nyuuzyou/wikis huggingface dataset:
Aureolin

== Description ==
A brilliant, transparent yellow pigment also known by the name cobalt yellow. Cobalt yellow is composed of potassium cobaltinitrite. It was discovered by N.W. Fischer in Germany in 1848. Cobalt yellow was introduced as an artists' pigment in 1852 (Saint-Evre) and began selling commercially in the U.S. in 1861. Aureolin is a permanent pigment, but may discolor to brown when mixed with indigo in the presence of hydrogen sulfide. Because of its poor hiding power, cobalt yellow is most often used in watercolor and tempera paints, for oil-based glazes and as a colorant in glass.
== Synonyms and Related Terms ==
cobalt yellow; potassium cobaltinitrite; Pigment Yellow 40; CI 77357; Kobaltgelb (Deut.); aureolina (Esp.); jaune de cobalt (Fr.); giallo di cobalto (It.); aureolina (It.); amarillo de cobalto (Esp.)
[[[SliderGallery rightalign|Aureolin 342.TIF~FTIR (MFA)|Aureolin (Forbes MFA 342), collodion slide 785 nm resize.tif~Raman (MFA)|PIG342.jpg~XRD|f342sem.jpg~SEM|f342edsbw.jpg~EDS|Slide9 FC342.PNG~XRF]]]
== Risks ==
Ingestion may cause poisoning with decreased blood pressure, headaches, nausea, vomiting and cyanosis.
==Physical and Chemical Properties==
Slightly soluble in water, ethanol, ether and carbon disulfide. Soluble in acids producing a pink solution. Decomposes in alkalis evolving nitrogen oxide fumes.
Composition 	K3[Co(NO2)6].3H2O
CAS 	13782-01-9
Density 	1.8 g/ml
Refractive Index	1.72 - 1.76
==Resources and Citations==
* M.Cornman, "Cobalt Yellow", Artists Pigments, Volume 1, R. Feller (ed.), Cambridge University Press; Cambridge, 1986. 
* Pigments Through the Ages: Cobalt yellow
* The Dictionary of Art, Grove's Dictionaries Inc., New York, 1996 Comment: Artists Pigments
* R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* Reed Kay, The Painter's Guide To Studio Methods and Materials, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
* Michael McCann, Artist Beware, Watson-Guptill Publications, New York City, 1979
* Susan E. Schur, Conservation Terminology: A review of Past & Current Nomenclature of Materials, Technology and Conservation, Spring (p.34-39); Summer (p.35-38); Fall (p.25-36), 1985
* Book and Paper Group, Paper Conservation Catalog, AIC, 1984, 1989
Category:Materials database
Aurichalcite

== Description ==
A pale green to blue mineral that is sometimes found as a encrustations on bronzes. Aurichalcite is composed of copper zinc carbonate hydroxide. As a mineral, it forms in the oxidation zones of zinc-copper deposits. Sources of the mineral are found in Greece (Laurium), Namibia (Tsumeb, Marpimi), Mexico (Durango), and the U.S. (Bisbee Arizona, Colorado, Utah. The transparent to translucent needle-like crystals grow as aggregates.
== Synonyms and Related Terms ==
mountain copper; oreichalkos (Gr.)
[[[SliderGallery rightalign|Aurichalciteitaly1.jpg~Raman (U of Parma)|Aurichalcite Raman RRUFF R050297.png~Raman (RRUFF)|Aurichalcite IR-ATR RRUFF R050297.png~IR-ATR (RRUFF)]]]
==Physical and Chemical Properties==
* Transparent acicular, orthorhombic crystals with silky to pearly in luster;  
* Streak = white; 
* Fracture = uneven;  
* Cleavage is perfect in one direction;  
* Reacts with acids to release carbon dioxide bubbles.
Composition 	(Zn,Cu)5(CO3)2(OH)6
Mohs Hardness 	1 - 2
Density 	3.6 - 4.0 g/ml
Molecular Weight	mol. wt. = 546.71
==Resources and Citations==
* Minerals: mineral.galleries.com/minerals/carbonate/aurichal/aurichal.htm (density 3.6-4.0, hardness 1-2)
* Website: www.azminerals.com/AS%20Minerals/Aurichalcite.htm (hardness 1.5, density 3.93)
* Website: webmineral.com/data/aurichalcite.shtml (density 3.64-3.9, hardness 2)
* Wikipedia: http://en.wikipedia.org/wiki/Aurichalcite (Accessed Sept 2, 2005; density = 3.96, hardness = 1-2)
Category:Materials database
Aurora yellow

