nyuuzyou/wikis huggingface dataset:
Sumac

== Description ==
A tannin containing dye obtained from Rhus bushes, such as R. glabra, R. cotinus, R. coggygria (Venetian sumac or young fustic), R. typhina (American staghorn sumac), R. copallina (winged sumac), and R. coriaria (Sicilian sumac), that are native to the temperate and subtropical areas of Europe, Asia, and the Americas. Sumac has been used worldwide since ancient times. The berries, leaves, and bark are used for vegetable tanning of leathers and as red, black and yellow shades of dye. Sumac contains high levels of tannins (25 - 30%) and fisetin. The tannins are extracted from dried young twigs which are gathered before the plant has flowered. The leaves are beaten from the twigs and used separately as a dye. Berries, fermented or fresh, produce different shades of tan, red, and black depending on the variety of sumac. Iron mordants are used with sumac to produce black silk. Sumac itself is used as a mordant for cotton and flax fibers to afix other types of dyes, such as coal tar dyes.
* See also [Uemera Dye Archive (Haze no ki)]
== Synonyms and Related Terms ==
Rhus cotinus; Rhus coggygria (Venetian sumac or young fustic); Rhus typhina (American staghorn sumac), Rhus copallina (winged sumac or shining sumac); Rhus coriaria (Sicilian sumac); Rhus glabra (smooth sumac); Gerberbaum (Deut.); sommacco (It.); zumaque de Sicilia (Esp.); smack (Ned.); sumak (Dan., Ned.); sumac (Fr.); Rhus (Deut., Fr.); shumack; shoemack; sumach; dyer's sumac; tanner's sumac
== Resources and Citations ==
* J.Hofenk-de Graaf, Natural Dyestuffs: Origin, Chemical Constitution, Identification, Central Research Laboratory for Objects of Art and Science, Amsterdam, September 1969.
* R.J. Adrosko, Natural Dyes in the United States, Smithsonian Institution Press, Washington, DC, 1968
* G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 786
* Hermann Kuhn, Conservation and Restoration of Works of Art and Antiquities, Butterworths, London, 1986
* Matt Roberts, Don Etherington, Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology, U.S. Government Printing Office, Washington DC, 1982
* Encyclopedia Britannica, http://www.britannica.com Comment: "sumac" [Accessed October 9, 2001].
* F. Crace-Calvert, Dyeing and Calico Printing, Palmer & Howe, London, 1876
* J. Thornton, 'The Use of Dyes and Colored Varnishes in Wood Polychromy', Painted Wood: History and Conservation, The Getty Conservation Insitute, Los Angeles, 1998
Category:Materials database
Sumac-tanned leather

== Description ==
Any leather tanned using the tannins obtained from the berries, bark or leaves of Rhus bushes, such as R. glabra, R. cotinus, R. coggygria (Venetian sumac or young fustic), R.typhina (American staghorn sumac), R.copallina and R. coriaria (Sicilian sumac), that are native to the temperate and subtropical areas of Europe, Asia and the Americas. Sumac was used as a primary tannin for Morocco and saffian leathers.
== Synonyms and Related Terms ==
sumac tanned leather; pele curtida com sumagre (Port.)
Category:Materials database
Sumac - left (140 L)

[[[SliderGallery rightalign|Uemura_06-04-2009_140.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 140
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 2nd shelf
|-	
! scope="row"|Sample location
| left (140 L)
|-	
! scope="row"|Fiber type
| cotton
|-	
! scope="row"|Color
| gray
|-	
! scope="row"|Dyestuff (Japanese common name)
| スマック : Sumac
|-	
! scope="row"|Dye (English common name)
| Sumac
|-	
! scope="row"|Plant part
| unspecified
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| iron
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Sumac - left (141 L)

[[[SliderGallery rightalign|Uemura_06-04-2009_141.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 141
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 2nd shelf
|-	
! scope="row"|Sample location
| left (141 L)
|-	
! scope="row"|Fiber type
| cotton
|-	
! scope="row"|Color
| light reddish beige
|-	
! scope="row"|Dyestuff (Japanese common name)
| スマック : Sumac
|-	
! scope="row"|Dye (English common name)
| Sumac
|-	
! scope="row"|Plant part
| unspecified
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| tin
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Sumac - right (140 R)

