T'hy'la (Star Trek: TOS anthology)/Issues 21-30

==Issue 21==
T'hy'la 21 was published in October 2000 and contains 180 pages. 
Interior art by Alison Fiddler. Art Portfolio by Sweet Dreams Studios and U. Wish Studios. Cover and frontispiece by Liz Woledge. 
Note: according to the editorial in issue #22, the frontispiece by Liz was not included in this zine and instead published in #issue #22 -- it appears that this art was included in later reprints of issue #21.
From the editorial: 
* Lost Sailor by Greywolf the Wanderer ("In the throes of Pon Farr, Spock deserts the Enterprise and erases all traces of his intended destination." Sequel: Ripple.) (1)
* Ripple by Greywolf the Wanderer ("After retrieving Spock from New Arizona, Kirk convinces him that he wants the bond that is between them and so they prepare for the return of Spockʼs pon farr." Prequel: Lost Sailor.) (19)
* Lord of the Dance by T'Rhys (33)
* ComeupPANce by Emily Adams (Emily's last "Pan" story. "There's been a murder on board the Enterprise, and Kirk and Spock disagree as to the suspect. As usual, it's up to the cat Pan to put everything to rights.") (35)
* Blue World, poem by Robin Hood (49)
* Thoughts: Letting Go by Helen ("After Sarpeidon, Kirk goes to Spock to apologize for pushing too hard for answers but Spock opens up to him and both end up revealing their feelings for each other.") (50)
* The Vacation, poem by Robin hood (54)
* Home by Karin Porter ("After returning from the M/U, Kirk discovers that Spock and Kirkʼs counterpart had sex before Spock realized it was not his captain.") (55)
* The Puppy, poem by Robin Hood (61)
* Voyages by Patricia Roe ("The events of Star Trek III and IV, from a K/S perspective. After Spockʼs death, Kirk comes to understand and accept his feelings for Spock as they recover his body, go through the fal tor pan, go back in time to save Earth and then finally come together in love.") (62)
* Poems from the Bonding: First Best Destiny and Integration by Ariel (79)
* Operation: Annihilate (sickbay, after the light) by Ariel (80)
* The Hug Sonnets by Virgina Sky, (see the gallery below for the artwork by Alison Fiddler that was the inspiration for these poems) (81)
* Remember Me by Ida Vega ("In an AU, two starship captains must fight the Klingons - and come to terms with their attraction to each other.") (85)
* To Dance with a Warrior by Karin Porter (M/U: "After Kirk returns from this universe, his perceptions of Spock change after having sex with this Spock who mistakes him, at first, for his own captain.") (138)
* The Valley of Love and Delight by Elenadia ("Spock relates the story of his and Kirkʼs love and life together to his grandson, Kirkʼs namesake, as he prepares to die and rejoin his bondmate.") (167)
File:Thyla22art1.jpg|from issue #21 (and 22!) frontispiece by Liz Woledge -- Note: according to the editorial in issue #22, the frontispiece by Liz was not included in this zine and instead published in #issue #22 -- it appears that this art was included in later reprints of issue #21.
File:thyla21art1.jpg| from issue #21, by Sweet Dreams Studio, "The Slave Owner's Dream" p. 84a, see fan comments for this art at Study for Future Paintings
File:thyla21art2.jpg|from issue #21, by Sweet Dreams Studio, "Captain Spock" p. 84a, see fan comments for this art at Study for Future Paintings
File:thyla21art3.jpg|from issue #21, by U Wish Studios, "Future Painting #1" p. 84c, see fan comments for this art at Study for Future Paintings 
File:thyla21art4.jpg|from issue #21, by U Wish Studios, "Future Painting #2" p. 84d, see fan comments for this art at Study for Future Paintings
File:thyla21art5.jpg|from issue #21, by U Wish Studios, "Future Painting #3" p. 84e, see fan comments for this art at Study for Future Paintings
File:thyla21art6.jpg|from issue #21, Alison Fiddler, see The Hug 
File:thyla21art7.jpg| from issue #21, a fairly rare example of hand-drawn art from this time, Alison Fiddler is the artist, and the illo is for The Valley of Love and Delight
===Reactions and Reviews: Issue 21===
==Issue 22==
T'hy'la 22 was published in July 2001 and contains 109 pages.
From the editor: 
* And in the Darkness Bind You by Greywolf the Wanderer ("Kirk and Spock become lovers while Spock is still blinded following the events on Deneva.") (1)
* Serpents in the Garden by Islaofhope ("When Spock is injured on Neural, Kirk learns the whole truth of what their bonding really means." Prequel: Jim Kirkʼs Workout. Sequel: Ice Cream.) (28)
* art by Liz Woledge
* photo art by Virginia Sky
File:thyla22art1.jpg| from issue #22, Liz Woledge
File:thyla22art2.jpg| from issue #22, Virginia Sky
===Reactions and Reviews: Issue 22===
==Issue 23==
T'hy'la 23 was published in October 2003 and contains 250 pages. 
It contains art by Virginia Sky, Ingela, Helen, and T'Guess.
