nyuuzyou/wikis huggingface dataset:
1984-12-16 Wereldparade, KRO FM, Hilversum, Netherlands

== Notes ==
Martin Gore calls from Rotterdam to Hilversum to talk about the show that DM are giving later that night.
* Duration: 02:18 minutes
== Audio ==
<html5media>https://media.dmlive.wiki/interviews/1984-12-16%20-%20KRO%20FM%20(Netherlands)%20-%20Wereldparade%20(Interview%20with%20Martin).mp3</html5media>
== Transcript ==
Martin: [...] hello.
Host: Hello. How's life in Rotterdam?
Martin: Sorry?
Host: How's life in Rotterdam?
Martin: Life in Rotterdam is pretty good, we only arrived yesterday, but we're enjoying, we're having quite a good time.
Host: What do I hear on the background? Who's playing there?
Martin: Well, we got a piano, right next to me here, and Mr. Alan Wilder is playing a few Depeche Mode hits in the background.
Host: Eh, thanks very much for that. By the way, Karin van Haren is here in our studio, and Karen wants to talk to you for about two minutes...?
Martin: That's alright, yeah.
Host: Here she is. 
Karin: OK, hello, how are you?
Martin: Hello, alright, thank you.
Karin: I wanna ask you something. Why did you chose the name Depeche Mode?
Martin: Why?
Karin: Yes.
Martin: Well, originally we had a very bad name, and we had to get rid of it, and we spent a lot of time thinking about the name but we couldn't come up with anything, and at the time, Dave was at college doing Window Display and Fashion Design, so he used the magazine Depeche Mode quite a lot, the French fashion magazine, so we just stole the name, because we couldn't think of anything better.
Karin: OK. Are you nervous for tonight?
Martin: Nervous? Nooo... Did you say "nervous"?
Karin: Yes?
Martin: No, not really. We've been doing it for quite a while now, so we're used to it. We've been on tour six weeks in England, five weeks in Europe, so we're quite used to it by now.
Karin: OK. And are you home with Christmas and New Year? Or you have concerts? [sic]
Martin: I'm going on holiday. Me and Alan are going on holiday for Christmas.
Karin: Oh, where?
Martin: I'm going to Fuerteventura, Canary Islands, and Alan is going to sunny Spain.
Karin: Oh, that's nice. Well, I'll see you tonight. I'll be there in your concert, and I wanna ask you, will you play tonight, eh, eh - oh, I forgot the name, eh, I don't know, eh...
Host: Nou, Karin? ["Well, Karin?"]
Martin: What are you saying?
Karin: Yes, eh, I forgot the name of the song... Eh, "...only wanna do is see you"? Do you wanna play that tonight?
Martin: We probably will. You never know with us, you know.
Karin: OK, bye bye.
Martin: OK, goodbye, see you.
Host: And thanks very much for the background. And lots of success for the gig tonight.
Martin: Yeah, that's alright, see you, bye.
== Lineage ==
*low generation Maxell XLII 90 high position cassette, 1982 - 1984 Europe stock -> Technics RS-AZ7 cassette deck -> Yamaha RX-V1300RDS receiver -> Roland R-05 (24/48) -> WAV (16/44) -> encoded to MP3 for streaming
*Transfer: darkdevoted
Category:Interviews
Category:Interviews featuring Martin Gore
1984-12-17 Bercy, Paris, France

