Bob Pettit

Kabir Suman,  mai suna [kobiɾ ʃumon]; an haife shi Suman Chattopadhyay a ranar 16 ga watan Maris na shekara ta 1949) mawaƙi ne, mawaƙi, Daraktan kiɗa, mawaƙi na kiɗa, marubuci, ɗan wasan kwaikwayo, ɗan siyasa, kuma tsohon ɗan jarida. Kabir Suman profile, india.gov. Retrieved 11 December 2011

Daga watan Mayu na shekara ta 2009 zuwa shekara ta 2014, ya kasance memba na majalisar dokokin Indiya a cikin Lok Sabha ta 15, bayan an zabe shi daga mazabar Jadavpur a Kolkata daga jam'iyyar All India Trinamool Congress (AITC) .

Ya canza sunansa daga Suman Chattopadhyay zuwa Kabir Suman yayin da ya yarda da ddinin Islama duk da cewa shi Hindu ne ta hanyar haihuwa. Yayinda yake bayanin dalilin wannan canjin addini, ya yi iƙirarin cewa irin wannan matakin shi ne ya nuna rashin amincewarsa game da kisan gillar Kirista mai wa'azi a ƙasashen waje Graham Staines da tsohon memba na Bajrang Dal ya yi. Ya aika shi zuwa shahara a cikin shekarun 1990s tare da kundin Bengali kamar Tomake Chai (Ina son ka) da Boshe Anko (Sit-and-Draw). 

 Rayuwa ta farko 
An haifi Suman a cikin iyalin Brahmin Hindu na Bengali a ranar 16 ga watan Maris shekara ta 1949 zuwa Sudhindranath da Uma Chattopadhyay a Cuttack, Odisha . Ya fara horo a cikin kiɗa na gargajiya tun yana ƙarami, a ƙarƙashin kulawar mahaifinsa. Acharya Kalipada Das & Chinmoy Lahiri sun koya masa khayal.  Ya yi karatu a Makarantar Sakandare ta St. Lawrence, Kolkata. Ya kammala karatu tare da girmamawa a cikin wallafe-wallafen Ingilishi daga Jami'ar Jadavpur kuma ya yi difloma a cikin harshen Faransanci da Jamusanci.

A kusa da shekarar 1968, yayin da yake koyon waƙoƙin Himangshu Dutta, ya ji cewa duk da ƙarfin waƙoƙinsu, ba su wakilci lokutan zamani ba, a cikin waƙa.

Kabir Suman ta farko studio rikodin ne a shekarar 1972. An sake shi daga Hindusthan Records . An buga rikodin vinyl na biyu a shekarar 1973, daga wannan lakabin. Dukkanin waɗannan rikodin ba su yi nasara ba a kasuwanci.

Bayan ya yi murabus daga All India Radio ya shiga wani matsayi na malami a Bankin United na Indiya . Kabir Suman ya koma Faransa na ɗan lokaci don koyar da mahimman abubuwan kiɗa na gargajiya na Indiya a shekara ta 1973.  An ce a cikin daya daga cikin tarihin kansa, cewa a Faransa an fara gabatar da shi ga waƙoƙin Bob Dylan kuma ya yi iƙirarin waƙoƙinsa na Dylan sun bar babban ra'ayi da tasiri a kansa.

Kabir Suman ya tafi Jamus ta Yamma a ranar 12 ga watan Mayu na shekara ta 1975.  [ana buƙatar ƙa'ida]. A ƙarshen shekara ta 1975, Muryar Jamus ta buɗe sashen Bengali a Cologne, kuma ya nemi aiki a can. Sun ba shi wasu ayyukan fassara, kuma a hankali ya zama mai zaman kansa na yau da kullun ga ƙungiyar Muryar Jamus ta Bengali.

A cikin watan Mayu na shekara ta 1979, Suman ya koma Kolkata kuma ya fara aiki a matsayin malamin Jamusanci a Cibiyar Al'adu ta Ramakrishna, Kolkata, da Max Mueller Bhavan.

Ya fara aiki a cikin jaridar Bengali ta yau da kullun Aajkal a matsayin ɗan lokaci, kuma ya ba da gudummawa ga Desh har zuwa shekara ta 1980.  Ya shiga ƙungiyar da ake kira "Samatan". Koyaya, wannan ƙungiyar ba ta yi nasara ba kuma membobin sun rabu da wuri-wuri. Wasu mambobin Samatan da wasu sabbin mambobin, dukansu a cikin shekaru ashirin da talatin sun haɗu da shi don kafa sabuwar ƙungiyar da ake kira 'Nagarik: Anya Katha Anya Gan'.  A wannan lokacin Suman ya kammala waƙarsa ta farko (wanda aka rubuta a shekara ta 1975) "E Kemon Akash Dekhale Tumi".

A wannan lokacin Suman ya tafi Amurka don yin aiki da Muryar Amurka . aiki da Muryar Amurka, Suman ya tafi Nicaragua lokacin juyin juya halin Sandinista . Ya kuma rubuta wa mujallar Desh a ƙarƙashin sunan Manab Mitra a wannan lokacin kuma sun fara rubutu a cikin mujallar 'Frontier'.

Suman ya koma Kolkata a farkon shekara ta 1985. Ya sayi kayan kida da yawa, wanda ya dace da cikakken ɗakin rikodin, wanda aka aika zuwa Kolkata ta jirgin ruwa. Bayan ya dawo Kolkata, ya sake haɗuwa da 'Nagarik' tare da wasu sabbin mawaƙa da masu kida, kuma ya ci gaba da rubutawa da tsara waƙoƙi, yana tunanin galibi a matsayin waƙoƙin rukuni.

 Rarrabawar Nagorik 
Daga farkon shekara ta 1986, 'Nagorik' ya fara juyawa saboda rikice-rikicen mutum. Kabir Suman ya kirkiro wasu waƙoƙi a wannan lokacin kamar "Hariye Jeo Na", "Tomake Chai" (a ƙarshe an buga shi a 1992), "Aro Balo Aro Katha" (a wani ɓangare an buga shi ne a 1992), ""Machhi O Mara Mukher Gan", "Najehal Akashta", "Robbar" (a karshe an buga shi a shekara ta 1994), "Tumi Gaile (a ƙarshe ya yi waƙoƙin da aka buga ta Indranil Sen Sen) "Ganahater ya sami duka, "Tirtik ɗin da aka ubuta a gida da sauransu". Ya kuma rubuta wasu bayanai da waƙa game da Sandinista Revolution a wannan lokacin. A wannan lokacin ya gina ɗakin rikodin mai suna 'Sing To Live' a cikin wani masana'anta da aka watsar kusa da Bansdroni.

 1986-1989: A Yammacin Jamus 
Kabir Suman bai tabbata ba game da makomar waƙoƙin da ya kirkira, kuma ba shi da sha'awar shiga cikin aikin gaba ɗaya. Ya yi tunanin idan zai iya zuwa wata ƙasa ta waje a matsayin ma'aikaci, zai iya siyan kayan kiɗa na lantarki da yawa. Da yake tunanin haka, ya sake zuwa Jamus ta Yamma a watan Satumbar 1986, kuma kafin ya tashi ya rubuta wani kundi na 'Nagarik', yana bin hanyar da aka rubuta a baya, amma a wannan lokacin a cikin sabon ɗakin da ya gina.

