Suzanne Jackson (artist)

Suzanne Jackson (bɛ daa dɔɣi o la yuuni 1944) nyɛla Americanima lihigu nucheeni baŋda, "poet", wa wara n-ti pahi shikuru baŋda. O tumanima nyɛla din be "museums and galleries" din be dunia zaa. Tum yuuni 1960s bahigu, Jackson nyɛla ŋun daa piligi nucheeni baŋsim tuma ŋɔ ka nyɛ ŋun lahi wuhiri niriba o tuma ŋɔ 

Piligu biɛhigu mini shikuru baŋsim
Jackson nyɛla bɛ ni daa dɔɣi so yuuni 1944 tiŋ yuli booni Saint Louis, Missouri. O daŋ nyɛla ban daa labi San Francisco, California saha shɛli o ni daa nyɛ chira awɔi. Jackson nyɛla ŋun daa be San Francisco hali ni o yuma anii saha din daa niŋ ka o labi Fairbanks, Alaska bin din gbaai yuuni 1952 zaŋ hali ni yuuni 1961. O daa naai la Monroe Catholic High School yuuni 1961. O ni daa pori ka bɛ Alaska, o daa nyɛla ŋun daa be National Audubon Society ka di daa che ka o baŋ binshɛŋa o tuma ŋɔ ni ka daa na nyɛ zaɣ'poli . Ŋun daa nyɛ tuuli African American ŋun chaŋ National 4-H Congress din be Chicago yuuni 1960 ka dizuɣu daa che ka o nya sɔŋsim chaŋ collagɛ. 

Jackson nyɛla ŋun daa chaŋ San Francisco State University (SFSU) n-ti bɔhim "art and ballet" zaa ka daa deei BA degree in painting. O nyɛla ŋun daa tum San Francisco State University ni San Francisco Bay yaɣili nucheeni baŋdiba mini karimbanima kamani Charles White. Din daa niŋ ka o be SFSU, Jackson daa niŋ la e "campus art gallery" ka daa wuhi nucheeni baŋsim bɔhimbu yaɣili St. Stephen's Catholic School.

O nyɛla ŋun daa lahi nya MFA degree yuuni 1990 shikuru yuli booni School of Drama, Yale University.

 Theater and costume design 
Jackson nima shɛŋa nyɛ din doli na ŋɔ:

BLUES ROOM, Realto Theatre, National Black Arts Festival, Atlanta, Georgia ka di nyɛ din daa piligi Theatre of the First Amendment, George Mason University, Fairfax Virginia, 1997
THE SNOW QUEEN, The John F. Kennedy Center, Scenic mini Costume design zaŋ n-ti touring company, 1996–98
CHILDREN OF THE SUN, The John F. Kennedy Center, Costume design, 1996–98
Scenographer at St. Mary's College of Maryland, (Tartuffe, Fefu and Her friends, The Physicists, The Bigger Picture, Happy End, Etta Jenks, In Perpetuity Throughout the Universe) 1994-96
 STAMPING, SHOUTING, AND SINGING HOME, Mark Taper Forum,1993
BOSEMAN AND LENA at the Philadelphia Drama Guild 1990
PERICLES and DAYLIGHT IN EXILE at Yale Repertory Theatre 1990
ROSE OF THE RANCHO, El Teatro Campesino, 1989
all costumes for Barbara Feldman & Dancers, 1988–96
 THE WINTER'S TALE and MACBETH at California Shakespeare Festival
designs for Gus Solomons, Company Dance, Jennifer Muller/The Works

 Teaching 
 2014–2016, Adjunct Professor of Foundation Studies, Drawing, Savannah College of Art and Design, Savannah, Georgia
 2013–2014, Adjunct Professor of Fine Arts, Sabbatical Replacement History I & II; African American Art History, Savannah State University, Savannah, Georgia
 2009–2013, Adjunct Professor of Painting (eLearning), Graduate Studies, Savannah College of Art and Design, Savannah, Georgia
 1996–2009, Professor of Painting, Savannah College of Art and Design, Savannah, Georgia
 1994–1996, Scenographer and assistant professor, St. Mary's College of Maryland, St. Mary's City, Maryland
 1982–1985, Chair of the Fine and Performing Arts Department, the Elliott‑Pope Preparatory School, (bɛ daa na booni li la Desert Sun School), Idyllwild, California.
 1972, Stanford University (summer), Stanford, California
 1970, dance and crafts instructor, Watts Tower Art Center, Watts, California

 Exhibitions

 Further reading 
 Bustion, Nathanial. The Eternal Genetic Presence and the Creative Transformation. CA: Aton Mattinnii Fine Arts Studio/ Asaraset Institute, 2015.
 Finch, Richard. Marks from the Matrix: Normal Editions Workshop Collaborative Limited Edition Prints 1976-2006. IL:Normal Editions Workshop, Illinois State University, 2007.
 Goode-Bryant, Linda, and Marcy S. Phillips, eds. Contextures. Exh. cat. New York: Just Above Midtown Gallery, 1978.
 Jackson, Suzanne. Animal. Los Angeles: Continuity Transcripts and Features, 1978.
 Jones, Kellie. South of Pico: African American Artists in Los Angeles in the 1960s and 1970s. Durham. North Carolina: Duke University Press, 2017.
 LeFalle-Collins, Lizzetta, and Cecil Fergerson. 19Sixties: A Cultural Awakening Re-evaluated, 1965–1975. Exh. cat. Los Angeles: California Afro-American Museum Foundation, 1989.
 Lewis, Samella S. Art: African American, 161–62. New York: Harcourt Brace Jovanovich, 1978.
 Peter, Carolyn, and Damon Willick. Gallery 32 and Its Circle. Exh. cat. Los Angeles: Loyola Marymount University, 2009.
 Tate, Mae. "The Art of Suzanne Jackson." Black Art Quarterly 4, no. 3 (1982): 3–21.
 Widener, Daniel. Black Arts West: Culture and Struggle in Postwar Los Angeles. Durham, N.C.: Duke University Press, 2010.

Kundivihira

 External links 
 Official Site: http://www.suzannejackson.art
 Interview with Suzanne Jackson, 1980 July, from Archives of American Art, Smithsonian Institution
 Interview of Suzanne Jackson, 1992 August, from TEI Project, UCLA Library Oral Histories
 Video: Murs Murs by Agnès Varda
 Video: Netropolitan Interview

Pubu:Lahabaya zaa
Category:1944 births
Category:Living people
Category:21st-century American women artists
Category:20th-century American women artists
Category:African-American women artists
Category:American contemporary artists
Category:American poets
Category:Dancers from Missouri
Category:Scenographers
Category:African-American female dancers
Category:African-American poets
Category:American female dancers
Category:African-American art dealers
Category:American art dealers
Category:American women art dealers
Category:Artists from St. Louis
Category:San Francisco State University alumni
Category:David Geffen School of Drama at Yale University alumni
Category:20th-century African-American women
Category:20th-century African-American artists
Category:21st-century African-American women