## Competing Models of Journalism?

## Anglo-American and European Reporting in the Information Age 1

## BY KEVIN WILLIAMS

Anglo-American values and methods dominate our understanding of contemporary journalism. European journalism is seen as gradually importing Anglo-American practice, style and form in the twentieth century. The European model of journalism is portrayed as regressive, resistant to giving up the old ways - a model of how not to practice the profession. This article examines the features that distinguish the European model, including the close relationship with the political world, the focus on commentary, interpretation and advocacy and the commitment to 'literary' writing. It argues that in spite of the differences in how journalism is practiced in various European countries it is possible to identify a form of journalism, which is more literary, political and intellectual in its approach. The distinctiveness of this approach is being eroded with the incorporation of Anglo-American values and practices into education programmes, the commercialisation of the industry and the process of globalisation. However, the extent to which journalism in Europe is replicating the Anglo-American model is open to question. The European tradition remains firmly entrenched, especially in some countries such as France, Italy and Spain. It is also argued that the European model is becoming more relevant in the attempt of the profession to adjust to the complexities and changes of the information age.

Journalism is often described as an Anglo-American invention (Chalaby, 1996 ; Tunstall, 1977 : chapter 1 ). The modern conception of news and the practices of reporting and interviewing that characterise  contemporary  journalism  are  attributed  to  developments in American and British society. New techniques pioneered by US newspapers in the mid Victorian period are seen as introduced  into  the  British  press  in  the 1880 s  where  they  were refined and enhanced by the 'Northcliffe revolution' of the early 20 th century. The development of journalism in the 20 th century is  characterised  by  the  gradual  absorption  of  Anglo-American practice, style and form. As Mark Deuze ( 2005 : 444 ) puts it: 'the 20 th century history of … journalism can be typified by the consolidation of a consensual occupational ideology among journalists in different parts of the world'. By the end of the century the Anglo-American way of doing journalism had come to be considered as the universal yard stick by which the profession should be  practiced.  British  and  American  news  organisations,  news agencies and newspapers dominate the flow of news around the world (Machin and Tunstall, 1999 :  chapter 8 ) and journalists as voracious consumers of global news increasingly looked to these organisations and publications to provide them with the model of how they should understand their role in society and how they should do their job.

Understanding of the profession of journalism is determined by the Anglo-American model of fact-based, news driven, objective reporting. The hegemony of the Anglo-American model - also described as the 'professional' or 'liberal' model - is sustained by the role of English as a world language, the concentration of academic and textbook publishing in Britain and America and the long tradition of journalism training and research in the US (Joesphi, 2005 : 576 ). The 'self absorption and parochialism' of much of the study of the mass media and journalism scholarship has been criticised  by  James  Curran  and  Myung-Jin  Park  ( 2000 : 3 ) who refer to the 'routine' way in which 'universalistic observations about the media' are 'advanced in English-language books on the basis of evidence from a tiny handful of countries'. John Downing ( 1996 : xi) emphasises the conceptual impoverishment of  extrapolating  theoretically  from  such  unrepresentative  nations as Britain and the United States. By prescribing Anglo-American model as the only valid way of practicing the profession other journalism traditions have been ignored or neglected.

Some scholars have recently attempted to explore other models of journalism (for example, de Burgh, 2005 ;  Hoyer and Pottker, 2005 ). They have emphasised - or perhaps more appropriately re-emphasised - the role of the nation-state in understanding the theory and practice of journalism. By asserting that national cultures, polities and societies shape the practice and performance of journalism they have highlighted the limits of 'Anglo-Americanisation' and shown that 'ways of understanding the world's media systems are unduly influenced by the experience of a few, untypical  countries'  (Curran  and  Park, 2000 : 15 ).  However,  such analysis is problematic on two counts. National accounts of the practice and role of journalism often ignore the case that there is no single  journalistic  model  operating  within  a  single  country and there are significant differences between journalism in television and the press and within the press (Mancini, 2005 : 82 ). By empowering national differences 'the discussion of norms recedes into the background' (Joesphi, 2005 : 578 ). Mitchell Stephens ( 2000 ?)  points  out  that  'countless  notions'  about  journalism theory and practice that have 'drifted across borders in what has always been a cosmopolitan business' and by locating our studies within national boundaries we 'obscure crucial connections and lineages and ignore telling comparisons'. Classifying practices and performances within different countries is down-graded in the effort to indicate that the Anglo-American model does not fit the rest of the world. Daniel Hallin and Paolo Mancini ( 2004 ) seek to redress this with their classification of national media systems in Western Europe. Their research identifies three models: Liberal, Democratic Corporatist and Polarized Pluralist. As a result of a number of factors journalism in each of these types of system is conceptualised and practiced in different ways. The authors  'relegate  the  dominant  liberal  model  to  being  just  one amongst several' and present a 'decisive challenge' to the universalistic approach (Joesphi, 2005 : 582 ).

