PMG Section 1.10 References for Exhibition of Photographic Materials Chapter (Alphabetical)

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Back to Exhibition Guidelines for Photographic Materials
Photographic Materials Conservation Catalog 
Exhibition Guidelines for Photographic Materials
Date: July 2004 
Contributors to WIKI version: Your name could be here!
Compiler: Stephanie Watkins, 1993-2004
Initiator: Douglas Severson, 1992-1993 
Contributors (Alphabetical): Catherine Ackerman, Nancy Ash, Sarah Bertalan, Jean-Louis Bigourdan, Barbara N. Brown, Ed Buffaloe, Carol Crawford, Corinne Dune, Thomas M. Edmondson, Debra Evans, Julia Fenn, Betty Fiske, Gwenola Furic, Judy Greenfield, Doris Hamburg, Marc Harnly, Pamela Hatchfield, Cathy Henderson, Nancy Heugh, Ana Hofmann, Emily Klayman Jacobson, Martin Jürgens, Nora Kennedy, Daria Keynan, Lyn Koehnline, Barbara Lemmen, Holly Maxson, Constance McCabe, John McElhone, Cecile Mear, Jennifer Jae Mentzer, Jesse Munn, Rachel Mustalish, Douglas Nishimura, Leslie Paisley, Sylvie Pénichon, Hugh Phibbs, Dr. Boris Pretzel, Dr. Chandra Reedy, Nancy Reinhold, Andrew Robb, Grant Romer, Kimberly Schenck, Douglas Severson, Tracey Shields, Angela Thompson, Sarah Wagner, Clara von Waldthausen, Dr. Mike Ware, Stephanie Watkins, Dr. Paul Whitmore, Faith Zieske, Edward Zinn.
First edition copyright: 2004. The Photographic Materials Conservation Catalog is a publication of the Photographic Materials Group of the American Institute for Conservation of Historic and Artistic Works. The Photographic Materials Conservation Catalog is published as a convenience for the members of the Photographic Materials Group. Publication does not endorse nor recommend any treatments, methods, or techniques described herein.
==References (Alphabetical)==
Compiler's Note: The reference list consists primarily of printed articles and books. Information was becoming available online at the time of publication. Readers are encouraged to consult web sources for current information.
*Adams, Ansel. 1950. The Print. Boston: New York Graphic Society. 
*Adelstein, Peter Z., Jean-Louis Bigourdan, and James M. Reilly. 1997. "Moisture Relationships of Photographic Film," Journal of the American Institute for Conservation 36 (3):193-206. 
*Anderson, Stanton 1. and Richard J. Anderson. 1991. "A Study of Lighting Conditions Associated with Print Display in Homes." Journal of Imaging Technology 17 (3): 127-132. 
*Anderson, Stanton 1. And Ronald Goetting. 1988. "Environmental Effects on the Image Stability of Photographic Products." Journal of Imaging Technology, 14 (4): 111-116. 
*Anderson, Stanton and George Larson. 1987. "A Study of Environmental Conditions Associated with Customer Keeping of Photographic Prints." Journal of Imaging Technology 13 (2): 49-54. 
*Ashley-Smith, Jonathan, Alan Derbyshire and Boris Pretzel. 2002. "The Continuing Development of a Practical Lighting Policy for Works of Art on Paper and Other Object Types at the Victoria and Albert Museum," ICOM Committee for Conservation, Preprints, 1:3-8. 13th Triennial Meeting, Rio De Janeiro, Brazil. Paris: ICOM. 
*Astrup, Eva E. and Kristin E. Hovin Stub. 1990 (August 26-31). "Saturated Salt Solutions for Humidity Control of Showcases-Conditions for a Successful System. n ICOM Committee for Conservation, Working Group 17, Preprints Vol. II, 2: 577-582. 9th Triennial Meeting, Dresden, German Democratic Republic. Paris: ICOM. 
*Bachmann, Konstanze Ed. 1992. Conservation Concerns: A Guide for Collectors and Curators. Washington, D.C: Smithsonian Institution Press. 
*Baker, Mary T. 1999. Identification of Plastics Workshop Notebook. American Institute for Conservation 27th Annual Meeting, St. Louis, Missouri. Washington, D.C.: Foundation of American Institute for Conservation. 
*Baldwin, Gordon. 1991. Looking at Photographs: A Guide to Technical Terms. Los Angeles, California: J. Paul Getty and London: British Museum Press. 
*Barger, M. Susan and Thomas Edmondson. 1993. "The Examination, Surface Analysis and Retreatment of Eight Daguerreotypes which were Thiourea Cleaned in 1977/" American Institute for Conservation Photographic Materials Group Topics in Photographic Preservation 5:14-26. 
*Barger, M. Susan and William B. White. 1991. The Daguerreotype: Nineteenth-Century Technology and Modern Science. Washington, D.C.: Smithsonian Institution Press. 
*Barger, M. Susan, R. Messier, William B. White. 1983 (summer). "Daguerreotype Display." Picturescope 31 (2):57-58. 
*Bark, Jared. 1996 (February). "Preservation/Conservation Framing Supplement." Picture Framing Magazine 4 (2):36-37. 
*Barnier, John, editor. 2000. Coming into Focus: A Step-By-Step Guide to Alternative Photographic Printing Processes. San Francisco, California: Chronicle Books. 
*Becker, Dieter and Klaus Kasper, 1996. "Digital Prints: Technology, Materials, Image Quality and Stability", Rundbrief Fotographie. http://foto.unibas.ch/~rundbrief/les33.htm 
*Berrie, Barbara. 1997. Personal communication to Hugh Phibbs. 
*Bertalan, Sarah and Hugh Phibbs. 1988. "Matting and Framing." American Institute for Conservation Book and Paper Group Paper Conservation Catalog, 5th edition, section 40.4.13 "Photographs". 
*Berselli, Silvia. 1991. "Conservation and Restoration of The Family of Man". American Institute for Conservation Photographic Materials Group Topics in Photographic Preservation 4:161-165. 
*Blackwell, Ben. 2001 (Fall). "Light Exposure to Sensitive Artworks During Digital Photography." Spectra 26 (2):24-28. 
*Bowers, Larry V. no date [circa 1992]. "Lighting Museum Objects: Fiber Optics at Friendship Hill," Harper's Ferry, West Virginia: National Parks Service. Available on line: . 
*Bowers, Larry V. 1999. "Lighting for Conservation." CRM No.7 Harper's Ferry, West Virginia: National Parks Service. Also available online: http://crm.cr.nps.gov/ archive122-7/ 22-07-4.pdf. 
