John Milton Projects Surrealmageddon Visual Poetry Wiki

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Bienvenido Bones Bañez Jr., Terrance Lindall, and Robert J. Wickenheiser have contributed to the development of Surrealmageddon Visual Poetry, a unique and thought-provoking art form. This collaborative effort combines elements of surrealism, symbolism, and apocalyptic themes, inspired by John Milton’s Paradise Lost. 
🇺🇸📖💥  
📖Our Brother Terrance Lindall Announcement in 📖SALE 💥on JOHN MILTON BOOKS‼️🇺🇸❤️. ^ EPHEMERA tp RECOGNIZE DEATH of JOHN MILTON 350 YEARS AGO. https://wahcenter.wixsite.com/wah-center-books BUY at the ONLINE STORE: https://www.biblio.com/bookseller_info.php?d=2802564 Sale ends 11/8/2024 And here's the FlipHTML Publication Online👇❤️🇺🇸🙏 https://online.fliphtml5.com/yyqbr/uwjk90y/?fbclid=IwY2xjawGB7vxleHRuA2FlbQIxMQABHYR6OiWQmx5lWObKVT5a3Vky3UHi20uItz_TLeNL1Wc__7kxNoiQdb7xKg_aem_bHQ6ro0e5IgfwzLrDVGTRA#p=1
PROCEEDS to RESTORE the KINGS COUNTY SAVINGS BANK BUILDING which HOUSES the MILTON & other COLLECTIONS📖❤️: https://issuu.com/lindall/docs/1_wah_center_and_ynf_reorganized_issuu
KEY PLAYER: 
Bienvenido Bones Bañez Jr.: A Filipino surrealist painter, known for his protean notion of “Surrealmageddon,” which blends early-20th-century surrealistic theorizing, satire, and faux-occult posturing. His work often features unsettling figures and explores the intersection of Christianity and eschatology.
TERRANCE LINDALL: An American artist and critic, who has written extensively on surrealism and its applications. He has collaborated with Bañez on various projects, including the illustration and summary of John Milton’s Paradise Lost. And Peter Dizzoza in John Milton Outer Space with music on piano. 
ROBERT J. WICKENHEISER: A scholar and expert on John Milton’s works, particularly Paradise Lost. He has contributed to the understanding and interpretation of Milton’s epic poem and has collaborated with Lindall and Bañez on various projects.
 SURREALMAGEDDON VISUAL POETRY 
This collaborative effort combines the artistic talents of Bañez and Lindall with Wickenheiser’s scholarly expertise. The result is a unique visual poetry that explores themes of apocalypse, eschatology, and the human condition. The Surrealmageddon Visual Poetry series features intricate, jewel-toned illustrations by Bañez, accompanied by Lindall’s commentary and Wickenheiser’s scholarly insights.
  NOTABLE WORKS 
Paradise Lost Elephant Folio: A collaborative project featuring Lindall’s illustrations and Wickenheiser’s commentary on John Milton’s Paradise Lost.
Surrealmageddon Visual Poetry: A series of artworks by Bañez, inspired by Milton’s Paradise Lost and exploring themes of apocalypse and eschatology.
MY WARLOCK DREAM-666: A painting by Bañez, commissioned by the Yuko Nii Foundation, which showcases his unique surrealist style.
 INFLUENCES and THEMES 
The Surrealmageddon Visual https://www.usartofimagination.org/gallery-a-f Poetry project draws inspiration from various sources, including:
John Milton’s Paradise Lost: The epic poem serves as a foundation for the project’s themes of apocalypse and eschatology.
  SURREALISM: The artistic movement’s emphasis on the subconscious, the irrational, and the fantastical informs the project’s visual style and themes.
Apocalyptic and Eschatological Themes: The project explores the intersection of Christianity and eschatology, as well as the concept of “Surrealmageddon,” which combines elements of apocalypse and surrealism.
 CONCLUSION 
The Surrealmageddon Visual Poetry project represents a unique collaboration between Bienvenido Bones Bañez Jr., Terrance Lindall, Robert Beal and Robert J. Wickenheiser. This innovative art form combines elements of surrealism, symbolism, and apocalyptic themes, inspired by John Milton’s Paradise Lost. The project’s notable works and influences demonstrate the artists’ shared passion for exploring the human condition and the mysteries of the universe.         📜🇺🇸                          SURREALMAGEDDON VISUAL POETRY COLLABORATION 
Bienvenido Bones Banez Jr., Terrance Lindall, and Robert J. Wickenheiser have come together to create a unique and thought-provoking visual poetry project, Surrealmageddon. This collaborative effort combines the artistic visions of each individual, blending elements of surrealism, symbolism, and eschatology.
INSPIRATION FROM JOHN MILTON’S PARADISE LOST 
The project draws inspiration from John Milton’s epic poem, Paradise Lost, and its themes of rebellion, temptation, and the struggle between good and evil. Lindall’s illustrations of Paradise Lost, featured in the book “The John Milton Projects: 2009-2015,” serve as a foundation for the Surrealmageddon Visual Poetry.
Bienvenido Bones Banez Jr.'s Contribution
Bienvenido Bones Banez Jr., a Filipino surrealist painter, brings his unique perspective and style to the project. His work often explores themes of desire, imperfection, and the human condition, which are reflected in the Surrealmageddon Visual Poetry.
Terrance Lindall’s Role
Terrance Lindall, a renowned artist and curator, has been instrumental in bringing this project to life. His expertise in surrealism and his connections to the art world have facilitated the collaboration and ensured the high quality of the final product.
Robert J. Wickenheiser’s Contributions
Robert J. Wickenheiser, a scholar and artist, has contributed to the project through his writings and editorial guidance. His involvement has helped to provide a deeper understanding of the themes and symbolism present in the Surrealmageddon Visual Poetry.
THE RESULT 
The Surrealmageddon Visual Poetry is a stunning representation of the collective imagination of these three artists. The final product is a rich tapestry of images, words, and ideas that explore the complexities of human nature, the struggle between good and evil, and the blurred lines between reality and fantasy.
EXHIBITION AND PUBLICATION 
The Surrealmageddon Visual Poetry has been exhibited at the Williamsburg Art & Historical Center and published in various forms, including a book, soft cover books and online platforms. These platforms provide access to a wider audience, allowing viewers to engage with the project and its [Themes https://web.archive.org/web/20221004164743/https://www.lexikon-surreal.com/ themes] in a more [Immersive https://web.archive.org/web/20220922032543/https://www.taringa.net/+arte/bones-banez-surrealismo-psicodelico-infernal-desde-filipin t7g5b immersive] and interactive way.
 TAKEAWAYS 
Surrealmageddon Visual Poetry is a collaborative project between Bienvenido Bones Banez Jr., Terrance Lindall, and Robert J. Wickenheiser.
The project draws inspiration from John Milton’s Paradise Lost and explores themes of surrealism, symbolism, and eschatology.
Each artist brings their unique perspective and style to the project, resulting in a rich and thought-provoking visual poetry.
🇺🇸📜 INTERNET ARCHIVE👁️ WELCOME BONES 666 ART WORLD💥👁️👇🇺🇸📖 https://web.archive.org/web/20220921201548/https://welcomebones666artworld.trilogistick.com/ 🇺🇸👁️👇 https://archive.org/search?query=bienvenido+bones+banez+jr 👁️. (Illustration Artwork by Terrance Lindall of the Gold Illuminated Paradise Lost Scroll of Terrance Lindall.) ✨📖🌍👁️ 🎼Collaboration Bienvenido Bones Bañez Jr.. with Terrance Lindall in Satanic Verses Bones Banez 👁️.         https://www.amazon.com/SATANIC-VERSES-BONES-BANEZ-Illustrations-ebook/dp/B00L0O0QHC                                               💥https://www.abebooks.com/9781495117343/Satanic-Verses-Bones-Banez-Bienvenido-1495117340/plp
Response to a scholar's criticism of THE SATANIC VERSES" https://www.biblio.com/book/satanic-verses-bienvenido-bones-banez-jr/d/1041393014
And our World Famous in New York 🇺🇸Terrance Lindall Reads the Bienvenido Bones Banez Book of Satanic Verses: "Book of the Dammed!": Williamsburg Art & Historical Center, Brooklyn, New York,USA Internet Archive https://archive.org/details/videoplayback_20230110_0202
👁️.                                                              From: Terrance Lindall
Recently, after showing one of the Gold leaf folio pages of the Satanic Verses, I received the following comment from a Milton scholar:
“Your talents remain many and continue strong as ever.  I must admit that I am terribly confused by your using them to make Satan a hero and an inspiration.  Perhaps you are being totally ironic, but if so, your enthusiasm for professing Satan as an inspiration is a bit much and the more it goes on, the less you speak for Milton and use your tremendous artistic talents, deep knowledge of Milton and of his great epic poem, and capacity as both great artist and whose knowledge of Milton allows you as artist that few, if any, have done or can ever do.
“I felt I had to share my thoughts and “strong’ feelings about all of this and about you, along with my confusion about what it is you are attempting to do, candidly and openly with you.”
So, I emailed him back:  “Be not ‘confused.’ If you read the Satanic Verses and listen to my lecture on "Satan's Peculiar Grace," I point out that we can simply reject Satan's enticements that leads to pain and suffering. We oppose Satan! But we do not fear him because it is only if we are enticed that we are working with Satan and becoming his agent or follower.
  I quoted the Verses:
  But I into unreason reach.
And by Surreal arts do breach
The walls of logic that enslave us all,
Unleash the truth
Of dream revolt,
Third eye of wisdom!
Here fallacy say the books:
“Ad Hominem,
Against the man!”
“Ad Bachulum,” say I,
To the stick!
This is my plan!
The stick of revelation,
And pound the Devil’s pretty hide,
Till smokes it,
And falseness drops, the colors,
Reveals the black and cruel heart inside.
This is my art! https://www.slideshare.net/slideshow/areopagitica-surrealmageddon-s-revelation-in-the-technocratic-artificial-intelligence-governments-inspired-by-the-tree-of-knowledge-turning-surreal-blasphemous-desires-from-the-human-mortal-creatures-governments/271111600
 
On the road of Man look back,
Lie strewn the bones of many,
Great ones gone before,
Wise men who understood,
Say they all the same:
“How great can Man be,
“And yet how fallen,”
Like the Dark Lord himself!
 
In other words, the idea of the art is to show how “prettily enticing” Satan is by doing colorful representations of the object, but also showing how horrible Satan is by the concept represented. The poetry and art is beautiful even though what Satan represents is ugly indeed. The juxtaposition of pleasing visual and the ugly concept creates a thrill. Our writing and painting about Satan is no different than a writer writing about war as with Tolstoy's War and Peace. Tolstoy was not endorsing war. So Bien and I are not endorsing Satan! 
