Altar Gent

Altar Gent (atau Anak Domba Allah, ) adalah altar dari abad ke-15 yang sangat besar yang disimpan di Katedral Santo Bavo, Gent. Altar ini mulai dibuat pada pertengahan dasawarsa 1420-an dan diselesaikan sebelum tahun 1432. Seniman yang membuat altar ini adalah Hubert dan Jan van Eyck.

Pembuatan altar ini ditugaskan oleh Wali Kota Gent Jodocus Vijd dan istrinya, Lysbette.

Referensi 

 Ainsworth, Maryan Wynn. From Van Eyck to Bruegel: Early Netherlandish painting in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 1999. 
 Borchert, Till-Holger. Van Eyck. London: Taschen, 2008. 
 Borchert, Till-Holger. Van Eyck to Durer: The Influence of Early Netherlandish painting on European Art, 1430–1530. London: Thames & Hudson, 2011. 
 Boorman, Stanley (ed). Studies in the Performance of Late Medieval Music. Cambridge: Cambridge University Press, 1983. 
 Burroughs, Bryson. "A Diptych by Hubert van Eyck". The Metropolitan Museum of Art Bulletin, Volume 28, No. 11, Pt 1, 1933
 Campbell, Lorne. The Fifteenth-Century Netherlandish Schools. London, National Gallery, 1998. 
 Charney, Noah. Stealing the Mystic Lamb. New York: Public Affairs. 2010. 
 Clark, Kenneth. The Nude: A Study in Ideal Form. Princeton University Press, 1972. 
 Deam, Lisa. "Flemish versus Netherlandish: A Discourse of Nationalism". Renaissance Quarterly, Volume 51, No. 1, Spring 1998
 Dhanens, Elisabeth. Hubert and Jan van Eyck. New York: Tabard Press. 1980. 
 Hammer, Karl. Secret of the sacred panel. London: Stacey international, 2010. 
 Harbison, Craig. "The Art of the Northern Renaissance". London: Laurence King Publishing, 1995. 
 Homa, Ramsay. "Jan van Eyck and the Ghent Altar-Piece". The Burlington Magazine, Volume 116, No. 855, 1974
 Honour, Hugh; Fleming, John. "A World History of Art". London: Laurence King Publishing, 2005. 
 Jolly, Penny. "Jan van Eyck's Italian Pilgrimage: A Miraculous Florentine Annunciation and the Ghent Altarpiece". Zeitschrift für Kunstgeschichte. 61. Bd., H. 3, 1998
 Kurtz, Michael. America and the Return of Nazi Contraband. Cambridge: Cambridge University Press, 2004. 
 Lane, Barbara. The Altar and the Altarpiece, Sacramental Themes in Early Netherlandish Painting. London: Harper & Row, 1984. 
 McNamee, W.B. "The Origin of the Vested Angel as a Eucharistic Symbol in Flemish Painting". The Art Bulletin, Volume 53, No. 3, 1972
 Meiss, Millard. "'Nicholas Albergati' and the Chronology of Jan van Eyck's Portraits". The Burlington Magazine, Volume 94, No. 590, 1952
 Nash, Susie. Northern Renaissance art. Oxford: Oxford University Press, 2008. 
 Pächt, Otto. Van Eyck and the Founders of Early Netherlandish Painting. 1999. London: Harvey Miller Publishers. 
 Reitlinger, Gerald. The Economics of Taste, Vol I: The Rise and Fall of Picture Prices 1760–1960. London: Barrie and Rockliffe, 1961
 Ridderbos, Bernhard; van Buren, Anne; van Veen, Henk. Early Netherlandish paintings: Rediscovery, Reception and Research. Amsterdam: Amsterdam University Press, 2004. 
 Schmidt, Peter. Het Lam Gods. Leuven: Uitgeverij Davidsfonds, 2005. 
 Seidel, Linda. "The Value of Verisimilitude in the Art of Jan van Eyck". Yale French Studies: Special Issue: "Contexts: Style and Values in Medieval Art and Literature", 1991
 Snyder, James. "Jan van Eyck and Adam's Apple". The Art Bulletin, Volume 58, No. 4, 1976
 Voll, Karl. Die Altniederländische Malerei von Jan van Eyck bis Memling. Poeschel & Kippenberg, 1906
 Wolff, Martha; Hand, John Oliver. Early Netherlandish painting''. National Gallery of Art Washington; Oxford University Press, 1987. 

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