nyuuzyou/wikis huggingface dataset:
Egg

== Description ==
A term whose primary meaning in art, refers to the ellipsoidal shell and embryonic contents produced by birds. For paintings, the egg contents are used as a tempera medium. The whole egg, yolk, or white may be used sometimes mixed with oil and/or resin. The egg yolk is a stable emulsion of an aqueous liquid with an oily, proteinaceous medium which dries quickly into a hard, insoluble film. Egg white, or glair, has been used as a medium for illuminated manuscripts. It is also used as a size for attaching gold leaf. Albumen is the adhesive substance of egg white. As a pure film, albumen is clear, brittle, and water soluble. Water solubility can be decreased by heating or adding tannin. The exterior of a bird egg is covered with a brittle shell composed of keratin and calcite.
[[[SliderGallery rightalign|Egg (Gettens 52-18) with kaolin.TIF~FTIR egg with kaolin (MFA)]]]
== Synonyms and Related Terms ==
Ei (Deut.); huevo (Esp.); œuf (Fr.); uovo (It.); ei (Ned.); jajo (Po.); ovo (Port.); ägg (Sven.)
== Physical and Chemical Properties ==
Miscible with water when fresh. Insoluble in water after heating.
== Resources and Citations ==
* R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* John S. Mills, Raymond White, The Organic Chemistry of Museum Objects, Butterworth Heineman, London, 2nd ed., 1994
* Wikipedia: http://en.wikipedia.org/wiki/Egg_%28biology%29 (Accessed Nov. 2, 2005)
* Van Nostrand's Scientific Encyclopedia, Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976
* The American Heritage Dictionary or Encarta, via Microsoft Bookshelf 98, Microsoft Corp., 1998
Category:Materials database
Egg tempera

== Description ==
A tempera paint prepared with the whole egg, the yolk, or the white as a medium. Egg yolk is a natural emulsion containing a homogeneous mixture of lipids and water. Lecithin and albumen act as emulsifying agents. Traditionally, the pure egg yolk, with its surface delicately dried by rolling in the palms, was poured from its yolk sac then ground with pigments. Vinegar or clove oil was sometimes added as a preservative. Other recipes use whole egg, as an emulsifier, mixed with linseed oil and water (see tempera grassa). Occasionally a natural resin was also added. Some sulfur containing pigments, vermilion, and cadmium colors, are incompatible with egg tempera (Doerner, 1934).
== Synonyms and Related Terms ==
tempera de huevo (Esp.); tempera magra (Esp.); tempera à l'œuf (Fr.); têmpera de ovo (Port.)
==Physical and Chemical Properties==
* Refractive Index = 1.346
==Resources and Citations==
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000
* R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
* M. Doerner, The Materials of the Artist, Harcourt, Brace & Co., 1934
* Reed Kay, The Painter's Guide To Studio Methods and Materials, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* Thomas B. Brill, Light Its Interaction with Art and Antiquities, Plenum Press, New York City, 1980
* Teri Hensick, contributed information, 1998
Category:Materials database
Egg white

== Description ==
The colorless proteinaceous fluid (albumin) surrounding the egg yolk of bird eggs. Egg white is approximately 85% water and 12% protein with small amounts of fat, carbohydrates, and salts. The distribution of major amino acids is: glutamic acid (13.9%), aspartic acid (10.5%), leucine (10.3%), lysine (8.0%), valine (8.3%), arginine (6.8%), alanine (6.3%), isoleucine (6.2%) and serine (5.8%) with no measurable amounts of hydroxyproline (Mills and White 1994). This proteinaceous mixture is chemically known as albumin but has been commercially spelled as albumen when used in food and as a binder for photographic emulsions. Albumin forms an amorphous solid when dried that is soluble in water. However, egg white is heat sensitive and forms an insoluble irreversible mass when heated to temperatures above 60 degrees centigrade. Egg white was used as a paint medium, called glair, in illuminated manuscripts. It was also used in gilding for bole and for shell gold or powdered gold applications. Albumen was as an emulsion medium in mid-19th century photographic and lithographic prints. Egg white is also used for baking, textile dyeing, clarification of wines, and as an adhesive, coating, and binder. Medicinally, it is used as an antidote for mercury poisoning.
== Synonyms and Related Terms ==
albumin; albumen; glair
[[[SliderGallery rightalign|MFA- Egg white, dried.jpg~FTIR]]]
== Physical and Chemical Properties ==
Soluble in water after drying. Insoluble in water after heating.
== Resources and Citations ==
* R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966 Comment: forms insoluble material at 70-75C
* G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 22
* Hermann Kuhn, Conservation and Restoration of Works of Art and Antiquities, Butterworths, London, 1986 Comment: becomes insoluble at about 75C
* Matt Roberts, Don Etherington, Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology, U.S. Government Printing Office, Washington DC, 1982
* John S. Mills, Raymond White, The Organic Chemistry of Museum Objects, Butterworth Heineman, London, 2nd ed., 1994
Category:Materials database
Egg yolk