 
What is Satan? In my lexicon he is an aspect of the mind of God. What is God? God is historical will in the infinite permutations and combinations of actuality and possibility. God pulled himself from the void because he was a necessity and in so doing created the possibility of opposites, being and nothingness, the dialectic that could in those permutations and combinations produce the universe and everything in it, including man, good and evil. https://www.slideshare.net/slideshow/areopagitica-surrealmageddon-s-revelation-in-the-technocratic-artificial-intelligence-governments-inspired-by-the-tree-of-knowledge-turning-surreal-blasphemous-desires-from-the-human-mortal-creatures-governments/271111600
 
What is evil? Satan represents evil to the Milton scholar who is disturbed by my art for the Satanic Verses. Natural disasters that kill people are not evil, even though God created nature. And Satan has nothing to do with natural disasters. Evil is an idea that exists as a concept. As a concept evil is indeed part of our universe, an aspect of the mind of God. When a man does an injury to another man, it is thought to be evil. One might then say that Satan has inspired the man to do evil; since the concept of Satan is that he entices men to do evil. Satan is the personification of evil. Artists and writers try to envision what Satan would be like in human terms, just as they envision god as an old wise man. They anthropomorphize him and put him in paintings, poetry and literature. Personifying evil as a being such as Satan is like primitive men personifying the sun as a sun god, or the moon as a moon god. Religions grew up around these “gods” with laws and rituals and the order of priests helped rulers of the tribes make their populations obedient to law and religion to harness the energies of the tribe for the common good and the enrichment of the leaders and the priests. It is no different today.
 
Judaism gave Western man the concept of the one God. Christians and Muslims took it up. But Jews thought themselves the only true religion and only their people as God’s people, a master race ideology to be sure. The Old Testament is indeed a testament to the brutality of the tribe with murder, lechery, theft, genocide and more. The Muslims and the Christians were no better in practice. Today in the 21st century they are still the same. One side sees evil in the beliefs and activities of the other side and all vie to dominate or eliminate the others or at the least the beliefs of the others. As I write this, Israel, the new “Jewish” nation that was created by taking land from the Arabs, is waging a war that includes the deliberate bombing of women and children taking refuge in a United Nations school. Yet they live, a part of their embedded psyche, as “the eternal victim” in a world of anti-Semites. In other words, it is Jews, God’s people, against the world. Everyone not Jewish has become “the existential threat to God’s people”…a frightening thought as to what the future will bring for the the non-Jewish world from these very capable and now well armed people. In fact each side considers the other evil and puts forth facts to prove it. Which is why my own position is that Humanism, wherein humans can rule themselves for the common good is a scorpion that will sting itself to death! 👁️👽👇https://online.fliphtml5.com/yyqbr/tkrn/
 https://www.slideshare.net/slideshow/areopagitica-surrealmageddon-s-revelation-in-the-technocratic-artificial-intelligence-governments-inspired-by-the-tree-of-knowledge-turning-surreal-blasphemous-desires-from-the-human-mortal-creatures-governments/271111600
It is this eternal struggle of cultures and systems of belief that “give the world color” according to Beinvenido Bones Banez. From the eternal struggle between “so called good and evil" that great stories unfurl in the imaginations of poets writers and artists. Satan is the personification of evil that gives color to the world and in so doing becomes the ‘patron saint" of artists and writers!
💥👁️Satan Peculiar Grace, And 🎼Surreal-Pianist Bienvenido Bones Banez Jr play the Satanic Rhapsody and Sir Terrance Lindall Talk About Satan Peculiar Grace, at Williamsburg Art & Historical Center, Brooklyn New York City: Internet Archive https://archive.org/details/videoplayback-5_202301
 
So Bienvenido does not follow Satan, but admires him as one of God’s creations to a purpose…God’s hoe weeding out the unfit among us in this garden that we have so hopelessly be fouled.            https://www.wahcenter.net/tag/bienvenido-banez/                           - - - - - - - - - - - - - - - - - - - - - - - - - - - 👁️. "The Avant Garde & Why Bienvenido Bones Banez and Terrance Lindall Do Not Live in that region and are Outsider Art.... ECCENTRIC ANARCHISTS!!! Satanic Verses of Bones Banez,  In New York Art World 👇 https://archive.org/details/img_1_1672801837242                                              👁️. Sunday, February 02, 2014
Terrance Lindall and Bienvendio 'Bones' Banez: Paradise Lost and Satanic Verses👇 https://scholar240.rssing.com/chan-14185570/article245-live.html                              John Milton Projects 2009-2015 byTerrance Lindall,Robert J Wickenheiser,Artwork-BienvenidoBonesBanez - WorldNews https://article.wn.com/view/2023/02/15/John_Milton_Projects_20092015_byTerrance_LindallRobert_J_Wic/                                    👁️👁️.                                                                The Paradise Lost Elephant Folio - by Terrance Lindall / "and he honors Banez in ... - Worldnews.com https://article.wn.com/view-lemonde/2023/03/07/The_Paradise_Lost_Elephant_Folio_by_Terrance_Lindall_and_he_?fbclid=IwAR0oAR-e0GNPf-FgWUSHap_Nrn4pCO-TvFWRPmgVLWf8b3_5goenl7Hw16s#/wiki0                                                👁️And World Famous and Foremost Art World Books: Acrostic Paradise Lost by Terrance Lindall | Terrance Lindall - Academia.edu https://www.academia.edu/44738926/Acrostic_Paradise_Lost_by_Terrance_Lindall?email_work_card=title - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - WELCOME BONES 666 ART WORLD💥👁️👇👁️ https://web.archive.org/web/20220921201548/https://welcomebones666artworld.trilogistick.com/ ONCE UPON A TIME💥👁️ Autistic Surrealist Survivor Bienvenido Bones Bañez Jr. 🇺🇸Awesome Visionaries in the New York art world power! Only First World Country New York Art World Historical Contextual and Prophetic! The legacy of Sir John Milton Projects Surrealmageddon Visual Poetry! https://archive.org/search?query=bienvenido+bones+banez+jr
OUR GREAT PHILOSOPHERS-SURREALIST IS SIR TERRANCE LINDALL" With BONES REVELATION, and JOHN MILTON SURREALMAGEDDON MACHINE! WE ARE PROUD TO HAVE OUR GREAT PHILOSOPHER, VISIONARY, JOHN MILTON'S BOOK EXPOUNDER, SURREALIST VISIONARY ADVOCATOR AND WIKIPEDIA PROMOTER in NEW YORK ART WORLD REVOLUTIONARY MOVEMENT!!! AND TRULY TERRANCE THE GENIUS!!! AND HIS NAME IS MASTER TERRANCE LINDALL🇺🇸🗽And MASTER YUKO NII FOUNDER and ARTISTIC DIRECTOR❤️🙏🇺🇸 https://youtu.be/M659gN27lc0?si=6U-tv1nVrSJeoXkk 
l https://alchetron.com/Terrance-Lindall📖 Terrance Lindall's Paradise Lost, 🇺🇸 Terrance Lindall, Once upon a time and I was so happy with searching my favorite artist, before I visited the Williamsburg Art & Historical Center. First of all I was won the Freeman Fellowship in Vermont Studio Center 2002, and I meet the VSC president his name Sir Jonathan Greg is the founder of the Vermont Studio Center Fellowship-( https://en.wikipedia.org/wiki/Vermont_Studio_Center ,) and my first one man show at Red Mill Gallery in VSC, Johnson, Vermont, and I got a message from VSC to introduce me to Alex Grey, and some my VSC fellowship are talking about my painting in similar ways to Alex Grey and that is the time to get another blessing for going to New York City, and the President of the Vermont Studio Center is Jonathan Greg suggests me to visit the Alex Grey in One Man Show, Manhattan, New York City, that was throwback 2002 December, and that is my excitement for going to New York City, and my first landed on the world famous New York Art World on December 20, 2002, and I stay at NY Hotel and I call the taxi and time to visit to our world famous artist Alex Grey and I meet him in person and he answered me for "Good for you Bien Bones to meet you" and Alex said "You and Me we are same psyche visionary" and that's my first heard for he encouraged me to do it for more painting, but I took a photo with him and paintings by Alex Grey-( https://en.wikipedia.org/wiki/Alex_Grey). After 2 days stayed in New York and I decided to going to Chicago to visit my sister in that was December 22, 2002 for another tour in Chicago Museum, and I stayed more than 4 months in Chicago and I participated in paintings art exhibits in Chicago with my 8 paintings for art festival of the "Around the Coyote Winter Arts Festival 2003, Chicago", Illinois, and while I was strolling in art haven in Chicago and there's a lot of people and galleries until I found the art magazine and I read the art news about the prestigious invitation for coming show about the Brave Destiny 2003-( https://www.wahcenter.net/exhibits/2003/surreal/BD_artists.html?fbclid=IwY2xjawGC6fNleHRuA2FlbQIxMQABHRu2LfBdZmqZaTb0537yGNS9LHlRhsYUbQh8k5vqamgA2i4O_hI-7kEk9A_aem_god9kQ6hdRGznFBOYuwdCQ & 🇺🇸. https://www.wahcenter.net/exhibits/2003/surreal/?fbclid=IwY2xjawGC6s5leHRuA2FlbQIxMQABHQpRtzjCJ1Caw8X7QyB1rsTPQQatmi1jOLclSt2fkj5QWENMRyHkWxPLqA_aem_wrxgfRn56s3NDvqu5t_9DA 💥👁️  ) and that was my first apply for being participate on the world famous Surrealists and Visionary in Williamsburg Art & Historical Center and that's why I am excited to be included the famous Brave Destiny, and after Chicago and I move to California for visit my first cousin Earl Bones and I got a email and letter from Williamsburg Art & Historical Center and the good news is I am qualified for be part of the Brave Destiny 2003. Meanwhile, I have a time going to New York 2005, and I have a plan to visit the Williamsburg Art & Historical Center, and I found the Marcy Avenue at Brooklyn, and I walked in the street going to WAH Center and that place was weird and no people around here but it like the war zone area and very silent and cold days in Marcy street in Brooklyn and until I get inside the WAH Center and my first saw in WAH Center is Sir Terrance Lindall greeting to me and say Welcome to my world and I introduce myself and I am the one who painted the "My Warlock Dream 666" and Sir Terrance smiled at me and he introduced a new way of art world, and he invited me going to upstairs and Terrance Lindall show me the most important treasures in the art world collection and he was very proud to Master Yuko Nii visionary-(https://alchetron.com/Yuko-Nii ) and Terrance told me that Williamsburg Art & Historical Center one of the world's greatest art collections and that's why I am excited to be included the famous Brave Destiny 2003 and be part of the John Milton's Legacy. And the year of 2006, October, I got a blessed day with the help by Williamsburg Art & Historical Center and my first time in life as a One Man Show at WAH SALON individual exhibitions were hosted at Amarin Café, 617 Manhattan Ave., Greenpoint, Brooklyn, New York. And after years ago and I was another One Man Show 2008 at Amarin Cafe, by WAH Salon members. And another important thing in the Celebrating John Milton’s 400th Birthday.
