Abimbola Adunni Adelakun

Abimbola Adunni Adelakun (yin jiji to azán fọntọ̀ntọ Zósun) to otogbó Naijilia tọn mẹ.

Otàn gbẹzan etọn tọn
E yin jiji to Ibadan, to huwaji-wheyihọ Naijilia tọn, bo yi Wehọmẹ Alavọ Ibadan tọn. E mọ gbedewema daho yi to nupinplọn gando lehe ye nọ dotoai, kanwé,hiawe na gbẹtọ lẹ. Podọ e sọ yi gbedewema daho hugan to owedúdú mẹ to wehọmẹ alavọ Texas, Austin tọn mẹ. E wazọn po linlinwhe (The  Punch  newspaper) tọn to Awọnlin, to togbo Naijilia tọn mẹ, taidi Wekantọ́ de. E plọnwe gando aṣa egbezangbe aflika tọn go podo lehe ye sọgan nọgbẹ bosọ yin didohia gbọn mẹpọnnu oplọn tọn dali, ada, Aflikanu.
E kan owe voovo lẹ he ko yin Zinzinjẹ̀gbonu do linlinwe voovo mẹ ehe bẹ kandai yọnnu po sinsẹn, kandai aṣa po nupinplọn gando yọnnu Aflikanu tọn hẹn. Owe he é Kan lẹ sin hosọ lẹ wẹ: (‘Coming  to  America:  Race,  Class,  Nationality  and  Mobility  in  “African”  hip  hop’  2013; Pentecostal  Panopticism  and  the  Phantasm  of  “The  Ultimate  Power”  2018; The  Spirit  Names  the  Child: Pentecostal  Names  and  Trans-ethics’  2020;  ‘Black  Lives  Matter!  Nigerian  Lives  Matter!:  Language  and Why  Black  Performance  Matters’  2019;  ‘Pastocracy:  Performing  Pentecostal  politics  in  Africa’  2018; ‘Godmentality:  Pentecostalism  as  performance  in Nigeria’  2017; ‘The  Ghosts  of  Performance  Past:  Theatre, Gender,  Religion  and  Cultural  Memory’  2017;  ‘Spectacular  Prophecies:  Examining  Pentecostal  Power  in Africa’  2017;  ‘Remixing  Religion:  An  Interdisciplinary  Graduate  Student  Conference’  2014;  ‘Yoruba Studies  Review’  and ‘I  am  hated, therefore  I  am:  The  Enemy in Yorùbá  Imaginary’).  
Ewọ wẹ yin dowatọ́ otanwe he hosọ etọn yin: Under  the  Brown Rusted Roofs tọn.

Alọdlẹdonu lẹ

Adà:Otàn Gbẹzan tọn
Adà:Naijilia-nu lẹ