Igor Fjodorowitsch Strawinski

Da Igor Fjodorowitsch Strawinski (, frz. Transkription Igor Stravinski, engl. Transkription Igor Stravinsky; *  z Oranienbaam [heit: Lomonossow], Russland; † 6. Aprui 1971 in da Stod Nei York) wor a russisch-franzesisch-amerikanischa Komponist.

Des Weak vom Strawinski hod a grousse stuilistische Vuifoit. Sei Schoffn wead in drei Periodn eiteit: russische, neoklassizistische und serielle (Neiche Musi). Da Strawinski hod an guadn Gschäftssinn ghobt. Ea is aa ois Pianist und Dirigent aftredn, und vui vo seine Kompositiona worn Aftrogsorbadn.

Auszoachnung
1954: Royal Philharmonic Society, Goid Medain
1959: Léonie Sonning Music Prize
Grammy Awards
1962: Best Classical Composition by Contemporary Composer (The Flood)
1962: Best Classical Performance – Orchestra (The Firebird, Igor Stravinsky conducting Columbia Symphony Orchestra)
1962: Best Classical Performance – Instrumental Soloist (with orchestra) (Violin Concerto in D, Isaac Stern; Igor Stravinsky conducting Columbia Symphony Orchestra)
1987: Lifetime Achievement (posthum)

 Weak 
Des is a Listn vo de Kompositiona vom Igor Stravinsky[List of compositions by Igor Stravinsky List aus da englischen Wikipedia] (obgruafa am 22. Mai 2014).

Opan, Theata
Le Rossignol  (De Nochtigoi), Opa in drei Aktn (1914)
Renard (Reinecke Fux), a Burlesque fia 4 Pantomimen und Orchesta (1916)
Histoire du soldat (De Gschicht vom Soidotn), fia Kammamusikapejn (chamber ensemble) und drei Sprecha (1918)
Mavra, Opa in oam Akt (1922)
Oedipus rex, Opan-Oratorium in zwoa Aktn (1927)
Perséphone, Melodrama fia Sprecha, Solistn, Chor und Orchesta (1933)
The Rake's Progress, Opa in drei Aktn (1951)
The Flood (De Sindfluad), Televisions-Opa (1962)

Ballett
The Firebird (L'oiseau de feu) (1910, rev. 1919/1945)
Petrushka (1911, rev. 1947)
The Rite of Spring (Le sacre du printemps) (1913, rev. 1947/1967)
Les noces (The Wedding), for soloists, choir, four pianos and percussion (1914–17; 1919–23)
Pulcinella, for chamber orchestra and soloists (1920)
Apollo (Apollon musagète), for string orchestra (1928, rev. 1947)
Le baiser de la fée (The Fairy's Kiss) (1928, rev. 1950)
Jeu de cartes (Card Game) (1936)
Danses concertantes for chamber orchestra (1942)
Scènes de ballet (1944)
Orpheus, for chamber orchestra (1947)
Agon (1957)
Ode

Orchesta
Symphony in E-flat major, Op. 1 (1907)
Scherzo fantastique, Op. 3 (1908)
Feu d'artifice (Fireworks), Op. 4 (1908)
Le chant du rossignol (Song of the Nightingale) (1917)
Suite from Pulcinella (1920)
Suite No. 2 for chamber orchestra (1921, arrangement of Trois pièces faciles and Cinq pièces faciles No. 5)
Suite No. 1 for chamber orchestra (1925, arrangement of Cinq pièces faciles Nos. 1–4)
Quatre études, for orchestra (1928, arrangement of Three Pieces for String Quartet and Étude pour pianola)
Divertimento (Suite from Le Baiser de la fée, 1934)
Concerto in E-flat Dumbarton Oaks, for chamber orchestra (1938)
Symphony in C (1940)
Circus Polka for orchestra (1942)
Four Norwegian Moods for orchestra (1942)
Ode for orchestra (1943)
Scherzo à la russe for orchestra (1944, also a version for Paul Whiteman's band)
Symphony in Three Movements (1945)
Concerto in D, for string orchestra (1946)
Tango for chamber orchestra (1953, arrangement of 1940 work for piano)
Greeting Prelude for orchestra (1955), for the 80th birthday of Pierre Monteux
8 Instrumental Miniatures for 15 Players (1963, orchestration of Les Cinq Doigts)
Variations (Aldous Huxley in Memoriam) (1963/1964)
Canon on a Popular Russian Tune (1965)

