nyuuzyou/wikis huggingface dataset:
Jezebel (Recoil song)

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== Music video ==
The music video for "Jezebel" was uploaded to the official Recoil on 7 November 2007.
== Remixes ==
=== Jezebel (Seductress Mix) ===
The "(Seductress Mix)" is a remix produced as a collaborative effort between remixer Ehron VonAllen and Alan Wilder, who provided suggestions and feedback throughout its production. Notably, the remixer detailed Wilder's input and dissected various elements of the song via video annotations in a 2012 YouTube video upload. YouTube removed the annotations feature as of January 2019, however, a mirror of the original annotations can be viewed at indivio.us. Below is a transcript of Ehron VonAllen's annotations edited for clarity:
0:08 - [The] intro male vocal is [from] the original [Golden Gate Jubilee Quartet] voice slowed down.
0:12 - The bassline is the original from Alan's stems, except it was looped twice and overlapped just slightly to give a more sequenced effect.
0:57 - This famous "Bonham" drum loop that kicks in here [was used by Alan] in Depeche Mode's 'Halo' & 'Get Right With Me'.
1:21 - Here, I recreated Alan's bass sample so I could have more options. I didn't want to abandon the signature 'Jezebel' bassline, so I kept its overall tone.
1:49 - You can hear three time-stretched cymbals in a row. This was requested by Alan after I sent him the first version of the song. He thought it would make the transition coming after that go smoother. He was right of course.
1:59 - The violin sequence is taken from Ehron VonAllen's 2003 cover of 'Jezebel'.
2:09 - The bassline in this section is Alan's original 'Jezebel' bassline sample, just in reverse to give the illusion of a new line.
3:14 - The male voice is Ehron VonAllen's vocals from the chorus of his song 'Countless Contradictions' but it is reversed to give a more sinister and dark effect.
3:17 - It was Alan's idea to add a filtering effect here.
3:36 - The female vocal is gospel singer Nancy Allen taken from Ehron VonAllen's song 'Estella'.
4:00 - The female vocal is Nancy Allen again, [using the] same vocals from the song 'Estella' but in reverse to give off [an] "exotic language" effect.
4:11 - These vocals originally appeared near the beginning of the song.
4:42 - It was Alan's idea to leave the last vocal part hanging over so long during the transition, which worked great.
4:54 - There was once a section here that used samples from the Recoil song 'Bloodline', but that segment didn't fit in the final mix well.
5:04 - During the discussion to remove that part, Alan revealed that there is a sequence in 'Electro Blues For Bukka White' that he created originally [for use with] 'Waiting For The Night'.
5:12 - After Alan expressed the change, he said "Now you know why they call me a perfectionist control freak right?" Great quote :)
5:23 - The female vocal [pronouncing the word] "judgement" throughout the song is [performed by] Diamanda Galás.
Category:Song
Category:Singles
Category:Recoil songs
Category:Recoil singles
Category:Liquid songs
Category:Liquid singles
Category:Songs produced by Alan Wilder
Category:Songs with official music videos
Judas

is a song from the 1993 album Songs Of Faith And Devotion by Depeche Mode.
== Notes ==
Martin Gore tells Australian newspaper In Press:
"'Judas' is an arrogant love song. We are not condoning unsafe sex. It is about wanting one hundred percent of someone in a relationship – the ultimate arrogance."
Alan Wilder was asked by a fan on his site if it is true that recording Judas resulted in a hige fight between him and Martin:
"Huge fight? No, but true to say that Martin and I didn't really see eye to eye on that one. We actually recorded that track in 3 or 4 different ways, the reggae-ish version being the second incarnation I think. There was also the original demo style as well as a sort of blues / country version. The final version was completed very late in the day and Martin didn't say much about it which is his way of indicating he doesn't like something."
In 2009, a few old demos were released on the 'Sounds Of The Universe' deluxe boxset, including one of 'Judas'. Martin Gore informed Hans Derer in the book Depeche Mode: Gott, Sex und Liebe in January 1993 (translated from Germany):
"We try out all sorts of ways of presenting a song. Each attempt puts the song in a different light. You can't even imagine what versions there are of some songs. For example, there is a reggae version and a blues version of "Judas" - it's terrible. But we have to go through this stage to realise that all versions except the one that is ultimately valid are terrible. That's the only way we can get on the right track." 
And when asked on the same site how the crowd section at the end of Judas was recorded, he replied:
"15 people (tape op's, studio secretaries, the cook etc...) multitracked 6 times making a total of 90 voices + delays and reverbs. Then we eq'ed the sound to make it seem like it was sung in a deep southern church hall in the 1960's, rather than Wembley stadium."
Alan Wilder said in the May 1993 issue of Keyboard magazine:
"[T]he beginning of "Judas" has Uillean pipes recorded straight, with backwards reverb mixed in."
== Live performances ==
Category:Depeche Mode songs
Category:Songs of Faith and Devotion songs
Category:Songs in D♭ Major
Category:Songs between 125-129 BPM
Category:Songs written by Martin L. Gore
<metadesc>"Judas" is a song from the 1993 album Songs Of Faith And Devotion by Depeche Mode.</metadesc>
Junior Painkiller

