Shelburne Museum Conservation Lab

The conservation lab at Shelburne Museum was established in 1983 as part of the Collections Division. In 1999, the division was split into three separate departments, with lab sitting within the department of Preservation and Conservation. In 2015, the Collections Department was re-established, and encompasses registration, art handling, installation, archives, library, and conservation. The department is currently directed by a conservator, an objects specialist. In addition to the Director of Collections and Conservation (objects), associate conservator (textiles), and a grant-funded assistant conservator (preventive). the department is staffed by a registrar, an associate registrar, a collections manager, a librarian/archivist/registrar for the permanent collection, a preparator, and two art handlers. In 2024, a part-time position was added to the department for the care of the Museum founder's home, Brick House. Preservation of the museum's historic structures is the purview of the Preservation and Landscape department while conservation of the movable artifacts and works of art is undertaken in the conservation lab. 
==Overview/Mission==
Shelburne Museum’s mission is to broaden our audience, engage their curiosity, animate their creativity, and give them an extraordinary, educational museum experience.
The guiding principles of the museum are: 
*Preserving, interpreting, and making broadly accessible the Museum's collections
*Celebrating American ingenuity, creativity, and craftsmanship
*Imparting a deeper understanding of New England's heritage
*Fulfilling the legacy of Electra Havemeyer Webb (1888-1960)
*Collecting art and artifacts of the highest artistic and historical merit
*Assuming a special responsibility for serving our Vermont community
*Valuing the contributions of Museum staff and volunteers
*Achieving and maintaining the highest standards of professionalism
==Background of the Institution==
Shelburne Museum was founded in 1947 by Electra Havemeyer Webb (1888-1960), one of the first major collectors of folk art and the only American woman to create and endow an art and outdoor history museum. She was the daughter of H.O. and Louisine Havemeyer, influential collectors of Impressionist and Old Master paintings and Asian art. Inspired by early-American ingenuity, Mrs. Webb amassed extraordinary holdings of quilts, hooked rugs, decorative arts, decoys, tobacconist figures, weather vanes, trade signs, folk art, paintings and sculpture, dolls, tools, toys, carriages, and 18th-20th century artifacts of every day life. In the 1950s, Mrs. Webb began collecting fine art, acquiring over 400 American paintings and finalizing plans for the exhibition of Impressionist works she inherited from her parents by Monet, Manet, Degas, and Cassatt. Mrs. Webb’s passion for early Americana included architecture, and she preserved and relocated 25 18th-19th century structures to the museum grounds. Shelburne Museum was among the first of a generation of museums including Winterthur, Historic Deerfield, and Colonial Williamsburg that focused on early American art, history, and material culture. In 1960 over 50,000 artifacts were exhibited in 30 buildings. Today there are 150,000 works in 39 exhibition structures. 
In the 1980s Shelburne launched an education initiative that has grown into a multi-faceted blend of programs for youth, adults, general, and scholarly audiences. Practical preservation and conservation methods developed at Shelburne have become national models. An aggressive agenda for changing exhibitions was introduced in 2000, resulting in a richer visitor experience and improved opportunities to increase and broaden attendance and donor support. In August, 2013 the museum opened the Pizzagalli Center for Art and Education which includes the Museum’s first auditorium and classroom, and two modern and technologically equipped galleries suitable for large-scale contemporary exhibitions. The Center has transformed Shelburne Museum from seasonal into a year-round resource, dramatically increasing public access to exhibitions and the Museum’s extensive collections and enabling year-round programs.
