Gustav Mahler

Da Gustav Mahler (* 7. Juli 1860 z Kalischt, Behmen; † 18. Mai 1911 z Wean) wor a östareichischa Komponist vo da Spodromantik. Ea wor aa a berihmta Dirigent und Opandirektor. Seine wichtigstn Kompositiona san Sinfonien und Liada.

Da Mahler kimmt aus ana jidischn Famij, hod scho ois Kind Musitalent zoagt und hod anno 1878 as Weana Konservatorium owgschlossn. Weng seina jidischn Heakunft is a in Wean imma wieda ogfeindt worn. In seim Haptberuaf wor a Dirigent und Opandirektor, komponiad hod a nua in Teizeid. Desweng is sei Weak aa ned so umfangreich. Ea wor Direktor vo da Weana Hofoper und spoda aa vo da Metropolitan Opera in da Stod Nei York. Seine Kompositiona san a Ibagang vo da Romantik in de Modeana vom 20. Joarhundad.

 Weak 

Des is im Mahler sei Weaklistn.Weaklistn aus da englischn Wikipedia importiad. (Owgruafa am 31. Mai 2014)

 Chronologie 

 Fruahweak 

 1878–1880: Das klagende Lied
 1880: Three Lieder: "Im Lenz"; "Winterlied"; "Maitanz im Grünen"
 1880–1883: Lieder und Gesänge Vol. I (finf Liada)
 1884: Der Trompeter von Säckingen (valoan)
 1885–1886: Lieder eines fahrenden Gesellen (via Liada)

 Wunderhorn Periodn 

 1887-1888: Die Drei Pintos (Opassung)
 1887–1890: Lieder und Gesänge Vol. II (via Liada)
 1887–1890: Lieder und Gesänge Vol. III (finf Liada)
 1888–1896: Symphonie Nr. 1 in D
 1888–1894: Symphonie Nr. 2
 1892: "Das himmlische Leben" (Wunderhorn Tei spoda aa in da Symphonie Nr. 4 gnuzd)
 1892–1901: Des Knaben Wunderhorn (12 Liada)
 1894–1896: Symphonie Nr. 3
 1899-1901: Symphonie Nr. 4

 Middlare Periodn 

 1901–1904: Rückert-Lieder (5 Liada)
 1901–1904: Kindertotenlieder (5 Liada)
 1901–1902: Symphonie Nr. 5
 1903–1904: Symphonie Nr. 6 in A Moll
 1904–1905: Symphonie Nr. 7
 1906–1907: Symphonie Nr. 8 in Es Dur

 Spode Weake 

 1908–1909: Das Lied von der Erde
 1909–1910: Symphonie No. 9
 1910: Symphony Nie. 10 in Fis Dur (unvoiendet)