== Description ==
[Winsor & Newton] A commercial product name for a clear bright cadmium yellow sold in England in the late 19th century (Mayer 1969). 
See cadmium yellow, and cadmium sulfide.
== Synonyms and Related Terms ==
giallo Aurora (It.)
==Resources and Citations==
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
Category:Materials database
Australian blackwood

== Description ==
A dark reddish brown hardwood obtained from the Acacia melanoxylon tree native to Tasmania, southern Australia, and new South Wales. Australian blackwood has a fine to medium texture with a straight to roey grain. It polishes to a glossy sheen and is naturally durable. Australian blackwood is used for furniture, cabinetry, fittings, joinery, and gun stocks.
== Synonyms and Related Terms ==
Acacia melanoxylon; acácia Austrália (Port.) ; Australian locust; Tasmanian blackwood; acacia
==Physical and Chemical Properties==
Specific gravity = 0.72 (air dry)
Density	40-50 ppcf
==Resources and Citations==
* G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 462
* F. H. Titmuss, Commercial Timbers of the World, The Technical Press Ltd., London, 1965
* Gordon Hanlon, contributed information, 1998
Category:Materials database
Autochrome

== Description ==
A type of plate formerly used for color photography. Autochrome was the first successful process for color photos. It was developed in 1904 by Auguste and Louis Lumière of Lyon. They manufactured the plates from 1907 to 1933 at which point the plates were replaced by other color film products such as Lumicolor, Alticolor, and Filmcolor (Nadeau 1997). Autochrome plates contained a silver bromide gelatin photographic emulsion applied over a multicolored screen of tiny starch grains dyed red, green, and blue. Following World War I, the potato starch matrix was replaced by gum arabic which gave a more uniform, less grainy appearance.
== Synonyms and Related Terms ==
Autochrome process; Autochrome print; Lumicolor; Alticolor; Filmcolor
==Resources and Citations==
* Website dedicated to "Autochromes Lumière" : http://www.autochromes.culture.fr
* Preservation 101 glossary of terms at www.nedcc.org/p101cs/terms.htm
* Thomas B. Brill, Light Its Interaction with Art and Antiquities, Plenum Press, New York City, 1980 Comment: gum arabic
* The Dictionary of Art, Grove's Dictionaries Inc., New York, 1996 Comment: "Photography" gives names and dates (1907-1935)
* Luis Nadeau, Encyclopedia of Printing, Photographic, and Photomechanical Processes, Atelier, New Brunswick, 1997 Comment: manufactured between 1907 and 1933
* Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
Category:Materials database
Autofluorescence

== Description ==
The ability of a material to fluoresce without the addition of any fluorochromes. Some organic and inorganic materials autofluoresce by absorbing energy from incident radiation then reemitting the radiation at a longer wavelength. The intensity and wavelength distribution of the emission can change as a material ages. Some typical autofluorescent colors are: 
- Proteins or carbohydrates: bright white to pale yellow 
- Linseed oil: green to yellow when fresh, intensity decreasing with age 
- Dammar and mastic: pale yellow to green, may be dark orange if oil is present 
- Shellac: orange (varying shades depending on original color of shellac) 
- Zinc white: whitish yellow 
- Titanium dioxide or lead white: deep purple 
- Calcite: purple 
- Indian yellow: bright yellow 
- Polyethylene: whitish purple 
- Cellulose nitrate: purple
== Synonyms and Related Terms ==
primary fluorescence; autofluorescent
== Additional Images ==
File:01.7723 BT front.jpg|Statue under normal lighting conditions
File:01.7723 BT front uv.jpg|Statue under ultraviolet light
== Resources and Citations ==
* Richard C. Wolbers, Nanette T. Sterman, Chris Stavroudis, Notes for Workshop on New Methods in the Cleaning of Paintings, J.Paul Getty Trust, Los Angeles, 1990 Comment: Source for most fluorescent colors in list
* G.Osmond "Accelerated Deterioration of Artists Oil Paints: An Assessment Involving Ultraviolet Fluorescence Microscopy" ICOM Preprints Washington 1993 p.239-247
Category:Materials database
Autoradiography