The unrivaled arts festival honoring Milton’s birthday and Paradise Lost, the greatest poem in the English language. Bridging classic literature and contemporary fine art, 
performing arts and poetry reading.🇺🇸 �   https://online.fliphtml5.com/yyqbr/bweh/?fbclid=IwY2xjawGC7ABleHRuA2FlbQIxMQABHfL7mI1OtqRQBXHHVsYthmtAeDnMcQsYODY1G9cWDBMVrVvRxcVvSP9PVg_aem_GxzHQlWy3lv8jPgpP2iOEQ#p=20 
👁️ INTERNET ARCHIVE👁️🇺🇸👇https://archive.org/search?query=bienvenido+bones+banez+jr 🙏🇺🇸
September 27th — November 2nd, 2008 and click this link for more messages👇 https://www.facebook.com/100085608697157/posts/318834544313500/?app=fbl                    🇺🇸& 💥 👇JOHN MILTON OUTER SPACE VIDEO👉 https://youtu.be/9OoEOWrQUcs 👈 👽🇺🇸https://www.slideshare.net/BBaez1/celebrating-john-miltons-400th-birthday-the-unrivaled-arts-festival-honoring-miltons-birthday-and-paradise-lost-the-greatest-poem-in-the-english-language-satan-brings-color-to-the-world-paradise-lost-surreal-blasphemous-visual-poetry           👁️.           https://www.goodreads.com/author/show/13969534.Bienvenido_Bones_Banez?fbclid=IwZXh0bgNhZW0CMTEAAR2Gt8ZhT_8n5B4WPjDZ6dPy74St0B7J9hEa6j_NXLsjCXx9QXJzq7KweBs_aem_M8MKMVslGK65Z87nDF-mEQ             👁️ https://www.wahcenter.net/events-and-exhibitions-archive/  🇺🇸,And after years gone and another One Man Show at WILLIAMSBURG ART & HISTORICAL CENTER invites you to a One Person Show by a member of the WAH SALON ART CLUB Bienvenido Bones Banez jr.
Nov. 14, 2010 – Jan. 9, 2011. And after January 2011, I have another One Man Show Dec. 11, 2011 - Feb. 5, 2012. Between 2009 and 2014 several drawings and paintings were acquired for the Robert J. Wickenheiser John Milton collection at the University of South Carolina.👇🇺🇸 https://archive.org/details/img-20230215-141628                                                     🇺🇸And I meet the world famous Prof Carter Kaplan-( https://www.encyclopedia.com/arts/educational-magazines/kaplan-carter-1960  ) in WAH Center with Sir Terrance Lindall introduce me to Prof Carter Kaplan and we gather to get a good hot coffee with Inspiring conversations on the Emanations Books and truly inspired from the New York Art World Intellectual in the International Authors-( http://internationalauthors.info/books.html ). 💥👁️And Foremost icon on the "EMANATONS ZEN" joins KENT SPECIAL COLLECTIONS❤️🙏
Our Prof Carter Kaplan have received notification that EMANATIONS ZEN is now catalogued with KENT STATE UNIVERSITY SPECIAL COLLECTIONS, joining the COMPLETE SET OF the ANTHOLOGY available there. 
KIND💞THANKS to all at KENT LIBRARIES --Professor Cara Gilganbach, Head, SPECIAL COLLECTIONS & ARCHIVES; and Professor Kate Medicus, SPECIAL COLLECTIONS LIBRARIAN, CATALOGING & METADATA LEAD --and Mack Hassler, INTERNATIONAL AUTHORS EDITORIAL BOARD MEMBER and PROFESSOR of ENGLISH, EMERITUS. 🇺🇸 💞❤️🙏👁️👌  https://carterkaplan.blogspot.com/2023/12/emantons-zen-joins-kent-special.html?fbclid=IwAR31Wdm-6goeXN4w6mpeFh2EatrExEaSc3Dv-xzCd9KC9g4fDEuLHXV0qoY&m=1                    🇺🇸💞KENT STATE UNIVERSITY & UNIVERSITIES LIBRARY, -(In First World Country in the United States America). 🇺🇸 https://kentlink.kent.edu/record=b6071020~S1  ) In 2017 a portrait of John Milton was added to the Milton's Cottage collection, and Bienvenido Bones Bañez was named to the editorial board of Emmanations, a print anthology of poetry, fiction and essay published by International Authors. "Thomas Cooper Society Newsletter- Winter 2013" by University Libraries--University of South Carolina. And another blessed again to be a part of the Society Art of Imagination-( http://www.artofimagination.org/Pages/Banez.html   ) 🇺🇸👁️( http://artofimagination.org/portfolio/bones-banez-jr/   ) and special exhibition of the Visionaries 2012 with Robert Venosa, HR Giger, Prof Ernst Fuchs, Breck Outland, Brigid Marlin, Alex Grey, Otto Rapp, Sandra Stanton, Miguel Tio, Olga Spiegel, KD Matheson, Eike Erzmoneit, Pedro De Kastro, Cynthia Lund Torroll, Tanya Miller, France Garrido, Peter Gric, Janelle Mckain, Martina Hoffmann, Heidi Taillefer, Carroll Spicuzza, Carrie Ann Baade, Scott Jason, Isaac Abrams, Erik Heyninck, De Es Schwertberger, John Seabury, Mario Martinez (Aka MARS-1), William Otto, Yarek Godfrey, Artur Golacki, Kim M Evans, Graszka Paulska, Steven Peabody, Michel De Saint Ouen, Shlomo Felberbaum, Madeline Von Forester, Sibylle Ruppert, and Me at Queensborough Community College-( https://qptv.org/content/visionaries-art-fantastic ) is the "City University of New York-( https://artgallery.qcc.cuny.edu/exhibits/visionaries/  .) ( https://www.dnainfo.com/new-york/20120703/bayside/alien-artist-hr-gigers-work-be-featured-queens-exhibit/  ) "In the year of 2011 and Sir Terrance Lindall wrote the Wikipedia Article for Me as "Bienvenido "Bones" Banez" and I was happy to see the Google search:     https://ipfs.io/ipfs/QmXoypizjW3WknFiJnKLwHCnL72vedxjQkDDP1mXWo6uco/wiki/Bienvenido_%22Bones%22_Banez%2C_Jr..html ) and I found it on the beautiful day of the year 2011, because Sir Terrance Lindall love my paintings and my weirdo grunge poetry is dystopian but before Wikipedia Article write by Terrance Lindall and I have a website is "Welcome Bones 666 Art World" I made that was 2003 at Chicago, Illinois, and after years ago and my first time to participated in the John Milton's 400th Birthday 2008 at Williamsburg Art & Historical Center, Brooklyn, New York Art World! And here's the world of Terrance Lindall as a Encyclopedic and mentioned my name for Paradise Lost Elephant Folio👇 https://studylib.net/doc/26258097/654851680-universal-mind-s-paradise-lost-of-terrance-lind...  And that years I was just inspired by Sir Terrance Lindall and Dr Robert J Wickenheiser lecturing in Williamsburg Circle of International Arts, and I was special artist in the Miltonian Legacy with our world famous Dr Robert J. Wickenheiser with Sir Terrance Lindall. And Sir Terrance Lindall introduce me to Dr Robert J. Wickenheiser and I never realized that I am part of the Elephant folio Paradise Lost by Terrance Lindall and Dr Robert J Wickenheiser Commentary in the Paradise Lost Elephant Folio, and my word inspiration is part of the world historical context in saying:"Satan Brings Color To The World".👇And throwback 2014 Terrance Lindall read the Satanic Verses Bones Banez after I played the grand piano-( https://carterkaplan.blogspot.com/2023/12/surreal-vocalist-pianist-bienvenido.html?m=1&fbclid=IwAR3MJ0aNw20rQzZ7zRMBq7QJpKD5TFdQP9tkDZmOYWKZn9K2A7nR-Ru8GvA  -)of Satanic Rhapsody in my spontaneous composition, and that was my first special featured from the greatest legacy in John Milton's Paradise Lost with Terrance Lindall with Dr Robert J Wickenheiser. 👇( https://wahcenter.wixsite.com/wah-center-books/about-terrance-lindall ) and I was in great jubilation with our world famous Miltonian New York with Dr Robert J Wickenheiser and Sir Terrance Lindall, after years and Sir Terrance Lindall write about Wikipedia Article for Dr Robert J Wickenheiser, and Sir Terrance Lindall using the photo of three of us are "Robert J Wickenheiser, at Center, Bienvenido Bones Bañez, at left and Sir Terrance Lindall at right"-( https://peoplepill.com/i/robert-j-wickenheiser ) 🇺🇸 https://www.slideshare.net/slideshow/original-wikipedia-article-of-robert-j-wickenheiser-bienvenido-bones-banez-jr-and-terrance-lindall-at-williamsburg-art-historical-center-brooklyn-new-york-united-states-of-america/271038278 📖🇺🇸👁️-(  https://es.abcdef.wiki/wiki/Robert_J._Wickenheiser  ) 💥. https://archive.org/search?query=bienvenido+bones+banez+jr 🇺🇸    https://www.yumpu.com/en/document/view/66416462/pandemonium       🌹. And I introduced my spontaneous piano as a surreal sound of music and did you know only Terrance Lindall give the title as a-(Satanic Rhapsody) of my piano composition for another part of the Satanic Verses of John Milton Project. And Me as Bienvenido Bones Bañez and Terrance Lindall have my greatest experience in Two Man Show with the world famous Philosopher, Museum Founder and Surrealist is Master Terrance Lindall, and Collaboration for the John Milton's Legacy in Williamsburg Art & Historical Center, New York Art World.     https://online.pubhtml5.com/jltd/phpk/' 🇺🇲And Satanic Verses Bones Banez Collaboration with Terrance Lindall because I believe only Master promoter in Wikipedia Article and John Milton Projects advocator and John Milton propaganda machine is Master Terrance Lindall can create the promoting content in the John Milton's Legacy of historical context in New York Art World, to magnifying the grandeur of the World John Milton's Paradise Lost Into Colorful Historical Contexts, and that is the power and reason for being creating the Wikipedia Article for Robert J Wickenheiser, Bienvenido Bones Bañez, Amanda Husberg, and Dario Rivarossa.       