Stephen S. Myers

Stephen S. Myers (born 1942) is a New York photographer, author and conceptual strategist.
His “Camera at work” interview by Harriet Barovick of LIFE Magazine in March 1998 provided a personal profile of the artist in a seven page editorial spread and included the images (that were also presented on the contents page) featured in the collections of the Victoria and Albert and other museums.
The photographs featured as a part of Fenimore Art Museum and Michael Hoppen Photography exhibits were also featured in LIFE Magazine's "The Best Magazine Photography of the Year." Spring 1999. This work received an Alfred Eisenstaedt Award for Photography in Journalism from the Columbia University Graduate School of Journalism by independent jury.
LIFE Magazine. "The Best Magazine Photography of the Year." Spring 1999. This work has received an Alfred Eisenstaedt Award for Photography in Journalism from the Columbia University Graduate School of Journalism by jury.
He has had independent third party coverage of his photography art and work featured in personal profiles and write-ups in LIFE Magazine (by Harriet Barovick and in a second issue by Robert Friedman), The Village Voice (by Fred W. McDarrah and Ben Lifson), Esquire (by Gordon Lish), The Calypso Log (by Mary Batten), The Olean Times Herald (Brian Fitzpatrick), The Evening Tribune (by Thomas V. Peterson) and The Wellsville Reporter (by Kathryn Ross, Gail Fleschutz and Thomas V. Peterson). Books that have included extensive independent 2nd and 3rd party coverage of his life, journalism and activism have included Fifty Years of Making Magazines: Mag Men (by Walter Bernard and Milton Glaser, one of the co-founders of New York Magazine), the current editors of New York Magazine and Linked Arms (by Thomas V. Peterson).
== Consitutional and Legal Initiatives ==
Myers, his wife Betsy, and two sons moved from Manhattan to the small town of Almond in upstate New York for family reasons in 1979.Ten years later he led a grassroots group in a successful effort to prevent the state from siting a low-level nuclear waste facility in West Almond, less than from their home. The proposal ended after a U.S. Supreme Court ruling under the 10th Amendment (the first in over 100 years).
Mr. and Mrs. Myers' leadership of the organization and legal challenge is documented in Linked Arms: A Rural Community Resists Nuclear Waste. It also includes a catalog of photos from the initiative. His contribution to shaping the initiative is also highlighted in an October 1991 Mary Batten Calypso Log cover feature, a March 6, 2009 Kathryn Ross article in The Evening Tribune and a January 2, 2020 Thomas V. Peterson Special to both the Wellsville Daily Reporter and The Evening Tribune commemorating the 30th anniversary.
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== Museum Collections ==
His works are included in the permanent collections of several museums, including the George Eastman Museum, Albright-Knox Art Gallery, and Victoria and Albert Museum in London.
He has had one-person exhibitions in New York, London and Bonn. His photographs are in private, public and academic collections including The Victoria and Albert Museum, Fenimore Art Museum, Albright-Knox Art Gallery, Honolulu Academy of Arts, George Eastman House, American Museum of Natural History, The Sidney Clark Collection at Avon Old Farms, Cooper Hewitt, Smithsonian Design Museum, Atlantic Richfield Company (ARCO) Collection and Kroch Library's Rare Manuscript Collections at Cornell University.
https://newcatalog.library.cornell.edu/catalog/4375602 and/or https://rmc.library.cornell.edu/EAD/htmldocs/RMM06503.html.
== Historical NY Background ==
Moved to lower Manhattan's Cast Iron District and renovated a paper box factory loft into a photography studio/living loft on 71 Greene Street, New York, NY. Documentary photography of artists, their interior spaces, street activity, and architecture. Was a major photographic contributor/author for New York Magazine during the Decade of New Journalism. Published the 5/20/74 New York Magazine SOHO issue "Lofty Living" establishing the coining of "SOHO" as the turning point from frontier to tourist." 1969.