Hallin and Mancini also raise a fundamental question about the relationship between the theory and practice in the discussion of journalism. They draw attention to a normative bias which blurs the boundaries between what journalism ought to be and what journalists do in practice. The Anglo-American model layouts a view of journalism that is 'rarely attained' and is 'far removed from what is actually practiced in newsrooms around the world' leading some to wonder why the profession and academy still consider it  useful  (Joesphi, 2005 : 576 ).  Professional  journalism education and scholarly study prefer to focus on the normative dimension, eschewing analysis of what journalists do and why. For example, objectivity is a cornerstone of the professional model in spite of variety of difficulties that have been identified by journalists and scholars in the attempts to put the concept into practice. Hallin and Mancini emphasise the importance of building models based on empirical evidence rather than normative assumptions. They argue that cross cultural analysis helps to sensitise researchers 'to variation and similarity, and thus can contribute powerfully to the refinement of our conceptual apparatus' (Hallin and Mancini, 2005 : 216 ). By comparing how journalism  is  conceived  and  practiced  across  and  within  national boundaries  we  can  better  identify  the  factors  that  shape  how journalism is conducted and offer fuller, less particular and less ethnocentric explanations about how and why certain practices constitute what journalists do.

European journalism is traditionally studied through the frame of the nation state. As has been said, the style, form and role of journalism are shaped by the society, politics and culture within which the profession is understood and practiced. Nevertheless it is possible to identify several features that are common to journalism in most European countries and more significantly which are absent from the type of journalism that is practiced in Britain and America. The Anglo-American hegemony has led to scholars portraying the European model of journalism as regressive and old-fashioned; a model of how not to practice journalism. European journalism is not considered as part of the 'unique discursive revolution' that occurred in Britain and America in the mid- Victorian period (Chalaby, 1998 ). It is represented as resistant to giving up the old ways and committed to methods, practices and attitudes  that  are  the  antithesis  of  what  modern  journalism should be. Above all, it is seen as partisan and political, an anathema in a world in which Anglo-American journalism is seen as the best and only way of organising practice. While these features do not necessarily constitute a model that applies to ever European country, the similarities in the practice of journalism across the continent do represent an alternative approach to doing journalism. It is argued that the European way of doing journalism is being eroded in the wake of globalisation and the encroachment of Anglo-American values. However, this shift does not necessarily result in a fundamental change in what journalists do. Many European journalists, in spite of the political and technological changes in  the  working  environment,  remain  wedded  to  their ways of doing journalism. A growing commitment to the AngloAmerican approach of objective, straightforward and informative reporting may be apparent in the rhetoric of European journalism but it is not reflected in the practice of journalism in many European countries.

## The European Model of Journalism

There are several features which are seen as distinguishing the European model of journalism. The close relationship with politics and the literary world are regarded as particularly significant. Journalists in Europe are seen as closely linked to political parties and factions. Giovanni Bechelloni ( 1980 : 228 -43 )  describes how Italian  journalists  have  traditionally  been  'political  clients' whose close ties to political parties enable them to benefit financially and in terms of their job security from political protection and patronage. Mancini ( 2000 : 266 ) states that 'Italian journalists are advocates, linked to political parties, and very close to being active  politicians  themselves'.  The  political  fragmentation  of European societies produces a more complex political situation for the journalist to negotiate, forcing them to embrace the political.  France  is  typical  of  the  multiparty  political  systems  that characterise most European countries. The wide range of politi-