Konzeat
Concerto for Piano and Wind Instruments (1923-24, rev. 1950)
Capriccio for Piano and Orchestra (1929/1949)
Violin Concerto in D (1931)
Movements for Piano and Orchestra (1958/1959)

Chor
Le roi des étoiles (The King of the Stars), for men's choir and orchestra (1912)
Pater Noster (1926, rev. 1949)
Symphony of Psalms, for chorus and orchestra (1930, rev. 1948)
Credo (1932, rev. 1964)
Ave Maria (1934, rev. 1949)
Babel (1944)
Mass (1944–48)
Cantata, for mezzo-soprano, tenor, female chorus, 2 flutes, oboe, English horn, and cello (1951–52)
Canticum Sacrum (1955)
Threni (1958)
A Sermon, a Narrative and a Prayer (1961)
Anthem (The dove descending breaks the air), for chorus a cappella (1962)
Introitus (1965)
Requiem Canticles (1966)

Vokal
Romance for Voice and Piano (1902)
Faun and Shepherdess, for mezzo-soprano and orchestra, Op. 2 (1907)
Pastorale, for vocalise soprano and piano (1907, arranged for soprano and wind quintet 1923)
Two Melodies, for mezzo-soprano and piano, Op. 6 (1908)
Deux poèmes de Paul Verlaine, for baritone and piano, Op. 9 (1910, arranged for baritone and orchestra 1951)
Two Poems of K. Balmont, for voice and piano (1911, arranged for voice and small orchestra 1954)
Three Japanese Lyrics (Trois poésies de la lyrique japonaise), for voice and piano or chamber orchestra (1913)
Trois petites chansons, for voice and piano (1906-1913, arranged for voice and small orchestra 1930)
Pribaoutki, for voice, flute, oboe, clarinet, bassoon, violin, viola, cello, double bass (1914)
Kornílo (Uncle Kornilo)
Natashka (Little Natalie)
Polkovnik (The Colonel)
Starets i zayats (The Old Man and the Hare)
Berceuses du chat, for contralto and three clarinets (1916)
Three Tales for Children, for voice and piano (1917)
Tilim-bom
Geese, Swans
The bear's little song
Four Russian Peasant Songs, for female voice unaccompanied (1917)
Berceuse, for voice and piano (1918)
Quatre chants russes, for voice and piano (1918–19)
Selezen’ (The Drake)
Zapevnaya (Counting Song)
Sidit varabey na chuzhoy garadbe (Dish-divination Song)
Sektanskaya (Song of the Sectarian)
Petit ramusianum harmonique, for single voice or voices (1938)
Three Songs from William Shakespeare, for mezzo-soprano, flute, clarinet, and viola (1953)
Four Songs, for mezzo-soprano, flute, harp and guitar (1954, arrangement of Quatre chants russes Nos. 1 & 4; Three Tales for Children Nos. 1 & 2)
In Memoriam Dylan Thomas (Dirge-canons and song), for tenor, string quartet, and four trombones (1954)
Abraham and Isaac, a sacred ballad for baritone and orchestra (1963)
Elegy for J.F.K., for baritone or mezzo-soprano and three clarinets (1964)
The Owl and the Pussy Cat, for soprano and piano (1966)