Steve Myers Studio located at 71 Greene Street, New York, NY. for multiple years from 1969 published in the 1977 Madison Avenue Handbook. p. 163. 1977.
== New Journalism ==
He was a major key contributor, conceptual strategist and author to "New Journalism" during the 1960s and 1970s. His investigative photojournalism with New York Magazine, Esquire, et. al. was featured in major stories of media figures, current events in the New York City and upstate. As a key contributor to the magazine he developed concept strategies on how to engage readership.
The New York Magazine profile's focused on the Alien Nomads, Sally Quinn, Lynda Benglis, Norman Cousins, Count Basie, Don Imus, Leon Lewis, Eddie Egan and other public interest stories.
He traveled with the Alien Nomads as a club photographer for a year culminating in the 8/25/69 feature in New York Magazine, "The Lower East Side as Street Theatre: Watch Out for Act III." August 25, 1969. Traveled with the Alien Nomads as a club photographer for a year culminating in the 8/25/69 feature in New York Magazine. "The Lower East Side as Street Theatre: Watch Out for Act III." August 25, 1969.
He completed over 200 feature articles for New York Magazine during the 60s and 70s as a part of the "New Journalism" movement.
== Works for New York Magazine and Related Museum Acquisitions==
Mr. Myers was a major key author to "New Journalism" during the 1960s and 1970s. His investigative photojournalism with New York Magazine during this period includes extensive credits, resulting in museum acquisitions (Cooper Hewitt Smithsonian Design Museum), an Aspen Design Award and multiple book publications documenting the period.
New York Magazine. "Trollers on TV: The Power and the Profit." February 14, 1972. From the issue Birth of ‘The New Journalism’; Eyewitness Report by Tom Wolfe.
New York Magazine. An exhibit on the dynamic Off-Off Broadway festival on Greene Street, where the artist and photographer Mr. Myers also resided. "Soho: The Most Exciting Place To Live in the City." May 20, 1974.
New York Magazine. An investigative piece on The SoHo Weekly News. "Shopworn in SoHo." May 20, 1974.
New York Magazine. "Fooling the Eye in Soho." October 11, 1976.
New York Magazine. "Can Adultery Save Your Marriage?" July 3, 1972. Republished, in part, in Highbrow, Lowbrow and Despicable in 2017 from the Editors of New York Magazine.
New York Magazine. "The Hudson: Before It Goes Down the Drain" Cover. May 29, 1972.
New York Magazine. "Norman Cousins vs. The Promoters." Pages 47, 49. June 19, 1972.
New York Magazine. Profiling Don Imus. “Radio Therapy: Shock Treatment in the Morning.” Page 30. April 3, 1972.
New York Magazine. Leon Lewis and his WMCA Show. “Radio Therapy: Surrogate Father at Night.” Page 35. April 3, 1972.
New York Magazine. Football Discussion. “Power Play: Touch Football Is For Keeps.” Pages 48-50. January 14, 1972.
New York Magazine. "Adventure In An Age of Austerity." Page 51. April 1, 1974.
New York Magazine. Portrait of Lynda Benglis. "The New Sexual Frankness: Good-by to Hearts and Flowers." February 17, 1975.
New York Magazine. "The Greatest PEOPLE in Town." Pages 29-32. December, 31, 1973/January 7, 1974.
New York Magazine. "New York Nuns." Pages 38-41. August 28, 1972.
New York Magazine. "What's Cooking Up The Hudson." June 25, 1973.
New York Magazine. "The Artful Lodger. In the Lab of Luxury: Great New York Bathrooms." Pages 44-49. September 30, 1974.
New York Magazine. "Waking Up With Sally Quinn." July 16, 1973.
New York Magazine. "Chinese Grocery." 1972. This investigative story is featured in the Cooper Hewitt, Smithsonian Design Museum. The poster was also the recipient of the Aspen Design Competition Award.