* First Touch by Morgan Lefey ("Sudden memories of a past they never consciously knew confront Kirk and Spock.") (1)
* With Others' Hands by Jat Sapphire] ("Strange phantom touches and unexpected fantasies cause Kirk to wonder if he's going mad.") (28)
* Shadow by Deanna Gray ("Kirk is haunted by a bizarre nightmare image.") (reprinted from the 2002 Red Rose, con zine for Red Rose Convention) (34)
* Weapon of Destruction, poem by Susan Sicafoosh (48) 
* A Few for This Evening by Animasola ("Kirk discovers a collection of erotic photos featuring a man looking astonishingly like Spock.") (49)
* Bonded by W.I. Calendar ("In the Mirror Universe, Spock responds to Kirk's treachery with a forced bonding." Prequel: A Thin Flame by Cynthia Drake in Golden Oldies and New Delights)
* Blindness by Virginia Sky ("Dr. Miranda Jones leaves a message for Kirk which changes his life.") (The editor notes that this story had originally appeared on ASCEM and on the author's website.) (79)
* These are the Moments by Iris ("Their experience at Deneva cause both Kirk and Spock to realize important truths.") (100)
* Night Thoughts: Kirk, poem by Rhiannon (141)
* Night Thoughts: Spock, poem by Rhiannon (142)
* art portfolio by Ingela (143)
* The Wrong Place to Be Real by Islaofhope ("Spock learns a great deal from a surprising encounter with Sam Kirk.") (143)
* Allowing a Chance, poem by Khylara (162)
* Homeward Bound by Seven of Six ("The Mirage Planet is a deadly trap - and the being there is determined to learn Vulcan secrets. After the ordeal is over, Spock determines to repress what he learned there.") (163)
* The Truth of You, poem by Helen (212)
* art by Helen (213)
* Spock's Song, poem by Helen (213)
* A Tale from the North by Jungle Kitty ("The mythology of an unnamed planet speaks of James the Fair and Spock the Wise.") (214)
* Time Out by Cervelle Marias ("After a grueling diplomatic mission, Kirk is highly anticipating his shore leave with Spock.") (217)
* In Your Arms, poem by Khylara (224)
* Kaefarr by T'heoni ("Amanda tries to help Kirk with his dreams while he recuperates from his injury received during the Babel conference.")
* The Gift by T'Guess ("A reporter gets a sought-after interview with the legendary Spock.") (231)
* One Particular Harbour by Elise Madrid ("Spock recalls a lifetime of memories with Kirk." Prequel: Dutyʼs Call) (239)
* Feelings: Spock, poem by Khylara (249)
File:thyla23art1.jpg|from issue #23, Virginia Sky - "What an erotic picture! This photo manipulation accompanies Deanna Gray's story, "Shadow", and illustrates the scene where Kirk is naked, caught in some sort of energy field that is swirling around his body and arousing him. The diffused white streaks in the picture, and the blurred picture of Kirk beautifully suggest the force field described in the story. Virginia has also done something to give Kirk's body a rippled look, (almost as if he is in a shower of water) which also adds to the effect of him being caught in this alien energy field. Kirk is partially erect here, too, just as in the story, and is thrusting his hips out as he stands caught in the field. This photomanip is wonderful, Virginia!" form The K/S Press #90
File:thyla23art2.jpg|from issue #23, T'Guess -- "T'Guess has taken an actual shot from the TV show of Kirk naked from the shoulders up, and placed it against a striking background of a barren landscape with a blue sky. It appears Kirk is thinking of Spock —- floating in the background are translucent spheres, sort of looking like soap bubbles with images inside. The largest one is of Spock's face, and the faintest of the images shows a naked Spock crouched over. There are several other images — one of a computer monitor, and one of another figure crouching. A very interesting and unusual piece. 
File:thyla23art3.jpg|from issue #23, Ingela -- "I think Ingela uses her black and white silhouette technique very effectively in the second of the three pictures here. Kirk is almost nude, pulling his pants down his legs. Much of the picture is black—the background, and the shadows that contour and outline Kirk's muscles and body. There's a suggestion of Kirk's pubic hair and penis too, in the black and white contrasts in this picture. I wish I knew what this technique was called, but I like it. 
File:thyla23art4.jpg|from issue #23, Helen -- "What a beautiful photomanip! This art is book ended by Helen's two poems "The Truth of You" on page 212 and "Spock's Song" on page 213. Helen has used a large image of Kirk's face and the top of his shoulders (so we can see this picture is from ST TMP), and superimposed a picture of Spock walking on the desert of Gol over ft Kirk's eyes are compelling and my eyes were immediately drawn to them, as Kirk thinks about his lost friend. Spock's pose is very contemplative as he walks with his head down, and I imagine him thinking of his thy'la. I love this picture. Wonderful work, Helen!" 
===Reactions and Reviews: Issue 23===
==Issue 24==
T'hy'la 24 was published in July 2004 and contains 182 pages. It has a cover by T'Guess.
The art is by T'Guess, Virginia Sky, Liz Woledge, J S Cavalcante, and Helen.