== Notes ==
Journalist Gérard Bar-David followed Depeche Mode around on this day for Best magazine, you can read that in French and English here. In that report, it is said that 14,000 tickets were sold and there were 1000 guests. According to promotional posters circulating at the time, the concert was originally going to take place at the smaller Zénith Paris.
Jacques Attali, then the head of Mute France, also followed the band on that day and he told Magic! magazine in 2001 (translated from French):
"I remember when, before the concert at the Bercy on December 17th 1984, Depeche Mode were scheduled to be on the show Platine 45. The filming took place in Boulogne at two o'clock in the afternoon, and they had to be at the Bercy at four o'clock for the soundcheck. At first glance, it seemed undoable. But I did not give up: I called the gendarmerie and asked for the motorcycle service. The guy was giving me a hard time, but since my name is Jacques Attali [like the counselor to the President], he called me again and told me that he was going to me do a favour. He probably said to himself: "Jacques Attali, you may never know if it's really him." The result: he sent two motorcyclers to the studios in Boulogne, and since there was no chauffeur, I was the one driving some kind of van with a motorcycler in front of us and another one behind us. And and never in their life have Depeche Mode been laughing like that: they were pissing themselves because of it. Once we arrived at Bercy, the band offered a beer to the cyclers, and we could no longer keep them around. We really laughed that day. I say "we", because Bruno Rossignol was with me, a guy I had hired for the promotion at Vogue and who succeeded me at Mute France."
DM playbacked two songs on a French show called "Cote D'Amour" in January 1985. Before the performance, the host did a very short interview with them. A recording of this episode was uploaded by someone named 'Jean Marc' on YouTube in 2013, but his account got deleted due to copyright violations. However, a fan also copied it onto their channel. This is a transcript of that interview:
Interviewer: I saw you at Bercy, I had the impression of almost, like, being at a James Brown concert or something, the mass hysteria. Is that what white kids do?
Dave: No, there was black kids as well. If you looked around. 
Alan: Actually, there weren't many, were there?
Dave: Well, no.
Alan: It was a good - very good concert. We thought it was one of the best on our whole European tour. We were very pleased with it. 
Dave: Sort of 'top of the tour' really, we had virtually finished up in Paris, and so the concert was really good. You know, we didn't know what to expect, we hadn't played in France for a long while. And it was a great suprise to us, to see how the fans-
Alan: -The last time we played in France, we probably played to 500 people or something, you know.
Dave: It's a bit of a difference, from 500 to 16,000. (laughs)
Matt Fretton was the support act.
== Sources ==
*Source 1 is a very good audience recording with minimal crowd noise.
Category:Download available
1984-12-17 Bercy, Paris, France/Source 1

== Notes ==
A very good audience recording, very direct with minimal crowd noise. While there's some phasing throughout the recording, it remains mostly clear.
== Listen ==
You can listen to this entire recording below.
<html5media>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/complete.m4a</html5media>
== Track list ==
CD1:
#[0:47] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD1/01.m4a</sm2> Intro
#[4:00] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD1/02.m4a</sm2> Something To Do
#[4:36] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD1/03.m4a</sm2> Two Minute Warning
#[3:54] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD1/04.m4a</sm2> Puppets
#[5:10] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD1/05.m4a</sm2> If You Want
#[4:11] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD1/06.m4a</sm2> People Are People
#[5:00] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD1/07.m4a</sm2> Leave In Silence
#[4:12] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD1/08.m4a</sm2> New Life
#[4:19] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD1/09.m4a</sm2> Shame
#[5:35] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD1/10.m4a</sm2> Somebody (*)
#[3:39] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD1/11.m4a</sm2> Ice Machine
CD2:
#[5:15] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD2/01.m4a</sm2> Lie To Me
#[5:27] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD2/02.m4a</sm2> Blasphemous Rumours
#[4:49] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD2/03.m4a</sm2> Told You So
#[5:15] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD2/04.m4a</sm2> Master And Servant
#[4:22] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD2/05.m4a</sm2> Photographic
#[5:43] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD2/06.m4a</sm2> Everything Counts
#[4:36] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD2/07.m4a</sm2> See You
#[3:44] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD2/08.m4a</sm2> Shout
#[4:55] <sm2>https://media.dmlive.wiki/stream/dm1984-12-17.aud.unknown.unknown.flac1644/CD2/09.m4a</sm2> Just Can't Get Enough
*Total time: 1:29:30
== Lineage ==
*unknown taper and equipment -> unknown transfer -> 2xCD-R -> Exact Audio Copy (suboptimal settings) -> FLAC level 8
== Download ==
*Download ZIP - FLAC 16-bit 44.1khz - 450MB
Category:Audience recordings
Category:Source
Category:Streamable
1984-12-18 Zaal Brielpoort, Deinze, Belgium/Source 1

