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## Udsøgte kadavere

En postkvalitativ leg, der folder rhizomatisk subjektivitet og kødeligt rekyl

Grum, Charlotte; Jensen, Tine

Published in: Nordiska Rhizom

DOI:

10.24834/isbn.9789178777099\_9

Publication date: 2026

Document Version Også kaldet Forlagets PDF

## Citation for published version (APA):

Grum, C., & Jensen, T. (2026). Udsøgte kadavere: En postkvalitativ leg, der folder rhizomatisk subjektivitet og kødeligt rekyl . I A. Hellman, & J. Almvig (red.), Nordiska Rhizom (s. 203-230). Malmö University Press. https://doi.org/10.24834/isbn.9789178777099\_9

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## UDSØGTE KADAVERE

EN POSTKVALITATIV LEG, DER FOLDER RHIZOMATISK SUBJEKTIVITET OG KØDELIGT REKYL

Charlotte Grum og Tine Jensen

## Indledning

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## Konfigurering

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## Folderne

'Vi  bevæger  diskussionen  frem  med  vores  respektive erfaringer med  radikal  distribution  som  hhv.  kunstner, forsker og patient.'

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## Når den anden siger at det ikke må blive for fjollet, for syret, taler hun så til kunstneren, patienten eller forskeren i mig eller i hende?

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COVID19  er  rhizomatisk,  den  er  nomadisk.  Vi  kan  ikke forhindre, at den springer fra hånd til hals til lunge. Og hvad er svaret? Det eneste mulige svar? Vi isolerer, territorialiserer, lukker ned, lukker inde, lukker ude.

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Den insisterer på tværartlig politik og etik, på et biologisk nonhumant lag, der, som svampenes mutualistiske rhizosfære,  signalerer  og  svinger  gennem  kemi,  bakterier, mikrober. Hvilke posthumane kroppe er vi i færd med at blive til?  Hvilke  kroppe  muteres  og  muliggøres?  Hvori  ligger mutationspotentialet?

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Vi er som små øer, der flyder rundt i et ildevarslende stille hav. Vi har ingen distraktioner, ingen ydre relationer, ingen mig-tid, fordi  vi  hele  tiden  er  sammen.  Folden  er  stivnet.  Vores  egen monstrøsitet vokser i destruktiv affirmation. Hvor er mutationspotentialet, de små flugtlinjer i det?

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Den anden folder smitter. Jeg ser mig selv udefra og føler mig alene  i  det  oprørte  hav.  Før  folden  VAR  jeg  det  oprørte bevægelige hav! Der sker noget i folden - den forskyder figur og grund.

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Det er paradoksalt, at vi føler os som øer, samtidig med at vi så tydeligvis er hav, og det kalder på, at vi vender tilbage til folden som hverken figur eller grund - eller som figur uden grund, grund uden figur eller figurgrund - grundfigur? Havet er  fuldt  af  atoller,  som  er  dødlevende,  porøse  kalkpaladser, med folder af død og af liv. Stærke netop på grund af deres porøsitet.  Gennemstrømmelige  og  gennemstrømmede.  De vokser  til  overfladen  og  giver  grobund  for  mangrove,  der vokser i saltvand og samler mere sand. En kokosnød flyder op på sandet, skyder rod og fugle kommer flyvende og skider frø, der bliver til planter.

Uendeligt langsomt vokser en ø op af havet, nærmest af sig selv og netop ikke af sig selv. Øen er åben og halvvejs hav. Lav og udsat, varm og frodig. Folden er den forskel, som træder frem,  ikke  som  antitese,  men  som  forskel  uden  retning. Corona med sine omskiftelige og multiple sandheder viser, at grundfiguren netop ikke er enten-eller, men præcis både-ogeller.

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Jeg er ved at udvikle et nyt værk til skoven. I et stadigt forsøg på at performe hybrid ontologi forestiller jeg mig at svampen og  svækkelsesparasitten  judasøre,  som  vokser  på  gamle hyldetræer, skal indgå i situationen. På kinesisk kaldes den træ-øre, på japansk træ-gople. Den er spiselig. Og dens form er en transartlig dødedans.

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Kan vi antage, at subjektivitet også er parasitisk, fordi det strækker sig ud over sin egen udstrækning (i tid, rum, og art  -  i  mangel  af  bedre  ord)  gennem  en  anden?  Ville entanglementbegrebet   ikke  fordre,  at  der  ikke  på  forhånd var forskel på parasitten og værten og er det ikke netop det, svampene  og  træerne  fortæller  os?  På  den  måde  bliver parasitisme en skæring, en forskel, som opstår mellem træet og svampen.

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Hvilke selver producerer denne foldende tekst? Denne knopog  kropskudte  tekst,  der  forsøger  at  fange  fænomenet  i flugten, at gribe det i farten. For selv sproget rammer lige lidt ved siden af - er tegn forskudt fra betegner. Det kan kun blive noget rod. Noget frugtbart rod - humus måske? Kompost i tråd med Haraway?