Regarding some of the content, words from the zine: 
* Petals, poem by Danielle Stewart (1)
* The Queglan by T'Marii ("A Vulcan scientist is taking more of an interest in Spock than Kirk is comfortable with.") (2)
* Random Factors by J S Cavalcante ("After a particulary harrowing mission, Kirk and Spock confess, and act on, long-felt affections.") (17)
* The Experiment by Nadja Lee ("A night of love is followed by heartbreak when Spock informs Kirk it was an experiment in human sexuality.") (29)
* Vulcans Don't Sing the Blues by Linda Atkinson ("Spock is called on to do a service for his cousin just as he and Kirk are about to bond.") (44)
* Moonlight Through Your Hair by Cynthia ("Kirk is assigned as Spockʼs “big brother” and roommate when Spock enrolls in Star Fleet Academy.") (70)
* Risk by Catalena Mara ("Once safe, Kirk must deal with his orders to kill Spock while Henoch inhabited his body.") (88)
* Cannot Touch by T'Guess ("At the end of the five-year mission, Kirk asks something of Spock he canʼt give.") (92)
* Not Heat by Jat Sapphire ("After VʼGer, Kirk goes with Spock to Vulcan.") (118)
* Catching a Wild Goose by Falla Caqui ("While on the Enterprise-E, Spock decides to use the holodeck.") (124)
* In Love with My Captain, poem by Farfalla Caqui (Spock thoughts about Kirk.) (129)
* Everything, poem by Helen (130)
* Time Enough by Theresa Kyle and Emily Levin ("Spock regrets not accepting Kirkʼs request to accompany him on shoreleave after Kirk dies while answering a distress call.") (131)
* A Walk in the Dark by Elise Madrid ("Spockʼs reaction when the Horta threatens Kirk gives Kirk hope.") (also in K/S CONnections 2003 con zine) (177)
File:thyla24-1.jpg| from issue #24, "FRONTISPIECE by T’Guess -- Ah, this is the mood I am accustomed to seeing from T’Guess. The lighting upon Spock is extraordinary, capturing him as he huddles, wrapping his arms around himself. I cannot tell if he is overwhelmed by loss or love, but perhaps it is both. Opens my mind to a myriad of possibilities—plus it is beautiful!" 
File:thyla24-2.jpg| from issue #24, "THE QUEGLAN by Liz -- Great work, Liz! You’ve masterfully illustrated the pivotal scene in this story. Kirk’s expression as he turns to defend the Queglan who is threatening to destroy Spock in a most despicable way is full of anger and outrage. He does not look like a man who intends to lose. And Spock’s eyes, regardless of the danger he’s in, are locked on Kirk. How one takes pencil in hand and creates such expressions is far beyond my understanding—but I love that such an artistic ability exists and that Liz chooses to bring her very special talent to K/S." 
File:thyla24-3.jpg| from issue #24, "A DREAM ACROSS TIME by T’Guess -- Flawless beauty is the only way I can describe this piece. Both Kirk’s and Spock’s bodies are superbly masculine and accurate—at least according to my fertile imagination! I adore the way Kirk is looking up at Spock—his eyes are riveted to Spock’s. They are both so solemn, like this is a crucial moment for them. I love the way Kirk’s robe has fallen from his shoulders and that Spock stands tall in his nakedness. This is one I could look at for a very long time." }}
File:thyla24-4.jpg| from issue #24, "SHOWER SCENE by T’Guess -- Bliss is what I see here. Both men are lost in each other, heedless of the water sluicing over their awakening bodies. And we can see both those bodies quite well, thank you very much! Nothing at all to make you want to quit looking, either. Spock is—ah— generously endowed. Makes my mouth water...." 
File:thyla24-5.jpg| from issue #24, "STOLEN PASSION by T’Guess -- I’m reminded of a rendering in bronze as I look at this. It doesn’t appear quite real...but is very pleasing to the eye. Spock is obviously worshipping his lover and Kirk is silently reveling in the attention and adulation bestowed upon him." 
File:thyla24-6.jpg| from issue #24, sample text
File:thyla24-7.jpg| from issue #24, "ART FOR RANDOM FACTORS by J.S. Cavalcante -- Is there no end to this lady’s talent? Did I know that she was an artist as well as an author? Her words have said it so often, now she says in a new way that Spock and Kirk are meant for each other as they gaze into each other’s eyes. I think if I close my eyes for a second and reopen them, I will see they have fallen into a devastating kiss."
File:thyla24-8.jpg| from issue #24, "ART OPPOSITE PAGE 102 by T’Guess -- She has done it again. I don’t believe I have ever seen a better picture of Spock in the deserts of Vulcan. His hair is long and in disarray, his mouth slack. His features display confusion, disassociation, hopelessness. The colors are awesome, fiery on one side, black as night on the other. This is amazing and gives new meaning to a picture being worth a thousand words. A thousand visions of the damned, I think might be more appropriate. In fact “Visions of the Damned” would be an excellent and descriptive title. I wish there were a matching Kirk, living in his own earthbound version of hell."
File:thyla24-9.jpg| from issue #24, "ART PORTFOLIO by Virginia Sky -- Ah, a little whimsy of sorts—Kirk throwing one very bare Vulcan over his shoulder. Kirk’s “gotcha” grin is priceless. I can’t adequately describe Spock’s, maybe because he doesn’t quite know what to feel at this point. A nice lighthearted piece with an artistic appearance." 
File:thyla24-10.jpg| from issue #24, "EVERYTHING (ART) by Helen -- Helen has it all—she not only does the very fine poem, she provides enticing artwork to match. The style is very different here—perhaps a paint daub look (sorry, I’m not an artist). I have no trouble defining the action taking place, however. A very passionate kiss that demands a second and third look. Yum!" 
===Reactions and Reviews: Issue 24===
==Issue 25==
T'hy'la 25 was published in 2005 and contains 178 pages. 