 Tabejn 

TypeDate ofcompositiondeitsch (Originaltitl)boarischa TitlBsetzungPremiereNotizBeleg Stage 1875–1878 Herzog Ernst von Schwaben  Heazog Ernst vo Schwobm for voices and orchestra not performed lost; both the music and the libretto by Josef Steiner are lost.Carr, p. 240Sadie, p. 505  Stage 1878–1880 Die Argonauten   for voices and orchestra not performed lost; music and libretto (by Mahler and Steiner) lost  Stage 1879–1883 Rübezahl   for voices and orchestra not performed libretto (by Mahler) held privately; music lost, but some may have been incorporated into early songs and/or parts of Das Klagende Lied  Stage 1884 Der Trompeter von Säckingen  The Trumpeter of Säckingen for orchestra Kassel, 23 June 1884 incidental Music to play by Josef Viktor von Scheffel; most music lost; First number became the "Blumine" andante in the original version of Symphony No. 1.Carr, p. 241Cooke, p. 34  Stage 1886–1887 Die drei Pintos  The Three Pintos for voices and orchestra Leipzig, 20 January 1888 completion of opera by Carl Maria von Weber; Mahler arranged Weber's sketches and other music from Weber's minor works, and composed a small amount himself  Chamber music 1875–1876 Sonate  Sonata for violin and piano possibly performed in Iglau, 12 September 1876, with Mahler at piano lostMitchell Vol.I, pp. 116–117  Chamber music 1876 Klavierquartett a-Moll  Piano Quartet in A minor (first movement) for violin, viola, cello and piano possibly performed at Vienna Conservatory 10 July 1876 first verified public performance: New York, 12 February 1964  Chamber music 1876–1878 Klavierquartett g-Moll  Piano Quartet in G minor (scherzo fragments) for violin, viola, cello and piano New York, 12 February 1964 approximately 36 bars of musicCooke, pp. 21–26  Chamber music 1875–1878 Klavierquintett  Piano Quintet  for 2 violins, viola, cello and piano performed at the Vienna Conservatory, 11 July 1878, Mahler at the piano lost  Piano 1877 Suite  Suite for piano performed at the Vienna Conservatory on an unknown date lost; Apparently the piece was awarded a prize by the Conservatory.Carr, p. 21  Orchestral 1877   [Student Symphony] for orchestra not performed lost; rehearsed at the Conservatory under Joseph Hellmesberger, and rejected  Orchestral / choral 1878–1880 Das klagende Lied, Kantate   The Song of Lament, Cantata for soprano, alto, tenor, chorus and orchestra Vienna, 17 February 1901 (second and third movements) Vienna Radio, 8 April 1935 (original version) words by Mahler; unsuccessful Beethoven Prize entry, 1881  Orchestral 1882–1883   Symphony in A minor for orchestra not performed possibly a more developed version of the "Student Symphony" rejected by HellmesbergerMitchell, Vol. I p. 117 and pp. 131–34  Orchestral 1888 Blumine  Blumine for orchestra Budapest, 20 November 1889 (as part of Symphony Nr. 1) originally planned for use as movement II of Symphony No. 1, dropped in 1893  Orchestral 1884–1888 1. Sinfonie D-Dur  Symphony No. 1 in D major for orchestra Budapest, 20 November 1889 (five movement version) originally 5 movements, later 4; originally a symphonic poem, given title "Titan" at second performance, title later discarded; in revisions 1893–96 "Blumine" andante withdrawnCarr, p. 238Cooke, pp. 33–35  Orchestral 1888 Todtenfeier [sic]   Todtenfeier (Death Celebration) for orchestra Berlin, 16 March 1896 symphonic poem; later reworked as movement I of Symphony No. 2Mitchell Vol. II, pp. 