===Milestones===
Date 	Event
1947 	Museum founded
late 1940s-1950s	23 Historic buildings relocated to Shelburne Museum property.(Shelburne Museum 1993)
1960 	Newly-constructed building to display American paintings, Webb Gallery, opened to the public. (Shelburne Museum 1993)
1960s 	Circus Building, railroad complex, and Electra Havemeyer Webb Memorial Building constructed. (Shelburne Museum 1993)
1986 	Ogden Pleissner Building, a new climate-controlled structure built to display the work and studio of painter Ogden Pleissner opened to the public. Round Barn moved to museum campus. Silo flown in by helicopter. (Shelburne Museum 1993)
1993 	With funding from a Preservation Capital Campaign, a project manager and 5-member team are hired to restore the steamship Ticonderoga over a period of 5 years.(Shelburne Museum Annual Report 1993)
2000-2002 	Collections Management building with spaces for the museum's library and archives constructed. (Kerschner 2007)
2005 	Museum recognized for their contributions to historic preservation by the Preservation Trust of Vermont for the restoration of founder Electra Havemeyer Webb's Shelburne home, the Brick House.(Preservation Trust 2005)
2009 	Shelburne Museum receives the AIC/Heritage Preservation Award for Outstanding Commitment to the Preservation and Care of Collections. (VermontBiz 2009)
2012 	Construction of the museum's Center for Art and Education, first building designed to be open to the public year-round, begins. (Sutkoski 2012)
2013 	Pizzagalli Center for Art and Education at Shelburne Museum opens to the public. It contains two exhibition galleries, an auditorium, and a classroom.
===Dimensions===
The museum is situated on 40 acres and contains approximately 150,000 works of art and artifacts displayed in 39 buildings. The administrative offices sit apart from the museum, and, in addition to the conservation lab, include the museum's library and archives.
==History of the Laboratory/Studio==
Date	Event
1980	Director Benjamin Mason contracts 4 eminent conservators to conduct a general conservation survey of the museum. All recommend that the museum hire a conservator.
1982	First conservator position created.
1983	NEA grant awarded to museum for initial purchase of laboratory equipment, including a binocular microscope, a microscope with a polarized light attachment, and a vacuum hot table.
1986	Second conservator position created.
1990	Conservation lab size expanded by 50% to 1400 sq. ft. Lighting and ventilation upgraded to include a fume hood and fume extraction trunks. (Shelburne Museum 1990)
1989	Electra Bostwick McDowell Fellowship in Conservation created, providing funding for summer work projects in the department. The fund is shared with the Education department and was begun in the memory of former museum president Electra B. McDowell (1934-1989), in recognition of her great interest in museum education and art conservation.
1992	Collections Care Specialist position created and added to the conservation department.
1996	22 paintings deaccessioned and sold at auction to create a Collections Care Endowment.
1999	Department of Preservation and Conservation created. Collections Care Specialist position eliminated from the department. Collections Care Technician positions moved to a newly created Collections Management Department.
2000	UV attachment purchased for research microscope with funding from the Walter Cerf Foundation.
2002	The Adopt-a-Carousel Animal initiative begins in order to complete the conservation treatment of the menagerie from the museum's 1902 Dentzel Carousel.
2014	Conservation treatment of the 1902 Dentzel carousel's menagerie completed. Work on rounding boards, panels, and chariots continues.
2015	Department of Preservation and Conservation folded into a Collections Department that includes Registration, Art Handling, Installation, Library, Archives, and Conservation.
