Artemisia Gentileschi

Si Artemisia Gentileschi o Artemisia Lomi (Italian pronunciation: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 c.1656) sarong Italyanong Baroque na parapinta, na sa ngunyan kinukonsidera na pinakadakol na nagibong parapinta sa henerasyon sunod sa Caravaggio. Sa panahon kan an mga babaying parapinta dae madaling inaako nin komunidad kan mga artists o  patron, siya an enot na babayi na naging miyembro kan Accademia di Arte del Disegno  sa Florence asin nagkaigwa nin mga kliyente sa internasyonal.Bissell, R. Ward. Artemisia Gentileschi and the Authority of Art Critical Reading and Catalogue Raisonné. University Park: Pennsylvania State University Press, 1999.

Siya naging partikular sa pagpinta nin mga ladawan kan mga nagsasakit na mga babayi sa mitolohiya, mga alegorya asin Bibliya - biktima, pagpapakagadan asin mga madirigma. An mga sikat niyang tema iyo an Susanna and the Elders (partikular an bersyon 1610 sa Pommersfelden) asin Judith Slaying Holofernes (an pinakasikar sa 1614–20 bersyon sa Uffizi gallery) asin Judith and Her Maidservant (an saiyang bersiyon kan 1625 sa Detroit Institute of Arts).
Judith and her Maidservant, 1625, Detroit Institute of Arts
Siya midbid sa pagpahiling kan pigura nin mga kababaihan, dawa huba o mau gubingPatrizia Cavazzini, "Artemisia in Her Father's House", in Orazio and Artemisia Gentileschi (New Haven and London, 2001), pp. 283–95.Mary D. Garrard, "Artemisia Gentileschi's Self Portrait as the Allegory of Painting", The Art Bulletin, Vol. 62, No.1 (Mar.,1980) pp. 97–112. Si Artemisia sikat man asin may talento sa pagkulay, bako lang komposisyon buong magin man sa rarom.Adelina Modesti, "'Il Pennello Virile': Elisabetta Sirani and Artemisia Gentileschi as Masculinized Painters?" in Artemisia Gentileschi in a Changing Light, ed. Shelia Barker (Turnhout, 2018)Jesse Locker, "Artemisia in the Eyes of the Neapolitan Poets," from Artemisia Gentileschi: The Language of Painting (New Haven: Yale University Press, 2015)
wala|thumb|284x284px|Susanna and the Elders, 1610, an enot niyang sikat na gibo, Schönborn Collection, Pommersfelden
wala|thumb|318x318px|Judith and her Maidservant, 1613–14, Palazzo Pitti, Florence
wala|thumb|Lucretia, 1620–21

 Mga toltolan 
Benedetti, Laura (Winter 1999), "Reconstructing Artemisia, Twentieth Century Images of a Woman Artist", Comparative Literature, 51 (1): 42–46
Brigstocke, Hugh (2001), "Gentileschi, father and daughter", The Oxford Companion to Western Art (2003 ed.), Oxford University Press, retrieved September 13, 2016, (Subscription required (help))
"Right hand of Artemisia Gentileschi holding a brush. 1625 Black and red chalk", British Museum, 9 October 2016, retrieved October 9, 2016
Cohen, Elizabeth (Spring 2000), "The Trials of Artemisia Gentileschi: A Rape as History", The Sixteenth Century Journal, 31 (1): 47–75, JSTOR 2671289
Gunnell, Barbara (July 4, 1993), , The Independent, archived from the original on 28 December 2014, retrieved December 28, 2014
Lubbock, Tom (September 30, 2005), "Great Works: Judith and her Maidservant", The Independent, London, p. 30, Review section, archived from the original on May 2, 2015
Kategorya:Pages with unreviewed translations