Elementary, Dear Data

è un Episodio di The Next Generation.
== Trama ==
: La Forge e Data programmano una simulazione nell'holodeck impersonando rispettivamente Watson e Sherlock Holmes.
Al primo caso, però, Data/Holmes dà sfoggio delle sue incredibili capacità di deduzione unite alla sua infallibile memoria positronica e in pochi minuti fornisce la soluzione.
La Forge interrompe la simulazione, dal momento che il divertimento consiste proprio nel cercare la soluzione, non nel trovarla.
La dottoressa Pulaski afferma che Data è incapace di fare a meno delle sue capacità e lo sfida a provare il contrario.
I guai cominciano quando la dottoressa, anch'essa entrata nella simulazione, viene rapita da Moriarty.
== Sezioni ==
=== In questo episodio... ===
* Data suona il violino, lo rivedremo all'opera in The Ensigns of Command, Sarek, In Theory, Lessons e Inheritance [T:05:49].
=== Note ===
* Purtroppo, il personaggio di Holmes non è stato più riutilizzato dopo questo episodio per motivi legali. Dopo la trasmissione, la Paramount ha ricevuto una comunicazione che gli eredi di Arthur Conan Doyle detengono ancora una parte dei diritti su Sherlock Holmes e che, per un successivo utilizzo del nome, sarebbe stato necessario il pagamento dei diritti.
* È curioso che Data/Holmes riesca a trovare delle impronte sul lastricato della strada (si vede chiaramente, da un'inquadratura, che non è una strada polverosa) [T:17:15].
=== Blooper ===
* Quando La Forge ordina al computer di bloccare il programma olografico il fuoco del camino rimane in movimento [T:08:15].
* Quando Moriarty consegna a Data il disegno dell'Enterprise, l'androide corre fuori dall'holodeck con Geordi alle spalle. Solamente quando si trovano in un corridoio della nave, Data mostra a Geordi il disegno ed è comprensibile che questi rimanga stupito: è al contrario [T:26:40].
* Ad un certo punto, il cadavere dell'uomo ucciso dalla moglie steso a terra deglutisce in maniera vistosa [T:20:11].
=== YATI ===
* Moriarty dà due volte il comando «Arco» senza dire prima «Computer» [T:15:46] [T:25:10].
* Data porta il foglio, che è un'immagine olografica, fuori dal holodeck, senza che si dematerializzi.
=== Versione italiana ===
* Più volte i protocolli di sicurezza nell'holodeck vengono chiamati «programma di incolumità».
=== Premi ===
* Nomination per l'Emmy del 1989 nella categoria del miglior costume (Richard D. James).
=== Citazioni ===
Moriarty: Welcome, my dear Holmes -- but not Holmes... and Doctor Watson... but not Watson. [T:23:53]
Picard: What is it you want?Moriarty: The same thing you want for yourself. To continue to exist. [T:37:07]
=== Scene tagliate ===
* [T:10:30] Nell'episodio non è presente uno scambio di battute tra la Pulaski e La Forge nel Ten Forward. Le parti in grigio sono le battute presenti nell'episodio:
 PULASKI
 Yes, Holmes as well, but Holmes
 also understood the human soul.
 Those dark flecks which drive
 us... which turn the innocent to
 the evil. That understanding is
 beyond Data. It comes from "life"
 experience -- which he doesn't have
 -- combined with human intuition
 for which he cannot be programmed.
 
 GEORDI
 I disagree -- totally.
 
 PULASKI
 His victory at playing Sherlock
 Holmes is just a blind mimicry,
 a collection of bits and bytes
 of information without any true
 understanding.
 
 GEORDI
 You're being unfair.
* [T:11:12] Quando Data, Geordi e la dottoressa Pulaski stanno per entrare per la prima volta nell'holodeck, è stata tagliata un pezzo di scena iniziale, presente nello script:
 14 INT. HOLODECK - CONTROL FOYER
 
 Geordi dressed as Watson, Data as Holmes... and
 Pulaski in upper class Victorian finery, layers and
 layers of it. She fans herself with her hand as Data
 activates the Holodeck console and inputs a sequence...
 
 PULASKI
 I've never been so hot in all my
 life -- are these clothes really
 necessary?
 
 GEORDI
 Believe me, you'd feel out of
 place without them... Just wait
 'til you see our Holodeck, you'll
 swear you've actually been sent
 back to nineteenth century
 England.
 