https://www.slideshare.net/slideshow/satan-gives-color-to-the-world-by-bienvenido-bones-baez-terrance-lindall-horace-jeffery-hodges-in-new-york-art-world/265737648  https://www.slideshare.net/slideshow/celebrating-john-miltons-400th-birthday-the-unrivaled-arts-festival-honoring-miltons-birthday-and-paradise-lost-the-greatest-poem-in-the-english-language-satan-brings-color-to-the-world-paradise-lost-surreal-blasphemous-visual-poetry/264744861 🇺🇸👁️. But I believe that is the power from Master in the Art World Authority that is Master Terrance Lindall have to be a part of art world authorities in Wikipedia Article and possibilities for Brittanica Encyclopedia. https://alchetron.com/Robert-J-Wickenheiser ( 🇺🇸 https://www.slideshare.net/slideshow/original-wikipedia-article-of-robert-j-wickenheiser-bienvenido-bones-banez-jr-and-terrance-lindall-at-williamsburg-art-historical-center-brooklyn-new-york-united-states-of-america/271038278 💥      https://www.academia.edu/44738926/Acrostic_Paradise_Lost_by_Terrance_Lindall    🌎👁️ 📖 INTERNET ARCHIVE📖👁️👇. https://archive.org/search?query=bienvenido+bones+banez+jr 🇺🇸https://independent.academia.edu/TerranceLindall/CurriculumVitae  💥🇺🇸 https://archive.org/details/acrostic-bar-code-reduced    💐 https://www.academia.edu/.../Acrostic_Paradise_Lost_by... ) 👁️      https://issuu.com/bienvenidobonesbanezjr./docs/008353044_1_   🇺🇸And the greatest New York Achievement Art World to be part of the ”Robert J. Wickenheiser donated more than 120 volumes of Milton, Bunyan and Miltonian and twenty-five works by contemporary Artists illustrating Milton Paradise Lost. The artists represented include Terrance Lindall, Robert S. Beal, Bienvenido Bones Banez, Alan Beck, Troy Frantz, and Agnieszka Szyfter.” written in the: https://scholarcommons.sc.edu/tcl_news/17/ https://sc.edu/search... THOMAS COOPER SOCIETY NEWSLETTER – WINTER 2013 (University Libraries- University of South Carolina).  And Special Discussion of Satan Peculiar Grace 👇 https://archive.org/details/pdfslide.net-satans-peculiar-grace-1 🇺🇸 And we are very inspired by Master Terrance Lindall to make greatest announcement for John Milton Legacy and more propaganda machine for uplifting years and more powerful than ever, then I was featured in the Acrostic Paradise Lost by Terrance Lindall 👇 https://studylib.net/doc/26042282/acrostic-paradise-lost-final-2-reduced-page-.pdf--5-  and another blessing and I thanks from Prof Gerhard Habarta in German Edition of the Lexikon Surreal 1 and 2 as a Surreal Encyclopedia and the new book 2021 KUNSTHERZ author by Prof Gerhard Habarta. A  👁️ Category:Gerhard Habarta - Wikimedia Commons https://commons.m.wikimedia.org/wiki/Category:Gerhard_Habarta      💥 But the year 2017 my Wikipedia Article about Me was blocked because I am the one who retouch the category and after twice attempt to rewrite the Wikipedia block and banned because of the "Conflicts of Interest" with working with Terrance Lindall in Williamsburg Art & Historical Center, 👁️👇🇺🇸. https://archive.org/search?query=bienvenido+bones+banez+jr 💥.  https://dictionary.sensagent.com/Bienvenido%20%E2%80%9CBones%E2%80%9D%20Banez,%20Jr./en-en/                                   💐👁️🌎💥   https://en.wikipedia.org/wiki/Bienvenido_%22Bones%22_Banez_Jr. and that is reason why my Wikipedia Article was banned, but I thanks from Sir Terrance Lindall who wrote the Wikipedia Article 2011 until 2017 is still part of the New York Art World experiences. But it's my fault because I didn't ask permission to Sir Terrance Lindall, and Terrance Lindall told me that Wikipedia more about Anglo-American people and Terrance Lindall told me this is discrimination from Wikipedia policy and I told him I understand because I read the Wikipedia issue more on Anglo-American than third world countries and majority is english white people in the world power. And I understand that point from Terrance Lindall is true helping me with the writing of Wikipedia Article despite I am Autistic Survivors Surrealist, but despite that happened to me, well it's considered part of the world historical context of Terrance Lindall and Dr Robert J Wickenheiser. The most important thing is we have a hard cover books in Robert J Wickenheiser & Terrance Lindall The John Milton Projects 2009-2015 by Terrance Lindall with photo cover with Terrance Lindall, Robert J Wickenheiser and Bienvenido Bones Bañez, and Acrostic Paradise Lost by Terrance Lindall with my painting and photo, and I my name was included in the Paradise Lost Elephant Folio by Terrance Lindall with Dr Robert J Wickenheiser Commentary on the historical context in the University of South Carolina Library of John Milton book👇.    https://www.slideshare.net/slideshow/original-wikipedia-article-of-robert-j-wickenheiser-bienvenido-bones-banez-jr-and-terrance-lindall-at-williamsburg-art-historical-center-brooklyn-new-york-united-states-of-america/271038278 🇺🇸 INTERNET ARCHIVE 📖👁️👇👽https://archive.org/search?query=bienvenido+bones+banez+jr  👈terrance_lindall/the_paradise_lost_elephant_folio👇     https://archive.org/details/fb-img-1684900446824 ) 👁️     https://www.facebook.com/IrvinRBSC?mibextid=ZbWKwL   💥)) and also the German Edition by Prof Gerhard Habarta in Lexikon Surreal 1 and 2, Visionary Art Magazine 2012 by Gerhard Habarta and KunstHerz is the world notable biography in German Edition but only Filipino American Surrealist in listed in the KunstHerz 2021-👇 https://books.google.com.ph/books?id=2jZPEAAAQBAJ&pg=PA573&lpg=PA573&dq=bienvenido+bones+banez+jr+KunstHerz+Gerhard+Habarta&source=bl&ots=jQqXN8QN44&sig=ACfU3U3xnGxpofJHmHklaJdInxTQ41DO6w&hl=en&sa=X&ved=2ahUKEwiwkrmzi7j4AhWVSmwGHQPMD9EQ6AF6BAgWEAI&fbclid=IwY2xjawGD8J1leHRuA2FlbQIxMQABHQB-2rIH2jWgzP0CsVHReBgCIgTUwcp-4ZoebDLyhxFafjmz70jgjHH5oA_aem_fm0szIrqbcNL1UR0amnDjw#v=onepage&q=bienvenido%20bones%20banez%20jr%20KunstHerz%20Gerhard%20Habarta&f=false And that's the most important thing despite Bienvenido Bones Bañez banned from the Wikipedia Article. Because my principle was "Surreal Acidity Truthful" and true Revelation of the World Paradise Lost Kingdom 666. And after years ago and I was debating in Wikimedia articles throwback 2022 and I was obsessed with promoting John Milton Surrealmageddon Visual Poetry and artwork by Terrance Lindall, but I miss the fact that I reset the Wikimedia watchers and then our Wikimedia suddenly blocked me and affected the photos of Robert J Wickenheiser with Terrance Lindall and Bienvenido Bones Bañez, and almost blocked my Wikimedia because more on personal promotions about my artworks and books and another "Conflict of Interest",. and I emailed Sir Terrance Lindall... I am sorry for another block our Wikimedia and that's why you do not see anything about WAH Center because my big responsibility and everything is my fault... That is a lesson from my fault and weakness as a Survivors Autistic Surrealist very voracious in narcissistic visual screaming in the Techno War of Propaganda machine... After all it's a work of Idiot Savant Autistic Survivors Surrealist and our beautiful memories from our autistic narcissistic I am and maybe sociopath are always part of the Universe!  👽 666_THEOS-SURREALMAGEDDON💥👁️👇👽 https://www.facebook.com/profile.php?id=100064006934338&mibextid=ZbWKwL 👇🇺🇸👁️https://artfacts.net/artist/bienvenido-bones-banez-jr/547969?fbclid=IwZXh0bgNhZW0CMTEAAR21g9OnWTMglcdghON_km2J-2EmteFKdQYxbc_onahXvMpLo-6xVOQ7D9c_aem_NI6hQpb08umcHcL8KjMQsQ      🙏.🇺🇸 https://en.m.wikipedia.org/wiki/Wikipedia:Systemic_bias?fbclid=IwY2xjawFc1BBleHRuA2FlbQIxMQABHaCRu_0w9yFghSFrivO80thraBVxFKSIL-5zSMESiYxbfbSyFe6raGc21Q_aem_fYp73OYO1E8vrxnfWshCoA 📖💥    https://licricardososa.wordpress.com/category/plastica/?fbclid=IwAR19ABR_q_hFmUiPfhA3RxYOdV441RBvwDShlUuG0F0mF6qpFgA7ESQDg5o          ✨. INTERNET ARCHIVE📖👁️👽👇🇺🇸 https://archive.org/search?query=bienvenido+bones+banez+jr 💥 https://en.everybodywiki.com/Topic:Xwpjoknvjd1fxp03  https://studylib.net/search/?q=Bienvenido+Bones+Banez+jr&fbclid=IwAR2NsRxeOdHeghlHlKtvcpfRJ0LcB3S9xK9aT-yNyr7a-Pn700C_GAqEUs8                             💥 https://online.pubhtml5.com/jltd/fore/'