== Description ==
An imaging technique used to record the distribution of radioactive materials in objects placed in close contact with photographic or radiographic film. For cultural heritage artifacts (like easel paintings), neutron beams extracted from nuclear research reactor core (also used for neutron radiography) are used to induce the emission of beta particles in some elements, such as antimony, arsenic, cobalt, copper, gold, manganese, mercury, phosphorus, silver... This allows to discriminate pigments which could not be distinguished through classical X radiography. The physical laws of absorption of neutrons by the various elements are quite different from those for X or gamma rays; carbon, bismuth, lead, silicon, aluminium, tin, zinc, baryum... being quite "transparent"; rare earths, cadmium, boron,gold, silver, cobalt... being quite absorbing rlements.
== Synonyms and Related Terms ==
autoradiographie (Fr.); Autoradiographie (Deut.); auto-radiografia (Port.)
==Resources and Citations==
* C. Barry, La Tour and autoradiography, in Georges de la Tour and his world. Ed P. Conisbee, National Gallery of Art Washington D.C., Yale University Press, New Haven CT (1996)
* C.O. Fischer & al, Autoradiography of paintings, Proc. 5th Conf. on Neutron Radiography Berlin, DGZfP (1996)
* http://sni-portal.uni-kiel.de/kfn/Anwendung/arthistory.php
* Encyclopedia Britannica, http://www.britannica.com Comment: "Photography, Technology of." Accessed 16 Jan. 2004.
Category:Materials database
Autosol Metal Polish

== Description ==
[Autosol LLC, Otto Durst & Co.] A trademark for a series of metal polishes that were first developed in 1929 by Otto Durst, a German metalworker, for cleaning ornamental fences. Autosol® Metal Polish is a white, abrasive paste designed to remove rust and oxides from metal. The polish contains a fine-grain aluminum oxide powder dispersed in aqueous soap solution with small amounts of solvent, oil, and ammonia. The cleaner produces a high gloss finish. After polishing, some pieces may have a thin residual oil film and/or white powder in cracks. Solvol Autosol® has been used to polish aluminum, stainless steel, brass, copper, chrome, and nickel. It has also been used for polishing ceramic, glass, marble, opal, ivory, and plastic fills (epoxy and polyester). It is not recommended for electroplated surfaces, wood, leather, or non-stick coatings, such as Teflon®. More recently, the company has started providing other products to clean leather, glass, and plastic.
Products include: 
* Autosol® Metal Polish Superfine 
* Autosol® Gold and Silver Polish 
* Autosol® Anodized Aluminum Polish
* Autosol® Stainless Steel Polish
* Autosol® Chrome and Metal Polish
== Synonyms and Related Terms ==
Solvol Autosol; Solvar Autosol (sp); Sovol Autosol (sp); Autosol® Metal Polish Superfine; Autosol® Gold and Silver Polish; Autosol Chrome and Metal Polish
== Risks == 
* The polish may contain ammonia or oxiran.
* Conservation Support Systems: MSDS for Chrome and Metal polish
* IMS: SDS for Anodized Aluminum Polish
==Resources and Citations==
* Autosol LLC: Website (see also Manufacturer's Fact Sheet attached to this record on Comparisons page)
* Conservation Materials Ltd., Catalog
* Gordon Hanlon, contributed information, 1998
* Submitted information: Edwin Mallory, Autosol LLC, Feb. 2008
Category:Materials database
Autumn maple tree

== Description ==
bischofia javanica
== Synonyms and Related Terms ==
Bischofia javanica; Javanese bishopwood; Gintungan, Paniala (India), Aukkyu, Ye-Padauk (Burma), Nhoi (Vietnam), Term (Thailand), Tuai (Philippines), Koka (Fiji); ai-dugar (Port.)
Category:Materials database
Auxochrome

== Description ==
Any portion of a molecule, i.e. radical or ionic functional group, that improves the color of the chromophore in an organic colorant. Auxochromes can also provide an ionic site that enables the dye to bind to a fiber. Examples of auxochrome groups are -COOH, -SO3H, -OH, and -NH3.
==Resources and Citations==
* B. Berrie, S.Q. Lomax, 'Azo Pigments: Their History, Synthesis, Properties and Use in Artists' Materials', Studies in the History of Art , National Gallery of Art, Washington DC, No. 57, 1997
* Richard S. Lewis, Hawley's Condensed Chemical Dictionary, Van Nostrand Reinhold, New York, 10th ed., 1993
* Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
Category:Materials database
Avarem

== Description ==
A tannin producing tree, Cassia auricula, native to India. The bark from the avarem tree contains about 18% tannins. It was used significantly in India to produce light-tanned and half-tanned cattle hides for export. Avarem is still used to tan goat and sheepskins, i.e., East India Kips (Roberts and Etherington 1982). When used alone, avarem penetrates the skin to produce a tough leather that can darken in sunlight. The addition of [myrobalan%20extract|myrobalans]] produces a light-color, flexible leather.
== Synonyms and Related Terms ==
Cassia auricula; avaram; turwar
==Resources and Citations==
* G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: pp. 165, 702
* Matt Roberts, Don Etherington, Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology, U.S. Government Printing Office, Washington DC, 1982
Category:Materials database
Aventurine