==Staff History==
===Conservators===
Richard L. Kerschner, Director of Preservation and Conservation, 1983-2015
Valerie Reich Hunt, Objects Conservator, 1986-1998
Nancie Ravenel, Associate conservator, 1998-2002; Objects conservator, 2002-2021; Director of Conservation, 2022-2023; Director of Collections & Conservation, 2023-present
====Grant-funded Conservators and Fellows====
Years 	Name 	Position/Project 	Funding Source
1985 	Sara McElroy 	Paintings Conservator 	NEA
1989 	David Bayne 	Wooden Artifacts Conservator/Folk Art 	IMS
1990-1992	Katherine Hird 	Paintings Conservator 	IMS
1992-1994	Holley White 	Paper Conservator 	NEA
1996-1999	Cathy Coho 	Textile Conservator/Bedcovers and Floor Covers 	IMLS, Fidelity
2000 	Gaby Keinitz 	Textile Conservator/Samplers 	IMLS
2000 	Michaela Niero 	Objects Fellow/Historic Interiors 	Kress
2001 	Jennifer Nichol 	Objects Fellow/Dolls 	IMLS
2002 	Kirsten Kruse 	Objects Fellow/Dollhouses 	IMLS
2003 	Melanie Brussat 	Objects Fellow/Circus, Decoys, Dentzel carousel animal 	IMLS
2007-2008	Rachel Penniman 	Objects Fellow 	IMLS
2008 	Laura Brill 	Objects Fellow/Gilded Age furniture and horse-drawn sleigh	Kress
2009 	Pamela Betts 	Paintings Conservator 	IMLS
2012 	Josiah Wagener 	Objects Fellow/Painted Folk Art 	Kress/FAIC
2014 	Angela Duckwall 	Textile Conservator/Hooked Rugs 	IMLS
2015-2017	Kirsten Schoonmaker	Textile Conservator 	IMLS, other funding
2016-2017	Lesley Day Mirling 	Objects Fellow 	Kress/FAIC
2018 	Ava Freeman 	Objects Fellow 	Kress/FAIC
2018-2019	Gennifer Majors 	Textile Conservator 	IMLS, other funding
2019-2020	Lindsay Ocal 	Objects Fellow 	Kress/FAIC
2024-2026	Johanna Pinney 	Assistant Conservator (preventive) 	IMLS
2024-2027	Aywn Rileybird 	Associate Conservator (textiles) 	other funding
===Lab Assistants===
Barbara McMurray Rathburn, Collections Care Specialist, 1992-1999
*Three Collections Care Technicians, specialists who maintained the collections on view, assisted in the conservation lab one day per week from 1993-1999. In 1999, those positions were moved to the Collections Management Department. 
*Prior to 1993, there was a Housekeeping Department charged with the task of maintaining the collections on view.
===Conservation Interns===
Shelburne Museum has welcomed pre-program and graduate-level interns in its conservation lab since its inception, but prior to the establishment of the conservation lab, the University of Delaware/Winterthur Museum conservation program sent students to the museum to conduct condition surveys/rehousing projects. Graduate-level interns have come from Canada, England, Switzerland, Taiwan, Bhutan, Germany, and the United States to work in the lab.
====3rd or 4th year graduate-level interns====
Year	Name 	Program
1986	Ingrid Newman 	State University College of New York/Cooperstown
1990	Keith Bakker 	CAL Furniture Conservation Program
1992	Jennifer Baker 	CAL Furniture Conservation Program
2003	Lawrence Shutts 	State University College of New York at Buffalo
2007	Laura Brill 	NYU
2015	Emily Wroczynski	University of Delaware/Winterthur Museum
====Summer work project, pre-program, & other interns====
The following lists the interns who have worked within the department since its inception. 
Year 	Name(s) 	Project 	Funding Source
1983-4 	Scott Fulton 	pre-program intern 	
1984 	Valerie Reich, Neil Cockerline 	Condition survey and treatment of Circus Posters 	NEA
1985 	Valerie Reich 	Condition survey of folk art 	IMS
1986 	Eliza Jorgensen, Cynthia Kuniej 	Examination and consolidation of 6 scenic wallpapers 	IMS
1987 	Elizabeth Wamsley, Annette Ruprecht 	Conservation of Dentzel carousel animals 	Funding from the National Gallery of Art in support of preparations for the traveling exhibition "American Sampler"
1988 	Chris Lavergne 	Survey of the Arnold Circus Parade 	
1988 	Catherine Anderson 	Conservation treatment of Dentzel carousel animals 	
1989 	Rebecca Johnson 	Conservation treatment of Folk Art 	Electra Bostwick McDowell Fellowship
1990 	Meredith Montague 	Condition survey of Beadwork and Stumpwork 	Electra Bostwick McDowell Fellowship
1991 	C. Mei-An Tsu 	pre-program intern 	
1991 	Nancie Ravenel 	Condition survey and treatment of Horse-drawn Vehicles	Electra Bostwick McDowell Fellowship
1992 	Mary Jo Davis 	pre-program intern 	
1992 	Jennifer Baker, Lori van Handel, Betsy Baten 	Condition survey and treatment of Horse-drawn Vehicles	Electra Bostwick McDowell Fellowship
1993 	Holly Anderson 	Survey and treatment of Bandboxes 	Electra Bostwick McDowell Fellowhip
1994-6 	Pamela Betts 	pre-program intern 	
1994-7 	Nicandra Galper 	pre-program intern 	
1995 	Karen Pero 	Lighting survey of 27 collection buildings 	Green Mountain Power
1995-7 	Robyn Woodworth 	pre-program intern 	
1996 	Stephanie Conforti, Diane Russell 	Conservation treatment of the Concord Coach 	Freeman Foundation
1999 	Betsy Geiser 	Conservation treatment of Dolls 	Electra Bostwick McDowell Fellowship
1999 	Kerith Koss 	pre-program volunteer 	
2000 	Melissa McGrew 	Conservation treatment of stencil painted walls 	Electra Bostwick McDowell Fellowship
2001 	Rachel Witt, Janelle Borig 	Conservation of the Million et Guimet Berlin 	Walter Cerf Foundation
2002 	Cary Beattie 	Treatment of Dentzel carousel 	Electra Bostwick McDowell Fellowship
2003 	Peggy Olley 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2003 	Miriam Wells 	pre-program volunteer 	
2004 	John Thomas Riddoll, Sandra Hons 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2004 	Diana Haraya 	pre-program volunteer 	
2005 	Rachel Penniman, Pei Shan Lee 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2005 	Emily Gardner, Bridget Barrett 	pre-program volunteer 	
2006 	Amelia Bagnall 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2006 	Katrina Bartlett 	pre-program intern 	
2007 	Kim Crozier 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2007 	Sarah Milton 	pre-program volunteer 	
2008 	Eileen Sullivan, Lauren Bradley 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2009 	Diana Larabee, Laine Kirkhoff 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2009 	Rose Daly 	Treatment of Dentzel carousel, preventive conservation	Adopt-a-Carousel Animal funding
2009-11	Linzy Vos 	pre-program volunteer 	
2010 	Utsha Gurung 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2011 	Megan Salazar-Walsh, Sydney Beall 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2011 	Caitlin Chan 	pre-program volunteer 	
2011-13	Hillary Mishcon 	pre-program volunteer 	
2012 	Courtney Sanborn, Hannah Mancil, Rossella Fevola 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2013 	M. Abbott Nixon, Emily Brown, Ellen Nigro 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2014 	Samantha Owens, Megan Salas, Kendall Trotter, Kelsey Wingel	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2016 	Annie Schrandt, Lesley Day Mirling 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
2017 	Rachel Childers 	Treatment of Dentzel carousel 	Adopt-a-Carousel Animal funding
===Conservation Volunteers===
Up to13 volunteers have work on projects in the conservation lab in any given year, ranging from filing documentation and database management, to assisting with conservation treatment, including on the museum's Locomotive 220.
==Facilities==
===Analytical Equipment===
*Leitz research microscope with polarized light and UV light attachments.
*Wild binocular microscope
*handheld long wave and short wave UV lights
*infra-red web camera
===Pest Eradication Equipment===
*Chest freezer
===Photo-documentation Equipment===
*Nikon D50 camera
*Nikon D3100 camera
*VioStorm VS-60 ultraviolet lamp
*various lights and filters
==References==
Kerschner, R.L. 2007. "Providing Safe and Practical Environments for Cultural Property in Historic Buildings -- and Beyond" Contribution to the Experts’ Roundtable on Sustainable Climate Management Strategies, held in April 2007, in Tenerife, Spain.http://www.getty.edu/conservation/our_projects/science/climate/paper_kerschner.pdf
Preservation Trust of Vermont. Preservation Awards 2005.
