NVDLC01Christine.txt

== Topics ==
TOPIC 	TOPIC TEXT / PROMPT 	EMOTION 	RESPONSE TEXT 	#
 	FollowersAcknowledgeMyOrder 	Neutral 50 	[Christine nods.] 	
 	It's time for us to part ways. 	Neutral 50 	[Christine raises an eyebrow.] 	
 	On second thought, stick with me for a little longer. 	Neutral 50 	[Christine narrows her eyes, then shrugs.] 	
 	Yes, I'm sure. 	Neutral 50 	[Christine nods.] 	
 	I think we should travel together. 	Neutral 50 	[Christine glances at your companion, shakes her head, then raises her index finger.] 	
 	I think we should travel together. 	Neutral 50 	[Christine nods.] 	
 	Let's get going. 	Neutral 50 	[Christine nods.] 	
 	FollowersOverburdened 	Neutral 50 	[Christine puts her palm flat and lowers it to the ground, shakes her head.] 	
 	FollowersStealthing 	Neutral 50 	[Christine crouches down.] 	
 	Let's talk about your tactics. 	Neutral 50 	[Christine raises an eyebrow suspiciously.] 	
 	I want you to change your combat style. 	Neutral 50 	[Christine looks at you and waits.] 	
 	I want you to attack enemies the moment you see them. 	Neutral 50 	[Christine narrows her eyes, nods.] 	
 	Let's talk about something else. 	Anger 20 	[Christine frowns, taps the back of her wrist, then circles her finger.] 	
 	That's all. Let's get going. 	Neutral 50 	[Christine nods.] 	
 	Switch to a melee weapon. 	Neutral 50 	[Christine nods, and her stance changes slightly.] 	
 	I want you not to attack enemies unless I've already engaged them. 	Neutral 50 	[Christine raises an eyebrow, then shrugs.] 	
 	I want you to use ranged weapons. 	Neutral 50 	[Christine nods, closes one eye and slowly pulls an invisible trigger.] 	
 	Let's talk about how close you're following me. 	Neutral 50 	[Christine tilts her head slightly.] 	
 	Stay close to me. 	Neutral 50 	[Christine nods.] 	
 	Your distance is good. Let's talk about something else. 	Neutral 50 	[Christine nods.] 	
 	All right, you're good. Let's get out of here. 	Neutral 50 	[Christine nods.] 	
 	Keep your distance. Try to flank them. 	Neutral 50 	[Christine nods, makes a half circle with her hand.] 	
 	Enough about tactics. 	Neutral 50 	[Christine nods, waits.] 	
 	Let's trade equipment. 	Neutral 50 	[Christine nods, adjusts her gear.] 	
 	Wait here. 	Neutral 50 	[Christine nods.] 	
 	GREETING 	Anger 10 	Be patient, I'm going. {To herself but chiding the player} Maybe {emph} you should know when to let go. {Christine is walking to the Vault Elevator, asks player to be patient. This is a single bark to prevent breaking scripted sequence.} 	
 	GREETING 	Anger 50 	{Cold, her voice is slightly torn, still healing up.} You made it, good. I'm getting tired of waiting for you - and Elijah. {Beat} Surprised? Yeah... I made it here, just like you did. {<Player made it through the Suites, Hated. Christine's voice is back, although it's ragged, it just healed.>} 	
 	GREETING 	Pained 10 	{Relieved, voice thick from surgery} You made it, good... <Coughs>ugh.. {Winces} Hurts to talk. I'll keep this quick in case my... voice goes out. 	
 	GREETING 	Anger 10 	{Frowns, a little defeated} You're back. You sure you still want me here, collars and all? {To herself, rueful} Not much for waiting around with a bomb around my neck. {Christine was not pleased to be asked to wait. Urges the player to find whatever he/she needs of her.} 	
 	GREETING 	Neutral 50 	I... {coughs} I wish you luck in the Vault. Elijah... he's tough to pin down. {Christine's voice is restored, wishes the player luck in the vault.} 	
 	GREETING 	Neutral 50 	[Christine is looking at the Fountain, her eyes narrowed. She then scans the courtyard perimeter, gauging the distance.] 	
 	GREETING 	Neutral 50 	[She glances at your wrist, then back at the Fountain.] 	
 	GREETING 	Pained 100 	[The woman before you looks disoriented, pained - she blinks a few times, then winces, as if the act of blinking causes her pain.] 	
 	GREETING 	Neutral 50 	[Christine points at the sky, makes a fist, then makes an explosion gesture with her fingers.] 	
 	GREETING 	Anger 50 	[Christine shakes her head, narrows her eyes, then points at your compass.] 	
 	GREETING 	Fear 10 	[Christine motions to you, points at the door uneasily, then makes a pulling motion with her hand. She seems hesitant to go near it.] 	
 	GREETING 	Neutral 50 	{Return Greeting, Neutral} [Christine looks at you warily.] 	
 	GREETING 	Anger 50 	{Return Greeting, Disliked} [Christine glares at you.] 	
 	GREETING 	Neutral 50 	{Return Greeting, Liked} [Christine raises an eyebrow.] 	
 	I need you to go down to the manual bypass room to regulate the power. 	Fear 20 	[Christine glances at the elevator, her expression becomes worried, then she looks back at you, then reluctantly shakes her head.] 	
 	That's our captor. He likes giving orders. 	Neutral 50 	[She circles her finger around the Fountain and moves her fingers and thumb together rapidly, as if talking.] 	
 	That's our captor. He likes giving orders. 	Anger 50 	[She frowns, stops moving her hand, then points at the Pip-Boy at your wrist.] 	
 	I dealt with the others, and I've got the key phrase. 	Surprise 10	{Slight surprise} Surprised that Super Mutant didn't eat you... {under her breath} and don't get me started on Dean. 	
 	I dealt with the others, and I've got the key phrase. 	Neutral 50 	{Takes a breath, rests tone, beat} So... I just rasp out some words, and the vault opens? {Beat, to herself} That woman, the starlet... she didn't build this place, why would the builder do that? 	
 	This place... I'm not sure, it doesn't feel like a casino. Not entirely. 	Neutral 50 	I know. The sealed doors, the security... it's almost a fortress. Think that's why we're being ordered to come here and crack it open? 	
 	All right, come with me. 	Neutral 50 	{Player has no companion, Christine comes along.} [Christine nods, and steps slightly behind you, waiting.] 	
 	Your voice... is that the Starlet's voice? 	Disgust 10 	{Cold} Guess the Sierra Madre healed me. {Dismissive} It doesn't matter, and to be honest, I miss {emph} my voice. 	
 	Your voice... is that the Starlet's voice? 	Neutral 50 	I've had enough of you and Elijah running the show. {Beat} Now it's my turn. 	
 	Does that Auto-Doc there work? 	Neutral 50 	{Glances at medical computer} Yeah, still functional. Lot of garbage data on it, its basic procedures should still work fine. 	
 	Anything you can download off of it? 	Neutral 50 	{Slightly impressed} Looks like you got almost everything, not much more {emph} I can extract... {slight smile} "doctor." {Not mocking at the end, she's impressed, means "doctor" as a casual compliment.} 	
 	Anything you can download off of it? 	Neutral 50 	{Operating a terminal, hunting through folders} I can see... check the root, recent diagnostics... 	
 	Anything you can download off of it? 	Neutral 50 	Lot of Med-X was dispensed for... Vera Keyes. {To herself,} Guess that's her corpse there for certain... and why all those meds are scattered around in here. 	
 	Anything you can download off of it? 	Neutral 50 	...here's the medical report. {Scanning, somber} Looks like she had some sort of terminal condition... diagnosis isn't conclusive, {to herself} must have been painful. 	
 	Anything you can download off of it? 	Sad 10 	I'm not even sure she knew, if these medical reports are enough. She must have been numb most of the time. 	
 	{Act 3}I had some questions I wanted to ask you. 	Neutral 50 	{Nods} All right. {Beat} Just glad I can {emph} answer you now. 	
 	Can the Auto-Doc heal your scars? 	Neutral 50 	{Slight frustration} No... they run a lot deeper than that. 	
 	Can the Auto-Doc heal your scars? 	Sad 50 	{Quiet, unpleasant memory} While I was hunting Elijah in the Big Empty, he trapped me in one of those medical research centers buried there. 	