[[[SliderGallery rightalign|Uemura_06-04-2009_140.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 140
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 2nd shelf
|-	
! scope="row"|Sample location
| right (140 R)
|-	
! scope="row"|Fiber type
| cotton
|-	
! scope="row"|Color
| ochre
|-	
! scope="row"|Dyestuff (Japanese common name)
| スマック : Sumac
|-	
! scope="row"|Dye (English common name)
| Sumac
|-	
! scope="row"|Plant part
| unspecified
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| alum
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Sumac - right (141 R)

[[[SliderGallery rightalign|Uemura_06-04-2009_141.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 141
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 2nd shelf
|-	
! scope="row"|Sample location
| right (141 R)
|-	
! scope="row"|Fiber type
| cotton
|-	
! scope="row"|Color
| light beige
|-	
! scope="row"|Dyestuff (Japanese common name)
| スマック : Sumac
|-	
! scope="row"|Dye (English common name)
| Sumac
|-	
! scope="row"|Plant part
| unspecified
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| lime water
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Sumi

== Description ==
A type of black Japanese ink. Sumi is a mixture of carbon black with a water-soluble binder, usually a gum. It is formed into a solid block and wet as needed for use.
== Synonyms and Related Terms ==
black watercolor; Japanese ink
==Resources and Citations==
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* A Glossary of Paper Conservation Terms, Margaret Ellis (ed.), Conservation Center of the Institute of Fine Arts, New York City, 1998
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000
Category:Materials database
Sumire - right (374 R)

[[[SliderGallery rightalign|Uemura_10-15-2009_374.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 374
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 5th shelf
|-	
! scope="row"|Sample location
| right (374 R)
|-	
! scope="row"|Fiber type
| silk
|-	
! scope="row"|Color
| white
|-	
! scope="row"|Dyestuff (Japanese common name)
| スミレ : Sumire
|-	
! scope="row"|Dyestuff (botanical name)
| Viola mandshurica W.Becker
|-	
! scope="row"|Plant part
| leaf, stem, root / unspecified
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| lime
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Uemura's notes
| The resultant colors were unsatisfactory when mordanted with alum or iron.
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Summerwood

== Description ==
The denser portion of the xylem formed in the slow, later summer growing period of a tree. Summerwood is also called latewood. The latewood portion of the growth ring is often darker than the earlywood region, thus providing good delineation of the rings.
== Synonyms and Related Terms ==
latewood; bois d'été (Fr.); madera tardía (Esp.); de verano (Esp.); lenho de Outono (Port.); legno tardivo (It.)
==Resources and Citations==
* Mary-Lou Florian, Dale Paul Kronkright, Ruth E. Norton, The Conservation of Artifacts Made from Plant Materials, The Getty Conservation Institute, Los Angeles, 1990
* Dictionary of Building Preservation, Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996
* The Dictionary of Paper, American Paper Institute, New York, Fourth Edition, 1980
* Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
* The American Heritage Dictionary or Encarta, via Microsoft Bookshelf 98, Microsoft Corp., 1998
Category:Materials database
Sun-refined oil

== Description ==
A thick, partially oxidized form of linseed oil that dries faster than regular linseed oil. Sun-refined oil is mixed with water, then exposed to air and sun for several weeks. The oil is shaken with the water, to allow impurities to be extracted and removed. Sun-refined oil is similar to sun-thickened oil and has been used for paint media for centuries.
== Synonyms and Related Terms ==
sun refined oil; bodied linseed oil; sun-bleached oil
==Resources and Citations==
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000 Comment: sun-refined oil
Category:Materials database
Sun-thickened oil

== Description ==
A thick, partially oxidized form of linseed oil that dries faster than regular linseed oil. Sun-thickened linseed oil is prepared by allowing the oil to stand for a few days exposed to sunlight and air. It absorbs oxygen and becomes viscous. Sun-thickened linseed oil was used as a paint media since the 12th century.
== Synonyms and Related Terms ==
aceite espesado al sol (Esp.); sun thickened oil; bodied linseed oil
==Resources and Citations==
* R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
* Reed Kay, The Painter's Guide To Studio Methods and Materials, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* Art and Architecture Thesaurus Online, https://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000 Comment: sun-thickened oil
Category:Materials database
Sunbrella