Shelburne Museum. 1990. Annual Report. Shelburne, VT: Shelburne Museum
Shelburne Museum. 1993. Annual Report. Shelburne, VT: Shelburne Museum
Shelburne Museum. 1993. A Guide to the Collections. Shelburne, VT: Shelburne Museum
"Shelburne Museum receives award for Preservation and Care of Collections" 25 September, 2009. Vermont Biz http://www.vermontbiz.com/news/september/shelburne-museum-receives-award-preservation-and-care-collections
Sutkoski, Matt. 2012. “Shelburne Museum Announces $14M Arts and Education Center.” Burlington Free Press. http://www.burlingtonfreepress.com/article/20111013/NEWS02/111013017/Shelburne-Museum-Arts-and-Education-Center.
==Further Reading & Viewing==
===Social Media===
Conservation posts on Shelburne Museum's blog
Shelburne Museum Conservation on Flickr
Shelburne Museum's Dentzel Carousel on Facebook
===Articles by Staff===
Betts, P. 2013. "Alice Dibble and Painting Restoration in the Early Days of the Shelburne Museum". Postprints of the AIC Paintings Specialty Group, vol. 23. Washington, DC: AIC, 7-17.
Carlson, N. and R.L. Kerschner. 2011 "Leveraging Preservation Funding to Enhance a Museum's Reach." Museum Computer Network 2011, Atlanta, GA. http://youtu.be/aqyOukG8cHU
Hornbeck, Stephanie, Nancy Pollak, Nancie Ravenel, and Kathy Francis. 2011. “Another Perspective: Voices from Outside Textile Conservation.” The Textile Specialty Group Postprints: Papers Delivered at the Textile Subgroup Session, American Institute for Conservation of Historic & Artistic Works, 39th Annual Meeting, Philadelphia, Pennsylvania, Jun3 2011 21: 1–7. 
Hunt, V. R. 1998. “Conservation of Folk Art: Shelburne Museum’s Collection and Approach.” In Painted Wood: History and Conservation. Proceedings of a Symposium..., Williamsburg, Virginia, 11-14 November 1994, Valerie Dorge and F. Carey Howlett, eds. Los Angeles: Getty Conservation Institute 424–436. ISBN 9780892365012 http://www.getty.edu/conservation/publications_resources/pdf_publications/paintedwood.html
Kerschner, R. L. and V. Reich. 1987. "Conservation Notes" in An American Sampler: Folk Art from the Shelburne Museum. Washington DC: National Gallery of Art Washington. 208-211. ISBN 9780894681042
Kerschner, R. L. 1992. “A Practical Approach to Environmental Requirements for Collections in Historic Buildings.” Journal of the American Institute for Conservation: 65–76. http://www.jstor.org/stable/10.2307/3179613; http://cool.conservation-us.org/jaic/articles/jaic31-01-008_indx.html
 
Kerschner, R.L. 2000. “Implementation of Practical Climate Control Strategies at the Shelburne Museum.” In The Conservation of Heritage Interiors: Preprints of a Conference Symposium 2000, Ottawa, Canada May 17 to 20, 2000= La Conservation Des Intérieurs Patrimoniaux: Les Prétirages De La Conférence Symposium 2000, Ottawa, Canada Du 17 Au 20 Mai 2000, 161–166. http://www.cci-icc.gc.ca/resources-ressources/publications/Downloads/Symposia/Eng/ConsHeritage_Chapter7.pdf
Kerschner, R.L., and N. Ravenel. 2006. “Here We Go ’Round Again: Cleaning Linseed Oil from Carousel Animals at the Shelburne Museum.” Journal of the American Institute for Conservation:Volume 45, Number 3: 201–210. http://www.jstor.org/stable/40026691 
Kerschner, R.L. 2007. "Providing Safe and Practical Environments for Cultural Property in Historic Buildings -- and Beyond" Contribution to the Experts’ Roundtable on Sustainable Climate Management Strategies, held in April 2007, in Tenerife, Spain. http://www.getty.edu/conservation/our_projects/science/climate/paper_kerschner.pdf
Kerschner, R. L., and J. Baker. 2008. “Practical Climate Control: A Selected, Annotated Bibliography.” Accessed March 17, 2013. http://cool.conservation-us.org/byauth/kerschner/ccbiblio.html.