 	Can the Auto-Doc heal your scars? 	Sad 50 	{Uncomfortable} It... did something to my head... and I got off lucky. It's difficult enough to read now, and somehow the leap between what's in my head and words... 	
 	Can the Auto-Doc heal your scars? 	Sad 50 	...it just ends up being a mish-mash of symbols, not letters. Can still do math, formulas, equations... {rueful} writing poetry's out. 	
 	You said you got off lucky? 	Sad 50 	{Unpleasant memories, cont.} Yeah... I saw records of other "patients," and what had been done to them. Some couldn't hear anything but static. Others, just... gibbering wrecks. 	
 	You said you got off lucky? 	Neutral 50 	Never going back... and Elijah was on his way here, so I couldn't stop to see if it was something I could fix... 	
 	You said you got off lucky? 	Neutral 50 	...if you can even fix what happened to me when they jabbed the electrodes into my skull and turned my head into a flashlight. 	
 	You said you got off lucky? 	Neutral 50 	{Sighs} Then I got here, and my voice got severed... now I have a new one. {Grim} Another thing Elijah has to answer for. 	
 	Elijah didn't put you in the Auto-Doc... Dean did. 	Surprise 50	{Emph, incredulous} Dean? {Beat, echoing disbelief} Dean {Emph} Domino? 	
 	Elijah didn't put you in the Auto-Doc... Dean did. 	Neutral 50 	Why would he want to torture me? {More to herself} If he wanted to do that, he could keep his singing career going... or keep staring at me. 	
 	The elevator to the vault is here, too. 	Neutral 50 	{Recognition, matter-of-fact} The elevator to the casino vault is here. In the starlet's room? That seems intimate. 	
 	I dealt with the other two in our team, now I need you to open something. 	Anger 50 	What? {Frowns} Open something... {beat} my voice. That's why it's hers... someone wanted to use me as a key. 	
 	I dealt with the other two in our team, now I need you to open something. 	Neutral 50 	All right, I can do that... hope you're ready. 	
 	How long have you been hunting him? 	Neutral 50 	Too long. Thought I might have had a chance to settle it before this event happened, but then the chance slipped away again. 	
 	You could have said something sooner. 	Neutral 50 	{Reluctant} Wasn't sure until now I could trust you. Now I know. {< voice is restored. Christine says she didn't know who she could trust. Thinks player is worth keeping around. >} 	
 	You could have said something sooner. 	Neutral 50 	Look, when I woke up here... however that happened... I had this key on me - I think it belongs to her. 	
 	You could have said something sooner. 	Neutral 50 	Haven't had a chance to use it yet - might open the dresser, or the safe - didn't have time to experiment with it before you arrived. Here you go. 	
 	You could have said something sooner. 	Neutral 50 	{Reluctant} Wasn't sure until now I could trust you. Now I know. {< voice is restored. Christine says she didn't know who she could trust. Thinks player is worth keeping around. >} 	
 	Sounds personal. 	Sad 50 	He... cut me off from someone I cared about a long time ago. He used his status to break us apart. So I had to find a new purpose, same banner. 	
 	Sounds personal. 	Neutral 50 	Then he became unstable, left a trail of crimes across the wasteland. Once word reached us, I was ordered to kill him. 	
 	He wasn't trying to torture you, he needed to alter your voice to use an audio-lock. 	Neutral 50 	To the vault... of course. {Nods} That makes sense. 	
 	He wasn't trying to torture you, he needed to alter your voice to use an audio-lock. 	Neutral 50 	{DUPE} An audio-lock to where? {Beat, recognizes what happened} To the Sierra Madre vault. It's voice-activated. And he wanted in. 	
 	He wasn't trying to torture you, he needed to alter your voice to use an audio-lock. 	Neutral 50 	{DUPE} That makes sense. {Thinking} So... those bodies in the Clinic... all right. Dean always felt like the odd one out, and he kept... studying me. 	
 	You sound like the woman in the Sierra Madre broadcast. 	Surprise 50	{Confused} Do I? {Shakes head} It sounds off to my ears... hard to tell. Not to mention it... hurts like hell to swallow. 	
 	You sound like the woman in the Sierra Madre broadcast. 	Neutral 50 	Might be why I got moved off to this suite... it's hers. {Quiet} That's her over there, got trapped by security like I did. Just took a different way out. {Thinking. In second part, referring to the skeleton in the bedroom with her, dead.} 	
 	All right, let me see if I can find another way to do this without sending you down there. 	Happy 50 	[Christine smiles slightly in relief, and nods. She opens her mouth slightly, then closes it, frustrated.] 	
 	All right, let me see if I can find another way to do this without sending you down there. 	Neutral 50 	[She points at you, then makes a fist and puts it against her chest and nods.] 	
 	<Lie> We'll take the elevator up, see if there's another way to do this. After you. 	Happy 50 	[Christine smiles slightly in relief, and moves to the elevator.] 	
 	Settle it? You're here to kill him. 	Neutral 50 	{Cold} Those are my orders. I've seen what he's done, and I believe in those orders. 	
 	I've found a way to do the bypass from here. You should be able to just use the terminal over there.	Happy 50 	[Christine nods gratefully. She glances in the direction of the terminal, looks at you, smiles, gives a thumbs up.] 	
 	I don't have time for this. Get in the damn elevator. 	Anger 50 	[Christine shakes her head, more insistently this time. She points at the elevator, then downwards, then holds herself tightly and shakes her head.] 	
 	Are you all right? 	Pained 50 	[She looks at you, blinks again, then opens her mouth - but nothing comes out.] 	
 	Are you all right? 	Fear 100 	[She touches her throat, then traces the scar beneath the chin, and her eyes widen in alarm.] 	
 	Look, I'm here to help. 	Fear 20 	[She looks shaken. As she glances at the Auto-Doc, she recoils, and her mouth opens - but again, nothing comes out.] 	
 	Look, I'm here to help. 	Anger 20 	[She looks back at you, and her hands clench into fists - her eyes narrow, and she takes a step back, studying you.] 	
 	This isn't what it looks like. 	Anger 10 	[The woman opens her mouth again, winces, then frowns and drags a finger across her throat in a slow motion. She looks more angry than pained now.] 	
 	This isn't what it looks like. 	Anger 30 	[Frowning, she touches her throat again, gently, then her hand brushes her collar, then her frown deepens.] 	
 	This isn't what it looks like. 	Neutral 50 	[Her eyes narrow as she traces the edge of the collar until she finds the lock. She begins to press it with her fingers.] 	
 	Don't do that! 	Surprise 50	[She looks surprised. Then notices your collar, and raises an eyebrow.] 	
 	Let's just say we're in this together. 	Anger 50 	[She frowns, narrows her eyes, then slowly shakes her head.] 	
 	Those facial scars weren't done by the Auto-Doc - the throat scar was. 	Neutral 50 	[SUCCEEDED] [She nods... slowly, then puts her hand in front her throat, closes it slowly, then points at you.] 	
 	That Auto-Doc really carved you up. 	Anger 50 	[FAILED] [She frowns, narrows her eyes, and looks at you.] 	
 	What do you mean by that? 	Anger 50 	[She shakes her head again and draws a line in the air between the two of you.] 	
 	Look, together we can get out of this. 	Anger 20 	[She shakes her head - once, then crosses her arms.] 	
 	I had questions I wanted to ask. 	Anger 50 	[Christine glances straight up, frowns, then turns back to you and taps her wrist.] 	
 	{After asking 1 Q}I had other questions. 	Disgust 50 	[She looks exasperated, then waves her hand in a circle in front of her.] 	
 	{After asking 1 Q}I had other questions. 	Neutral 50 	[She raises an eyebrow, then tilts her head slightly.] 	
 	{After asking 1 Q}I had other questions. 	Anger 50 	[She frowns, then cups her hand to her ear.] 	
 	Looks like someone set the bone saws to run random. 	Disgust 20 	[She shakes her head... then pauses, and shakes her head again, then looks exasperated.] 	
 	I don't understand why they shaved you bald. 	Happy 50 	[Christine looks blankly at you. Then touches her head, smiles, then shakes her head.] 	
 	Wait, the Auto-Doc didn't shave you bald? 	Neutral 50 	[She waves her hand, then shakes her head - she then nods in the direction of the casino.] 	
 	No, wait, I want to hear this. You were bald before? 	Disgust 50 	[She nods with an exasperated look, then makes a circle with her hands, repeats it twice more, then raises her hands and waves them like wings.] 	