*Boyce, P. R. 1987. "Visual Acuity, Color Discrimination and Light Level." A Conference on Lighting in Museums, Galleries, and Historic Houses, 50-57. London: The Museums Association. 
*Brill, Thomas B. 1980. Light: It's Interaction with Art and Antiquities. New York: Plenum Press. 
*Brower, Carol. 1993. "The Handling, Presentation, and Conservation Matting of Photographs." The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Chapter 12, pp. 393-450. Grinnell, Iowa: Preservation Publishing Company. 
*Brower, Carol and Henry Wilhelm. 1993. "Composition, pH, Testing and Light Fading Stability of Mount Boards and Other Paper Products Used with Photographs." The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. " Chapter 13, pp. 451-484. Grinnell, Iowa: Preservation Publishing Company. 
*Burge, Daniel M. 1996 (February). "Just What is the Photographic Activity Test?" Picture Framing Magazine, Preservation Issue 5 (2):10-12. 
*Burgess, Helen D. and Carolyn G. Leckie. 1991. "Evaluation of Paper Products: With Special Reference To Use With Photographic Materials." American Institute for Conservation Photographic Materials Group Topics in Photographic Preservation 4:96-105. 
*Burgi, Sergio. 1982. "Fading of Dyes Used for Tinting Unsensitized Albumen Paper." Presentation at the Society of Professional Scientists and Engineers (SPSE) International Symposium on the Stability and Preservation of Photographic Images, Ottawa. 
*Canadian Conservation Institute. 1983. "Using a Camera to Measure Light Levels." CCl NOTES 215. Ottawa: Canadian Conservation Institute. 
*Cartier-Bresson, Anne. 1998 (May 4). "A propos de Paris sous l'objectif." Etudes Photographiques, 4: 120-129. 
*Cartier-Bresson, Anne. 1998. "The Exhibition of Photographs -Les Expositions de photographies ­Las Exposiciones de fotografias." ICCROM International Preservation News 17:20-32 (in English, French, and Spanish). 
*Cassar, May and Martin Graham. 1994. "The Environmental Performance of Museum Display Cases." Preprints of Ottawa Congress, Preventive Conservation Practice, Theory and Research, 171-173. London: International Institute for Conservation. 
*Clark, Susie. editor. 1998. Postprints of Care of Photographic, Moving Image and Sound Collections, 20-24 July 1998, York, UK. London: Institute for Paper Conservation. 
*Cohn, Marjorie B., booklet editor. 1995. "Guidelines for Lending Works of Art on Paper." Cambridge, Massachusetts: Print Council of America. 
*Colby, Karen M. 1993. "A Suggested Exhibition Policy for Works of Art on Paper." Journal of the International Institute for Conservation-Canadian Group 17:3-11. 
*Cost, Frank. 1996. Pocket Guide to Digital Printing. Albany, New York: Delmar Publishing. http://www.thomson.com.desktopcafe.html 
*Craddock, Ann Brooke. 1992. "Construction Materials for Storage and Exhibition," Conservation Concerns: A Guide for Collectors and Curators, 23-28. Konstanze Bachmann, editor. Washington, D.C.: Smithsonian Institution Press. 
*Crawford, William. 1979. The Keepers of Light: A History and Working Guide to Early Photographic Processes. Dobbs Ferry, New York: Morgan and Morgan. 
*Ctein. 1998a (MarchiApril). "Are Black-and-White Resin-Coated Papers as Permanent as Fiber Paper? The Problem, and Experimentation." PHOTO Techniques19(2): 44-47, 56-57. 
*Ctein. 1998b (May/June). A Discussion of RC Prints Permanence Issues -RC Paper Permanence Part II." PHOTO Techniques 19(3): 53-55. 
*Ctein. 1996. "Ephemeral RC Prints?" Darkroom User 24 (4):14-18. 
*Cumberland, Donald R. Jr. 1994a. "Museum Collection Storage Space: Is An Insulated Modular Structure Right For Your Collection?" Conserve 0 Gram, 417. Harpers Ferry, West Virginia: National Parks Service and Washington, D.C.: US Government Printing Office. 
*Cumberland, Donald R. JI. 1994b. "Selecting Environmental Control Systems for Insulated Modular Structures." Conserve 0 Gram, 418. Harpers Ferry, West Virginia: National Parks Service and Washington, D.C.: US Government Printing Office. 
*Daniels, Vincent and Susan Ward. 1982. "A Rapid Test for the Detection of Substances Which Will Tarnish Silver." Studies in Conservation 27 (2):58-60. 
*Dredge, Paula. 1997 (August 19). "UV filter" 11:17 Conservation Distribution List Server: http://www.palimpsest.edu/, Walter Henry, Moderator, Stanford University, Palo Alto, California. 
*Dunlap, Ellen S., chair of ACRL Committee. 1990 (June). "Guidelines for Borrowing Special Collections Materials for Exhibition." Association of College and Research Libraries (ACRL), Chicago, Illinois. 
*Eastman Kodak Company. 1985. Conservation of Photographs. Rochester: Eastman Kodak Company. 
*Electronic Materials Group -American Institute for Conservation: http://aic.stanford.edu/conspec/emg/ John Burke, Webmaster. Palo Alto, California: Stanford University. 
*Feller, Robert L., Sang B. Lee, and John Bogaard. 1981. Concerning the Exposure of Paper to Light. Ottawa: ICOM Committee for Conservation, 6th Triennial Meeting, Working Group, Graphic and Photographic Documents, 8. 
*Fenn, Julia. 1995a. "Secret Sabotage: Reassessing Museum Plastics in Display and Storage." Resins: Ancient and Modern Conference Pre-prints of the SSCR's 2nd Resins Conference Held at the Department of Zoology: University of Aberdeen, Aberdeen: Scottish Society for Conservation and Restoration. Please refer also to "Polymers and Plastics in the Museum Conference," Royal Ontario Museum, Toronto, 1989. 
*Fenn, Julia. 1995b. "The Cellulose Nitrate Time Bomb: Using Sulphonephthalein Indicators to Evaluate Storage Strategies." From Marble to Chocolate: The Conservation of Modern Sculpture, 87-90. J. Heuman editor. London: Archetype Publications. 
*Fischer, Monique C. and James M. Reilly. 1994. "Use of Passive Monitors in Film Collections." American Institute for Conservation's Photographic Materials Group Topics in Photographic Preservation 6:11-40. 