== Description ==
[Glen Raven Mills] A registered trademark for a thick woven acrylic fabric. Sunbrella® is composed of 100% acrylic fibers that are solution dyed then coated with a fluorocarbon finish. It is resistant to fading, water, sunlight, mildew, rot and pollution. Sunbrella® is sold commercially for awnings, lawn furniture and boat covers. It has also been used for lining paintings.
==Resources and Citations==
* Sunbrella: Fabrics
* Teri Hensick, contributed information, 1998
Category:Materials database
Sunflower dye

== Description ==
A natural yellow dye obtained from sunflower (Helianthus annuus) blooms. Sunflowers produce a bright yellow dye in alkaline solutions that is not lightfast. In acetic acid solutions, however, sunflowers give a colorfast golden color on wool with an alum mordant. The seeds of the sunflower plant were also used by native Americans to produce a dark purple color used for dyeing baskets.
== Synonyms and Related Terms ==
Helianthus annuus; colorant à base de tournesol (Fr.); girasol (Esp.);
==Resources and Citations==
* D. Cardon, Natural Dyes: Sources, Tradition, Technology and Science (original edition Le Monde des teintures naturelles), Archetype Publications, Ltd., London, 2007
* R.J. Adrosko, Natural Dyes in the United States, Smithsonian Institution Press, Washington, DC, 1968
* Economic Botany: Expressing Achenes purple dye from seeds [Accessed Jan. 21, 2009]
Category:Materials database
Sunflower oil

== Description ==
A light yellow, semidrying oil obtained from the seeds of sunflowers, Helianthus annus. Sunflower oil contains the following fatty acids: linoleic (63%), oleic (26%), palmitic (6%), stearic (5%) with traces of linolenic (<0.1%) (Learner 2005). It has a very low viscosity is primarily used for cooking. Sunflower oil has occasionally been mentioned as an additive to oil paints or varnishes. It is used industrially as an additive to alkyd paints.
== Synonyms and Related Terms ==
Helianthus annuus; aceite de girasol (Esp.); huile de tournesol (Fr.); olio di girasole (It); sunflower seed oil
== Risks ==
* Combustible.
== Physical and Chemical Properties ==
* Slightly soluble in ethanol, ether, chloroform, carbon disulfide. 
* Saponification number = 188-194; 
* Iodine number = 125-136; 
* Acid number = 6-12
Melting Point 	-18 C
Density 	0.922-0.926 g/ml
Refractive Index	1.461-1.473
==Resources and Citations==
* Thomas J.S. Learner, Analysis of Modern Paints, Getty Conservation Institute, Los Angeles, 2004
* R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966 Comment: iodine number = about 130
* G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 786; specific gravity = 0.925
* Richard S. Lewis, Hawley's Condensed Chemical Dictionary, Van Nostrand Reinhold, New York, 10th ed., 1993 Comment: iodine = 130-135; ref index 1.4611
* The Merck Index, Martha Windholz (ed.), Merck Research Labs, Rahway NJ, 10th edition, 1983 Comment: entry 9175; Saponification no. =188-194; iodine = 125-136
* M. Doerner, The Materials of the Artist, Harcourt, Brace & Co., 1934
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000
* CRC Handbook of Chemistry and Physics, Robert Weast (ed.), CRC Press, Boca Raton, Florida, v. 61, 1980 Comment: melting point = -17.0, density=0.923, ref. index = 1.4694, iodine value=125.5, saponification value = 188.7; palmitic acid (5.6%), stearic acid (2.2%), oleic acid (25.1%), linoleic acid (66.2%)
Category:Materials database
Sunflower yellow

== Description ==
A common name for a bright yellow pigment made from orpiment that has been used in Chinese painting (Mayer 1969).
== Synonyms and Related Terms ==
jaune de tournesol (Fr.); amarelo de girassol (Port.)
==Resources and Citations==
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
Category:Materials database
Sunn

== Description ==
A tough fiber obtained from the Crotalaria juncea plant that is native to India and Pakistan. Sunn fibers have been used in Asia since prehistoric times and were imported to Europe in the early 19th century. The fine, light colored fibers are long (5 meters). Sunn fibers are used for cords, ropes, fishnets and paper. They have also been used for sacking and carpet backing.
== Synonyms and Related Terms ==
Crotalaria juncea; Indian hemp (also see hemp); Sann hemp; Bombay hemp
== Risks ==
* Combustible.
== Physical and Chemical Properties ==
* Resistant to water and alkalis. 
* Damaged by weak acids and bleaches. 
* Fiber length = 5 m. 
* Cross section = oval.
==Resources and Citations==
* G.Cook, Handbook of Textile Fibres:I. Natural Fibres, 5th edition, Merrow Publishing Co., Durham, England, 1984.
Category:Materials database
Sunset beige