 	No, wait, I want to hear this. You were bald before? 	Neutral 50 	[She puts both hands in front of her, then makes a motion with her hands as if writing something.] 	
 	[BOS] You were a Brotherhood of Steel Scribe? 	Surprise 10	[She nods. She looks impressed.] 	
 	How the hell did you get out here? 	Neutral 50 	[She shrugs. Then she points to you and shrugs.] 	
 	Were you researching something? 	Neutral 50 	[She shakes her head.] 	
 	The Auto-Doc didn't do that? 	Neutral 50 	[She touches one of the scars on her cheeks, shakes head. Then touches the scar on her neck, and nods.] 	
 	So the Auto-Doc cut your voice box, not your scalp. 	Neutral 50 	[Christine nods.] 	
 	I can't restore your voice, we'd need a real Auto-Doc to do that. 	Fear 50 	[She shivers slightly, and shakes her head.] 	
 	You think he's using the Pip-Boy? To establish the projector connection? 	Neutral 50 	[SUCCEEDED] [She nods, and raises her hands, palms facing each other, then rotates in a 180 degree arc and back again.] 	
 	That's the hologram projector in the Fountain. What of it? 	Disgust 50 	[FAILED] [She rolls her eyes, opens her mouth to speak, then stops, her face tensing up in frustration.] 	
 	Wait... that's a Brotherhood of Steel symbol, right? You're a Scribe? 	Surprise 10	[SUCCEEDED] [She nods, looks impressed.] 	
 	I... don't understand. 	Neutral 50 	[FAILED] [She shakes her head, then nods in the direction of the casino again.] 	
 	How did you get to the main gate? Then get here? 	Anger 50 	{Deliver this angrier, seems like a dupe, isn't} The Gala went off, the Switching Station opened up - thought the screeching in the Auto-Doc was bad, Station worse. 	
 	How did you get to the main gate? Then get here? 	Neutral 50 	Got outside, saw the light show, and it was enough to make me run to the casino. 	
 	How did you get to the main gate? Then get here? 	Neutral 50 	Also... it seemed like the lights and speakers were helping to guide me... guess your master wanted a back-up in case you died. 	
 	How did you get to the main gate? Then get here? 	Neutral 50 	As for being assigned to this floor... maybe it's because of my new voice. Your guess is as good as mine. {Beat, sarcastic} Maybe it recognized me as a guest. 	
 	Where were you before? 	Neutral 50 	[She moves her finger in a wider circle, then raises her hand over her eyes.] 	
 	Maybe it was a trust issue? He built this place for her, it feels like. 	Neutral 50 	{Skeptical} It's possible. This place is immense... and it still has power, food dispensers, security... was it all for Pre-War guests? {Beat} Or for her? 	
 	How did you end up in the Auto-Doc? 	Anger 50 	[She moves her finger in a circle, frowns, then drags her hand down over her eyes. She raises them again, points to you.] 	
 	I let you out of the Auto-Doc. I can put you back in there just as fast. 	Sad 50 	[Her eyes widen, and her eyes gauge yours. She then touches her wounds, and her expression crumbles into anger, as if defeated. She slowly nods.] 	
 	I have no idea, let's unlock it. The phrase is contained in the lyrics to a song. 	Neutral 50 	{Nods} All right. {Cold, she knows she may be trapping the player down here} If you go down there, are you prepared... what if you don't come back? {Christine is asking, because she knows that Elijah will show up, and when he does, she's going to suicide and kill him.} 	
 	Glad we understand each other. Let's go. 	Anger 50 	{Player has no companion. Christine comes along.} [Christine narrows her eyes slightly. She slowly nods, then steps slightly behind you.] 	
 	Glad we understand each other. Let's go. 	Neutral 50 	{Player has a companion. Christine goes to the fountain for now.} [Christine glances at your follower, shakes her head, then points at you, her, and nods in the direction of the fountain.] 	
 	I've got you to come down after me, it'll respond to your voice. 	Neutral 50 	{Evasive} I... just wanted to make sure you're ready. When you go down there, that may be it for us... we won't be needed anymore. 	
 	I've got you to come down after me, it'll respond to your voice. 	Neutral 50 	The one who made these collars, he'll follow you down there. And he won't let you leave. He's not one for sharing, never was. 	
 	Fine. Would hate to have carved you up anymore than you are. 	Anger 50 	[Christine's defeated expression vanishes into a stone-faced glare.] 	
 	It's a decayed speaker. If we stay too long near one, it'll go off. 	Neutral 50 	[She taps the collar and then opens and closes her hand really fast.] 	
 	It's a decayed speaker. If we stay too long near one, it'll go off. 	Neutral 50 	[She taps her collar, then opens and closes her hand really fast.] 	
 	It's a decayed speaker. If we stay too long near one, it'll go off. 	Neutral 50 	[She points at your Pip-Boy, her collar, and then your collar. After a second, then she opens and closes her hand slower.] 	
 	It's a decayed speaker. If we stay too long near one, it'll go off. 	Neutral 50 	[She points at your collar, then hers, then nods at your Pip-Boy. She makes a triangle motion, then the same slow pulse as before with her fingers.] 	
 	I believe he loved her, wanted to protect her. Too much. 	Neutral 50 	{To herself} Love makes people do strange things. {Beat, quiet} Won't argue that. It can drive you crazy sometimes if you can't... connect. 	
 	I believe he loved her, wanted to protect her. Too much. 	Neutral 50 	{Reluctant, something's wrong} If they loved each other, and they were together... I suppose that's all that mattered. 	
 	I believe he loved her, wanted to protect her. Too much. 	Neutral 50 	But she's in that side room, dead, because the casino wouldn't let her leave. {Beat} And who knows where he is. 	
 	Get going. I'll meet you at the Fountain in the center of the Villa. 	Neutral 50 	{Christine goes to the fountain.} [Christine gives a brief nod, then turns and begins to walk.] 	
 	Look, I'm not trying to order you. But your life is tied to mine. 	Anger 50 	[She frowns, glances at the collar, looks back at you. She makes a circle with her hands, puts her hand over her eyes and squints.] 	
 	Look, I'm not trying to order you. But your life is tied to mine. 	Neutral 50 	[She nods at you, then lowers her hand from her eyes, shakes her head. She draws a slow line between you.] 	
 	You're looking for something else. Fine, I can help. 	Surprise 50	[She studies you again, then her expression softens slightly. She shakes her head slowly, and gives a silent sigh.] 	
 	You're looking for something else. Fine, I can help. 	Neutral 50 	[She nods at you, then raises an eyebrow and nods at the door.] 	
 	He said he knew you. 	Neutral 50 	He saw me, before the scars, at a place far from here. It's where he found some of the technology he uses now. 	
 	He said he knew you. 	Sad 50 	{Remembering a bad experience, somber} It's a place called the Big Empty. The name's deceptive - if you know where to look. 	
 	He said he knew you. 	Neutral 50 	{Still reflecting} Almost got trapped there. There was someone else, though, who came along. Knew about Elijah. 	
 	I found the phrase for elevator's audio lock. 	Surprise 50	{Curious} You did? {Impressed} Looks like even the Old World can't keep you out when you've got a mind to get in. 	
 	He knew Elijah? How? 	Neutral 50 	No idea. A courier. Wore an Old World flag on his back. He was the one who pulled me out there, told me where Elijah had gone. 	
 	He knew Elijah? How? 	Neutral 50 	{Reflective} Helped me heal up, listened to my story. He... sympathized. 	
 	Sympathized? Why? 	Neutral 50 	He said he understood what it meant to track someone who had such a... impact on his past life. 	
 	Sympathized? Why? 	Anger 50 	He said people were like couriers, sometimes never understanding the messages they brought. {Frowns} That's who he was hunting for... some courier. 	
 	There's a chance he'll see reason. 	Disgust 50 	{Disgusted} Try and reason with him, see what happens. He's so lost in his technology, I don't think he even understands why anymore. 	
 	You'll have to wait just a little longer. 	Anger 10 	{Slight irritation} Fine. {Warning player} I hear my collar beeping though, I've got the route to the exit all mapped out. 	
 	Are you going to be okay here? 	Neutral 50 	[She nods... then gestures at your hand, offers hers.] 	