 PULASKI
 Presuming I don't pass out first.
 
 She fans herself all the more... and Data's still
 inputting, as:
 
 DATA
 The Victorians believed that any
 form of nudity was immoral... In
 fact, they not only covered up
 all people from head to toe, but
 they even went so far as to put
 skirts and cuffs and sleeves on
 the arms and legs of furniture.
* [T:15:25] Nello script è presente un approccio a Data da parte di una prostituta:
 22 LONDON STREET - ANOTHER ANGLE
 
 Data leading them along it, looking for what is going
 to begin this mystery. Geordi is with him, Pulaski is
 a step behind. The prostitute comes out of the shadows
 and approaches Data:
 
 PROSTITUTE (WHORE)
 Hello, matey. For a few bob, I
 can put some color in your
 cheeks...
 
 DATA
 No thank you.
 
 PROSTITUTE
 "No thank you" is it?
 (points to thugs)
 Rather hand it over to them...
 
 Data leads the others past them.
 
 23 DATA AND GEORDI
 
 as they move along the street. The PROSTITUTE motions
 to a COUPLE of dangerous THUGS, who are eyeballing Data
 and Geordi, and whisper behind their hands like a
 couple of thieves who see possible victims. Off to the
 side, PROFESSOR JAMES MORIARTY stands there as if
 momentarily dazed by something.
* [T:21:38] È stata tolta anche la scena seguente, presente nello script. Le parti in grigio sono le battute presenti nell'episodio:
 GEORDI
 Then you don't know what's coming
 next?
 
 DATA
 No.
 
 GEORDI
 (still enjoying the
 game)
 That's what I wanted to hear.
 
 37 LONDON STREET - ANOTHER ANGLE
 
 Data and Geordi leave the scene of the crime as a
 pushcart arrives to carry off the corpse and the bobby
 and Lestrade lead the woman away.
 
 38 ENTRANCE TO THE WAREHOUSE
 
 Data and Geordi approach. There are a couple of
 drunken SEAMEN staggering along the sidewalk. Nearby
 is a very dangerous looking THUG, beyond whom is a
 vibrantly painted WHORE. A THUG comes up and grabs
 Data's coat.
 
 THUG
 Do you have some coppers for a
 hungry man?
 
 WHORE
 I'll give you some value for your
 copper, mate...
 
 There is an air of violence about this beggar.
 
 DATA
 Allow us to pass.
 
 THUG
 Give it up.
 
 WHORE
 Ain't no men left in London.
 
 DATA
 Release my coat or I will be
 forced to give you a severe
 thrashing.
 
 As the thug backs off, he bumps into Geordi, then
 pushes him aside and leaves.
 
 GEORDI
 It's getting a little rough.
 Where to, now?
* [T:25:54] Dopo che Data e La Forge escono dal laboratorio del professor Moriarty, era prevista la seguente scena:
 43 LONDON STREET
 
 Data and Geordi come out of the warehouse. The
 characters who have been inhabiting the street are more
 aggressive now than they have been. Data and Geordi
 are pulled at by TWO WHORES -- by a COUPLE OF BEGGARS
 -- who demand money and physically attempt to impede
 them. Data uses his hands to move a legless Beggar
 out of his way. The Fellini-like scene goes on.
 
 BEGGAR WHORE
 A few coppers, mate... Give up Give me some money. You got
 a few for a cripple. more than you need...
 
 BEGGAR WHORE
 Have pity. You could be like Never mind her... Give it
 me... I could never be like here... Don't pull away.
 you again.
 
 BEGGAR WHORE
 I got family... Don't let them They got not one to feed but
 be hungry. Just a few coppers. their face. I got a couple
 of young ones.
 
 BEGGAR WHORE
 Won't mean a bit to you. I got me three of them. Get
 a few bob up Lordy.
* [T:27:43] La battuta «Merde» di Picard, nello script è invece "Terrible!" (in French).
* [T:28:50] Nell'episodio non è presente la scena in cui Picard interpella Deanna:
 PICARD
 Counselor Troi, have you a sense
 of our opponent?
 
 TROI
 It is difficult for me to separate
 a single individual from all the
 disorder I feel down there.
 Captain, what is unusual about
 this is that I should not be able
 to sense a holographic projection
 at all -- yet I do.
* [T:35:13] Dopo la tentata rapina subita da Picard e Data, nello script era prevista la scena seguente:
 55 INT. WAREHOUSE (OPTICAL)
 
 as they cross to the wall.
 