Kammamusi
Three Pieces for String Quartet (1914)
Pour Pablo Picasso, piece for clarinet (1917)
Canon for Two Horns (1917)
Ragtime for Eleven Instruments (1917–18)
Duet for Two Bassoons, "Lied ohne Namen" (1918)
Suite from Histoire du soldat, for violin, clarinet, and piano (1919)
Three Pieces for Clarinet (1919)
Concertino, for string quartet (1920)
Symphonies of Wind Instruments (1920, rev. 1947)
Octet for Wind Instruments (1923)Suite on themes, fragments and pieces by Giambattista Pergolesi, for violin and piano (1925)
Duo Concertant for Violin and Piano (1932)Suite italienne (from Pulcinella), for cello and piano (1932/33) (in collaboration with Gregor Piatigorsky)Pastorale, for violin and piano or violin and wind quintet (1933)Suite italienne (from Pulcinella), for violin and piano (1934) (in collaboration with Samuel Dushkin)Preludium for Jazz Band (1936/37)Elegy, for solo viola (1944)Ebony Concerto for clarinet and jazz band (1945)
Septet for clarinet, horn, bassoon, violin, viola, cello, and piano (1953)Concertino, for small ensemble (1953) (arrangement of 1920 work for string quartet)Epitaphium, for flute, clarinet and harp (1959)Double Canon, for string quartet 'Raoul Dufy in Memoriam' (1959)Monumentum pro Gesualdo di Venosa ad CD Annum, for chamber ensemble (1960)
"Asciugate I begli ochi"
"Ma tu, cagion di quella"
"Belta poi che t'assenti"
Lullaby, for two recorders (1960) (arrangement of item from The Rake's Progress, 1951)Fanfare for a New Theatre, for two trumpets (1964)

Piano
Tarantella (1898)
Scherzo (1902)
Piano Sonata in F-sharp minor (1903–4)Quatre études, Op. 7 (1908)The Firebird (L'oiseau de feu) (1910)The Rite of Spring (Le sacre du printemps), for four hands on one piano (1913)Valse des fleurs, for two pianos (1914)Trois pièces faciles, for four hands (1915)Souvenir d'une marche boche (1915)Cinq pièces faciles, for four hands (1917)Valse pour les enfants (1917)Piano-Rag-Music (1919)Chorale (1920)Les cinq doigts (1921)Trois mouvements de Petrouchka (1921)Piano Sonata (1924)Serenade in A (1925)Concerto for Two Pianos (1935)Tango (1940)Sonata for Two Pianos (1943)Two Sketches for a Sonata (1967)

PianolaÉtude pour pianola (Study for Pianola) – Aeolian Company, London, Themodist T967 (1921)Pulcinella Pleyel, Paris, Pleyela 8421 – 8428 (1921)The Rite of Spring (Le sacre du printemps) – Pleyel, Paris, Pleyela 8429 – 8437 (1921)The Rite of Spring (Le sacre du printemps) – Aeolian Company, London, Themodist T24150 – T24153 (1921)Piano-Rag-Music – Pleyel, Paris, Pleyela 8438 (1921)Ragtime – Pleyel, Paris, Pleyela 8450 (1921)Petrushka – Pleyel, Paris, Pleyela 8441 – 8447 (1922)Le chant du rossignol (Song of the Nightingale) – Pleyel, Paris, Pleyela 8451 – 8453 (1922/3)Three Tales for Children – Pleyel, Paris, Pleyela 8454 (1922/3)Quatre chants russes (Four Russian Songs) – Pleyel, Paris, Pleyela 8455 (1922/3)Concertino – Pleyel, Paris, Pleyela 8456 (1923)Les noces (The Wedding) – Pleyel, Paris 8831 – 8834, 8861 (1923)The Firebird (L'oiseau de feu) – Pleyel, Paris, Pleyela 10039 – 10045 (1926)The Firebird (L'oiseau de feu) – Aeolian Company, London, Duo-Art D759 – D769 (1929)