*Giles, C. H., S. D. Forrester, H. Haslam, and R. Horn. 1973. "Light Fastness of Color Photographs." Journal of Photographic Science 21:19-21. 
*Gillet, Martine, Herman Maes, Chantal Garnier, and Bertrand Lavedrine. 2001. "Light stability of computer-generated printing." Preservation and Conservation Issues Related to Digital Printing, Conference Proceedings, 26-27 October 2001, 67-72. London: Institute of Physics. 
*Glaser, Mary Todd. 1994. "The Environment: Protecting Books and Paper During Exhibition." Technical Leaflet. Andover, Massachusetts: Northeast Document Conservation Center. 
*Gray, Michael. 1998 (April 7). "Photography's Elemental Paradox." Photographic Materials Conservation Group (U.K.) Day Conference. 
*Green, Lorna R. and David Thickett. 1994 (November 16). "Testing Materials for the Storage and Display of Artefacts." Course at the British Museum, London. 
*Green, Lorna R. and David Thickett. 1995. "Testing Materials for Use in the Storage and Display of Antiques -A Revised Methodology." Studies in Conservation 40:145-152. London: International Institute for Conservation. 
*Greenfield, Judy. No date [circa 1992]. "Building a Better Case." RMCC Bulletin. Denver: Rocky Mountain Conservation Center. 
*Gregory, Peter. 2001a. "Factors Affecting the Stability of Dyes and Pigments." Preservation and Conservation of Issues Related to Digital Printing, Conference Proceedings, 26-27 October 2000, 39­-47. London: Institute of Physics. 
*Gregory Peter and Philip Double. 200lb. "Colorants for Non-Impact Printing -An Overview." Preservation and Conservation of Issues Related to Digital Printing, Conference Proceedings, 26-27 October 2000,47-51. London: Institute of Physics. 
*Grosjean, Daniel and Sucha S. Parmar. 1991. "Removal of Air Pollutant Mixtures from Museum Display Cases." Studies in Conservation 36 (3):129-141. London: International Institute for Conservation. 
*Grzywacz, Cecily. 1999 (May 12). "Acid activity of wood." 12:87 Conservation Distribution List Server. Walter Henry, Moderator. Palo Alto, California: Stanford University. http://www.palimpsest.edu/. 
*Hatchfield, Pamela and Jane Carpenter. 1987. Formaldehyde: How Great is the Danger to Museum Collections. Cambridge, Massachusetts: Center for Conservation and Technical Studies, Harvard University Art Museums. 
*Hatchfield, Pamela. 1995. "Wood and Wood Products." Storage of Natural History Collections: Basic Concepts, 283-290. Carolyn Rose, Catharine A. Hawks, Hugh H. Genoways, editors. Iowa City: Society for the Preservation of Natural History Collections. 
*Hatchfield, Pamela. 1996. "Mitigating the Effects of Internally Generated Pollutants." Preservation of Collections: Assessment, Evaluation, and Mitigation Strategies; American Institute for Conservation Pre-Session, Norfolk, Virginia, June 10-11, 1996, 69-75. Washington, D.C.: American Institute for Conservation. 
*Hatchfield, Pamela. 1999. Pollutants in the Museum Environment. London: Archetype Publications. 
*Hatchfield, Pamela. 2004 (May). Pollutants in the Museum Environment: Practical Strategies for Problem Solving in Design, Exhibition, and Storage. Western Association for Art Conservation (WAAC) Newsletter, 26 (2): 10-22. 
*Hendriks, Klaus B. 1989. "The Stability and Preservation of Recorded Images." Imaging Processes and Materials: Neblette's 8th Edition. Edited by John M. Sturge, Vivian Walworth and Allan Shepp, Chapter 20, 637-683. New York: Van Nostrand Reinhold. 
*Hendriks, Klaus B., Brian Thurgood, Joe Iraci, Brian Lesser, and Greg Hill. 1991. Fundamentals of Photographic Conservation. Toronto: Lugus Publications and National Archives of Canada. 
*Henry, Walter, web master. Conservation On-Line (CoOL). Palo Alto, California: Stanford University, http://palimpsest.stanford.edu 
*Hofmann, Ana. 1995 (October). "The World Outside the Frame: Tips For Maintaining a Healthy Display Environment." Getting Technical section, Picture Framing Magazine, 4 (10): 10-14. 
*Hopwood, Walter R. 1979. "Choosing Materials for Prolonged Proximity to Museum Objects." AIC Preprints of Paper Presented at the 7th Annual Meeting, Toronto, 44-49. Washington, D.C.: American Institute for Conservation. 
*Image Permanence Institute. "A Consumer Guide to Traditional and Digital Print Stability," 1-8. http://www.rit.edu/ipi 
*Indoor Air Pollution Working Group: Morten Ryhl-Svendsen, webmaster. http://hjem.get2net.dk/ryhl/iap.htm 
*Jarry, Narelle. 1996. "Computer Imaging Technology: The Process of Identification." American Institute for Conservation Book and Paper Group Annual 15:53-59. 
*Jürgens, Martin. 1999. "Preservation of Ink Jet Hardcopies." Rochester, New York: Rochester Institute of Technology. http://www.knaw.nl/ecpa/publ/jurgens.html 
*Jürgens, Martin. 2000. "Identification of Digital Media." Rochester, New York: Rochester Institute of Technology. http://aic.stanford.edu/conspec/emg/jurgens 
*Jürgens, Martin. 200la. "Silicone Rubber Face-Mounting of Photographs to Poly (methyl methacrylate): Process, Structure, Materials, and Long-Term Dark Stability." Master of Art Conservation Report. Queen's University, Kingston, Ontario, unpublished. 
*Jürgens, Martin. 2001b. "Toward a Methodology for the Identification of Digital Print Formats." Preservation and Conservation Issues Related to Digital Printing Conference Proceedings: 26-27 October 2000, 60-65. London: Institute of Physics. 
*Keefe, Laurence E., and Dennis Inch. 1990. The Life ofa Photograph, second edition. Boston: Focal Press. 
*Kennedy, Nora. 1996. "Normas para la exposici6n de fotografias" translation by Chiara Mazzoni, Cuadernos tecnicos de conservaci6n fotogrrifica. Rio de Janeiro: Ministerio da Cultura do Brasil, Funda<;:ao Nacional de Arte, Funarte, 2: 15-21. 
*Kennedy, Nora. 2004. "Diretrizes para a exposi<;:ao de fotografias." Cadernos tecnicos de conservacao fotografica, terceiro. ed. rev. ampl. Rio de Janeiro: Organizacao do Centro de Conservacao e Preservacao Fotografica da Funarte, 2:28. 
