nyuuzyou/wikis huggingface dataset:
List of Recoil sample sources by album/Not on label Recoil releases

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Following his departure from Depeche Mode in 1995, Wilder would continue to employ sampling as a means to enhance the atmosphere of his music through the Recoil project, including passages of contemporary music, film soundtracks, sample library audio, and samples from his past work with Depeche Mode. The analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of both groups.
= Information =
This page aims to document all verifiable sound sources utilised in the production of all not on label or self-released Recoil projects produced by Alan Wilder.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans across the world. This article serves to provide an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in the production of the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by their origin: Self-made samples, which describes any material originally recorded by Depeche Mode or Alan Wilder for the Recoil music project, and Sourced samples, which describe samples which were not originally recorded by either group. In addition to confirmed samples, this article also covers samples that are commonly misreported as having been used but have been directly refuted by a member or associate of Depeche Mode or Recoil.
As ever, if you notice an error, wish to contribute or request the removal of information contained within this article, please feel free to contact us.
== Not on label Recoil releases ==
=== 1. "Want (Renegade Of Noise 808 Remix)" ===
=== 2. "Want (Architect Steppa)" ===
"Want (Architect Steppa)" is not yet known to contain samples from any identifiable sources.
=== 3. "Want (Low Tech Remix)" ===
"Want (Low Tech Remix)" is not yet known to contain samples from any identifiable sources.
=== 4. "Jezebel (Seductress Remix)" ===
= Notes =
= References =
<metadesc>This page documents all verifiable sound sources utilised by Alan Wilder in the production of all not on label self-releases by Recoil.</metadesc>
List of Recoil sample sources by album/Remixes by Alan Wilder

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Following his departure from Depeche Mode in 1995, Wilder would continue to employ sampling as a means to enhance the atmosphere of his music through the Recoil project, including passages of contemporary music, film soundtracks, sample library audio, and samples from his past work with Depeche Mode. The analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of both groups.
= Information =
This page aims to document all verifiable sound sources utilised in the production of all non-Recoil remix projects produced by Alan Wilder for other artists.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans across the world. This article serves to provide an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in the production of the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by their origin: Self-made samples, which describes any material originally recorded by Depeche Mode or Alan Wilder for the Recoil music project, and Sourced samples, which describe samples which were not originally recorded by either group. In addition to confirmed samples, this article also covers samples that are commonly misreported as having been used but have been directly refuted by a member or associate of Depeche Mode or Recoil.
As ever, if you notice an error, wish to contribute or request the removal of information contained within this article, please feel free to contact us.
== Releases featuring remixes by Alan Wilder ==
=== Time Turns Around - Very Special Version (1989) ===
==== "Time Turns Around (Eurotech Version)" ====
=== As Is (1991) ===
==== "Come Alive" ====
=== Industrial Complex (2010) ===
==== "I Am Undone (Alan Wilder Remix)" ====
=== Remixes 2: 81-11 (2011) ===
==== "In Chains (Alan Wilder Remix)" ====
=== Non - Red (2011) ===
==== "Minutes (Expansion Mix)" ====
= Notes =
= References =
<metadesc>This page documents all verifiable sound sources utilised by Alan Wilder in the production of all non-Recoil remix projects produced for other artists.</metadesc>
List of Recoil sample sources by album/SubHuman

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Following his departure from Depeche Mode in 1995, Wilder would continue to employ sampling as a means to enhance the atmosphere of his music through the Recoil project, including passages of contemporary music, film soundtracks, sample library audio, and samples from his past work with Depeche Mode. The analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of both groups.
= Information =
This page aims to document all verifiable sound sources utilised by Alan Wilder in the production of the 2007 Recoil album SubHuman.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans across the world. This article serves to provide an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in the production of the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by their origin: Self-made samples, which describes any material originally recorded by Depeche Mode or Alan Wilder for the Recoil music project, and Sourced samples, which describe samples which were not originally recorded by either group. In addition to confirmed samples, this article also covers samples that are commonly misreported as having been used but have been directly refuted by a member or associate of Depeche Mode or Recoil.
As ever, if you notice an error, wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= SubHuman (2007) =
== 1. ==
== 2. ==
== 3. ==
== 4. ==
== 5. ==
== 6. ==
== 7. ==
= Ambient versions =
=== 1. "Prey (Ambient Version)" ===
=== 2. "Allelujah (Ambient Version)" ===
=== 3. "5000 Years (Ambient Version)" ===
=== 4. "The Killing Ground (Ambient Version)" ===
=== 5. "Intruders (Ambient Version)" ===
=== 6. "99 To Life (Ambient Version)" ===
=== 7. "Backslider (Ambient Version)" ===
= B-sides, bonus tracks and remixes =
== "5000 Years (A Romanian Elegy For Strings)" ==
= Notes =
= References =
<metadesc>This page documents all verifiable sound sources utilised by Alan Wilder in the production of the 2007 Recoil album SubHuman.</metadesc>
List of Recoil sample sources by album/Unsound Methods