Cooper Hewitt Smithsonian Design Museum.
Exhibition Aspen Design Competition Award. 1972.
Milton Glaser Collection drawer 21 folder 27. Poster for the International Design Conference in Aspen, 1972.
New York Magazine. Pages 3, 21. Image of Hank Schwartz, a promoter of the October 30, 1974 Muhammed Ali-George Foreman fight, standing with Don King. August 5, 1974.
New York Magazine. "The Operation Was A Success But The Patient Died." Cover. November 18, 1978.
New York Magazine. "Shape Up!" Santa Claus Cover Image. December 8, 1975.
New York Magazine, "It All Happened Here. Where Else?" Multiple Apples Cover. December 26, 1977/ January 2, 1978.
New York Magazine. "Why They Got Popeye." Eddie Egan Portraits. Pages 28 - 34. Eddie Egan portrayed by Gene Hackman as Detective Jimmy "Popeye" Doyle in the French Connection.
 New York Magazine. "Why They Got Popeye." Eddie Egan Portraits. Pages 28 - 34. January 31, 1969. Eddie Egan portrayed by Gene Hackman as Detective Jimmy "Popeye" Doyle in the French Connection.
His "New Journalism" work with NY Magazine was republished in Highbrow, Lowbrow, Brilliant, Despicable by the Editors of New York Magazine in 2017, Mag Men: Fifty Years of Making Magazines in 2019 and Milton Glaser, Graphic Design in 1983 and 2020.
Highbrow, Lowbrow, Brilliant, Despicable: Fifty Years of New York Magazine Hardcover - Illustrated, November 7, 2017.
Highbrow, Lowbrow, Brilliant, Despicable: Fifty Years of New York Magazine Hardcover - Illustrated, November 7, 2017.
Mag Men: Fifty Years of Making Magazines Hardcover - Illustrated, December 31, 2019.
Milton Glaser. Graphic Design. 1983. Republished 2020.
== Authorship for Esquire ==
Mr. Myers was a major key author to Esquire "New Journalism". His investigative photojournalism with Esquire during this timeframe provides a comprehensive snapshot of the period.
His Esquire features on electric cars are in-line with his museum exhibitions at the American Museum of Natural History and the Smithsonian Institute, that focused on biodiversity and climate change. The comprehensive article on billiards, pool and city life covered the unique culture of the game's aficionados, in which he served as the author/conceptualist. He also covered the challenges of professional golf and documented folk music through a thorough article on banjos. 
His personal interview by Gordon Lish, American writer born 1934, for Esquire was featured in the March 1972 issue of the magazine.
Esquire Magazine. "For $3.75 worth of fuel, you can drive this car from New York to Chicago. But don't rush off to the showroom just yet.." Introduction of the Early Electric Car. Early 1970s.
He was a contributor to the Esquire feature on the challenges and "hazards" of golf that included the Oakland Hills Country Club, Augusta National Golf Club, Merion Golf Club and Fort Dupont Golf Course. 
He was the author/conceptualist for the Esquire profile on Banjos that included portraits of notable musicians Kyle Creed, Tommy Jarrell Creed, Snuffy Jenkins, Pappy Sherrill, Bill Keith and Eric Weissberg (of Dueling Banjos fame with Steve Mandell).
Interview of Steve Myers, American born 1942 by Gordon Lish, American writer born 1934, was featured in the March 1972 issue of Esquire entitled "Backstage with Esquire."
== Other New Journalism Publications ==
Other publications during this significant period of American and British journalism included Fortune, Playboy, A.D. Magazine, New Times Magazine, Harper's Magazine, Natural History Magazine, VIVA Magazine, Seventeen, Audience Magazine, Working Woman, National Lampoon, The Saturday Review and NOVA.
This period of significant publishing and graphic design was documented in the publication by Walter Bernard, one of New York Magazine's founders in Graphis Annual 74/75 The International Annual of Advertising and Editorial Graphics.
