nyuuzyou/wikis huggingface dataset:
Harikawa (Japanese Alder) - right (60 R)

[[[SliderGallery rightalign|Uemura_04-16-2009_060.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 60
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 1st shelf
|-	
! scope="row"|Sample location
| right (60 R)
|-	
! scope="row"|Fiber type
| cotton
|-	
! scope="row"|Color
| pale yellowish brown
|-	
! scope="row"|Dyestuff (Japanese common name)
| 榛皮 : Harikawa
|-	
! scope="row"|Dye (English common name)
| Japanese Alder
|-	
! scope="row"|Dyestuff (botanical name)
| Alnus japonica (Thunb.) Steud
|-	
! scope="row"|Plant part
| bark /dried (?)
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| lime water
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Uemura's notes
| A dyed brown found in "Shimanuki, Tamba-cloth " is achieved by this recipe. For other brown found in the "Tamba-cloth" from Sasayama region () , Japan, they use holly tree (Soyogo) as dyestuff instead.
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Harikawa (Japanese Alder) - right (61 R)

[[[SliderGallery rightalign|Uemura_04-23-2009_061.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 61
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 1st shelf
|-	
! scope="row"|Sample location
| right (61 R)
|-	
! scope="row"|Fiber type
| cotton
|-	
! scope="row"|Color
| light ochre
|-	
! scope="row"|Dyestuff (Japanese common name)
| 榛皮 : Harikawa
|-	
! scope="row"|Dye (English common name)
| Japanese Alder
|-	
! scope="row"|Dyestuff (botanical name)
| Alnus japonica (Thunb.) Steud
|-	
! scope="row"|Plant part
| bark /dried (?)
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| iron (less quantity)
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Uemura's notes
| The resultant color was pale. The fabric would eventually become black if the process was repeated many times.
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Harikawa (Japanese Alder) - right (62 R)

[[[SliderGallery rightalign|Uemura_04-23-2009_062.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 62
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 1st shelf
|-	
! scope="row"|Sample location
| right (62 R)
|-	
! scope="row"|Fiber type
| silk
|-	
! scope="row"|Color
| light golden brown
|-	
! scope="row"|Dyestuff (Japanese common name)
| 榛皮 : Harikawa
|-	
! scope="row"|Dye (English common name)
| Japanese Alder
|-	
! scope="row"|Dyestuff (botanical name)
| Alnus japonica (Thunb.) Steud
|-	
! scope="row"|Plant part
| bark /dried (?)
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| lime water (supernat)
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Uemura's notes
| Both samples in this folder were dyed in the same bath simultaneously. Silk fiber had better affinity with the dye compound(s), and its color became more red.
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Harikawa (Japanese Alder) - right (63 R)

[[[SliderGallery rightalign|Uemura_04-23-2009_063.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 63
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 1st shelf
|-	
! scope="row"|Sample location
| right (63 R)
|-	
! scope="row"|Fiber type
| silk
|-	
! scope="row"|Color
| brown
|-	
! scope="row"|Dyestuff (Japanese common name)
| 榛皮 : Harikawa
|-	
! scope="row"|Dye (English common name)
| Japanese Alder
|-	
! scope="row"|Dyestuff (botanical name)
| Alnus japonica (Thunb.) Steud
|-	
! scope="row"|Plant part
| bark /dried (?)
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| lime water (supernate); iron (less quantity)
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Dyeing process
| 1) dye bath; 2) supernate of lime water; 3) iron mordant (small quantity); 4) dye bath; and 5) lime water.
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Harikawa (Japanese Alder) - right (64 R)

[[[SliderGallery rightalign|Uemura_04-23-2009_064.jpg~Normal]]]{| class="wikitable"
|-	
! scope="row"|Museum number
| 64
|-	
! scope="row"|Uemura number / title
| ; "Haze-some 25"
|-	
! scope="row"|Folder location
| 1st shelf
|-	
! scope="row"|Sample location
| right (64 R)
|-	
! scope="row"|Fiber type
| silk
|-	
! scope="row"|Color
| brown
|-	
! scope="row"|Dyestuff (Japanese common name)
| 榛皮 : Harikawa
|-	
! scope="row"|Dye (English common name)
| Japanese Alder
|-	
! scope="row"|Dyestuff (botanical name)
| Alnus japonica (Thunb.) Steud
|-	
! scope="row"|Plant part
| bark /dried (?)
|-	
! scope="row"|Dyestuff extraction
| boiled in water
|-	
! scope="row"|Auxiliary agent in dye bath
| -
|-	
! scope="row"|Mordant
| lime water (supernate); iron
|-	
! scope="row"|Other auxiliary agent
| -
|-	
! scope="row"|Dyeing process
| 1) dye bath; 2) supernate of lime water; 3) iron mordant (small quantity); 4) dye bath; and 5) lime water.
|-	
! scope="row"|Uemura's notes
| The quantity of the iron mordant used was greater here; the larger the amount of iron mordant was, the more the color would shift towards black tone. Note that similar browns are found with "Tamba-cloth ".
|-	
! scope="row"|Uemura's date
| Kyoto
|}
Category:Uemura dye archive
Harness leather