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of technology within a traditional format. Following his departure from Depeche Mode in 1995, Wilder would continue to employ sampling as a means to enhance the atmosphere of his music through the Recoil project, including passages of contemporary music, film soundtracks, sample library audio, and samples from his past work with Depeche Mode. The analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of both groups.
= Information =
This page aims to document all verifiable sound sources utilised by Alan Wilder in the production of the 1997 Recoil album Unsound Methods.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans across the world. This article serves to provide an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in the production of the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by their origin: Self-made samples, which describes any material originally recorded by Depeche Mode or Alan Wilder for the Recoil music project, and Sourced samples, which describe samples which were not originally recorded by either group. In addition to confirmed samples, this article also covers samples that are commonly misreported as having been used but have been directly refuted by a member or associate of Depeche Mode or Recoil.
As ever, if you notice an error, wish to contribute or request the removal of information contained within this article, please feel free to contact us.
= Unsound Methods (1997) =
== 1. ==
== 2. ==
== 3. ==
== 4. ==
== 5. ==
== 6. ==
== 7. ==
== 8. ==
== 9. ==
== B-sides, bonus tracks and remixes ==
=== "Drifting (Poison Dub)" ===
=== "Missing Piece (Night Dissolves)" ===
=== "Control Freak (Barry Adamson Mix)" ===
=== "Stalker (Punished Mix)" ===
= References =
= Notes =
<metadesc>This page documents all verifiable sound sources utilised by Alan Wilder in the production of the 1997 Recoil album Unsound Methods.</metadesc>
Little Soul

is a song from the 2009 album Sounds Of The Universe by Depeche Mode.
== Notes ==
Martin Gore told Billboard: 
"I wrote ['Little Soul' and 'Peace'] back to back, and the flow of the album started to make more sense. I really felt they had a spirituality to them. That somehow set a cornerstone for the rest of the writing."
In one of the Sounds Of The Universe documentaries, a whiteboard can be seen with a list of the working titles of the songs: this song was originally called 'Footprint'. Dave Gahan confirms that in this interview.
== Live performances ==
Category:Depeche Mode songs
Category:Songs written by Martin L. Gore
Category:Sounds Of The Universe songs
Category:Songs between 115-119 BPM
Category:Songs in C Major
Category:Songs with working titles
<metadesc>"Little Soul" is a song from the 2009 album Sounds Of The Universe by Depeche Mode.</metadesc>
Long Time Lie

is a song recorded during the production of the 2013 album Delta Machine by Depeche Mode. It was released as a bonus track on the deluxe edition of the album.
== Notes ==
This song is a collaboration between Martin Gore and Dave Gahan.
Gahan told (archived):
"He motioned toward me, 'What do you think?' and I was like, 'It's cool.' Ben [Hillier], who's producing the record, said, 'I think Martin was trying to see if you're interested in writing anything to that.' I just let it absorb into me for a few days. I came up with something and recorded it, and Martin seemed very happy."
Gore told Sonic Seducer magazine (translated):
"This time it really felt like a proper collaboration, even though we weren't together in the studio when we wrote it. I first wrote a slower instrumental track, but Ben [Hillier] thought that it would be a good idea if Dave were to add lyrics and melodies to it. So that's what he did, and during a recording session I took it with me and reconstructed the instrumental part around it. But it feels more as though we have created the song together."
Category:Depeche Mode songs
Category:Delta Machine songs
Category:Songs in B Minor
Category:Songs between 125-129 BPM
Category:Songs written by Dave Gahan and Martin L. Gore
<metadesc>"Long Time Lie" is a song recorded during the production of the 2013 album Delta Machine by Depeche Mode. It was released as a bonus track on the deluxe edition of the album.</metadesc>
Longing