== Description ==
The interior yellow, spherical portion of a bird egg. The yolk from a hen egg is composed of about 50% water, 15% protein, 22% lipids, 9% lecithin and 3% other materials. The distribution of major amino acids is: glutamic acid (15.0%), aspartic acid (11.5%), leucine (9.2%), lysine (5.7%), valine (6.4%), arginine (5.5%), alanine (5.6%), isoleucine (5.1%) and serine (9.1%) with no measurable amounts of hydroxyproline (Mills and White 1994). Egg yolk is a natural emulsion that dries into a strong, water-insoluble film, first by the evaporation of water, then by the hardening of the lipids (Gettens and Stout, 1966). When used traditionally as a paint medium, the pure egg yolk is carefully separately from the egg white, then rolled back and forth in the hands to dry the surface of the sac. The sac is pierced to release its contents which are then ground with pigments. Vinegar was sometimes added as a preservative.
== Synonyms and Related Terms ==
deutoplasm
[[[SliderGallery rightalign|MFA- Egg yolk (partially dried).jpg~FTIR]]]
== Physical and Chemical Properties ==
* Soluble in water after drying. 
* Insoluble in water after heating.
== Resources and Citations ==
* John S. Mills, Raymond White, The Organic Chemistry of Museum Objects, Butterworth Heineman, London, 2nd ed., 1994.
* R. J. Gettens and G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966.
* Hermann Kuhn, Conservation and Restoration of Works of Art and Antiquities, Butterworths, London, 1986
* Encyclopedia Britannica, http://www.britannica.com Comment: "Yolk." [Accessed 14 Apr. 2004].
Category:Materials database
Eggshell

== Description ==
The thin, brittle shell from an egg that is primarily composed of keratin and calcite. Eggshell are used as pigments and in grounds for silver point drawings. For preparation, the shells are washed, crushed and boiled in water with some quicklime. The sequence is repeated until the eggshells form a fine, white powder.
== Synonyms and Related Terms ==
egg shell
== Resources and Citations ==
* Caring for your Collections, Arthur W Schulz (ed.), Harry N. Abrams, Inc. , New York, 1992
* R.D. Harley, Artists' Pigments c. 1600-1835, Butterworth Scientific, London, 1982
* Dictionary of Building Preservation, Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996
Category:Materials database
Eggshell finish

== Description ==
A term to describe a slightly rough, nonglossy, eggshell texture of the surface of paper or paint.
==Resources and Citations==
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* Rosalie Rosso King, Textile Identification, Conservation, and Preservation, Noyes Publications, Park Ridge, NJ, 1985
* The Dictionary of Paper, American Paper Institute, New York, Fourth Edition, 1980
Category:Materials database
Egyptian alabaster