Kershner, R.L. 2008. “Providing Safe and Practical Environments for Cultural Property in Historic Buildings… and Beyond.” Http://www. Ischool. Utexas. Edu/kilgarlin/gaga/proceedings. Html. http://eprints.sparaochbevara.se/492/.
Kerschner, Richard L., and Nancie Ravenel. 2013. “Challenges in Art Conservation at the Shelburne Museum : Middlebury College.” Middlebury College, Middlebury, VT, October 9. https://archive.org/details/mcdla_NancieRavenelRichardKerschner10092013.
Ravenel, N. 2003. “Conservation Before Conservation at the Shelburne Museum: The Doll Collection.” Ed. others. Objects Specialty Group Postprints: Volume 10, 2003 10: 62–66. 
Ravenel, N. 2004. “Technical Tidbits.” In The Dolls of Shelburne Museum, by Jean Burks. Shelburne, VT: Shelburne Museum. ISBN 9780939384280
Ravenel, N. 2005. “‘There Is a House That Is No More a House’ Conservation of the Painted Wall Paneling in Shelburne Museum’s Stencil House.” In Wooden Artifacts Group Postprints. Minneapolis, MN: American Institute for Conservation. http://cool.conservation-us.org/coolaic/sg/wag/2005/ravenel_05.pdf. 
Ravenel, N. 2010. “Pemulen TR-2: An Emulsifying Agent with Promise.” Western Association of Art Conservation Newsletter 32 (3) (September): 10–13. http://cool.conservation-us.org/waac/wn/wn32/wn32-3/wn32-304.pdf
Ravenel, Nancie, and Richard L. Kerschner. 2014. “Balancing the Preservation and Restoration of Shelburne Museum’s Artizan A-2 Band Organ.” Carousel Organ: The Journal of the Carousel Organ Association of America, January. http://www.academia.edu/5899630/Balancing_the_Preservation_and_Restoration_of_Shelburne_Museums_Artizan_A-2_Band_Organ. 
Ravenel, Nancie. 2016. Decoys x-rayed: What VolumeRAD tomosynthesis and computed tomography contribute to technical study. In Objects Specialty Group Postprints, vol. 23. Montréal: American Institute for Conservation. http://resources.conservation-us.org/osg-postprints/postprints/v23/ravenel/
Ravenel, Nancie. 2017. “Decoys Inside and Out.” In Birds of a Feather: Wildfowl Decoys At Shelburne Museum, by Thomas Denenberg, Kory W. Rogers, and Cynthia Byrd, 27–39. New York, NY: Skira Rizzoli. ISBN 9780847860609
Stulen Jr, F. L. 2000. “The Restoration, Preservation, and Reinterpretation of the Steamboat Ticonderoga.” In The Conservation of Heritage Interiors: Preprints of a Conference Symposium 2000, Ottawa, Canada May 17 to 20, 2000= La Conservation Des Intérieurs Patrimoniaux: Les Prétirages De La Conférence Symposium 2000, Ottawa, Canada Du 17 Au 20 Mai 2000, 45–50. http://www.cci-icc.gc.ca/resources-ressources/publications/Downloads/Symposia/Eng/ConsHeritage_Chapter2.pdf
Wroczynski, Emily, Nancie Ravenel, and Chip Stulen. 2018. “‘Derailing’ the Myth of Gilded Age Decoryation in the Grand Isle Private Railcar: A Case Study of the Painted Ceiling Panels.” In Macro to Micro: Examining Architectural Finishes, edited by Mary A. Jablonski and Kristin Travers Moffitt. London: Archetype Publications.
