbai. pp. 50–53, 135. ISBN 9789383243099. OCLC 927320600. National Museum". Archived from the original on 1 July 2020. Retrieved 23 October 2019.
Baxi, Smita J. Dwivedi, Vinod P. (1973). Modern museum : organisation and practice in India. Abhinav. OCLC 471579325
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