Sara Kofman

Sara Kofman (fr. Sarah Kofman, 14 sentyabr 1934, Paris — 15 oktyabr 1994, Paris) — fransız filosofu.

 Həyatı 
Auşvitsdə həlak olmuş ravvinin qızıdır. Jan Hippolit və Jilya Delyoza ilə birgə Tuluzada təhsil almış, Ekol Normalda J. Derridanın təşkil etdiyi seminarlarda iştirak etmişdir. 1970-ci ildən Paris I Panteon-Sorbonna Universitetində pedaqoji fəaliyyətə başlamışdır. Derrida, Nansi və Laku-Labart ilə birlikdə o, Qalileyedə seriya şəklində nəşr edilmiş "Fəaliyyətimizdə Fəlsəfə" jurnalını idarə etmişdir. Dünyanın bir çox ölkələrində mühazirələr oxumuş, konfrans və seminarlarda iştirak etmişdir.

O, Fridrix Nitsşenin 150 illik yubileyində intihar edib. Onun ölümü ziyalıların kəskin reaksiyasına səbəb olub.Feyertag, Karoline (2014). Sarah Kofman : Eine Biographie. Turia und Kant. pp. 294–5. doi:10.26530/oapen_497777. ISBN 978-3-85132-727-4.

 Yaradıcılığı 
Nitsşe və Freydin, Blanşotun, Antelmin və Derridanın, eləcə də Şekspirin, Hofmanın, Nervalın əsərlərinin təhlilçisi olmuşdur. O, dünya fəlsəfəsində və ədəbiyyatında qadın obrazını tədqiq etmişdir. O, "Orden küçəsi, Laba küçəsi" (1994) adlı avtobioqrafiyanın müəllifidir.

Kofmanın kitabları və məqalələri bir çox dillərə tərcümə olunub.

 Əsərləri 

 Kitabları 

 L'enfance de l'art: Une interprétation de l'esthétique freudienne (1970). Trans.: The Childhood of Art: An Interpretation of Freud's Aesthetics (1988).
 Nietzsche et la métaphore (1972). Trans.: Nietzsche and Metaphor (1993).
 Camera obscura: De l'idéologie (1973). Trans.: Camera Obscura: Of Ideology (1998).
 Quatre romans analytiques (1974). Trans.: Freud and Fiction (1991).
 Autobiogriffures (1976).
 Aberrations: Le devenir-femme d'Auguste Comte (1978).
 Nerval: Le charme de la répétition (1979).
 Nietzsche et la scène philosophique (1979).
 L'énigme de la femme: La femme dans les textes de Freud (1980). Trans.: The Enigma of Woman: Woman in Freud's Writings (1985).
 Le respect des femmes (Kant et Rousseau) (1982).
 Comment s'en sortir? (1983).
 Un métier impossible: Lecture de "Constructions en analyse" (1983).
 Lectures de Derrida (1984).
 Mélancholie de l'art (1985).
 Pourquoi rit-on? Freud et le mot d'esprit (1986).
 Paroles suffoquées (1987). Trans.: Smothered Words (1998).
 Conversions: Le Marchand de Venise sous le signe de Saturne (1987).
 Socrate(s) (1989). Trans.: Socrates: Fictions of a Philosopher (1998).
 Séductions: De Sartre à Héraclite (1990).
 Don Juan ou le refus de la dette (1991).
 "Il n'y a que le premier pas qui coûte": Freud et la spéculation (1991).
 Explosion I: De l'"Ecce Homo" de Nietzsche (1992).
 Explosion II: Les enfants de Nietzsche (1993).
 Le mépris des Juifs: Nietzsche, les Juifs, l'antisémitisme (1994).
 Rue Ordener, rue Labat (1994). Trans.: Rue Ordener, Rue Labat (1996).
 L'imposture de la beauté et autres textes (1995).
 Selected Writings (2007). Edited by Thomas Albrecht, Georgia Albert & Elizabeth G. Rottenberg; introduction by Jacques Derrida.

