nyuuzyou/wikis huggingface dataset:
Vishwanath Pandit

Vishwanath Pandit is an Indian economist and the former vice chancellor of Sri Sathya Sai Institute of Higher Learning. Pandit is currently the chairman of Sri Sathya Sai Centre for Human Values run by Sri Sathya Sai Central Trust. He previously served as Professor of Economics at Delhi School of Economics, Sri Sathya Sai Institute of Higher Learning and has held academic positions at University of Pennsylvania , University of North Carolina, University of Manchester. He is also the recipient of Swami Pranavananda Saraswati UGC National Award in the year 2004.
A former consultant at the World Bank, Pandit has pioneered and significantly contributed to the field of macro economic policy modelling of the India. Sinha, A., & Thomas, A. M. (Eds.). (2019). Pluralistic economics and its history. Taylor & Francis
== Education ==
Pandit attended the Amar Singh College, University of Kashmir, Srinagar where he obtained B.A.(Mathematics Major). He proceeded to Delhi School of Economics for his post graduation, where he obtained M.A.(Economic Statistics) . He subsequently earned a PhD from the University of Pennsylvania where his doctoral supervisor was the Nobel Laureate Lawrence Klein.
== Career ==
After completing his doctoral research he served as the reader in econometrics at the Delhi School of Economics, University of Delhi. During his four-decade long stint at Delhi School of Economics he also served in various capacities like Head - Department of Economics, and Director -Centre for Development Economics. During this period he had held many visiting positions at his alma mater University of Pennsylvania(1984-85) as well as at the University of North Carolina as National Science Foundation Postdoctoral Fellow(1970-71). Pandit also held a visiting faculty position at university of Manchester(1975-76) later also was the Simon Fellow (1976-77) and Hallsworth Fellow(1983-84)
Professor Pandit was a visiting professor at Sri Sathya Sai Institute of Higher Learning. Later in the year 2001, he was instrumental in setting up the Department of Economics at the Sri Sathya Sai Institute of Higher Learning. He went on to take up the role as the 8th Vice Chancellor of Sri Sathya Sai Institute of Higher Learning (2008-2010). Under his tenure ship as the Vice Chancellor he was instrumental in organizing the conference, “Conference on Ethics and the World of Finance” (August 28-29, 2009). This conference was held in the aftermath of the Financial crisis of 2007–2008 and was focused on the need for revitalising ethical practises in the financial sector. The participants included top executives from the financial sectors, representatives from regulatory bodies like RBI,SEBI, IRDA, bureaucrats, academicians and many others who are part of the financial echelon of India.
Category:Indian economists
Category:Indian academics
Vishwanathpura (Ladnu, Nagaur)

Vishwanathpura is a small village of 1121 hectares in Ladnu Tehsil in Nagaur district in the State of Rajasthan, India. The village is administrated by a sarpanch who is elected representative of the village by the local elections. Vishwanathpura depends on Ladnu, the nearest town for all major economic activities. The village has government-provided water facilities that include One tap, One Well supply, Two tanks, One tubewell, and Two handpumps. The villagers also acquire water from some of the natural water sources - Two rivers, Two canals and Two springs. Vishwanathpura is also surrounded by Two lakes. The population of the village depends on the source of drinking water during summer on Tubewell. Vishwanathpura's pin code is 341306, and village code is 01759000. The area of Vishwanathpura is segregated as 1070.15 hectares unirrigated, the 7 hectare area under culturable waste (including gauchar and groves), and remaining 44 hectare area not available for cultivation.
The village is connected with a single bus service. Vishwanathpura has Two banks and Two credit societies for the regulation of economic activity. The village is also equipped with Two recreational centers.
The village has an uninterrupted 24 hours electric supply from a power grid.
== Demographics ==
Vishwanathpura is a census village in the district of Nagaur, Rajasthan. The village has a total population of 1113 and has total administration over 186 houses which are connected to supplies basic amenities like water and sewerage.
* Vishwanathpura has 180 children, 87 boys and 93 girls.
* Scheduled caste counts for 415 (37.29%) males constitute 219 (19.68%) of the population and females 196 (17.61%).
* Scheduled tribe counts for 2 (0.18%) males constitute 2 (0.18%) of the population and females 0 (0.0%).
== Medical facility ==
* Vishwanathpura has 2 hospitals in nearby town.
==Educational institutions==
As per the census 2011 report, 544 people are literate in Vishwanathpura out of which 360 are males and 184 are females.
Vishwanathpura has the following educational facilities:
* 1 Education facility
* 1 Primary school
* 3 Colleges in the nearby range
== Employment ==
According to a census 2011 report, 585 people of the total population are employed. The workforce is 318 male, 267 female with 437 (74.7%) of all workers being employed full-time, this includes 255 males and 182 females. 90 males and 38 females are considered as the main cultivators with the help of 51 male and 39 female agricultural labor. 148 people are reported to work for a marginal period of time in the year.
They depend on the agricultural markets (Mandi) of the nearby towns of Ladnu and Nagaur to sell agricultural produce and make their living.
== References ==
== External link ==
* Official website
Category:Villages in Ladnu Tehsil
Category:Villages in Nagaur District
Category:Villages in Rajasthan
Category:Villages in India
Visible (wireless service)