WE ARE PROUD TO HAVE OUR GREATS PHILOSOPHER, VISIONARY, JOHN MILTON'S BOOK EXPOUNDER, SURREALIST ADVOCATOR, WIKIPEDIA PROMOTER IN NEW YORK ART WORLD REVOLUTIONARY MOVEMENT!!! AND MASTER YUKO NII FOUNDER and ARTISTIC DIRECTOR! AND TRULY TERRANCE THE GENIUS!!! AND HIS NAME IS MASTER TERRANCE LINDALL and he is the best architect visionary in the art world of John Milton Projects in New York Art World! And I want to know why important thing, and Master Terrance Lindall is the one who helped me to build up my career in art world and without him maybe I had “No Name” in Wikipedia New York Article in featured in the first world country New York Art World that has been dated in 2011 until 2017, despite Wikipedia banned the name of Bienvenido “Bones” Bañez, but the important thing is already done within Six Years Propaganda machine from John Milton Projects by our architect visionary is Master Terrance Lindall in New York Art projects.👁️👉  https://archive.org/search?query=bienvenido+bones+banez+jr 👈👁️ 📖👁️🇺🇸 https://archive.org/details/@eagle_eyes_baldwin . And our World Famous Miltonian Philosophers, Visionary Artist Sir Terrance Lindall is one of the MUSEUM FOUNDER IN THE ART WORLD 🇺🇸https://www.amazon.es/Museum-founders-Augustus-Guggenheim-Rockefeller/dp/1155565851 🇺🇸https://www.sapnaonline.com/books/museum-founders-augustus-pitt-rivers-source-wikipedia-1155565851-9781155565859/      It’s a wild wild wildest New York Artists. And some my artists friends asked me why Terrance Lindall help you and build up with the majestic clan in John Milton’s Legacy? And I answered my friend request and because the power of my paintings speak loud and my grunge poetry in vulgarity is truth like a stingy pain from their eyes and ears to our audiences. And that is why our first world country Master Terrance Lindall love my paintings and Dystopian Poetry as grunge styles, and I performed in piano with my freaking spontaneously and surreal sounds like thunder distorted notes, and that makes sense to me as trance aura and I don’t know how it goes to well, but important follow your heart and mind if someone possess… After Terrance Lindall, Yuko Nii, Peter Dizzoza, Orin Buck, Sam was surprised my piano performance in WAH Center, Brooklyn, New York. And after several weeks and Terrance Lindall decided to give the title of my musical sound into the “Satanic Rhapsody” and I accept the title for my spontaneous composition in piano. And every time have an occasion for Art exhibition and performing arts, and I always participate in every annual art exhibition in WAH Center New York. But some people say that I am from third world country-( https://web.archive.org/web/20220922032543/https://www.taringa.net/+arte/bones-banez-surrealismo-psicodelico-infernal-desde-filipin_t7g5b 🇺🇸👁️🙏https://peoplepill.com/i/bienvenido-bones-banez-jr  )🇺🇸👁️📖👇 https://archive.org/search?query=bienvenido+bones+banez+jr )) and mostly Anglo-American white people are easily into the Wikipedia articles and they control their categories to separate them from first world country famous and that’s why they’re more propaganda than a measurement in our individual talents.    https://studylib.net/doc/8353044/what-s-new-in-the-surreal-world?fbclid=IwY2xjawFB7vBleHRuA2FlbQIxMQABHZnmUDxYeoWjIFmwXemhX4eWnZc-cgJPSd6KDvdJPHFvYr7TC_LMcCEn_g_aem_kNL8yyogwuE-NsUbRRcBvQ    But the irony from Wikipedia has been promoted porn star is a considered Notability or "Notable" despite fleshy stars? -((Wikipedia: WikiProject Deletion sorting / New York / 👁️👇 https://www.slideshare.net/slideshow/areopagitica-surrealmageddon-s-revelation-in-the-technocratic-artificial-intelligence-governments-inspired-by-the-tree-of-knowledge-turning-surreal-blasphemous-desires-from-the-human-mortal-creatures-governments/271111600 🇺🇲    https://en.m.wikipedia.org/wiki/Wikipedia:Systemic_bias?fbclid=IwY2xjawFc1BBleHRuA2FlbQIxMQABHaCRu_0w9yFghSFrivO80thraBVxFKSIL-5zSMESiYxbfbSyFe6raGc21Q_aem_fYp73OYO1E8vrxnfWshCoAhttps://en.m.wikipedia.org/wiki/Wikipedia:Systemic_bias?fbclid=IwY2xjawFc1BBleHRuA2FlbQIxMQABHaCRu_0w9yFghSFrivO80thraBVxFKSIL-5zSMESiYxbfbSyFe6raGc21Q_aem_fYp73OYO1E8vrxnfWshCoA                      Archive 🇺🇸🗽 New York Historical Contexts           https://johnmilton51.wordpress.com/2024/04/26/wickedpedia-encyclopedia-in-human-mortal-creatures-vanities-desires-inspired-by-the-tower-of-babel-wikipedia-wiki-projects-articles-for-creation-help_desk-archives-2022-september-18/                                                    🇺🇸💫🙏.   'https://online.pubhtml5.com/jltd/hemg/'      👁️👌🇺🇸https://wiki.alquds.edu/?query=Wikipedia:WikiProject_Deletion_sorting/New_York/archive  )) 🗽🇺🇸  ( https://en.wikipedia.org/wiki/Wikipedia:Articles_for_deletion/Bienvenido_%22Bones%22_Banez_Jr.  )   (  https://en.wikipedia.org/wiki/Special:WhatLinksHere/User_talk:Bienvenido_Bones_Banez,_Jr.  )       ( https://en.m.wikipedia.org/wiki/Wikipedia:Articles_for_deletion/Bienvenido_%22Bones%22_Banez_Jr.?fbclid=IwAR0uo2zuruT-oqeW4MADFrQ6UYKpoBJNj9nSZ041rB2cc3qbp6DwrpsdkGA  👁️💥( https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://wiki.alquds.edu/%3Fquery%3DWikipedia:WikiProject_Deletion_sorting/New_York/archive&ved=2ahUKEwieltup1ciFAxXGRWcHHchACUI4KBAWegQIDBAB&usg=AOvVaw2-0xe6tMS1TrDqof8iS8aS  ) Well, it's a part of the Satanic Notability and famous according from Wikipedia as Wickedpedia Inspirations from criminal untouchable superstar and Notability pervert stars. They want portray they are superior races and some like eugenics systems despite imperfection DNA in the human mortal creatures desires. 🇺🇸 https://www.slideshare.net/slideshow/original-wikipedia-article-of-robert-j-wickenheiser-bienvenido-bones-banez-jr-and-terrance-lindall-at-williamsburg-art-historical-center-brooklyn-new-york-united-states-of-america/271038278 📖https://wahcenter.net/events/2014/satanicverses/Biens_Journey_WAH_Salon.doc 🇺🇸👁️.              https://online.pubhtml5.com/jltd/uxwl/'          🇺🇸🎨 🗽          http://colorsofpain.info/8.html?fbclid=IwAR1nWvQzMKMjWynOwvwA-_Os8AvzebgH7A62xGke_-bbYfpRoaWYnQRziUU  But will tell you the consequences magical enchanted from the Human Mortal Creatures Dreamers for let us build our names in according from Nimrod the Great build the world tallest tower in the world power is the Tower of Babel and they are totally original in making names around the world for being gods and goddesses, Inspired from the TREE OF KNOWLEDGE. Natural beings a part of the Satan Brings Color To The World Famous Names- Matthew 4 :9. / First John 5:19. / Ephesians 6:12. 🇺🇸 INTERNET ARCHIVES👁️👇    https://archive.org/search?query=bienvenido+bones+banez+jr  👈👁️🇺🇸  https://www.slideshare.net/slideshow/areopagitica-surrealmageddon-s-revelation-in-the-technocratic-artificial-intelligence-governments-inspired-by-the-tree-of-knowledge-turning-surreal-blasphemous-desires-from-the-human-mortal-creatures-governments/271111600 👽🖕👁️ https://art.fandom.com/wiki/Surrealmageddon          👁️ And someone who suggested us that will be part of the Wikipedia Article for the Notability or Notable from the Human Mortal Creatures Geniuses and Welcome Bones 666 Art World Blasphemous Desires from the Tree of Knowledge turned into Surreal Blasphemous Desires!!!! But according from the book of "The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success" by Kevin Dutton points to be part of the Wikipedia Article into the Wickedpedia Encyclopedia in "Satan Brings Color To The World Famous" from our lower edge our human mortal creatures desires. https://online.fliphtml5.com/yyqbr/tkrn/ 👁️.    https://www.slideshare.net/BBaez1/surrealist-meaning-of-wikipedia-turned-into-the-subliminal-wickedpedia-desires-from-human-imperfection-dna-666-deoxyribonucleicsatanicacid-into-delusional-god-complex-from-human-mortal-creatures-narcissistic-despite-the-future-for-cemeteries-world                                    🇺🇸👁️. https://duckduckgo.com/?q=The+Wisdom+of+Psychopath+by+Kevin+Dutton&t=h_&ia=web 👁️. https://www.ebay.com/itm/404627552366?fbclid=IwAR0VpB4AlbKGDyTuHJPrdx_AFyT2ue9Mnwu4ERQY5m9GQg-R2EidjByO_X8                                                                     🇺🇸.           https://www.slideshare.net/slideshow/celebrating-john-miltons-400th-birthday-the-unrivaled-arts-festival-honoring-miltons-birthday-and-paradise-lost-the-greatest-poem-in-the-english-language-satan-brings-color-to-the-world-paradise-lost-surreal-blasphemous-visual-poetry/264744861                                                    🇺🇸.                                             Meanwhile in recent months Our New York World Famous Philosophers, Surrealist, Visionary artist Sir Terrance Lindall 🇺🇸🌟and foremost icon on the John Milton's Legacy, and Thanks from Master PhD Is Dr Robert J. Wickenheiser commentary on the Terrance Lindall Folio for John Milton's Paradise Lost Into Colorful Satan Brings Color To The World! Bones Bañez Surrealismo Psicodélico Infernal desde Fili... https://web.archive.org/web/20220922032543/https://www.taringa.net/+arte/bones-banez-surrealismo-psicodelico-infernal-desde-filipin_t7g5b 🙏🇺🇸 👇 https://archive.org/details/img-20230215-141628        
And We proudly present to you and our universal Master Terrance Lindall for his magnificent achievements and Dr Robert J Wickenheiser and Master Yuko Nii.                              And here's the link for the World of Terrance Lindall👇                                                        🇺🇲👁️Museum of Modern Art & The Metropolitan Museum
https://snaccooperative.org/view/51555704#resources
❤️‍🔥🇺🇲Virtual International Authority:
https://viaf.org/viaf/63032373/
🇺🇲🌍World Identities:
https://id.oclc.org/worldcat/entity/E39PBJgmK8cQTGJ66HBp4Y3PcP.html
🇺🇲🌍❤️‍🔥Library of Congress:
https://id.loc.gov/authorities/names/n86109912.html
🌎❤️‍🔥🇺🇲National Library of New Zealand:
https://researchworks.oclc.org/archivegrid/?p=1&q=Lindall,+Terrance+R.
❤️‍🔥🇺🇲One of the most influential persons in academia according to "InfluenceRanking"❤️‍🔥🙏  https://academicinfluence.com/
Analysis by machine-learning technology developed with funding from the Defense Advanced Research Projects Agency (DARPA). 
