## NOTE ON CONTRIBUTORS

Adam Andrzejewski is a philosopher and Assistant Professor at the  University  of  Warsaw.  His  research  is  focused  on  everyday aesthetics,  popular  culture,  and  the  ontology  of  art.  He  has published several articles devoted to analytic aesthetics and the philosophy of art, e.g. in Estetika: The Central European Journal of Aesthetics , Rivista di estetica and Brill Research Perspectives on Art and Law . He is a member of the Executive Committee of the European Society for Aesthetics.

Per  Aage  Brandt  is  Professor,  now  Adjunct,  at  the  Dept.  of Cognitive Science, Case Western Reserve University, Cleveland, Ohio. Founder of the Center for Semiotics (1993) at the University of Aarhus, Denmark, and of the Journal Cognitive Semiotics (2007) at CWRU. Studied with Greimas in Paris (Sorbonne Thesis 1987). Fellow of the Centre for Advanced Study of the Behavioral Sciences at Stanford, CA. He is also a poet and a musician.

Georges Didi-Huberman is a philosopher and art historian teaching at the École des Hautes Études en Sciences Sociales in Paris. He has published about 60 works on the history and theory of images. His most recent publications include L'œil de l'histoire (6 volumes, 2009-2016) and Aperçues (2018). In 2015 he received the Adorno Preis.  He  has  curated  several  exhibitions,  at  Centre  Georges Pompidou in Paris, the Reina Sofía museum in Madrid, ZKM in Karlsruhe, Deichtorhallen in Hamburg, in Beirut, in Rio de Janeiro, Beijing, etc. Most recently he curated the exhibition Soulèvements at the Jeu de Paume in Paris, which has travelled to a number of European and American countries.

Roger Edholm is Senior Lecturer in comparative literature at Mid Sweden  University.  He  received  his  PhD  in  2012  from  Örebro University. His thesis, entitled The Written and Unwritten World of Philip Roth: Fiction, Nonfiction, and Borderline Aesthetics in the Roth Books , discusses the distinction between narrative fiction and nonfictional narratives by analyzing five of Philip Roth's books. Recent publications on related subjects have appeared in journals such as Narrative .

Solveig Gade is a dramaturg and Associate Professor of Dramaturgy at Aarhus University. She is currently working on a project on recontextualizations of images of war and conflict in contemporary theatre,  dance,  and  visual  art  and  the  ways  in  which  artistic practices seek to probe, challenge, and re-imagine the status of visual documents and in a larger sense the logics of image warfare. Recent publications on the subject have appeared in journals such as Performance Research, TDR/The Drama Review , and The Journal of War and Culture Studies.

Anders E. Johansson is Senior Lecturer in literary studies at Mid Sweden University. His research interests include modernist and contemporary poetry as well as gender theory. Most of his recent publications  belong  to  an  interdisciplinary  research  project  on neoliberalism and the welfare state.

Sven  Anders  Johansson  is  Professor  of  literary  studies  at  Mid Sweden University. He has published seven monographs in Swedish - most recently Det cyniska tillståndet [ The Cynical condition ] (2018) - and several articles, on Adorno, Deleuze, evil, love, subjectivity and critique, both in Swedish and English.

John Lynch is Associate Professor in Film and Media Studies at Karlstad University. He has published widely on film, television, art, and photography. His research focusses on issues of power, image, and the body as site of disruption and resistance in visual culture. He has written on AIDS in his doctoral thesis Picturing an Epidemic: Representations  of  AIDS  in  British  Media  Culture (1998),  the Northern Ireland conflict in After Bloody Sunday: Representation, Ethics, Justice (2007), and the painter R.B. Kitaj in Critical Kitaj: Essays on the Work of R.B. Kitaj (2000).

Joseph  Margolis  is,  currently,  Laura  H.  Carnell  Professor of  Philosophy  at  Temple  University  (USA).  His  most  recent publications  include Three  Paradoxes  of  Personhood (2017 ,  The Venetian Lectures) and Toward a Metaphysics of Culture (2016).

Zoltán  Somhegyi  is  an  art  historian  and  Assistant  Professor  at the College of Fine Arts and Design at the University of Sharjah. His  research  interests  include  18th-19th  century  art  and  theory, as  well  as  contemporary  fine  arts  and  art  criticism.  He  is  the author of books, artist catalogues, articles, critiques, essays and art fair reviews. He is the Secretary General of the International Association  for  Aesthetics.  http://www.zoltansomhegyi.com/.

Konstantinos  Vassiliou  is  currently  Adjunct  Professor  at  the Aristotle University of Thessaloniki and associated member of the  Paris  Research  Institute Acte (Arts,  Créations,  Techniques, Esthétiques,  Paris  1-CNRS).  His  main  research  interests  are  art theory, aesthetics, and digital culture. His work has been published in  Journals  such  as Continuum , Zeitschrift  f ür  Ästhetik  und allgemeine Kunstwissenschaft, and Contemporary Aesthetics . He is the author of two books in Greek: Towards the Technology of Art (2012) and Distractive Infinity (2017).