Visible is an all-digital wireless carrier in the United States.
Visible is an all-digital wireless carrier in the United States, offering unlimited text, talk, data, and Hotspot (Wi-Fi), on Verizon’s 4G LTE and 5G Networks. It is owned by Verizon Communications and was founded in 2018. Miguel Quiroga is the CEO. The service supports Apple Inc. and Android devices. Mobile hotspot speeds are capped at 5Mbps.
Visible was named to Fast Company’s Most Innovative Companies list in 2020, and was named Best Telecom Brand by Adweek in 2021. Visible has also won a Shorty Awards for its #VisibleActsofKindness campaign.
On November 24, 2020, Visible unveiled a campaign with Schitt's Creek star Dan Levy (Canadian actor) called “Unlimited Eyebrowsing.” The campaign consisted of five TV spots that linked the Visible’s browsing capabilities to the actor’s eyebrows.
Publications including Adweek, Forbes, and Ad Age highlighted the campaign.
On September 1-3, 2020, Visible presented the Red Rocks Unpaused music festival in Colorado’s Red Rocks Amphitheatre. The event featured virtual performances by Megan Thee Stallion, Lil Baby, Phoebe Bridgers, Nathaniel Rateliff & The Night Sweats, Brett Young (singer), and Sam Hunt.
The concert was live-streamed in accordance with Coronavirus disease 2019. Audience reactions included live chatting and emojis broadcast onto the rock formation. Viewers could also choose the camera angle and vote for songs.
The event drew 8.6 tune-ins and 28,000 social shares.
Category:Wireless carriers
Category:Mobile phone companies of the United States
Vision Thing (band)