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cal positions, parties and ideologies preferences journalism based on political opinions rather than news and information (Chalaby, 1996 : 319 ). Journalism in the Nordic countries is closely tied to politics albeit in a different way from Mediterranean countries. Strong  corporatist  traditions  and  a  high  degree  of  social  and political consensus have tied journalism to politics. In most European countries  journalism  and  the  media  are  the 'voices  of organised  groups'  (Mancini, 2000 : 271 ).  Whether  it  is  through 'pillarisation'  in  the  Netherlands, 'socially  relevant  groups'  in Germany or 'lottizzazione' in Italy journalism has been closely attached to politics and the promotion of ideology. This contrasts with Britain and America where it is far easier for journalists to exercise political neutrality and objectivity, because of the limitation of political choice arising from the two party political system (Chalaby, 1996 : 319 ). For European journalists political neutrality and objectivity  are 'almost  impossible  within  an  intricate  and fragmented panorama in which a greater number of political forces act and in which even the slightest shades of meaning in a story risk stepping on the positions of one of the forces in the political field' (Mancini, 2000 : 273 ). The greater ideological and political commitment of European journalism is seen in the tradition of advocacy. Renate Kocher ( 1988 ) found that German journalism  places  greater  emphasis  on  opinion  and  less  on  news. German journalists, according to Kocher's study, define their primary role as that of being 'missionaries' and see their profession as 'a species of a political and intellectual career'. They are more comfortable in advocating a political position than their British colleagues who tend to define their role as 'transmitters of facts' and 'neutral reporters of current affairs'.

The political and ideological nature of European journalism is only partly explained by the nature of European political systems. The slow development of the economic conditions that enabled Anglo-American journalism to detach itself from politics and the State is also significant. Market forces played an important and earlier role in the US and British press than they did in Europe (Chalaby, 1996 : 320 ). The rapid growth of the industrial capitalism in nineteenth century Britain and America enabled the press to build up a separate source of revenue, mainly through advertising, that allowed it to become independent of the state and political parties. The autonomy of the press from the political sphere encouraged a de-politicisation of journalism, and the need to increase advertising income saw the norms of objectivity and neutrality enhanced as newspapers tried to reach out for more readers. By contrast, the growth of advertising revenue and market forces  in  the  European  press  were  much  slower.  Jean  Chalaby ( 1996 : 321 )  describes  the  reluctance  of  French  industrialists  to spend money on advertising while Robert Lumley ( 1996 : 202 -4 ) notes how small readerships and slow urbanisation held back the emergence of an Italian press. The result is that in Europe the press remained dependent for longer on the State and political parties.

European journalism is the strong roots the profession has in the literary world (Mancini, 2005 : 83 -7 ). Erik Neveu ( 2001 : 12 ) notes that,  for  most  of  the  nineteenth  century,  working  for  a  French newspaper was a stepping stone for a 'real career' in literature or politics.  Chalaby  ( 1997 : 638 )  describes  French  journalism  as  a 'provisional occupation' with young men and women seeing it as 'the first step towards a brilliant literary career'. Many of the key figures of nineteenth century journalism in France were great novelists such as Emile Zola, Victor Hugo and Honore de Balzac. The tradition of journalism in France is associated with the writer rather than the reporter (Neveu, 2001 : 14 ). Hence the compiling of facts has been secondary to serious articles or essays discussing politics and literature. The French journalistic tradition does not draw a sharp line between facts and interpretation, and articles 'freely  mixed  news  with  opinions'  (Chalaby, 1996 : 311 ). The most celebrated form of journalism writing is the 'commentary' which combines analysis and comment on a topic from a specific,  usually  political,  point  of  view  (Chalaby, 1996 : 315 ). 'French journalism has always been more a journalism of expression than a journalism of observation: it gives precedence to the chronicle and the commentary over summary and reportage' (Albert ( 1983) quoted in Hallin and Mancini, 2004 : 98 ).

Polemical  writing  dominated  Italian  newspapers  well  into  the post  war  period.  Political  commentaries  known  as pastone romano appeared daily on the front page in the 1950 s  and 1960 s (Porter, 1983 : 10 -11 ). A review of major political developments of the day written by a leading journalist was the dominant form of political reporting in the Italian press. Their equivalents appear in the French and Spanish newspapers under the titles of chronique and cronica respectively (Hallin and Mancin, 2004 : 101 ). The German tradition of journalism was 'unfamiliar with the distinction between factual reporting and commentary' and also emphasised  literary  quality  (see  Kleinsteuber  and  Weischenberg, 2001 ). According to Wolfgang Donsbach and Bettina Klett ( 1993 : 57 ) '… the opinionated editor and commentator was seen as the epitome of the journalistic profession' in Germany with German journalists 'more likely to make news decisions on the basis of their subjective beliefs'. European journalism is 'more inclined to  comment  and  evaluation,  to  interpretation  and  judgement and pays more attention to 'literary' writing than to the simple and terse telling of the facts' (Mancini, 2005 : 83 ). Today we are likely to find the description of events and their interpretation and analysis overlapping in the pages of the European press (Mancini, 2005 : 85 ). Points of view are commonly taken and the selection of subject matter reflects the literary roots of journalism, gravitating to the more highbrow topics in politics, the arts, culture and the social sphere.