Audience Magazine: "Vintage Red Hood Grill - Cover, Spine and Back Image. Design: Car Customizing. Pages 84-91" 1939 Ford by Guy Spoonley. Volume 2, Number 4 July - August 1972 Hardcover - January 1, 1972.
Audience Magazine: "Vintage Red Hood Grill - Cover Image. Design: Car Customizing. Pages 84-91" 1939 Ford by Guy Spoonley. Volume 2, Number 4 July - August 1972 Hardcover - January 1, 1972.
National Lampoon. The Humor Magazine. "Cover Image." November 1972.
National Lampoon. The Humor Magazine. "Cover Image." November 1972.
National Lampoon. "Rim Shot: The Rolling Stones." The Humor Magazine. October 1972.
NOVA Magazine. "Now We Know What The Committee's Been Up To." January 1972.NOVA Magazine. "Now We Know What The Committee's Been Up To." January 1972.
NOVA Magazine. "Adventures of Archie 1950s Fashion Flashback." March 1973.
VIVA Magazine. Article on custom snake skin boots. September 1974.
Playboy Magazine. Article on a customized imported Lancia Scorpion GT Coupe from Italy. September 1976.
Playboy Magazine. Expose on Wine and bottle storage. March 1978.
Saturday Review. "Cover Image." October 28, 1978.Saturday Review. "Cover Image." October 28, 1978.
Fortune Magazine. December 1971.
== Smithsonian and American Museum of Natural History Museum Biodiversity and Climate Change Exhibitions ==
His museum and gallery exhibitions have provided some of the earliest expositions on climate change, biodiversity and energy use. His Smithsonian Institute "Endangered Species" exhibit in 1968 was one of the earliest showcase museum events to focus on the collapse of species and habitats.
Smithsonian Institute. "Endangered Species." Exhibit. 1968.
The Smithsonian show was followed up by the Centennial exhibition "Can Man Survive?" at the American Museum of Natural History in New York City in 1970. This comprehensive presentation was the first of its kind to focus on environmental issues and climate disruption.
Centennial exhibition. "Can Man Survive?" at the American Museum of Natural History, New York City. The American Institute of Graphic Arts Show Award, New York City. 1970.
Centennial exhibition. "Can Man Survive?" at the American Museum of Natural History, New York City. The American Institute of Graphic Arts Show Award, New York City. 1970.
== Publications and Exhibitions on Species Decline and Energy Use ==
He collaborated with Gaylord Anton Nelson, U.S. Senator, Governor and Founder of Earth Day, in the Bozeman Journalism Conference in 1987 to champion species reintroduction in Yellowstone, focused on the wolf. This forum was held at the Lone Mountain Ranch in Big Sky, Montana and included the showcase presentation "Politics vs. Environment" by the Wilderness Society. This four day symposium to inform members of the media on these issues was in line with his work on significant species decline, including his early shows at the Museum of Natural History and the Smithsonian Institute.
Mr. Myers worked with The Wilderness Society on several projects and was featured in the Winter 1987 issue of Wilderness, focusing on the Department of Interior National Forests and deforestation. These endeavors were in sync with his initiatives on climate change, biodiversity and species decline.
His one-artist shows have featured critical examinations of societal energy use and botanical subspecies, including those at the Nina Freudenheim Gallery, Fenimore Art Museum, 171 Cedar Street Art Center and Michael Hoppen Photography. The Michael Hoppen show "New Contemporaries" was written up in What's On In London, Gardens Illustrated and the Evening Standard. The work from the show is featured in several private and museum collections, and showcased in Architectural Digest.
One-Artist Show "Beyond Control" Nina Freudenheim Gallery, Buffalo, New York. November 6- December 1, 1993. This show featured a portrait of Dr. Theodore B. Taylor, Theoretical Physicist, which also later appeared in Dr. Taylor's New York Times obituary on November 5, 2004, and in the Cornell collection.