 Koyon guitar 
Bayan ya isa Jamus ta Yamma, ya fara koyon guitar na gargajiya. A wannan lokacin ya ji cewa guitar kayan aiki ne mai sauƙi, wanda mawaƙi zai iya kunnawa, kuma babu wata tambaya game da kowane nau'in ƙungiyar mawaƙa mai yawa. Har ila yau, guitar yana sa mutum ya motsa. A karkashin malamin Italiyanci, ya fara koyon guitar, tare da salon Finger, karantawa, sauraron rikodin masu yawa kamar Andrés Segovia, Julian Bream da sauransu, kuma ya fara koyan jazz guitar & blues guitar. Daga nan sai ya fara kirkirar waƙa a kan guitar, kamar "Hal Chherho Na Bandhu" (an buga shi a 1992), "Gan-ola" (an bugawa a 1994), da dai sauransu. Wadannan waƙoƙin da suka shafi guitar sun fara rinjayar Baul, Bhawaiya, Kirtan, Folk, Blues da kuma wasu Ragas.

Suman ya koma Kolkata a farkon 1989. Ya sayi kayan kida da yawa kamar yadda ya gabata, a wannan lokacin duka keyboard da guitar.

 Gwagwarmaya a matsayin sabon mawaƙi 
Bayan ya dawo Kolkata, ya ga 'Nagarik' ya kusan rushewa saboda rikice-rikicen kai, kuma ɗakin studio ma yana cikin halin nutsewa. Ya yanke shawarar zama ƙwararren mawaƙi da mawaƙi, kuma ya yi tunanin yin aiki a wasu kasuwancin talla, amma babu wani abu da ya faru. A wannan lokacin ya rubuta wasu waƙoƙi kamar "Tin Shataker Shahar", "Chena Duhkha Chena Sukh" (an buga shi a 1992), "Pratham Sabkichhu" (an bugawa a 1994) da dai sauransu.

 Ayyukan jama'a na farko tare da waƙarsa 
A watan Fabrairun 1990, wani mawaƙi mai suna Raju Bal ya ɗauki wani mutum Indranil Gupta zuwa gidan Suman. Indranil ya saurari "Tin Shataker Shahar" kuma yana son shi, kuma ya gaya wa Suman cewa ana gudanar da bikin Kolkata a Yuba Bharati Krirangan yana tunawa da abin da ake kira bikin cika shekaru uku na Kolkata City, kuma wannan waƙar tana da alaƙa da wannan, don haka ya kamata ya raira wannan waƙar a wannan bikin.
Ya ji tsoro saboda yana yin wasan kwaikwayo a kan mataki bayan shekaru 17, kuma ba a san shi ba, tare da salon sa. Ya raira "Tin Shataker Shahar" tare da guitar, sannan "Tomake Chai" kuma a ƙarshe "Amader Janya" - duka biyu tare da keyboard na lantarki. Masu sauraro sun zama masu godiya sosai game da waƙoƙinsa da kiɗa bayan sun ji waƙoƙi uku kuma sun fara neman sakewa. Kabir Suman ya ji daɗi sosai don ya fahimci cewa waƙarsa ta sami tagomashi daga jama'a gaba ɗaya, kuma ya zama mai fata.[9] Ya fara horar da muryarsa tare da taimakon tanpura na lantarki, ya ci gaba da kunna keyboard da guitar, da kuma ƙirƙirar waƙoƙi tare da wasu abubuwan da suka faru na zamani. Kabir Suman ta fara bugawa a matsayin ƙwararren mawaƙi a watan Disamba na shekara ta 1990. Ya sami godiya daga Dr. Barin Roy, Gour Kishor Ghosh, Ashis Chattopadhay da sauransu. Shubhendu Maity ya taimaka masa ta hanyar ba shi damar yin wasu kide-kide. Waƙoƙinsa ba su burge mutanen karkara ba, amma mutanen birane da na kewayen birni sun yaba musu sosai. Ya kuma raira waƙa a wasu tarurrukan siyasa na Jam'iyyar Kwaminis ta Indiya (Marxist). A wannan lokacin wasu jayayya sun tashi a kan ɗayan waƙoƙinsa "Anita Dewan".

 Ayyukan kai tsaye 
Kabir Suman ya yi wasan kwaikwayo na farko a ranar 5 ga Mayu 1991 a Shishir Mancha . An gayyaci mujallu da jaridu da yawa, kamar Aajkal, <i id="mwmg">Desh</i>, Business Standard, The Statesman, kuma sun sake duba shi. 'Desh' ya fara lakafta waƙoƙinsa a matsayin 'Sumaner Gan', wanda ya shahara waƙoƙin sa bayan wannan lokacin har yanzu.

Amma kodayake waɗannan sake dubawa sun kasance masu kyau, ba gayyata da yawa ba ne daga ƙungiyar abokinsa. Ya yi a wasu shirye-shiryen kai tsaye tare da taimakon abokansa. Dukkanin wadanda ba su da tabbas, kuma Kabir Suman ma bai kasance mai kyakkyawan fata a wannan lokacin game da cancanta ba. Mutane da yawa na kasuwancin talla sun sa ya yi jingles ko waƙoƙin taken ciki har da "Lexpo 1991", amma wasu daga cikinsu ko dai sun ba shi ba dinari ɗaya ba, wasu sun ba shi kuɗi kaɗan, duk da gaskiyar cewa Kabir Suman ya yi duk wannan aikin gaba ɗaya shi kaɗai tare da rubuce-rubuce, tsarawa, raira waƙa, kunna kayan kida, rikodi, da haɗawa. Wasu sun shawarce shi ya je Mumbai don wasu ayyukan sana'a, amma ya ki.

Ya tafi Doordarshan Kendra Kolkata don wasu ayyuka, amma an ki shi. Ya tafi Akashbani Bhawan Kolkata, kuma ya nemi taimakon abokinsa kuma sanannen mai karanta labarai Tarun Chakrabarty. Daga ƙarshe ya raira wasu waƙoƙinsa da wasu waƙoƙi na Rabindra Nath Tagore, bayan shekaru 16, a rediyo. A shekara ta 1991 ya tafi darektan fim din Tarun Majumdar don wasu ayyuka a cikin sauti. Tarun Majumder ya saurari wasu waƙoƙinsa, kuma ya zaɓi "Pratham Sabkichhu" don amfani da shi a ɗayan fina-finai masu zuwa 'Abhimane Anuage', kodayake ya nemi Suman ya canza wasu kalmominsa don dacewa da taken wannan fim ɗin. An rubuta waƙar ne a watan Fabrairun shekara ta 1992. Kabir Suman da kansa ya buga guitar, Pratap Roy ya buga synthesizer, kuma Samir Khasnabis ya buga bass guitar. Abin takaici ba a kammala fim din ba, don haka ba a saki waƙar ba.