*Kerschner, Richard. 2003 (June 24). "LED Lights in Exhibition Cases." Conservation On-Line (CoOL) http://palimpsest.stanford.edu. Walter Henry, moderator, Stanford University, Palo Alto, California. 
*Kirby, Jo and David Saunders. 1994. "Wavelength Dependent Fading of Artists' Pigments". Preventative Conservation: Practice, Theory and Research. Preprints of the Contributions to the Ottawa Congress, 12-16 September 1994, 190-194. London: International Institute for Conservation. 
*Knight, Barry. 1994. "Passive Monitoring for Museum Showcase Pollutants." Preprints of Ottawa Congress, Preventative Practice, Theory and Research, 174-176. London: International Institute for Conservation. 
*Lavédrine, Bertrand. 1998. "The Blue-Pink Scale: A New Light Dosimeter for the Exhibition of Photographs and Sensitive Artefacts.". Postprints of Care of Photographic, Moving Image and Sound Collections, 20-24 July 1998, York, United Kingdom, Susie Clark, editor, 124-128. London: Institute for Paper Conservation. 
*Lavédrine, Bertrand. 2003. A Guide to the Preventive Conservation of Photographic Collections. Los Angeles: The Getty Conservation Institute. 
*Lavédrine, Bertrand, Martine Gillet, Herman Maes, and Chantal Garnier. 2001. "Light Stability of Computer-generated Printing." Preservation and Conservation Issues Related to Digital Printing, Conference Proceedings, 26-27 October 2000, 67-72. London: Institute of Physics. 
*Lavédrine, Bertrand and Sibylle Monod. 2000. Les collections photographiques Guide de conservation preventative, Paris: ARSAG, 105-115, 171 -196. 
*Lavery, Aidan, John Provost, Alison Sherwin, and Janette Watkinson. 1998. "The Influence of Media on the Light Fastness of Ink Jet Prints," IS&T's NIP 14: International Conference on Digital Printing Technologies, 123-128. Toronto: Imaging Science and Technology. Subsequently published in IS&T's Recent Progress in Ink Jet Technologies II, 1999, 329-334. IS&T's Recent Progress in Ink Jet Technologies II, Chapter 6, IS&T NIP 14 
*Lee, S. E., J. Bogaard, and Robert L. Feller. 1989 (Spring). "The Darkening of Paper Following Exposure to Visible and Near-Ultraviolet Radiation." Journal of the American Institute for Conservation 28 (1):1-18. 
*Light Dosimeter (LiDO): http://www.Iido.fraunhofer.de 
*Lull, William. 1996 (January) -1999 (February). "Conservation Environment Systems and Monitoring for Libraries and Archives". Princeton, New Jersey: Garrison/Lull Inc. 
*Lull, William. 1997 (March) -1999 (October). "Selected Notes on Museum and Library Lighting," Princeton, New Jersey: Garrison/Lull Inc. 
*Maggen, Michael. 1997 (August 5). "UV filters". Conservation On-line. http://www.palimpsest.edu/, Walter Henry, moderator, Stanford University, Palo Alto, California. 
*Marcon, Paul J. and Thomas J.K. Strang. 1999. PadCAD Cushion Design Software, Version 3.0 for Windows. Ottawa: Canadian Conservation Institute. 
*Martin, Graham and Hannelore Romich. 2003. "LiDo: A Light Dosimeter for Monitoring Cultural Heritage." Victoria and Albert Museum Conservation Journal, 43: 2-3. 
*Mathey, R. C; T. K. Faison; S. Silberstein; J. E. Woods; W. E. Johnson; W. (William) P. Lull; C 
*A. Madson; A. Turk; K. L. Westlin; and P. (Paul) N. Banks. 1983. "Air Quality Criteria of Storage of Paper Based Archival Records" Nos. 83-2767, 83-2795, 83-2770. Washington, D.C: National Bureau of Standards. 
*McCann, Michael and Angela Babin. 1995. Plastics. [adapted from Artist's Beware]. New York: Center for Safety in the Arts. 
*McCormick-Goodhart, Mark H. 1996. "The Allowable Temperature and Relative Humidity Range for the Safe Use and Storage of Photographic Materials." Journal of the Society of American Archivists 17 (1): 7-21. 
*McElhone, John. 1993. "Determining Responsible Display Conditions for Photographs." American Institute for Conservation Photographic Materials Group Topics in Photographic Preservation 5:60­-72. 
*Mecklenburg, Marion F., editor. 1991. Art in Transit: Studies in the Transportation of Paintings, 372. Washington, D.C.: National Gallery of Art. 62 AlC-PMC, 2004. 
*Messier, Paul. 1991. "Protein Chemistry of Albumen Photographs." American Institute for Conservation Photographic Materials Group Topics in Photographic Preservation 4:124-135. 
*Messier, Paul. 2000. "A Methodology for Dating Photographs Relative to 1950." Paper presented at the American Institute for Conservation-Photographic Materials Group meeting, Philadelphia, Pennsylvania, June 5,2000. Outline available at pm@paulmessier.com. 
*Messier, R. and M. Susan Barger, and William B. White. 1983 (summer). "Daguerreotype Display." Picturescope 31 (2):57-58. 
*Michalski, Stefan. 1987. "Damage to Museum Objects by Visible Radiation (Light) and Ultraviolet Radiation (UV)." A Conference on Lighting in Museums, Galleries, and Historic Houses. 3-16. London: The Museums Association. 
*Michalski, Stefan. 1997. "The Lighting Decision." Fabric of an Exhibition: An Interdisciplinary Approach, 97-104. Ottawa, Canada: Canadian Conservation Institute. 
*Michalski, Stefan. 1990. "Towards Specific Lighting Guidelines." In Preprints: ICOM Committee for Conservation 9th Triennial Meeting Dresden, German Democratic Republic 2, 583-588. Los Angeles: Getty Conservation Institute. 
*Miles, Catherine E. 1986 (August). "Wood Coatings for Display and Storage Cases," Studies in Conservation, 31 (3):114-124. 
*Miles, Catherine E. 1985 (March). "The Stability of Display and Storage Materials," Climate and Lighting Control, 4. Rome: ICCROM. 
*Minnesota Historical Society (MHS). 1991 (October). "Guidelines to Practices and Materials for Use in the Exhibit Collections of the Minnesota Historical Society," by Marcia Anderson and Robert Herskovitz with contributions by Susan Heald, Kathy Ludwig, Mary Pound, and Paul Storch. Minnesota Historical Society, St. Paul, Minnesota. 