One-Artist Show "Beyond Control" Nina Freudenheim Gallery, Buffalo. 1993.
Nina Freudenheim Gallery. "Vision." Exhibition. Buffalo, New York. 1995.
Nina Freudenheim Gallery. "Vision." Exhibition. Buffalo, New York. 1995.
"Vascular Landscape." Fenimore Art Museum. Cooperstown, New York. April 1999 - January 2000. This also included a June 1999 featured speaker presentation by the same name. Former First Lady Laura Bush (George W. Bush's wife) was provided a private viewing with the Museum's curator Niles Parker.
"Vascular Landscape." Fenimore Art Museum. Cooperstown, New York. June 1999.
171 Cedar Street Art Center. "One artist show." Exhibition. Corning, New York. November 1998.
"One artist show." Corning, New York. November 1998.
Michael Hoppen Photography. "New Contemporaries." Exhibition. London. May 1999.
Michael Hoppen Photography. "New Contemporaries." Exhibition. London. May 1999.
What's On In London. May 12 -19, 1999.
Gardens Illustrated. Page 14. June. 1999.
Evening Standard. May 18, 1999.
Evening Standard. May 18, 1999.
Architectural Digest. Photographic feature. 2000.
== George Eastman House Collections ==
His individual gallery exhibitions have translated into museum acquisitions at the George Eastman House (G.E.H./I.M.P.) and other collections.
Robert Friedus Gallery, Daniel Wolf, Inc. Holly Solomon. New York City; Rheinisches-Landesmuseum. "Light-bild-nisse" Bonn, German. One Artist Show: G.E.H/I.M.P. Entered G.E.H./I.M.P. permanent collection. 1981.
Robert Friedus Gallery, Daniel Wolf, Inc. Holly Solomon. New York City; Rheinisches-Landesmuseum. "Light-bild-nisse" Bonn, German. One Artist Show: G.E.H/I.M.P. Entered G.E.H./I.M.P. permanent collection. 1981.
His collaborative gallery exhibitions have also resulted in publications, including the George Eastman House show "Vision and Expression" that was reproduced in a January 1, 1969 book of the same name.
== Interview and Profile of the Artist in LIFE Magazine ==
His “Camera at work” interview by Harriet Barovick of LIFE Magazine in March 1998 provided a personal profile of the artist in a seven page editorial spread and included the images (that were also presented on the contents page) featured in the collections of the Victoria and Albert and other museums.
The photographs featured as a part of Fenimore Art Museum and Michael Hoppen Photography exhibits were also featured in LIFE Magazine's "The Best Magazine Photography of the Year." Spring 1999.
== Alfred Eisenstaedt Photography Award ==
This Life Magazine published work received an Alfred Eisenstaedt Award for Photography in Journalism from the Columbia University Graduate School of Journalism by independent jury.
LIFE Magazine. "The Best Magazine Photography of the Year." Spring 1999. This work has received an Alfred Eisenstaedt Award for Photography in Journalism from the Columbia University Graduate School of Journalism by jury.
The Eisenstaedt Photography Awards were established at the Columbia University Journalism School in 1997.
These photographs were also featured in Natural History Magazine and New York State Heritage Association's Heritage Magazine to complement the presentation at the Fenimore Art Museum.
Natural History Magazine. Inaugural feature "Image." November 1998.
Natural History Magazine. Inaugural feature "Image." November 1998.
Natural History Magazine. "The Flower Issue." 4-page feature. "Life in Bloom." May 1999 Issue.
Natural History Magazine. "The Flower Issue." 4-page feature. "Life in Bloom." May 1999 Issue.
Heritage. The New York State Historical Association. Photographic feature. Summer 1999 issue.
Heritage. The New York State Historical Association. Photographic feature. Summer 1999 issue.
== Portraits of Rural American History: Museum Exhibitions and Publications ==
Mr. Myers' work has included a portrait of rural American history centered on our agrarian based society. 