165–167; 269  Orchestral / choral 1888–1894 2. Sinfonie c-Moll "Auferstehungssinfonie"  Symphony No. 2 in C minor "Resurrection" for soprano, alto, mixed chorus, organ and orchestra Berlin, 4 March 1895 (movements 1–3); Berlin, 13 December 1895 (complete) 5 movements; movement IV: "Urlicht" from Des Knaben Wunderhorn collection; movement V: text by Mahler and Friedrich Gottlieb Klopstock; movement I: 1888 symphonic poem TodtenfeierCooke, pp. 52–58  Orchestral / choral 1893–1896 3. Sinfonie d-Moll  Symphony No. 3 in D minor for alto, women's chorus, boys' chorus and orchestra Krefeld, 9 June 1902 6 movements; 4th movement: "O Mensch! Gib acht!" from Also sprach Zarathustra (Friedrich Nietzche); 5th movement: Wunderhorn poem "Es sungen des Engel"Cooke, pp. 60–65  Orchestral / vocal 1899–1900 4. Sinfonie G-Dur  Symphony No. 4 in G major for soprano and orchestra Munich, 25 November 1901 4 movements; revised 1901–10; movement IV: "Das himmlische Leben" from Des Knaben Wunderhorn collection, originally intended for Symphony No. 3, composed in 1892Cooke, pp. 66–69  Orchestral 1901–1902 5. Sinfonie cis-Moll  Symphony No. 5 in C minor for orchestra Cologne, 18 October 1904 5 movements; repeatedly revised up to Mahler's deathCooke, pp. 80–83  Orchestral 1903–1904 6. Sinfonie a-Moll  Symphony No. 6 in A minor for orchestra Essen, 27 May 1906 4 movements; revised 1906 and repeatedly thereafterCooke, pp. 83–87  Orchestral 1904–1905 7. Sinfonie e-Moll  Symphony No. 7 in E minor for orchestra Prague, 19 September 1908 5 movements; revised repeatedly from 1905; known as Lied der Nacht ("Song of the Night"), though not named by MahlerCooke, pp. 88–91  Orchestral / choral 1906–1907 8. Sinfonie Es-Dur
  1. Tei: Hymnus „Veni, creator spiritus“
  2. Tei: Schlußszene von Goethes „Faust II“ Symphony No. 8 in E major
  Part I: Hymn "Veni creator spiritus"
  Part II: Closing Scene from Goethe's Faust for 3 sopranos, 2 altos, tenor, baritone, bass, 2 mixed choruses, boys' choir, organ and orchestra Munich, 12 September 1910 known also as "Sinfonie der Tausend" ("Symphony of a Thousand"), though not named by MahlerCooke, pp. 91–102  Orchestral / vocal 1908–1909 Das Lied von der Erde  The Song of the Earth for alto or baritone, tenor and orchestra Munich, 20 November 1911 Song Cycle; words from ancient Chinese poems in translation by Hans BethgeCooke, pp. 103–13  Orchestral 1909–1910 9. Sinfonie  Symphony No. 9 for orchestra Vienna, 26 June 1912 4 movementsCooke, pp. 114–118  Orchestral 1910 10. Sinfonie Fis-Dur  Symphony No. 10 in F major for orchestra Vienna, 12 October 1924 (movements I and III); complete performing version (Deryck Cooke) London, 13 August 1964 incomplete; Mahler drafted five movements but scored only the first and third; Apart from Cooke's, five other performing versions had been recorded up to 2010Cooke, pp. 118–21  Vocal 1876–1879   [Two Song Fragments]  not performed Song settings; one fragment identified as a setting of "Weder Glück noch Stern" (Heinrich Heine, 1830)  Vocal 1880 Drei Lieder für Tenorstimme und Klavier   3 Songs for tenor and piano Brno, 30 September 1934 (radio broadcast) words by Mahler; from a projected set of five songsSadie, p. 527Carr, p. 237  Vocal 1880–1883 Frühlingsmorgen  Spring Morning for voice and piano Budapest, 13 November 1889 words by Richard Leander; published in Lieder und Gesänge, Volume ICooke, p. 27  Vocal 1880–1883 Erinnerung  Memory for