It has a cover by T'Guess. featuring stories and artwork by Patricia Roe, kira-nerys, Rae Trail, Syn Ferguson, and others.
* The Needs of the Two (possibly "The Need of the Two") by Patricia Roe ("When Vulcan finds out that Kirk and Spock are lovers but not bonded, Kirk is served with a writ to either bond with Spock or end the relationship.") (also in [[K/S CONnections) 2004)
* The Road to Belonging by kira-nerys ("Spockʼs fight for acceptance from childhood to the time of burning.")
* Good Vibrations by Allie Benet Atwater ("Kirk goes to a gay club on Argelius and is suprised by who he meets there.")
* HMS Enterprise: A Space Opera by Gallimaufry ("Pike is upset when Spock refuses Noguraʼs staff position, unaware the Vulcan is in love with one Lt. James Kirk.")
* Never a Bride by Rae Trail ("When Starfleet finds out Kirk and Spock are planning to official announce their bonding, they persuade the two to also marry Earth-style.")
* Logical Heartache by Nadja Lee ("Spock is forced to take a Vulcan female as a bondmate, even though he and Kirk are already bonded.v
* Dare by J.S. Cavalcante ("Spock finds Kirk yet again in trouble when he follows him down to a planet where Starfleet believes illegal weapons are being run into the Neutral Zone.")
* Remember! by Rosemarie Heaton ("Standing on the cliffs overlooking Sas-a-shar, Spock tries to grasp his forgotten memories after the fal-tor-pan.") (also in K/S CONnections 2004 con zine)
* I Fell in Love with My First Officer by Gallimaufry ("Kirk muses on his gradual falling in love with Spock.")
* Night in the Apollo by Farfalla Caqui ("Losing track of time, Kirk and Spock get stuck in a museum overnight.")
* Watch with Lover by Anne Elliot ("Just home from a training cruise, Spock enjoys a meal with his lover while watching the interview Kirk gave while he was away."") (also in K/S CONnections 2004 con zine)
* I Know You're Out There Somewhere by Farfalla Caqui ("After his death on Veridian III, Kirk finds his soul housed in the unusual of places.")
* Chess Game by Syn Ferguson (This is an excerpt from “The Fire In Which We Burn,” which was an unpublished longer work.")
* Destiny by Elise Madrid ("While at a carnival, Kirk humors Lori by going with her to see a fortune teller.")
* Addiction by Anna S. Greener ("On the night of his bonding, Spock remembers what was...and what was not.")
* The Dark Distance by Dovya Blacque ("Kirkʼs conversations with Spock on the observation deck are more than they appear.") (rewritten and reprinted in Thunder & Lightning)
===Reactions and Reviews: Issue 25===
==Issue 26==
T'hy'la 26 was published in April 2006 and contains 236 pages. 
It has front and back covers by IM Mueller and other art by T'Guess, Gamin Davis and Diegina.
* Omega and Alpha by K'Chaps ("Still mourning the death of Gary Mitchell, Kirk must learn to deal with Spock as his new first officer, while continuing on a personal quest at the same time.") (1)
* Lost in Translation by Anne Elliot ("After more than a year, Spock is at his witʼs end as to how to approach Kirk regarding his feelings for him—and Kirkʼs for him.") (37)
* The Daredevil by Diegina (58)
* Denial by CatalenaMara (59)
* Sacramental Wine by J S Cavalcante ("While on a diplomatic mission on Cygnet XIV, Spock finds himself alone, unclothed and literally in the woods after drinking Cygnian wine.") (60)
* To Calm a Storm by Farfalla Caqui (74)
* A Slight Difference by Daisy Moore ("Uhuraʼs drawings of him and Kirk give Spock hope that the feelings he has for his captain are shared.") (77)
* Giving Thanks by Khiori ("Having finally thrown off the illness he acquired on Sarpeidon, Spock is determined to fulfill a personal tradition.") (91)
* Meat Dreams by J S Cavalcante ("Spockʼs physical desire for Kirk is forced to the surface by the dreams heʼs having after partaking of meat —and sex— on Sarpeidon.") (first published in No Greater Love) (97)
* Miramanee by Kelly Reiger (124)
* And Its Business Is Joy by Elise Madrid (crossover with The Professionals) ("Thrown into the past by a mysterious storm, Kirk and Spockʼs relationship problems become secondary to finding a way back to their own time. Then they meet two extraordinary men.") (appears in Orbital Resonance I, also published as a standalone novel in 2010 called And Its Business Is Joy) (125)
* The Trust by Kelly Reiger (162)
* Equal Partners by Kelly Reiger (163)
* Do Not Grieve by Kelly Reiger (164)
* The Only Choice by Farfalla Caqui ("Spock is given a choice from all the Kirk look-alikes Trelaine has collected from alternate universes, so that Trelaine can have the real thing.")) (165)
* Stardate: Monday by Farfalla Caqui ("Kirk seems to have lost control of his emotions just as he is supposed to mediate a treaty between two colonies fighting over mineral rights.")) (172)
* Colorful Kite by Kelly Reiger (184)
* A Light in the Darkness by Deborah Cummins ("Feeling like a third wheel after Spock invites him along on his and Kirkʼs shore leave, McCoy decides to return to town from their campsite — in the only means of transportation they have.") (first published as gen in Lone Star Trek #3 in 1991 and reworked for this zine) (winner of a 2007 FanQ) (185)
