Phyllis Green

Phyllis Green ƙwararriyar mai zane ce kuma malama wanda ke zaune a yankin Los Angeles. Ta fi mayar da hankali kan sassaƙa ta amfani da kayan aiki da dama da fasaha na ƙirƙira don gano abubuwa da mahallin zamantakewar su, siyasar jinsi, mabuƙata da ruhaniya, amma kuma ta samar da bidiyo, shigarwa da fasaha na fasaha.   Masu sukar suna kwatanta aikinta ta hanyar sana'a da haɗin kai tare da bayyanar saman, maɓuɓɓuka daban-daban, juxtapositions marasa dai-daituwa, da ƙasa a cikin jikin mace da abun ciki na misaltawa.    Aikinta na farko ya girma ne a cikin shekarar 1970s na mata da kuma wayar da kan jama'a, yayin da aikinta na baya ya sami kwarin gwiwa daga reshen Vedanta na ruhin Hindu.    A cikin shekarar 2018, mai sukar Sculpture Kay Whitney ya rubuta, "Green's polymorphously karkatacciyar tunani da tunani na gwaji yana ƙididdige zato na tarihi game da jinsi da al'adu, yayin da hotunanta masu kyalli da kyalkyali suke yi a matsayin inuwa-allon ga manya da zurfi." 

Green ta karɓi Guggenheim Fellowship da tallafi daga Gidauniyar Pollock-Krasner, Kyauta ta Kasa don Arts da Majalisar Kanada, da sauransu.   Ayyukanta na kayan tarihi ne da suka haɗa da Gidan kayan gargajiya na gundumar Los Angeles (LACMA),  Long Beach Museum of Art  da Winnipeg Art Gallery . 

Green tana dogara ne a Santa Monica kuma ya auri mai ɗaukar hoto Ave Pildas . 

 Rayuwa da aiki 
An haifi Green a Minneapolis, Minnesota amma ya girma a Winnipeg, Kanada. Ta halarci Jami'ar Manitoba, inda ta sami BA a Turanci a shekarar 1971.  Bayan tafiya zuwa Vancouver, ta juya zuwa fasaha, sakamakon tasirin mata. Ayyukanta na shekarar 1975, Boob Tree, ya ɗauki matsayi mai mahimmanci lokacin da aka zaɓa shi a matsayin kundin ƙasida da hoton hoto don nunin mata duka "Mace a matsayin Viewer" a Winnipeg Art Gallery.    Hoton na farko, mai ban dariya ya ƙunshi kututture irin na dabino sanye da nonon ruwan hoda wanda aka dunƙule a zaren sama da kayan aikin filastik; ya ƙunshi al'adun mata na tsokanar dawo da jikin mace na tsokana da ɓarna fiye da kima da sassaka na maza da mata masu laushi masu laushi da kuma sana'o'in "mata".  Shekaru talatin da shida bayan haka, Green ya dawo da Bishiyar Boob don wasan kwaikwayon "Winter ya kiyaye mu" (2012, Plug In ICA, Winnipeg). 

A cikin shekarar 1978, Green ya koma California don ci gaba da karatun digiri a Jami'ar California Los Angeles, yana nazarin yumbu tare da Adrian Saxe kuma yana samun MFA a shekarar 1981.   Daga baya ta sami karbuwa da wuri don nunin solo a Artspace (1982)  da nune-nunen ƙungiyoyi a gidan kayan tarihi na Downey na Art,  Laguna Art Museum  da Los Angeles Municipal Art Gallery . 

Tun daga wannan lokacin, Green yana da nune-nunen solo a Jan Baum Gallery (1988-94), LASCA Gallery (1996), Lemon Sky Projects (1998), Vielmetter Los Angeles (2003), Laburaren Tsakiyar Los Angeles (2013), LAM Gallery (2015) da Chimento Contemporary (2019) da jami'a da yawa.     A cikin 2011, wani bincike mai suna " Ƙwaƙwalwa na Ƙaƙwal na Ƙaƙwalwa ) ya buɗe a Ben Maltz Gallery a Otis College of Art and Design.  Green ya kuma bayyana a cikin Los Angeles County Artanet na Vousy "daga kan kai zuwa California: Art, Hoto na Artical" (298) da kuma " kayan tarihi na Tuchson na Art, guduma gidan kayan tarihi .   