voice and piano Budapest, 13 November 1889 words by Richard Leander; published in Lieder und Gesänge, Volume ICooke, p. 28  Vocal 1880–1883 Hans und Grethe  Hans and Grethe for voice and piano Prague, 18 April 1886 words by Mahler; a reworking of "Maitanz im Grünen" (from Drei Lieder, 1880); published in Lieder und Gesänge, Volume I  Vocal 1880–1883 Serenade aus Don Juan  Serenade from Don Juan for voice and piano Prague, 12 October 1909 words by Tirso de Molina; published in Lieder und Gesänge, Volume ICooke, p. 29  Vocal 1880–1883 Phantasie aus Don Juan  Imagination for voice and piano Prague, 12 October 1909 words by Tirso de Molina; published in Lieder und Gesänge, Volume I  Vocal 1883–1885 Lieder eines fahrenden Gesellen   Songs of a Wayfarer, Song cycle  for voice and piano or orchestra Berlin, 16 March 1896 (orchestral) setting of four poems by Mahler; originally with piano accompaniment, orchestral setting added between 1891 and 1895; a performance with piano accompaniment may have preceded Berlin 1896Sadie, p. 528Cooke, pp. 30–32Mitchell, Vol. II p. 25  Vocal 1887–1890 Um schlimme Kinder artig zu machen  How to Make Naughty Children Behave for voice and piano Munich 1899–1900 season poem from Des Knaben Wunderhorn; published in Lieder und Gesänge, Volume IICooke, p. 36  Vocal 1887–1890 Ich ging mit Lust durch einem grünen Wald  I Walked with Joy for voice and piano Stuttgart, 13 December 1907 poem from Des Knaben Wunderhorn; published in Lieder und Gesänge, Volume IICooke, p. 37  Vocal 1887–1890 Aus! Aus!  Out! Out! for voice and piano Hamburg, 29 April 1892 poem from Des Knaben Wunderhorn; published in Lieder und Gesänge, Volume IICooke, p. 38  Vocal 1887–1890 Starke Einbildungskraft  Strong Imagination for voice and piano Stuttgart, 13 December 1907 poem from Des Knaben Wunderhorn; published in Lieder und Gesänge, Volume IICooke, p. 39  Vocal 1887–1890 Zu Strassburg auf der Schanz  On the Ramparts at Strasbourg for voice and piano Helsinki, November 1906 poem from Des Knaben Wunderhorn; published in Lieder und Gesänge, Volume III  Vocal 1887–1890 Ablösung im Sommer  Changing of the Summer Relief for voice and piano Berlin, 1904–05 season poem from Des Knaben Wunderhorn; published in Lieder und Gesänge, Volume IIICooke, p. 40  Vocal 1887–1890 Scheiden und Meiden  Parting Is Painful for voice and piano Budapest, 13 November 1889 poem from Des Knaben Wunderhorn; published in Lieder und Gesänge, Volume III  Vocal 1887–1890 Nicht wiedersehen!  Never to Meet Again! for voice and piano Hamburg, 29 April 1892 poem from Des Knaben Wunderhorn; published in Lieder und Gesänge, Volume IIICooke, p. 41  Vocal 1887–1890 Selbstgefühl  Self-esteem for voice and piano Vienna, 15 February 1900 poem from Des Knaben Wunderhorn; published in Lieder und Gesänge, Volume IIICooke, p. 42  Vocal 1892 Urlicht  Primeval Light for voice and piano or orchestra Berlin, 13 December 1895 (as part of Symphony No. 2) poem from Des Knaben Wunderhorn; re-orchestrated July 1893 for use as movement IV in Symphony No. 2Cooke, p. 59  Vocal 1892 Das himmlische Leben  The Heavenly Life for voice and orchestra Hamburg, 27 October 1893 (with orchestra) poem from Des Knaben Wunderhorn; used as movement IV in Symphony No. 4; original poem entitled "Der Himmel hängtvoll Geigen"Cooke, pp. 59–60  Vocal 1892 Der Schildwache Nachtlied  The Sentinel's Nightsong for voice and piano or orchestra Berlin, 12 December 1892 (with orchestra) poem from Des Knaben WunderhornCooke, pp. 43–52  Vocal 1892 Verlor'ne Müh  Labour Lost for voice and piano or orchestra Berlin, 12 December 1892 (with orchestra) poem from Des Knaben Wunderhorn  Vocal 1892 Trost im Unglück  Solace in Misfortune for voice and piano or orchestra Hamburg, 27 October 1893 (with orchestra) poem from Des Knaben Wunderhorn  Vocal 1892 Wer hat dies Liedlein erdacht?  