 Beleg 

Literatua
 Adorno, Theodor. 1973. Philosophy of Modern Music. Translated by Anne G. Mitchell and Wesley V. Blomster. New York: Continuum. ISBN 0-8264-0138-4 Original German edition, as Philosophie der neuen Musik. Tübingen: J. C. B. Mohr, 1949.
 Adorno, Theodor W. 2006. Philosophy of New Music, translated, edited, and with an introduction by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press. ISBN 0-8166-3666-4.
 Anonymous. 1940. "Musical Count". Time Magazine (Monday, 11 March).
 Anonymous. 1944. "Stravinsky Liable to Fine". The New York Times (16 January) (Retrieved 22 June 2010).
 Anonymous. 1962. "Life Guide: Salutes to Stravinsky on His 80th; A Funny Faulkner, Farm Tours", Life Magazine (8 June): 17.
 Berry, David Carson. 2006. "Stravinsky, Igor." Europe 1789 to 1914: Encyclopedia of the Age of Industry and Empire, editors-in-chief John Merriman and Jay Winter, 4:2261–63. Detroit: Charles Scribner's Sons.
 Berry, David Carson. 2008. "The Roles of Invariance and Analogy in the Linear Design of Stravinsky's 'Musick to Heare.'" Gamut 1/1.
 Blitzstein, Marc. 1935. "The Phenomenon of Stravinsky". The Musical Quarterly 21, no. 3 (July): 330–47. Reprinted 1991, The Musical Quarterly 75, no. 4 (Winter): 51–69.
 Browne, Andrew J. 1930. "Aspects of Stravinsky's Work". Music & Letters 11, no. 4 (October): 360–66. Online link accessed 19 November 2007 (subscription access).
 Cocteau, Jean. 1918. Le Coq et l'arlequin: notes de la musique. Paris: Éditions de la Sirène. Reprinted 1979, with a preface by Georges Auric. Paris: Stock. ISBN 2-234-01081-0 English edition, as Cock and Harlequin: Notes Concerning Music, translated by Rollo H. Myers, London: Egoist Press, 1921.
 Cohen, Allen. 2004. Howard Hanson in Theory and Practice. Westport, Conn.: Praeger Publishers. ISBN 0-313-32135-3.
 Cooper, John Xiros (editor). 2000. T. S. Elliot's Orchestra: Critical Essays on Poetry and Music. New York: Garland. ISBN 0-8153-2577-0.
 Copland, Aaron. 1952. Music and Imagination. Cambridge, Massachusetts: Harvard University Press.
 Copeland, Robert M. 1982. "The Christian Message of Igor Stravinsky". The Musical Quarterly 68, no. 4 (October): 563–79.
 Craft, Robert. 1982. "Assisting Stravinsky: On a Misunderstood Collaboration". The Atlantic 250, no. 6 (December): 64–74.
 Craft, Robert. 1992. Stravinsky: Glimpses of a Life. London: Lime Tree; New York: St Martins Press. ISBN 0-413-45461-4 (Lime Tree); ISBN 0-312-08896-5 (St.Martins).
 Craft, Robert. 1994. Stravinsky: Chronicle of a Friendship, revised and expanded edition. Nashville: Vanderbilt University Press. ISBN 0-8265-1258-5.
 Davis, Mary. 2006. "Chanel, Stravinsky, and Musical Chic". Fashion Theory 10, no. 4 (December): 431–60.
 Dubal, David. 2001. The Essential Canon of Classical Music. New York: North Point Press.
 Eksteins, Modris. 1989. Rites of Spring: The Great War and the Modern Era. Boston: Houghton Mifflin Company. ISBN 0-395-49856-2. Reprinted 1990, New York: Anchor Books ISBN 0-385-41202-9; reprinted 2000, Boston: Mariner Books ISBN 0-395-93758-2.
 Glass, Philip. 1998. "The Classical Musician Igor Stravinsky" Time (Monday, 8 June).
 Greene, David Mason. 1985. Biographical Encyclopaedia of Composers. New York: Doubleday. Griffiths, Paul, Igor Stravinsky, Robert Craft, and Gabriel Josipovici. 1982. Igor Stravinsky: the Rake's Progress. Cambridge Opera Handbooks. Cambridge. London, New York, New Rochelle, Melbourne, and Sydney: Cambridge University Press. ISBN 0-521-23746-7 (cloth); ISBN 0-521-28199-7 (pbk).
 Hazlewood, Charles. 2003. "Stravinsky—The Firebird Suite". On Discovering Music. BBC Radio 3 (20 December). Archived at Discovering Music: Listening Library, Programmes.
 Holland, Bernard. 2001. "Stravinsky, a Rare Bird Amid the Palms: A Composer in California, at Ease if Not at Home", The New York Times (11 March).
 Joseph, Charles M.. 2001. Stravinsky Inside Out. New Haven: Yale University Press. ISBN 978-0-300-07537-3.