== Description ==
A type of leather made from vegetable-tanned cattlehide. Harness leather is used for harnesses and bridles as well as for covering horse collars and saddles. See also strap leather, saddle leather.
== Synonyms and Related Terms ==
collar leather; strap leather; saddle leather; seleiro (Port.); vaqueta (Esp.); harnas (wapenrusting), pakkie = uniform (v.politie) (Ned);
== Physical and Chemical Properties ==
average thickness = 2-5 mm
==Resources and Citations==
* Hermann Kuhn, Conservation and Restoration of Works of Art and Antiquities, Butterworths, London, 1986
* Edward Reich, Carlton J. Siegler, Consumer Goods: How to Know and Use Them, American Book Company, New York City, 1937
* WAmerican Leather Chemists Association Glossary at www.leatherchemists.org
Category:Materials database
Harpers Ferry

= National Park Service, Division of Conservation, Harpers Ferry Center =
The Harpers Ferry Center at Division of Conservation provides a central conservation resource for the National Park Service (NPS). Working solely for the NPS programs and collections, Harpers Ferry focuses on the long-term care and preservation. The staff provides condition surveys, preventive care training, conservation treatments for exhibition and storage, along with analysis and research for improved preservation and interpretation. (extracted from website) Textile Laboratory Paper Laboratory Wooden Artifact Laboratory Scientific Research & Analytical Laboratory Ethnographic Laboratory Decorative Art Objects Laboratory Archaeology Laboratory
Web Address 	http://www.nps.gov/hfc/conservation/
Postal Address 	National Park Service
Division of Conservation
Harpers Ferry Center
P.O. Box 50
Harpers Ferry, WV 25425 USA
Phone 	+1 304 535 6228
Fax 	+1 304 535 6055
Contact 	martin_burke@nps.gov
Searchable 	No
Categories 	Research / training
General
Website Languages	English
Category:Directory
Category:Directory: Research / training
Category:Directory: General
Harrison granite

== Description ==
A fine-grain, dark gray granite quarried in Harrison, New York (Lent 1925). Harrison is a banded granite composed of quartz, alkali-feldspar, and biotite. It was used for buildings and monuments.
==Resources and Citations==
* Frank A. Lent, Trade names and Descriptions of Marbles, Limestones, Sandstones, Granites and Other Building Stones Quarried in the United States Canada and other Countries., Stone Publishing Co, New York, 1925
Category:Materials database
Harrison red

== Description ==
A brand name for several bright red synthetic organic pigments. Harrison red was first developed in the early 20th century and may contain paratoluidine or lithol type dyes. It has a tendency to bleed and fade.
==Resources and Citations==
* R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
* R. Mayer, The Artist's Handbook of Materials and Techniques, Viking Press, New York, 1981
* Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
* Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
Category:Materials database
Hartshorn