== Description ==
1) A ceramic glaze or a glass that contains small colorant crystals or metallic particles. Aventurine glazes are prepared by adding infusible metallic particles (copper or chromic oxide) or by overloading iron or manganese oxide colorants to produce small flecks in the cooled, glassy film. Aventurine glass, sometimes called goldsotne, has a metallic or sparkly appearance. Some pieces were stained blue and called bluestone. 
2) A quartz mineral that contains shiny flecks of mica that is also known as sunstone. Aventurine is usually green but can also be orange or reddish-brown. It is sometimes used as an inexpensive alternative to jade. Most aventurine comes from Russia, India, and Brazil. 
3. An imitation lacquer technique developed by the Martin brothers in Paris that incorporated rectangular pieces of inlaid brass wire in a green, black, or red synthetic lacquer finish (see also vernis martin).
== Synonyms and Related Terms ==
1. aventurine glass; goldstone (imitation sunstone); bluestone (when stained blue) 
2. quartz; sunstone; Aventurin (Deut.)
==Physical and Chemical Properties==
Mohs Hardness 	2) 6.5
Density 	2) 2.64-2.69
Refractive index	2) 1.544 - 1.553
== Comparisons ==
== Resources and Citations ==
* Jack Odgen, Jewellery of the Ancient World, Rizzoli International Publications Inc., New York City, 1982
* Gem Identification Lab Manual, Gemological Institute of America, 2016.
* G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 646
* Dictionary of Building Preservation, Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996
* Henry Hodges, Artifacts: An Introduction to Early Materials and Technology, Ronald P. Frye, Kingston, Canada, 1988
* Robert Fournier, Illustrated Dictionary of Practical Pottery, Chilton Book Company, Radnor, PA, 1992
* Thomas B. Brill, Light Its Interaction with Art and Antiquities, Plenum Press, New York City, 1980
* Wikipedia: Aventurine (Accessed Sept. 14, 2005 and Dec 2022)
* George Savage, Art and Antique Restorer's Handbook, Rockliff Publishing Corp, London, 1954
* The American Heritage Dictionary or Encarta, via Microsoft Bookshelf 98, Microsoft Corp., 1998
Category:Materials database
Avidin

== Description ==
A protein present in egg white at concentrations of about 0.2%. Avidin, in an uncooked egg, has the ability to bind with and deactivate biotin, which is an essential vitamin found in the egg yolk. When the egg is cooked, avidin loses this ability.
==Resources and Citations==
* Richard S. Lewis, Hawley's Condensed Chemical Dictionary, Van Nostrand Reinhold, New York, 10th ed., 1993
* Richard C. Wolbers, Nanette T. Sterman, Chris Stavroudis, Notes for Workshop on New Methods in the Cleaning of Paintings, J.Paul Getty Trust, Los Angeles, 1990
* Van Nostrand's Scientific Encyclopedia, Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976
* Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
* The American Heritage Dictionary or Encarta, via Microsoft Bookshelf 98, Microsoft Corp., 1998
Category:Materials database
Avocado oil

== Description ==
A pale green, edible, nondrying oil. Avocado oil is obtained from the fruits of the avocado tree, Persea americana, that is native to tropical America. The unsaturated oil is present in avocado fruits in concentrations of 10-25%. It contains oleic acid (77%), linoleic acid (1.8%), palmitic acid (6.9%), stearic acid (0.7%) with small amounts of myristic and arachidic acids. Avocado oil also contains lecithin, phytostearin, and mannoketoheptose. The oil was used by the Maya for treating burns. Currently avocado oil is used in salad oils, cosmetics, lotions and conditioners.
== Synonyms and Related Terms ==
Persea americana; alligator pear oil; aceite de aguacate (Esp.); olio di avocado (It)
==Physical and Chemical Properties==
Acid value = 1-7; Iodine value = 71-95; Saponification value = 177-198
Melting Point 	7-9 C
Density 	0.91 g/ml
Refractive Index	1.461-1.465
==Resources and Citations==
* G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 78
* Richard S. Lewis, Hawley's Condensed Chemical Dictionary, Van Nostrand Reinhold, New York, 10th ed., 1993
* Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
* The American Heritage Dictionary or Encarta, via Microsoft Bookshelf 98, Microsoft Corp., 1998
Category:Materials database
Avodir