Karlinsky, Simon. 1985. "Searching for Stravinskii's Essence". Russian Review 44, no. 3 (July): 281–87.
 Lambert, Constant. 1936. Music Ho! A Study of Music in Decline. New York: Charles Scribner's Sons.
 Lawson, Rex. 1986. Stravinsky and the Pianola, in Confronting Stravinsky, edited by Jann Pasler. Los Angeles: University of California Press. ISBN 0-520-05403-2.
 Lehrer, Jonah. 2007. Igor Stravinsky and the Source of Music, in his Proust Was a Neuroscientist. Boston: Houghton Mifflin Co. ISBN 0-618-62010-9.
 Morand, Paul. 1976. L'Allure de Chanel. Paris: Hermann. Nouv. éd. du texte original, Paris: Hermann, 1996. ISBN 2-7056-6316-9. Reprinted, [Paris]: Gallimard, 2009; ISBN 978-2-07-039655-9 English as The Allure of Chanel, translated by Euan Cameron. London: Pushkin Press, 2008. ISBN 978-1-901285-98-7 (pbk). Special illustrated ed. London: Pushkin, 2009. ISBN 978-1-906548-10-0 (pbk.).
 Oliver, Michael. 1995. Igor Stravinsky. London: Phaidon Press. ISBN 0-7148-3158-1.
 Page, Tim. 2006. "Classical Music: Great Composers, a Less-Than-Great Poser and an Operatic Impresario". Washington Post (Sunday, 30 July): BW13.
 Palmer, Tony. 1982. Stravinsky: Once at a Border.... (TV documentary film). [UK]: Isolde Films. Issued on DVD, [N.p.]: Kultur Video, 2008. 
 Pasler, Jann. 1983. "Stravinsky and His Craft: Trends in Stravinsky Criticism and Research". The Musical Times 124, no. 1688 ("Russian Music", October): 605–609.
 Robinson, Lisa. 2004. "Opera Double Bill Offers Insight into Stravinsky's Evolution". The Juilliard Journal Online 19, no. 7 (April). (No longer accessible as of March 2008.)
Sachs, Harvey. 1987. Music in Fascist Italy. New York: W. W. Norton.
Satie, Erik. 1923. "Igor Stravinsky: A Tribute to the Great Russian Composer by an Eminent French Confrère". Vanity Fair (February): 39 & 88.
 Siegmeister, Elie (ed.). 1943. The Music Lover's Handbook. New York: William Morrow and Company.
 Simeone, Lisa, with Robert Craft and Philip Glass. 1999. "Igor Stravinsky" NPR's Performance Today: Milestones of the Millennium (16 April). Washington, DC: National Public Radio. Archive (edited) at NPR Online.
 Simon, Scott. 2007. The Primitive Pulse of Stravinsky's 'Rite of Spring'. With an interview with Marin Alsop recorded on Friday 23 March 2007. NPR Weekend Edition. (Saturday 24 March). Washington, DC: National Public Radio.
 Slim, H. Colin. 2006. "Stravinsky's Four Star-Spangled Banners and His 1941 Christmas Card". The Musical Quarterly 89, nos. 2 and 3 ([northern] Summer–Fall): 321–447.
 Slonimsky, Nicolas. 1953. Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time. New York: Coleman-Ross. Second edition, New York: Coleman-Ross, 1965, reprinted Washington Paperbacks WP-52, Seattle: University of Washington Press, 1969, reprinted again Seattle: University of Washington Press, 1974 ISBN 0-295-78579-9, and New York: Norton, 2000 ISBN 0-393-32009-X (pbk).
 Straus, Joseph N. 2001. Stravinsky's Late Music. Cambridge Studies in Music Theory and Analysis 16. Cambridge, New York, Port Melbourne, Madrid, and Cape Town: Cambridge University Press. ISBN 0-521-80220-2 (cloth) ISBN 0-521-60288-2 (pbk)
 Stravinsky, Igor. 1947. Poetics of Music in the Form of Six Lessons. Cambridge, MA: Harvard University Press. OCLC 155726113.
 Stravinsky, Igor. 1962. An Autobiography. New York: W. W. Norton & Company. ISBN 0-393-00161-X; OCLC,311867794}. Originally published in French as Chroniques de ma vie, 2 vols. (Paris: Denoël et Steele, 1935), subsequently translated (anonymously) as Chronicle of My Life. London: Gollancz, 1936. OCLC 1354065. This edition reprinted as Igor Stravinsky An Autobiography, with a preface by Eric Walter White (London: Calder and Boyars, 1975) ISBN 0-7145-1063-7 (cloth); ISBN 0-7145-1082-3 (pbk.). Reprinted again as An Autobiography (1903–1934) (London: Boyars, 1990) ISBN 0-7145-1063-7 (cased); ISBN 0-7145-1082-3 (pbk). Also published as Igor Stravinsky An Autobiography (New York: M. & J. Steuer, 1958).