## European Newsrooms

The difference between European and Anglo-American journalism is not only a matter of how journalists understand their role in society and how they approach their work, it is also manifest in the organisational structures in which they work. Newsrooms in many parts of Europe operate very differently from what happens in Anglo-American offices. In Britain and America centralised newsrooms are favoured with a high division of labour apparent  in  the  organisation  of  the  newsroom  (Esser, 1998 : 378 ). More people are employed to undertake a wider range of tasks. At least four different professional groups have been identified as performing the functions of the newsroom - - reporters, subeditors, leader writers, page planners/designers (cited in Esser, 1998 : 379 ). Reporters are divided into general reporters and specialist  correspondents and usually organised in 'beats' or 'desks' such as business/finance, home, foreign and sports. Background pieces, analysis and interpretation are for the most part written by feature writers who are allowed to present a point of view. In recent years opinion has become the remit of columnists who have increased significantly in number. There is a 'distinct separation between the tasks of the reporter, who collects the news externally … the sub-editor in the editorial office, who corrects texts and formulates titles and headlines and the commentator or  'leader  writer'  who  contributes  texts  expressing  opinions' (Kepplinger  and  Kocher, 1990 : 292 ).  News  gatherers  and  news processors,  are  often  segregated,  working  in  different  departments (Esser, 1998 : 389 ). Anglo-American newsrooms are hierarchical structures, reflecting the emphasis placed on the separation of fact and comment as well as the importance of journalism as a business demanding the smooth operation of the production process.

Newsrooms in Europe are less centralised and the journalist performs a wider range of tasks. The division of labour in European newsrooms is less apparent. In many parts of Europe one term 'redakteur' in Germany, 'redactar' in Spain, 'redacteur' in France - - is used to describe all those working in the newsroom. The European journalist is more likely to perform the whole range of functions, news gathering and reporting, writing editorials and technical production that are carried out by several individuals in Britain and the US (Esser, 1998 : 379 ; Kepplinger and Kocher, 1990 : 292 ).  German,  French,  Spanish  and  Italian  journalists  are  less aware of the fundamental division inside Anglo-American newsrooms between reporters and sub-editors. In Europe the journalist will be involved in every aspect of the operation of the newsroom, investigating, editing, reporting, commentating and layout as  well  as  building  contacts  with  external  sources  of information. The organisation of European newsrooms reflects the importance attached to editorial commentaries as a yardstick

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of quality in journalism and the role of the journalist in conveying opinion.  Compared  to  Anglo-American  newsroom,  there  are fewer  structures  to  prevent  journalists  from  acting  out  their 'advocacy' or 'missionary' roles.

## Status of Journalism

The close ties between journalism and politics and literature in many parts of Europe reflects the relatively low status of the profession. Max Weber in 1918 described journalists as belonging to 'a sort of pariah caste' (quoted in Tunstall, 2001 : 25 ). For most of the nineteenth century journalism was treated with disdain and fear, a lowly occupation which no-one with any ability would willingly enter (Lee, 1976 ). To earn a living, journalists had to supplement their income in other ways. They were as a consequence open to bribery and political patronage. It is estimated that between 1871 and 1913 the French government spent between one and two million francs per annum on seeking to influence journalists  who  were  in  the  habit  of  regularly  taking  bribes  from bankers, financiers and foreign embassies to conceal information  or  promote  share  sales  and  business  ventures  (Chalaby, 2002 : 80 ). Selected French journalists were in receipt of money from the government until well into the 1960 s. Bribery and graft played their part in the development of modern Italian journalism,  even  though  Italian  journalists  were  relatively  well  paid compared to most of their European counterparts (Porter, 1983 : 29 -34 ). In Portugal, the low status of journalism was perpetuated by dictatorship. The Salazar and Caetano regimes reduced the occupation to little more than a 'clerical sub profession' whose main task was 'to transcribe or summarise statements issued by government  departments  of  ministerial  offices'  (Seaton  and Pimlott, 1980 : 179 ). As a result Portuguese journalism was a low paid occupation with little professional pride that offered no opportunity for talented individuals. It was only in the wake of the revolution in 1974 that it began to develop greater professionalism and more autonomy. However, this only came after journalists  had  played  their  part  in  the  anti-imperialist,  anti-colonial and anti-fascist struggle initiated by the Portuguese revolution

