Jayasri Burman

Jayasri Burman (an haife ta  Oktoba 21, shekakara ta  1960, a Kolkata ) tana  sana a  zanen zamani ne kuma mai sassaƙa  a kasar  Indiya. Tana zaune a New Delhi, Indiya. Ta yi karatu a Kala Bhavan da ke Shantiniketan daga 1977 zuwa 1979, da kuma Kwalejin fasaha da fasaha ta gwamnati, Kolkata, inda ta yi digiri na biyu a fannin zane-zane.   Ta ɗauki Bita na Zane-zane wanda Paul Lingren ya jagoranta da kuma kwas na yau da kullun kan bugawa a Paris daga Monsieur Ceizerzi. Ita memba ce ta dangin dangi na fitattun masu fasaha : mijinta mai zane ne kuma mai sculptor Paresh Maity, mai zane da sculptor kawun Sakti Burman da ɗa, mai daukar hoto Rid Burman  . 

Matsakaici da Jigogi

Abubuwan da ta fi amfani da su sune watercolours, ink, gawayi da acrylic a kan zane. Sau da yawa yana mai da hankali kan yanayi, alloli da alloli, ainihin hotonta sun haɗu da mutane, tatsuniyoyi da tatsuniyoyi don ba da labarun alloli waɗanda suka fuskanci wahala.

 nune-nunen 
Zaɓi Nunin Kai Kai

2023

Dhārā, Art Musings, Mumbai An zana mafi yawa a cikin palette na monochromatic, "Dhārā" a Art Musings Gallery, Mumbai, waƙar yabo ce ga uwa, yanayi da kwarewar kasancewa mace. Ya ƙunshi waƙoƙin da masanin al'adu da mawaƙi Ranjit Hoskote ya karanta.

2021River of Faith, Art Exposure, Bikaner House, New Delhi

Da karfi rinjayi da imani na ruhaniya da matani masu tsarki, Burman ta bayyana kirkirarta tare da waƙoƙin waka wanda wani ɓangare ne na almara da kuma wani ɓangare na kwayoyin halitta. Kogin Ganga ya yi tasiri sosai a kanta kuma ta zana kogin a cikin siffofi masu yawa tare da abubuwa masu kama da swan, furanni, inabi, kifi da sauransu. Rushewar da aka yi kwanan nan da lalacewar ruwan kogin a matsayin sakamakon annobar ta motsa ta sosai kuma a ƙarshe ta ƙare a Kogin Bangaskiya . 

Halin kasancewa a cikin wannan nune-nunen dole ne ya fara da siffofi 4 da ke ratsa tsararraki na labarun almara da fassarar almara.

River of Faith, a tribute to the Ganges which is the life force of India, connecting its inhabitants across space and time. In her imagination, the Ganga assumes many forms, embodying both fantasy and reality, fertility and ferocity, origin and annihilation, hope and despair. Her unique stylisation creates a visual language that allows for exciting new modes of perception.

 manazarta 

Rukuni:Rayayyun mutane
Rukuni:Haihuwan 1960
Rukuni:Shafuka masu fassarorin da ba'a duba ba