 Album na farko na solo 
Shubhendu Maity ya gaya wa Mista Somnath Chattopadhyay, daya daga cikin jami'an Kamfanin Gramophone na Indiya game da waƙoƙin Kabir Suman, kuma bayan buƙatar Shubhendu, Suman ya aika da wasu waƙoƙi ga Somnath bayan rikodin gida. Ravi Kichlu, shugaban sashen ci gaban samfur na wannan kamfani ya yi maraba da Suman, kuma ya nuna sha'awar yin rikodin waƙoƙinsa. Kabir suman ya ji daɗi sosai kuma ya yi mamaki bayan ya saurari wannan, kuma ya tambayi Ravi game da dalilin da ya sa, Ravi Kichlu ya gaya masa - "Zan yi hidima ga Kiɗa na Indiya". An fara rikodin ne bayan wasu kwanaki a farkon shekara ta 1992. 

 Tomake Chai 
Kabir Suman ya rubuta waƙoƙi 12 don kundi na farko, mai suna 'Tomake Chai', wanda aka buga a watan Afrilun 1992. A fannoni da yawa, ya kasance muhimmiyar mahimmanci a tarihin Bangla Song . Shi ne na farko Bengali Basic Song Album wanda aka rubuta gaba ɗaya, ya hada, ya raira waƙa da kuma kayan kida da mai zane da kansa ya buga. Shi ne na farko Bengali Basic Song Album wanda aka rubuta tare da taimakon mai rikodin faifai guda huɗu.

A kan matsewar farko, bai sayar da kyau ba, amma bayan matsewar ta biyu, ya sami babban nasara, kuma ya kasance babban abin bugawa. Tare da waƙoƙin da ba a saba gani ba, da kayan aiki, ya jawo hankalin masu sauraro sosai, kuma a ƙarshe ya sami Disc na Platinum.

Bayan tattaunawa mai yawa, Suman ya shiga cikin sunan, Kabir Suman . A cewarsa, "Ina so in ci gaba da sunan da iyayena suka ba ni, don haka na ci gaba da Suman. Na ɗauki sunan Kabir bayan Sheikh Kabir, wani mawaki Musulmi na Bengali wanda ya rubuta Baishnab Padabali".

 Rayuwa ta mutum 
Ya zuwa 2016 Suman ya yi aure sau biyar. Ya auri Sabina Yasmin, mawaƙiya ta Bangladesh.

 Rayuwar kiɗa 
Kabir Suman, ya rubuta kundi da yawa tsakanin 1992 da 1999 a ƙarƙashin sunan Suman Chattopadhyay ko Suman Chatterjee . Ya sake komawa masana'antar rikodin a shekara ta 2001, kuma a wannan lokacin a matsayin Kabir Suman .

Waƙoƙinsa na zamani na birane, masu kula da zamantakewa sun samo asali ne daga adhunik na Bengali (na zamani) da mutanen Yamma da kuma kiɗa na zanga-zanga. Ayyukansa sun kasance babban tasiri a ci gaban waƙoƙin Bengali. Ya rinjayi ƙungiyoyi kamar Chandrabindoo, kuma ya girma ya zama babban motsi a cikin kiɗa na Bengali na zamani. Yawancin waƙoƙinsa ana kunna su ne kawai tare da Piano, keyboard na lantarki ko guitar. Kamar sauran mawaƙan Bengali da yawa, Suman ya rubuta kundin Rabindra Sangeet (Waƙoƙin Rabindranath Tagore), tun daga ƙarshen shekarun 1990.

Ya fitar da kundi na farko, Tomake Chai, a ranar 23 ga Afrilu 1992, wanda ya ci nasara sosai yayin da ya sake bayyana waƙoƙin Bengali. Daga baya Suman ya daina yin waƙoƙi ga masu sauraro kuma ya mai da hankali kan batutuwan siyasa.I'm lusty old man looking for carnal pleasure: Kabir Suman, The Times of India. Retrieved 17 February 2013.

 Kundin waƙoƙin asali tare da waƙoƙinsa na 'wanda aka kirkira' 
A watan Afrilu na shekara ta 1992, Suman ya buga kundi na farko 'Tomake Chai', wanda ke da waƙoƙi goma sha biyu. Ya raira waƙa, ya rubuta kuma ya kirkiro dukkan waƙoƙin. Sai dai waƙoƙi uku, duk waƙoƙin sun kasance tare da ko dai keyboard na lantarki, ko guitar na acoustic, ko duka biyu (haɗe da mai rikodin faifai huɗu da mai tsara kayan aiki) shi kaɗai; waɗannan waƙoƙi uku sun kasance tare na tabla da percussion daga wasu masu fasaha. Waƙar Tomake Chai ita ce sanannen waƙar kundin.[14] Wannan ya ci gaba da kundi na gaba 'Bosey Anko', wanda aka buga a watan Maris na shekara ta 1992 tare da waƙoƙi goma sha biyu. Ba kamar kundin da ya gabata ba, wanda galibi yana tare da keyboard na lantarki da kuma sauti mai yawa da aka haɗa ta hanyar lantarki, 'Bosey Anko' an rubuta shi kai tsaye ba tare da wani rikitarwa ba sai dai waƙa ɗaya, wanda aka haɗa shi da guitar da keyboard (kuma tare da tabla da percussion). Yawancin waƙoƙi an rubuta su tare da guitar mai sauƙi, waƙoƙoƙi biyu kawai tare da keyboard na lantarki, kuma waƙoƙa huɗu sun kasance tare da sarod, tabla da percussion daga wasu masu fasaha. Wannan kundi na biyu kuma ya kasance babban abin bugawa, kuma ya shahara da Suman sosai, cewa an tilasta masa yin rikodin kundi na uku a wannan shekarar.

Daga kundi na uku 'Ichchhe Holo', ya fara yin rikodin kundin sa na asali a kowace shekara a matsayin 'Puja Album' kamar sauran masu fasaha a watan Agusta na kowace shekara, har zuwa 1999. 'Ichchhe Holo' ya ƙunshi waƙoƙi 14, na farko daga cikin irin waɗannan waƙoƙin waƙoƙi na Bengali. Ba kamar kundi biyu da suka gabata ba, ba a yi amfani da keyboard na lantarki a cikin wannan kundin ba. Yawancin waƙoƙi sun kasance gaba ɗaya tare da guitar mai sauƙi, kuma waƙoƙoƙi 4 sun kasance tare da sarod, santur, tabla da percussion daga wasu masu fasaha. Wannan cikakken tsari na kiɗa ya ja hankalin masu son kiɗa da yawa, kuma irin wannan kundin ne, wanda gaba ɗaya na lantarki ko kayan kiɗa na lantarki ba tare da kusan bayan shekaru 40 a tarihin kiɗa na Bengali ba. Har ila yau, shi ne kundi na farko wanda murfin gaba ba shi da hoto na kansa.