 Stravinsky, Igor, and Robert Craft. 1959. " Conversations with Igor Stravinsky. Garden City, NY: Doubleday. OCLC 896750 Reprinted Berkeley: University of California Press, 1980. ISBN 0-520-04040-6
 Stravinsky, Igor, and Robert Craft. 1960. Memories and Commentaries. Garden City, N.Y.: Doubleday. Reprinted 1981, Berkeley and Los Angeles: University of California Press. ISBN 0-520-04402-9 Reprinted 2002, London: Faber and Faber. ISBN 0-571-21242-5.
 Stravinsky, Igor, and Robert Craft. 1962. Expositions and Developments. London: Faber & Faber. Reprinted, Berkeley and Los Angeles: University of California Press, 1981. ISBN 0-520-04403-7.
 Stravinsky, Igor, and Robert Craft. 1966. Themes and Episodes. New York: A. A. Knopf.
 Stravinsky, Igor, and Robert Craft. 1969. Retrospectives and Conclusions. New York: A. A. Knopf.
 Stravinsky, Vera, and Robert Craft. 1978. Stravinsky in Pictures and Documents. New York: Simon and Schuster.
 Strawinsky, Théodore, and Denise Strawinsky. 2004. Catherine and Igor Stravinsky: A Family Chronicle 1906–1940. New York: Schirmer Trade Books; London: Schirmer Books. ISBN 0-8256-7290-2.
 Taruskin, Richard, reply by Robert Craft. 1989. "'Jews and Geniuses': An Exchange". New York Review of Books (15 June).
 Taruskin, Richard. 1996. Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Vol. 1 and Vol. 2. Berkeley: University of California Press. ISBN 0-520-07099-2.
 Thom, Paul. 2007. The Musician as Interpreter. Studies of the Greater Philadelphia Philosophy Consortium 4. University Park: Pennsylvania State University Press. ISBN 0-271-03198-0.
 Volta, Ornella. 1989. Satie Seen through His Letters. London: Boyars. ISBN 0-7145-2980-X.
 Wallace, Helen. 2007. Boosey & Hawkes, The Publishing Story. London: Boosey & Hawkes. ISBN 978-0-85162-514-0.
 Walsh, Stephen. 2000. Stravinsky. A Creative Spring: Russia and France 1882–1934. London: Jonathan Cape.
 Walsh, Stephen. 2001. "Stravinsky, Igor." New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: MacMillan Publishers.
 Walsh, Stephen. 2006. Stravinsky: The Second Exile: France and America, 1934–1971. New York: Alfred A. Knopf. ISBN 0-375-40752-9 (cloth); London: Jonathan Cape. ISBN 0-224-06078-3 (cloth); Berkeley: University of California Press. ISBN 978-0-520-25615-6 (pbk).
 Walsh, Stephen. 2007. "The Composer, the Antiquarian and the Go-between: Stravinsky and the Rosenthals". The Musical Times 148, no. 1898 (Spring): 19–34.
 Wenborn, Neil. 1985. Stravinsky. London: Omnibus Press. ISBN 0-7119-7651-1.
 White, Eric Walter. 1979. Stravinsky: The Composer and His Works, second edition. Berkeley and Los Angeles: University of California Press. ISBN 0-520-03983-1 (cloth) ISBN 0-520-03985-8 (pbk).
 Zappa, Frank, and Peter Occhiogrosso. 1989. The Real Frank Zappa Book. New York: Poseidon Press. ISBN 0-671-63870-X (reprinted twice in 1990, New York: Fireside Books, ISBN 0-671-70572-5 and New York: Picador Books ISBN 0-330-31625-7).
 Cross, Jonathan. 1999. The Stravinsky Legacy. Cambridge and New York: Cambridge University Press. ISBN 978-0-521-56365-9.
 Joseph, Charles M. 2001. Stravinsky Inside Out. New Haven and London: Yale University Press. ISBN 0-300-07537-5.
 Joseph, Charles M. 2002. Stravinsky and Balanchine, A Journey of Invention. New Haven and London: Yale University Press. ISBN 0-300-08712-8.
 Kohl, Jerome. 1979–80. "Exposition in Stravinsky's Orchestral Variations". Perspectives of New Music 18, nos. 1 and 2 (Fall-Winter/Spring Summer): 391–405.   (subscription access).
 Kundera, Milan. 1995. Testaments Betrayed: An Essay in Nine Parts, translated by Linda Asher. New York: HarperCollins. ISBN 0-06-017145-6.
 Kuster, Andrew T. 2005. Stravinsky's Topology. D.M.A. dissertation, University of Colorado at Boulder. Morrisville, NC: Lulu.com. ISBN 1-4116-6458-2.
 McFarland, Mark. 2011. "Igor Stravinsky." In Oxford Bibliographies Online: Music, edited by Bruce Gustavson. New York: Oxford University Press.
 van den Toorn, Pieter C. 1987. "Stravinsky and The Rite of Spring"