 Aiki da liyafar 

 Aikin zane (1986-2013) 
Ayyukan Green a cikin shekarar 1980s sun mayar da hankali kan ƙananan sassaka masu zaman kansu da kayan taimako na bango waɗanda ba su da kariya a cikin kayan aiki da launi kuma a takaice cikin sharuddan ƙamus.  Jerinta na "Sticks and Bones" (1986-92) sun fito da kyakykyawan zarafi, reshe da chanjawar masana'antu da tsarin kasusuwa waɗanda nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan halittu suka haɗu da ƙirƙira da ƙirar halitta.   Wani bita na Art In America na shekarar 1989 ya bayyana jerin a matsayin samun "daidaitaccen layi" wanda ya haifar da motsin motsin ɗan adam (misali, rawa, kokawa, tashi) da tsokanar tsinkayar anthropomorphic.  

A farkon shekarun 1990, Green ya koma kan abubuwan da suka shafi gida, dabarun fasaha na "mata", da kuma batun jikin mace a cikin aikin wasan kwaikwayo wanda ya haɗu da kayan ado mai ban sha'awa, kayan gani na baroque da kayan ado.   Ta sami babban karɓuwa ga jerin "Turkish Bath" (1993-98), wanda aka yi wahayi daga zanen Jean-Auguste-Dominique Ingres na 1862 na sunan iri ɗaya.   Jerin ya ƙunshi abubuwa masu banƙyama, abubuwa masu ban mamaki waɗanda aka sanya a kan madaidaitan matashin kai da siliki-swathed pedestals (misali, Infanta Margarita, 1994-98) wanda Los Angeles Times mai suka Susan Kandel ta rubuta, abubuwan da ba su da kyau - ƙazafi, magnetism na dabba, haramun jin daɗi, jin daɗi na bayan gida - ga ni'ima" hyperbolic da rashin jurewa [kuma] a matsayin karkatacciyar hanya kuma mai da hankali kamar turare mai kyau."  Masanin tarihin zane-zane Jeanne Willette ya bambanta nunin Ingres na yawan naman mace don cin abinci na maza tare da tsarin mata na Green, wanda "neman fanshi mata ta hanyar magance matsalolin kayan ado da kayan ado." 

Hoton Green a cikin shekarar 2000s ya ci gaba da yin amfani da juxtapositions na kayan, dabaru, pop, tarihin tarihi da na zamani, da saƙon da aka nuna game da jinsi, jikin mace da kuma amfani.   L12 .​​ Ya ba da nishadi a fannonin jinsi na aikin Duchamp da kuma ƙarancin rinjaye na maza.   Abubuwan gyaran gashi na yumbu sun sake bayyana a cikin nunin Green, "Amelia and the Spinning Heads" (2003, Vielmetter Los Angeles), wanda yayi magana game da sirrin bacewar Amelia Earhart, kuma mafi fa'ida, ya nemi dawo da kyawawan manufofin mata; Ya haɗa da shugabannin "Amelia" na azurfa guda uku (hotunan salon gyaran gashi), wani fim mai rai wanda ya haɗa su, wasu sassaka na "gashin gashi", da kuma tufafi.  

Wani bita na Artillery na nunin bincike na Green's 2011 ya gane ayyukan matasan da aka tattara da gauraya (ciki har da jerin "Odd Old Things", 2008-10) don abubuwan da ba su dace ba da gangan, sabani masu ma'ana da "haɗari da asali ."

 Aikin da ke da alaƙa da Vedanta 
A cikin shekara ta 2014, Green ta fara samar da abubuwa da na'urori masu yin aiki waɗanda haɗin gwiwarta da Gidauniyar Christopher Isherwood suka rinjayi da nitsuwar marubuci a falsafar ruhaniya, Vedanta.    Waɗannan ɓangarorin sun haɗa al'adun pop-up tare da hoto mai tasiri na Vedic a matsayin misali don kiyaye buri na ruhaniya tare da ban dariya a cikin ƙalubalen rayuwa ta zamani. 