== Description ==
A common name for ammonium carbonate, which is a combined salt of ammonium carbamate and ammonium bicarbonate. Ammonium carbonate is a white powder that smells strongly of ammonia. It slowly decomposes in air to form ammonia and carbon dioxide. Ammonia carbonate is used in smelling salts, baking powder, fire extinguishers, casein glue, ceramics, and textile dyeing. It is also used as an aqueous neutralization/alkalization agent for paper (Book and Paper catalog). Ammonium carbonate is commonly called hartshorn because it was historically prepared by the destructive distillation of the antlers from harts (red deer). Hartshorn was a chemical leavener for cooking that was used before baking powder and baking soda became available.
== Synonyms and Related Terms ==
ammonium carbonate; hartshorn salt
== Risks ==
* Noncombustible.
* Sigma Aldrich: Ammonium carbonate SDS
== Physical and Chemical Properties ==
Soluble in water. Partially soluble in ethanol.
Composition 	(NH4)HCO3-(NH4)CO2NH2
CAS 	506-87-6
Boiling Point	60 C
==Resources and Citations==
* R. Mayer, The Artist's Handbook of Materials and Techniques, Viking Press, New York, 1981
* G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 57
* Richard S. Lewis, Hawley's Condensed Chemical Dictionary, Van Nostrand Reinhold, New York, 10th ed., 1993
* Susan E. Schur, Conservation Terminology: A review of Past & Current Nomenclature of Materials, Technology and Conservation, Spring (p.34-39); Summer (p.35-38); Fall (p.25-36), 1985
* Book and Paper Group, Paper Conservation Catalog, AIC, 1984, 1989
* Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
* The Merck Index, Martha Windholz (ed.), Merck Research Labs, Rahway NJ, 10th edition, 1983 Comment: entry 534
Category:Materials database
Hartshorn oil

== Description ==
A dark brown liquid obtained from the destructive distillation of bone. Hartshorn oil smells of ammonia and pyridine. This is also an unwanted byproduct obtained from overheating bone glue.
== Synonyms and Related Terms ==
animal oil; Dippel's oil; bone oil
== Risks ==
Evolves toxic ammonium cyanide when heated to 180C. Combustible.
== Physical and Chemical Properties ==
Soluble in water.
CAS 	8001-85-2
Density	0.90-0.98 g.ml
==Resources and Citations==
* Thomas Gregory, The Condensed Chemical Dictionary, Reinhold Publishing, New York, 3rd ed., 1942
Category:Materials database
Harunobu, A Young Woman in a Summer Shower, 11.19430

A Young Woman in a Summer Shower
雨中美人
Suzuki Harunobu (1725–1770)
Designer: Hakusei
Edo period 1765 (Meiwa 2)
Other impressions: 21.4599
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	flavonoid
Pt 2 	 	 	lead white
Pt 3 	 	 	dayflower, safflower
Pt 4 	 	 	safflower
Pt 5 	 	 	flavonoid, lead white
Pt 6 	 	 	lead white
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Lead white: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Harunobu, Beautiful Women of the Yoshiwara, Combing hair (2006.1537.1)

== Summary ==
Analysis point 	Results
Pt 1 yellow comb	turmeric, orpiment
Pt 2 red collar 	madder
Pt 3 brown robe 	safflower, dayflower
Pt 4 green sash 	dayflower + ?
Pt 5 pale green 	dayflower + ?
Category:TEST-Harunobu, Beautiful Women of the Yoshiwara, Volume 1, 2006.1537.1
Category:Turmeric: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Category:Dayflower: Ukiyo-e colorant
Harunobu, Courtesan Reading a Letter by Moonlight Reflected on Snow; Parody of Son Kang, 11.19438

Courtesan Reading a Letter by Moonlight Reflected on Snow; Parody of Son Kang
見立孫康　（雪明かりで文を読む女）
Suzuki Harunobu (1725–1770)
Designer: Risen
Edo period 1765 (Meiwa 2)
Other impressions: 11.19439 (third state)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Results
Pt 1 	 	gamboge?
Pt 2 	 	inconclusive
Pt 3 	 	gamboge?
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Lead white: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Harunobu, Courtesan Riding a Carp and Reading a Letter; Parody of the Immortal Qin Gao, 06.969

Courtesan Riding a Carp and Reading a Letter; Parody of the Immortal Qin Gao (Kinkô sennin)
見立琴高仙人
Suzuki Harunobu (1725–1770)
Edo period about 1768–69 (Meiwa 5–6)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	flavonoid
Pt 2 	 	 	safflower
Pt 3 	 	 	lead (dayflower?)
Pt 4 	 	 	lead (purple?)
Pt 5 	 	 	inconclusive (dayflower?)
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Flavonoids: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Harunobu, Courtesan Watching Two Kamuro Make a Snow Dog, 21.4463

Courtesan Watching Two Kamuro Make a Snow Dog
雪で犬を作る二人の禿
Suzuki Harunobu (1725–1770)
Edo period about 1767–68 (Meiwa 4–5)
Other impressions: 11.19485
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	flavonoid
Pt 2 	 	 	madder, sappanwood
Pt 3 	 	 	indigo, orpiment
Pt 4 	 	 	indigo, orpiment
Pt 5 	 	 	madder, sappanwood
Pt 6 	 	 	dayflower, safflower
Pt 7 	 	 	flavonoid, sappanwood
Pt 8 	 	 	indigo, orpiment
Pt 9 	 	 	orpiment (or is it trace?)
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Other Reds: Ukiyo-e colorant
Category:Sappanwood: Ukiyo-e colorant
Harunobu, Courtesan and Kamuro Looking at the Face of a Komusô Reflected in a Mirror, 45.833

Courtesan and Kamuro Looking at the Face of a Komusô Reflected in a Mirror
鏡で虚無僧の顔を見る遊女と禿
Suzuki Harunobu (1725–1770)
Edo period 1766 (Meiwa 3)
Other impressions: 11.19428
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	safflower
Pt 2 	 	 	flavonoid
Pt 3 	 	 	madder
Pt 4 	 	 	dayflower, safflower
Pt 5 	 	 	lead white
Pt 6 	 	 	safflower (no yellow?)
Pt 7 	 	 	inconclusive (dayflower?)
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Lead white: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Harunobu, Ebisu and Ofuji, from the series The Seven Gods of Good Fortune in the Modern World, 34.343

Ebisu and Ofuji, from the series The Seven Gods of Good Fortune in the Modern World (Tôsei Shichifukujin)
「当世七福神」　恵比寿と本柳屋お藤
Suzuki Harunobu (1725–1770)
Edo period about 1769 (Meiwa 6)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	iron oxide
Pt 2 	 	 	lead white, red lead
Pt 3 	 	 	dayflower, safflower
Pt 4 	 	 	indigo, orpiment
Pt 5 	 	 	iron oxide red
Pt 6 	 	 	dayflower
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Category:Iron Oxide Red: Ukiyo-e colorant
Category:Lead white: Ukiyo-e colorant
Category:Red lead: Ukiyo-e colorant
Category:Dayflower: Ukiyo-e colorant
Harunobu, Kojima Bingo no Saburô Takanori, 11.19633

Kojima Bingo no Saburô Takanori
「児嶋備後三郎高徳」
Suzuki Harunobu (1725–1770)
Publisher: Sakaiya Kurobei
Edo period about 1762–64 (Hôreki 12–Meiwa 1)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	madder, safflower
Pt 2 	 	 	dayflower, flavonoid
Pt 3 	 	 	dayflower, flavonoid
Pt 4 	 	 	flavonoid
Pt 5 	 	 	madder, safflower
Pt 6 	 	 	dayflower
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Category:Other Greens: Ukiyo-e colorant
Harunobu, Nishikigi of the Kanaya Lighting Incense beside a Mosquito Net, 11.16479

right|x700px
Nishikigi of the Kanaya Lighting Incense beside a Mosquito Net
筆のさやを焚く遊女　「かなや内　にしきゞ」
Suzuki Harunobu (1725–1770)
Edo period about 1769–70 (Meiwa 6–7)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	safflower
Pt 2 	 	 	dayflower, safflower
Pt 3 	 	 	dayflower (lead?)
Pt 4 	 	 	orpiment, indigo?
Pt 5 	 	 	orpiment
Pt 6 	 	 	lead white, red lead
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower: Ukiyo-e colorant
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Category:Lead white: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Red lead: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Harunobu, Osen of the Kagiya and a Young Man with a Cat, 11.19496

Osen of the Kagiya and a Young Man with a Cat
鍵屋お仙と猫を抱く若衆
Suzuki Harunobu (1725–1770)
Edo period about 1769 (Meiwa 6)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	indigo, orpiment
Pt 2 	 	 	lead white, red lead
Pt 3 	 	 	safflower
Pt 4 	 	 	iron oxide red (lead?)
Pt 5 	 	 	indigo (no yellow? lead?)
Pt 6 	 	 	safflower
Pt 7 	 	 	lead white
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Other Reds: Ukiyo-e colorant
Category:Sappanwood: Ukiyo-e colorant
Harunobu, Parody of Saigyô Hôshi: Courtesan Looking at a Screen Painting of Mount Fuji, 11.19431

Parody of Saigyô Hôshi: Courtesan Looking at a Screen Painting of Mount Fuji
見立て西行　（衝立の富士の前に坐る女）
Suzuki Harunobu (1725–1770)
Edo period 1765 (Meiwa 2)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	orpiment
Pt 2 	 	 	flavonoid
Pt 3 	 	 	dayflower, safflower
Pt 4 	 	 	safflower, sappanwood
Pt 5 	 	 	inconclusive
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Orpiment: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Category:Sappanwood: Ukiyo-e colorant
Harunobu, Parody of the Three Evening Poems: Teika, Jakuren, and Saigyô, 11.19703