A shekara ta 1994, Suman ya rubuta kundi na 4 'Gan-ola', wanda ya ƙunshi waƙoƙi 15. Ya karya rikodin kansa, da kuma rikodin tarihin kiɗa na Bengali saboda shi ne na farko na irin wannan kundin waƙoƙin Bengali wanda ya ƙunshi irin wannan adadin waƙoƙi. Ta wannan kundin, ya sake dawowa tare da zamanin kiɗa na lantarki, tare da sabuntawa, keyboard na lantarki na zamani tare da kayan aiki. Har ila yau, shi ne kundi na farko, inda babu wasu mawaƙa da suka buga. Dukkanin waƙoƙi 15 sun kasance tare da ko dai keyboard na lantarki, ko guitar na acoustic, daga cikin waɗannan, an rubuta waƙoƙoƙi biyu tare da guitar da harmonica. Wasu mutane sun yi imanin cewa bai yi amfani da keyboard a cikin waƙoƙinsa ba bayan 'Bosey Anko' - saboda ya ci gaba da yin wannan sabon keyboard, wanda a ƙarshe aka rubuta a cikin 'Gan-ola'. Wannan shi ne kundi na biyu wanda bangon gaba ba shi da hoto na kansa. Matsayinsa na kiɗa na lantarki ya ci gaba a kan kundi na gaba 'Ghumo Baundule'. Kodayake yawan waƙoƙin ya ragu daga 15 zuwa 13, amma wani kundi ne, wanda ya kasance gaba ɗaya tare da kayan kiɗa. A cikin wannan kundin, duk waƙoƙin sun kasance tare da keyboard na lantarki, harmonica, guitar acoustic da haɗin guitar na lantarki. Har ila yau, shi ne karo na farko a tarihin kiɗa na Bengali. Duk waɗannan cakuda an yi su ne ta hanyar rikodin faifai guda huɗu, da kuma kayan aiki, wanda ya kasance na musamman kuma yana da wuyar yin hakan.

1996 ya ga babban tashi na kiɗan Suman, saboda, a wannan shekarar, an buga kundi na 6 'Chaichhi Tomar Bondhuta'. Ya sake ƙunshe da waƙoƙi 15 kamar 'Gan-ola', amma babban banbanci shine cewa shi ne kundi na farko kuma kawai na asali na Suman, inda mai shirya kiɗa, mai suna Amit Bandopadhyay, ya shirya ɓangaren kayan aiki. Waƙoƙi 3 ne kawai suka kasance tare da guitar na Suman, amma wasu waƙoƙi sun kasance tare da mawaƙa na zaman, tare da santoor, sarod, violin, tabla, dhol, drum pad, keyboard na lantarki, guitar da bass guitar. Har ila yau, a karo na farko, an yi amfani da wasu maza da mata masu ba da sauti a wasu waƙoƙi. Yawancin magoya bayan Suman sun soki kuma ba sa son wannan kiɗa, wanda bai yi daidai da kundin da ya gabata ba.

Koyaya, a cikin 1997, Suman ya sake komawa ga waƙarsa ta hanyar kundi na 7 'Jaatishwar'. Ya ƙunshi waƙoƙi 12 kuma bayan 'Bosey Anko', kuma kamar 'Boseay Anko' - yawancin waƙoƙoƙi an rubuta su tare da guitar mai sauƙi, (a wannan lokacin tare da guitar na lantarki), waƙoƙa 2 kawai tare da keyboard, guitar da drums, wani waƙa tare da piano, guitar da harmonica, kuma waƙojii 2 sun kasance tare da sarod, santoor, tabla da drum daga wasu masu fasaha. Waƙar taken 'Jaatishwar' ta yi wahayi zuwa ga saurayi Srijit Mukherjee, kuma ya yi fim din Bengali tare da wannan sunan a cikin 2013.

A shekara ta 1998, Suman ya buga kundi na 8 'Nishiddho Istehar', wanda ya bambanta da kundi na 3 'Ichchhe Holo'. Inda 'Ichchhe Holo' ya bar maɓallin lantarki gaba ɗaya, 'Nishiddho Istehar' gaba ɗaya yana tare da maɓallin dijital. Yana daya daga cikin rikodin kiɗa na lantarki mai rikitarwa a masana'antar kiɗa ta Bengali, inda duk waƙoƙi 14 suka kasance tare da sauti na lantarki mai ƙwarewa. Bayan 'Ghumo Baundule', shi ne kundi na farko inda babu wasu mawaƙa da suka buga.

 Kundin waƙoƙin asali tare da waƙoƙinsa na 'wanda aka kirkira-waɗansu aka raira' 
Baya ga kansa, wasu masu fasaha sun rubuta waƙoƙinsa. Ya fara faruwa a shekarar 1995, lokacin da Haimanti Shukla ya rubuta kundin 'Sobujer Pratishodh', wanda ya ƙunshi waƙoƙi 8. Amit Bandopadhyay ya shirya kiɗa na kayan aiki tare da mawaƙa da yawa. An yi amfani da wasu mata masu ba da sauti a wasu waƙoƙi. Ya ci gaba a shekara mai zuwa, 1996 lokacin da Suman ya kirkiro kundi 'Chhoto Boro Miley' tare da waƙoƙi 14. Wannan shi ne kundi na farko da ya fi dacewa da yara. Tare da Anjan Dutt, Nachiketa Chakraborty, Lopamudra Mitra & Swagatalakshmi Dasgupta, wasu yara mawaƙa sun raira mafi yawan waƙoƙi ko dai guda ko a matsayin rukuni, ko kuma tare da waɗannan sanannun mawaƙa. Amit Bandopadhyay shi ma mai shirya ne a nan, amma a cikin waƙoƙi 3. Kabir Suman ya buga guitar da jituwa a cikin wannan kundin.

A cikin 1999, akwai wani kundin waƙoƙin yara 'Eksathe Banchboi' tare da waƙoƙi 12. Ba kamar 'Chhoto Boro Miley' ba, a nan babu wasu sanannun mawaƙa da suka raira waƙa. Dukkanin waƙoƙin yara ne suka rera su, kodayake ba su kasance daidai da waɗanda ke cikin 'Chhoto Boro Miley' ba (sai dai Payel Kar, wanda ke cikin kundin biyu). Har ila yau, a cikin wannan kundin, duk waƙoƙin sun kasance tare da keyboard na lantarki, da kuma mai tsara kayan aikin kayan aiki ta Suman. Suman ya yi amfani da kayan kida guda biyu sosai, kuma ya kirkiro wani orchestration na ethereal shi kaɗai. Ya kuma raira waƙoƙi 3 tare da waɗannan yara mawaƙa, kuma ya ce shine mafi kyawun aikinsa na fasaha har zuwa yanzu.[14] A wannan shekarar, wani kundin da aka buga mai suna 'Achena Chhuti', wanda ya ƙunshi waƙoƙi 14, inda Suman ya raira waƙa tare da Sabina Yasmin. Suman ya rera wasu waƙoƙi, Sabina ya rera wasu, wasu kuma a matsayin duet. Suman ne ya yi dukkan kayan aikin. Waƙoƙi biyu ne kawai aka haɗa su da guitar da harmonica, sauran waƙoƙin sun haɗa su gaba ɗaya da keyboard na lantarki, kuma wani lokacin tare da harmonica. Wannan shi ne kundi na farko na waƙoƙin, inda aka buga cikakkun kalmomin waƙoƙinsa a cikin murfin kundin. Wannan shi ne kundi na karshe na hadin gwiwa a matsayin 'Suman Chatterjee'. Da farko an buga shi ne kawai a matsayin cassette, amma daga baya kuma a matsayin CD. Wannan shi ne kundi na farko wanda aka buga daga wani kamfani mai rikodin ban da SAREGAMA India Limited; an buga shi daga Raga Music.