== Description ==
A white, translucent, limestone onyx stone with golden-brown stripes. Egyptian alabaster is a dense, calcium carbonate stone that has been quarried near Hatnub, Egypt since the 1st century. Egyptian alabaster is not, as its name indicates, a true alabaster (i.e. gypsum) stone. 
See also travertine.
== Synonyms and Related Terms ==
cotognino; limestone onyx; travertine; calc-sinter; calcareous sinter; Ägyptischer Alabaster (Deut.)
== Resources and Citations ==
* B.Aston, J.Harrell, I.Shaw, "Stone" in Ancient Egyptian Materials and Technology, P.Nicholson, I.Shaw (eds.), Cambridge University Press, 2000, p. 59-60.
* Jack Odgen, Jewellery of the Ancient World, Rizzoli International Publications Inc., New York City, 1982
* Luciana and Tiziano Mannoni, Marble: the history of a culture, Facts on File Publications
* Frank A. Lent, Trade names and Descriptions of Marbles, Limestones, Sandstones, Granites and Other Building Stones Quarried in the United States Canada and other Countries., Stone Publishing Co, New York, 1925
Category:Materials database
Egyptian asphalt

== Description ==
A solid, black pitch material found in the Arabian desert between the Nile River and the Red Sea. Egyptian asphalt may have been one of the resin coatings used on mummies. 
See also mummy.
==Physical and Chemical Properties==
* Soluble in carbon disulfide.
* Density = 1.10 g/ml
==Resources and Citations==
* Thomas Gregory, The Condensed Chemical Dictionary, Reinhold Publishing, New York, 3rd ed., 1942
Category:Materials database
Egyptian green

== Description ==
1) A green pigment used in Egyptian and Mediterranean wall paintings that is analogous to the mineral pyroxene. Egyptian green is thought to have been may intentionally by varying the manufacturing process for Egyptian blue. It has been found in sties from the late 3rd millennium (Siddall 2018). Egyptian green was sometimes imitated by using Egyptian blue with yellow ocher (Mayer 1969). 
2) A type of synthetic patina on bronzes in which the finish is green in the recesses and black in the polished areas. See patina, synthetic.
== Synonyms and Related Terms ==
pyroxene; vert égyptien (Fr.); verde Egípcio (Port.)
==Resources and Citations==
* Ruth Siddall, 'Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials' Minerals Vol 8, p. 201 (2018). Link
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* C. Proctor, "The Modern Way of Producing Verde Antique, Roman Bronze and Patinas on the soft Metal Alloys by the Aid of Pigments" reprinted in Conservation & Technology 2/85 from The Metal Industry, January 1905
Category:Materials database
Eiderdown

== Description ==
1) The soft, interior feathers from the breast of a female eider duck (Somateria mollissima). Eiderdown is used as stuffing for jackets, sleeping bags, comforters, and pillows. 
2) A soft, warm, lightweight napped fabric often used for bathrobes, blankets, sleepwear, and infants clothing.
== Synonyms and Related Terms ==
eider down; edredón (Esp.); donzen dekbed; eiderdons (Ned);
==Resources and Citations==
* G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 315
* Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
* Fairchild's Dictionary of Textiles, Phyllis G.Tortora, Robert S. Merkel (eds.), Fairchild Publications, New York City, 7th edition, 1996
* The American Heritage Dictionary or Encarta, via Microsoft Bookshelf 98, Microsoft Corp., 1998
* Encyclopedia Britannica, http://www.britannica.com Comment: Eider." Accessed 18 Aug. 2004 .
Category:Materials database
Eight-eighty ammonia

== Description ==
Common name for ammonia solution prior to the 1800s when chemical compound names were standardized (Schur 1985). It was given this name because a commercial solution of ammonia in water (35.6% by weight) has a specific gravity of 0.880.
== Synonyms and Related Terms ==
880 ammonia
==Resources and Citations==
* Susan E. Schur, Conservation Terminology: A review of Past & Current Nomenclature of Materials, Technology and Conservation, Spring (p.34-39); Summer (p.35-38); Fall (p.25-36), 1985
* Tom Rowland, Noel Riley, A-Z Guide to Cleaning, Conserving and Repairing Antiques, Constable and Co., Ltd., London, 1981
Category:Materials database
Eisen, Early Winter: The Day of the Boar in the Tenth Month, from the series Customs of the Four Seasons and Children at Play, 11.25587

