nyuuzyou/wikis huggingface dataset:
List of Depeche Mode live sample sources by tour/1997 Ultra Parties

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of songs performed on the 1997 Ultra Parties.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= 1997 Ultra Parties =
== ==
== ==
= Notes =
= References =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of songs performed on the 1997 Ultra Parties.</metadesc>
List of Depeche Mode live sample sources by tour/1998 The Singles Tour

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of songs performed on the 1998 The Singles Tour.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= 1998 The Singles Tour =
== ==
= Notes =
= References =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of songs performed on the 1998 The Singles Tour.</metadesc>
List of Depeche Mode sample sources by album/A Broken Frame

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1982 album A Broken Frame.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= A Broken Frame (1982) =
== 1. ==
== 2. ==
== 3. ==
== 4. ==
== 5. ==
== 6. ==
== 7. ==
== 8. ==
== 9. ==
== 10. ==
== B-sides, bonus tracks and remixes ==
=== ===
=== "Now, This Is Fun (Extended Version)" ===
=== ===
=== "Oberkorn (It's A Small Town) (Development Mix)" ===
= References =
= Notes =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1982 studio album A Broken Frame.</metadesc>
List of Depeche Mode sample sources by album/Black Celebration

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1986 album Black Celebration.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= Black Celebration (1986) =
== 1. ==
== 2. ==
== 3. ==
== 4. ==
== 5. ==
== 6. ==
== 7. ==
== 8. ==
== 9. ==
== 10. ==
"Dressed In Black" is not yet known to contain samples from any identifiable sources.
== 11. ==
= B-sides, bonus tracks and remixes =
== ==
== ==
== ==
== "Fly On The Windscreen (Death Mix)" ==
== "A Question Of Time (Extended Remix)" ==
= References =
= Notes =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1986 studio album Black Celebration.</metadesc>
List of Depeche Mode sample sources by album/Construction Time Again

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 album Construction Time Again.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= Construction Time Again (1983) =
== 1. ==
== 2. ==
== 3. ==
"Pipeline" is not yet known to contain samples from any identifiable sources.
== 4. ==
== 5. ==
== 6. ==
== 7. ==
== 8. ==
== 9. "And Then..." ==
== B-sides, bonus tracks and remixes ==
=== ===
=== ===
=== "Fools (Bigger)" ===
= References =
= Notes =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 studio album Construction Time Again.</metadesc>
List of Depeche Mode sample sources by album/Exciter

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 2001 album Exciter.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= Exciter (2001) =
== 1. ==
== 2. ==
== 3. ==
== 4. ==
"When The Body Speaks" is not yet known to contain samples from any identifiable sources.
== 5. ==
"The Dead Of Night" is not yet known to contain samples from any identifiable sources.
== 6. ==
== 7. ==
== 8. ==
== 9. ==
"I Feel Loved" is not yet known to contain samples from any identifiable sources.
== 10. ==
== 11. ==
== 12. ==
== 13. ==
== B-sides, bonus tracks and remixes ==
==== ====
==== "Easy Tiger (Full Version)" ====
==== "Freelove (Flood Mix)" ====
==== "Freelove (Deep Dish Freedom Remix)" ====
==== "Dream On (Remix)" ====
= References =
= Notes =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 2001 studio album Exciter.</metadesc>
List of Depeche Mode sample sources by album/Some Great Reward

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 album Some Great Reward.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= Some Great Reward (1984) =
== 1. ==
"Something To Do" is not yet known to contain samples from any identifiable sources.
== 2. ==
== 3. ==
== 4. ==
== 5. ==
== 6. ==
"Somebody" is not yet known to contain samples from any identifiable sources.
== 7. ==
== 8. ==
== 9. ==
== B-sides, bonus tracks and remixes ==
=== "Somebody (Remix)" ===
=== ===
=== ===
=== "In Your Memory (Slik Mix)" ===
=== (Slavery Whip Mix) ===
=== "(Set Me Free) Remotivate Me (Release Mix)" ===
= References =
= Notes =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 studio album Some Great Reward.</metadesc>
List of Depeche Mode sample sources by album/Sounds Of The Universe

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 2009 album Sounds Of The Universe.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= Sounds Of The Universe (2009) =
== 1. ==
== 2. ==
"Hole To Feed" is not yet known to contain samples from any identifiable sources.
== 3. ==
== 4. ==
"Fragile Tension" is not yet known to contain samples from any identifiable sources.
== 5. ==
"Little Soul" is not yet known to contain samples from any identifiable sources.
== 6. ==
== 7. ==
== 8. ==
== 9. ==
"Spacewalker" is not yet known to contain samples from any identifiable sources.
== 10. ==
== 11. ==
"Miles Away / The Truth Is" is not yet known to contain samples from any identifiable sources.
== 12. ==
"Jezebel" is not yet known to contain samples from any identifiable sources.
== 13. ==
= References =
= Notes =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 2009 studio album Sounds Of The Universe..</metadesc>