*Monni, Georges. 1997 (decembre 13)"'Etude d'une solution de montage pour la presentation des photographies contemporaines." Nouvelles de l'ARSAG, 13: 13-16. 
*Monni, Georges. 1999. "'Etude d'une nouvelle solution pour Ie montage des photographies contemporaines." ICOM-Committee for Conservation Preprints, 561-566. 12th Triennial Meeting, Lyon. Paris: ICOM. 
*Moor, Ian L. and Angela H. Moor. 1992 (April). "Exhibiting Photographs: The Effect of the Exhibition Environment on Photographs." In Conference Proceedings from The Imperfect Image: Photographs their Past, Present and Future, 193-201. London: The Center for Photographic Conservation. 
*Museums and Galleries Commission. Standards in the Museum Care of Photographic Collections. 1996. London: Museums and Galleries Commission. 
*Mustalish, Rachel. 1997. "The Development of Photomechanical Printing Processes in the Late 19th Century. " American Institute for Conservation Photographic Materials Group Topics in the Preservation of Photographic Preservation 7:73-88. 
*Mustalish, Rachel A. 2000. "Optical Brighteners: History and Technology. "Tradition and Innovation, Advances in Conservation, Contributions to the Melbourne Conference, 10-14 October 2000, 133-136. London: International Institute for Conservation. 
*Mustardo, Peter J. 1986. "The Daguerreotype's Environment." American Institute for Conservation Photographic Materials Group Topics In Photographic Preservation 1:16-22. 
*Nadeau, Luis. 1997. Encyclopedia of Printing, Photographic, and Photomechanical Processes: A Comprehensive Reference to Reproduction Technologies, Fredericton, New Brunswick: Atelier Luis Nadeau. 
*National Information Standards Organization (NISO). 1999. "Environmental Conditions for the Exhibition of Library and Archival Materials." Standards Committee Standard, National Information Standards Organization 239.79-1999. [Committee members: Catherine Henderson, Chair, David Erhardt, Doris Hamburg, Gerald Munoff, Sue Murphy, Catherine Nicholson, Elroy Quenroe, Eleanor Stewart, Steven Weintraub.] 
*National Park Service. 1980-1990's. Conserve 0 Grams. Harpers Ferry, West Virginia: National Park Service and Washington, D.C: US Government Printing Office. 
*National Park Service. 1994. Museum Handbook: Part I, Museum Collections. Harpers Ferry, West Virginia: National Park Service and Washington, D.C: US Government Printing Office. 
*National Park Service. 1996. Museum Handbook: Part III, Use of Collections. Harpers Ferry, West Virginia: National Park Service and Washington, D.C: US Government Printing Office. 
*National Park Service. 1997. Museum Handbook: Part II, Museum Records. Harpers Ferry, West Virginia: National Park Service and Washington, D.C: US Government Printing Office. 
*National Park Service (Toby Raphael, with contributions by Nancy Davis and Kevin Brookes). 1999. Exhibit Conservation Guidelines. Harpers Ferry, West Virginia: National Park Service and Washington, D.C: US Government Printing Office. Also available on compact disc. 
*Neblettes's Handbook of Photography and Reprography, Materials Processes and Systems, seventh edition. 1977. John M. Sturge, editor. New York: Van Nostrand Reinhold Company. 
*Neblette's Imaging Processes and Materials, eighth edition. 1989. John M. Sturge, editor. New York: Van Nostrand Reinhold Company. 
*Nicholson, Catherine. 1992. "What Exhibits Can Do to Your Collection." Restaurator 13:95-113. Copenhagen: Munksgaard. 
*Nicholson, Catherine and Elissa O'Loughlin. 1996a. "The Use of A-D Strips for Screening Conservation and Exhibition Materials." Poster Session Handout, Annual Meeting of the American Institute for Conservation (AIC) in Norfolk, Virginia. 
*Nicholson, Catherine and Elissa O'Loughlin. 1996b. "The Use of A-D Strips for Screening Conservation and Exhibition Materials." American Institute for Conservation Book and Paper Group Annual (15):83. 
*Nishimura, Doug. 1989. "The Current State of Research on the Preservation of Photographs." Abstracts of Papers Presented at the American Institute for Conservation Annual Meeting, Cincinnati, Ohio, May 31-June 9, 1989,25. Washington, D.C.: American Institute for Conservation. 
*Nishimura, Doug. 1995. "Film Supports: Negatives, Transparencies, Microforms, and Motion Picture Film." Storage of Natural History Collections: Basic Concepts, 365-394. Carolyn Rose, Catharine A. Hawks, Hugh H. Genoways, editors. Iowa City: Society for the Preservation of Natural History Collections. 
*Norris, Debbie Hess. 1993 (March). "The Proper Storage and Display of a Photographic Collection." Presentation at the Washington Conservation Guild Meeting. 
*Norville-Day, Heather and Shulla Jaques. 1999. "Conservation considerations with the acquisition of works of art made using digital technology." Care of Photographic Moving Image and Sound Collections, 76-82. Leigh: Institute of Paper Conservation. 
*Odegaard, Scott Carroll, and Werner Zimmt. 2000. Materials Characterization Tests for Objects of Art and Archeology. -London: Archetype Books. 
*Oliver, L. with revisions by Leslie Paisley, and L. van Handel. 1997. "A Comparison of Glazing Materials Used in Framing." WACC Technical Leaflet. Williamstown, Massachusetts: Williamstown Art Conservation Center (WACC), Incorporated. 
*Orlenko, Kathleen and Eleanor Stewart. 1997. "Conservation Implications of Computer-Generated Printing," Institute of Paper Conservation Conference Papers, London 1997. Jane Egan, editor, 166­-174. London: Institute of Paper Conservation. 
*Orraca, Jose, editor. 1992 (March). "Vintage Prints." OJO. 2: 1,8-10. 
*Parsons, T. F, and G.G. Gray, and 1. H. Crawford. 1979. "To RC or not to RC." Journal of Applied Photographic Engineering 5 (2):110-117. 
*Pénichon, Sylvie and Martin Jürgens. 200la. "Contemporary Mounting Techniques." Presentation at the American Institute for Conservation's Photographic Materials Group Winter Meeting, Houston, Texas, February 17, 2001. 