File:Lightinthedarkenssslash.jpg|from issue #26, art for "A Light in the Darkness," artist is T'Guess -- Fan comment: "One of the most beautiful and evocative pieces of art I've ever seen graces the beginning of the last story. It is like a framed masterpiece. Its dynamic is powerful yet subtle. Its meaning shivers over you soft as a spider web's touch, begging for interpretation. To me it is peace, it is comfort, it is love and beauty. The colors are subdued as the subjects' poses. The Human and Vulcan hold each other as carefully as if they were cradling fragile priceless glass, but possessively too. They know what they have in their arms. And their expressions, Spock's cherishing and adoring, Kirk's eyes closed in happiness, his long eyelashes inviting kisses of gratitude, bolstered my spirits more than anything had for a long while. There are also in this framework hints of things to come: the old house on the mountain and its owner, D'Ceren, the forest in the background and a star, burning bright. Thank you, T'Guess, for this unutterable beauty. from The K/S Press #124"
File:Side by side 22 VoyageHome. gaimanjpg.jpg| from issue #26, by Gamin Davis (titled "Reunion of Soulmates"), this was also reprinted as the cover of Side by Side #22 -- Fan comment: "What is there about this piece not to like? From the title, "Reunion of Soulmates" to the setting and the clothing, white robes; a curly-headed Kirk and Spock holding him tight. Set in the waters off San Fransisco with the bridge and a breaching whale in the background. I like the rippling water and the colors of sunset blazing behind the lovers. Just great, Ms. Davis, thank you. "
File:thyla26-1.jpg|from issue #26, T'Guess -- Fan comment: "Here’s an artistically presented CGA that really shows some of what you can do with the medium. It seems simple enough, a pic of a nude man reclining on a black sheet of some sort. But there’s just small glimpse of the face of the man, and we know from that, that this is Spock. But we also know from the body type that it’s him. This is so crucial in doing CGA, picking the right body type, and of course that’s just the beginning. The pose needs to speak the character as well, the angle of the head must be just right.... CGA artists have their own set of problems to deal with in creating a good composition. Here there is a lot of body hair on Spock, not just on his chest, but also on his legs and arms. I personally have a “thing” about leg and arm hair, and I think that Spock is a hairy individual. Seeing it here on this body makes this picture far more real to me than if it were presented in a different fashion. Now to the pose, which is so relaxed that you think “that isn’t Spock.” But it does seem to be to me, or it could be, especially in the languorous draping of the hand upon his own upraised knee. One of the things that’s so interesting about this picture is what is not shown, what trails off the “canvas.” This is a trick all artists have in their arsenal, not just CGA artists, and here none of Spock’s hair or his eyes are visible, and we don’t see most of his left hand, either. And for that reason, perhaps, the eye is drawn to those areas. I am also so impressed with the color scheme chosen by the artist. The yellowish/green (I’m horrid with colors, forgive me) background gives just enough of a glow to Spock’s skin to accentuate his alien pigmentation. This is really lovely. Great work! "
File:thyla26-2.jpg|from issue #26, Diegina -- "Oh, this is good! Kirk in uniform, Spock in off-duty attire...looks like the shirt he wore in "City On The Edge...". Evocative expression on Kirk, behind Spock. Is he secretly admiring his honey? Is this before they bonded? Whatever, it's in black and white and I can't resist. Spock appears to be pondering a question and about to give Kirk a logical explanation. I love this one! "
File:thyla26-3.jpg|from issue #26, T'Guess for Sacramental Wine -- Fan comment: "A fairyland of riches! A winning performance by T'Guess of a spellbound Spock. Those dreaming eyes pull me in, making me a participant in the accompanying delightful story. I don't know how she does it but I'm a grateful recipient of this artist's work."
File:thyla26-4.jpg|from issue #26, T'Guess ("Another Lonely Night") -- Fan comment: "Whoa! Spock looking dangerous. Don't come near me unless you wish your fingers burned. His expression says that and more. Damn, this is a sizzling composition, an honored addition to my collection. Wow! "
File:thyla26-5.jpg|inside issue #26, T'Guess ("Anticipation") -- "Next portrait Kirk is here too, lying on his stomach at the end of his bed. His face is open, we can read it easily, there's no question what he's thinking: Spock! Come and get it, T'hy'la, your present's under the covers. "
File:thyla26-6.jpg|inside issue #26, IM Mueller -- "Marianne's gift for putting us in the moment is steamily evident here. It lets us in on their hot and heavy lovemaking. Captured in the heartpounding moments of their arousal, we can tell by the expressions on their lips and the placement of Jim's hand what they are experiencing. Lost in ecstasy. And me too! Just sublime in black and white. "
===Reactions and Reviews: Issue 26===
==Issue 27==
T'hy'la 27 was published in May 2007 and contains 219 pages.
Note from the table of contents page: 
It has stories, poetry and artwork by Addison Reed, Starshadow, Deborah Cummins, Islaofhope, Farfalla Caqui, Ivy, IM Mueller (color cover) and T'Guess.