(Hallin and Mancini, 2004 : 103 ).  Similar situations pertained to Spain and Greece in the wake of the collapse of military dictatorships (see Papatheodorou and Machin, 2003 ).

Journalism in Britain and North America was rescued from low esteem and corruption in the late nineteenth century by the demands of commerce and business. The failure of the press to attain a sufficient level of financial independence made it more difficult for journalism in countries such as Italy, France, Spain, Portugal  and  Greece  to  develop  as  a  profession  and  establish  its autonomy from the state and political groupings (Hallin and Papathanassopoulos, 2002 : 183 ; Papatheodorou and Machin, 2003 : 34 ). The political and literary roots of journalism in southern Europe  were  deeper.  Professional  organisations  and  journalists' unions are generally weaker in the Mediterranean countries. Traditionally they were linked to political parties and membership was  low.  Where  autonomous  organisations  were  established, as in Italy, the main concern was the control of access into the profession rather than 'advancing common standards of professional  conduct'  (Hallin  and  Mancini, 2004 : 112 ).  In  Northern European countries - Scandinavia, Netherlands, Germany and Austria - the strong political affiliations of the press did not correspond with the under-development of the profession of journalism.  Journalists'  unions  emerged  in  the  late 19 th  and  early 20 th century to play an important role in establishing rules and regulations and thus facilitated the emergence of a journalistic culture which transcended political affiliation (Hallin and Mancini, 2004 : 177 ).  In many European countries there are editorial statutes  that  protect  the  independence  of  journalists.  French journalists under the clause de conscience have the right to leave their newspaper with compensation if the ideological position is changed (Hallin and Mancini, 2004 : 116 ).

## The Demise of the European Model

The Anglo-American model is seen as increasingly dominant in European media systems, eroding the differences which characterise journalism in these societies. There has been a shift to a

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more  'information-oriented  journalism'  (Hallin  and  Macini, 2004 : 99 ). Mass media associated with political parties and other organised social groups have declined. Replacing them are commercial media 'whose purpose is to make a profit by delivering information and entertainment to individual consumers and the attention  of  consumers  to  advertisers'  (Hallin  and  Mancini, 2004 : 252 ). The result has been that the 'journalism of expression' has been displaced to be replaced by Anglo-American practices. In some countries such as Germany and Austria the American way of doing journalism was imposed by the Allies to ensure that Nazism and Fascism would not reappear. The separation of fact from comment was established as central to the new press system  in  post  war  Germany  (see  Humphreys, 1994 ).  In  other parts  of  Europe  the  Anglo  American  model  was  disseminated through  training  programmes,  textbooks  and  Hollywood  films dealing with the profession (Mancini, 2000 : 268 ). The international news agencies, dominated by US and UK companies, not only provide most of the world's foreign news but also serve as vehicles  to  bring  Anglo-American  news  values  and  news  practices into newsrooms around the world (Tunstall, 1977 : 45 -6 ).  Hallin and Mancini ( 2004 : 258 -9 ) note that journalists are heavy consumers of Anglo-American media. Journalists in many parts of Europe, as elsewhere in the world, regularly tune into the BBC and CNN as well as read global business publications such as The Economist , Wall Street Journal and Financial Times and news magazines such as Time and Newsweek . A study of Greek international news gatekeepers identified the influence of US news magazines as well as CNN International in shaping their organisations' concept of newsworthiness (Roberts and Bantimaroudis, 1997 ). It was therefore no surprise that the newly liberated countries of Eastern Europe embraced the Anglo-American model following the demise of Communism in the late 1980 s (Pottker, 2005 ).