Early Winter: The Day of the Boar in the Tenth Month (Hatsufuyu jûgatsu gencho no tei), from the series Customs of the Four Seasons and Children at Play (Shiki no tei osana asobi)
「四季の程おさな遊び　初冬十月玄猪の程」
Keisai Eisen (1790–1848)
Publisher: Tsutaya Kichizô (Kôeidô)
Edo period about 1820s
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	safflower, turmeric
Pt 2 	 	 	Prussian blue
Pt 3 	 	 	madder, safflower
Pt 4 	 	 	Prussian blue
Pt 5 	 	 	dayflower, safflower
Pt 6 	 	 	safflower
Pt 7 	 	 	turmeric
Note: The center of the circle is point of analysis.
Category:Keisai Eisen (渓斎英泉) 1790–1848
Category:Dayflower: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Turmeric: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Category:Dayflower/Safflower: Ukiyo-e colorant
Eisen, Fujieda: Kichô of the Owariya, from the series A Tôkaidô Board Game of Courtesans: Fifty-three Pairings in the Yoshiwara, 11.17946

Fujieda: Kichô of the Owariya, from the series A Tôkaidô Board Game of Courtesans: Fifty-three Pairings in the Yoshiwara (Keisei dôchû sugoroku/Mitate Yoshiwara gojûsan tsui [no uchi])
「契情道中双六　見立よしはら五十三つゐ　藤枝　尾張屋内　喜長」
Keisai Eisen (1790–1848)
Publisher: Tsutaya Kichizô (Kôeidô)
Edo period about 1821–23 (Bunsei 4–6)
Other impressions: 11.25543
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	turmeric
Pt 2 	 	 	orpiment
Pt 3 	 	 	indigo, orpiment
Pt 4 	 	 	iron oxide red
Pt 5 	 	 	madder, safflower
Pt 6 	 	 	dayflower, safflower
Pt 7 	 	 	madder, safflower
Pt 8 	 	 	dayflower, safflower
Pt 9 	 	 	dayflower, safflower
Note: The center of the circle is point of analysis.
Category:Keisai Eisen (渓斎英泉) 1790–1848
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Turmeric: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Other Reds: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Eisen, Geisha at Night under Plum Blossoms, 11.26691-2

Geisha at Night under Plum Blossoms
夜の梅と芸者
Keisai Eisen (1790–1848)
Edo period late 1820s
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	gamboge?
Pt 2 	 	 	brass, dayflower
Pt 3 	 	 	brass
Pt 4 	 	 	sappanwood?
Pt 5 	 	 	dayflower
Pt 6 	 	 	tin
Pt 7 	 	 	
Pt 8 	 	 	safflower?
Pt 9 	 	 	indigo
Pt 10 	 	 	indigo (copper?)
Pt 11 	 	 	tin
Pt 12 	 	 	brass
Note: The center of the circle is point of analysis.
Category:Keisai Eisen (渓斎英泉) 1790–1848
Category:Dayflower: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Turmeric: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Eisen, Kawasaki, No. 3 from an untitled series of the Fifty-three Stations of the Tôkaidô Road, 11.25617

Kawasaki, No. 3 from an untitled series of the Fifty-three Stations of the Tôkaidô Road
東海道五十三次　「川崎　三」
Keisai Eisen (1790–1848)
Publisher: Tsutaya Kichizô (Kôeidô)
Edo period 1830s
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	safflower
Pt 2 	 	 	turmeric
Pt 3 	 	 	orpiment, Prussian blue
Pt 4 	 	 	Prussian blue
Pt 5 	 	 	dayflower, safflower
Pt 6 	 	 	turmeric
Pt 7 	 	 	madder, vermilion
Pt 8 	 	 	madder, vermilion
Note: The center of the circle is point of analysis.
Category:Keisai Eisen (渓斎英泉) 1790–1848
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Other Reds: Ukiyo-e colorant
Category:Sappanwood: Ukiyo-e colorant
Eisen, Minazuru-hime as Ono no Komachi and Benkei as Kisen Hôshi, from the series Characters from the Life of Ushiwaka as the Six Poetic Immortals, 11.25669