==Description== 
A kind of pink granite quarried in Marble Falls, TX. Sunset beige granite has been used for ountertops, monuments, mosaic, exterior - interior wall and floor applications, fountains, pool and wall capping, stairs, window sills and other design projects. 
== Synonyms and Related Terms ==
Sunset Pink Granite
== Physical and Chemical Properties ==
* Avg. Bulk Density = 167.2 pcf
* Avg. Absorption = 0.14%
* Avg. Compressive Strength = 18,896 Psi
* Avg. Modulus of Rupture = 1,637 Psi
==Resources and Citations==
* Cold Spring: Sunset Beige granite
* Stone Contact: Sunset Beige granite
Category:Materials database
Sunset red

==Description== 
A kind of red granite quarried in Marble Falls, Texas. Sunset red granite is distinctive with large grains. It is most notable for its use on the Texas State Capital.
== Physical and Chemical Properties ==
* Avg. Bulk Density = 164.6 pcf
* Avg. Absorption = 0.09%
* Avg. Compressive Strength = 17,020 Psi
* Avg. Modulus of Rupture = 1,860 Psi
==Resources and Citations==
* Cold Spring: Sunset Beige granite
* Stone Contact: Sunset Beige granite
Category:Materials database
Sunstone

== Description ==
An opalescent mineral that is used as a gemstone. Sunstones are translucent stones with an iridescent sheen due to the parallel arrangement of its crystals. They are usually a golden-brown with dark red hematite flakes. The iron oxide inclusions give the stone a reddish glow. Major deposits of sunstones occur in Norway (Tvedestrand), Russia (near Lake Baikal), and the U.S. (Pennsylvania, North Carolina). Moonstones are found in potassium (orthoclase) feldspars, while plagioclase feldspars (albite, oligoclase, or labradorite) produce sunstones.
== Physical and Chemical Properties ==
Triclinic prismatic crystals. Inclusions give spangled appearance.
Mohs Hardness 	6.0 - 6.5
Density 	2.56-2.76 g/ml
Refractive Index	1.53-1.59
== Comparisons ==
== Resources and Citations ==
* R.F.Symmes, T.T.Harding, Paul Taylor, Rocks, Fossils and Gems, DK Publishing, Inc., New York City, 1997
* Encyclopedia Britannica, http://www.britannica.com Comment: sunstone" [Accessed March 4, 2002-
Category:Materials database
Super Sculpey UltraLight

== Description ==
[Polyform Products] The lightweight varietal of Sculpey, a brand name for a modeling polymer clay composed of polyvinyl chloride, plasticizers, coloring agents, and fillers. Super Sculpey Ultralight™ remains soft and flexible until it is oven baked. Once baked, it can be sanded, drilled, buffed, and painted with acrylic paints.
== Synonyms and Related Terms ==
modeling clay; Sculpy (sp); polymer clay; oven-bake clay; oven hardening clay
== Applications ==
Exhibit
== Personal Risks ==
* Do not inhale fumes while baking. 
* Overheating in the oven will result in blackening and release of irritating gases including hydrogen chloride vapor (polyvinyl chloride decomposes at 190°C/375°F).
* Polyform: SDS
== Collection Risks ==
* Hydrochloric acid vapors are a hazardous decomposition product.
* Incompatible with materials made of PVC (polyvinyl chloride) and polystyrene.
* Shelf life of a few years if stored in a cool, dry place, below 90°F and out of direct sunlight.
== Environmental Risks ==
Do not wash clay dust from sanding down the sink, as water treatment plants are not able to remove fine particles from wastewater. 
== Working Properties ==
Super Sculpey Ultralight™ instructions are to bake at 275°F (130°C) for 15 minutes per ¼ in (6mm) thickness. Super Sculpey® Ultralight An oven thermometer is recommended. After baking, the material solidifies and can be sanded, drilled, carved, or painted.
Do not heat above 175°C (350°F), allow to come in contact with open flame, or use with hot knife or wire. 
Do not use a microwave oven for baking. 
Do not over-bake or exceed recommended baking temperature or time. Sculpey FAQs 
The soft, uncured Sculpey should not be placed on painted or varnished surfaces as the plasticizer will dissolve these materials. Additionally, uncured Sculpey may be affected by solvent based paints. Do not place unbaked clay on furniture, flooring, plastic, carpeting, or fabric. Marble, lucite, granite, glass, ceramic tile, metal, aluminum foil, and parchment paper are all acceptable work surfaces. Sculpey FAQs: What Surfaces should I work on? 
== Forms and Sizes ==
Information from the Super Sculpey Ultralight™ Product Page:
* Color: white
* Package size: 8oz.
== Resources and Citations ==
* Sculpey: Website
* Kaela Nurmi, contributed information, MWG group, 2020.
Category:Materials databaseCategory:MWGCategory: 3D Printing/Casting
Supercritical fluid