== Notes ==
A good, complete audience recording. It plays a little too fast.
== Listen ==
You can listen to this entire recording below.
<html5media>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/complete.m4a</html5media>
== Track list ==
#[4:47] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/01.m4a</sm2> Something To Do
#[4:22] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/02.m4a</sm2> Two Minute Warning
#[3:43] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/03.m4a</sm2> Puppets
#[4:58] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/04.m4a</sm2> If You Want
#[4:02] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/05.m4a</sm2> People Are People
#[4:49] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/06.m4a</sm2> Leave In Silence
#[4:02] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/07.m4a</sm2> New Life
#[4:33] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/08.m4a</sm2> Shame
#[4:57] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/09.m4a</sm2> Somebody (*)
#[3:17] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/10.m4a</sm2> Ice Machine
#[5:19] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/11.m4a</sm2> Lie To Me
#[5:01] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/12.m4a</sm2> Blasphemous Rumours
#[4:26] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/13.m4a</sm2> Told You So
#[5:09] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/14.m4a</sm2> Master And Servant
#[4:04] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/15.m4a</sm2> Photographic
#[6:41] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/16.m4a</sm2> Everything Counts
#[4:21] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/17.m4a</sm2> See You
#[3:32] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/18.m4a</sm2> Shout
#[4:49] <sm2>https://media.dmlive.wiki/stream/dm1984-12-18.aud.unknown.unknown.flac1648/19.m4a</sm2> Just Can't Get Enough
*Total time: 1:26:51
== Lineage ==
*unknown taper and equipment -> low gen tape -> Nakamichi CR-4E -> Sony PCM-M10 (24/48) -> Audacity (volume boost, track splitting) -> FLAC level 8
*Transfer: fallenqueen
*Original info file included
== Download ==
*Download ZIP - FLAC 16-bit 48khz - 543MB
Category:Audience recordings
Category:Cassette sourced recordings
Category:Source
Category:Streamable
1984-12-19 Mal Sondocks Hitparade, WDR, Cologne, Germany

== Notes ==
Mal Sondock presented a hit parade every Wednesday from 1981 till 1984. For the last episode in December 1984, many famous artists gave a greeting for the listeners, such as Depeche Mode, but some also thanked Mal for his work on this hit parade. A fan-site for Mal Sondock contains many excerpts of Mal's broadcasts, including Depeche Mode's greeting.
DM's song Blasphemous Rumours was on number 12 in Mal Sondock's Hitparade that week.
*Duration: 00:23 minutes
== Audio ==
<html5media>https://media.dmlive.wiki/interviews/1984-12-19%20-%20WDR%20(Germany)%20-%20Mal%20Sondocks%20Hitparade.mp3</html5media>
== Transcript ==
Mal: Wir haben noch Weihnachtsgrüße von Depeche Mode, Queen und Billy Ocean.
Dave: Hi, hi Mal, this is Dave Gahan from Depeche Mode. Merry Christmas to all the listeners.
Andy: Hello this is Andy Fletcher from Depeche-ay Mode, wishing everyone a Merry Christmas.
Martin: Hi Mal, this is Martin Gore from Depech-ay Mode, wishing all you listeners a happy Christmas and merry new year.
[Unknown person, in the background]: ...or the other way around.
Martin: [laughs]
Alan: Hello Mal, I'm Alan Wilder, and Merry Christmas to all the listeners.
Category:Interviews
Category:Interviews featuring Gahan, Wilder, Gore, and Fletcher
Category:Interviews featuring Dave Gahan
Category:Interviews featuring Alan Wilder
Category:Interviews featuring Martin Gore
Category:Interviews featuring Andrew Fletcher
1985-03-14 Warner Theatre, Washington, D.C., USA

