Tarihin sake fasalin mata

Tatsuniyar bita na mata ita ce adabin mata da aka sanar da su ta hanyar sukar adabin mata, ko kuma ta hanyar siyasar mata da faɗuwa kuma wanda ke tattare da tatsuniyoyi, tatsuniyoyi, addini, ko wasu fagage. name="EncycFeminism-p184">Tuttle, Lisa. Encyclopedia of Feminism. Harlow: Longman 1986, p. 184.

 Dubawa 
Lisa Tuttle ta ayyana ka'idar mata a matsayin tambayar "sabbin tambayoyi na tsoffin matani".Ostriker, Alicia. Stealing the Language: The Emergence of Women's Poetry in America. Women's Press, 1987. pp. 211.  Ta kawo manufar sukar mata a matsayin (1) bunkasa da fallasa al’adar rubuce-rubuce ta mace, (2) fassara alamar rubutun mata ta yadda ba za a rasa ko watsi da ra’ayin maza ba, (3) sake gano tsofaffin litattafai, (4) nazarin marubuta mata da rubuce-rubucensu ta fuskar mace, (5) tsayin daka da fahimtar jima’i a cikin adabi.Ostriker, Alicia. Stealing the Language: The Emergence of Women's Poetry in America. Women's Press, 1987. pp. 211. Tatsuniyar bita na mata tana ƙoƙarin cika aƙalla ɗaya daga cikin waɗannan manufofin. Maimakon kawai nazarin ayyukan da suka gabata ko da yake, shine bita na tsoffin matani don ƙirƙirar sababbi.

Revision Mythmaking wata dabara ce ta bita-da-kulli ta amfani da hotunan jinsi kuma hanya ce ta bincike da yunƙurin kawo sauyi na kai da al'ada ko, a wata ma'ana, don "sauya da canza rayuwa da adabi da mata mawaƙa suka gada". 

Alicia Ostriker ta bayyana a cikin maƙalarta mai suna " Satar Harshe " cewa "ba za mu iya auna aikin mawaƙan mata ba, na baya ko na yanzu, ba tare da cikakken bayani ba - kuma idan zai yiwu a lalatar da su - sanin mahimmancin mahallin da suka tsara kuma suka ci gaba da tsara aikin su. Muna bukatar mu gane cewa harshen mu na al'ada yana tsara tsarin jinsi ta hanyoyin da za mu yarda da abin da muka yarda da shi sosai, kuma ya ba mu damar yin tasiri sosai ga abin da muka yarda da mu. asali-- na ban-banci-- a cikin mawakan mata”.  "Imani da cewa waka ta gaskiya ba ta da jinsi - wanda wani nau'i ne na yarda da cewa waka ta gaskiya namiji ne - yana nufin cewa ba mu koyi ganin mawakan mata ba gaba ɗaya, don gane al'adar da suke da ita, ko kuma tattauna ko dai iyaka ko ƙarfin wannan al'ada".Ostriker, Alicia, Stealing the Language: The Emergence of Women's Poetry in America. Women's Press, 1987. pp. 9.

 Hanyoyin 
Marubutan sun yi amfani da hanyoyi da dama na sake bitar tatsuniyoyi, ciki har da sake ba su gaba ɗaya daga mahangar babbar mace, da sake ƙirƙira labarin ta hanyar da za ta yi ƙoƙarin wargaza mu’amalar mata a matsayin abubuwan da ba su da aiki, da ba da labarin tare da ba da labari na mata wanda ya ba da dariya ga kuskuren kallon mata a cikin ainihin rubutun.Ostriker, Alicia, Stealing the Language: The Emergence of Women's Poetry in America. Women's Press, 1987. pp. 2–3.

"Tatsuniyoyi sun kasance ƙarni da yawa kuma an ƙirƙira su don ɗaukar darasi na ɗabi'a, irin su tatsuniya na Aesop . Labarun Suniti Namjoshi na balaga da ilimi na 'Blue Donkey' sun zana wannan al'adar al'ada ta samun dabbobi ko tsuntsaye masu tatsuniyoyi masu iya magana da aiki kamar mutane amma 'Jaki Shuɗi' yana ba da sharhi mai ban tsoro maimakon darasi na ɗabi'a na Angela Cartten. A cikin tarinta, The Bloody Chamber, ta yi nazarin saƙonnin game da jima'i na matasa a cikin labarun kamar 'Beauty da Beast' da 'Snow White' suna jujjuya tarihin jima'i na labarun tatsuniyoyi masu sauƙi. "   

Tunda jigon tatsuniyar bita ga mawakan mata ta ta'allaka ne a cikin ƙalubalen ra'ayoyin jinsi da ke tattare a cikin tatsuniya, bita a cikin mafi kyawun sigarsa ta ƙunshi hare-hare da gudu.  akan hotuna da aka saba da kuma al'amuran zamantakewa da na adabi da ke tallafa musu. Waqoqin suna wargaza al’adar adabi don bayyana na zamantakewa da juyar da duka biyun, yawanci ta hanyar sauƙaƙan na’urar sanya “Sauran” cikin maudu’in farko.

 Marubuta da masu fasaha na tatsuniyar bita na mata 

 Suniti Namjoshi 
 Angela Carter 
 Carol P. Kristi
 Anne Sexton 
 Carol Ann Duffy 
 Margaret Atwood
 Madeline Miller
 Pat Barker
 Muriel Rukeyser
 Alta
 Marija Gimbutas
 Louise Glück
 Paula Gunn
 Mona Van Duyn
 Juni Jordan
 Alicia Ostriker
 Adrienne Rich
 Sylvia Plath
 Clarissa Pinkola Estés
 Emma Lazarus
 Luisah Tashi
 Barbara Tedlock
 Mary Shelley
 Starhawk
 Merlin Stone
 Marion Zimmer Bradley
 Gloria Anzaldua
 Chris Wind

 Ayyuka masu alaƙa 

 Proserpine (1820), na Maryamu da Percy Bysshe Shelley
 Gudun Duhu (1960), na Muriel Rukeyser
 Zuwa Bedlam da Sashe na Baya (1960), ta Anne Sexton
 All My Pretty Ones (1962), ta Anne Sexton
 Hotunan 'Yar-in-Law (1963), na Adrienne Rich
 Ariel (1965), na Sylvia Plath
 Motherpeace tarot
 The Bloody Chamber (1979), ta Angela Carter
 The Silence of the Girls (2018) na Pat Barker

 Duba kuma 

 Sukar adabin mata
 Bita na tarihi
 Ka'idar fim na mata
 Ka'idar ta mata
 Sukar adabi
 Rubutun mata da turanci
 Tafsirin Mata
 Tauhidin mata

 Bayanan kula 

 Manazarta