 Im Netz 



 Weakvazoachnis Strawinski im russischn Musiarchiv
 Strawinski und das Pianola af pianola.org (englisch)

 The Stravinsky Foundation website
 A Riotous Premiere, an interactive website about The Rite of Spring from the Keeping Score series by the San Francisco Symphony

 Stravinsky A to Z, a BBC Radio 3 reference page containing links to information about Stravinsky

 Jews and Geniuses On Stravinsky being a Jew or not and about his antisemitism. See also another response and the original media review by Robert Craft.
 Igor Stravinsky at Project Gutenberg
 Igor Stravinsky at the Pianola Institute
 Stravinsky and Numerology
 Portrait of Igor Stravinsky conducting – A series of images from the UBC Library Digital Collections depicting the composer rehearsing with the New York Philharmonic.

Audio und Video
 An audio recording made by William Malloch of Stravinsky rehearsing his Symphonies of Wind Instruments in Memory of Debussy (a 1947 recording, first broadcast in 1961)
 An archive recording of a radio program by William Malloch that includes a discussion of how attitudes toward Stravinsky’s music changed through the years. Included are excepts from the The Firebird, Petrouchka and The Rite of Spring'' recorded from the 1930s to the 1950s by a variety of conductors, including the composer himself.
 Excerpts from sound archives of Stravinsky's works from the Contemporary Music Portal

Kategorie:US-amerikanischer Komponist
Kategorie:Dirigent
Kategorie:Komponist (Klassische Musik)
Kategorie:Komponist (Oper)
Kategorie:Libretto
Kategorie:Grammy-Preisträger
Kategorie:Geboren 1882
Kategorie:Gestorben 1971
Kategorie:Mann