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For at vende tilbage til spørgsmålet, om hvilke subjekter denne foldende  tekst producerer, folder teksten så  usikkerhed i usikkerhed?  Og  hvis  usikkerhed  bliver  foldet  i  usikkerhed, hvad bliver så produceret? Måske er subjektet altid usikkerhed foldet i usikkerhed?

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## Foldning som tænkeapparat

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## Kimærisk kollaboration

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## At performe posthumanistiske subjektgørelser

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## Referencer

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- 8I8;  % 0<5H "G H<9 &95GIF9 C: 'CH<=B;B9GG  "B:=B=HM  /=FHI5@=HM #IGH=79 (FK<J g    .?FL>?KJ  ;) /' (.        "8EKA<  8EKQ 0<IC8>   <IC@E
- <EE<KK  $          0<><K8C &@=< 8E; )EKF -PDG8K?P  #E BH5B;@98 0CF@8G GG         FI;?8D /E@M<IJ@KP *I<JJ  ?KKGJ   ;F@ FI>         A :KK O?I  ?
- <IC8EK  &     -K<N8IK  % -<9 !IB8F98G JK <;     LB< /E@M<IJ@KP *I<JJ  ?KKGJ   ;F@ FI>
- @EJN8E><I       4@DD<ID8EE *I99F=B; H<9 )5@=ADG9GH ::97H=J9  BH5B;@9A9BH  9MCB8  =7<CHCA=N5H=CB  ,HI8=9G =B  9B89F 5B8 ,9LI5@=HM g      )# ?KKGJ   ;F@ FI>
- I8@;FKK@  , -<9 DCGH<IA5B JK <;    1@C<P
- L:BC<  -           <J:8IK<J  *C8KF 8E; K?<  8M< )<=@CGCD<M  %CB8CB g     ?KKGJ   ;F@ FI>         -
- LEQ  '   %8@J<I    '   .?@<C<  %   <;J ,MADHCAG C: H<9 )@5B9H5FM CB8=H=CB     F=H=75@ /C756I@5FM D<JFE GI<JJ   )# ?KKGJ   ;F@ FI>
- <C<LQ<  ! CI75I@H FEK@ELLD
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- <C<LQ<  !   !L8KK8I@        !L8KK8I@ -IG=B8 D@5H95I9F  ?5D=H5@=GA9 C; G?=NC:F9B= L;>8M<      FGC8>  5   FGC8>6     <K %FE><C@><  8EJB< %LEJK8B8;<D@J  @CC<;BLEJKJBFC<I   <C<LQ<  !   -KI8LJJ  $          .?< FC; 25@9  F9B7< ,HI8=9G g           )#

?KKGJ   ;F@ FI>

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- "8I8N8P     $             P9FI> '8E@=<JKF  -:@<E:<  .<:?EFCF>P  8E; -F:@8C@JK  <D@E@JD @E K?< &8K< .N<EK@<K?  <EKLIP    #E ,=A=5BG   M6CF;G 5B8 0CA9B JK <;   GG     g      ,FLKC<;>< ?KKGJ   ;F@ FI>
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- %C<@ED8E             #EKI8 8:K@FEJ  #EK<IM@<N F= %8I<E  8I8; ,D97=5@ 8( .& '-       "GGI9 C: &CIGG9 &5;5N=B9
- $F?8EJJFE  &          *FJK HL8C@K8K@M< C@E< F= =C@>?K 8E; K?< :FE=89LC8K@M< :FEM<IJ8K@FE  8 D<K?F;FCF>@:8C <K?EF>I8G?P "BH9FB5H=CB5@ #CIFB5@ C: *I5@=H5H=J9 ,HI8=9G =B  8I75H=CB g ?KKGJ   ;F@ FI>
- &8G@E8  &     !ILD             18CB@E> N@K? J?<<G  ;8E:@E> N@K? ;I8>FE=C@<J DFM@E> N@K? DLCK@JG<:@<J <:FCF>@<J  +L8C@K8K@M< ,<J<8I:? @E *JP:?FCF>P g    ?KKGJ   ;F@ FI>
- &8K?<I  *     -K  *@<II<                *FJK HL8C@K8K@M< I<J<8I:? "BH9FB5H=CB5@ #CIFB5@ C: *I5@=H5H=J9 ,HI8=9G =B  8I75H=CB g ?KKGJ   ;F@ FI>
- &8KFLI ,7=9B79 =B 57H=CB   <CK HC :C@@CK G7=9BH=GHG 5B8 9B;=B99FG H<FCI;< GC7=9HM GI@EK@E>    "8IM8I; /E@M<IJ@KP *I<JJ
- &8KFLI )5B8CF5`G <CD9  9GG5MG CB H<9 F95@=HM C: G7=9B79 GHI8=9G GI@EK    "8IM8I; /E@M<IJ@KP *I<JJ
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