Michelle Lopez

Michelle Lopez (an haife ta a shekara ta 1970 a Bridgeport, CT, daga zuriyar Filipino ) yar sculptor ce ta Amurka kuma mai zane-zane, wanda aikinsa ya haɗa da kayan masana'antu daban-daban don sukar abubuwan al'adu na yau. Tana zaune kuma tana aiki a Philadelphia, PA.

 Tarihin Rayuwa 
Michelle Lopez ta sami BA a cikin adabi da tarihin fasaha a cikin shekarar 1992 a Kwalejin Barnard,  kuma ta karɓi MFA a cikin shekara ta 1994 a Makarantar Kayayyakin. Lopez Mataimakin Farfesa ne na Sculpture a cikin Fine Arts Program a Makarantar Zane ta Jami'ar Pennsylvania kuma yana jagorantar Sashen sassaka. , .

 Aiki 

 Yaro (1999) 
Lopez ta fara samun kulawa mai mahimmanci tare da hotonta na Yaro; fata da aka rufe Honda wanda ya fara halarta a shekara ta 2000 a matsayin wani ɓangare na nunin MoMA / PS1 's Greater New York. Ayyukanta suna nazarin al'amuran al'adu masu alaƙa da tsatsauran ra'ayi, tashin hankali, da tambayoyin ainihi. Tsarin fasaha na Lopez yana kallon gogewar 9/11 bayan 9/11 da kuma ragowarsa akan abin sassaka. Ana iya samun irin waɗannan jigogi masu banƙyama a cikin "Mala'iku masu shuɗi", "Shekarar da Muka Yi Tuntuɓar", "Ƙayan itace", "Shekarar Banner".

A cikin bita na Frieze, Morgan Falconer ya kwatanta sassaken Lopez a matsayin "mai ban mamaki tsakanin kasancewa wani bakon abu da wani baƙon har yanzu." ."

 Blue Mala'iku (2011) 
Michael Wilson na Artforum na Artforum ya sake duba Blue Mala'iku: "Uku da aka niƙaƙƙe da kuma murƙushe zanen gado na aluminum sun jingina da bango da hasumiya sama da tsayin kai, abubuwan da suke ciki sun zana shuɗi ko baki, na waje fari ko mara launi. amma kuma mai kallo ta kansa banza da kuma imperfections, duk da haka, da labarai ne ba duk sharri; akwai wani insinuation a cikin aluminum ta m takarda- kamar saman na kyauta kunsa, a ambato na bikin da sabuntawa.... abin sha'awa-fiye da hakan na iya nunawa." 

 Gajimaren hayaki (2014) 
A cikin aikinta na Smoke Clouds, Lopez ta binciko jigogi na bacewar ta hanyar canza hoto a cikin kayan nitrate na azurfa (maganin madubi) da aka zuba akan babban gilashin gine-gine . Lopez 'gajimaren hayaki mai kamanni yana nuna ɗakin da mai kallo ta hanyar ainihin tsarin ɗaukar hoto na kwafin tintype na azurfa. Hoton girgijen yana bayyana kuma yana ɓacewa azaman "kumburin hayaki" dangane da yanayi da matsayi na masu kallo a cikin ɗakin. Lopez yayi tambaya game da matsayin abu da kuma sha'awar fasaha don yin hoton hoto, yayin da yake tambayar sha'awar mai kallo don da'awar shi. Sautinta da shigarwar motsin motsinta, Halyard, shine ƙarin maimaitawa na nazarin sifofin wutar lantarki marasa ganuwa.

 House of Cards and Barricade (2018) 
House of Cards, wani shigarwa na wani mummunan rugujewar tsarin scaffolding, ma'aikata da karfe igiya da kuma tarkacen titi don dauke da mafi ƙarancin layukan, kamar dai siffofin juriya iya zahiri shawo kan da-grooved siffofin zalunci. Nuna yanayin zamantakewa da siyasa na yanzu, wani aiki na baya-bayan nan da aka nuna a Ballast & Barricades ya dakatar da guntuwar gini na fam dubu ta hanyar amfani da ragowar alamomin al'adu irin su tsalle-tsalle don fadowa da hawan tsani a matsayin ma'auni, haifar da yanayi a kan gab da rushewa.

 Juya Prop (2023) 
Rubutu akan nunin solo na Lopez na 2023 ' Lasso Reprieve ' tare da Commonwealth da Majalisar LA, mai sukar Vanessa Holyoak ya rubuta don Artforum : "Yana guda biyar daga jerin" ROPE PROP REVERSAL ," 2023, ginawa akan haɗin gwiwar Lopez na dogon lokaci tare da ƙaddamar da ƙaddamarwar mata da rage ɓacin rai na Minimalism . Monumentality da kuma na duniya ta hanyar maido da wani unwieldy tawali'u ga masana'antu kayan da ta yi amfani da jerin artists amsa ga Richard Serra 's canonical Minimalist aiki, One Ton Prop (House of Cards), 1969, rage Serra's cubic zanen gado na antimonial gubar zuwa sinewy sinewy silhouette silhouette. girman kai a cikin kwarangwal na geometrical da alama mara nauyi [...] yana sake daidaita aikin Serra a matsayin wanda dole ne ya shiga tsakani ta hanyar haɗin gwiwar haɗin gwiwar kayan aiki." 

 nune-nunen 

 Nunin Solo da Rukuni 
Lopez yana da nunin nunin solo a Feature Inc .; Ayyukan Deitch ; Fondazione Trussardi; LA > Art; Simon Preston Gallery; Aldrich Contemporary Art Museum ; Galerie Cristophe Gaillard, Paris; Cibiyar Fasaha ta zamani Philadelphia ; da Commonwealth da Council, Los Angeles, da sauransu.

Lopez ya nuna a cikin nunin rukuni a gidan kayan gargajiya na Brooklyn, MoMA / PS 1, Yerba Buena Center for Arts, Harvard Carpenter Center for Arts, Museum of Contemporary Art & Design (Manilla, Philippines), da kuma Artist Space . Nunin ƙungiyar kwanan nan sun haɗa da 'Tsarin LAB,' The Fabric Workshop da Museum, Philadelphia, PA (2023); 'Scratching a wata,' Cibiyar Fasaha ta Zamani, Los Angeles (2024); da 'STEADY: Michelle Lopez & Ester Partegas ,' Ballroom Marfa, Marfa, TX (2024).

 Jama'a Art 
Hotunan Jama'a sun haɗa da ayyuka tare da Asusun Kasuwancin Jama'a da Miami Basel Art Public ( Bass Museum, Miami, 2013); 'Chandelier,' Podium, Manila, Philippines (2021); da 'The Forum,' tare da Sharon Hayes a Kashi Daya na Art, Penn's Landing Park, Philadelphia, PA (2025).

 Kyauta 
A cikin shekara ta 2007, Lopez ya shiga cikin aikin curatorial tare da Grimm/Rosenfeld kuma ya rubuta makala akan sassaka mai taken Fita Kiɗa (don Fim). An ba ta kyautar Tallafin Tallafin Kuɗi na NYFA a cikin shekara ta 2009 kuma ta kasance mai karɓar Gidauniyar New York Foundation for the Arts Sculpture Fellowship a 2010.  A cikin shekara ta 2019, ta sami haɗin gwiwar Guggenheim a cikin nau'in Fine Arts.  A cikin 2023, ta sami Pew Center for Arts &amp; Heritage Fellowship Fellowship don aikinta mai zuwa 'Pandemonium,' wanda ke buɗewa a cikin shekara ta 2025 a Cibiyar Franklin da Galleries a Kwalejin Fasaha ta Moore . 

 Koyarwa 
Tsohon memba ne a Makarantar Yale Art a Sashen Sculpture,  Columbia, NYU, Makarantar Kayayyakin Kayayyakin Kayayyakin, da Bard a cikin shirye-shiryen karatunsu na digiri da na digiri. Ta kuma koyar a UC Berkeley, inda ta jagoranci sashin sassaka kuma ta gudanar da bincike na sassaka akan manyan sikelin 3D mai saurin-sauri.  Lopez yanzu shine shugaban sashin sassaka a Stuart Weitzman School of Design, Jami'ar Pennsylvania.

 Manazarta 

 Hanyoyin haɗi na waje 

 'NINA IN POSITION' Daga Holland Cotter, New York Times, Fabrairu 15, 2008.
 Michelle Lopez a Simon Preston na Morgan Falconer, Mujallar Frieze, 2008.
 Catalog The Violent Bear It Away , muqala ta Carissa Rodriguez da Jeffrey Uslip, 2009.
 Bita na Neck Neck, NY ta Michael Wilson, Mujallar Artforum, 2011.
 Bita na Nunin Neman Neck a tsaye, ta Kathleen Madden, Artforum picks, 2011.
 Shafin bayanin zane na Michelle Lopez akan gidan yanar gizon Simon Preston Gallery .
 Bita na aiki, Howard Hurst, 2011.
 Binciken aiki, Blake Gopnik, 2011. [ <span title="Dead link tagged April 2020">matacciyar hanyar haɗin gwiwa ta dindindin</span> ]
 Aldrich Catalog, na Amy Smith-Swart, "Mala'iku, Tutoci, da Bangs", Aldrich Museum of Art Catalogue, 2014.
 Makarantar Michelle Lopez Yale, 2012–2017
 Makarantar Sakandare ta UPenn Michelle Lopez, 2016-yanzu
 Guggenheim Fellowship Fine Arts, 2019
 Ballast & Barricade ICA Philadelphia, 2019-2020.
 Rushewa da Daidaituwa ta Olivia Gauthier, Mujallar BOMB, Afrilu 15, 2020.
 Tsarin Ginin Ephemeral a cikin tattaunawa tare da Michael Queenland, Mujallar Mousse, 2020.
 Bita na Ballast & Barricade ta Kari Rittenbach, Frieze, Janairu 15, 2020.
 www.michellelopez.com, gidan yanar gizon masu fasaha
Rukuni:Rayayyun mutane
Rukuni:Haifaffun 1970
Rukuni:Shafuka masu fassarorin da ba'a duba ba