* Love's Obsession by Erin Tooley ("Kirk is still angry with Spock over his questioning of his obsession with the cloud creature when they beam down with a landing party to explore a newly found planet and find themselves stranded on during an ion storm.") (1)
* No Price Too High by Khiori ("While on shore leave, Spock contacts Kirk from the hospital where he was admitted, beaten up but with no memory of how he got that way.") (20)
* Spirit Lights by Addison Reed ("Out camping in the woods, Kirk tells Spock a ghost story.") (32)
* Protector of Logic by Farfalla Caquí ("Kirk is going to the shipʼs costume party as Alexander the Great, and wants Spock to go as Hephaiston.") (37)
* Body Heat by Ariadne ("When a fissure opens up under them during a battle, Kirk and Spock find themselves in some sort of underground cavern.") (also in K/S CONnections 2004 con zine) (42)
* Incident in Sickbay by Starshadow ("Injured and unconscious after being caught in an explosion, Kirk and Spockʼs minds are joined as they contemplate their past and their still undetermined future.") (48)
* Michael's Trespass by Dale ("Kirk wakes from unconsciousness believing himself to be a man from the 20th century — and that Spock is his lover, Anton." This story is something of a crossover with The Man from U.N.C.L.E.) (Note: a version of this story was originally posted online.) (51)
* Madman of Lesath II / The Madman of Lesath II by Deborah Cummins ("Kirk and Spock have been bonded for only six months when Spock is mentally attacked and possessed by an insanely evil alien.") (winner of a 2008 FanQ) (Note: a gen version of this story was originally published in Voyages #1 in 1986. where the editor mistakenly notes that "Voyages" #1 was published in the "early 1990s." The correct date is 1986.) (55)
* Broken Strings by Kimberly FDR (gen - Post TWOK) (126)
* Walking on Broken Glass by Islaofhope ("After VʼGer, Spock says he still loves Kirk but refuses to take him as his lover again because he believes, no matter what Kirk says, that Kirk does not love him—and he will go to any lengths to continue his self-deception.") (131)
* Lost by Istannor ("The planet of Quiroz wishes to give up its relationship with the Orions and join the Federation and ask that Admiral Kirk and the Enterprise be sent to begin negotiations.") (183)
* Golden is the Spirit, long poem by Farfalla Caquí (Solome meets K/S) (Note: originally posted online.) (216)
File:thyla27-1.jpg| from issue #27, T'Guess, Spock and his double ridges
File:thyla27-2.jpg| from issue #27, Ivy
File:thyla27-3.jpg| from issue #27, Ivy
File:thyla27-4.jpg| from issue #27, Ivy
File:thyla27-5.jpg| from issue #27, IM Muller
File:thyla27-6.jpg| from issue #27, sample text
===Reactions and Reviews: Issue 27===
==Issue 28==
T'hy'la 28 was published in May 2009 and contains 131 pages.
The front cover is by T'Guess. T'Guess also created "Desert of Rain" frontispiece; title illustration for "The Rover." Diegina created the endpiece. Ivy created "Morning Coffee" and "Triptych." Other art is by Helen and Virginia Sky.
* A Shadow from the Past by Deborah Cummins. ("Dr. Cynthia Jackson and James T. Kirk shared a brief fling while the Enterprise was at a starbase for repairs three years before. She has obsessed about him ever since then. Now that she has been assigned to the Enterprise, she's convinced there's only one obstacle between her and Kirk: Spock." Excerpt: "Fists clenched so tightly her nails nearly broke the skin, Jackson watched the door slide shut, a ferocious rage growing in her chest. She hadn't spent countless nights dreaming about James Kirk, traveled halfway across the galaxy to find him again, only to give the man up so easily. And to a filthy alien no less. There was no way she was going to let that happen. No way in hell." NOTE: An earlier version of "A Shadow From The Past" was originally published in the zine "Daring Attempt" #9 in 1987.) (1)
* A Yeoman's Tale by Anne Elliot. ("Kirk's new yeoman is behaving in a very suspicious manner." Excerpt: "Spock considered for a moment. 'What does he do, precisely?' 'Precisely? Well, he is often in here when I'm not sure he should be. He always has an excuse, but somehow I'm just not convinced. When I do find him here he's often in the entrance to the sleeping area, as if he were just coming out…or going in. Sometimes he's actually in the sleeping area, although he usually says something about sorting out my spare uniforms or checking something in my cabin. And he always looks… furtive.'" NOTE: "A Yeoman's Tale" was originally published in the KisMet 2005 convention zine.) (29)
* Gender Specific by Connie Gellen (43)
* Yet in the Darkness by Khiori. (A vignette set during "Operation: Annihilate".) (67)
* Homecoming by Ariadne. (A "Mirror Mirror" story. "After his return to his own universe, Mirror Kirk spies on Spock using the Tantalus device.") (69)
* Wounds That Bind by K'Chaps. ("After Star Trek: The Motion Picture, Kirk and Spock struggle to make sense of the events and find a new path. NOTE: "Wounds That Bind" is a new version of a story which previously appeared on the internet.") (73)
* The Rover by Greywolf the Wanderer. ("In this AU, Kirk has been expelled from the Academy for cheating on the Kobayashi Maru and Sarek has blocked Spock's entry into Starfleet, so they're both thrown on their own resources." Excerpt: "He was exquisite, poetry in motion: tall and slim, with black hair and eyes and olive skin. He'd let his hair grow some, compared to the other male Vulcans I've met - he kept having to brush it out of his eyes. On one side he'd tucked it behind a gracefully pointed ear, almost as if to say 'Yeah, I'm a Vulcan-so what?'...Above the jeans he wore a long-sleeved black turtleneck and a battered black denim vest with a couple of vertical lines of some kind of alien calligraphy on the back-not quite Arabic, but something like that. For all I could tell, it might have been Vulcan for 'rent boy.' It seemed pretty obvious that was his gig, although I'd never seen a Vulcan rent boy before. Hell, since the day I got kicked out of StarFleet Academy for 'cheating' on the Kobayashi Maru, I hadn't seen any Vulcans at all.") (93)
File:thyla28-1.jpg| from issue #28, T'Guess
File:thyla28-2.jpg| from issue #28, Ivy
File:thyla28-3.jpg| from issue #28, Virginia Sky
File:thyla28-4.jpg| from issue #28, Ivy
File:thyla28-5.jpg| from issue #28, Helen
File:thyla28-6.jpg| from issue #28, T'Guess
File:thyla28-7.jpg| from issue #28, Diegina
===Reactions and Reviews: Issue 28===
==Issue 29==
T'hy'la 29 was published in July 2009 and contains 142 pages. 