The arrival of television is also seen as having had an impact on the practice of journalism in Europe. Broadcast journalism played a crucial part in challenging the European model by helping to weaken the political foundations on which it was based. Wigbold ( 1979 ) describes how the rise of television is associated with the

'de-pillarisation' of the Dutch society and the media. He argues that  the  introduction  of  a  single  television  channel  into  the homes of people who had been previously segregated from each other  not  only  introduced  them  to  ideas,  views  and  opinions from which they had been isolated but also showed them that their fellow citizens were not as alien and different as they had been encouraged to believe. Television 'hastened the birth of a new unity' (Wigbold, 1979 : 201 ). It also brought into being a new broadcasting organisation, TROS. Formerly broadcasting from a pirate transmitter from an offshore island TROS eschewed politics, focusing instead on light entertainment. Its aim was to attract a large number of viewers instead of providing a service for a particular group or community. Its success led to other broadcasting  organisations  emulating TROS  with  the  corresponding de-politicisation of Dutch television. Woolton ( 1992 ) argues that the explosion of news in the 1980 s  brought about by the rapid growth  of  the  broadcast  media,  especially  television,  played  a crucial role in helping French journalists to develop greater freedom of work and expression. The state has found it more difficult to regulate and control the private TV channels. Greater competition led to the adoption of practices as well as programmes from the US and the UK. Bourdon ( 2000 ) outlines how European broadcasters 'consciously  tried  to  imitate  American  newscasters'. Satellite technology made audiences around the world more attuned  to  American  production  values  and  journalistic  techniques which then increased the pressure on journalists in European television to do things the Anglo American way. Television enabled journalists to assert their independence, but made them more open to the practices and values of US journalism. Above all,  more emphasis was attached to lack of partisanship in the collection, processing and dissemination of news and information.

Hallin  and  Mancini  ( 2004 : 272 -3 )  identify  several  other  factors that helped to break down the close connection between journalists  and politics, making European journalists more similar to their Anglo American colleagues. Rising educational levels have led to the profession incorporating into their practice more criti-

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cal perspectives drawn from the social sciences and humanities. The development of journalism schools and journalism training has improved professional standards across the continent as well as making European journalists more aware of Anglo American methods. Higher levels of educational attainment have increased the prestige of journalists. Commercialisation has also increased the social and professional status of journalists. Papathanassopoulos ( 2001 : 512 )  describes how the rise of market-led journalism in Greece is linked to higher salaries and increased authority and resulted in Greek journalists becoming more professional, more responsible and more detached in their reporting. The increase in the size of media organisations, as well as the development  of  new  technologies  for  gathering  information,  has  enhanced the resources at the disposal of journalists and their capacity to interrogate those in positions of power.

Evidence to support the claim that European journalism is becoming less distinctive is found in surveys of journalists' opinion of their profession. The commitment of German journalists to the 'missionary' role is seen to have wavered in the 1990 s. A survey of over 1500 journalists in Germany concluded that 'the superiority of a 'missionary' self-concept over a 'bloodhound' one did not reflect the reality of Germany in the early 1990 s' (Schoenbach et al., 1998 : 225 ). Weischenberg et al. ( 1998 : 251 ) question the extent to which German journalists ever adopted a missionary role, concluding from their study that there has been 'a convergence in journalism  in  western  liberal  democracies'.  This  finding  is  in keeping with the work of Spichal and Sparks ( 1994 ) who, based on an examination of journalism students in 22 countries, argue that there is a universal set of professional values emerging, particularly regarding autonomy and objectivity. However, not all survey material points in the direction of the emergence of a common approach to the practice of journalism. The notion of common values among journalists is challenged by Weaver ( 1998 )  whose comparative analysis of journalism across national boundaries concludes there are no common values and purposes of the profession,  other  than  bringing  news  to  the  public's  attention  as quickly  as  possible. Weaver  ( 1998 : 468 )  identified  considerable disagreement  over  the  importance  of  analysis  and  acting  as  a 'watchdog' on government.