This work has been featured in a 1981 Southern Tier Library Initiative exhibit and lecture series and grant recipient (from the New York State Council on the Arts and the Warhol Foundation), a 1982 Traveling exhibit "Color as Form" at the Corcoran Gallery of Art, Washington, D.C., a 1983 Albright-Knox featured show "In Western New York", a 1984 CEPA Gallery of Contemporary Photography and Visual Arts "One Man Show" (also included in a Hallways exhibit circa 1980s), a 1986 Cortland Art Council Group Exhibition and a lecture and Visual Studies Workshop "Diverse Forms Artists' Projects" in Rochester, New York (funded by the Rockefeller Foundation, NEA, Jerome Foundation and Warhol Foundation).
CEPA Gallery, Contemporary Photography and Visual Arts Center. "One artist show." 1984.
CEPA Gallery, Contemporary Photography and Visual Arts Center. "One artist show." Buffalo, NY 1984
Albright Know Gallery. "In Western New York." 1983.
Albright Know Gallery. "In Western New York." 1983. Buffalo, NY. 1984
Corcoran Gallery of Art, Washington, D.C. "Color as Form." Washington, D.C. 1984.
Corcoran Gallery of Art, Washington, D.C. "Color as Form." Washington, D.C. 1984.
His comprehensive portraits of rural life were featured in One-Man Shows at the Nina Freudenheim Gallery in 1982 and a Group Show at Robert Freidus Gallery Inc in 1981. Mr. Myers was profiled in the Wednesday, March 24, 1982 Buffalo Evening News. His contribution to the exhibition was chronicled by Fred W. McDarrah, American born 1926 in the July 15-21 issue of The Village Voice and by Ben Lifson in the July 22-28 issue of The Village Voice.
== Collaboration and Publications with American Craft-makers ==
Mr Myers' has also collaborated on several publications documenting American crafts, quilts, ceramics and handmade products, including the work of Robert Turner, Linn L. Phelan, John and Andrea Gill, John Wood, John McQueen, Wayne Higby, Ted Randall, Anne Currier, George Hrycan, Sandy Berry, Glen Zweygardt and Val Cushing.
This has included Handmade in America. Conversations with Fourteen Craftmasters by Barbaralee Diamonstein and several other books and publications.
== Music Discography and Awards ==
He has documented multiple artists (in New York Magazine and Esquire) and musicians from the Sixties and Seventies. His work has been featured in several albums, including Ambergris. "Rooster Cover Image." Paramount Records. 1970. The "Rooster Image" was also used for the cover image of the band's 45 single release, Forget It, I Got It/Sunday Lady.
 https://www.allmusic.com/album/ambergris-mw0001882432
Ambergris, which was selected as one of the best LP covers of 1970 and featured in Cover '70 (which focuses on the covers of books, magazines and record albums) by an independent jury, including members of the Los Angeles Times. 
The Committee: Chairman: John Berg, CBS Records, Planner: Samuel N Antupit, Hess and/or Antupit, Designer of Publications and Exhibitions: John Berg, AIGA President: Henry Wolf, Trahey/Wolf Advertising, Inc., Executive Director: Edward M. Gottschell. The Jury: Christopher Cerf, Random House, Inc., Lou Dorfsman, CBS Broadcasting Group, Gene Federico, Lord, Geller, Federico and Partners, Inc, Mike Salisbury, Los Angeles Times.
Ambergris? Rooster album cover was also repurposed by the band Pavement on Watery Domestic.
 https://www.allmusic.com/album/watery-domestic-mw0000617559
The Ambergris rooster image was also repurposed by the band Pavement, Watery Domestic. January 16, 2010 by scrawling over the original Ambergris LP cover.
== Works Showcasing Native American Culture ==
His extensive publishing work on Native American culture has included several books on the subject From the Land of the Totem Poles: The Northwest Coast Indian Art Collection at the American Museum of Natural History January 1, 1988.