Nunin Green "Tafiya da Tafiya" (2015, LAM Gallery) ya ƙunshi ayyukan harshe-in-ƙunci bisa nassi yana ba da shawarar cewa almajiri ya kusanci guru "da itace a kan ku" (watau man fetur a matsayin hadaya); Daga cikin su akwai Coco Carrier, "hatsi" mai salo wanda daga cikin gandun daji na rassan ya tashi.   Ta kuma kirkiri jerin “masu-masu-duka, masu yawo masu cikakken jiki” da za ta iya shiga, ta zagaya, kowanne sanye da alkyabba na musamman, da na’urori da kuma ginshiki mai motsi mai dauke da dunkulewar itace ko farar fata.  

Nunin "Rayuwa Bayan Rayuwa Bayan Rayuwa" (2017, Chimento Contemporary) ya ba da irin wannan tsari tare da ayyuka irin su Tree and Birds (2017) - wani nau'i mai nau'i, kayan aiki na kayan aiki tare da tsuntsu mai kambi a saman kamar hula; ya yi ishara da wani rubutu na Vedic da ke kwatanta bishiyar da ke kewaye da tawaya, tsuntsaye masu hawa.   Five Sheaths ya ƙunshi riguna guda biyar masu kama da ƙyalli waɗanda ke rataye a saman rufi a kan ƙugiya masu kama da reshe, waɗanda suka yi nuni ga salon, ra'ayin Hindu na zama biyar da kuma karin magana cewa "muna canza rayuwa kamar yadda muke canza tufafi"; a zahiri, ya haɗu da sake reincarnation tare da haɗaɗɗiyar rawar da matan zamani ke fuskanta.   Kamar "masu yawo" nata na baya, abubuwan suna tare da hoton Green yana yin ƙirar gabaɗayan saitin da ke ba da shawarar "harbin salon haskaka haske."  

 Koyarwa da sauran ayyukan sana'a 
Green ya koyar da fasaha sama da shekaru ashirin da biyar, musamman a Jami'ar Loyola Marymount (1989-2011), Jami'ar California Los Angeles (1996 t0 2008), da Jami'ar Kudancin California (2002 zuwa 2015).   Ta kuma koyar da ɗan gajeren lokaci a Emily Carr College of Art, Jami'ar Graduate Claremont, Glendale Community College da Jami'ar Jihar California-Fullerton .

Green ya kasance shugaban kwamitin fasaha na jama'a na birnin Santa Monica daga 2002 zuwa 2004 kuma an nada shi a Hukumar Fasaha ta Santa Monica a shekarar 2000, yana aiki a matsayin kujera daga shekara ta 2006 zuwa 2008. Ta kasance memban kwamitin kafa Gidauniyar Christopher Isherwood kuma ta kasance mataimakiyar darakta daga 2011 zuwa 2018.  Daga 1996 zuwa 1998, ta dauki nauyin shirin "LOOK/ji" na rediyo akan KXLU 88.9 FM a Los Angeles . 

 Ganewa 
Green ya karɓi Guggenheim Fellowship (2014), kazalika da tallafi daga birnin Santa Monica, California Community Foundation, Durfee Foundation, Pollock-Krasner Foundation, California Arts Council, National Endowment for Arts, Canada Council da British Columbia Cultural Fund. 

Ayyukanta na cikin Aldrich Collection, Cibiyar Nazarin Ceramics, (Jami'ar Jihar Arizona),  Ma'aikatar Al'adu ta Birnin Los Angeles, Long Beach Museum of Art,  Los Angeles County Museum of Art,  Salk Collection da Winnipeg Art Gallery,  a tsakanin sauran tarin fasaha.

 Manazarta 

 Hanyoyin haɗi na waje 

 Gidan yanar gizon Phyllis Green 
 Kyawawan Abubuwan Yawon shakatawa: Shekaru 25 na Abubuwa na Phyllis Green
Rukuni:Rayayyun mutane
Rukuni:Shafuka masu fassarorin da ba'a duba ba