Minazuru-hime as Ono no Komachi and Benkei as Kisen Hôshi, from the series Characters from the Life of Ushiwaka [Yoshitsune] as the Six Poetic Immortals (Ushiwaka Rokkasen)
「牛若六歌仙」　皆鶴姫の小野の小町、弁慶の喜撰法師
Keisai Eisen (1790–1848)
Edo period 1829 (Bunsei 12)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	indigo, flavonoid
Pt 2 	 	 	sappanwood
Pt 3 	 	 	iron oxide red
Pt 4 	 	 	flavonoid, orpiment
Pt 5 	 	 	dayflower, safflower, tin
Pt 6 	 	 	brass, indigo, orpiment
Pt 7 	 	 	red lead, sappanwood
Pt 8 	 	 	dayflower, sappanwood
Pt 9 	 	 	indigo
Pt 10 	 	 	indigo, tin
Note: The center of the circle is point of analysis.
Category:Keisai Eisen (渓斎英泉) 1790–1848
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Other Reds: Ukiyo-e colorant
Category:Sappanwood: Ukiyo-e colorant
Category:Tin: Ukiyo-e colorant
Category:Brass: Ukiyo-e colorant
Category:Red lead: Ukiyo-e colorant
Category:Iron Oxide Red: Ukiyo-e colorant
Eisen, Seijûrô and Onatsu; Banners of Bishamonten; from the series Amusements on the Festival Day, 11.17904

Seijûrô and Onatsu; Banners of Bishamonten; from the series Amusements on the Festival Day (Monbi no asobi)
「物日のあそび　清十郎おなつ　毘沙門天」
Keisai Eisen (1790–1848)
Publisher: Ômiya Heihachi
Edo period 1830s
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	Prussian blue
Pt 2 	 	 	Prussian blue
Pt 3 	 	 	Prussian blue
Pt 4 	 	 	safflower
Pt 5 	 	 	orpiment, Prussian blue
Pt 6 	 	 	Prussian blue
Note: The center of the circle is point of analysis.
Category:Keisai Eisen (渓斎英泉) 1790–1848
Category:Orpiment: Ukiyo-e colorant
Category:Other Greens: Ukiyo-e colorant
Category:Prussian Blue: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Category:Prussian Blue/Orpiment: Ukiyo-e colorant
Eisen, The Song Evening Mist at Asama Peak, on Scrap-paper Fabric with an Itchû-bushi Libretto, from the series A Modern Pine Needle Collection, 11.17878

The Song Evening Mist at Asama Peak (Yûkasumi Asamagatake), on Scrap-paper Fabric with an Itchû-bushi Libretto (Itchû-bushi no hogo moyô), from the series A Modern Pine Needle Collection (Tôsei matsu no ha)
「当世松の葉　夕霞浅間嶽　一仲節の反古模様」
Keisai Eisen (1790–1848)
Publisher: Echizen'ya Kihei
Edo period late 1820s
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	indigo
Pt 2 	 	 	indigo, orpiment
Pt 3 	 	 	orpiment, turmeric
Pt 4 	 	 	safflower, sappanwood
Pt 5 	 	 	safflower, turmeric
Pt 6 	 	 	orpiment, turmeric
Pt 7 	 	 	safflower, sappanwood
Pt 8 	 	 	safflower, turmeric
Note: The center of the circle is point of analysis.
Category:Keisai Eisen (渓斎英泉) 1790–1848
Category:Turmeric: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Category:Sappanwood: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Indigo: Ukiyo-e colorant
Eisen, Yoyoyama of the Matsubaya, 11.17884

Yoyoyama of the Matsubaya
「松葉屋内代々山」
Keisai Eisen (1790–1848)
Publisher: Moritaya Hanzô
Edo period early 1830s
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	Prussian blue
Pt 2 	 	 	Prussian blue
Pt 3 	 	 	Prussian blue
Pt 4 	 	 	(run)
Note: The center of the circle is point of analysis.
Category:Keisai Eisen (渓斎英泉) 1790–1848
Category:Prussian Blue: Ukiyo-e colorant
Eishi, Shizuka of the Shizutamaya, from the series Beauties of the Yoshiwara as Six Floral Immortals, 21.4917

