Njideka Akunyili Crosby

Njideka Akunjili Crosby  nye aɖaŋudɔwɔla aɖe si wodzi ɖe Nigeria dukɔ me. Eƒe ŋkɔ ɖi hoo ɖe eƒe nutata ɖe aɖaŋu me si ɖea amenyenye, dekɔnuwo ƒe nudede wo nɔewo me kple yevublotsinɔlawo ƒe numetotowo fiana.https://www.wmagazine.com/story/njideka-akunyili-crosby-artist-painter Wodzii le ƒe akpe ɖeka alafa asieke blaenyi-vɔ-etɔ̃ me (1983) le Enugu tokɔ si le Nigeria la me. Ezɔ mɔ yi Amerika dukɔa me le esime wòxɔ ƒe wuiade ko. Le eƒe sukudede ƒe mɔzɔzɔ me la, ede suku le “Swarthmore College, Pennsyvania Academy of the Fine Arts, kple Yale University School of Art” hã eye afi mae wòxɔ “MFA” ƒe ɖaseɖigbalē la le. Njideka Akunyili Crosby.

Akunyili Crosby ƒe dɔwɔwɔwo lɔ aŋɔsisi na nu, nɔnɔmetatawo kple fotowo siwo wòwɔ tsɔtsɔ yi teƒe kple dukɔ bubuwo me. Zi geɖe la, etsɔa ame ŋutɔ kple dekɔnuwo ƒe nɔnɔmetatawo si tso Nigeriatɔwo ŋu la dea eme. Eƒe aɖaŋudɔwo ɖea eƒe nuteƒekpɔkpɔwo fiana to dekɔnu kple degbenɔnɔ ƒe nɔnɔme vovovowo me. Eɖea aƒe me nuwo kpɔkpɔ gaglaa fiana eye nu siawo doa ka kplikplikpli kple ame siwo ƒe ŋutinya kple kple nuwɔnawo ŋu we nu ƒome tsoe la fiana nyuie. Eƒe dɔ nyany1 siwo bɔ ɖe teƒe geɖe la ƒe ɖewoe nye; sr-ɖeɖe ƒe nɔnɔmetata si wòwɔ le ƒe akpe eve kple wuieve me (2012), si wòtsɔ ɖe San Francisco Blemanuwodzraɖoƒe si le ŋkuʋuʋue nutaƒe la, kple “Mother and Son” alo Vinɔ kple Via ŋutsuvi le ƒe akpe eve kple wuiade (2016) me si wòatsɔ kpe ɖe eƒe nutoa me ƒe Blemanuwodzraɖoƒe ƒe akpa aɖe ŋu. Akpa siawo ɖea ŋutete si le esi be wòalɔ̃ nu ɖeka kple nukpɔkpɔ ƒe akpa aɖewo atsɔ aɖe ŋutinya siwo gɔmesese sesēna la fia.

Wode dzesi Akunyili Crosby tɔxεe ɖe akpa si wòlé le aɖaŋudɔwɔwɔ me kple kafukafu nunanawo fu. Nunana alo “award” siwo dometɔ aɖewoe nye “MacArthur Fellowship” le ƒe akpe eve kple wuiadre me (2017). Eƒe dɔwo dze le dɔwɔƒe xɔŋkɔ siwo le xexeame godoo la abe “Tale in London kple Whitney Museum siwo le New York dukɔa me.

 Dɔwɔwɔ Kple Sukudede 
Wodzi Njideka le ƒe akpe ɖeka alɔfa asieke blanyi vɔ et me eye wonyi le Enugu le Nigeria. Eƒe dzɔtsoƒe tso Igboe eye wòdoa gbe eve siwoe nye Igbo kple Iŋlisigbe. Eƒe ƒometɔ aɖewoe nye Akunyili Crosby si nye fofoa, Chike Akunyili, dada si nye amekola kple Dora_Akunyili si nye atikeŋutinunyalagãwo  Pharmacology ƒe nufialagã le Nigeria -7 ƒe yunivesiti me eye wònye dukɔa ƒe nuɖuɖu kple atike ŋuti dɔwɔƒe ƒe dɔdzikpɔlagã tsã. Akunyili Crosby ʋu yi ɖe Legos le esime wòxɔ ƒe wuiet- be yeade sek1ndrisuku si woyɔna be fianyɔnuwo ƒe kɔledzi si le Yaba Legos nuto la me. Dada ɖu Amerikatɔwo ƒe loto agbalēvi si woɖe ŋkɔ na be ‘’green card’’ na eƒe ƒomea si wɔe be Akunyili kple nɔvia ŋutsuwo te ŋu yi ɖe Amerika dukɔ la me eye wona ga ƒe kpekpeɖeŋu wo be woade suku ahasr- nu le afi ma.

