Brian Ferneyhough

Brian John Peter Ferneyhough (; ) adalah seorang komponis Inggris, yang bermukim di California sejak 1987. Ferneyhough biasanya dianggap sebagai figur utama gerakan New Complexity. Ferneyhough mengajar komposisi di Hochschule für Musik Freiburg dan University of California, San Diego. Ia juga mengajar di Universitas Stanford dan menjadi dosen tetap pada kursus-kursus musim panas di Darmstädter Ferienkurse.

Daftar pustaka
 Ferneyhough, Brian. Brian Ferneyhough by Brian Ferneyhough. Paris: L'Age d'homme  (French)

Referensi

Sumber
  Review by Ian Pace, Tempo, January 1998
 

Bacaan tambahan
 Bortz, Graziela. Rhythm in the music of Brian Ferneyhough, Michael Finnissy, and Arthur Kampela : a guide for performers. Ph.D. Thesis, City University of New York, 2003.
 Duncan, Stuart. "Re-complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the 'New Complexity' ". Perspectives of New Music 48, no. 1 (Winter 2010): 136–172.
  Reviewed works: Brian Ferneyhough – Collected Writings, edited by James Boros and Richard Toop. Ferneyhough: String Quartet No. 4; Kurze Schatten II; Trittico per G. S.; Terrain, Arditti Quartet with Brenda Mitchell (sop); Magnus Andersson (gtr); Stefano Scodanibbio (db); Irvine Arditti (vln) with ASKO Ensemble, c. Jonathan Nott. Disques Montaigne MO 7 82029. Ferneyhough: Prometheus; La Chute D'Icare; On Stellar Magnitudes; Superscriptio; Carceri d'Invezione III. Luisa Castellani (voice); Félix Renggli (fl); Ernesto Molinari (cl); Ensemble Contrechamps, c. Giorgio Bernasconi, Zsolt Nagy, Emilio Pomarico. ACCORD 205772.
 Rosser, Peter. "Brian Ferneyhough and the 'Avant-Garde Experience': Benjaminian Tropes in Funérailles". Perspectives of New Music 48, no. 2 (Summer 2010):114–151.
Schick, Steven. "Developing an Interpretive Context: Learning Brian Ferneyhough's Bone Alphabet" (Subscription access). Perspectives of New Music 32, no. 1 (Winter, 1994): 132–153.
 Tadday, Ulrich (ed.). "Brian Ferneyhough". Munich: Edition Text+Kritik in Richard Boorberg Verlag, 2008. (German)
 
 Toop, Richard. "Brian Ferneyhough's Lemma-Icon-Epigram". Perspectives of New Music 28, no. 2 (Summer, 1990): 52–100.
 Toop, Richard. "'Prima le Parole...' (On the Sketches for Ferneyhough's Carceri d'invenzione I–III)". Perspectives of New Music 32, no. 1 (Winter, 1994): 154–175.
 Whittall, Arnold. "Connections and Constellations". The Musical Times 144, no. 1883 (Summer): 23–32.
 Williams, Alastair. "Adorno and the Semantics of Modernism". Perspectives of New Music 37, no. 2 (Summer 1999): 1–22.

Pranala luar
Biografi
Info at Brian Ferneyhough's publisher, Edition Peters – includes biography, works and selected discography
Info at Stanford University Department of Music 
Living Composers Project
Wawancara
Interview (SOSPESO)
NewMusicBox cover: Brian Ferneyhough in conversation with Molly Sheridan, 22 July 2005 [http://epc.buffalo.edu/authors/bernstein/shadowtime/tp://www.newmusicbox.org/article.nmbx?id=4343 (video excerpts), from NewMusicBox
An Interview with Brian Ferneyhough by Felipe Ribeiro, James Correa, Catarina Domenici (Search Journal for New Music and Culture; Summer 2009)
Artikel
The Experience of Complexity by Larson Powell (Search Journal for New Music and Culture; Summer 2010)
Film
Electric Chair Music / Time & Motion Study II; (film by Colin Still, cello: Neil Heyde, electronics: Paul Archbold)
Lain-lain
 Brian Ferneyhough wins 2007 Siemens Prize for Music

 

Alumni Royal Academy of Music
Alumni Birmingham Conservatoire