== Notes ==
Andy Franks said in 2021: 
"[...] In fact, when we came over in the States, I remember that in Washington, the crew there did not want to unload the truck. They refused to set up the equipment. It was obviously all unionised. It was because they said we didn't have a drummer, so we weren't a proper band. [laughs] It was [like] we had gotten a musician out of a job, because there was no drummer, so they weren't gonna unload the truck."
Book Of Love was the support act.
== Sources ==
*Source 1 is a great audience recording sourced from a low-generation tape.
Category:Download available
1985-03-14 Warner Theatre, Washington, D.C., USA/Source 1

== Notes ==
A great audience recording. The beginning of the intro track and of Lie To Me is missing, which are the only things that render this recording incomplete.
== Listen ==
You can listen to this entire recording below.
<html5media>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/complete.m4a</html5media>
== Track list ==
CD1:
#[4:51] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD1/01.m4a</sm2> Something To Do
#[4:36] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD1/02.m4a</sm2> Two Minute Warning
#[3:57] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD1/03.m4a</sm2> Puppets
#[5:12] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD1/04.m4a</sm2> If You Want
#[4:14] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD1/05.m4a</sm2> People Are People
#[5:03] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD1/06.m4a</sm2> Leave In Silence
#[4:14] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD1/07.m4a</sm2> New Life
#[4:44] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD1/08.m4a</sm2> Shame
#[5:18] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD1/09.m4a</sm2> Somebody (*)
#[3:42] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD1/10.m4a</sm2> Ice Machine
CD2:
#[5:18] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD2/01.m4a</sm2> Lie To Me
#[5:27] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD2/02.m4a</sm2> Blasphemous Rumours
#[4:47] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD2/03.m4a</sm2> Told You So
#[5:14] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD2/04.m4a</sm2> Master And Servant
#[4:23] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD2/05.m4a</sm2> Photographic
#[6:21] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD2/06.m4a</sm2> Everything Counts
#[4:26] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD2/07.m4a</sm2> See You
#[3:40] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD2/08.m4a</sm2> Shout
#[5:13] <sm2>https://media.dmlive.wiki/stream/dm1985-03-14.aud.D.R.low-gen.flac1644/CD2/09.m4a</sm2> Just Can't Get Enough
*Total time: 1:30:40
== Lineage ==
*Sony D6 (or D5) + Yamaguchi (Nakamichi 300) microphone -> unknown generation -> unknown transfer -> FLAC -> slowed down 4% and channels independently normalized to -1.0db, centered on DC offset using Audacity 1.3.14 beta -> FLAC level 8
*Taper: D.R.
== Download ==
*Download ZIP - FLAC 16-bit 44.1khz - 617MB
Category:Audience recordings
Category:Cassette sourced recordings
Category:Source
Category:Streamable
1985-03-15 Beacon Theatre, New York City, NY, USA

== Notes ==
In photos and videos from after this date, Dave Gahan can be seen sporting a wound on his head. While reviewing an old TV interview from 1985 for a TV interview in 1993, Dave comments: "At a gig in New York I ran into a speaker, got a bit too close. So, I had run side to side on stage, kind of a bit manically, and I went a bit too far and ended up colliding into the... Jesus that's some hairdo [referring to his platinum-blond hair]."
Book Of Love were the support act.
== Sources ==
*Source 1 is a very good audience recording sourced from a master tape. Unfortunately, it is missing 6 tracks.
Category:Download available
1985-03-15 Beacon Theatre, New York City, NY, USA/Source 1