*Pénichon, Sylvie and Martin Jürgens. 200lb. 'Two Finishing Techniques for Contemporary Photographs." American Institute for Conservation Photographic Materials Group Topics in Photographic Preservation 9:85-96. 
*Pénichon, Sylvie and Martin Jürgens. 2002a. "Issues in the Conservation of Contemporary Photographs: The Case of Diasec or Face-Mounting." American Institute for Conservation News 27 (2):1, 3-4, 7-8. 
*Pénichon, Sylvie, Martin Jürgens, and Alison Murray. 2002b. "Light and Dark Stability of Laminated and Face-Mounted Photographs: A Preliminary Investigation." Works of Art on Paper, Books, Documents and Photographs, Techniques and Conservation: Contributions to the IIC 19th International Congress, Baltimore, Maryland, 2-6 September 2002. 154-160. London: International Institute for Conservation. 
*Phibbs, Hugh. 1990s. "Preservation Practices." Monthly contribution to Picture Framing Magazine. 
*Phibbs, Hugh. 1994. "Mounting and Housing Variations for Paper." Workshop, Nashville, Tennessee. Washington, D.C.: Foundation for the American Institute for Conservation. 
*Phibbs, Hugh and Paula Volent. 1994. "Preservation Hinging -A Picture Framing Magazine Supplement." Picture Framing Magazine 3 (2):4-24. 
*Phibbs, Hugh. 1996 (February). "The Frame: A Complete Preservation Package." Picture Framing Magazine. Preservation Issue. 5 (2): 4-34. 
*Phibbs, Hugh. 1997 (February). "Preservation Matting for Works of Art on Paper./I Picture Framing Magazine, Supplement insert 6 (2):4-30. 
*Photographic Activity Test (PAT): ISO 14523:2000. 2000. (formerly the American National Standards for Imaging Media -Photographic Activity Test, ANSI/NAPM IT9.16-1993), Geneva: Switzerland. 
*Polaroid Corporation. 1983. Storing, Handling, and Preserving Polaroid Photographs: A Guide. Boston, Massachusetts: Focal Press. 
*Powers, Sandra. 1978 (July). "Why Exhibit? The Risks vs. the Benefits." American Archivist 41 (3): 297-306. 
*Pretzel, Boris. 1990. "Color Changes Occurring in Photographs by Lady Hawarden." Conservation Department Science Section Internal Report No. 71/90/BCP. Victoria and Albert Museum, London. 
*Pretzel, Boris. 1992 (April). "Analysis of Comparative Color Changes Occurring in a Set of 19th Century Photographs by Lady Hawarden." Conference proceedings from The Imperfect Image: Photographs their Past, Present and Future, 165-181. London: The Centre for Photographic Conservation. 
*Price, Lois Olcott. 1995. "The History and Identification of Photo-Reproductive Processes Used for Architectural Drawings Prior to 1930." American Institute for Conservation Photographic Materials Group Topics in Photographic Preservation 6:41-49. 
*Quye, Anita and Colin Williamson, editors. 1999. Plastics: Collecting and Conserving. Edinburgh: National Museum of Scotland Publishing. 
*Raphael, Toby. 1991. Conservation Guidelines: Design and Fabrication of Exhibits. Harpers Ferry, West Virginia: National Park Service. 
*Raphael, Toby (with contributions by Nancy Davis and Kevin Brookes). 1999. Exhibit Conservation Guidelines. Harpers Ferry, WV: National Park Service and Washington, D.C.: US Government Printing Office. Also available on compact disc. 
*Rauh, Wolfgang, Stephan Dietzel and Alexander Schiller. 2001. "Lightfastness and Mechanical Resistance of Electrophotographic Printings." Preservation and Conservation Issues Related to Digital Printing, Conference proceedings, 26-27 October 2000, 52-60. London: Institute of Physics. 
*Reedy, Dr. Chandra, Richard A. Corbett and Martin Burke. 1998. "Electrochemical Tests as Alternatives to Current Methods for Assessing Effects of Exhibition Materials on Metal Artifacts." Studies in Conservation 43:183-196. 
*Reilly, James M. 1982 (May). "Role of the Maillard, or 'Protein-Sugar' Reaction in Highlight Yellowing of Albumen Photographic Prints." American Institute for Conservation Preprints, 160­-168. American Institute for Conservation 10th Annual Meeting Milwaukee, Wisconsin, 20-30 May, 1982. Washington, D.C.: American Institute for Conservation. 
*Reilly, James M. 1986. Care and Identification of 19th Century Photographic Prints. Rochester, New York: Eastman Kodak Company. 
*Reilly, James M. 1993. IPI Storage Guide for Acetate Film. Rochester, New York: Image Permanence Institute. 
*Reilly, James M. 1995. New Tools For Preservation. Washington, D.C.: Commission on Preservation Access. 
*Reilly, James M. 1998. Storage Guide for Color Photographic Materials. Rochester, New York: Image Permanence Institute and Albany, New York: The New York State Program for the Conservation and Preservation of Library Research Materials. 
*Reilly, James M. and Monique C Fischer. 1994. "Use of Passive Monitors in Film Collections." American Institute for Conservation Photographic Materials Group, Topics in Photographic Preservation 6:11-40. 
*Reinhold, Nancy. 1993a. "The Exhibition of an Early Photogenic Drawing by William Henry Fox Talbot." Paper presented at the American Institute for Conservation Photographic Materials Group Winter Meeting, Austin, Texas. 
*Reinhold, Nancy. 1993b. "The Exhibition of an Early Photogenic Drawing by William Henry Fox Talbot," American Institute for Conservation Photographic Materials Group Topics in Photographic Preservation 5:89-94. 
*Rempel, Siegfried. 1996 (January). "Zeolite Molecular Trap and Their Use in Preventative Conservation," Western Association for Art Conservation (WAAC) Newsletter 18 (1):12-18. 
*Reutter, Laura. 1997 (January 14). "UV films" Conservation Distribution List Server. http://www.palimpsest.edu/, Walter Henry, moderator, Stanford University, Palo Alto, California. 
*Richard, Mervin, Marion F. Mecklenburg, and Ross M. Merrill, editors. 1991. Art in Transit: Handbook for Packing and Transporting Paintings. Washington, D.C: National Gallery of Art. 
*Ritzenthaler, Mary Lynn, Gerald J. Munoff, and Margery S. Long. 1985 (second edition, 1984 first edition). Archives and Manuscripts: Administration of Photographic Collections, second edition. Basic Manual Series. Chicago, Illinois: Society of American Archivists. 