Vision Thing is an English folk rock band from Wigan and St. Helens, Lancashire, formed in 1995. The original members of the band from the start to the present day are the Cunliffe brothers who are currently produced and recorded by John Kettle of The Tansads & Merry Hell. 
== History ==
Guitarist and Vocalist Peter Cunliffe and his younger brother Paul Cunliffe grew up in Golborne an old Mining Town in Lancashire formed Vision Thing as a side project to different bands they were in growing up.
In 2009 Violinist David Windsor joined the band and in 2016 Cherlene Walmsley joined on joint lead vocals.
The band went on to appear on TV & Radio programs such as Arts Alive on Made in Liverpool and The Liverpool Sound on Bay TV Liverpool as well as many appearances at The Cavern Club and the Zanzibar Club in Liverpool.
Vision Thing started out as a 3 piece and recorded their first album "Waters Edge" at Frog Studios in Warrington. In 2008 Peter and Paul recorded the song "Barcode" which gained them listeners around the world as the song was picked up by Radio Paradise.
In 2017 and 2018 the band performed at the Coppull Folk Festival and in 2016 and 2018 were 2nd Headline at Levellers Folk Festival as well as Wigan Live Festival & Folk on the Dock Festival in Liverpool.
During 2018 the band went into the studio to record their latest album When We Were Astronauts and Other Stories was recorded and engineered by well-known Merry Hell musician John Kettle. The album was released on 3rd September 2018 to much critical acclaim.
2019 Vision Thing won Artist of the year - Rising Stars at Folking Magazine.
2021 Vision Thing Recorded their new album Morning`s Coming released on March 15 2021 and produced by John Kettle of Merry Hell/The Tansads fame. In reviews of the new album, Folking Magazine's Mike Davies commented "Christine Walmsley effortlessly securing her place among the great and most emotionally expressive British folk rock voices" and that the song Another Life was "an undisputed contender for song of the year".
== Members ==
* Peter Cunliffe - Vocals & Acoustic Guitar
* Paul Cunliffe - Bass, Low Whistle, Bodhran
* Cherlene Walmsley - Vocals
* David Windsor - Violin
== Discography ==
Albums
Lights (12/01/2016) UPC : 859718863359
# Driving Into The Sun
# Global State Of Mind
# Lights
# Who Knows Where The Time Goes
# Sunday Morning
# Living With Ghosts
# Man In The Long Back Coat
# Star Of Hope
# Love Is The Only Law
# On My Mind
When We Were Astronauts and Other Stories (03-Sep-2018) UPC : 0859722018011
# Silver Darlings
# There Is A Seam
# Twenty Thousand Feet
# Haul Away
# The Trysting Tree
# Magic Hour
# All The Bonny Birds
# Lullaby For The Forlorn
# Carry Me Down To The Shore
# When We Were Astronauts
# Murmurate
Morning`s Coming (15-Mar-2021) UPC : 0859745327237
# Morning's Coming
# Austrlia
# Another Life
# Le Verre a Pied
# London Town
# In Your Company
# A Place of our Own
# Old Way
# Now
# New Lights
Produced by John Kettle
Category:English folk rock groups
Category:People from Wigan
Category:1995 births
Visor (software)

Visor is a cloud collaboration software product offered by RocketVisor Corporation. The company is headquartered in New York City and was founded in 2016 by Michael Yaroshefsky.
== Overview ==
The Visor product uses a spreadsheet-like interface for collaborative roadmapping. The product integrates with third party applications through APIs.
== History ==
The company originally produced an eponymous productivity and collaboration product for Salesforce CRM.
In September of 2021, the company launched the Visor product and rebranded as Visor.
== Funding ==
In September of 2021 the company announced $5 million in seed investment. Investors include General Catalyst, Bessemer Venture Partners, Craft Ventures, Converge Venture Partners, and M13 Ventures. 
Category:Companies established in 2016
Category:Software companies
Category:Software companies based in New York City
Vistuniya (Pachpahar, Jhalawar)

Vistuniya is a small village of 648 hectares in Pachpahar Tehsil in Jhalawar district in the State of Rajasthan, India. The village is administrated by a sarpanch who is elected representative of the village by the local elections. Vistuniya depends on Bhawani Mandi, the nearest town for all major economic activities. The village has government-provided water facilities that include Two taps, One Well supply, which is 208.47% of the total supply, Two tanks, Two tubewells, and One handpump. The villagers also acquire water from some of the natural water sources - Two rivers, Two canals and Two springs. Vistuniya is also surrounded by Two lakes. The population of the village depends on the source of drinking water during summer on Handpump. Vistuniya's pin code is 326512, and village code is 04091500. The area of Vistuniya is segregated as 285.43 hectares irrigated area, 93.96 hectares unirrigated, the 251.68 hectare area under culturable waste (including gauchar and groves), and remaining 16.68 hectare area not available for cultivation.
Vistuniya has One public telephone. Vistuniya has Two banks and Two credit societies for the regulation of economic activity. The village is also equipped with Two recreational centers.
The village has an uninterrupted 24 hours electric supply from a power grid.
== Demographics ==
Vistuniya is a census village in the district of Jhalawar, Rajasthan. The village has a total population of 1578 and has total administration over 299 houses which are connected to supplies basic amenities like water and sewerage.
* Vistuniya has 249 children, 127 boys and 122 girls.
* Scheduled caste counts for 301 (19.07%) males constitute 162 (10.27%) of the population and females 139 (8.81%).
== Medical facility ==
* Vistuniya has 3 hospitals in nearby town.
==Educational institutions==
As per the census 2011 report, 665 people are literate in Vistuniya out of which 445 are males and 220 are females.
Vistuniya has the following educational facilities:
* 1 Education facility
* 1 Primary school
* 1 Upper primary school
* 3 Colleges in the nearby range
== Employment ==
According to a census 2011 report, 568 people of the total population are employed. The workforce is 448 male, 120 female with 545 (95.95%) of all workers being employed full-time, this includes 440 males and 105 females. 295 males and 3 females are considered as the main cultivators with the help of 107 male and 94 female agricultural labor. 23 people are reported to work for a marginal period of time in the year.
They depend on the agricultural markets (Mandi) of the nearby towns of Bhawani Mandi and Jhalawar to sell ghee and make their living.
== References ==
== External link ==
* Official website
Category:Villages in Pachpahar Tehsil
Category:Villages in Jhalawar District
Category:Villages in Rajasthan
Category:Villages in India
Visual art of the United States