Take note 👇   https://www.slideshare.net/slideshow/original-wikipedia-article-of-robert-j-wickenheiser-bienvenido-bones-banez-jr-and-terrance-lindall-at-williamsburg-art-historical-center-brooklyn-new-york-united-states-of-america/271038278                                   
🇺🇸"NOT MANY established scholars and artists are listed on these sites. But I think being there establishes a presence for the future."    https://www.wahcenter.net/events-and-exhibitions-archive/                                       🇺🇲👁️❤️‍🔥.             https://johnmiltoninouterspace.wordpress.com/author/tlindall/?fbclid=IwAR2d2JhHMsWjdYVD2BAIQHh9YI1Q63tplrEn1sIS-zL4MzEM-galMzAO0Mg      
🇺🇸👁️🇺🇸👌  https://www.amazon.com/Kindle-Store-Terrance-Lindall/s?rh=n%3A133140011%2Cp_27%3ATerrance+Lindall                                                  🇺🇸👁️🙏💫👁️                                                              👁️.          https://johnmilton51.wordpress.com/2023/08/16/%F0%9F%87%BA%F0%9F%87%B2one-of-historys-foremost-philosopher-provocateur-artist-is-master-terrance-lindall-the-new-art-world-surrealmageddon-visual-poetry%F0%9F%92%A5/?fbclid=IwAR1oybn9frpwDtYBPi_QG9RZAWzNHIyif3gRve7TSakiOiyw_kKAHThOEi4        🌈. Theos 666 Surrealmageddon👇👽👁️ https://www.facebook.com/profile.php?id=100064006934338&mibextid=ZbWKwL 💥                                                        🇺🇲. https://knowledgeburrow.com/who-is-famous-painter-in-philippines/                                       👁️.🙏.  Here’s the Conservapedia Differs from Wikipedia 👇  https://www.conservapedia.com/Conservapedia:How_Conservapedia_Differs_from_Wikipedia                                              💥  WELCOME BONES 666 ART WORLD👁️👇🇺🇸👇https://web.archive.org/web/20220921201548/https://welcomebones666artworld.trilogistick.com/ 👁️🇺🇸                                        https://www.google.com/search?sca_esv=592749244&sxsrf=AM9HkKl1-yYa1m1G_OiTLSMgi9IrsfkX-g:1703142461578&q=bienvenido+bones+banez+jr&tbm=bks&source=lnms&prmd=ivsnbmtz&sa=X&ved=2ahUKEwjWhLKL_J-DAxV68DgGHQ6EDQ0Q0pQJegQICxAB&biw=360&bih=683&dpr=2                                               🗽            https://m.famousfix.com/list/surrealist-artists            🇬🇧   https://www.google.com/search?sca_esv=59e8fb11e29c61b7&sxsrf=ACQVn0__v8rd0EhK4n0VgcVU-1J6NUYHWQ%3A1713747621658&q=Bienvenido+bones+banez+jr+wikipedia&sa=X&ved=2ahUKEwjjxeSxz9SFAxVZXGwGHZvYBvIQ1QJ6BAgfEAE&biw=360&bih=739&dpr=2&fbclid=IwZXh0bgNhZW0CMTEAAR2o4Y-hYJoTjqW-wWgZRsmsf5hgEuXtJHXOGPHamwgcbuzqVSZPPqXnt_I_aem_AS5nUbYh4qOjUYU7NDkKnd-xXNZTDGMvlFJLrE8141tR8W5IIG_OpV-LyJ6AcAsVz3mGTUnIMER1aPRe8YxTV5Kb                    🙏. 📖🇺🇸     https://licricardososa.wordpress.com/category/plastica/?fbclid=IwAR19ABR_q_hFmUiPfhA3RxYOdV441RBvwDShlUuG0F0mF6qpFgA7ESQDg5o                  💥.            👁️🇺🇸💥🙏.    https://johnmilton51.wordpress.com/2024/04/26/wickedpedia-encyclopedia-in-human-mortal-creatures-vanities-desires-inspired-by-the-tower-of-babel-wikipedia-wiki-projects-articles-for-creation-help_desk-archives-2022-september-18/                        🇺🇸💫.❤️🌷🙏🇺🇸💫🌿🌲👁️                https://www.slideshare.net/slideshow/wikipedia-article-of-bienvenido-bones-baez-jr-with-terrance-lindall-robert-j-wickenheiser-yuko-nii-prof-carter-kaplan-john-dugdale-bradley-williamsburg-art-historical-center-brooklyn-new-york-united-states/267589172                         👁️🇺🇸.                     https://commons.m.wikimedia.org/wiki/File:KUNSTHERZ_by_Prof_Gerhard_Habarta_%26_Bienvenido_Bones_Ba%C3%B1ez,_Jr._at_page_575,_in_German_Edition,_Art_World_Biographical.jpg?fbclid=IwZXh0bgNhZW0CMTEAAR1JzLLxu9qXdiXLle42JVhL6IG2V12LxFuHgPwRksAnOYmRWG77gLR5cC0_aem_3IIZoQxDvo05U6mIjwJkyg                          👍🗽. https://johnmilton51.wordpress.com/2024/05/05/bienvenido-bones-banez-jr-immunonuclear-wikimedia-commons-2011-until-2017-occurred-in-new-york-city-by-williamsburg-art-historical-center-brooklyn-new-york-united-states-of-america/                                  🙏. 👁️.               https://online.pubhtml5.com/jltd/kfkh/                  🇺🇸💥.  https://southpointdavao2012.wordpress.com/2012/06/06/pinoy-among-the-worlds-foremost-surealist-artists/                              📜   🇺🇸 Visionaries - QCC Art GALLERY - https://artgallery.qcc.cuny.edu/exhibits/visionaries/                👁️🙏 💥👁️     https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-quora-com-profile-Bienvenido-Bones-Ba%C3%B1ez-Jr-FILIPINO-AMERICAN-SURREALIST-AMONG-THE-WORLD-S-FOREMOST-SUREALIS?fbclid=IwY2xjawGEKihleHRuA2FlbQIxMQABHfpzP5opFLWouWDDpU1lKmAnd4rra7LJ6k7NL-cAvdOn6XIWXtdDvCUb1A_aem_HLPhq8emP8T57CLd2AemvQ     🌎🇺🇸.           https://issuu.com/bienvenidobonesbanezjr/docs/for_bien_1_2_.docx                                      🗽666 THEOS SURREALMAGEDDON👁️👇 https://www.facebook.com/profile.php?id=100064006934338&mibextid=ZbWKwL 🇺🇸  https://swisscows.com/en/video?query=Bienvenido+bones+banez+Jr&fbclid=IwY2xjawFArihleHRuA2FlbQIxMQABHfLrkNX69DCNKpKLKX1tHS_EI2-vxxmt4BDUNQmHdXc2LDKo6VwOqXLqaA_aem_z3TTC6CjeWjj6Bg_i6hMQg                      👁️😎.      'https://online.pubhtml5.com/jltd/phpk/'       🇺🇲. https://www.slideshare.net/slideshow/surrealist-meaning-of-wikipedia-turned-into-the-subliminal-wickedpedia-desires-from-human-imperfection-dna-666-deoxyribonucleicsatanicacid-into-delusional-god-complex-from-human-mortal-creatures-narcissistic-despite-the-future-for-cemeteries-world/264768885 💝📖❤️.        https://prezi.com/dimwhgffgi6s/bienvenido-bones-banez-jr/?fbclid=IwY2xjawFfWGNleHRuA2FlbQIxMQABHaTzpYnxt4KubaJfSqTI20wJLquqOqfE1L5lptx6kV_KyEBmAqXRisE5QQ_aem_iB1QutfDrM4iLTzTUh8M0A   📖. 💥.          https://johnmilton51.wordpress.com/2024/10/12/%f0%9f%93%96blessing-fortunate-i-am-to-have-terrance-lindall-robert-j-wickenheiser-according-from-bienvenido-bones-banez-jr-%f0%9f%87%b5%f0%9f%87%ad%f0%9f%87%ba%f0%9f%87%b8/?fbclid=IwY2xjawF210FleHRuA2FlbQIxMQABHeb1G6Gww5RXVVurs345egDGUBcb4eeMuwiuPg1qF3OVn6cnJKnXYv0GBQ_aem_3VaHG-kzeG9AXA8ped2D5g                                               👁️📜               'https://online.pubhtml5.com/jltd/pglf/'          🇺🇲🇺🇸. https://en.m.wikipedia.org/wiki/Wikipedia:Systemic_bias?fbclid=IwY2xjawFc1BBleHRuA2FlbQIxMQABHaCRu_0w9yFghSFrivO80thraBVxFKSIL-5zSMESiYxbfbSyFe6raGc21Q_aem_fYp73OYO1E8vrxnfWshCoA 🇺🇸💥👁️. https://www.slideshare.net/slideshow/areopagitica-surrealmageddon-s-revelation-in-the-technocratic-artificial-intelligence-governments-inspired-by-the-tree-of-knowledge-turning-surreal-blasphemous-desires-from-the-human-mortal-creatures-governments/271111600 📖🎼. - - - - - - - - - - - - - - - - - - And 🇺🇸🎨💥❤️🙏📖.                                          Throwback October 21, 2013💥🎨                  Bienvenido Bones Banez & Terrance Lindall
Book Signing
Sunday October 20th @ 5 PM
Free admission
Books available for purchase $10
‘EMANATIONS: THIRD EYE’ NOW AVAILABLE from International Authors more than 400 pages of international literary experimentation!
edited by Carter Kaplan
http://iaemanations.blogspot.com/
Two authors from this anthology available to sign copies:
Banez: Bienvenido Bones Banez. Jr’s Statement and Confession
As told to Terrance Lindall
(Edited by Horace Jeffery Hodges)
“Yes! They destroyed it . . . my MASTERPIECE! They were "💥INTRIGUED" by my great sculpture “THE 666-MAN’S-HEROES🎨”-(United Nations Technocratic Authoritarian) https://www.slideshare.net/slideshow/blacklist-ludwig-meidner-the-future-blacklist-bienvenido-bones-banez-jr-because-the-agenda-21-technocratic-great-reset-for-prison-planet-earth-galactica-in-new-world-order-from-the-wild-beasts-by-human-mortal-creatures-governments/271805226?fbclid=IwY2xjawGCsdJleHRuA2FlbQIxMQABHdURBkOlQvVg45Y3RyoBHIaZp-3w39c9OsF4eiAsjqAQFhozHfs1-e6n1Q_aem_Lp_xuk0KGQmy0TAarc6N4A
The entire city was disturbed by both the sculpture and my hermeneutical-surrealist proclamation that
“Satan gives color to the world,” creating a "💥RUMOR" that I am the one who created the “666 Gang,” or “Satanic Fraternity,”
That was when they banned my masterpiece instead of permanently displaying it!
Bien will also present how new surrealist painting masterpiece to the Yuko Nii Foundation
Death of an Art Community . . . Death of Art https://online.fliphtml5.com/yyqbr/tkrn/
by Terrance
A humorous critical analysis of the free wheeling Williamsburg Brooklyn art community 1996-2004.
The Old Bitch Art Community
She was tanked up,
Toked up,
Cranked up,
And poked up,
And then she moved on.
"A humorous history of a rocking time that will live for hundreds of years!" James Baldwin Cohen
— with Terrance Lindall. https://online.fliphtml5.com/yyqbr/tkrn/￼￼ - - - - 👁️💥ZAZZLE ACCUSED OF USING FILIPINO AMERICAN artist’s PAINTING WITHOUT PERMISSION 🇺🇸👁️💥-( https://www.mynewsdesk.com/sg/pitchmark/news/zazzle-accused-of-using-filipino-artists-painting-without-permission-460441
Facebook https://archive.org/search?query=bienvenido+bones+banez+jr
👽 WELCOME BONES 666 ART WORLD 👇💥 https://web.archive.org/web/20220921201548/https://welcomebones666artworld.trilogistick.com/ 🇺🇸👁️https://archive.org/details/videoplayback_20230110_0202
666 Theos-Surrealmageddon👽👇🇺🇸👁️ https://www.facebook.com/profile.php?id=100064006934338&mibextid=ZbWKwL 🇺🇸🇺🇸https://archive.org/details/videoplayback-5_202301
Download as PDF https://www.bitchute.com/video/VMovHCD3EZFb/
New York-based Filipino painter Bienvenido Bones Banez, Jr., has filed a lawsuit against global online marketing company Zazzle for copyright infringement.
Zazzle is accused of using a photo of Banez's large canvas in its marketing materials from 2017 to 2022 for a variety of products without permission.
The painting in question is titled “Satan Inspiring the World,” a hermeneutic visual reaction to the Book of Genesis.
“While he has shared this work, it was never a work for hire. He has always shared it as his work product, with his name on it. He has never relinquished his ownership, in this his own creation,” his lawyer said.
In response, Zazzle said that it enters into an agreement with “Creators,” which also includes an undertaking from the creator that images he uploads for merchandising through the Zazzle website are his own.
The company disclosed the name of France-based creator Malleret Romuald to the lawyer who submitted Banez’s piece of art.
At the same time, it informed the creator about the copyright infringement claim and that the disputed product line has been removed from Zazzle’s website.
Banez said he attempted to get in touch with the creator, but had received no response.
Banez, in the meantime, has asked Zazzle for sales data for the contested product over the previous five years.
PitchMark previously covered a story about American artist Maggie Stephenson suing Chinese fast-fashion retailer Shein for more than US$100 million in copyright infringement as it used her bestselling artwork without permission.
PitchMark helps innovators deter idea theft, so that third parties that they share their idea with get the idea but don’t take it. Visit PitchMark.net and register for free as a PitchMark member today.
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BY CONTRIBUTOR ON JANUARY 9, 2023
By Phillip Somozo
NEW York-based Bienvenido Bones Banez, Jr., is a Filipino surrealist painter whose bio-data and photos of artworks were published along with Salvador Dali and Ernst Fuchs in the Lexicon Surreal, an encyclopedia of Surrealism authored by Professor Gerard Habarta and published in Austria.
Three paintings of Banez were purchased by the late Professor Robert J. Wickenheiser  to make them part of one of the world’s biggest John Milton collection in the University of South Carolina Library, USA.-(((And also the painting title is "Satan Inspiring the World" by Bienvenido Bones Bañez, Jr. one of the Permanent Collection Yuko Nii Foundation, and President Terrance Lindall at the Williamsburg Art Historical Center, Brooklyn, New York - 👇. https://duckduckgo.com/?t=h_&q=Bienvenido+bones+banez+Jr+mural+painting+of+Satan+Inspiring+the+World+&ia=web 👁️ https://www.youtube.com/watch?v=SGMWMLKrPZY )))
From 2017 to 2022, a global online company printed a picture of Banez’s major canvas as marketing design for a diverse line of products without permission from the artist. Zazzle, California-based, is now facing a complaint of copyright infringement from Banez. 
In a letter emailed to Zazzle, lawyer Peter Dizozza states:
“Please be advised that I represent Bienvenido Bones Banez (Jr.) regarding his infringement claim arising from your use of his painting on your paneling product. The image was designed and painted by Mr. Banez. While he has shared this work, it was never a work for hire. He has always shared it as his work product, with his name upon it. He has never relinquished his ownership, in this his own creation. To have obtained the image with the removal of information that identified as his was a further violation of his rights.”   
Zazzle replied that the company enters into agreement with what it calls as “Creators”. The users agreement, states Zazzle, explicitly represents the Creator’s warranty that any image he uploads for merchandizing through the Zazzle website is his own. 
Timothy (no family name provided) of the Zazzle Content Management Team identified a certain  Malleret Romuald, in France, as the Creator who submitted Banez’s artwork image. Timothy also cited the Creator has been informed of Banez’s infringement claim and that the product line in question has been pulled out of Zazzle marketplace.   
In an interview, Banez said he emailed the concerned Creator but received no reply. 
Considering that the claimed infringement lasted from 2017 to 2022, for a total of five years, Dizozza demands from Zazzle its sales record for the aforementioned period.  
Banez’s violated painting is titled “Satan Inspiring the World,” a hermeneutic visual reaction to the Book of Genesis. 🇺🇸👁️INTERNET ARCHIVE👁️👇. https://archive.org/search?query=bienvenido+bones+banez+jr 👁️ 👽
🗽. https://www.balitangnewyork.com/2022/10/global-online-marketing-company-facing.html 👁️ 🇺🇸💥 https://www.balitangnewyork.com/2022/10/filipino-young-leaders-program.html 👁️✌️ https://mindanaotimes.com.ph/global-online-marketing-company-facing-copyright-complaint-from-filipino-artist/ 👁️📖. 📖👁️- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - SYNOPSIS & ILLUSTRATIONS IN FOLIO EDITION
by 
Terrance Lindall by John Milton Paradise Lost  by John Milton
COMMENTARY BY ROBERT J. WICKENHEISER, Ph. D.
Without a doubt, Terrance Lindall is the foremost illustrator of Paradise Lost in our age, comparable to other great illustrators through the ages, and someone who has achieved a place of high stature for all time.
Throughout almost four centuries of illustrating Milton’s Paradise Lost, no one has devoted his or her life, artistic talents and skills and the keenness of the illustrator’s eye more fully and few as completely as Terrance Lindall has done in bringing to life Milton’s great epic. He has also devoted his brilliant mind to studying Milton, his philosophy, and his theology in order to know as fully as possible the great poet to whom he has devoted his adult life and to whose great epic he has devoted the keenness of his artistic eye in order to bring that great epic alive in new ways in a new age and for newer ages still to come.
From virtually the outset Milton has been appreciated as the poet of poets. It was John Dryden who said it first and best about Milton shortly after Milton died in 1674:
Three Poets in three distant Ages born ––
Greece, Italy and England did adorn.
The First in loftiness of thought Surpass'd;
The Next in Majesty: in both the Last.
The force of Nature could no further goe;
To make a Third she joyn'd the Former two.
Milton's use of unrhymed iambic pentameter verse in a manner never used before raises the lofty goals of his epic to a level never before achieved in the English language. Moreover, the poet who said at age 10 that he intended to write an epic which will do for England what Homer had done for Greece and Virgil for Rome, accomplished masterfully the goal he set himself and more than has ever been achieved before or since.
This is by no means to say that there are no great poets who have achieved high goals after Milton, and in doing so have joined Milton and even rivaled him. But Milton is the giant who stands at the door to English poetry urging all who would enter to master their art, to write with the highest respect for language and a passionate recognition of what language is capable of achieving.
In Milton's Paradise Lost we see, too, that in great poetry there is always great passion, clarity of voice in support of the purpose at hand, and at its best, with the prophetic and the visionary joined to compel the reader to rise to new heights in what is read and seen through the poet-prophet.
Milton’s Paradise Lost challenges everyone to achieve goals beyond any they might have dreamed possible before, and to take from his own great epic, goals which help define all that is worthy of sustaining while providing English poetry with what it did not yet have. To declare at age 10 that he would become the greatest English poet is one thing, and a quite spectacular thing at that, but to go on then and fulfill this goal shows not only the great vision Milton had as a poet, but also his tremendous confidence in becoming that great poet.
Milton sings with the voice of the visionary poet and so he becomes the poet for those who see in him clarity of voice and of vision; poets like William Blake who, in the early 19th century thought he was Milton (stretching the point a bit as Blake was wont to do) and who therefore relied very much on Milton and even wrote a poem entitled “Milton” designed and hand-colored as with other of Blake’s great works. While Blake openly admired Milton, William Wordsworth, a few decades later, was calling out for Milton in an age that had need of him, proclaiming: “Milton! Thou should’st be living at this hour.”
As the visionary poet Milton was, he had acute interest in such monumental issues as the relationship between God and man, free will and its vital importance to all of mankind along with the responsibility that goes with it, the relationship between man and woman, divorce and the need for acceptance of it, definition of “monarchy” along with important issues related thereto, and a great deal more. Milton defined many issues at a time when England was engaged in a Civil War precisely because of those very significant issues, issues which Milton helped not only to define but also to defend.
His life spared after the Civil War and his reputation as a poet and writer of important treaties reasserted, Milton retired to the country, to Chalfont St. Chiles, where he dedicated himself to completing Paradise Lost, and ultimately, Paradise Regain'd and Samson Agonistes. What a profound loss it would have been had Milton not been allowed to write his greatest poetical works!
Yet how did the poet write his monumental works, especially given the loss of his eyesight while writing significant treatises both before and during the Civil War? Here we have the blind poet dictating to an amanuensis (his daughters, as many preferred to believe for a long time, but in reality his nephew), whole passages defining important relationships and memorable scenes which are themselves of epic proportion: the creation of man in Adam and of woman in Eve; Eve seeing herself in the pond for the first time and likewise our seeing Eve at the same time she sees herself; Adam seeing Eve for the first time; the moving depiction of the “bower of bliss” and then of the creation; the war in heaven; the depiction of Satan and hell, with Satan rallying his troops in passages that take poetry to new heights; the temptation of Eve and then Adam, in equally powerful scenes, and the departure of Adam and Eve from Eden.
Surely Milton deserves not only our gratitude for the prose treatises he wrote, but also for the poetry, much of it written under the most dire of circumstances (some thought he might be put to death for his part in the Civil War and his service to Cromwell, and also more specifically because of his treatise in defense of “beheading a King”).
Here is a poet to be reckoned with: for standing up in defense of eternal values, something Milton not only did himself, but something he expected his readers to do as well; and then to appreciate his poems, his epic verse and organ voice, his epic vision, and his bringing to life, despite (or perhaps because of) his blindness, something so unique that Dryden and others long after him have recognized in Milton the genius that “Surpass’d” Homer and Virgil before him.
As Milton left his supreme poetic gifts for mankind to appreciate in reading his great works during the centuries following him, so, too, he used his blindness to bring to life visions befitting the dynamic scope and epic dimensions of his great epic; visions undertaken in the first, and still one of the greatest illustrated editions of Paradise Lost published not long after Milton died, in a folio format in 1688. Medina's illustrations, primarily, are those which appear in the 1688 folio edition of Paradise Lost, but aside from the significance of what his stature brought to this publishing venture, the 1688 folio remains a highly sought after book today because it is England's first grand publication and therefore holds its own place for the first time with books printed on the Continent where books had long been praised for their publishing distinction and artistic design and success.
Through the centuries John Milton’s Paradise Lost has continued to inspire artists, which tells us much about Milton and about his great epic, a poem which readily lends itself to the eye of the artist, and in this, affords all of us a visual perspective, a visual capturing of the poet’s vision, which words alone can seldom achieve. Commentary and criticism certainly have their place, but seldom does the written word adequately capture the poet’s vision or replace the illustration or illustrations of the artist’s view of a poem and his capturing that view on a canvas. The aspirations of each, however, critic and artist/illustrator, need not be pitted against one another; indeed should not. Rather, they should be welcomed for the manner in which each complements a view or views of a poem thereby bringing together two significant disciplines: that of the writer/poet together with that of the artist/illustrator.
Poets who aspire to lofty goals lend themselves most readily to being illustrated, providing us with the opportunity of looking at how a poem or group of poems is seen by the eye of an artist. Instead of learning about the themes and poetry of a given age or period as seen only through the eyes of writers and critics, we are privileged to have the views of the artist to help us see and appreciate the poetic vision of the poet, sometimes in great variation from one period to the next or as viewed by one generation to the next.
Obviously, given the monumental issues in Paradise Lost as well as Milton's portrayal of them, it should be no surprise to say that Paradise Lost may well be the most illustrated of poems and epics. I intend no controversy by saying this, but wish simply to call attention to how epic scenes have been brought to life for viewers by master artists capable of depicting grand visions within grand poems; by artists capable of capturing with visionary view what words alone can never do. The painter/illustrator, in capturing moments which might otherwise have been given less recognition than they deserve, provides a vital service in bringing to life scenes or moments, images or views depicted in poetic form by the poet, thereby enabling the viewer to appreciate all the more what the poet has achieved and how he has achieved it.
Lindall has himself said about Milton’s epic: “With Paradise Lost, the written word in its greatest form, Milton was able to evoke. . .immense space and project spectacular landscapes of both heaven and hell, and create also the monumentally tragic character of Satan, courageous yet debased, blinded by jealousy and ambition, heroic nonetheless. The blind poet brings powerful visionary life to one of the world’s greatest stories, id est, the Western legend of man’s creation and fall, a story encompassing philosophical concepts of free will, good and evil, justice and mercy, all presented with the greatest artistry to which the written word can aspire.”
Lindall also believes “that insight into Milton and the aesthetic and intellectual pleasures of Paradise Lost can elevate every individual’s experience in education, thought, and human endeavor. . .through the inspiration of the written word.”