Lorraine Brevig - Cover. Additional art by Blacklily, Helen, and Ivy. 
Poetry by by Starshadow.
* Confessions in the Dark by Addison Reed ("Kirk was anticipating an enjoyable visit with his mother, but Winona is strangely distracted, and he and Spock become quickly aware Winona's become involved in a political movement which poses danger to both of them. EXCERPT: "'Spock, it's…difficult for me to explain, but I owe you nothing less than the truth." He closed his eyes because it was always easier to confess in the dark. "I just don't seem to be able to step back from this, to see it from a distance. It's like someone is hacking away at…at who and what I am…at what we are to each other. I'd rather die than lose you." He looked up, something akin to fear showing in his changeling eyes. "So why am I behaving like such a damned coward?'") (1)
* That Voice by Khiori ("A hurt/comfort vignette.") (29)
* An Interesting Past by Allie Benet Atwater ("Kirk is stunned to find out that his lover Spock has had "an interesting past" - and asks for details." EXCERPT: "Kirk squinted and leaned down over Spock to be certain his eyes weren't playing tricks on him. 'What the-? Is that woman topless?!' He didn't realize he was crushing Spock against the desk, his nose now almost against the inadequately small viewscreen. 'WOW! She's got nice - Hey! You're looking at a half-naked-Who-who-the-hell is she?' The display of luscious feminine charms was certainly an improvement over the deadly-dull quarterly reports he had been expecting. Still, the green-eyed monster had reared his ugly head almost immediately. Spock had only recently revealed - rather vaguely - that he had acquired an interesting 'past' in the last 'year or so' and the intimate pics certainly confirmed it.") (31)
* Another Trip to Babel | Another Trip to Babel by Mary Kay. Illustrated by Blacklily ("An intense hurt/comfort story. Kirk is kidnapped by a hostile alien race, and Spock must do everything in his power to rescue him." EXCERPT: "Spock worked at keeping his voice and face neutral. 'I am Commander Spock. I wish to speak with you regarding the release of our Captain.' Gr'tl smiled, baring his teeth. 'We can do that. All we ask in exchange for your captain is you give over Ambassador Sarek.' 'That will not be possible.' Spock countered. 'That is too bad. You see this offer will be taken off the table very soon as I do not think your captain is going to be alive for much longer.' Gr'tl sat back, satisfied. 'Here, let me show you what I mean.' The screen changed to show Kirk leaning against a wall, struggling to breathe.") (43)
* Balance by Amanda Warrington ("Spock notices Kirk keeps gets erections during times of danger - and wonders if Kirk is deliberately seeking these situations out. But appearances can be deceiving." EXCERPT: "'It has been my observation, Jim, that at times you appear to take unnecessary risks.' There had been no preamble, nor any prior discussion that would likely prompt such a remark and he did not disguise his surprise at the sudden introduction of the subject. I had anticipated he may have attempted to prevaricate by requesting a definition of and debating the word, 'unnecessary'. However he was more direct. 'Name me one time,' he challenged.") (93)
* Forever, poem by Starshadow (130)
File:Thyla29art1.jpg| frontispiece for issue #29 by Ivy
File:Thyla29art2.jpg|from issue #29 by Blacklily -- "Between pages 46 and 47, the boys are nude, sitting with Spock cradling Kirk in his arms, holding him as if he is a treasure to be guarded. The lighting in this black & white image is great – bright on their faces, shadowy on their legs and arms. It conveys its message well and works right in with the accompanying story." 
File:Thyla29art3.jpg|from issue #29 by Blacklily -- "Between pages 62 and 63 we see a badly injured Kirk lying across Spock‘s lap. Again, the artist has done a realistic job of portraying the bruises and swelling in his face. Kirk‘s head is at a very unusual angle and one that is screamingly difficult to work with, but it shows no signs of being fabricated. I‘m getting very attached to seeing what I‘m reading expressed so well." 
