George Atwater (composer)

George Levi Atwater (1866-1931) was a late 19th-early 20th century composer and arranger from New Haven, Connecticut, and was a contemporary of ragtime songwriter, C.W. O'Connor. He is best known for his arrangements of Yale fight songs. 
==Activity in New Haven==
George Atwater is a name in the early American songbook from the Northeast, that makes itself situated in the ragtime subgenre and within popular music in the small city of New Haven. In this college town, is where Atwater composed and published some of his better known works. He was active as a composer of marches in the 1890s, and dedicated one of his compositions from this period, "Pagter's Two Step", to Ralph S. Pagter, one of the most notable advertisers of the late 19th century in the United States. George Atwater was a student at Yale University from about 1903, when he co-wrote "African Dreamland: Intermezzo" with fellow student, C.W. O'Connor. This was first published by the Loomis Temple of Music, that of Chas. H. Loomis, formerly one of the largest music publishers in the state of Connecticut. It was later republished by Leo Feist of New York. African Dreamland was published for piano solo, voice and piano (arr. O'Connor), banjo, guitar as well as mandolin. Just two years earlier, Atwater had arranged the famous Yale Boola! song for Chas. H. Loomis, publisher. Atwater's arrangement is still performed by the Yale Precision Marching Band of Yale University.
Atwater was active in New Haven as an arranger as well as bandleader until at least 1913, as listed in the Musical Directory of Connecticut for that year.
==African Dreamland & later works==
African Dreamland became a popular piece of ragtime music, featuring a unique theme, compared to most early rags by that of Scott Joplin and others. One of the first public performances of the piece was by the Yale Mandolin Club at Boston Symphony Hall in Boston,
Massachusetts, on November 20, 1903. A music reviewer from New Haven, where the music was originally published in 1903, described the piece as "an intermezzo full of beauty" and a "pure negro melody". It was widely performed by concert bands and orchestras and at school graduations and events in the early 1900s. The composer, George Atwater, had an association with Victor records as early as 1903 when African Dreamland was first recorded by Sousa's band. By 1907, it had also gained notoriety in Mexico and Germany, where it was re-published and orchestrated. Music publisher Leo Feist marketed African Dreamland as "A beautiful Darky number that sets the soul a singing". The piece is covered in Edwin Berlin's Ragtime: A Musical and Cultural History (2002), where it is described as a "genteel" addition to the ragtime repertoire. Norman C. Weinstein, author of A Night in Tunisia: Imaginings of Africa In Jazz (1992), described "African Dreamland" as a piece that set the tone for African exoticism and curiosity in early 20th century American life. Music theorist John Muniz analyzed the piece and its' historical connotations at Yale in 2012, recording a fragment of the piano sheet music for the first time in nearly 100 years.
 
Atwater's composition was sold on wax cylinders, early shellac discs, piano rolls and on special discs for music boxes made by the Regina Company.. It was being sold into 1912 on labels such as Zonophone. A rare recording was also made for Edison records by the New York Military Band in 1910. It was henceforth that Atwater had many recording deals with Victor for use of his band arrangements by Arthur Pryor and his band. One of the first being the Yale fight song, "Men of Yale" march, recorded by Pryor's band in 1911. 
==Compositions & arrangements==
•The Evening Leader March (1895)
•Second Company Governor's Foot Guard March (1896)
•Press Club March and Two-Step (1898)
•I Cannot Live Without You (1900)
•Yale Boola! (1901), arrangement for Charles H. Loomis
•African Dreamland: Intermezzo (1903)
•Adelina, The Boola Girl (1903), first recorded by Edison Male Quartet
•Pro Yalensi March (1903), arrangement for Chas H. Loomis
•Pagter's Two Step
•Colors and Cheers (1909), arrangement for Seneca G. Lewis
•Milena (1910)
•Troop A: A calvary march and two step (1910)
•Blondie Mine (1912)
•Men of Yale march (1911), arrangement recorded by Pryor's band
•Eli Yale: Dear old Yale (1911), arrangement recorded by Pryor's band, Haydn Quartet
•Whoop it Up! (1914), arrangement recorded by Pryor's band
•Good night Harvard (1914), arrangement for Loomis Temple of Music
•Stand by the flag that has stood by you (1917), arrangement for Clarence E. Billings
•Madana, song from The Glad Heart (1919), arrangement for T.R. McCluskey
•The Glad Heart (1920), arrangement for Thomas R. McCluskey
•Sweet Shetuckett Valley (1924), arrangement for Thomas F. McMahon
•'Tis Spring (1925), F.M. La Roza and George L. Atwater
Category:1866 births
Category:Composers
Category:Music arrangers
Category:Songwriters
Category:1931 deaths