Parody of the Three Evening Poems: Teika, Jakuren, and Saigyô
見立三夕　「定家　寂蓮　西行」
Suzuki Harunobu (1725–1770)
Publisher: Nishinomiya Shinroku
Edo period about 1763–64 (Hôreki 13–Meiwa 1)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	turmeric
Pt 2 	 	 	madder
Pt 3 	 	 	dayflower, turmeric
Pt 4 	 	 	turmeric
Pt 5 	 	 	dayflower, turmeric
Pt 6 	 	 	dayflower
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Turmeric: Ukiyo-e colorant
Harunobu, Parody of the Well-curb Episode from Tales of Ise, 11.19459

Parody of the Well-curb Episode from Tales of Ise
見立筒井筒
Suzuki Harunobu (1725–1770)
Meiji-era reprint from Edo-period blocks?
original: about 1767–68 (Meiwa 4–5)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	aniline
Pt 2 	 	 	lead white, red lead
Pt 3 	 	 	lead white
Pt 4 	 	 	dayflower
Pt 5 	 	 	lead
Pt 6 	 	 	dayflower, safflower
Pt 7 	 	 	indigo, lead
Pt 8 	 	 	lead, sappanwood?
Pt 9 	 	 	dayflower
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Harunobu, Poem by Saigyô Hôshi, from an untitled series of Three Evening Poems, 34.348

Poem by Saigyô Hôshi, from an untitled series of Three Evening Poems (Sanseki)
見立三夕　「西行法師」
Suzuki Harunobu (1725–1770)
Edo period about 1766–67 (Meiwa 3–4)
Triptych: 11.19455 (center sheet)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	calcium carbonate, flavonoid? (just dayflower?)
Pt 2 	 	 	dayflower, safflower
Pt 3 	 	 	safflower, vermilion
Pt 4 	 	 	calcium carbonate, flavonoid (just dayflower?)
Pt 5 	 	 	safflower
Pt 6 	 	 	indigo, orpiment
Pt 7 	 	 	flavonoid
Pt 8 	 	 	vermilion
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Calcium carbonate: Ukiyo-e colorant
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Indigo/Orpiment: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant
Category:Vermilion: Ukiyo-e colorant
Harunobu, The Eleventh Month, from an untitled series of Twelve Months, 11.20120

The Eleventh Month (Jûichigatsu), from an untitled series of Twelve Months
十二ヶ月　（年中行事の内）　「十一月」　七五三の宮詣での雪見の炬燵
Suzuki Harunobu (1725–1770)
Edo period 1770 (Meiwa 7)
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	turmeric
Pt 2 	 	 	dayflower, safflower
Pt 3 	 	 	safflower
Pt 4 	 	 	dayflower
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower: Ukiyo-e colorant
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Turmeric: Ukiyo-e colorant
Harunobu, The Sake Cup, sheet 4 of the series Marriage in Brocade Prints, the Carriage of the Virtuous Woman, known as the Marriage series, 11.19475

The Sake Cup (Sakazuki)), sheet 4 of the series Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma), known as the Marriage series
婚礼錦貞女車　四　盃
Suzuki Harunobu (1725–1770)
Edo period about 1769 (Meiwa 6)
Other impressions: 21.4455 
for more information see:
MFA Online Collections Database
== Summary == 
Analysis point	Image	Method	Results
Pt 1 	 	 	flavonoid
Pt 2 	 	 	dayflower, safflower
Pt 3 	 	 	madder, safflower, sappanwood
Pt 4 	 	 	dayflower
Pt 5 	 	 	dayflower, lead white
Pt 6 	 	 	lead white, red lead
Note: The center of the circle is point of analysis.
Category:Suzuki Harunobu (鈴木春信) 1725–1770
Category:Dayflower: Ukiyo-e colorant
Category:Dayflower/Safflower: Ukiyo-e colorant
Category:Flavonoids: Ukiyo-e colorant
Category:Lead white: Ukiyo-e colorant
Category:Red lead: Ukiyo-e colorant
Category:Madder: Ukiyo-e colorant
Category:Safflower: Ukiyo-e colorant