Le ƒe akpe ɖeka alɔfa asieke blasieke vɔ asieke lia me le esime wòxɔ ƒe wuiade la, edzo le Nigeria kple nɔvia nyɔnu Ijeoma, eye wòʋu yi ɖe Amerika dukɔa me. Ezã ƒe ɖeka tsɔ srɔ̃ nu na “SAT” eye wòxɔ Amerikatɔwo ƒe ŋutinya, dzɔdzɔmeŋunya, kple akɔŋtabubu ƒe nusɔsrɔ̃ hafi yi Nigeria be yeasubɔ ƒe ɖeka le dukɔa ƒe subusubudɔ nu. 

Esi wòwu eƒe subusubudɔa nu vɔ la, etrɔ yi Amerika be yeasr- nu le Philadelphia dukɔ me. Exɔ eƒe aŋɔsisi ƒe klasi gbãtɔ le nutoame ƒe sukukɔkɔa me le Philadelphia afi si eƒe nufiala Jeff Reed de dzi ƒo nε be wòabia be yeayi Swarthmore kɔlεdzi. Ewu Swarthmore kɔlεdzi nu le ƒe akpe eve kple ene (2004) me, afi si wòsr- aɖaŋudɔwo kple nugbagbeŋutinunya le abe “Mello Mays” ƒe suku kɔkɔ dede ƒe hati ene. Enɔ nudidi siwo nɔ anyi do ŋgɔ na atikewɔnyawo la dim gbã be yeatsɔ awɔ dɔ le atikewɔƒe me hafi atsɔ tso nya me be yewu aɖaŋudɔ nu. Medze aɖaŋudɔwo yome o va se ɖe eƒe ƒe maml1tɔ me le Swarhmore esi wòkpɔe be yekpɔ dzidzɔ ɖe yeƒe aɖaŋudɔwo ŋu le yeƒe dzɔdzɔmeŋutinunya vɔ megbe.  Ese le eɖokui me be edze be yeagblɔ nuteƒekpɔkpɔ si su ye si abe Nigeriatɔwo ene le ame siwo le adzɔge 3ii la dome to eƒe aɖaŋudɔwo wɔwɔ me.

Esi wòwu Swarthmore nu le ƒe akpe eve kple ene me la, (2004) esrɔ̃ nu le Pennsylvania suku si kpɔ aɖaŋudɔwo wɔwɔ gbɔ. Afi siae wòxɔ ɖaseɖigbalē le le Baccalaureate megbe le ƒe akpe eve kple ade lia me (2006). Emegbe ede Yale Yunivεsiti ƒe aɖaŋudɔsr-ƒe, afi si wòxɔ aɖaŋudɔ nyuiwo ƒe dzikpɔla le. 

 Nuwɔmɔnu 
Etsɔ foto siwo eya ŋutɔ ɖe kpe ɖe esiwo ƒomea ɖe le Nigeria la kpe ɖe axa siwo tso Nigeria ƒe nɔnɔmetata gbalē xɔ ŋkɔwo me la nu. Fotowo nye ƒuƒoƒo siwo le eƒe dɔwɔwɔ me si wòzã avɔ le eƒe nutatawo dɔwo takã me.

Eƒe nu vevitɔwoe nye fotoɖeɖe, aŋɔsisi, aka ŋudɔwɔwɔ, avɔwo, kple amadede ƒe nuŋlɔtiwo. Tso kpe ɖe Nigeriatɔwo ƒe ŋusēkpɔɖeamedzi sesewo ŋu hã la, eƒe atsã dodowo tsoa dekɔnuwo, ame ŋutɔ ƒe nuteƒekpɔkpɔ kple ɣetoɖoƒetɔwo ƒe agbalēsɔsrɔ̃ me. Esi wònɔ dɔ siawo wɔm la, enɔ tame bum le eƒe nyasela eveawo ŋuti vevie: Amerika kple Nigeriatɔwo. 