===Online Projects===
Ravenel, Nancie and Mirling, Lesley Day. 2017. Inside Decoys at Shelburne Museum. http://scalar.usc.edu/works/inside-decoys-from-shelburne-museum/index, accessed February 28, 2019.
===Interviews & Media Appearances===
Lavin, J. 2004."Sustainable Access: A Discussion about Implementing Preventive Conservation" Getty Conservation Institute Newsletter. 19/1 http://www.getty.edu/conservation/publications_resources/newsletters/19_1/dialogue.html 
O'Grady, E. 2017. "Shelburne interns gain valuable experience" Shelburne News. August 11. http://www.shelburnenews.com/2017/08/10/shelburne-interns-gain-valuable-experience/
Thurston, J. 2008. "Meet the Museum's Rescue Squad" WCAX News. April 1. http://www.wcax.com/story/8102259/meet-the-museums-rescue-squad
"Interview with Richard L. Kerschner." 2010. Image Permenance Institute Newsletter. Volume 11. https://www.imagepermanenceinstitute.org/resources/newsletter-archive/v11/interview-richard
Westley, L. J. 2011. "The Shelburne Museum Shuts Down for Winter, But Not Everything Hibernates." Seven Days. November 23. http://www.7dvt.com/2011shelburne-museum-shuts-down-winter-not-everything-hibernates
==Links==
*Victoria Montana Ryan’s review of Rick Kerschner’s Connecting to Collections webinar presentation about LED lighting at Shelburne Museum
==Support==
Conservation and collections care initiatives at Shelburne Museum have been supported by federal funding agencies and foundations. Summer internships have been supported by the Electra McDowell Fund and the Adopt-a-Carousel Animal initiative. Grants, other than those which have supported the work of conservators and fellows contracted to work in the lab, awarded to the department include: 
Year	Funding Agency 	Project Description
1986	IMS 	Conservation treatment of quilts at a regional conservation facility
1988	IMS 	Purchase and installation of storage shelves for prints, paintings, and folk art objects
1991	NEH 	5-year multi-faceted environmental improvement for 27 collection buildings
1994	IMS 	Storage improvement project for conservation technician to work 3 days per week to survey and improve storage areas
1999	NEH 	5-year project to upgrade fire and security sensors, re-wire, and install new exhibition lighting in 6 historic structures
1999	IMLS 	Purchase storage shelving for new Collections Management building
2003	IMLS 	Environmental improvement for Decorative Arts storage by insulating building and installing residential HVAC equipment
2004	NEH 	2.5-year project to improve collection environments, mitigate fire and security risks and improve lighting in 3 exhibition buildings.
2008	Shumway Foundation 	Conservation treatment of 30 Circus posters
2009	Save America's Treasures	2-year project to improve infrastructure, upgrade security, fire-detection, and HVAC control systems.
2014	NEH 	Sustaining Humanities Collections 2-year project to improve collection environment, mitigate fire and security risks, and improve lighting in the Dorset House.
2019	NEH 	Preservation Assistance Grant to conduct condition assessments and produce treatment proposals for 10 large paintings in the collection and their frames. This work was undertaken by conservators from the Williamstown Conservation Lab.
2019	IMLS 	Museums for America Grant to conduct conservation assessment of 313 printed works of art on paper housed in boxes. This work was undertaken by paper conservators in private practice M.J. Davis and Carolyn Frisa.
2019	NEH 	Sustaining Humanities Collections 2-year project to improve HVAC system, mitigate fire and security risks, and improve lighting in the Stagecoach Inn.
2020	IMLS 	Museums for America Grant to inventory and perform a condition assessment of the Museum's pharmaceutical collection.
2021	IMLS 	Museums for America Grant to inventory, perform a condition assessment, and design a display methodology for a group of 2000 commemorative handkerchiefs in the Museum's collection.
Category:History of Conservation and Conservators