It is this cherished belief, which has compelled Lindall to want to bring Paradise Lost alive to others, to urge all to see in Milton, as he does, the power of the word and image, and to want to illustrate Milton’s epic for others to see in relation to the eternal truths and values captured by Milton and conveyed in his great epic poem.
Lindall has synopsized the story of Paradise Lost with genuine care in order to bring Milton’s great epic alive to young and old. His synopsis is poetic in its own beauty, with each word carefully chosen to be true to Milton while maintaining integrity with his great epic and the rendering of it into a readily understandable format. Lindall’s synopsis maintains the spirit of Milton’s epic while revealing the genius of the poet in telling “Of Man’s first disobedience and the fruit / Of that forbidden tree, whose mortal taste / Brought death into the world and all our woe, / With loss of Eden, till one grater Man / Restore us and regain the blissful seat, / Sing heav/nly Muse. . .”
Terrance Lindall has spent decades perfecting his painting skill and illustrating technique in order to capture all that is best and visionary about Milton, providing illustrations of Milton’s great epic, early on, e.g., along with his synopsis in a fold-out brochure in order to bring Milton’s epic alive to students in schools. Lindall’s first edition of his synopsized version of Paradise Lost along with his illustrations (1983) were designed to encourage young readers to look into the brilliance and eloquence of Milton’s visionary poetic landscape and his great organ voice.
More recently he has gone beyond illustrating Paradise Lost by capturing the essence of Milton’s epic and its meaning down through the centuries and beyond in a “Gold Illuminated Paradise Lost Scroll” (size with border 17” x 50”), with nine panels to be read from right to left, as with Hebrew; the Scroll is Lindall’s “tribute to his love [of] and sincere gratitude for Milton’s great contribution to humanity.” He finished the “Gold Illuminated Paradise Lost Scroll” in 2010.
He has also brought Milton’s epic alive in a very large “Altar Piece,” called “The Paradise Lost Altar Piece” (oil on wood), consisting of two large panels, each 24” x 40”. When opened, the panels might be seen as pages from an illuminated manuscript of the Renaissance. One panel shows the gates to the “Garden of Eden.” The second panel shows the “Gates to Hell.” In both panels, pages from the epic poem Paradise Lost lie revealed in the foreground at the center of the illustration. “The Paradise Lost Altar Piece” was completed in 2009.
Lindall’s passion for Milton and his desire to bring the poet and his great epic alive to modern readers reveal themselves over nearly four decades. During this same period, from the late 1970s to 2012, Lindall’s “love of Paradise Lost” and his “sincere gratitude for Milton’s great contribution to humanity” grew enormously.
To get a sense of this as well as of Lindall’s broader artistic background and its influence on his illustrations of Paradise Lost, there is his large cover illustration of the comic book Creepy (now considered a classic – both the comic book and Lindall’s “creepy” cover illustration of “Visions Of Hell (6/79).” Likewise his cover to Creepy (#116, May 1980), entitled “The End of Man” (again, the comic book and Lindall’s cover illustration now considered classic).
About this same time some of Lindall’s earliest illustrations for Paradise Lost in the late 1970s appeared in comic book form, Heavy Metal Magazine (1980). Appearance in Heavy Metal enabled Lindall’s illustrations to reach a very large audience. That issue in 1980 of Heavy Metal Magazine became an acquisition proudly reported by the Bodleian Library in 2010 (with one of Lindall’s paintings, Visianry Foal, appearing at the top of the acquisitions page), alongside such other acquisition listings at the same time as Philip Neve’s A Narrative of the Disinterment of Milton’s Coffin. . .Wednesday, 4th of August, 1790 (1790) and Philip Pullman’s His Dark Materials trilogy (1995-2000), a rewriting of PL by “a modern master,” among others. The oil painting by Lindall from the Nii Foundation collection was used by the Oxford University major exhibit "Citizen Milton" at the Bodleian Library in its celebration of the 400th anniversary of Milton’s birth in 2008, thereby recognizing Lindall's contribution to the continuing Miltonian artistic legacy.
Joseph Wittreich, esteemed Milton scholar and friend of both Lindall and me, has kindly given a copy of the 1980 issue of Heavy Metal Magazine to the Huntington Library. My own collection has several copies along with the other acquisitions listed above by the Bodleian Library in 2010.
Shortly after the appearance of a portion of Terrance Lindall’s illustrations of Paradise Lost in Heavy Metal Magazine (1980), there appeared in 1983 his synopsis of Paradise Lost along with his illustrations of Milton’s epic, privately published together in a small book (5 ½” x 8 ¼”) in a limited number of copies, entitled: John Milton’s Paradise Lost synopsized and with illustrations by Terrance Lindall. The color print illustrations, inspiration now taking real form and mature character, were tipped in across from the printed synopsis of the illustrated lines of Milton being illustrated.
The whole was a wonderful success and Lindall’s reputation as an artist and as someone committed to illustrating Milton’s great epic were growing in stature, while his illustrations were gaining recognition for the artistic achievement they represented. The surrealist provocateur was moving in a direction that suited his own goals as an artist and a scholar, an illustrator of Paradise Lost and someone even more strongly committed to continuing his illustrating of the poet’s great epic. The World Wide Web has long since given access to Lindall’s paintings by millions, making Lindall’s illustrations among the best known of Paradise Lost.
Lindall’s attention to Milton’s epic and to details in the epic, ever from the eye of the dedicated and committed artist/illustrator, grew beyond his early attention to detail. From a small-size private publication with tipped-in cards measuring 3 ½” x 4 ¼” or sometimes 4 ½”, Lindall moved to a quarto-sized publication in 2009, again done in a very limited number of copies (this time 20) and with each illustration measuring 5 ¾” x 7 5/8” and signed and dated by the artist.
The quarto edition has been followed by his massive and richly triumphant elephant folio illustrating Paradise Lost (No. 1 completed in 2011 and No. 2 in 2012), the remarkable edition we celebrate here. All concepts that were growing in meaning and stature during the nearly forty years before now were drawing themselves into place for this ultimate expression of Lindall's interpretation of Paradise Lost in this one final work, his Elephant Folio. Like his other works before him, this large edition is also being done in a very limited number of copies (10), all by hand, a vast expansion in size and scope over his quarto edition, with 64 pages, each page measuring 13” x 19”, illustrations mostly measuring 9” x 12”, title page measuring 11” x 11”. The binding of each folio is intended to be leather bound by the renowned binder Herb Weitz, hand tooled & gilt-decorated, unique, and each personally dedicated to the owner. The covers will be identified by different motifs, such as the "The Archangel Michael Folio" or "The Lucifer Folio," etc. Each copy will have one original conceptual drawing at the front.
I use “being done” in describing both instances, the quarto and the folio editions, because both editions have been (and will continue to be) “done” by hand, with loving care, and with each illustration printed on the highest quality paper stock available anywhere and signed and dated by the artist. Both the quarto and the folio editions have been, and will be, done as “originals, as signed prints,” and in the case of the Elephant Folio, as prints with original paintings surrounding them.
In itself, the quarto edition is superb, truly one of a kind, and distinctive now and for years to come. “The Paradise Lost Elephant Folio,” however, is amazing and goes far beyond the quarto edition in untold ways; it is the culmination of Terrance Lindall’s life’s devotion to Milton, to Paradise Lost, and to all that Milton represents and his great epic means. Because of Lindall’s supreme dedication and artistic achievements, Milton will live in yet another new age, brought to life in refreshingly new ways, made “relevant” in remarkably profound ways. Because of Terrance Lindall, great new numbers of readers will be attracted to Milton and his profound epic than would otherwise, most assuredly, have been the case.
“The Paradise Lost Elephant Folio," in particular, is a hand-embellished and gold illuminated 13 x 19 inch book containing 14 full-page color 1000 dpi prints with 23.75 carat gold leaf edging on Crane archival paper. Each illustration is signed by Terrance Lindall, some pages with hand-painted illustrated or decorated borders and large, carefully embellished head- or tail-piece illustrations, others with historiated initials with 23.75 carat gold leaf embellishments. All add to the depth and meaning of a given illustration of Lindall’s synopsized Paradise Lost (1983) appearing across from an illustration. For the Elephant Folio, Terrance Lindall is also providing a final painting, The Celestial Orbit, as a frontispiece. It is Lindall's "ultimate statement" as an artist's interpretation of Milton's great epic. This painting will only be produced as a print for the Elephant Folio and will not be reproduced for collectors as a signed print in any other format.
And while Lindall may now think that he has finished his work with Milton, he hasn’t, because Milton lives within Lindall in a special way, as surely as Lindall remains dedicated to bringing Milton alive to new generations in fresh and vibrant new ways, doing the same for countless generations in centuries to come.In his folio edition and the illustrations in it, Terrance Lindall shows the influence by certain great master illustrators of Paradise Lost through the centuries before him, especially with the inclusion of richly illustrated margins for each color illustration, the margins colored in 23.75 carat gilt and consisting of brightly colored details drawn from the epic in order to advance the meaning of the given illustration. Moreover, again in the tradition of certain great master illustrators of Milton‘s Paradise Lost through the centuries, historiated initials, in imitation of the initial letter in an illuminated manuscript, each in rich gilt and bright colors, are used as the first initial of a section and decorated with designs representing scenes from the text, in order to heighten the intensity of the cumulatively related details in each component part: illustration, border, and historiated initial.
The illustrated borders in the elephant folio are complete paintings in themselves. Although the border art focuses principally on elements of design, they also sometimes tell stories or make commentary about what is illustrated in the featured central painting. The borders likewise pay tribute to both humanity’s great achievements, such as music, dance and architecture, as well as tribute to those individuals and institutions and friends who have had important influences on Lindall’s ideas, or who have shown substantial support or affinity. For example, the Filipino surrealist artist Bienvenido “Bones” Banez, Jr., discovered Lindall’s repertoire during the world renowned “Brave Destiny” exhibit in 2003, an exhibit to which Bienvenido had been invited to display one of his works. Thereafter, a friendship and mutual admiration between the two great artists grew, to the benefit of each.
Bienvenido communicated to Lindall the idea of how “Satan brings color to the world.” Lindall thought the idea to be an insightful and original "affinity," and so in the elephant folio plate, “Pandemonium,” which is a tribute to art, architecture, construction, sculpture, painting, and the like, he especially honors the Filipino surrealist artist by placing Bienvenido’s name on the artist's palette at the very top of the border, the palette in flaming colors.Like the great illustrators of Milton‘s Paradise Lost before him, Lindall uses many and various techniques and styles to bring Milton’s great epic alive. As with Medina, e.g., in the first illustrated edition of Paradise Lost in 1688, Lindall has mastered how to use the synopsized scenic effect to focus our attention on an important moment in the epic while capturing all around it other significant moments or scenes in the epic related to that important central one.
The Gold Folio and Wickenheiser Commentary https://issuu.com/bienvenidobonesbanezjr./docs/screenshot_20230227_112348?fbclid=IwY2xjawGFMGxleHRuA2FlbQIxMQABHbJLiO0BtVFQycSTVXUZ1duW6lVDFOGHxney3x_BRZlcy4RhHzeHUqKRcA_aem_PbDNF6s_xw_D2mqFX-oXrg
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