 Məqalələri 

 "No Longer Full-Fledged Autobiogriffies," SubStance 29 (1981): 3–22. From: Autobiogriffures (1976).
 "Sartre: Fort! Ou Da?", Diacritics 14, 4 (1984): 9–18.
 "Damned Food," SubStance 49 (1986): 8–9.
 "Tomb for a Proper Name," SubStance 49 (1986): 9–10.
 "Nightmare: At the Margins of Medieval Studies," SubStance 49 (1986): 10–13. From: Comment s'en sortir? (1983).
 "Prometheus, the First Philosopher," SubStance 50 (1986): 26–35. From: Comment s'en sortir? (1983).
 "Nietzsche and the Obscurity of Heraclitus," Diacritics 17, 3 (1987): 39–55. From: Séductions: De Sartre à Héraclite (1990).
 "Baubô: Theological Perversion and Fetishism," in Michael Allen Gillespie & Tracy B. Strong, Nietzsche's New Seas: Explorations in Philosophy, Aesthetics, and Politics (Chicago & London: University of Chicago Press, 1988). From: Nietzsche et la scène philosophique (1979).
 "Beyond Aporia?", in Andrew Benjamin (ed.), Post-structuralist Classics (London & New York: Routledge, 1988). From: Comment s'en sortir? (1983).
 "'Ça cloche'," in Hugh J. Silverman (ed.), Derrida and Deconstruction (New York & London: Routledge, 1989). From: Lectures de Derrida (1984). Originally delivered at the 1980 Cerisy colloquy, "Les fins de l'homme."
 "Conversions: The Merchant of Venice under the Sign of Saturn," in Peter Collier & Helga Geyer-Ryan (eds.), Literary Theory Today (Cambridge: Polity Press, 1990). From: Conversions: Le Marchand de Venise sous le signe de Saturne (1987).
 "Metaphoric Architectures," in Laurence A. Rickels (ed.), Looking After Nietzsche (Albany: State University of New York Press, 1990).
 "Descartes Entrapped," in Eduardo Cadava, Peter Connor, & Jean-Luc Nancy, Who Comes After the Subject? (New York & London: Routledge, 1991). From: Nietzsche et la scène philosophique (1979).
 "Rousseau's Phallocratic Ends," in 
 "Explosion I: Of Nietzsche's Ecce Homo," Diacritics 24, 4 (1994): 50–70. From: Explosion I: De l'"Ecce Homo" de Nietzsche (1992).
 "A Fantastical Genealogy: Nietzsche's Family Romance," in Peter J. Burgard (ed.), Nietzsche and the Feminine (Charlottesville & London: University Press of Virginia, 1994). From: Explosion I: De l'"Ecce Homo" de Nietzsche (1992).
 "'It's Only the First Step That Costs'," in Sonu Shamdasani & Michael Münchow (eds.), Speculations After Freud: Psychoanalysis, Philosophy, Culture (London & New York: Routledge, 1994). From: "Il n'y a que le premier pas qui coûte": Freud et la spéculation (1991).
 "Wagner's Ascetic Ideal According to Nietzsche," in Richard Schacht (ed.), Nietzsche, Genealogy, Morality: Essays on Nietzsche's Genealogy of Morals (Berkeley: University of California Press, 1994).
 "The Psychologist of the Eternal Feminine (Why I Write Such Good Books, 5)," Yale French Studies 87 (1995): 173–89. From: Explosion II: Les enfants de Nietzsche (1993).
 "Accessories (Ecce Homo, 'Why I Write Such Good Books,' 'The Untimelies,' 3)," in Peter R. Sedgwick (ed.), Nietzsche: A Critical Reader (Oxford: Blackwell, 1995). From: Explosion II: Les enfants de Nietzsche (1993).
 "The Economy of Respect: Kant and Respect for Women," in Robin May Schott (ed.), Feminist Interpretations of Immanuel Kant (University Park, Penn.: Pennsylvania State University Press, 1997). From: Le respect des femmes (Kant et Rousseau) (1982).
 "The Imposture of Beauty: The Uncanniness of Oscar Wilde's Picture of Dorian Gray," in Penelope Deutscher & Kelly Oliver (eds.), Enigmas: Essays on Sarah Kofman (Ithaca & London: Cornell University Press, 1999). From: L'imposture de la beauté et autres textes (1995).

 Müsahibələri 

 "Sarah Kofman," interview with Alice Jardine, in Alice Jardine & Anne M. Menke (eds.), Shifting Scenes: Interviews on Women, Writing, and Politics in Post-68 France (New York & Oxford: Columbia University Press, 1991).
 "Writing without Power: A Conversation with Sarah Kofman," interview with Ursula Konnertz, Women's Philosophy Review (June 1995): 5–8.

 İstinadları