Togbɔ be enɔ esiawo katã wɔm hã la, womete ŋu ma eƒe dɔwo ɖe Amerikatɔwo alo Nigeriatɔwo ƒe hatsotso me o, ke boŋ enye ame ŋutɔ ƒe agbemeŋutinya si wòtu ɖe eƒe nɔnɔme si mewɔ ɖeka kple dɔ bubu aɖeke o la me.

Nyɔnuwo nɔa ŋusē ƒe nɔnɔme me le eƒe dɔwo ƒe akpa gãtɔwo me. Exɔe se be medze be woabia gbe nyunuwo ƒe dɔwɔƒe o, eye wònye ame si nye gomekpɔla veviedonula le nya sia me. Akunyili Crosby hã di be yeawɔ ameha vovovowo siwo ƒe srɔɖeɖe ƒe nɔnɔmetata si teƒe mekpɔkpɔ o la le Nigeria le esime wònɔ tsitsim o la ƒe ɖewo: abe ameyibo kple yevuwo ƒe srɔɖeɖe. Edea sr-a si nye yevu eye wòtso Taxasi eƒe dɔwɔwɔ geɖewo me.

“Eƒe ŋutilã ƒe akpa susuewo” le ƒe akpe eve kple ewoa me le esime wòƒoƒu nutata, aŋɔsisi, nɔnɔmetatawo ƒe kɔklɔ kple nuwo de agbalē dzi. Le akpa sia me la, Crosby wɔ awuwo tso agbalē ƒe ƒuƒoƒo ƒomevi aɖe si zãa agbalē siwo wowɔ do ŋgɔ si wotsɔ de nugbadza aɖe dzi. Dɔ sia ɖe Crosby ƒe ɖevi me nɔnɔ le esime wòmlɔ anyi ɖe aba dzi le xɔ ƒuƒlu aɖe me si wotsɔ nɔnɔmetata siwo do ƒome kple eƒe domenyinuwo ƒo xlãe la fia. Teƒea kple amea ƒe nɔnɔme la ɖe Edouard Manet ƒe aŋɔsisi ƒe nɔnɔme fia le “The Dead Toreador” ƒe Tanya si wotia be “Eƒe akpa susueawo la” ƒo nu tso vovototo siwo le agbenɔnɔ si wònɔ le Amerika kple Nigeria le esime wònɔ tsimtsim la dome ŋu.

 Ŋusẽkpɔɖeamedzi 
Le esime wònɔ Nyɔnufiawo ƒe kɔledzi la, Akunyili Crosby do go Nigeria, Britain, kple Amerikatɔwo ƒe dekɔnu xɔ ŋkɔ geɖe siwo de sɔsɔ ge kple eƒe dɔwo kpakple dekɔnu nutalawo ƒe dɔwɔwɔ sɔ kple wo nɔewo. Eɖea eƒe nuteƒekpɔkpɔ ŋutɔ abe Nigeria nyɔnu si le Amerika fiana le eƒe dɔwɔwɔwo me. [1]. Eƒe nukpɔsusu sia nye be Afrikatɔwo natsɔ Afrikatɔwo ƒe ƒomedodo kplikplikpli awɔ ɖeka kple Ɣetoɖoƒetɔwo ƒe nutata, afia to Kerry James Marshall ƒe dɔwɔwɔ me.[1] Nutala Wangechi Mutu ƒoe ɖe enu be wòazã nɔnɔmetata geɖe atsɔ awɔ bubuwoe.[1] Mutu zãa nɔnɔmetatawo tsɔ ƒoa nu esime Akunyili Crosby ƒe mɔnu la léa fɔ ɖe nuwɔwɔ adodoewo ŋu. Etsɔa fotowo yia teƒe bubuwo eye wòdea avɔwo eme be woatsɔ ahe akpa vovovowo abe ɖa ƒe atsyãwo, atsyãwo, xɔtuɖaŋu, kple xɔmenuwo tso dekɔnu eveawo me.[28] Fotowo tsɔtsɔ yi teƒe bubu ɖea foto aɖe si Akunyili Crosby lɔna la ƒe nukpɔkpɔ dzi kpɔtɔna.