== Notes ==
A very good audience recording; unfortunately, it is missing the first 6 tracks.
== Listen ==
You can listen to this entire recording below.
<html5media>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/complete.m4a</html5media>
== Track list ==
#[4:19] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/01.m4a</sm2> New Life
#[4:19] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/02.m4a</sm2> Shame
#[5:28] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/03.m4a</sm2> Somebody (*)
#[3:45] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/04.m4a</sm2> Ice Machine
#[5:28] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/05.m4a</sm2> Lie To Me
#[5:23] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/06.m4a</sm2> Blasphemous Rumours
#[4:45] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/07.m4a</sm2> Told You So
#[5:13] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/08.m4a</sm2> Master And Servant
#[4:16] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/09.m4a</sm2> Photographic
#[6:17] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/10.m4a</sm2> Everything Counts
#[4:09] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/11.m4a</sm2> See You
#[3:43] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/12.m4a</sm2> Shout
#[5:23] <sm2>https://media.dmlive.wiki/stream/dm1985-03-15.aud.DaWeez.0.flac1644/13.m4a</sm2> Just Can't Get Enough
*Total time: 1:02:28
== Lineage ==
*2 Beyer M160 microphones -> Sony TC-D5M -> analog master cassette -> Sony TC-D5M (original record deck) -> Pre Sonus Inspire GT -> Sound Forge -> .WAV files > Trader's Little Helper > FLAC level 8
*Taper: Da Weez
*Transfer & mastering: D5scott
== Download ==
*Download ZIP - FLAC 16-bit 44.1khz - 411MB
Category:Audience recordings
Category:Master recordings
Category:Cassette sourced recordings
Category:Source
Category:Streamable
1985-03-16 Orpheum Theatre, Boston, MA, USA/Source 1

== Notes ==
A mediocre audience recording. Very distorted and loud. Missing most of If You Want and all of "People Are People", "Leave In Silence", "New Life", and "Shame".
== Listen ==
You can listen to this entire recording below.
<html5media>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/complete.m4a</html5media>
== Track list ==
#[0:58] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/01.m4a</sm2> Intro
#[3:55] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/02.m4a</sm2> Something To Do
#[4:33] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/03.m4a</sm2> Two Minute Warning
#[3:58] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/04.m4a</sm2> Puppets
#[0:10] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/05.m4a</sm2> If You Want
#[5:20] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/06.m4a</sm2> Somebody (*)
#[3:49] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/07.m4a</sm2> Ice Machine
#[5:30] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/08.m4a</sm2> Lie To Me
#[5:24] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/09.m4a</sm2> Blasphemous Rumours
#[4:47] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/10.m4a</sm2> Told You So
#[5:13] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/11.m4a</sm2> Master And Servant
#[4:21] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/12.m4a</sm2> Photographic
#[5:40] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/13.m4a</sm2> Everything Counts
#[4:30] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/14.m4a</sm2> See You
#[3:42] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/15.m4a</sm2> Shout
#[5:00] <sm2>https://media.dmlive.wiki/stream/dm1985-03-16.aud.unknown.unknown.flac1644/16.m4a</sm2> Just Can't Get Enough
*Total time: 1:06:48
== Lineage ==
*unknown taper and equipment -> unknown transfer -> CD-R -> Exact Audio Copy (suboptimal settings) -> FLAC level 8
== Download ==
*Download ZIP - FLAC 16-bit 44.1khz - 482MB
Category:Audience recordings
Category:Source
Category:Streamable
1985-03-22 Aragon Ballroom, Chicago, IL, USA

== Notes ==
Attendee Chris Young reports: "Because Depeche Mode weren't enough of a draw back then, the venue made the night a 'Dance festival'. [O]ne of the acts was Henry Lee Summer. [...] All the other acts were local bands." The Way Moves was also a support act. Book Of Love was the last support act before Depeche Mode.
1985-03-26 Cullen Auditorium, Houston, TX, USA

== Notes ==
Billy Gibbons of ZZ Top was in attendance. In November 2015, Billy said to Rolling Stone magazine:
I went to see them one night, and it was a mind-bender. No guitars, no drums. It was all coming from the machines. But they had blues threads going through their stuff. I went backstage; I had to meet these guys. They were surprised — "What brings you here?" I said, "Man, the heaviness." We became friends. Martin Gore was a guitar player trapped behind the synthesizers. He was like, "Man, let's talk guitar."
Martin Gore in a DM special in 1987:
“I once wore a cowboy hat, dress, stockings and suspenders when we were in Texas, and thought that might provoke them. But in fact it went down really well. They liked it, which only goes to prove you can get away with anything in this game!”
Book Of Love was the support act.
== Sources ==
*Source 1 is a very good audience recording, probably sourced from a low generation copy.
*Source 2 is R.H's very good master audience recording. Unfortunately, it is very incomplete, starting about two minutes into Somebody.
Category:Download available