 Hoton motsi 
A shekara ta 1994, Kabir Suman ya fara aikin kiɗa na Soundtrack. A wannan shekarar, ya rubuta, ya kirkiro, ya raira waƙa, har ma ya taka rawar gani a fim din Bengali Mahasangram, wanda ya ƙunshi waƙoƙi 6. Amit Bandopadhyay ya shirya kiɗa na kayan aiki tare da mawaƙa da yawa don duk waƙoƙi sai dai ɗaya, inda Suman ya buga guitar da harmonica kawai. A nan Suman ya raira waƙa tare da Indrani Sen. Suman ya rera wasu waƙoƙi, wasu kuma Indrani ne, wasu kuma a matsayin duet. Suman ya kuma yi bayanan baya. Abin takaici fim din da aka fitar bayan dogon lokaci na shekaru 12, a cikin 2006, kuma ya fadi.

A shekara ta 1997, Suman ya sake zama darektan kiɗa a fim din Bengali Sedin Chaitramas, wanda ya ƙunshi waƙoƙi 7. Ba kamar Mahasangram ba,Suman ya buga dukkan kayan kida kamar keyboard na lantarki, guitar da harmonica kuma kansa mai shirya ne kamar kundin sa na asali. Wannan shi ne sauti na farko inda ya yi aiki tare da kayan aikin kansa. Baya ga Suman, wasu mawaƙa a cikin wannan kundin sune Nachiketa Chakrabarty, Lopamudra Mitra & Swagata Lakshmi Das Gupta . Suman ya kuma yi bayanan baya. Ya zama abin bugawa ga fim din da sauti, kuma Kabir Suman ya sami kyautar BFJA a matsayin darektan kiɗa mafi kyau.[14] Ya ci gaba har zuwa shekara mai zuwa lokacin da ya sake zama darektan kiɗa a fim din Bengali Suryakanya, wanda ya ƙunshi waƙoƙi 6. Ba kamar fina-finai biyu da suka gabata ba, bai ba da umarnin bayanan baya a nan ba. Suman ya buga dukkan kayan kida kamar keyboard na lantarki, guitar da harmonica kuma kansa mai shirya ne kamar kundin sa na asali. Baya ga Suman, wasu mawaƙa sune Shrikanta Acharya, Shriradha Bandopadhyay & Swagata Lakshmi Das Gupta . Fim din ya fadi.

 Waƙoƙin da Rabindra Nath Tagore ya kirkira 
Kabir Suman ya fara aikin kiɗa tare da waƙar Rabindra Nath Tagore a 1972, amma kusan bai yi nasara ba. Ya sake yin rikodin waƙar Tagore a shekara ta 1994, bayan dogon lokaci, a wannan lokacin ya riga ya zama sanannen mawaƙi. Daga 1994 zuwa 1997, ya rubuta Tagore's Song a kowace shekara a matsayin kundin. An buga waɗannan a matsayin 'Tumi Sandhyar Meghamala' a cikin 1994, 'Pathik Ami Canal a cikin 1995, 'Priyar Chhaya Canal a cikin 1996 da 'Chirabhakta Canal a cikin 1997. A cikin kundi uku na farko, V Balsara, Amit Bandopadhyay da kuma V. Balsara ne suka shirya kiɗa bi da bi. A cikin kundin 'Chiraibh', Amit Bandopadhayay ne ya shirya waƙoƙi 7, amma sauran waƙoƙoƙi 5 da Suman ya rera shi tare da waƙoƙin sauti mai sauƙi kawai, wanda ya ba da izini Vhar Bishwa Board, wanda ya zama na Tagore Music ya ba da shi.

 Waƙoƙin da Himangshu Dutta ya rubuta 
1n 1995, Kabir Suman ya rubuta wani kundin da ya ƙunshi waƙoƙi 10, waɗanda Surasagar Himangshu Dutta ya kirkiro, a kusa da 1940. Dukkanin wadannan waƙoƙin an rubuta su ne ta hanyar mawaƙa daban-daban. A lokacin rikodin sa, sanannen guitarist Buddhadeb Gangopadhyay ne ya buga guitar din Pete Seeger na igiya 12.

Bayan 1999, ya sake komawa masana'antar rikodin a shekara ta 2001, kuma a wannan lokacin a matsayin Kabir Suman .

 Gidan wasan kwaikwayo tare da Pete Seeger 
Ɗaya daga cikin manyan nasarorin Suman, shine kide-kide a Kalamandir a Kolkata tare da mashahurin jama'ar Amurka Pete Seeger, a cikin 1996.

 Kundin waƙoƙin asali tare da waƙoƙinsa da ya kirkira daga 2001 
Bayan dogon lokaci a cikin shekara ta 2000, Kabir Suman ya sake komawa aikin rikodin a watan Janairun shekara ta 2001, ta hanyar buga kundi na 10 'Jabo Awchenay', wanda ya ƙunshi waƙoƙi 10. Wannan shi ne kundi na farko game da hutu, hutu, hutu. Taken sa ya ƙunshi 'barka' a fannoni da yawa kamar hutu, mutuwa, matasa da suka ɓace, hutu, hutu da dai sauransu. Bayan 'Nishiddho Istehar', wannan shi ne kundi na biyu, wanda gaba ɗaya ya kasance tare da keyboard na lantarki, ban da waƙar ƙarshe, wanda aka buga tare da piano. Wannan shi ne kundi na farko, inda akwai wasu karatun kalmomi, ba tare da wani kiɗa da sauti ba. Akwai irin waɗannan kalmomi 6. Kabir Suman ya riga ya canza sunansa daga Suman Chattopadhyay zuwa Kabir Suma, amma kamfanin rikodin har yanzu yana amfani da tsohon sunansa da farko, da sabon sunansa a cikin ƙuƙwalwa. Hoton murfin kuma hoto ne na tsoffin kwanakin lokacin da yake da gashi, gemu da gemu, inda a wannan lokacin, kusan babu wani abu a gare shi.