Examining  what  journalist  do  raises  doubt  as  to  how  far  the Anglo-American model of journalism has become prevalent in Europe, as well as about the extent to which European journalism has been de-politicised. Cultural factors have been identified as acting as a barrier to the adoption of Anglo-American styles  of  journalism.  Graham-Holm  ( 1999 )  draws  attention  to  the ways in which Danish journalism has resisted the style and practices of American TV news. She describes how the deep rooted traditions  of  Danish  society  have  laid  down  powerful  cultural boundaries which 'protect Danish TV journalism from outside influence, boundaries so powerful that penetration is a slow process'. The refusal of news reporters to 'sign off', that is to conclude their report by telling the audience who and where they are, is one of many examples of resistance to the adoption of AngloAmerican style, content and presentation cited. Papathanassopouolos ( 2001 : 507 ) argues that political and cultural particularities make it 'difficult to develop a culture of journalistic professionalism faithful to the American model' in Greece. While most Greek journalists  say  they  adhere  to  the  neutral  and  objective model of journalism, in practice facts and comments are freely mixed together in Greek news reporting. Commercialisation and a more market-oriented news media are changing Greek journalism, with the growing influence of television reporting leading the way, but at times of 'intense political contention' the political affiliations of journalism and the media are made apparent. Unabashed  partisanship  remains  a  feature  of  the  Greek  press which is 'in some cases laced with adjectives that in most western  media  would  be  considered  incompatible  with  fairness' (Papathanassopoulos, 2001 : 511 ). Mancini ( 2000 : 272 -3 ) describes how objectivity 'has not found a comfortable abode in Italy'. Italian journalists adhere to the concept of objectivity as a 'purely external legitimation in keeping with the perceived model of professional canons' but their journalism is practised in a society which is highly politicised from top to bottom. Politics pervades Italian  society,  'dominating  and  influencing  many  social  sys-

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tems: economics, the judiciary system and so on'. People's participation in politics is high and in this situation 'journalists … cannot be abstracted and detached from the other social powers' as required in the Anglo-American model.

It is also the case that many European journalists disapprove of and are unwilling to use the controversial techniques of investigative journalism, including pretending to be someone else to gain information, quoting from confidential government documents and infiltrating organisations to acquire information. German journalists are seen as particularly reluctant to deploy such tactics. A survey found that only 19 % of German journalists would pretend to be someone else to acquire a story, compared to 47 % of  British  reporters  (cited  in  Kleinsteuber  and  Weischenberg, 2001 : 290 ). Some argue this is not an indication of the 'weak' tradition of investigative reporting in Germany but a reflection of higher  standards  of  ethical  behaviour  and  greater  reticence  in discussing professional practices. They cite the example of German writer and reporter Gunter Walraff as one of the best known 'heroes' of investigative journalism. However, Walraff's career of infiltrating and exposing the works of a number of organisations, including Germany's leading newspaper, Bild , which he accused of faking stories, has been regarded as an 'undesirable' part of the profession by some journalists (Walraff, 1978 ).

## Relevance of European Model

Determining the extent to which European journalism is becoming more Anglo-American in style and practices is far from easy. European  journalism  training  programmes  are  incorporating Anglo-American values and methods in their curricula; commercialisation  shifts  journalism  from  a  profession  steeped  in  the world of politics to one which produces entertainment and information for sale to the highest bidder; technological change enhances the sense of common practice and standards. Yet individual  journalists  in  many  European  countries  maintain  close connections with political partisanship, are still oriented to commentary,  interpretation  and  advocacy  and  remain  committed to 'literary' writing. Long discursive commentaries still form the backbone of many European newspapers. Mancini ( 2000 ) highlights  limits  to  the  transformation  of  European  journalism, stressing that the extent to which the Anglo-American model has taken hold in Europe depends on the peculiarities of the social structures and contexts of different European countries. He notes that in practice journalists conform to the traditions of their particular countries, which in most European nations emphasise the political commitment or involvement of journalism. There is a 'striking contradiction' between a 'sort of theoretical wisdom diffused  among  most  of  the  professionals'  and  real  practice (Mancini, 2000 : 266 ).  The  extent  to  which  journalists  remain committed to traditional ways of doing journalism is hidden by the universalistic approach that much scholarship takes to assessing journalism.