== Notes ==
Kurt Uenala and Dave Gahan have been working together since 2010, and own a studio, Schtudio Blanco, together since 2012. They have written several unreleased songs together since then. One of those songs was Where I Wait, released 6 years after its creation, on Kurt's name.
In December 2022, they released five spoken-word tracks as an EP. According to the press release:
Kurt Uenala has his fingerprints on more things than you may realize. While his name may be new to you, it’s possible you’ve come across collaborations he’s done under the moniker Null + Void, including Black Rebel Motorcycle Club, Moby, John Grant, The Kills, Woodkid and most notably, Dave Gahan and Depeche Mode
Having worked in Gahan’s NYC studio for years, and traveling with Depeche Mode, Uenala became aware of one of Dave’s rituals. Sometimes a notebook and pen would come out. Something would get jotted down. But what? That remained a mystery.
Uenala now calls Iceland home, so he’s no stranger to isolation, but what about city-dweller Gahan? The two kept in close touch during lockdown, sharing thoughts and ideas.
“I always wondered what he was writing in the notebook,” Uenala says, “but I never pried. During one of our check-ins I eventually asked what he was scribbling down when he was off in some corner, or standing on his own, next to a studio window.” Gahan disclosed that they were thoughts, feelings, and observations that would likely never see the light of day.
But then again, why not? Living during a lockdown is unquestionably difficult, but fortune also favors those who are bold in challenging times. Gahan sent Uenala a recording of him reciting something from the journal.
In his studio, a decommissioned hospital situated on an Icelandic Fjörd, Kurt sat in front of a classic Oberheim synth with the recording, reacting to anything from the timbre of Gahan’s voice, to background noise. Inspiration also came from ambience in the black chapel in Uenala’s town, which has often acted as a natural reverb chamber when one was needed. Songs started to take shape, through a modified form of call and response. The confluence of tone, poem, and tone poem.
Both artists were pleased with the results, and agreed that the prose had more of an impact in concert with the music than it did merely existing, on paper, hidden in a notebook. Work continued, and produced a collection of recitations set to soundscapes. “Longing,” “Get Out,” “GOD,” “I Think Not,” and a piece born from the first recording Gahan sent, “Cracks Are Showing,” were completed, then assembled as the Manuscript EP, which will be released on December, 16th.
Dave Gahan: “I’m not sure why, or when, exactly, I wrote these short pieces. I knew they were never to be songs. I do know that they were written when I was alone. Sometimes in a hotel room. Where? I can’t recall. Sometimes standing by the ocean, or walking the beach in winter. Sometimes on the empty streets of New York City, during the lockdown. Always whilst feeling the beauty, power, and loneliness of a world beyond me.” 
Category:Song
Category:Non-Depeche Mode, non-solo songs sung by Dave Gahan
Category:Never played live
Lost In The Stars

== Notes ==
Martin Gore told gaesteliste.de (translated from German):
"The only song [on 'Counterfeit²'] that does justice to the original version is the one from Kurt Weill, and only because it's so complex that I did not know in what direction to go with it without losing the core of the original. That's the real struggle: when you want to reinterpret a song that you love and respect, the spirit of the original version has to preserve, otherwise the purpose of doing so is lost."
Gore continued in an interview with Alerte magazine:
"If I had to pick one song [in German] that I really love, it probably would be 'Lost in the Stars' by Weill. You are right and you are not [by saying that I showed the original version too much respect]. I mean, how could I have approached the song differently? The song is perfect. It was the first song of the album that I was certain to include. From day one. All the other songs I interpreted far more radically. And then again: Kurt Weill didn’t record “Lost in the Stars” in an electroacoustic version. But his music and his chord progressions are so unique that leaving out a single note would create a gap."
Category:Cover
Category:Songs covered by Martin L. Gore
Category:Non-Depeche Mode Martin L. Gore songs
Category:2003 "A Night With Martin L. Gore" songs
Love And Trust