Visual art that was created in the United States or by artists who were born and raised in the country is considered to be American art. Before European colonisation, numerous vibrant traditions of Native American art existed, and in areas that had been invaded by the Spanish, architecture inspired by Spanish colonial design and corresponding styles in various forms of artistic expression were swiftly established. Early examples of colonial art on the East Coast may be traced back to European painters like John White (1540–c. 1593), who is considered to be the oldest example. In the latter part of the 18th century and the early part of the 19th century, painters painted largely portraits and some landscapes in a style that was predominantly influenced by English painting. However, in the English colonies, locally created ceramics remained steadfastly utilitarian until the 19th century, with luxury items being imported. Furniture-makers that imitated English patterns and comparable artisans were also formed in the major towns.
But in the latter part of the 18th century, two American artists named Benjamin West and John Singleton Copley became the most successful painters in London of history painting. At the time, history painting was considered to be the highest form of art, so this was the first sign that the United States was becoming a significant force in Western art. Those American artists who stayed in the country and worked on their craft did so despite Europe's lack of familiarity with their work. They grew progressively talented. Beginning in the early 19th century, the infrastructure necessary to teach painters started to be developed. Around the same time, the Hudson River School began producing Romantic landscape painting that was both unique and matched the enormous size of landscapes in the United States. In the wake of the American Revolution, there was a surge in demand for works of patriotic art, particularly historical paintings, while other painters documented life in the new frontier. The American craft movement was a parallel development that was taking form in rural areas of the United States. This movement got its start as a response to the industrial revolution.
After the year 1850, academic art in the European style saw a period of unprecedented growth. Simultaneously, an influx of new and old works of art from Europe into the United States started at this time. This trend has persisted ever since. Beginning in the 18th century, many of these items started to be shown in museums. Exhibitions in New York City, such as the Armory Show in 1913, were responsible for bringing contemporary art movements that originated in Europe to the United States. Following the end of World War II, New York City emerged as the new capital of the art world, displacing Paris in that role. Since then, several American movements have contributed to the development of modern as well as postmodern art. The United States of America is home to a wide variety of aesthetic traditions in today's art.
Category:American art
Category:Arts in the United States
Category:Visual arts in the United States
Visual arts

The visual arts include mediums such as painting and drawing; printing; sculpture; ceramics; photography; video; cinema; design; crafts; and architecture. The visual arts and other kinds of art are incorporated into many creative fields such as the performing arts, conceptual art, and textile arts, to name a few. Applied arts such as industrial design, graphic design, fashion design, interior design, and ornamental art are also included in the category of visual arts.
However, this was not always the case, since the word "visual arts" used to refer to both fine art and applied or decorative arts and crafts in the past. Prior to the Arts and Crafts Movement, which began in Britain and other parts of the world around the turn of the twentieth century, the term 'artist' had for many centuries been used to refer to someone who worked in the fine arts (such as painting, sculpture, or printmaking), rather than the decorative arts, craft, or applied Visual arts media (such as furniture). Artists associated with the Arts & Crafts Movement, who saw vernacular art forms as as important as high art forms, highlighted the difference. Art schools maintained that a craftsperson could not be called a practitioner of the fine arts, and that a difference between the fine arts and the crafts was established in their curriculum.
==References==
Category:Visual arts
Category:Arts by type
Visual communication