Le eya gome la, edze abe ale si nyatakakawo buna ne amewo le ʋuʋum le dekɔnuwo domee ene.[10] Agbalẽŋlɔla Chinua Achebe ƒe susu si le esi be yeatrɔ yevugbea ɖe yeɔe dekɔnuwo nu la, wɔ dɔ ɖes Akunyili Crosby ƒe nutata dzi. Achebe gblɔ be ne wotrɔ yevugbea la, woate ŋu azãe atsɔ atso eƒe Afrika ƒe nuteƒekpɔkpɔ ƒe agba ɖe. Le eƒe dɔwɔwɔ me la, Akunyili Crosby gbã yevugbe eye wòzãnɛ tsɔ wɔa dekɔnu si to vovo la ƒe. Akunyili Crosby yɔ nutala xɔŋkɔ siwo nye Édouard Vuillard kple Chris Ofili be wonye ŋusẽkpɔɖeamedziwo. Ŋusẽkpɔɖeamedzi bubu aɖewoe nye J.D. Okhai Ojeikere kple Malick Sidibé, Afrikatɔwo ƒe aɖaŋudɔwo ƒe fotoɖela nyuiwo. Eyɔ Kerry James Marshal hã be enye ŋusēdoamela. Abe Akunyili Crosby ene la, Marshall yɔ Eroputɔwo ƒe aɖaŋudɔwo ƒe kɔnyinyi. Eƒe dɔwɔwɔ na kakaɖedzie be yeaxɔ kɔnyinyi ma le ye ŋutɔ yeƒe mɔ dzi. 

 Ame ŋutɔ ƒe agbenɔnɔ 
Akunyili Crosby ɖe Justin Crosby, ame si hã nye nutala.[1] Ewɔ xɔlɔ̃wo eye wòdzra eƒe dɔwɔwɔ kple nutala bubuwo abe Wangechi Mutu kple Kehinde Wiley ene.mkj 

 Nuheheɖego 
Akunyili Crosby wɔ blemanudzraɖoƒe kple nutatawo ƒe agbɔsɔsɔ gbogbo aɖe le United States kple dukɔwo dome. Eƒe solo ɖe dzesiwo dometɔ aɖewoe nye; 

 I Still Face You (2013), Franklin Art Works, Minneapolis;[32] 

    Hammer Projects: Njideka Akunyili Crosby (2015-2016), Hammer Museum, Los Angeles;[33] 

      Predecessors (2017), originating at the Contemporary Arts Center, Cincinnati;[34] 

      Njideka Akunyili Crosby I Counterparts (2018-2019), originating at the Baltimore Museum of Art;[35] and 

      Njideka Akunyili Crosby: “The Beautyful Ones” (2018), National Portrait Gallery, London.[36]

Egakpɔ gome le hamenɔnɔ ƒe nuheheɖego wɔna vovovowo me siwo dometɔ aɖewoe nye;

      The Grand Balcony (2016), La Biennale de Montreal;[37] 

      A Good Neighbour (2017), Istanbul Biennial;[38] 

      Prospect. 4: The Lotus in Spite of the Swamp (2017), Prospect New Orleans;[39] and 

      May You Live in Interesting Times (2019), 58th Venice Biennale.[40]

Eƒe dɔwɔwɔ tɔxε aɖe siwo bɔ ɖe xexeme  

 The Rest of Her Remains (2010), Yale University Art Gallery, New Haven, Connecticut [41] 

  Efulefu: The Lost One (2011), Rubell Museum, Miami/Washington, D.C.[42] 