File:Thyla29art4.jpg|endpiece for issue #29 by Helen -- "Helen always inspires in me the importance of TMP – not just as the comeback of Kirk and Spock, but as a turning point in their lives that I failed to see for a long time. Here she lends that special ethereal soft touch of hers to images from TOS and TMP. She‘s selected a scene from the series that could well be the time at which Spock has announced he will be leaving Starfleet and returning to Vulcan and Gol. The right amount of concern and pleading is there in Kirk‘s eyes, and he‘s gripping Spock‘s arms as though he intends never to let him go. But she also shows us the moment that Spock, during the searching of his mind by T‘Pau, discovers the truth – he belongs not with the masters at Gol, but with James T. Kirk. Beautiful imagery." 
===Reactions and Reviews: Issue 29===
==Issue 30==
T'hy'la 30 was published in July 2009 and contains 152 pages. 
Cover Art by Lorraine Brevig
Other Art by Blacklily, Greywolf the Wanderer, Ivy, and Liz. 
Poetry by Elenadia
* Apsides by Jack Hawksmoor ("Badly injured during a mission gone wrong, Spock struggles for survival, unknowingly breaching a boundary he never thought to cross." EXCERPT: "'Good to have you back, Mr. Spock,' his captain said in his warmest voice. 'It hasn't been the same without you.' Kirk's tone was light and gentle. To Spock's shame, he found himself thoroughly comforted by it. Spock gritted his teeth and slowly turned his head toward Kirk's voice. The movement of his head shifted something unpleasant under his ribs, and he froze with a choking sound. Kirk stiffened, looking alarmed. 'Easy!' he urged. 'You've had a rough couple of days.' 'Days,' Spock rasped. He quashed anything resembling alarm. He had responsibilities. 'The landing party?'") (1)
* For Today by Kembas ("Spock is going into pon farr just as the Enterprise faces a dangerous mission on a planet were Federation citizens are targeted for violence. That's just the beginning of this complex tale." EXCERPT: "After a moment Spock began again, his voice steadier. 'Twenty months ago, I made a serious error in not promptly speaking to you of a problem that would have allowed you to make informed decisions. I do not want to repeat that mistake.' 'Twenty months ago,' Kirk repeated. He struggled to place the timing reference, his memory marked by the sequence of mission assignments rather than the ship's calendar. 'Yes, Jim.' Kirk watched as Spock dropped his arms to grasp the sides of the seat of his chair. He found he did not like this hunched over posture at all. 'I had requested leave on Vulcan.'") (18)
* Of Duty and Honor by Khiori (75)
* Rekindling Fire by Jenna Sinclair ("What happens to Kirk and Spock after the events of Star Trek: The Motion Picture." EXCERPT: "For those first few seconds before he saw me, I felt as if I had stepped into a turbolift on the topmost floor of Starfleet headquarters and that it had plummeted straight down to the ground. Free-fall: my stomach, my head, my wildly pulsing emotions. I swallowed heavily. As much as I want to see you, I'm not prepared to see you, not and live up to my foolish, impossible promises. All the yearning I had thought I had successfully overcome instead overwhelmed me, and I plunged towards sure destruction. Could old lovers be good friends? Not a chance. Damn. Damn it. Damn, it was wonderful to see him.") (90)
* This is What Love Is by Nadja Lee ("A post fal-tor-pan story. Kirk must come to terms with the changes in Spock's personality. EXCERPT: "'I shall do so,' he replies, a satisfied gleam in his eyes as he returns to his terminal. I am halfway down the hallway when he yells after me. 'Shall we play chess tonight, Jim?' The voice…. So like it was. If I don't turn around, if I stay frozen in this moment…I will be back. Before all this happened. Before…. I scowl; I should be thankful for what I have and not drown in self-pity. I turn around and at his open expression I cannot help but feel my eyes light up; he is here with me. What more do I want?") (135)
* Blink by BlueVelvetSpock, illustrated by Blacklily ("In the Nexus, is there any way to determine illusion from reality?" EXCERPT: "The link had never been part of his conscious mind, unnoticed until it was gone, snapped with the disappearance of the bulkhead on the "B". He and Spock had been masters of unspoken conversation and he had marveled over the years at their ability to commune with a glance, a touch, a raised eyebrow. Words hadn't seemed necessary and things left unsaid were tacitly understood by both. They had spent their entire adult lives together bound by assumptions. He had taken his life with Spock for granted. He understood now that the phrase 'all the time in the world' was the cruelest fantasy of them all.") (139)
* No Need, poem by Elenadia (153)
File:thyla30-2.jpg| from issue #30, Greywolf the Wanderer -- "Who knew Greywolf could draw? This is a pencil drawing of a naked Kirk and Spock sitting on a couch as they are making love. There are nice details in the background – looks like they are having fun on shoreleave!" 
File:thyla30-1.jpg|frontispiece from issue #30, Liz -- "Leave it to Liz to come up with an astounding new slant on a pivotal episode. The main image is Spock clutching a stylus for dear life. He is standing in the middle of his quarters stiffly trying to control his shaking hands at the onset of pon farr. Around him whirl images of Jim smiling lovingly at him, of the two of them writhing on Vulcan‘s sands, of half naked bodies and gripping arms. Fantasies made shockingly real. Both Spock‘s fondest hopes and worst fears imagined and no place for him to hide from any of it. I had to look twice at this before what I was seeing actually penetrated (sorry) my brain, but when it did it made me gasp. A brilliant piece of work!" 
===Reactions and Reviews: Issue 30===
==References==
Category:Star Trek TOS Slash Zines
Category:2000s