== Notes ==
Dave Gahan told Rolling Stone France magazine about the first song that he wrote at the end at of the 1980s: "My first song, I wrote it a long time ago with a guy named Daryl [Bamonte]. It was called . Frankly, it was not due to the group's lack of interest [that it was not released], I simply did not insist."Source: 2005-10-xx - Rolling Stone Magazine n°33 (France) - "Ménage à Froid" (translated from French) There is no recording of this in circulation.
== References ==
Category:Dave Gahan songs
Category:Songs written by Dave Gahan
Category:Songs not included on a Depeche Mode release
Love In Itself

is a song from the 1983 album Construction Time Again by Depeche Mode. It was released as a single on 19 September 1983.
== Notes ==
In the 1983-08-20 issue of Sounds Magazine, Martin was asked: 
Q: But what's meant by the lyric 'Love’s not enough in itself?'
Martin: "I think that's true – it's not!"
Q: But that sounds quite pessimistic, saying love can't conquer!
Martin: "But it's true, though I still think love is important."
 
Dave Gahan and Andrew Fletcher recalled the recording of 'Love In Itself' in an October 1985 interview with British magazine No. 1:
Gahan: "This is the s-s-s-s's track. It had a very soft vocal, with a lot of s's, it sounded awful. I was a bit disappointed with this, it could have been brilliant."
Fletcher: "We had a lot of problems with the equipment with this one, just trying to get that softness of sound we wanted without it all blurring was a real nightmare. It’s one that’s always good live, though."Source: 
In this video in which the mastering process for the 2019 Singles box sets is explained, a test pressing can be seen that lists the song title "Cocktail" but is crossed out and replaced by the title "Love In Itself (4)".
== Music video ==
== Martin Gore 1983 home demos ==
'Love In Itself' was one of several song demos prepared by for the 1983 Construction Time Again album.
<html5media>https://media.dmlive.wiki/stream/demos2018/09.m4a</html5media>
== Live performances ==
== References ==
Category:Singles
Category:Depeche Mode songs
Category:Depeche Mode singles
Category:Construction Time Again songs
Category:Construction Time Again singles
Category:Songs in D Minor
Category:Songs between 100-104 BPM
Category:Songs written by Martin L. Gore
Category:Songs with official music videos
<metadesc>"Love In Itself" is a song from the 1983 album Construction Time Again by Depeche Mode. It was released as a single on 19 September 1983.</metadesc>
Loverman

==Notes==
Martin Gore explained in the May 2003 issue of D-Side magazine (translated from French):
"I definitely wanted to cover a Nick Cave song, simply because I think that he has proven to be a very talented composer in the last twenty years. Furthermore, I really liked some of the tricks in the Birthday Party era. There were other tracks from them that I would have loved to cover but this was the one that was chosen. I thought I could make an interesting and different version of his song and I think I succeeded. My version has nothing to do with Nick Cave's."
Gore continued in the April 2003 issue of Jalouse magazine (translated from French):
"'Loverman' seemed to be a great song to cover, because it was really very difficult to reinterpret it, since a cover is only interesting if you preserve the original essence of the whole track while reinterpreting it. I hope to get to know his opinion on this cover one day..."
Gore explained how he approached 'Loverman' in the April 2003 issue of Rolling Stone France (translated from French):
"I'm a great fan of Nick Cave since The Birthday Party. At first I wanted to take one of his B-sides, 'Cassiel's Song', but I did not like what we did with it. 'Loverman' is a song that addresses the themes of lust and fate, and I tried to make it a more sensual version than the original. I think I've never sung so loud in my life. I had to bark, really, because Nick Cave does that for me."
Category:Song
Category:Cover
Category:Songs covered by Martin L. Gore
Category:Non-Depeche Mode Martin L. Gore songs
Category:2003 "A Night With Martin L. Gore" songs
Category:Singles
Lovetheme

is an instrumental song from the 2001 album Exciter by Depeche Mode.
Category:Depeche Mode songs
Category:Exciter songs
Category:Depeche Mode instrumental songs
Category:Instrumental songs
Category:Songs in G Major
Category:Songs between 90-94 BPM
Category:Songs written by Martin L. Gore
<metadesc>"Lovetheme" is an instrumental song from the 2001 album Exciter by Depeche Mode.</metadesc>
Luscious Apparatus

is a song from the 1997 album Unsound Methods by Recoil.
== Composition ==
=== Sample sources ===
Category:Song
Category:Recoil songs
Category:Unsound Methods songs
Category:Songs produced by Alan Wilder
Category:Never played live
== Notes ==
== References ==
<metadesc>"Luscious Apparatus" is a song from the 1997 album Unsound Methods by Alan Wilder of Recoil.</metadesc>