Much of the  empirical  material  that  has  been  gathered  about how journalists perceive their role and how they practice their profession  is  from  surveys  (Sparks  and  Spichal, 1994 ;  Weaver, 1998 ). While amassing a mountain of facts and figures about the background and profile of journalists this source of information has its blind spots. Relying on what people tell you, as journalists over the years have found out, is problematic. There is a gap between what journalists' say they do and what they actually do. Journalists' perceptions of what they do are shaped by the normative ideals of the Anglo-American model, often leading them to ignore much of what they do in practice that falls outside or contradicts the model (Hallin and Mancini, 2004 : 13 ). Their responses are 'heavily shaped by normative expectations and aspirations' (Hallin and Mancini, 2004 : 303 ; also see Joesphi, 2005 ). While surveys may provide insights into what journalists think about their profession they do not necessarily provide a reliable guide to how they act. The drawing up of surveys is also skewed by  the  normative  expectations  of  the  Anglo-American  model which are sometimes responsible for 'moulding the questionnaire and in turn shaping the answers' (Joesphi, 2005 : 584 ).  As Hallin and Mancini stress there is a need for more ethnographic studies of newsroom cultures and observational studies of how

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news and information are gathered which will enable scholars to assess the responses of journalists by comparison with what they do.

Forces of change are pushing European journalism towards more news driven, fact oriented, objective practices. But they have not eliminated the political and literary nature of the profession in Europe. In fact it is possible to argue that the technological, economic, social and political changes that are taking place are reasserting the importance of subjectivity and partisanship in journalism. The concept of objectivity has never comfortably fitted into the practice of journalism, anywhere. At the time when objectivity established itself as the guiding principle of American journalism in the 1920 s many commentators expressed their reservations  about  the  limitations  of  fact  centred  reporting  (for example, Lippmann, 1922 ). Schudson ( 1978 ) describes how objectivity came to be seen as a form of bias in America from the 1950 s and 1960 s  onwards. Remaining detached, simply reporting the 'facts' , reproduced a vision of social reality that was partial. The performance of the American journalists in reporting McCarthyism, the Cold War, civil rights and the early days of the US involvement in Vietnam gave rise to calls for 'advocacy journalism'. Fact centred reporting was seen as inadequate in face of the moral and political dilemmas of modern society A new generation of American journalists called for a more committed approach 'powered  by  feeling  as  well  as  intellect'  (Schudson, 1978 : 187 ).  In more recent times broadcast journalists such as the BBC's Martin Bell have called for a 'journalism of attachment' which 'cares as well as knows; that is aware of its responsibilities; that will not stand neutrally between good and evil, right and wrong, the victim and the oppressor …'(Bell, 1998 : 16 ). Such calls for involvement  are  reinforced  by  commercial  needs,  which  are  driving journalism to sensationalism and partiality as much as they are to notions of factuality and objectivity. Advocacy of greater freedom for partisanship in TV news by companies such as Fox TV through the relaxation of the legal requirement of balance are increasingly prominent in the profession. Behind the commitment to  factuality  Anglo-American  journalists  like  their  European counterparts are involved in a process of interpretation, explanation and commentary. It is 'something of a sham' to claim that political considerations do not play a part in Anglo-American reporting (Stephens, 1997 : 261 ). The growing prevalence of opinion and personal columns in British and American newspaper could be  seen  as  yet  another  indication  of  the  decline  of  the  AngloAmerican  model.  The  European  model  of  journalism  may  be more relevant in a world where the strategic ritual of objectivity is increasingly exposed.

## Conclusion

Journalism as practice in Europe is distinctive. The emphasis on partisanship, advocacy, interpretation and explanation and a literary style are the basis for this. This distinctiveness is changing as Anglo-American practices have become incorporated into the profession. However, the extent of the changes can be exaggerated. Many European journalists remain wedded to what is often portrayed in the literature as the 'old ways' of doing journalism, which encourages journalism's involvement in and political engagement with society. There are problems in labelling this form of journalism as 'European' - as well as labelling fact based, objective journalism as 'Anglo-American'. Journalism history identifies these two different approaches as competing ways of doing journalism which are found in different measures in all societies. The  so-called  Anglo-American  model  became  more  prevalent from the late 19 th century onwards through the industrialisation and commercialisation of the profession  as  well  as  the  breakdown of the old political and social order. Its penetration into European societies was slower due to the pace of economic, industrial and political change. Political journalism in a variety of forms  remained  more  embedded  in  European  societies,  although it is important to stress it never disappeared in British or America. Today it is possible to see a move back towards practices of journalism which are labelled European, as political engagement and involvement, greater interpretation and explanation are called for in helping the profession to adjust and navigate the complexities, confusions and changes of the information age.

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## NOTES

- 1 . This article is based on a talk given at the Hogeschool at Utrecht in honour  of  the  retirement  of  Professor  Marianne  Peters,  March 6 , 2006 and Chapter 5 of my book European Media Studies published by Arnold in 2005 .

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