Who Thought Up This Song? for voice and piano or orchestra Hamburg, 27 October 1893 (with orchestra) poem from Des Knaben Wunderhorn  Vocal 1892–1893 Das irdische Leben  The Earthly Life for voice and piano or orchestra Vienna, 14 January 1900 (with orchestra) poem from Des Knaben Wunderhorn  Vocal 1893 Des Antonius von Padua Fischpredigt  St. Anthony of Padua's Sermon to the Fish for voice and piano or orchestra Vienna, 29 January 1905 (with orchestra) poem from Des Knaben Wunderhorn; an orchestral adaptation of the song used as movement III in Symphony No. 2  Vocal 1893 Rheinlegendchen  Little Rhine Legend for voice and piano or orchestra Hamburg, 27 October 1893 (with orchestra) poem from Des Knaben Wunderhorn  Vocal 1895 Es sungen drei Engel  Three Angels Sang a Sweet Air for voice and piano or orchestra Krefeld, 9 June 1902 (as part of Symphony No. 3) poem from Des Knaben Wunderhorn; composed for use in Symphony No. 3; piano version published 1899  Vocal 1896 Lob des hohen Verstandes  Praise of Lofty Intellect for voice and piano Vienna, 18 January 1906 poem from Des Knaben Wunderhorn  Vocal 1898 Lied des Verfolgten im Turm  Song of the Persecuted in the Tower for voice and piano or orchestra Vienna, 29 January 1905 (with orchestra) poem from Des Knaben Wunderhorn  Vocal 1898 Wo die schönen Trompeten blasen  Where the Fair Trumpets Sound for voice and piano or orchestra Vienna, 14 January 1900 (with orchestra) poem from Des Knaben Wunderhorn  Vocal 1899 Revelge  Reveille for voice and piano or orchestra Vienna, 29 January 1905 poem from Des Knaben Wunderhorn; later published with the five Rückert songs as Sieben Lieder aus letzter Zeit (Seven Last Songs)Carr, p. 239Sadie, p. 529Cooke, pp. 71–73  Vocal 1901 Der Tamboursg'sell  The Drummer Boy for voice and piano or orchestra Vienna, 29 January 1905 poem from Des Knaben Wunderhorn; later published with the five Rückert songs as Sieben Lieder aus letzter Zeit (Seven Last Songs)  Vocal 1901 Blicke mir nicht in die Lieder  Do Not Look at My Songs! for voice and piano or orchestra Vienna, 29 January 1905 poem by Friedrich RückertCooke, pp. 74–77  Vocal 1901 Ich atmet' einen linden Duft  I Breathed a Gentle Fragrance for voice and piano or orchestra Vienna, 29 January 1905 poem by Friedrich Rückert  Vocal 1901 Ich bin der Welt abhanden gekommen  I Am Lost to the World for voice and piano or orchestra Vienna, 29 January 1905 poem by Friedrich Rückert  Vocal 1901 Um Mitternacht  At Midnight for voice and piano or orchestra Vienna, 29 January 1905 poem by Friedrich Rückert  Vocal 1902 Liebst du um Schönheit  If You Love for Beauty for voice and piano (or orchestra) Vienna, 8 February 1907 poem by Friedrich Rückert; Mahler neglected to orchestrate this song; an orchestral version was prepared later by a Leipzig musician, Max Puttmann.Carr, p. 129  Vocal 1901–1904  1901  1901  1901  1904  1904 Kindertotenlieder   Songs on the Death of Children  for voice and orchestra Vienna, 29 January 1905 poems by Friedrich RückertCooke, pp. 77–80 