 	<Take her hand.> 	Happy 50 	[She holds it, meeting your eyes intently for a few moments. She gives your hand a gentle squeeze, then releases it and smiles slightly.] 	
 	Not in a hand-holding mood right now. 	Anger 50 	[She frowns, then waves you away and focuses on the terminal.] 	
 	All right, be ready. 	Neutral 50 	[She narrows her eyes, determined, and gives a last nod.] 	
 	I don't understand. 	Anger 50 	[She tries to open her mouth and nothing comes out. Her eyes narrow and her hands ball into fists.] 	
 	I don't understand. 	Anger 50 	[She touches her collar, then shakes her head in frustration and nods at you to go ahead.] 	
 	I'll be back for you, okay? 	Anger 50 	[Christine tilts her head slightly, glances at your collar, then your Pip-Boy. She opens her mouth, frowns, then closes it.] 	
 	I'll be back for you, okay? 	Sad 10 	[Her face looks sad, and she taps her chest once, slowly. She nods at you, then the exit.] 	
 	{Terrifying Presence}Get in that elevator or I'll make those scars on your face a pleasant memory. 	Fear 50 	[Christine takes a step back from your gaze... her eyes widen in alarm, she takes one step, then two toward the elevator.] 	
 	What's wrong? 	Neutral 50 	[Christine studies the elevator frame, raises her hands... then sets them down... then raises them up again.] 	
 	What's wrong? 	Anger 50 	[She gives a silent sigh of exasperation, and frowns at the elevator, and her hand brushes the side of her face, tracing the scar.] 	
 	[Perception] It reminds you of being trapped in the Auto-Doc. 	Sad 50 	[She turns to you, relieved, and nods... then she turns away, and her face crumbles. She makes motions with her fingers, then clenches her fists.] 	
 	I have no idea what your problem is. 	Anger 50 	[Her face becomes angry. She points at the elevator, points downward, then wraps her arms around her and shakes her head.] 	
 	That's what I'm counting on. 	Neutral 50 	{To herself} "Begin again, but know when to let go." {Shakes head, skeptical} Let's see what happens. {Christine now knows what she needs to say at the Vault Elevator. She will start heading toward it at the end of the sentence, to bark the password i} 	
 	{Know about mission}He'll come here, to the Suites - when he does, let him go through. 	Neutral 50 	I... can't let him leave here. Look, you've done so much, and he's not going to show himself until you go down there. 	
 	That's why you're waiting. You're going to kill him. 	Neutral 50 	[SUCCEEDED] I... 	
 	{Know about mission}Are... are you all right? Something seems off. 	Neutral 50 	[FAILED] No... no, you have it wrong. Look, it's now or never, all right? Let me open the elevator. {She's lying in this node.} 	
 	Do you trust me? If you do, let go of this. 	Sad 50 	I can't let go. Every time I've thought about it... 	
 	Do you trust me? If you do, let go of this. 	Sad 50 	{Quiet} I've lost him so many times. He needs to die... what happened here, with us? {Doesn't want to think about it} He's... he's done so much worse. 	
 	If he kills you, I won't be able to get out. 	Neutral 50 	I know. And he {pause} will kill me, I can't get the collar off. Even if I could, I need to be sure - see his eyes, his face, when he dies. 	
 	Let him come through the suites, follow me. If he escapes, you'll still be here, waiting. 	Neutral 50 	{Quiet} You have to promise me. Promise me you'll deal with him... if I see him, I... 	
 	If you try and kill him, I can't let you do it. If you die, you'll kill us both. 	Neutral 50 	{Quiet} I can't. It's my mission, has been. {Beat} This has to be done. 	
 	Then I need to keep you from doing it. 	Sad 50 	I... I didn't want this to happen. {Sighs} Ending him is more important than saving you. For what it's worth... I'm sorry. 	
 	Christine, please, let go of this. Let me deal with him. 	Anger 50 	{Hopeful, slight} All right. All right, I'll... {frowns} but I'll need to leave this floor. He'll pick up my collar, and... 	
 	Don't tell me where you're going - I'll find you after this. 	Neutral 50 	{Nods, sighs} I... {takes a breath} never mind. Let me get the vault open... {To herself, slowly, quiet as if memorizing it} "Begin again... but know when to let go." {Slight rueful laugh, to player} Sounds like you. {Say this a little tenderly, the player just talked her down from suicide, and Christine's found new purpose.} 	
 	You can dampen the signal somehow? 	Neutral 50 	[She is about to nod - then stops, points at herself, and shakes head.] 	
 	What? You can make the speakers stop or something? 	Anger 50 	[FAILED] [She frowns, shakes her head.] 	
 	You can interfere with the Speaker's detonation frequency somehow? 	Neutral 50 	[SUCCEEDED] [She is about to nod - then stops, points at herself, and shakes head.] 	
 	You... uh...speakers make a tempo... or...? 	Anger 50 	[FAILED] [She frowns, shakes her head.] 	
 	Does that work with any other collar? 	Anger 50 	[She frowns, slowly shakes her head - she opens her mouth, then makes the motion of tuning a dial, then points at herself.] 	
 	Got it, let's move on. 	Neutral 50 	[She nods, and motions for you to go ahead.] 	
 	It's just your frequency. 	Neutral 50 	[She nods, once, then again, points at the two of you, then the Pip-Boy.] 	
 	You can interfere with the detonation signal from the speakers? 	Neutral 50 	[SUCCEEDED] [She is about to nod - then stops, points at herself, and shakes head.] 	
 	Yeah, speaker static makes our heads blow off, right. 	Anger 50 	[FAILED] [She frowns, shakes her head.] 	
 	Great. How romantic. 	Surprise 50	[She looks puzzled for a second, then glares at you and motions you to move on.] 	
 	He leaves audio logs, too. 	Neutral 50 	[Christine holds out her hand, and motions at your Pip-Boy.] 	
 	<Show her the Pip-Boy.> 	Neutral 50 	[Christine studies the Pip-Boy intently, turning your arm around as if your wrist's a sensor module she just found.] 	
 	<Show her the Pip-Boy.> 	Neutral 50 	[She doesn't seem interested in the screen - she studies the exterior, then the casing. She seems to be making sure it's intact.] 	
 	What? What do you want? 	Anger 50 	[She frowns, and snaps her fingers at your Pip-Boy.] 	
 	I don't want you messing with this. 	Anger 50 	[Christine snarls, makes a dismissive wave, and goes back to studying the Fountain intently - then looks at the casino, then the Fountain again.] 	
 	Do you know what those machines around the Villa are? 	Neutral 50 	[Christine shakes her head, then pauses, and makes a small circle with her thumb and forefinger.] 	
 	Do you know what those machines around the Villa are? 	Neutral 50 	[She points at you, and makes the motion of putting something in her palm.] 	
 	Careful, that's my arm, all right? 	Anger 50 	[Her finger stabs through the red buttons, narrowing in on the local map. She scrolls to the Sierra Madre's main gate, frowns, backs out.] 	
 	Careful, that's my arm, all right? 	Neutral 50 	[She calls up the local map of the Puesta del Sol Switching Station, zooms in. Her intent expression loses some of its edge as she notes the marker.] 	
 	Careful, that's my arm, all right? 	Neutral 50 	[She looks up at you, points at marker on your Pip-Boy, points West and tilts her head.] 	
 	You sure seem eager to go. 	Neutral 50 	[She points at the Fountain, then at your Pip-Boy... pauses, then points at her collar, then yours.] 	
 	You sure seem eager to go. 	Neutral 50 	[She encircles her throat with her hand, then slowly releases it. Then she motions again to the West.] 	
 	Why do you think he wants you to go the Puesta del Sol Switching Station? 	Anger 50 	[She frowns, then makes a motion as if typing at keys... then she points at you, raises her left wrist and pantomimes talking into it.] 	
 	Why do you think he wants you to go the Puesta del Sol Switching Station? 	Neutral 50 	[She points at you, then her, looks right and left, raises two fingers, tries to type, pauses, and slowly shakes her head.] 	
 	Neither Dean or Dog have the technical aptitude to man the Switching Station? 	Neutral 50 	[SUCCEEDED] [She slowly nods, looks impressed.] 	
 	I... can only type with two fingers? 	Neutral 50 	[FAILED] [She sighs silently, then shakes her head and motions to the West.] 	
 	I don't know what you're talking about. 	Neutral 50 	[She sighs silently, then shakes her head and motions to the West.] 	
 	I don't have any Sierra Madre Chips on me. 	Neutral 50 	[She nods, then waits.] 	
 	Think he might be close, then. Any idea where? 	Anger 50 	[She surveys the area, focusing upwards. She glances at the casino, frowns. She then looks West, then East.] 	
 	You make a pretty lousy transmitter, you know. 	Neutral 50 	[She glares at you. After a second, she pauses, and smiles slightly, shaking her head. She then makes a circle of the skyline with her finger.] 	
 	Here's a Sierra Madre Chip. I'll need that back. 	Neutral 50 	[She examines the chip for a second, raises it to her eye, then turns it to the side, gauging its diameter and width.] 	
 	Here's a Sierra Madre Chip. I'll need that back. 	Neutral 50 	[She runs her finger over the surface slowly, checking the engraving. She then tosses the chip back to you.] 	
 	Here's a Sierra Madre Chip. I'll need that back. 	Neutral 50 	[She then pretends to look around, sees something on the floor, then pretends to bend down and pick it up. She then looks at you and nods.] 	
 	You want... a small circle? 	Anger 50 	[She frowns, shakes her head.] 	
 	We really don't have time for magic tricks right now. 	Anger 50 	[She frowns, shakes her head.] 	
 	You can... scrounge more somehow. 	Happy 50 	[SUCCEEDED] [She smiles, nods.] 	
 	You... can make more? 	Anger 50 	[FAILED] [She frowns, looks frustrated for a moment, thinking.] 	
 	I don't understand. 	Anger 50 	[She frowns, looks frustrated for a moment, thinking.] 	
 	I don't understand. 	Neutral 50 	[She stands still for a second, then stops, and slowly makes the motion of bending down and scooping something up.] 	
 	I don't understand. 	Neutral 50 	[Then she holds the imaginary object in her hand, as if heavy, and puts it in front of her, as if on a table.] 	
 	I don't understand. 	Neutral 50 	[She then hefts what looks like a small box, and pours it on top of the object, looks at it, then reaches down and holds up a small "O."] 	
 	I don't understand. 	Neutral 50 	[Christine points at your pack, then points at the Fission Battery and the Scrap Metal.] 	
 	You can make more of those at a Workbench. With the right materials. 	Happy 50 	[SUCCEEDED] [She smiles, nods.] 	
 	You can make more of those at a Workbench. With the right materials. 	Neutral 50 	[She points at your Pip-Boy, makes a motion of opening it up and removing something from it.] 	
 	You can make more of those at a Workbench. With the right materials. 	Neutral 50 	[She then raises her hand and makes the motion of smashing it and holding up the remains.] 	
 	I have no idea what you're talking about. 	Anger 50 	[FAILED] [She frowns, then thinks for a moment. She then points at your pack, and taps the back of her wrist.] 	
 	<Storage Line. Do not translate.> 	Anger 20 	Thought you'd leave me in that elevator? {Slow anger, remembering how the player trapped her} I haven't forgotten what you did in the Switching Station, not for a second. 	
 	<Storage Line. Do not translate.> 	Anger 10 	Trapped down in that room in the dark, listening to that {emph} sound, like saw blades. {Cold, anger} I could barely breathe... couldn't even scream! 	
 	<Storage Line. Do not translate.> 	Fear 10 	{Quiet, more to herself} Was like being operated on in that Auto-Doc in the Clinic... all over again. 	
 	<Storage Line. Do not translate.> 	Anger 20 	Come to throw me in the Auto-Doc? Toss me back in the Clinic where you found me? 	
 	<Storage Line. Do not translate.> 	Pained 50 	Did you know the Stimpak reservoirs ran out within an hour of being in there? I was in there for two weeks, and it kept... repeating the procedure. 	
 	<Storage Line. Do not translate.> 	Disgust 50 	{Disgust} No Med-X, no stims, just... that {emph} sound, feeling the scalpels... cut. {Cold} Now... we're going to see how you like it when someone else is in control. {Med-X, stims are healing items, and Christine didn't have any, very painful. Now is going to make player pay.} 	
 	<Storage Line. Do not translate.> 	Anger 20 	I can switch the proximity of the detonation frequency. Try and run? I'll have the signal seek you out, blow up your collar from a distance. 	
 	<Storage Line. Do not translate.> 	Anger 20 	Come in close, maybe get the upper hand? I'll set off the proximity detonator, and your collar'll blow. 	
 	<Storage Line. Do not translate.> 	Neutral 50 	[She points at the casino, makes a movement with her hands as if talking, and then repeats the squinting gesture.] 	
 	<Storage Line. Do not translate.> 	Neutral 50 	[Christine waits, studying you.] 	
 	You need a battery... a Fission Battery... and Scrap Metal? And you can counterfeit the chips? 	Surprise 20	[She nods, impressed. Then she points at you, then her and makes a circle.] 	
 	Can you teach me how to do it? 	Neutral 50 	[She nods. She then makes a series of hand motions to represent weight and amounts - enough so you think you could do it on your own.] 	
 	What are you planning to do? 	Neutral 50 	When we first met, I thought I recognized the collar technology. Just needed some time to experiment with it. 	
 	What are you planning to do? 	Neutral 50 	I noticed the signal lag as soon as you arrived on the floor. Collar detonator signal's down to a dull thud, more like a heartbeat than a screech. 	
 	What are you planning to do? 	Neutral 50 	You think you can kill me, then make a run for the exit before my dead man's signal catches you and blows that collar. {Beat, player walked into trap} Not gonna be that easy. 	
 	What are you planning to do? 	Neutral 50 	The Suites here gave me enough tools and enough time that our frequencies... I can push and pull that collar of yours however I want. 	
 	You've had your voice back for only a little while, and I'm already sick of listening to you. 	Anger 50 	{Cold, determined} Silence suits me fine. When your master shows, I'll deal with him, too. {< Christine talks smack back and starts the fight. "Master" is delivered with disgust.>} 	
 	You found a way to modify the collar's radio frequency. 	Neutral 50 	[SUCCEEDED] I did. And it means I can control your movements. 	
 	Is that like a science thing? 	Neutral 50 	[FAILED] {DUPE} You'll find out. 	
 	You can modify the detonator signal. I don't see how that helps you. 	Neutral 50 	[SUCCEEDED] Oh, it helps... as long as I need to control your movements. 	
 	But... your collar's still on. So you're not free. 	Neutral 50 	[FAILED] Free? I have more freedom of movement than you do, and that's all I need. 	
 	What are you talking about? 	Neutral 50 	You'll find out. 	
 	What are you talking about? 	Neutral 50 	Try and run, it won't matter, the signal will find you. Get too close to me, then the signal'll lock on. You can't get away. 	
 	Can't you communicate some other way? Can you write? 	Anger 50 	[SUCCEEDED] [Christine frowns, then pauses and traces one of the scars on her head with her finger.] 	
 	Can't you communicate some other way? Can you write? 	Neutral 50 	[She then makes a motion as if picking up a pencil, tries to write, then shakes her head.] 	
 	This nodding, frowning, pointing you do is wearing me out. 	Anger 50 	[FAILED] [Christine nods, frowns, then points at you, then points West. Then she glares at you.] 	
 	There'll be a second or two of lag while you switch it. That's long enough for me to kill you. 	Fear 10 	{Slightly uneasy, player is right} We'll see. I don't think you're gonna have the time. 	
 	You know I didn't put you in the Auto-Doc, right? 	Neutral 50 	You, Elijah... it doesn't matter. Both of you have run out of places to hide. 	
 	We're inside the casino. We don't need to fight anymore, it's useless. 	Sad 10 	[SUCCEEDED] No, I believe you. All along, you were watching out for yourself. I understand. {A little softer here, for a second, Christine is going to pass along some wisdom before the player dies.} 	
 	We're inside the casino. We don't need to fight anymore, it's useless. 	Neutral 50 	But I wonder what you would have done if there hadn't been these collars. Would you have gotten me out of the Clinic at all? 	
 	We're inside the casino. We don't need to fight anymore, it's useless. 	Neutral 50 	So as long as we're "in this together," and it's a choice between you and me? I know what you're going to choose. 	
 	We're inside the casino. We don't need to fight anymore, it's useless. 	Neutral 50 	I'm not gonna wait for that to happen - again. I'm tired of being controlled. 	
 	Even with the differences in the Villa, I don't want to fight. 	Neutral 50 	[FAILED] I believe you. And that's not the point. That collar... I believe you got caught by Elijah, too. I don't think it changes who you are. 	
 	Even with the differences in the Villa, I don't want to fight. 	Neutral 50 	How you behaved in the Villa... all that was you. And as bad as these collars are, maybe it kept you from being {emph} worse. 	
 	Even with the differences in the Villa, I don't want to fight. 	Disgust 10 	And that's the worst part about all this. That it takes something like that to keep you from hurting someone else. 	
 	I didn't put you in that Auto-Doc. Dean did. 	Surprise 50	{Disbelieving} Dean? {Emph} He put me in there? No, I don't believe it. He didn't have any reason to torture me. You, on the other hand... 	
 	He wasn't trying to torture you, he needed to alter your voice to use an audio-lock. 	Neutral 50 	An audio-lock to where? {Beat, recognizes what happened} To the Sierra Madre vault. It's voice-activated. And he wanted in. 	
 	He wasn't trying to torture you, he needed to alter your voice to use an audio-lock. 	Neutral 50 	That makes sense. {Thinking} So... those bodies in the Clinic... all right. Dean always felt like the odd one out, and he kept... studying me. {Chewing it over, slight disgust at end.} 	
 	He wasn't trying to torture you, he needed to alter your voice to use an audio-lock. 	Neutral 50 	He was trying to figure out if I recognized him... and see if my throat healed. I'll deal with you first, then I'll deal with him. 	
 	Something to do with the surgery. 	Neutral 50 	[She pauses, then draws a jagged symbol like electricity in the air, then puts on an odd, staring face.] 	
 	Something to do with the surgery. 	Neutral 50 	[She keeps the blank face for a second, then slowly blinks, looks around. She looks at her hands, shakes them, then lets them go limp.] 	
 	So... brain damage, or...? 	Neutral 50 	[She shakes her head... then stops, as if thinking.] 	
Why... would someone remove your ability to write, or... 	That's a specific form of brain surgery using electrodes. Pre-War. 	Neutral 50 	[SUCCEEDED] [She nods, slowly, and then makes the motion of typing and drawing X's and lines in the air, and then gives a thumbs up.] 	
Why... would someone remove your ability to write, or... 	That's a rather specific form of operation. 	Sad 20 	[FAILED] [She looks distant... then slowly shakes her head.] 	
 	You can still do math, that's good to hear. 	Happy 50 	[She nods, smiles.] 	
 	You can still do numbers and calculations. 	Neutral 50 	[She nods.] 	
 	You were knocked out? 	Neutral 50 	[She nods. She raises an eyebrow, points at you, makes a circle, then points at your feet.] 	
 	He's broadcasting from the casino. 	Anger 50 	[Christine looks at you, frowns. Then glances at the casino, her eyes narrowed. She stops breathing for a second, as if holding it in.] 	
 	You really want to get to him, don't you. 	Neutral 50 	[She ignores you for a second, still staring at the casino. Then she glances at you, and her face and stance relax slightly.] 	
 	You really want to get to him, don't you. 	Anger 50 	[She points at her collar, then the casino with an irritated look. She then folds her arms and raises an eyebrow.] 	
 	No, before we go any further, I need to know what the problem is. 	Neutral 50 	[SUCCEEDED] [She looks like she's about to shake her head, stops, and then puts her hand over her eyes and squints, as if staring in the distance.] 	
 	Um, do you want to talk about it, or...? 	Neutral 50 	[FAILED] [She glares at you a moment, then slowly shakes her head.] 	
 	Don't ignore me - your whole body language changed there. 	Neutral 50 	[SUCCEEDED] {DUPE} [She looks like she's about to shake her head, stops, and then puts her hand over her eyes and squints, as if staring in the distance.] 	
 	You kind of... changed there for a second. 	Neutral 50 	[FAILED] [She glares at you a moment, then slowly shakes her head.] 	
 	Aren't you upset? 	Neutral 50 	{Grim, shakes head} I've... done worse. Much worse... and for more hopeless causes, and I will again. 	
 	You're looking for the man inside the casino. 	Neutral 50 	[She nods.] 	
 	Why are you looking for him? 	Anger 50 	[She wrinkles her face, frowns, and looks angry. She touches her throat, traces the scar with her finger, then points the finger at the casino.] 	
 	Why are you looking for him? 	Anger 50 	[She then points at your collars, points at the casino. Then she matches your gaze with a dark expression, then draws a slow line across her throat.] 	
 	You want to kill him. 	Neutral 50 	[She gives a nod. Then another nod, even slower.] 	
 	I'm fine with killing the son of a bitch. As long as we can torture him first. 	Anger 10 	[She nods grimly. She seems satisfied.] 	
 	Could always slap a collar on him and let him run into a wall of speakers. 	Neutral 50 	[Christine's expression relaxes slightly, and she nods.] 	
 	I'd like to know why he did all this first and what's so important about the casino. 	Anger 50 	[Christine's expression becomes furious, and she raises her hands, draws jagged lines in the air.] 	
 	I'd like to know why he did all this first and what's so important about the casino. 	Neutral 50 	[She then points at you, then the direction of the casino, and makes the motion of two hands talking to each other.] 	
 	I'd like to know why he did all this first and what's so important about the casino. 	Neutral 50 	[As one hand continues to talk, she moves the other hand to the wrist, and constricts until the other hand slows, stops talking.] 	
 	I'm not out to kill anyone, I just want to get out of here. 	Neutral 50 	[Christine looks at you, then shakes her head, points at your collar, then the front gate and shakes her head.] 	
 	I don't care. I'd rather reason with someone first than simply kill them. 	Neutral 50 	[She then slowly shakes her head and draws an "X" in the air.] 	
 	He came this way for a reason, and I want to know why. 	Neutral 50 	[She then slowly shakes her head and draws an "X" in the air.] 	
 	I didn't bring you here. 	Anger 50 	[She looks at you for a moment, studying you. She doesn't move. After a second or two, she frowns.] 	
 	I didn't bring you here. 	Anger 50 	[She frowns, glances at your feet, then nods. She then raises an eyebrow, points at you, makes a circle, then points at your feet.] 	
 	Now... wait, you're acting like you don't trust me or something. 	Neutral 50 	[She continues to look at you for a moment, studying you, then her eyes fall to your collar, then your Pip-Boy.] 	
 	Now... wait, you're acting like you don't trust me or something. 	Neutral 50 	[She glances back up at you, then she circles herself and points at the ground between you.] 	
 	What? What about my feet? 	Neutral 50 	[She repeats the circling motion again. This time, she lowers her hand and circles her finger inward, until she's pointing at the spot between you.] 	
 	What? What about my feet? 	Neutral 50 	[Still pointing at the ground between you two, she raises an eyebrow.] 	
 	You want to know how I got here? 	Happy 50 	[SUCCEEDED] [She smiles, nods.] 	
 	I... don't understand. 	Neutral 50 	[FAILED] [She makes a mock sigh.] 	
 	Followed a radio signal here, a woman's voice. 	Neutral 50 	[She waits. After a second, she raises her eyebrow again.] 	
 	None of your business. 	Neutral 50 	[She shrugs, then taps the back of her palm in the direction of the Fountain.] 	
 	None of your business. 	Neutral 50 	[She shrugs, then taps the back of her palm, pointing West and down.] 	
 	<Raise an eyebrow back.> 	Happy 50 	[Almost against her will, she smiles. After a moment, the smile fades, and she points at the ground again.] 	
 	...I was curious where it led. 	Neutral 50 	[She looks at you for a second, studying you. Then nods.] 	
 	...I was curious where it led. 	Neutral 50 	[She points at you, then points at the casino, and she slowly shakes her head - then points in the direction of the main gate.] 	
 	Looking to start life as a Prospector, figured this place was a good place to start. 	Anger 50 	[She frowns, puts her hands on her hips and glares at you. After a second, she rolls her eyes.] 	
 	Looking to start life as a Prospector, figured this place was a good place to start. 	Disgust 50 	[She then makes a mocking, slow intake of breath, and then winces. Then she glances at you, points in the direction of main gate.] 	
 	If I could leave, I would. 	Neutral 50 	[She looks at you for a moment, glances at your collar, shrugs. She then lightly grabs her neck with both hands, holds it for a moment.] 	