 PICARD
 Moriarty is making it very easy
 for us to find him.
 
 DATA
 Captain, permission to test my
 theory.
 
 PICARD
 Granted.
 
 Data removes a PHASER from his pocket, makes a slight
 adjustment in the setting, then FIRES at a crate...
 
 55A CRATE
 
 as it BLOWS UP AND DISAPPEARS.
 
 DATA
 Under normal circumstances the
 phaser would pass right through
 the holographic image.
 
 PICARD
 How will it affect a character
 like Moriarty?
 
 DATA
 The effect on him should be the
 same as it was on the crate.
* [T:35:44] Le parti in grigio sono le battute presenti nell'episodio:
 PULASKI
 (answers Picard)
 I'm fine. Except for being
 crammed full of crumpets.
 
 DATA
 Crumpets?
 
 PULASKI
 You look quite dashing, Captain.
 This is the first time I get to
 see you in action.
 
 MORIARTY
 I hope you're not disappointed.
 
 PULASKI
 I'm sure I won't be.
 
 PICARD
 You two have gotten awfully...
 
 MORIARTY
 ... chummy? Yes, this time
 together has been quite pleasant.
 I am a civilized abductor, Captain
 Picard. Civilized but still dangerous.
* [T:41:34] Dopo che Picard ha dato l'ordine di salvare il personaggio di Moriarty nella memoria dell'Enterprise, la scena prosegue nello script in questo modo, spiegando anche il motivo per cui il foglio disegnato da Moriarty è potuto uscire dal ponte ologrammi:
 DATA
 Right up to the end, he never
 knew.
 
 PICARD
 No. He didn't.
 
 PULASKI
 Know. Know what?
 
 PICARD
 That he could leave the Holodeck.
 
 PULASKI
 But that's not possible.
 
 DATA
 I do not know how, but for
 Moriarty it was.
 
 PULASKI
 Then you lied when you told him
 he couldn't leave the Holodeck.
 
 DATA
 No, what the captain said was that
 we do not know how to convert
 Holodeck matter into a more
 permanent form. Which is true.
 Even after we review this program,
 we still may not have the answer.
 
 PICARD
 Doctor, even with all his
 assurances -- that character was
 still Professor Moriarty. I will
 need to know a lot more about him
 before I allow him loose on my
 ship; he has, after all, made his
 reputation through cunning and
 deceit.
 
 PULASKI
 But how do you know he could leave
 the Holodeck?
 
 PICARD
 Data.
 
 Data reaches into his coat pocket and removes the paper
 on which Moriarty first drew the sketch of the
 Enterprise.
 
 PULASKI
 The drawing?
 
 DATA
 No. The paper. This piece of
 paper was created as part of the
 Holodeck illusion. If it could
 leave the Holodeck, so too could
 Moriarty.
 
 PULASKI
 I'm impressed.
 
 DATA
 It is elementary, my dear
 Doctor... It is elementary.
=== Script ===
* La data stellare riportata nel teaser è 42486.3.
== Riferimenti ==
=== Astronavi ===
* USS Victory
=== Episodi ===
* Spirit Folk
* Ship in a Bottle
=== Holodeck ===
* Sherlock Holmes 3A
=== Quante volte… ===
* Quante volte l'holodeck causa dei problemi?
* Quante volte viene rapito un marinaio?
== Collegamenti esterni ==
* Elementary, Dear Data, Hypertrek
* Elementary, Dear Data (episode), Memory Alpha
* , script dell'episodio
== Informazioni sulla migrazione automatica ==
Pagina originariamente generata nell'istante 2018-04-02T21:04:40 con informazioni dal database di HyperTrek aggiornato nell'istante 2016-06-19T09:03:36
* hypertrek:db.ultimamodifica=2016-06-19T09:03:36
* wikitrek:pagine.elaborata=HTPaginaElaboarata::2018-04-02T21:04:40
* hypertrek:pagine.idpagina=HTPaginaID::2583
* hypertrek:pagine.tag=HTPaginaTag::tng029
* hypertrek:pagine.idsezione=HTSezioneID::21
* hypertrek:pagine.imdb=http://www.imdb.com/title/tt0708704/
* hypertrek:pagine.memoryalpha=HTMAPage::Elementary%2C_Dear_Data_%28episode%29
Categoria:Pagine originariamente convertite da HT
Categoria:Episodi di The Next Generation