A shekara mai zuwa, Kabir Suman ya buga kundi na 11 'Adab', wanda ya ƙunshi waƙoƙi 12. Wannan kusan ya kasance a baya zuwa kokarinsa, kamar 'Tomake Chai' da 'Bose Anko', wanda kuma ya ƙunshi waƙoƙi 6 a kowane gefe. An buga waƙoƙi 5 tare da guitar na lantarki, da kuma waƙa 1 tare da maɓallin lantarki da guitar. Sauran waƙoƙin an buga su da keyboard na lantarki. Wannan kundin ya kasance mai ban mamaki tare da wasu maki huɗu - 1) A nan an yi amfani da sabon sunansa da farko, tare da tsohon sunansa a cikin ƙuƙwalwa (ba kamar kundin da suka gabata ba), 2) An yi amfani da ainihin hotonsa a matsayin hoton murfin, 3) Wannan shi ne kundi na ƙarshe da aka rubuta a Saregama Indiya Limited. 4) Wannan shi ne kundi na karshe wanda aka buga kawai a matsayin cassette. An buga cikakken kundin sa na Bengali na gaba a shekara ta 2005, bayan dogon lokaci na shekaru 3.

A shekara ta 2003, ya rubuta kundin waƙoƙin Ingilishi 'Reaching Out' wanda ya ƙunshi waƙoƙi 10. Dukkanin waƙoƙin sun kasance gaba ɗaya tare da guitar mai sauƙi. Waƙoƙi 2 sun kasance fassarar tsoffin waƙoƙin Bengali guda biyu, amma sauran waƙoƙi 8 an rubuta su kai tsaye a Turanci. Wannan shi ne kundi na farko na Suman wanda aka buga daga lakabin rikodin ban da SAREGAMA India Limited. An buga shi daga Cosmic Harmony, wanda ya ci gaba da buga 'yan kundi na gaba. Wannan shi ne kundi na farko, wanda aka sayar da shi da sabon sunansa Kabir Suman, wanda ke ci gaba bayan haka.

2004 ya ga wani abin da ya faru na dogon lokaci, lokacin da Kabir Suman da Anjan Datta suka rubuta kundi tare. An kira shi 'Onek Din Por', wanda ya ƙunshi waƙoƙi 10, 5 kowannensu ya rubuta ta kowane mai zane. Waƙoƙin Suman sun kasance tare da guitar da harmonica, inda waƙoƙin Anjan suka kasance tare da jagorar guitar, bass guitar da harmonika ta wasu mawaƙa. Anjan da kansa ya buga guitar, kuma Suman ya bi shi da harmonica a cikin waƙa. Wannan wani muhimmin abu ne a masana'antar kiɗa ta Bengali inda sanannun mawaƙa biyu suka rubuta kundi tare. Kokarin yafi daga Kabir Suman, a matsayin kundi na 12. Har ila yau, shi ne kundi na farko wanda aka buga a matsayin cassette da CD, kuma kundi na farko da aka rubuta ta hanyar dijital.

Kabir Suman ya koma kundin sa na Bengali a shekara ta 2005 bayan tsawon shekaru uku. A wannan lokacin ya buga kundi na 13 'Dekhchhi Toke'. Ya ƙunshi waƙoƙi 8 kawai, wanda shine kundi na farko tare da mafi ƙarancin waƙoƙin da ke ciki. Wannan kundin ya kasance mai ban mamaki saboda, shi ne kundi na farko inda ba wai kawai ya rubuta dukkan sassan kayan kida ba, har ma ya haɗu kuma a ƙarshe ya ƙware. Wannan shi ne kundi na farko na Bengali wanda ya ƙunshi waƙoƙin da aka rubuta, aka tsara, aka raira waƙa, kayan kida da aka buga, aka rubuta, an haɗa su kuma mutum ɗaya ya mallake su. Waƙoƙi 4 sun kasance tare da keyboard na lantarki, da waƙoƙi 2 ta guitar na lantarki. Koyaya ingancin rikodin ba shi da tabbas kuma yana da duhu.

An buga cikakken kundin sa na Bengali na gaba 'Nandigram' a cikin 2007, bayan shekaru 2 da suka gabata. Wannan shi ne kundi na 14, da kuma kundi na biyu na ra'ayi, da kuma kundi ya farko na siyasa. A wannan lokacin, yanayin siyasa na West Bengal yana cikin rikici game da sayen ƙasa a Singur da Nandigram. A ranar 14 ga watan Maris na shekara ta 2007, 'yan sanda sun kashe mutane da yawa a Nandigram. A wannan lokacin, Kabir Suman ya kasance mai ba da rahoto na Tara TV. Ya tafi fiye da sau ɗaya zuwa waɗancan wurare, kuma ya tashi da babbar zanga-zanga ta hanyar mai ba da rahoto da mawaƙa-mai rubuta waƙa-mai kiɗa. Wannan kundin ya ƙunshi waƙoƙi 8, da kuma kalma ɗaya. Wannan shi ne kundi na biyu wanda ya ƙunshi karatun waƙa, ba tare da wani kiɗa da sauti ba. Waƙar taken 'Nandigram Chanin' ya raira shi ba tare da wani nau'in kayan aiki ba, shi ne kuma karo na farko. Duk sauran waƙoƙin sun kasance tare da keyboard na lantarki kawai. Dukkanin waƙoƙinsa' taken shine cinikin ƙasa mai karfi daga gwamnatin jihar ta wancan lokacin, da kuma kisan kiyashi da suka yi. Wannan shi ne kundi na uku bayan dogon rata tun lokacin da 'Gan-ola Canal, wanda aka buga a shekarar 1994, wanda murfin gaba ba shi da hoto na kansa. Sarautar wannan kundin ta tafi gaba ɗaya ga waɗancan talakawa na Singur da Nandigram, waɗanda ke ci gaba da zanga-zangar adawa da sayen ƙasar.  zanga-zambe ya ci gaba har zuwa shekara mai zuwa, lokacin da ya buga kundi na 15 da kundi na 3 na ra'ayi 'Rijwanur Britto a cikin 2008. Wannan shi ne kundi na farko wanda aka buga a cikin Kolkata Book Fair, kuma kawai kundin da aka buga da kansa, ba tare da wani taimako daga kowane kamfani mai rikodin ba. Ya ƙunshi waƙoƙi 8, kuma ban da waƙar da aka buga tare da guitar, duk sauran waƙoƙin an buga su da keyboard na lantarki. Dukkanin jigon waƙoƙin shine mutuwar ban mamaki na matashi mai tsara multimedia Rizwanur Rahman, wanda ya kasance mai kawo rigima sosai, kuma ya haifar da rikice-rikicen siyasa a Yammacin Bengal. Wannan shi ne kundi na farko wanda aka buga kawai a cikin CD. A wannan lokacin Kabir Suman ya sake samun shahara saboda waƙoƙin zanga-zangar da ya yi, don haka ya tilasta buga wani kundin waƙoƙi na zanga-zambe a wannan shekarar. Kundin sa na 16 'Protirodh', wanda kuma kundin siyasa ne da kuma kundin ra'ayi na 4., wanda ya ƙunshi waƙoƙi 8. Duk waƙoƙin sun kasance tare da keyboard na lantarki, tare da wasu waƙoƙi da aka gauraya da guitar kaɗan. Dukkanin wadannan kundin da aka buga a 2008 ba su da hoto na shi a gaban murfin. Sau da yawa ana kiranta ci gaba na 'Nandigram'. Kamar 'Nandigram', duk waƙoƙin' jigon ya kasance da karfi da aka samu daga gwamnatin jihar ta wancan lokacin, da kuma kisan kiyashi da suka yi, kuma sarautar wannan kundin ta tafi gaba ɗaya ga waɗancan talakawa na Singur da Nandigram, Dukansu 'Nandigram' da 'Protirodh' sun zama sanannun jam'iyyar adawa ta West Bengal All India Trinamool Congress. Sun buga shi a tarurruka daban-daban, sun rarraba kwafin CD a farashi mai rahusa ga masu jefa kuri'a. Wannan kundin ya kasance alama ce ta bangarori biyu - 1) Wannan shi ne kundi na karshe wanda aka buga a matsayin cassette da CD, saboda daga shekara ta 2009, an dakatar da masana'antar cassette gaba ɗaya a Indiya. 2) Wannan shi ne kundi na karshe da aka buga daga Cosmic Harmony . Halin zanga-zangar ya taimaka wa Majalisa ta Trinamool ta tsaya shi a matsayin dan majalisa a zaben Lok sabha mai zuwa. Ya raira irin waɗannan waƙoƙi da yawa a cikin yakin neman zabe.

Bayan an zabe shi a matsayin dan majalisa, ya sake komawa yin rikodin kiɗa a shekarar 2010. A wannan lokacin ya buga kundi na 17 'Chhatradharer Gaan'. da kuma kundin ra'ayinsa na 5, da kuma kundin siyasa na 4. Ya ƙunshi waƙoƙi 8 kawai, kuma duk waƙoƙin suna tare da guitar mai sauƙi. Ba a yi amfani da wasu kayan kida ba. Wannan shi ne kundi na farko na Bengali wanda ya rubuta gaba ɗaya tare da guitar, ba tare da wasu mawaƙa ba. Wannan kundin ya kasance mai ban mamaki saboda shi ne kundi na farko bayan ya zama MP. Babban jigon wannan kundin shine yankin gandun daji a yammacin West Bengal, mutanenta, halin da suke ciki na siyasa, da kuma wasu tsangwama mara ma'ana daga gwamnatin tsakiya. A wannan lokacin, an kama Chhatradhar Mahato kuma an ɗaure shi, an tura rundunar soja ta hadin gwiwa a wannan yankin, kuma sun fara tayar da talakawa na yankin gandun daji, suna cewa suna taimakawa Maoists. Saboda wannan dalili mai mahimmanci, wannan kundin ya zama mai kawo rigima. Jam'iyyar Suman All India Trinamool Congress ba ta son ra'ayinsa, kuma ta ce sau da yawa ta hana wannan kundin, kuma ta daina faɗin game da tallafawa Chhatradhar Mahato, amma bai canza ra'ayinta ba, don haka rikici ya ci gaba da shi daga wasu shugabannin, gami da AITC mafi girma, sannan ministan jirgin kasa Mamata Banerjee. An rubuta wannan kundin ta hanyar bin ra'ayin rikodin sitiriyo na farko, watau - murya a gefe ɗaya, da guitar a gefe ɗaya.

A cikin shekara ta 2011, Suman ya buga kundi na 18 'Lalmohoner Lash'. Wannan shi ne kundi na 6 kuma na karshe, kuma kundi na 5 kuma na karshe na siyasa. Ya ƙunshi waƙoƙi 9, kuma yana da bambanci sosai da kundin da suka gabata saboda kayan aiki. Ba kamar 'Chhatradharer Gaan' ba, wanda gaba ɗaya ya kasance tare da guitar, 'Lalmohaner Lash' gaba ɗaya ya haɗa da keyboard na lantarki. An rubuta wannan kundin kuma an sake shi a wannan lokacin, lokacin da saboda ra'ayinsa na siyasa wanda jam'iyyarsa ba ta goyi bayan shi ba, rikici da jam'iyyar sa ya ci gaba. Sau da yawa ana kiranta ci gaba na 'Chhatradharer Gan'. Kamar 'Chhatradharer Gan', duk waƙoƙin sun goyi bayan juyin juya halin mutanen daji da ke zaune a yammacin Bengal, da kuma nuna rashin amincewa da cin zarafin da rundunar soji ta tsakiya ta haifar, aikin Green hunturu da sauransu. A wannan lokacin, an kama Lal Mohan Tudu ta hanyar amfani da UAPA, kuma rundunar sojan ta kashe shi. Kunnen da ke da kaifi zai iya sauraron sauti a ƙarshen wasu waƙoƙi, saboda siginar 14 Kilohertz crosstalk ne. Ya samo asali ne daga wasu matsalolin kasa. Wannan kundin kuma ba ya dauke da wani hoto na shi a gaban murfin.

2012 ya ga har zuwa yanzu album na karshe, wanda shine 19th album '63te'. Bayan wasu kundin siyasa da ra'ayi tun 2007, ya koma kundin misali. Wannan shi ne kundi na farko bayan 'Dekhchhi Toke', wanda aka buga a shekara ta 2005. Ya haɗa da waƙoƙi 15, wanda ya kasance bayan dogon lokaci tun 1996, lokacin da ya buga 'Chaichhi Tomar Bondhuta'. An sake dawo da kayan kida zuwa tsohuwar salon sa, an buga waƙoƙi 4 ko 5 ta hanyar guitar, kuma duk sauran waƙoƙin an buga su ta hanyar keyboard na lantarki. Saboda rikodin gidansa kamar kundin kwanan nan, an kara wasu hayaniya a waje ba da gangan ba tare da rikodin karshe. Matsalar humming tare da 'Lalmohoner Lash' ta kasance a nan a wasu waƙoƙin.

 Kundin waƙoƙin asali tare da waƙoƙinsa na 'wanda aka kirkira-waɗansu suka raira' daga 2002 
A shekara ta 2002, Indranil Sen ya rubuta wani kundi 'Tumi Gan Gaile', wanda ya ƙunshi waƙoƙi 8. Sanjay Das ya shirya kiɗa na kayan aiki tare da wasu mawaƙa na zaman. Kabir Suman ya ce ɗan gajeren jawabi a tsakiyar waƙar taken. An buga cikakkun kalmomin a cikin murfin kundin. Wannan shi ne kundi na farko na hadin gwiwa a matsayin 'Kabir Suman', kuma shi ne kundi ya farko na hadir gwiwa wanda aka buga a matsayin cassette da CD.

A shekara ta 2006, wani kundin da aka buga mai suna '13', wanda ya ƙunshi waƙoƙi 13, inda Suman ya raira waƙa tare da Sabina Yasmin . Suman ya rera wasu waƙoƙi, Sabina ya rera wasu, wasu kuma a matsayin duet. Daga cikin wadannan, Rudra Mohammad Shahidullah ne ya rubuta waƙar daya kuma ya kirkiro ta. Suman ne ya yi dukkan kayan aikin. Wasu waƙoƙi sun kasance tare da guitar da harmonica, wasu waƙoƙoƙi suna da keyboard na lantarki, kuma wasu an haɗa su da keyboard na dijital da guitar. An buga cikakkun kalmomin a cikin murfin kundin. Wannan shi ne kundi na farko na hadin gwiwa, wanda aka rubuta ta hanyar dijital kuma kayan aiki sun haɗu da kayan aiki ta hanyar software kamar Reason, Samplitude, da Nuendorum. Wannan shi ne kundi na karshe na hadin gwiwa wanda aka buga a matsayin cassette da CD. An buga waƙa ɗaya a baya a cikin 1994.