 	If I could leave, I would. 	Neutral 50 	[Then her hands fall away. She looks at you, looks at the exit and nods.] 	
 	Me? What about you? 	Neutral 50 	[She slowly shakes her head, then points at the ground.] 	
 	Are you saying it's one or the other? 	Anger 50 	[She frowns. Glances in the direction of the casino, then the exit, then back in the direction of the casino.] 	
 	Are you saying it's one or the other? 	Neutral 50 	[She shrugs... without strength or conviction. She isn't looking at you when she does.] 	
 	Do you know how to get out of here? 	Neutral 50 	[She points in the direction of the main gate. Then points at your collar, shakes her head, and locks her hands around her neck.] 	
 	Do you know how to get out of here? 	Neutral 50 	[Then her hands lash outwards, fingers splayed and she rolls her eyes back. After a second she turns back to you shakes her head.] 	
 	So once the collars are gone, we can just leave? 	Neutral 50 	[She nods slowly, as if thinking. Then she raises an eyebrow, looks skeptical, then shrugs.] 	
 	So once the collars are gone, we can just leave? 	Anger 20 	[She points downwards, makes a circle around her, then back to the same spot... and then her finger drifts, circling, and she makes a mock-frown.] 	
 	You're saying it'll be difficult to return here if we leave. 	Neutral 50 	[SUCCEEDED] [She shakes her head, points at herself, then points at you, nods.] 	
 	I... have no idea what you're saying. Again. 	Disgust 50 	[FAILED] [She looks frustrated, then makes a dismissive wave.] 	
 	You were over the moon? 	Neutral 50 	[She shakes her head and rolls her eyes.] 	
 	...to return here if I leave. 	Neutral 50 	[She nods.] 	
 	But not you. 	Neutral 50 	[She nods once.] 	
 	Why can't you find your way back? 	Neutral 50 	[She slowly shakes her head. She points at the ground, then moves each leg outward, straddling the place where she's pointing.] 	
 	You aren't going to leave. 	Neutral 50 	[She nods.] 	
 	So you're after the treasure then? 	Anger 50 	[She frowns, shakes her head... pauses... then tilts her head slightly, nods slowly.] 	
 	Why would you want to stay here of all places? 	Anger 50 	[She frowns, makes a mock motion of loading a gun, then hefting it to her shoulder and taking aim at something in the distance.] 	
 	Why would you want to stay here of all places? 	Neutral 50 	[Then she pauses, makes a sweeping circle, then puts her arms in a circle around it, as if covering it.] 	
 	You were... looking for something? 	Neutral 50 	[Shakes her head and makes a motion of two fingers walking.] 	
 	You want to kill something here, then protect this place. 	Neutral 50 	[SUCCEEDED] [She looks impressed, nods.] 	
 	You want to... hunt here? 	Disgust 50 	[FAILED] [She looks frustrated, then makes a dismissive wave.] 	
 	Why do you want to do that? 	Surprise 50	[She looks at you, as if surprised. Then glances at your collar, wrinkles her face, and points at it.] 	
 	Why do you want to do that? 	Neutral 50 	[She makes a wide sweeping circle of the area, looking around... then brings both hands back to her, then to her neck, and holds it.] 	
 	Why do you want to do that? 	Neutral 50 	[Her hands still on her neck, she looks at you gravely, then shakes her head.] 	
 	You're worried someone's going to find this place? Use it to hurt people. 	Pained 50 	[She nods slowly, hands still locked on her throat. She looks pained for a moment, and she breaks from your gaze.] 	
 	You're worried someone's going to find this place? Use it to hurt people. 	Anger 50 	[Her fingers flutter, almost frantically, for a second, and she runs her hands along her scalp, then her throat - then the collar.] 	
 	You're worried someone's going to find this place? Use it to hurt people. 	Anger 50 	[She points at your Pip-Boy, almost with frustration... then gestures all around her, and her shoulders seem to sag.] 	
 	You're worried someone's going to find this place? Use it to hurt people. 	Neutral 50 	[After a moment, she glances back at you, glances around her, then shakes her head slowly.] 	
 	You can't protect the world from the world... it's useless. 	Neutral 50 	[She points at your collar, then hers, and shakes her head slowly... then cuts the air with her hand and her face becomes blank.] 	
 	I'm not the one trying to communicate with hand motions. 	Disgust 50 	[She gives you a snarl, glances at your collar, makes a dismissive wave.] 	
 	Things would be a lot easier if you did one snap for yes, two snaps for no. 	Neutral 50 	[She smiles humorlessly. She then nods once slowly. Then she shakes her head slowly.] 	
 	Things would be a lot easier if you did one snap for yes, two snaps for no. 	Neutral 50 	[She then looks at you, her face wrinkled in a humorless smile.] 	
 	Okay, okay, I get it. <Nod slowly.> Better than finger snaps. 	Happy 50 	[SUCCEEDED] [Her face wrinkles more, and then she gives a reluctant smile.] 	
 	What are you shaking and nodding for? 	Neutral 50 	[FAILED] [She looks frustrated, then makes a dismissive wave.] 	
 	You were looking for someone? 	Neutral 50 	[She nods and raises a finger.] 	
 	A smile... now that's more like it. 	Happy 50 	[Still smiling, she rolls her eyes, and then slowly taps the back of her wrist.] 	
 	You really need to relax. This entire place is a Pre-War paradise, you know. 	Surprise 50	[She looks at you, surprised. Then she opens her mouth as if to laugh... silently.] 	
 	You really need to relax. This entire place is a Pre-War paradise, you know. 	Anger 50 	[Almost as soon as she utters her silent laugh, she stops, looks pained, and her expression becomes dark.] 	
 	Look... we'll find a way to heal you, all right? 	Anger 50 	[She doesn't look at you, continues to stare darkly in front of her.] 	
 	Look... we'll find a way to heal you, all right? 	Neutral 50 	[After a moment, she glances at you, then taps the back of her wrist. She nods in front of her.] 	
 	Wherever you were, it was hot out. 	Neutral 50 	[She shakes her head and rolls her eyes.] 	
 	This charades shit is driving me crazy. 	Anger 50 	[She frowns and raises her middle finger.] 	
 	A robot? 	Neutral 50 	[She shakes her head and pumps her fist near her chest.] 	
 	Man? 	Neutral 50 	[She nods. She makes a motion with her hands around her chin, drawing it down, and then she raises her hands and clenches them at the sky.] 	
 	Or a woman? 	Anger 50 	[She shakes her head... then stops mid-way, frowns... then tilts her head, as if thinking. She seems lost in thought for a moment.] 	
 	Or a woman? 	Happy 20 	[She glances at you, as if caught, then she smiles slightly, but there's an edge to it. Then she shakes her head, slowly, once.] 	
 	An... angry, bearded... man. 	Neutral 50 	{SCRIPT: Knows that Elijah is in Pip-Boy} [She points at your Pip-Boy.] 	
 	An... angry, bearded... man. 	Neutral 50 	[She nods, looks concerned, taps the side of her head, and expands her hands.] 	
 	You were looking for a man in a Vault. 	Neutral 50 	[She shakes her head, points at your Pip-Boy again.] 	
 	You were looking for a Vault Boy? 	Neutral 50 	[She shakes her head, points at your Pip-Boy again and makes a talking motion with her hand.] 	
 	Someone smart. 	Neutral 50 	[She nods, then circles her ear.] 	
 	...and nuts. 	Anger 50 	[She nods, frowns.] 	
 	Sounds like it's pretty important to you to find this person. 	Anger 50 	[SUCCEEDED] [She frowns, raises two fingers, and has them walk together. Then she looks down on the two fingers, and her face becomes angry.] 	
 	Sounds like it's pretty important to you to find this person. 	Anger 50 	[Then she chops her hand down, and draws the two fingers apart. One of the finger she points at herself.] 	
 	So why would you waste time looking for him? 	Neutral 50 	[FAILED] [She pauses, looks at you for a second, then shrugs and shakes her head.] 	
 	I don't understand. 	Sad 50 	[She repeats the chopping motion, slower, then draws the two fingers apart. She looks sadly at one of the fingers.] 	
 	He cut you off from someone. 	Neutral 50 	[She nods.] 	
 	Family? Husband? 	Anger 50 	[She frowns, shakes her head, and even more so at husband.] 	
 	Oh - girlfriend. 	Neutral 50 	[She hesitates, then waves her hand.] 	