Shizuka of the Shizutamaya, from the series Beauties of the Yoshiwara as Six Floral Immortals (Seirô bijin Rokkasen)
「青楼美人六花仙　静玉屋志津加」
Chôbunsai Eishi (1756–1829)
Publisher: Nishimuraya Yohachi (Eijudô)
Edo period about 1794–95 (Kansei 6–7)
Other impressions: 53.21
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method 	Results
Pt 1 	 	XRF, EEM 	turmeric
Pt 2 	 	XRF, EEM, FORS	safflower
Pt 3 	 	XRF, EEM, FORS	indigo, orpiment
Pt 4 	 	XRF, EEM, FORS	dayflower, safflower
Pt 5 	 	XRF, EEM, FORS	madder
Pt 6 	 	XRF, EEM 	flavonoid, orpiment (trace)
Pt 7 	 	XRF, EEM, FORS	safflower
Pt 8 	 	XRF, EEM, FORS	madder, safflower
Pt 9 	 	XRF, EEM, FORS	indigo, orpiment
Note: The center of the circle is point of analysis.
Category:Chōbunsai Eishi (鳥文斎栄之) 1756–1829
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Category:Turmeric: Ukiyo-e colorant
Eishi, Shizuka of the Shizutamaya, from the series Beauties of the Yoshiwara as Six Floral Immortals, 53.21

Shizuka of the Shizutamaya, from the series Beauties of the Yoshiwara as Six Floral Immortals (Seirô bijin Rokkasen)
「青楼美人六花仙　静玉屋志津加」
Chôbunsai Eishi (1756–1829)
Publisher: Nishimuraya Yohachi (Eijudô)
Edo period about 1794–95 (Kansei 6–7)
Other impressions: 21.4917
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method 	Results
Pt 1 	 	XRF, EEM 	flavonoid, orpiment
Pt 2 	 	XRF, EEM, FORS	safflower
Pt 3 	 	XRF, EEM 	flavonoid, orpiment
Pt 4 	 	XRF, EEM, FORS	dayflower, safflower
Pt 5 	 	XRF, EEM, FORS	madder, safflower
Pt 6 	 	XRF, EEM 	calcium carbonate, flavonoid
Pt 7 	 	XRF, EEM, FORS	safflower
Pt 8 	 	XRF, EEM, 	safflower
Pt 9 	 	XRF, EEM, 	nothing identified
Note: The center of the circle is point of analysis. For more information on the analytical methods, see More on the data.
Category:Chōbunsai Eishi (鳥文斎栄之) 1756–1829
Category:Calcium carbonate: Ukiyo-e colorant
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Eishi, Utamaki of the Takeya, kamuro Futaba and Midori, from the series New Year Fashions as Fresh as Young Leaves, 21.4912

Utamaki of the Takeya, kamuro Futaba and Midori, from the series New Year Fashions as Fresh as Young Leaves (Wakana hatsu ishô)
「若那初衣装　竹屋哥巻　ふたは　みとり」
Chôbunsai Eishi (1756–1829)
Publisher: Nishimuraya Yohachi (Eijudô)
Edo period about 1795–96 (Kansei 7–8)
Other impressions: 34.336
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method 	Results
Pt 1 	 	XRF, EEM 	flavonoid, orpiment (trace)
Pt 2 	 	XRF, EEM 	turmeric, orpiment (trace)
Pt 3 	 	XRF, EEM 	turmeric, orpiment (trace)
Pt 4 	 	XRF, EEM, FORS	indigo, orpiment
Pt 5 	 	XRF, EEM, FORS	safflower
Pt 6 	 	XRF, EEM, FORS	dayflower, safflower
Pt 7 	 	XRF, EEM, FORS	madder, safflower
Pt 8 	 	XRF, EEM 	flavonoid
Pt 9 	 	XRF, EEM, FORS	madder, safflower
Pt 10 	 	XRF, EEM 	safflower
Note: The center of the circle is point of analysis.
Category:Chōbunsai Eishi (鳥文斎栄之) 1756–1829
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Category:Turmeric: Ukiyo-e colorant