is an instrumental interlude from the 1997 album Ultra by Depeche Mode. It is derived from the B-side instrumental , which appeared on the single on 3 February 1997.
== Notes ==
Tim Simenon said in the Depeche Mode special of Classic Pop magazine, published on 1 August 2019:
"Junior Painkiller" was Martin['s idea]. He liked the idea of a surprise, having the album creep up back in when you didn't expect.
== Live performances ==
Category:Depeche Mode songs
Category:Ultra songs
Category:Depeche Mode instrumental songs
Category:Instrumental songs
Category:Songs in B Major
Category:Songs between 70-74 BPM
<metadesc>"Junior Painkiller" is an instrumental interlude from the 1997 album Ultra by Depeche Mode. It is derived from the B-side instrumental "Painkiller", which appeared on the "Barrel Of A Gun" single on February 3, 1997.</metadesc>
Kaleid

"Kaleid" is an instrumental song produced during the recording of the 1990 album Violator by Depeche Mode. It was released as a B-side to the single "Policy Of Truth" on 7 May 1990.
== Live performances ==
Category:Depeche Mode songs
Category:Violator songs
Category:Depeche Mode instrumental songs
Category:Instrumental songs
Category:Songs in G Major
Category:Songs between 110-114 BPM
Category:Songs written by Martin L. Gore
Category:Depeche Mode B-sides
<metadesc>"Kaleid" is an instrumental song produced during the recording of the 1990 album Violator by Depeche Mode. It was released as a B-side to the single "Policy Of Truth" on 7 May 1990.</metadesc>
Last Breath

is a song from the 1997 album Unsound Methods by Recoil.
== Composition ==
=== Sample sources ===
Category:Song
Category:Recoil songs
Category:Unsound Methods songs
Category:Songs produced by Alan Wilder
Category:Never played live
== Notes ==
== References ==
<metadesc>"Last Breath" is a song from the 1997 album Unsound Methods by Alan Wilder of Recoil.</metadesc>
Leave In Silence

is a song from the 1982 album A Broken Frame by Depeche Mode. It was released as a single on 16 August 1982.
== Notes ==
The band said in the 1985-10-26 issue of Melody Maker:
Martin Gore: "We all believed in this one – perhaps too much."
Dave Gahan: "It's got a great atmosphere as a single – it didn't do too well but it did broaden our appeal." 
== Music video ==
== Live performances ==
== References ==
Category:Singles
Category:Depeche Mode songs
Category:Depeche Mode singles
Category:A Broken Frame songs
Category:A Broken Frame singles
Category:Songs in E Minor
Category:Songs between 120-124 BPM
Category:Songs written by Martin L. Gore
Category:Songs with official music videos
Category:Songs with working titles
<metadesc>"Leave In Silence" is a song from the 1982 album A Broken Frame by Depeche Mode. It was released as a single on 16 August 1982.</metadesc>
Lie To Me

is a song from the 1984 album Some Great Reward by Depeche Mode.
==Notes ==
Quotes from the documentary on the DVD of the Some Great Reward remaster from 2006:
Martin Gore: "Lie To Me: I don't know if we made the best version of that that we possibly could have done, but I quite like that as a song."
Daniel Miller: "Lie To Me was, I think, one of the strongest songs that Martin had written up until that point. I thought it just had a great feeling to it."
Martin Gore: "It was just one of the first tracks that had this chord change that I've used over the years - overused, over the years."
Dave Gahan: "Lie To Me was one that we had played for a long time live, which I always really liked, I think, really simple and direct, and we toyed with the idea of bringing that back on [Touring The Angel], actually."
From the 1984-09-22 issue of Melody Maker:
Suggesting that “Some Great Reward” is dominated by "anti-love" songs brings a considered but emphatic "No" from Martin.
Martin: 'Lie To Me' isn't an anti-love song... it's about a situation of paranoia which anybody could find themselves in." 
== Live performances ==
== References ==
Category:Depeche Mode songs
Category:Some Great Reward songs
Category:Songs in B Minor
Category:Songs between 110-114 BPM
Category:Songs written by Martin L. Gore
Category:Songs with working titles
<metadesc>"Lie To Me" is a song from the 1984 album Some Great Reward by Depeche Mode.</metadesc>
Light

is a song from the 2009 album Sounds Of The Universe by Depeche Mode. It was released as a bonus track on the Sounds Of The Universe deluxe box set.
Category:Depeche Mode songs
Category:Songs written by Martin L. Gore
Category:Sounds Of The Universe songs
Category:Songs between 125-129 BPM
Category:Songs in A Minor
<metadesc>"Light" is a song from the 2009 album Sounds Of The Universe by Depeche Mode. It was released as a bonus track on the Sounds Of The Universe deluxe box set.</metadesc>
Lilac Wine