== Description ==
A hard, pale yellow wood from the tree, Turraeanthus africana, native to tropical western Africa. Avodir darkens to a golden yellow on exposure. The wood does not have distinct growth rings but does have distinct fine pores. The tough, hard timber has a straight to slightly wavy and interlocking grain with a smooth mahogany-like texture that polishes to a satiny surface. Avodir is used for plywood, furniture, veneer, and decorative work.
== Synonyms and Related Terms ==
Turraeanthus africana; avodir (Fr.); avodire; African satinwood; apaya; lusamba
==Physical and Chemical Properties==
Light colored. Rings: obscure. Pores: diffuse. Rays: obscure. Grain: faint. Tough
Density 	34 ppcf
Molecular Weight	specific gravity = 0.55
==Resources and Citations==
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
* H.L.Edlin, What Wood is That?, Viking Press, New York, 1969
* Gordon Hanlon, contributed information, 1998
Category:Materials database
Avodiré

== Description ==
A hard, pale yellow wood from the tree, Turraeanthus africana, native to tropical western Africa. Avodiré darkens to a golden yellow on exposure. The wood does not have distinct growth rings but does have distinct fine pores. The tough, hard timber has a straight to slightly wavy and interlocking grain with a smooth mahogany-like texture that polishes to a satiny surface. Avodiré is used for plywood, furniture, veneer, and decorative work.
== Synonyms and Related Terms ==
Turraeanthus africana; avodiré (Fr.); avodire; African satinwood; apaya; lusamba
==Physical and Chemical Properties==
Light colored. Rings: obscure. Pores: diffuse. Rays: obscure. Grain: faint. Tough
Density 	34 ppcf
Molecular Weight	specific gravity = 0.55
==Resources and Citations==
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
* H.L.Edlin, What Wood is That?, Viking Press, New York, 1969
* Gordon Hanlon, contributed information, 1998
Category:Materials database
Awai beniiro no bara/Sakura ibara - left (185 L)

[[[SliderGallery rightalign|Uemura_07-09-2009_185.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 185
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 3rd shelf
|-	
! scope="row"|Sample location
| left (185 L)
|-	
! scope="row"|Fiber type
| silk
|-	
! scope="row"|Color
| mustard yellow
|-	
! scope="row"|Dyestuff (Japanese common name)
| 淡紅色の薔薇/さくらいばら : Awai beniiro no bara/Sakura ibara
|-	
! scope="row"|Dyestuff (botanical name)
| Rosa multiflora Thunb. var. carnea Thory
|-	
! scope="row"|Plant part
| flower bud /fresh (?)
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| copper
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Uemura's notes
| The resultant color appeared to be different from the previous ones dyed with the western roses
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Awai beniiro no bara/Sakura ibara - right (185 R)

[[[SliderGallery rightalign|Uemura_07-09-2009_185.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 185
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 3rd shelf
|-	
! scope="row"|Sample location
| right (185 R)
|-	
! scope="row"|Fiber type
| silk
|-	
! scope="row"|Color
| gray (slightly yellowish)
|-	
! scope="row"|Dyestuff (Japanese common name)
| 淡紅色の薔薇/さくらいばら : Awai beniiro no bara/Sakura ibara
|-	
! scope="row"|Dyestuff (botanical name)
| Rosa multiflora Thunb. var. carnea Thory
|-	
! scope="row"|Plant part
| flower bud /fresh (?)
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| iron
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Uemura's notes
| The resultant color appeared to be different from the previous ones dyed with the western roses.
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Awai beniiro no bara (Tea rose) - left (182 L)

[[[SliderGallery rightalign|Uemura_07-09-2009_182.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 182
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 3rd shelf
|-	
! scope="row"|Sample location
| left (182 L)
|-	
! scope="row"|Fiber type
| silk
|-	
! scope="row"|Color
| yellowish brown
|-	
! scope="row"|Dyestuff (Japanese common name)
| 淡紅色の薔薇 : Awai beniiro no bara
|-	
! scope="row"|Dye (English common name)
| Tea rose /light pink rose
|-	
! scope="row"|Dyestuff (botanical name)
| Rosa x centifolia L. (?)
|-	
! scope="row"|Plant part
| flower /fresh (?)
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| copper
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Uemura's notes
| When rubbing fresh flower petals of the rose on a fabric, the resultant color was pale purple. And by mordanting this with copper, the color became yellow brown. The dye compound did not have good affinity with the fiber.
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive