Hip hop na kasar Tanzania

Hip hop na kasar Tanzaniahttps://en.wikipedia.org/wiki/Tanzanian_hip-hop Hip-hop na Tanzaniya, wanda wasu da yawa ke kiran Bongo Flava da yawa a wajen al'ummar hip hop na Tanzaniya, ya ƙunshi nau'ikan sautuka iri-iri, amma an san shi musamman ga manyan riffs na synth riffs da kuma haɗakar pop ɗin Tanzaniya.https://www.ajol.info/index.php/ad/article/view/74118

Akwai wasu muhawara game da ko Bongo Flava, wanda ya fito a matsayin ƙayyadaddun motsi na pop, zai iya zama ainihin cancanta a ƙarƙashin kalmar "hip hop" kuma ba motsi ga kanta ba, lokacin da aka fara haɓaka sauti mai mahimmanci wanda ya bambanta da shi. Hardcore rap ko, alal misali, Maasai Hip hop na X Plastaz, waɗanda ke amfani da al'adar kabilar Maasai a matsayin wurin mai da hankali don sauti da salon su. Hip hop na Tanzaniya ya rinjayi sautin nau'in Bongo Flava. Yayin da hop hop na Tanzaniya ke riƙe da yawa daga cikin abubuwan da ake samu a cikin hip hop a duniya ta fuskar sauti da waƙoƙi, Bongo flava, wanda aka samo daga kalmar Swahili "ubongo" (ma'anar ƙwaƙwalwa), ya haɗa da hip hop, fina-finan Indiya, taraab, muzik wa dansi, da Dancehall ya doke.. Dukkan ya fara ne a cikin 1980s lokacin da matasan Tanzaniya suka kasance da sha'awar wasan kwaikwayo na hip hop na Amurka. Da farko, sun ɗauki bugun Amurka suna yi musu fyade. Yayin da matasan suka yi raye-raye, hip hop a Tanzaniya ya fara haɓaka zuwa gaurayawan yanayin wasan hip hop na gargajiya da na gida. Sakamakon haka, ya fara nuna sha'awa daga wasu mutane a Gabashin Afirka.https://doi.org/10.1017/S0261143000003548

 Bongo Flava 

Etymology na sunan "Bongo" na Bongo Flava ya fito ne daga Kiswahili yawanci yana nufin kwakwalwa, rashin ladabi, wayo amma kuma yana iya nufin rashin fahimta. Flava shine kiswahili don Flavour. Ubongo kalma ce da aka fara amfani da ita, kuma a Tanzaniya har yanzu ana amfani da ita, don birnin Dar es Salaam. A wajen Tanzaniya, Ubongo galibi yana nufin Tanzaniya. Ubongo a matsayin kalma ya samo asali ne daga jawabin da shugaba Nyerere ya yi a karshen shekarun 70s a cikin wani mawuyacin lokaci da ya biyo bayan tashin hankalin duniya na shekarun 70 da yakin Kagera da Uganda. Mwalimu Nyerere ya yi magana cewa al'ummar da ke amfani da kwakwalwa (ta yin amfani da Kiswahili Ubongo don Brainland) ne kawai za su iya, kuma za su shawo kan matsalolin da Tanzaniya ke fuskanta. Abin baƙin ciki, al'amura sun ƙara tsananta ga Tanzaniya, kuma a farkon 1980's Dar es Salaam yana kiran kanta da sunan Jua Kali (zafi na rana/duniya tana jujjuyawa) amma kuma Ubongo. Ana amfani da kalmar Ubongo a matsayin wata hanya mai wayo don faɗin duka biyun, rayuwa a Dar es Salaam na buƙatar ƙwaƙwalwa da rashin ladabi, amma kuma yana cike da ɓacin rai.

A cikin 1981, mawaki Remmy Ongala ya kafa wata ƙungiya mai suna Matimila. Kowane band yana da na musamman mtindo (salo/fashion) da Remmy Ongala ta band Matimila mai suna mtindo "Bongo". Remmy Ongala zai zama mawaƙin da ya fi shahara a ƙasar Tanzaniya, inda ya yi suna a duniya tare da mawaƙin Ingilishi Peter Gabriel.

 Salon wakar Bongo Flava 

An yi ta muhawara mai yawa kan ko Bongo Flava/Fleva dan Tanzaniya Hip Hop ne. Yayin da masana da 'yan jarida da yawa ke amfani da Bongo Flava da Hip Hop a ma'ana, yawancin masu fasahar Bongo Flava da Hip Hop sun bambanta. Bongo flava yana aro daga wasan hip hop na Tanzaniya, tare da saurin kade-kade da kari a cikin Swahili. Sunan "Bongo Flava" ya fito daga kalmar Swahili don kwakwalwa: ubongo. Bongo shine laƙabin Dar es Salaam. Yana nufin cewa kana buƙatar kwakwalwa don tsira a can. Ya samo asali akan lokaci, yana haɗa abubuwa na rap na Amurka, R&B, hip hop, tare da juzu'in Swahili na musamman. Dangane da al'adun {asar Amirka, wadannan al'adun suna siyasa, game da HIV, talauci, da cin hanci da rashawa, ko game da rayuwa, dangantaka, kuɗi, kishi, da soyayya.
Bongo Flava cakude ne na wakokin Afrobeat da na larabawa, dancehall da bugun hip-hop, da wakokin Swahili.https://en.wikipedia.org/wiki/Tanzanian_hip-hop#cite_note-stylusmagazine.com-12 Ya samo asali ne a cikin 1980s lokacin da matasan Tanzaniya suka fara yin raye-raye saboda yadda wasan kwaikwayo na hip-hop ya burge su a Amurka.http://www.outhere.de/index.php?goto=r3 Da sauri suka ƙara nasu juzu'i da ɗanɗanon su ga kiɗan ta hanyar sanya shi tare da bugu, kari, da batutuwa. Salon ya zama sananne da sauri; shi ne nau'in kiɗan da aka fi siyar da shi a Gabashin Afirka, http://www.outhere.de/index.php?goto=r3 ya riga ya yi nasara a Kenya da Uganda makwabta, kuma yana mamaye nahiyar Afirka kuma yana yaduwa zuwa sauran duniya. A shekara ta 2004, alamar rikodin Jamusanci Out Here Records ta fitar da CD ɗin da aka haɗa, Bongo Flava - Swahili Rap daga Tanzaniya.http://www.outhere.de/index.php?goto=r3 Rikodin na mintuna 70 wanda ya ƙunshi masu fasaha ciki har da X Plastaz, Juma Nature, da Gangwe Mobb ya ji daɗin rarraba ƙasa da ƙasa.

Lokacin da hip hop na Amurka ya fara ƙaura zuwa Tanzaniya, mawakan rap na gida za su yi amfani da fitattun waƙoƙin rap na Amurka, kawai suna saka waƙoƙin Swahili a madadin Ingilishi. Wannan jariri Bongo Flava salon da kuma shigo da hip hop na Amurka an fara runguma kusan kusan matasa manyan mutane waɗanda suka ga ya dace da bin salon Amurka."Tanzanian Affairs" BONGO FLAVA". May 2005Ana kallon wannan sau da yawa a matsayin 'yan Tanzaniya suna dacewa da al'adun Amurka da salon kawai, suna danganta wannan da ra'ayin Amurkawa. A farkon 1990s, yayin da nau'in ke tasowa, an haifi ra'ayin 'Kiswacentric'. Masu zane-zane sun fara "zama" waƙar ta hanyar magance batutuwan Tanzaniya zalla kuma daga ƙarshe suna amfani da yaren Swahili, wanda shi kansa harshe ne mai tasirin duniya da yawa.Lemelle, Sidney J. "‘Ni wapi Tunakwenda’: Hip Hop Culture and the Children of Arusha." In The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, 230-54. London; Ann Arbor, MI: Pluto Press. Bugu da ƙari, ya zama ya nuna daga Amurka hip na Amurka zuwa kwayoyin halittar ciki sau da yawa hada da beats na gida, kari, da sautuna. http://www.tzaffairs.org/?p=195Masu fasaha na Tanzaniya sun tabbatar da cewa ko da lokacin yin raye-raye cikin Ingilishi, za su kula da ma'anar Swahili a bayan waƙoƙin su. Ta hanyar yin raye-raye a cikin Swahili sun sami damar yin salon wasan hip-hop na kansu, yayin da har yanzu suna “ci gaba da kasancewa da gaske” bisa ka’idar Hip-Hop ta Amurka.The Language of the Young People: Rap, Urban Culture and Protest in Tanzania. Journal of Asian and African studies [0021-9096] Casco yr:2006 vol:41 iss:3 pg:229 Wannan rap na Kiswacentric ya ci gaba da al'adar wakokin Swahili na yin amfani da wasan kalmomi, puns, da rhyme don bayyana kansa. Yawancin masu fasaha suna ƙoƙari su yi amfani da ra'ayoyin da al'adun Swahili a cikin waƙoƙinsu da salonsu maimakon sake haifar da al'adun pop na Amurka ko rap na gangsta.Lemelle, Sidney J. "‘Ni wapi Tunakwenda’: Hip Hop Culture and the Children of Arusha." In The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, 230-54. London; Ann Arbor, MI: Pluto Press

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