== Notes ==
This is a cover song on Soulsavers' third collaboration album with Dave Gahan, titled 'Imposter'. The song was originally performed by Eartha Kitt.
== Live Performances ==
<DPL>
category = 2021 Imposter Tour
order = ascending
ordermethod = title
</DPL>
Category:Song
Category:Cover
Category:Songs covered by Dave Gahan
Lilian

is a song from the 2005 album Playing The Angel by Depeche Mode. It was released as a double A-side single alongside on 5 June 2006.
== Notes ==
Netzeitung.de asked Martin Gore and Andy Fletcher about this song (translated from German):
Martin: "You really don't wanna know who Lilian is." [laughs]
Andy: "I do not know either. But nevertheless the song is great for waking up at eight in the morning while heating up a plate of pasta."
Category:Singles
Category:Depeche Mode songs
Category:Depeche Mode singles
Category:Playing The Angel songs
Category:Playing The Angel singles
Category:Songs in F♯ Major
Category:Songs between 130-134 BPM
Category:Songs written by Martin L. Gore
<metadesc>"Lilian" is a song from the 2005 album Playing The Angel by Depeche Mode. It was released as a double A-side single alongside "John The Revelator" on 5 June 2006.</metadesc>
Liquid

Liquid is the second studio album by Recoil, released on 21 March 2000 by Mute Records.
== Track list ==
#Black Box (Pt. 1)
#Want
#Jezebel
#Breath Control
#Last Call for Liquid Courage
#Strange Hours
#Vertigen
#Supreme
#Chrome
#Black Box (Pt. 2)
For a full list of songs, singles, and B-sides produced for this album, see the list of Liquid songs.
== Singles ==
#Strange Hours – 3 April 2000
#Jezebel – 18 September 2000
Category:Alan Wilder solo works
Category:Album
Category:Recoil albums
Category:Recoil albums released between 2000-2007
Category:Albums released between 2000-2009
<metadesc>Liquid is the second studio album by Recoil, released on 21 March 2000 by Mute Records.</metadesc>
List of Depeche Mode live sample sources by tour

:This article is about the various sample sources used in the live arrangements of Depeche Mode songs as they were performed on the various concert tours undertaken by the group. For a list of sample sources used on the studio recordings of Depeche Mode works, see List of Depeche Mode sample sources by album. For a list of sample sources used on the studio recordings of Recoil works, see List of Recoil sample sources by album.
In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode are among the most prolific acts to utilise technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of their songs performed between 1980 and 2023.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
== 1997 Ultra Parties ==
= References =
= Notes =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of their songs performed between 1980 and 2023.</metadesc>
List of Depeche Mode live sample sources by tour/1984-1985 Some Great Reward Tour

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of songs performed on the 1984-1985 Some Great Reward Tour.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= 1984-1985 Some Great Reward Tour =
== ==
= Notes =
= References =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of songs performed on the 1984-1985 Some Great Reward Tour.</metadesc>
List of Depeche Mode live sample sources by tour/1987-1988 Music For The Masses Tour

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of songs performed on the 1987-1988 Music For The Masses Tour.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= 1987-1988 Music For The Masses Tour =
== Pimpf ==
== Behind The Wheel ==
== Strangelove ==
== Sacred ==
== Something To Do ==
== Blasphemous Rumours ==
== Stripped ==
== Pipeline ==
== It Doesn't Matter ==
== Somebody ==
== The Things You Said ==
== Never Turn Your Back On Mother Earth ==
== Black Celebration ==
== Shake The Disease ==
== Nothing ==
== Pleasure, Little Treasure ==
== People Are People ==
== A Question Of Time ==
== Never Let Me Down Again ==
== A Question Of Lust ==
== Master And Servant ==
== Just Can't Get Enough ==
== Everything Counts ==
= Notes =
= References =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of songs performed on the 1987-1988 Music For The Masses Tour.</metadesc>
List of Depeche Mode live sample sources by tour/1990 World Violation Tour

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the , Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
= Information =
This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of songs performed on the 1990 World Violation Tour.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= 1990 World Violation Tour =
== ==
== ==
== "Route 66" ==
= Notes =
= References =
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the live concert tour arrangements of songs performed on the 1990 World Violation Tour.</metadesc>