== Description ==
A material compressed and heated to a point above its thermodynamic critical point. Supercritical fluids (SCF) have the unique ability to penetrate materials like a gas while also dissolving materials like a liquid. Carbon dioxide and water are the most commonly used supercritical fluids. A temperatures and pressures above the thermodynamic critical point, a material's liquid phase and the gas phase will have equal densities and are indistinguishable.
== Synonyms and Related Terms ==
SCF
== Physical and Chemical Properties ==
Table 1. Critical properties of various solvents (Reid et al., 1987)
Solvent 	Molecular mass	Critical temperature	Critical pressure	Critical density
Solvent 	g/mol 	K 	Pascal (atm) 	g/cm3
Carbon dioxide (CO2)	44.01 	304.1 	7.38 (72.8) 	0.469
Water (H2O)† 	18.015 	647.096 	22.064 (217.755) 	0.322
Methane (CH4) 	16.04 	190.4 	4.60 (45.4) 	0.162
Ethane (C2H6) 	30.07 	305.3 	4.87 (48.1) 	0.203
Propane (C3H8) 	44.09 	369.8 	4.25 (41.9) 	0.217
Ethylene (C2H4) 	28.05 	282.4 	5.04 (49.7) 	0.215
Propylene (C3H6) 	42.08 	364.9 	4.60 (45.4) 	0.232
Methanol (CH3OH) 	32.04 	512.6 	8.09 (79.8) 	0.272
Ethanol (C2H5OH) 	46.07 	513.9 	6.14 (60.6) 	0.276
Acetone (C3H6O) 	58.08 	508.1 	4.70 (46.4) 	0.278
Nitrous oxide (N2O) 	44.013 	306.57 	7.35 (72.5) 	0.452
== Resources and Citations ==
* Sung Mo Kang, Achim Unger, J.J. Morrell, 'The Effect of Supercritical Carbon Dioxide Extraction of Color Retention and Pesticide Reduction of Wooden Artifacts' JAIC 43(2) 151-160, 2004.
* Wikipedia: http://en.wikipedia.org/wiki/Supercritical_fluid (June 2020)
* Robert C. Reid The Properties of Gases and Liquids, McGraw-Hill, 1987.
Category:Materials database
Superoxol

== Description ==
A concentrated solution of hydrogen peroxide (30%). Superoxol was formerly recommended for use in art conservation as a bleach and oxidizing agent (Mayer 1969).
==Resources and Citations==
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000
Category:Materials database
Support

== Description ==
The inner structural material on which an exterior finish (i.e., paint, veneer, etc.) is applied. Support materials for paintings include wooden panels, stretched linen, parchment, metal, paper, and plaster. For furniture, the support is more generally called the carcass or frame. Photographs usually have paper or glass suppports. In architecture, supports maintain the primary weight-bearing load and are usually constructed from wood or steel.
See also support panel.
== Synonyms and Related Terms ==
carcass; frame
==Resources and Citations==
* J.Stephenson, "Support" The Dictionary of Art Grove's Dictionaries, Inc., New York, 1996.
* R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
* AMOL reCollections Glossary -http://amol.org.au/recollections/7/c/htm
Category:Materials database
Sure-Grip Carpenter's Glue

== Description ==
A brand name for a type of wood glue. Sure-Grip Carpenter's Glue contains a polyvinyl acetate emulsion.
==Resources and Citations==
* Jane Down, Maureen MacDonald, Jean Te'treault, Scott Williams, Adhesive testing at the Canadian Conservation Institute-An evaluation of selected poly(vinyl acetate) and acrylic adhesives., Studies in Conservation, 41, 19-44, 1996
Category:Materials database