Visual communication refers to the practise of conveying ideas and information through the use of a variety of visual elements. These elements can include, but are not limited to, signs, typography, drawing, graphic design, illustration, industrial design, advertising, animation, and electronic resources. Visual communication is also known as "visual language." Communication via the use of visual means dates back to primordial times. When it comes to visual aspects, contemporary culture has a variety of different sorts of characteristics. These characteristics include objects, models, graphs, diagrams, and maps, as well as images. In addition to the many kinds of features and aspects, there are a total of seven components that make up visual communication. These components include colour, shape, tones, texture, figure-ground, balance, and hierarchy.
In our day-to-day lives, each of these features, aspects, and components play a significant function. Visual communication has a distinct function in a variety of contexts, including but not limited to social media, culture, politics, the economy, and science. When these numerous features are taken into consideration, visual components provide a variety of purposes and ways in which they transmit information.  The use of visual aids that convey a message is commonplace in a variety of contexts, including but not limited to ads, educational settings (both teaching and learning), public speaking, and presenting settings.  The following items are among the most often used when it comes to visual aids: Chalkboard or whiteboard, poster board, handouts, video excerpts, projection equipment, and computer-assisted presentations are some of the presentation aids that may be used.
Category:Design
Category:Communication design
Category:Communication studies
Category:Academic disciplines
Category:Graphic design
Visual programming language

In the field of computer science, the term "visual programming language" (also known as "visual programming system," VPL, or VPS) refers to any programming language that allows users to write programmes by visually manipulating programme parts as opposed to textually defining them. Programming using visual expressions, such as spatial arrangements of text and graphic symbols, is made possible by a VPL. These may be used either as parts of the syntax or as secondary notation. For instance, many VPLs (also known as dataflow or diagrammatic programming) are built on the concept of "boxes and arrows." In this concept, boxes or other screen objects are viewed as entities, and they are linked by arrows, lines, or arcs that indicate interactions between the entities.
It is possible to further categorise VPLs into icon-based languages, form-based languages, and diagram languages, depending on the kind and degree of visual expression that is used. Visual programming environments offer graphical or iconic components that may be handled by users in an interactive manner according to some predefined spatial grammar for the generation of programmes. These environments are also known as graphical programming languages.
Category:Programming language classification
Category:Visual programming languages
Vita Kin

Vita Kin (Віта Кін) 25 November 1969 is a Ukrainian fashion designer and photographer. Author of embroidered dresses, founder of the Vita Kin brand.
== Biography ==
Vita Kin was born in Kyiv, Ukraine.
She has been engaged in advertising and fashion photography since 2010. Her work was often seen in fashion magazines in Ukraine.
In 2008, Vita launched her own clothing brand Vita Kin for Kindom, which specialized in dresses for the 70s. This brand worked until 2013.
 
In 2013, the designer created the Vyshyvanka by Vita Kin brand, which is based on outfits inspired by the Ukrainian national costume. The first collections became the personification of Ukrainian heritage and were released under the motto Chic Nationale.
During Paris Fashion Week 2015, Ukrainian fashion designer Vita Kin was featured in Vogue magazine and Harper's Bazaar for introducing vyshyvankas as modern Bohemian style designs.
In the same year, The Wall Street Journal named embroidered shirts from Vita kin the most popular summer dresses of 2015. In September, Vita became “The Best Newscomer of 2015" of the Best Fashion Awards. In November 2015, she became “The Best Womenswear Designer in Ukraine” of the Elle Style Awards.
In February 2018, Vita Kin was included in the Top 20 Ukrainian innovators according to Focus magazine.
In the spring of 2018, Vita kin presented a joint collection with the Eres brand. In 2019, Vita presented a new collection of dresses.
=== Recognition ===
* 2015 — Best Fashion Awards — The Best Newscomer
* 2015 — Elle Style Awards — The Best Womenswear Designer in Ukraine
* 2018 — Focus magazine — The Top 20 Ukrainian Innovators
==External links==
Official website Vita Kin brand
== References ==
Category:Ukrainian designers
Category:Ukrainian fashion designers
Category:Photographers
Category:1969 births
Category:Ukrainian people