## NOTE ON CONTRIBUTORS

Nickolas  Calabrese  is  an  artist  and  writer.  He  is  currently  an Adjunct Professor at New York University's Steinhardt School and an associate of Paul Chan's publishing project Badlands Unlimited.

Carolyn Korsmeyer is the author or editor of eleven books, including Making Sense of Taste: Food and Philosophy (1999) and Savoring Disgust: The Foul and the Fair in Aesthetics (2011). Her areas of research include aesthetics, the senses, and emotion theory. She is Research Professor of Philosophy at the University at Buffalo and a former president of the American Society for Aesthetics.

Morten Kyndrup, dr. phil., is Professor of Aesthetics and Culture at  Aarhus  University  and  Executive  Director  of  AIAS,  Aarhus Institute  of  Advanced  Studies.  His  authorship  includes  books such as Den æstetiske relation. Sanseoplevelsen mellem kunst, videnskab og filosofi (2008), Riften og Sløret. Essays over kunstens betingelser (1998), Framing and Fiction. Studies in the Rhetoric of Novel, Interpretation, and History (1992), and a wide range of articles about aesthetics, art theory, art history and the understanding and analysis of literature, visual arts, film, and theater.

Esther Oluffa Pedersen, PhD, is Associate Professor of Philosophy with special focus on the history of early modern and modern philosophy at Roskilde University.

Juliane Rebentisch is Professor of Philosophy and Aesthetics at the University of Arts and Design in Offenbach/Main, where she also currently serves as vice president. In addition, she is a member of the Research Council of the Institute for Social Research (Frankfurt/Main) and acting president of the German Society of Aesthetics  (2015-2018).  Her  main  research  areas  are  aesthetics, ethics,  and  political  philosophy.  Publications  include: Ästhetik der  Installation (Suhrkamp  2003)/ Aesthetics  of  Installation Art (Sternberg 2012); Kreation und Depression. Freiheit im gegenwärtigen Kapitalismus (co-edited with Christoph Menke, Kadmos 2010); Die  Kunst  der  Freiheit.  Zur  Dialektik  demokratischer Existenz (Suhrkamp 2012)/ The Art of Freedom. On the Dialectics of Democratic Existence (Polity 2016); Theorien der Gegenwartskunst zur Einführung (Junius 2013).