The structure of the work

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The structure of the work
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bet | 2/7 | Sana | 30.11.2023 | Hajmi | 126,5 Kb. | | #108746 |
Bog'liq Novels without hero. Vanity fair by by William ThackerayThe structure of the work: it consists of introduction, two chapters, conclusion and bibliography. The first chapter is devoted to the study of life and literary career of the author. The second chapter is devoted to observing and analyzing his novel “Vanity Fair” . Total amount of the work is -- pages.
Introduction deals with the aim , tasks, actuality, novelty and practical value of the qualification paper.
The results achieved during the investigation are summarize in conclusion.
Bibliography lists all the scientific and internet sources and references used for investigation.
Chapter I. William Makepeace Thackeray, his early life and literary career.
1.1 Victorian age in English literature
William Makepeace Thackeray was one of the greatest representatives of the English Victorian age .The Victorian age was characterized by sharp contradictions. In many ways it was an age of progress. The Victorian era marks the climax of England’s rise to economic and military supremacy. The nineteenth century England became the first modern, industrialized nation. It ruled the most widespread empire in world history, embracing all of Canada, Australia, New Zealand, India, Pakistan, and many smaller countries in Asia, and the Caribbean. But internally England was not stable. There was too much poverty, too much injustice and fierce exploitation of man by man.
The workers fought for their rights, their political demands were expressed in the People’s Charter in 1833.The Chartist movement was a revolutionary movement of the English workers, which lasted till 1848.The Chartists introduced their own literature. The Chartist writers tried their hand at different genres. They wrote articles, short stories, songs, epigrams, poems. Chartists (for example: Ernest Jones “The Song of the Lower Classes”, Thomas Hood “The Song of the Shirt) described the struggle of the workers for their rights, they showed the ruthless exploitation and the miserable fate of the poor2.
The ideas of Chartism attracted the attention of many progressive-minded people of the time. Many prominent writers became aware of the social injustice around them and tried to picture them in their works. The greatest novelists of the age were Charles Dickens, William Makepeace Thackeray, Charlotte Bronte, Elizabeth Gaskell, George Eliot. The writers used the novel as a tool to protest against the evils in contemporary social and economic life and to picture the world in a realistic way.
They expressed deep sympathy for the working people; described the unbearable conditions of their life and work, Criticism in their works was very strong, so some scholars called them Critical Realists, and the trend to which they belonged-Critical Realism,”Hard Times” by Charles Dickens3 and “Mary Barton” by Elizabeth Gaskell are the bright example s of that literature, in which the Chartist movement is described. The contribution of the writers belonging to the trend of realism in world literature is enormous .They created a broad picture of social life, exposed and attacked the vices of the contemporary society, sided with the common people in their passionate protest against unbearable exploitation and expressed their hopes for a better future.
As for the poetry of that time, English and American critics consider Alfred Tennyson and Robert Browning to be the two great pillars on which Victorian poetry rested. Unlike the poetry of the Romantic Age, their poetry demonstrated the conservatism, optimism, and self-assurance that marked the poetry of the Victorian age.
Thanks to such amusements, his own inability to excel at mathematics, the poor preparation he had received at Charterhouse, and a penchant for gambling and trips to the Continent, Thackeray left the university without a degree after two years. The life of the undergraduate at “Oxbridge” is represented obliquely for “the life of such boys does not bear telling altogether” in Pendennis. Thackeray did, however, form friendships at Cambridge that were lasting, the most important of which was with Edward Fitzgerald. And while he failed to distinguish himself at school, he did develop the fondness for Horace and other classical authors his childhood experiences had almost robbed him of. After leaving Cambridge, Thackeray traveled on the Continent, spending a winter at Weimar, which included at introduction to the aged Goethe. Thackeray took away from Weimar a command of the language, a knowledge of German Romantic literature, and an increasing skepticism about religious doctrine.
During the Victorian era Thackeray was ranked second only to Charles Dickens, but he is now much less widely read and is known almost exclusively for Vanity Fair, which has become a fixture in university courses, and has been repeatedly adapted for the cinema and television.
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