*Robb, Andrew. 1996. "Optical Brighteners in Photographic Papers." American Institute for Conservation Abstracts for Papers Presented at the 24th Annual Meeting, Norfolk, V A, June 10-16, 1996,86. Washington, D.C: American Institute for Conservation. 
*Robb, Andrew. 2001. "The Effect of Relative Humidity on Ink jet Prints." Preservation and Conservation Issues Related to Digital Printing, Conference Proceedings, 26-27 October 2001, 72-76. London: Institute of Physics. 
*Romer, Grant B. 1986. "Can We Afford to Exhibit our Valued Photographs?" American Institute for Conservation Photographic Materials Group, Topics in Photographic Preservation 1:23-30. Romich, Hannelore and Graham Martin. 2003. "LiDo: A Light Dosimeter for Monitoring Cultural Heritage." Victoria and Albert Museum Conservation Journal, 43: 2-3. 
*Roosa, Mark. 1992 (February). "Care, Handling, and Storage of Photographs." Information Leaflet. International Federation of Library Associations and Institutions Core Program, Preservation and Conservation. Washington, D.C: Library of Congress. 
*Roth, Peter. 1999 (July-August). "Resin-Coated Photographic Papers, Their Manufacture and Mechanisms for Image Permanence," 1S&T Reporter 14 (4). 
*Russick, Susan. 2001 (December 17). "Glazing Oversized Objects." Conservation Distribution List Server. http://www.palimpsest.edu/. Walter Henry, moderator, Stanford University, Palo Alto, California. 
*Saunders, David. 1989. "Ultra-violet Filters for Artificial Light Sources", National Gallery of Art [UK] Technical Bulletin 13: 61-68. 
*Saunders, David. 1992a. "Ultra-violet Absorbing Films." United Kingdom Institute for Conservation of Historic and Artistic Works Conservation News, 47: 40-41. 
*Saunders, David. 1992b. "Lighting for Conservation." Museum Development, 11-15. Ottawa: Canadian Conservation Institute (CCI). 
*Saunders, David and Jo Kirby. 1994. "Wavelength Dependent Fading of Artists' Pigments". Preventative Conservation: Practice, Theory and Research. Preprints of the Contributions to the Ottawa Congress, 12-16 September 1994, 190-194. London: International Institute for Conservation. 
*Schaeffer, Terry T. 2001. "Effects of Light on Materials in Collections: Data on Photoflash and Related Sources." Los Angeles: Getty Publications. 
*Schwalberg, Bob, Henry Wilhelm and Carol Brower. 1990 (June). "Going! Going!! Gone!!! The Disappearing Image." Popular Photography 97 (6):37-60. 
*Sease, Catherine. 1993 (Fall/Winter). "Light Piping: A New Lighting System for Museum Cases." Journal of the American Institute for Conservation 32 (3):279-290. 
*Severson, Douglas. 1986 (March). "The Effects of Exhibition on Photographs." American Institute for Conservation Photographic Materials Group, Topics in Photographic Preservation 1:38-42. Also published in Picturescope 32 (4): 133-135. 
*Shell, Ellen Ruppel. 1984 (September). "Memories that Lose Their Color." Science 5 ( 7): 40-47. Sigma-Aldrich Company. 2004. "Solid Phase Microextraction (SPME)." http://www.sigmaaldrich.com/suite7/Brands/Supelco_Home/Spotlights/SPME_central.html 
*Siegel, Robin. 1988. "Light-Fading of Color Transparencies on Desk-Tops." American Institute for Conservation Photographic Materials Group, Topics in Photographic Preservation 2:62-68. 
*Siegel, Robin and Henry Wilhelm. 1997. "Report on ANSI Standard IT9.9: Stability of Color Photographic Images-Methods for Measuring." American Institute for Conservation Photographic Materials Group, Topics in Photographic Preservation 7:28-35. 
*Smith, Merrily. 1990 (second edition, first edition 1981). Matting and Hinging Works of Art on Paper. Washington, D.C.: Library of Congress, Government Printing Office, first edition, and New York: The Consultant Press, second edition. 
*Stolow, Nathan. 1979. Conservation Standards for Works of Art in Transit and on Exhibition, Paris: UNESCO. 
*Stolow, Nathan. 1987. Conservation and Exhibition: Packing, Transport, Storage and Environmental Considerations. London: Butterworths and Company. 
*Sturge, John M., editor. 1977. Neblettes's Handbook of Photography and Reprography, Materials Processes and Systems, seventh edition. New York: Van Nostrand Reinhold Company. 
*Sturge, John M., Vivian Walworth, and Allan Shep, editors. 1989. Neblette's Imaging Processes and Materials, eighth edition. New York: Van Nostrand Reinhold Company. 
*Tetreault, Jean. 1992. "Measuring the Acidity of Volatile Products." Journal of International Institute for Conservation -Canadian Group 17:17-25. 
*Tetreault, Jean. 1999. "Coatings for Display and Storage in Museums." Canadian Conservation Institute Technical Bulletin, (21):1-46. 
*Tetreault, Jean. 2001 (December). "Guidelines for Selecting and Using Coatings." Canadian Conservation Institute Newsletter, 28:5-7. 
*Thomson, Garry. 1986. The Museum Environment, second edition. London: Butterworths in association with The International Institute for Conservation of Historic and Artistic Works. 
*Townsend, Joyce H. 1990 (August). "Colour Transparencies: Studies on Light Fading and Storage Stability." ICOM Committee for Conservation Postprints, 281-289. 10th Triennial Meeting. Washington, D.C. Paris: ICOM. 
*Trinkaus-Randall, Gregor. 1997 (24 December). "UV filters" Conservation Distribution List Server. http://www.palimpsest.edu/, Walter Henry, moderator, Stanford University, Palo Alto, California. 
*Vernallis, Kayley. 1999. "The Loss of Meaning in Color Photographs." Journal of the American Institute for Conservation 38 (3):459-476. 
*Vigneau, Erin and Eleanore Kissel. 1999. Architectural Photoreproductions: A Manual for Identification and Care, New Castle, Delaware: Oak Knoll Press and New York: New York Botanical Garden. 
*Vitale, Timothy. 1998. "Light Levels Used in Modern Flatbed Scanners." Research Libraries Group Technical Feature, DigiNews 2 (5), at http:/ Iwww.rlg.org/preservation/diginews. 
*von Edndt, David W., W. David Erhardt, and Walter R. Hopwood. 1995. "Evaluating Materials Used for Constructing Storage Cases." Storage of Natural History Collections: Basic Concepts, 269­-283. Carolyn Rose, Catharine A. Hawks, Hugh H. Genoways, editors. Iowa City: Society for the Preservation of Natural History Collections. 
