Conservation & Preservation Meetings

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Contributers: Rebecca Rushfield, Rachael Perkins Arenstein
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|Institut National du Patrimone||||||||Public art: Legal status, maintenance and conservation||Paris||France||2019.10.08||General Conservation||Public art||Legal Issues||Notes
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|ICOM-CC||Graphic Documents and Photographic Records||Interim Meeting||||||Ludwigsburg||Germany||1998.04.20||Paper|||||||
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|ICON||Textile Group||Annual Forum||--||Mind the gap: Structural and aesthetic options for the treatment of loss in textiles||London||England||2009.04.27||Textiles||Loss consolidation|||||--
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|Theatre Europe||OISTAT||||||Costume preservation in museum, theatre and fashion||Breda||Netherlands||2004.04.04||Textiles||||||
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|State Academy of Art and Design Stuttgart||||||||Wet wood colloquium||Stuttgart||Germany||2006.05.12||Wood||Waterlogged materials||||
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|Academic Materials Research Laboratory of Painted Artworks (ALMA)||||Interdisciplinary Conferences||1st||New methods and topics in artwork analysis||Prague||Czech Republic||2006.11.07||Analysis||Paintings||||
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|Academic Materials Research Laboratory of Painted Artworks(ALMA)||||Interdisciplinary Conferences||2nd||Art and material aspects in the evaluation of the origin and age of a work of art||Prague||Czech Republic||2008.110.3||Analysis||Paintings||||
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|North American Textile Conservation Conferences||||Biennial Conference||1st||Fabric of an exhibition:An interdisciplinary approach||Ottawa||Canada||1997.09.22||Textiles||||||
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|North American Textile Conservation Conferences||||Biennial Conference||2nd||Conservation Combinations||Ashville,NC||USA||2000.03.29||Textiles||||||
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|North American Textile Conservation Conferences||||Biennial Conference||3rd||Strengthening the bond:Science and textiles||Philadelphia,PA ||USA||2002.04.05||Textiles||||||
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|British Museum ||Department of Scientific Research||Mellon Symposium||2nd||In situ technical imaging for art and archaeology||London||England||2010.07.15||Analysis||||||
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|British Museum ||Department of Scientific Research||Mellon Symposium||1st||The technical examination of Old Master drawings||London||England||2010.05.20||Analysis||Paper||||
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|British Museum ||Department of Scientific Research||Mellon Symposium||3rd||Silver and gold: investigating metalpoint drawing||London||England||2015.09.25||Analysis||Paper||||
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|British Museum ||Department of Scientific Research||Mellon Symposium||4th||Textiles from the Silk Road in museum collections: Scientific investigations and conservation challenges ||London||England||2018.12.10||Analysis||Textiles||||
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|British Museum ||Department of Scientific Research||Mellon Symposium||5th||A closer look at murals: Recent advances in the conservation and scientific investigation of wall paintings||London||England||2019.05.30||Analysis||Murals||||
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|Clyfford Still Museum Research Center||Getty Conservation Institute||Clyfford Still Museum Research Center Symposium||2nd||Abstract Expressionism: Time, intention, conservation, and meaning||Los Angeles,CA||USA||2015.11.12||Paintings||Philosophy||||
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|Doerner Institute||Akademie der Bildenden Künste München/Academy of Fine Arts Munich||||||Tempera painting between 1800 and 1950. Experiments and innovations from the Nazarene Movement to abstract art||Munich||Germany||2018.03.15||Paintings||||||
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|China Cultural Connect||Royal Museums Greenwich||Heritage Conferences||4th||Asiatic traditional painting: Its history and conservation||Greenwich||England||2013.10.18||Paintings||Far Eastern art||||
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|||National Gallery London||||||Rembrandt Now: Technical practice, conservation and research||London||England||2014.11.13||Paintings||||||
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|Rijksbureau voor Kunsthistorische Documentatie/Netherlands Institute for Art History ||||||||Symposium Restauratiegeschiedenis||the Hague||Netherlands||2010.02.18||History of conservation||||||
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