A shekara ta 2010, Sabina Yasmin ta rubuta wani kundi 'Suprobhat Bishonnota', wanda ya ƙunshi waƙoƙi 10. Suman ne ya yi dukkan kayan aikin. Wasu waƙoƙi sun kasance tare da guitar da harmonica, wasu waƙoƙoƙi suna ta hanyar keyboard na lantarki, kuma wasu an haɗa su da keyboard na lantarki da guitar. Shi ne na farko kuma har zuwa yanzu shi ne kawai kundin haɗin gwiwa, wanda aka buga kawai a matsayin CD. Kunnen da ke da kaifi zai iya sauraron sauti a ƙarshen wasu waƙoƙi, saboda siginar 14 Kilohertz crosstalk ne. A wasu waƙoƙi, an haifi hayaniya ta baya, kuma don rage shi, raguwar hayaniya ya faru a wasu waƙoƙin.

 Hoton motsi daga 2009 
A shekara ta 2009, Kabir Suman ya sake komawa masana'antar fina-finai ta Bengali a matsayin darektan kiɗa bayan dogon lokaci. A wannan shekarar, ya rubuta, ya kirkiro, ya raira waƙa, da kayan kida da aka buga a fim din Bengali 'Diet', wanda ya ƙunshi waƙoƙi 3. A nan Suman ya buga guitar dinsa, keyboard na lantarki kuma duk sautunan kayan aiki sun haɗu da shi. Suman ya rera waƙoƙi biyu, Sabina Yasmin ne ya rera ɗaya. Suman ya kuma yi bayanan baya. Abin takaici hoton motsi ya zama fashewa, kuma babu sakin kundin sauti. An saki fim din a lokacin da aka zabe shi a matsayin dan majalisa.

2014 ita ce babbar shekara ta Suman a matsayin darektan kiɗa. A wannan shekarar, ya ba da umarnin kiɗa a fim din Bengali Jaatishwar, wanda ya ƙunshi waƙoƙi 21. Yana da mafi yawan waƙoƙi a cikin fim guda ɗaya a tarihin masana'antar fina-finai ta Bengali. Kamar fim dinsa na farko Mahasangram, wannan fim din yana da wani mutum a matsayin mai shirya, a wannan lokacin Indraadip Dasgupta ne. A cikin waƙa ɗaya kawai, Kabir Suman ya buga guitar dinsa (tare da wasu kayan kida). Baya ga Kabir Suman, wasu mawaƙa sune Rupankar Bagchi, Shrikanta Acharya, Manomay Bhattacharya, Suman Mukhopadhyay, Kalika Prasad Bhatta charya, Kharaj Mukhopadhyay, Dibyendu Mukhopadhiy, Saptarshi Mukhopadhyas, Anupam Roy, Sidhu, Saki & Shramana Chakraborty. Ita ce kawai fim din Bengali ya zuwa yanzu - wanda ke da waƙar Mutanen Espanya. An buga cikakkun kalmomin a cikin ɗan littafin, wanda aka haɗa a cikin wannan kundin. Akwai hanyar amfani da dukkan waƙoƙi a matsayin mai kiran wayar hannu. Dukkanin fim din da sauti sun zama babban abin bugawa, kuma Kabir Suman ya sami lambar yabo ta kasa don Jagoran Kiɗa mafi kyau. Ya kuma sami lambar yabo ta Rediyo Mirchi don mafi kyawun mawaƙa, mafi kyawun faifai, da mafi kyawun faifan faifai don wannan fim.

 Waƙoƙin da Rabindra Nath Tagore ya kirkira daga 2002 
Ya sake yin rikodin Tagore's Song a shekara ta 2002, bayan dogon lokaci. A wannan shekarar, ya rubuta 'Kalo Horin Chokh' wanda ke da waƙoƙi 10, an rubuta waƙoƙoƙi 2 a baya a 1972 da 1994 bi da bi. Wannan shi ne kundi na farko na waƙoƙin Tagore, inda duk waƙoƙi suka kasance tare da guitar & harmonica ko keyboard na lantarki, wanda Kabir Suman kawai ya buga. An buga rikodin wannan kundin a matsayin cassette na EP 'Sondhyadiper Shikha' a shekara mai zuwa 2003, wanda ya kasance karin waƙoƙi 4, an buga 1 daga cikinsu a cikin 'Kalo Horin Chokh'. Wannan shi ne kundi na karshe na Tagore Song a cikin cassette da CD. Ya rubuta kundi na gaba na Tagore Song 'Ganer Resh' a cikin 2016, wanda ya kasance gaba ɗaya ba tare da wani kayan kida ba. An buga shi ne kawai a matsayin CD.

 Sauran rikodin 
Baya ga waɗancan kundin, ya rubuta wasu waƙoƙi, waɗanda aka tattara a wasu kundin kamar 'Onurodher Asor', 'Nagorik Kobiyal', 'Pata Jhore Jay', 'Ei Prothom' (wani kundin rayuwa tare da Nachiketa Chakraborty) da dai sauransu. Ya kuma rubuta waƙoƙoƙi biyu don fim din Bengali 'Bhoy' - wanda aka rubuta kuma aka saki a cikin 1996, da kuma waƙa ɗaya don fim ɗin Bengali 'Yoddha' - wanda ba a cikin 1995, amma ba a taɓa yin rikodin ba. Concord Trio ta yi rikodin waƙoƙin Suman guda biyu a cikin 1994 da ɗaya a cikin 1997 bi da bi don kundin su 'Konthe Nilem Notun Gan' da 'Tomar Safar'. Lopamudra Mitra ta rubuta waƙoƙin Suman guda biyu a cikin 1995 da ɗaya a cikin 1996 bi da bi don kundin 'Notun Ganer Nouko Bawa' da 'Bhetor Ghore Brishti'. Daga 1997 zuwa 2003 (sai dai 2002), Sandhya Mukhopadhyay ta rubuta waƙoƙin Suman guda biyu kusan kowace shekara, an buga su bi da bi a cikin kundin ta 'Dhonno Hok', 'Shesh Dorjata Perole', 'Aschhe Shotabdite', 'Rongdhonu Tana Setu', 'Sada Payra Giyechhe Ure' & 'Osshomedher Ghora Chhutechhe', daga cikinsu waƙa ɗaya a cikin 1999 ta lashe mafi kyawun kundin Bengali.

Rukuni:Rayayyun mutane
Rukuni:Haifaffun 1950
Rukuni:Shafuka masu fassarorin da ba'a duba ba

 Manazarta