*Wagner, Sarah, with Connie McCabe and Barbara Lemmen. 2001. "Guidelines for Exhibition Light Levels for Photographic Materials." Topics in Photographic Preservation 9:127-128. Washington, D.C.: American Institute for Conservation. (Earlier versions 1991, 1996, and 2000). 
*von Waldthausen, Clara C. 2003a. "Exhibition of Photographic Materials in Library and Archive Collections." Paper presented at the ICAICPTE International Symposium, June 5 and 6, 2003, Ljubljana, Slovenia. 
*von Waldthausen, Clara C. 2003b. "Coatings on Salted-Paper, Albumen, and Platinum Prints." Unpublished draft. 
*von Waldthausen, Clara C 2003c. "Exhibition of Photographic Materials in Library and Archive Collections." Topics in Photographic Preservation. 10:178-190. Washington, D.C. Institute for Conservation. 
*Ware, Michael. 1994. Mechanisms of Image Deterioration in Early Photographs. London: The Science Museum. 
*Ware, Michael. 1998. "Cyanotypes: Their History, Chemistry, and Conservation." Clark, Susie, editor, 1998. Postprints of Care of Photographic, Moving Image and Sound Collections, 20-24 July 1998, York, UK, 115-123. London: Institute for Paper Conservation. 
*Ware, Michael. 1999. Cyanotype: The History, Science and Art of Photographic Printing in Prussian Blue. London: The Science Museum and the National Museum of Photography, Film, and Television. 
*Ware, Michael. 2002. "A Blueprint for Conserving Cyanotypes "(Keynote Presentation). Abstracts of the Book and Paper Group and Photographic Materials Group Joint Session of the 30th American Institute for Conservation Annual Meeting, Miami, Florida, 9 June 2002, 17. Washington, D.C: American Institute for Conservation. 
*Ware, Michael. 2003. A Blueprint for Conserving Cyanotypes. Topics in Photographic Preservation. 10:2-18. Washington, D.C Institute for Conservation. 
*Watkins, Stephanie. 1993. "Origins and Development of Dry Mounting." American Institute for Conservation Book and Paper Group Annual 12:66-74. 
*Watkins, Stephanie. 1994. "History and Development of Dry Mount Materials." Abstracts of the Photographic Materials Group Session, 94-95. 22nd American Institute for Conservation Meeting in Nashville, Tennessee, June 1994. Washington, D.C: American Institute for Conservation. (Presentation included time line handout.) 
*Weintraub, Steven. 1999 (September). "The Color of White: Is There a "Preferred" Color Temperature for the Exhibition of Works of Art?" Western Association for Art Conservation (WAAC) Newsletter 21 (3):16-17. 
*Weyde, Edith. 1972. "A Simple Test to Identify Gases Which Harm Silver Images." Photographic Science and Engineering, 16 (4): 283-286. 
*Whitmore, Paul, Xun Pan, and Catherine Bailie. 1999. "Predicting the Fading of Objects: Identification of Fugitive Colorants Through Direct Non-Destructive Lightfastness Measurements." Journal of the American Institute for Conservation 38 (3):395-410. 
*Wilhelm, Henry. 1979. "Color Print Stability." Modern Photography 43 (2): 1-7. 
*Wilhelm, Henry. 1981. "Monitoring the Fading and Staining of Color Photographic Prints." Journal of the American Institute for Conservation 21:49-64. 
*Wilhelm, Henry. 1999. "Years of Print Display Before Noticeable Fading Occurs." Grinnell,IA: *Wilhelm Imaging Research, Inc.: http://www.wilhelm-research.com/. Also distributed at the International Association of Fine Art Digital Printmakers (IAFADP) Meeting in New York City, New York, March 5-7, 1998. 
*Wilhelm, Henry with contributing author Carol Brower. 1993. The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Grinnell, Iowa: Preservation Publishing Company. 
*Wilhelm, Henry. 1999. "The Intimate Relationships of Inks and Papers: You Can't Talk about the Permanence of One Without Considering the Other." Grinnell, IA: Wilhelm Imaging Research, Inc. http://www.wilhelm-research.com/. Also distributed as "Latest Developments in Digital Print Output." 
*Wilhelm, Henry with Mark McCormick-Goodhart. 2000. "An Overview of the Permanence of Inkjet Prints Compared with Traditional Color Prints. IS&T's Eleventh International Symposium on Photofinishing Technologies, Final program and Proceedings, Las Vegas Nevada, 34-39. Springfield, VA: The Society of Imaging Science and Technology (IS&T). See also http://www.wilhelm-research.com/pdf/wir_permanence_06_20_00.pdf/ 
*Williams, R. Scott. 1994. "The Diphenylamine Spot Test for Cellulose Nitrate in Museum Objects." CCI Notes 17/2 (formerly 15/4, 1988). 1-2. Ottawa: Canadian Conservation Institute. 
*Williams, R. Scott. 1993. "The Beilstein Test: Screening Organic and Polymeric Materials for the Presence of Chlorine, with Examples of Products Tested." CCI Notes 17/1. 1-3. Ottawa: Canadian Conservation Institute. 
*Williams, R. Scott. 2002 (January). "Care of Plastics: Malignant Plastics." Western Association for Art Conservation (WAAC) Newsletter 24 (1):10-15. 
*Winner, Calvin. 1999. "Photographic Artworks in the Tate Gallery." _Care of Photographic Moving Image and Sound Collections, 72-75. Leigh (UK): Institute of Paper Conservation. 
*Woodward, Scott and Doug Laplante. 1990 (August). "Preserving the Past for the Future: The Effects of Ultraviolet and Potential Solutions." Lighting and Design Application 20 (8):19-25. 
*Wulff, Roger. 1997 (August 7). "UV filters," Conservation On-Line, http://www.palimpsest.edu/. 
*Walter Henry, moderator, Stanford University, Palo Alto, California 
*Zhang, Jinping, Lorna R. Green, and David Thickett. 1994. "Two Tests for the Detection of Volatile Organic Acids and Formaldehyde." Journal of the American Institute for Conservation 33 (1):47-54. 
*Zinn, Edward, James M. Reilly, Douglas W. Nishimura. 1997. "Final Report to the Office of Preservation, National Endowment of the Humanities: Enclosures and Air Pollution in Image Preservation"; Grant #PS 20741-93. Rochester, New York: Image Permanence Institute.
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