 I Always Face You, Even When it Seems Otherwise (2012), 

  Pennsylvania Academy of the Fine Arts, Philadelphia [43] Janded (2012), 

 San Francisco Museum of Modern Art [44] 
 Nkem (2012), Rubell Museum, Miami/Washington, D.C. [42] 
 Nwantinti (2012), Studio Museum in Harlem, New York [45] Wedding Portrait (2012), 
 San Francisco Museum of Modern Art [46] 
  "The Beautyful Ones Are Not Yet Born” Might Not Hold True For Much Longer (2013), Nasher Museum of Art, Durham, North Carolina [47] 
 Predecessors (2013), Tate, London [48] 
 Thelma Golden (2013), National Portrait Gallery, Smithsonian Institution, Washington, D.C. [49] 
 Sunday Morning (Predecessors #3) (2014), Zeitz Museum of Contemporary Art Africa, Cape Town[50]
 "The Beautyful Ones" Series #5 (2016), Buffalo AKG Art Museum, Buffalo, New York [51]
 Facets: Screen Wall (2016), Institute of Contemporary Art, Boston[52] 
 Garden, Thriving (2016), Museum of Contemporary Art, Los Angeles[53] 
 Mother and Child (2016), Metropolitan Museum of Art, New York[54] 
 Portals (2016), Whitney Museum, New York[55] 
 See Through (2016), Pérez Art Museum Miami[56]
 Super Blue Omo (2016), Norton Museum of Art, West Palm Beach, Florida [57] Wedding Souvenirs (2016), National Museum of African Art, Smithsonian Institution, Washington, D.C. [58] 
 Dwell: Aso Ebi (2017), Baltimore Museum of Art [59] 
 “The Beautyful Ones” Series #7 (2018), Institute of Contemporary Art, Boston [60] 
 Remain, Thriving (2018), Tate, London [61]
 Eko Skyscraper (2019), National Gallery of Art, Washington, D.C. [62] 

Kafukafu kple bubudede ame ŋu; 

 2014, Smithsonian American Art Museum's James Dickey Contemporary Art Prize [2] 
 2015 Next Generation prize at the New Museum of Contemporary Art [63] 
 2015 The Studio Museum in Harlem's Wein Artist Prize.[29] 
 2015 Foreign Policy's Leading 100 Global Thinkers of 2015 [64] 
 2015 Joyce Alexander Wein Artist Prize at the Studio Museum in Harlem [63] 
 2016 Prix Canson[63] 2016 Financial Times Women of the Year award [65]
 2016 Shortlisted for the 2017 Future Generation Art Prize [14]
 2016 Distinguished Alumni Award, Pennsylvania Academy of the Fine Arts [66] 
 2017 MacArthur Fellows Program [19]
 2019 Honorary Doctorate of Arts, Swarthmore College[4] 
 2020 Honoree of the Great Immigrants Award by the Carnegie Corporation of New York [67] 

Agbal8 kple ɖeɖefiagbal8wo 

 2019 Berry, Ian, and Steven Matijcio, Njideka Akunyili Crosby: Predecessors, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College and Contemporary Arts Center, Cincinnati, Ohio, 2019. 

 2016 Brutvan, Cheryl, Njideka Akunyili Crosby: I Refuse to be Invisible, West Palm Beach: Norton Museum of Art, 2016. 

 2015 Cornell, Lauren, and Helga Christoffersen, ed. Surround Audience: New Museum Triennial 2015. New York: Skira Rizzoli Publications, Inc., 2015. 

 2013 Baptist, Stephanie, ed. Njideka Akunyili & Simone Leigh: I Always Face You, Even When it Seems Otherwise. London: Tiwani Contemporary, 2013. 

 2013 Merjian, Ara H. Vitamin D2, London: Phaidon, 2013. 

 2013 The Bronx Museum of Arts, Bronx Calling: The Second AIM Biennial. New York: The Bronx Museum of the Arts, 2013. 

 Aɖaŋudɔwo Ꞙe Asime 
Akunyili Crosby has been represented by Victoria Miro in London since 2014 and by David Zwirner (since 2018).[68]

By 2016, demand for Akunyili Crosby’s work, which she produces slowly, far outweighed supply, prompting her prices to soar at auction.[69] She became one of the artists featured in Nathaniel Kahn's 2018 documentary The Price of Everything where she discusses her career and attitude to her art market.[70] It culminated with her painting Drown being sold at Sotheby's contemporary art auction in November 2016 for $900,000. Her first painting to come to market was Untitled which sold for $93,000 in September 2016 at Sotheby's New York.[71]

In March 2017, a work by Akunyili Crosby titled The Beautyful Ones (Series #1c), the first painting of five belonging to The Beautyful Ones Series, was sold by a private collector for $3 million at Christie's London.[72][73][74][75]

In May 2018, Akunyili Crosby set a new personal auction record with the sale of her painting Bush Babies for nearly $3.4 million at Sotheby's New York.

 Kpekpeɖeŋuxɔƒe 
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 -akunyili-and-her-elegant-scrapbook
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Further reading[edit] Akunyili Crosby, Njideka (Spring 2025). https://issues.aperture.org/article/2025/1/1/njideka-akunyili-crosby-endless-returns /Aperture (Interview). No. 258. Interviewed by Onyewuenyi, Ikechúkwú. pp. 32–45. OCLC1481673