From the Land of the Totem Poles: The Northwest Coast Indian Art Collection at the American Museum of Natural History January 1, 1988.
He was selected by the American Museum of Natural History to curate the pieces for inclusion in the book.
Additional insights into the Museum's collection of Northwest Coast Indian Art was showcased in the story "The Man Behind the Masks" which Mr. Myers and Aldona Jonaitus collaborated on.
He is also featured in following: The Keepers of the Totem. University of Wisconsin-Madison. Time-Life Books. 1993, The Way of the Spirit. Time-Life Books. 1997. Republished 1999, The Spirit World. Time-Life Books. 1992, Chroniclers of Indian Life (American Indians). Time-Life Books. 1996 and American Indian Art Magazine. 1988.
His portraits of significant Lakota (Russell Means) and Ojibwe (Dennis Banks) Native Americans, are featured in the collections of the Albright-Knox Art Gallery and used in the launch of several commercial products for Eastman Kodak and Rollei.
Kodak Paper and Film Launch. "Portrait of Dennis Banks - Native American." 1992.
Kodak Paper and Film Launch. "Portrait of Dennis Banks - Native American." 1992.
== KODAK Publications and Product Showcases ==
Over the years Eastman Kodak collaborated with artists and photographers on several publications, highlighting the best works in the United States and internationally. These have included the Joy of Photography and More Joy of Photography books. More Joy of Photography includes the work of Stephen S Myers, American, born 1942. More Joy of Photography." p. 68/69. Eastman Kodak Company. Pennsylvania State University. January 21, 1988.
Other collaborative publications by the artist with Eastman Kodak have included Photography with Large Format Cameras, KODAK Professional Black-and White Films and Professional Graphic Illustration, which are also featured in the collections of the George Eastman House and other museums.
Other film and product launch campaigns that also included Stephen S Myers, American, born 1942 have included the Watkins Glen Raceway in New York, Portrait of a significant Ojibwe Native American, Dennis Banks and CLIO Award winner Kodak Introduces 3-Minute RC Paper which featured an iconic "egg".
Kodak Developer T-MAX 400. Professional Film Launch. Advertisement: Image: "Driver Watkins Glen Raceway, NY."
Kodak Developer T-MAX 400. Professional Film Launch. Advertisement: Image: "Driver Watkins Glen Raceway, NY."
Kodak Paper and Film Launch. "Portrait of Dennis Banks - Native American." 1992.
Kodak Paper and Film Launch. "Portrait of Dennis Banks - Native American." 1992.
Kodak Introduces 3-Minute RC Paper. 1984. CLIO Award Winner. 1985.
Kodak Introduces 3-Minute RC Paper. 1984. CLIO Award Winner. 1985.
Rollei Exhibition. Javits Center, New York, New York. November 2001.
Rollei Exhibition. Javits Center, New York, New York. November 2001.
== Commercial Work ==
Additional corporate work has included the Kellogg's Corn Flakes packaging, featuring the photography of Stephen S Myers, American born 1942. 
Kellogg's Corn Flakes. Cereal Box Cover Image.
Kellogg's Corn Flakes. Cereal Box Cover Image.
He was the conceptual strategist for the original content for advertising campaigns for Sports Illustrated, GOYA, Corning, Inc., Remington Firearms, Crossman Arms, S.M. Flickinger, Westinghouse, Wilton Armatele, Ortho Pharmaceutical Corporation, Ceiba-Geigy AG, Thatcher Glass, Citibank, National Silver, Clark University, Mitchell, Hutchins Inc., The Danbury Mint, I Love New York (Steuben and Allegany Counties) Campaign, Gunlocke, Castillo Rum, L.L. Bean, Revlon, Avon Products, Kellogg Company, Eastman Kodak, Rollei, Dupont and British Petroleum.
Category:American photographers
Category:American authors
Category:1942 births