 Beleg 

 Literatua 

 Briaf 

 Herta Blaukopf (Hrsg.): Gustav Mahler. Briefe. 2. Auflage. Zsolnay, Wien 1996, ISBN 3-552-04810-3.
 Herta Blaukopf (Hrsg.): Gustav Mahler – Richard Strauss. Briefwechsel 1888-1911. Wilhelm Goldmann Verlag, München 1984, ISBN 3-442-33037-8.
 Henry-Louis de La Grange, Günther Weiß, Knud Martner (Hrsg.): Ein Glück ohne Ruh': Die Briefe Gustav Mahlers an Alma. Erste Gesamtausgabe. Siedler, Berlin 1995, ISBN 3-88680-577-8. 2. Ausgabe (Taschenbuch) btb, München 1997, ISBN 3-442-72243-8.
 Stephen McClatchie, Helmut Brenner (Hrsg.): Gustav Mahler »Liebste Justi!« Briefe an die Familie. Weidle, Bonn 2006, ISBN 3-931135-91-8.

 Biografien 

 Frank Berger: Gustav Mahler – Vision und Mythos. Versuch einer geistigen Biographie. Urachhaus Verlag, Stuttgart 2010, ISBN 978-3-7725-2378-6.

 Jens Malte Fischer: Gustav Mahler. Der fremde Vertraute. Paul-Zsolnay-Verlag, Wien 2003, ISBN 3-552-05273-9.

 Henry-Louis de La Grange: Gustav Mahler. Chronique d'une vie.
 I Vers la Gloire 1860–1900. Fayard, Paris 1979.
 II L'age d'Or de Vienne 1900–1907. Fayard, Paris 1983.
 III Le Genie foudroye 1907–1911. Fayard, Paris 1984.
 Henry-Louis de La Grange: Gustav Mahler. (Neuausgaben, verbessert und erweitert vom Autor)
 Volume 1. (In Vorbereitung)
 Volume 2. Vienna: The Years of Challenge 1897–1904. Oxford University Press, Oxford/New York 1995, ISBN 0-19-315159-6.
 Volume 3. Vienna: Triumph and Disillusion 1904-07. Oxford University Press, Oxford/New York 2000, ISBN 0-19-315160-X.
 Volume 4. A New Life Cut Short 1907-11. Oxford University Press, Oxford/New York 2008, ISBN 978-0-19-816387-9.
 Alma Mahler-Werfel: Erinnerungen an Gustav Mahler. Ullstein, Frankfurt a. M. 1980, ISBN 3-548-03526-4.
 Donald Mitchell: Gustav Mahler.
 Volume 1. The Early Years. London 1958, rev. 1985. Neuausgabe: Boydell & Brewer, Woodbridge 2003, ISBN 1-84383-002-7.
 Volume 2. The Wunderhorn Years. London 1975. Neuausgabe: Boydell & Brewer, Woodbridge 2005, ISBN 1-84383-003-5.
 Volume 3. Songs and Symphonies of Life and Death. London 1985. Neuausgabe: Boydell & Brewer, Woodbridge 2008, ISBN 978-0-85115-908-9.
 Karl-Josef Müller: Mahler: Leben – Werke – Dokumente. Schott, Mainz 2010 (1988), ISBN 978-3-254-08264-0.
 Wolfgang Schreiber: Mahler. rororo Bildmonographien, Reinbek 2003, ISBN 3-499-50181-3 (kurze, illustrierte und übersichtliche Biografie).

 Weidane Literatua 

 Peter Revers / Oliver Korte (Hrsg.): Gustav Mahler. Interpretationen seiner Werke. In 2 Bänden. Laaber-Verlag, Laaber 2011, ISBN 978-3-89007-045-2.
 Theodor W. Adorno: Mahler: eine musikalische Physiognomik. Suhrkamp, Frankfurt am Main 1985, ISBN 3-518-01061-1.
 Paul Bekker: Gustav Mahlers Sinfonien. Schuster & Loeffler, Berlin 1921. Nachdruck: Schneider, Tutzing 1969.
 Kurt Blaukopf: Gustav Mahler oder Der Zeitgenosse der Zukunft. Bärenreiter-Verlag, Kassel 1989. Revidierte Fassung der Ausgabe von 1969, erschienen bei Molden, Wien.
 Claudius Böhm (Hrsg.): Mahler in Leipzig. Verlag Klaus-Jürgen Kamprad, Altenburg 2011, ISBN 978-3-930550-82-1.
 Helmut Brenner, Reinhold Kubik: Mahlers Welt Die Orte seines Lebens. Residenz Verlag: St. Pölten, Salzburg 2011, ISBN 978-3-7017-3202-9
 Hermann Danuser: Gustav Mahler und seine Zeit. Laaber-Verlag, Laaber 1996, ISBN 3-921518-91-1.
 Hans Heinrich Eggebrecht: Die Musik Gustav Mahlers. Neuausgabe. Noetzel, Wilhelmshaven 2003, ISBN 3-7959-0764-0.
 Constantin Floros: Gustav Mahler – Visionär und Despot. Arche, Hamburg 1998, ISBN 3-7160-3901-2.
 Constantin Floros (Hrsg.): Gustav Mahler und die Oper. Arche, Hamburg 2005, ISBN 3-7160-3904-7.
 Michael Gielen, Paul Fiebig: Mahler im Gespräch. Die zehn Sinfonien. J. B. Metzlersche Verlagsbuchhandlung, Stuttgart 2002, ISBN 3-476-01933-0.
 Stefan Hanheide: Mahlers Visionen vom Untergang. Interpretationen der Sechsten Symphonie und der Soldatenlieder. epOs-Music, Osnabrück 2004, ISBN 3-923486-60-X.
 Mathias Hansen: Reclams Musikführer Gustav Mahler. Reclam, Stuttgart 1996, ISBN 3-15-010425-4.
 Gerd Indorf: Mahlers Sinfonien. Wiss. Buchges., Darmstadt 2010, ISBN 978-3-534-23489-9.
 Gilbert Kaplan (Hrsg.): Das Mahler-Album. 2. erweiterte Auflage. Brandstätter, Wien 2011, ISBN 978-3-85033-501-0.
 Vladimír Karbusický: Gustav Mahler und seine Umwelt. Wiss. Buchges., Darmstadt 1978.
 Vladimír Karbusický: Mahler in Hamburg: Chronik einer Freundschaft. Von Bockel Verlag, Hamburg 1996.
 Hermann Leins (Hrsg.): Arnold Schönberg, Ernst Bloch, Otto Klemperer, Erwin Ratz, Hans Mayer, Dieter Schnebel, Theodor W. Adorno über Gustav Mahler. Rainer Wunderlich Verlag, Tübingen 1966.
 Knud Martner: Mahler's Concerts, Kaplan Foundation, New York 2010 ISBN 978-0-9749613-1-6
 Ingo Müller: Dichtung und Musik im Spannungsfeld zwischen Vermittlung und Unmittelbarkeit. Gustav Mahlers „Fünf Lieder nach Texten von Friedrich Rückert“ In: Gustav Mahler: Lieder. (= Musik-Konzepte Neue Folge, hrsg. von Ulrich Tadday, H. 136), München 2007, S. 51-76.
 Ferdinand Pfohl: Gustav Mahler, Eindrücke und Erinnerungen aus den Hamburger Jahren. (Hrsg. Knud Martner), Musikalienhandlung Karl Dieter Wagner, Hamburg 1973.
 Gerhard Scheit, Wilhelm Svoboda: Feindbild Gustav Mahler. Zur antisemitischen Abwehr der Moderne in Österreich. Sonderzahl Verlag, Wien 2002, ISBN 3-85449-196-4.
 Bernd Sponheuer: Mahler-Handbuch, Metzler, Stuttgart/Bärenreiter, Kassel 2010, ISBN 978-3-476-02277-6.

 Renate Ulm (Hrsg.): Gustav Mahlers Symphonien. Bärenreiter/dtv, Kassel/München 2001, ISBN 3-7618-1533-6 / ISBN 3-423-30827-3.
 Altug Ünlü: Gustav Mahlers Klangwelt. Studien zur Instrumentation. Peter Lang, Frankfurt/M. 2006, ISBN 3-631-50599-X.
 Bruno Walter: Gustav Mahler. S. Fischer, Frankfurt am Main 1957.
 Hans Wollschläger: Der Andere Stoff. Fragmente zu Gustav Mahler. Hg. von Monika Wollschläger und Gabriele Wolff, Wallstein Verlag, Göttingen 2010, ISBN 978-3-8353-0588-5.

 Im Netz 


 Literatua iban Gustav Mahler in da Bibliographie des Musikschrifttums




 Internationale Gustav Mahler-Gesellschaft, Wean
 Gustav Mahler Vereinigung, Hamburg
 Gustav-Mahler-Musikwochen in Toblach
 Vollständige Diskografie (franzesisch)
 The Mahler Symphonies: A synoptic survey by Tony Duggan (englisch)
 Kritische Biografie über Gustav Mahler von Heinz-Peter Martin: (PDF; 172 kB) „War Gustav Mahler ein Christ?“

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Kategorie:Geboren 1860
Kategorie:Gestorben 1911
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