 	Uh... boyfriend? 	Neutral 50 	[She shakes her head.] 	
 	What, your wife? 	Neutral 50 	[She shakes her head, but rolls it side to side.] 	
 	Oh - girlfriend. 	Neutral 50 	[She hesitates, then waves her hand.] 	
 	Oh- girlfriend. 	Neutral 50 	[She hesitates, then waves her hand.] 	
 	You were more than girlfriends - lovers. 	Surprise 20	[She nods, and looks at you a little surprised.] 	
 	Unrequited? Or... 	Neutral 50 	[She shakes her head, draws the two fingers together, then shakes her head more emphatically.] 	
 	What, you think I don't understand love? 	Neutral 50 	[She raises an eyebrow, looks at you.] 	
 	I understand how important a loved one can be. 	Neutral 50 	[She nods slowly, studying you. She seems to be gauging you again.] 	
 	I understand how important a loved one can be. 	Neutral 50 	[She makes a slow circle motion after a moment, taps her wrist.] 	
 	How did you get here from the Gala Event? And onto this floor? 	Sad 50 	{Deliver this slow, thoughtful, seems like a dupe, isn't} The Gala went off, the Switching Station opened up - {to herself, rueful} thought the screeching in the Auto-Doc was bad, Station worse. 	
 	How did you get here from the Gala Event? And onto this floor? 	Neutral 50 	Got outside, saw the light show, and it was enough to make me run to the casino. 	
 	How did you get here from the Gala Event? And onto this floor? 	Neutral 50 	Also... it seemed like the lights and speakers were helping to guide me... guess your master wanted a back-up in case you died. 	
 	How did you get here from the Gala Event? And onto this floor? 	Neutral 50 	As for being assigned to this floor... maybe it's because of my new voice. Your guess is as good as mine. {Beat, sarcastic} Maybe it recognized me as a guest. 	
 	What weapons are you skilled at? 	Neutral 50 	[Christine draws a jagged lightning bolt in the air, pantomimes throwing a grenade, and then pulls an imaginary knife from behind her back.] 	
 	What weapons are you skilled at? 	Anger 50 	[Then she moves her feet shoulder width apart, holds hands up in a martial arts stance, then turns both hands into pistols, pantomimes rapid-firing.] 	
 	What weapons are you skilled at? 	Neutral 50 	[She then holds one pistol up, takes aim as if sighting along the barrel and does a single shot, ends with a nod.] 	
 	Energy Weapons, Explosives, Melee, Unarmed, and Guns. Is that all? 	Neutral 50 	[She nods. Once.] 	
 	You seem like you've been well-trained. 	Neutral 50 	[She shrugs slightly, then waits.] 	
 	Oh, is that all? Guess that'll do. 	Anger 50 	[She makes a disapproving frown, shakes her head.] 	
 	So after your speech about control, now you're going to use the collars like Elijah did? 	Anger 10 	{Frowns, slow} You know what... you're right. I don't need to use the same methods to kill you, and I shouldn't... it would make me as bad as Elijah is. 	
 	So after your speech about control, now you're going to use the collars like Elijah did? 	Anger 10 	{Cold, low} All right - forget the proximity frequency, we'll decide this ourselves. 	
 	NVDLC01ChristineSpeaker 	Anger 50 	[Christine stops, glances at the speaker, then glances at your collar, frowning.] 	
 	NVDLC01ChristineVaultHelpTopic01 	Neutral 50 	{Breaks into player's frequency while he's being blasted with turrets, urgency} Seeing what I can do to shut those turrets down from up here... come on... come on... {<AUDIO: From player's bomb collar. Christine tells the player that she's trying to bring the Vault's turrets down.>} 	
 	NVDLC01ChristineVaultHelpTopic01 	Anger 10 	...got it, two of 'em down... can't shut down the others - he's cut off access. {frustrated} Dammit! {Beat, cold} Put him down, bury him - whatever it takes! {<Christine succeeds in hampering the Vault's security turrets.><Christine lets the player know that two turrets are now disabled. She urges the pla} 	
 	NVDLC01ChristineVaultHelpTopic02 	Anger 50 	...got it, two of 'em down... can't shut down the others - he's cut off access. {frustrated} Dammit! {Beat, cold} Put him down, bury him - whatever it takes! {<Christine succeeds in hampering the Vault's security turrets.><Christine lets the player know that two turrets are now disabled. She urges the pla} 	
 	NVDLC01SuitesChristineVaultPasswordBark 	Fear 10 	{Hesitates, big moment} "Begin again - {slightly quieter} but know when to let go." {Christine hesitates for a moment, preparing herself to speak the password to open the Vault Elevator. A pregnant pause, then she delivers.} 	
 	NVDLC01DeanToChristineTopic01 	Anger 50 	[Christine studies Dean, frowns.] 	
 	NVDLC01DeanToChristineTopic01 	Neutral 50 	[Christine shakes her head slowly.] 	
 	NVDLC01DeanToChristineTopic02 	Anger 50 	[Christine frowns, tilts her head slightly.] 	
 	NVDLC01DeanToChristineTopic03 	Anger 20 	[Christine's eyes narrow.] 	
 	NVDLC01DeanToChristineTopic03 	Anger 50 	[Christine eyes narrow to slits.] 	
 	NVDLC01ETChristineSpeakerBark 	Neutral 50 	[Christine taps her collar, makes a sweeping gesture at the area, then begins to pulse her fingers outward, faster and faster.] {She's indicating speakers may be nearby.} 	
 	NVDLC01ETChristineVendBark 	Neutral 50 	[Christine nods at the Vending Machine, then makes a sweeping gesture with both arms and draws them to her chest.] {<After entering a room with a vending machine, Christine indicates to the player that it may be a good time to stock up on supplies>} 	
 	NVDLC01EndingChristine 	Sad 10 	{Christine Dead: Narration} Christine, scarred by her hunt for Elijah and unable to let him go, perished in the Sierra Madre Casino. {This plays if Christine died. Even though narrating, keep this on the somber side.} 	
 	NVDLC01EndingChristine 	Neutral 50 	{Narration} She never completed her mission, nor did she stop to consider what had driven her to accept the mission in the first place. {This plays if Christine died. Even though narrating, slightly judgmental.} 	
 	NVDLC01EndingChristine 	Sad 10 	{Narration} Obsession is another form of greed, a lesson that Christine never learned. {This plays if Christine died. Even though narrating, slightly judgmental and sad at the same time, as if shaking head.} 	
 	NVDLC01EndingChristine 	Neutral 50 	{Christine Alive: Narration} Christine, her mission complete, found new purpose as the Sierra Madre's warden. She watched over it silently - by choice. {This plays if Christine lives. Even though narrating, this ending is slightly stronger, more reverent.} 	
 	NVDLC01EndingChristine 	Neutral 50 	{Narration} Over time, the Ghost People came to see her as one of the Holograms. They would watch, silently, as she walked among them. 	
 	NVDLC01EndingChristine 	Neutral 50 	{Narration, a little tender here} At times, Christine thought of the Courier, who had kept Elijah's hand from her throat. 	
 	NVDLC01EndingChristine 	Neutral 50 	{Narration} The Courier reminded her of the {slight emph} other courier she had met in the Big Empty, and wondered if the two had found each other at last. {Big Empty is a location in Fallout.} 	
 	NVDLC01EndingChristine 	Neutral 50 	{Narration, quiet} She did not think of them again until she heard the legends of the Divide. {The Divide is another location in Fallout.} 	
 	NVDLC01EndingChristine 	Sad 10 	{Slow, reverent - this is quietly dramatic, ends on a sad downnote} The Divide, where the two messengers, the two couriers, fought beneath an ancient flag, at the edge of the world. {Slow, draw this to a close. Keep this quietly dramatic. This is forecasting a horrible, tragic event to come in a future adventure.} 	
 	NVDLC01GalaEventActivate 	Neutral 50 	[You hear banging from the speaker, as if someone is hammering on a wall with their fists.] 	
 	NVDLC01GalaEventActivate 	Neutral 50 	[You hear a tapping from the speaker... a series of sharp taps, then a slow, two taps.] 	
 	Now, now... I'll let you out when the event's over. Maybe. 	Neutral 50 	[The hammering stops for a second... and there's one final bang from the speaker, as if someone is smashing their fist into a wall.] 	
 	Christine? We're almost ready here. 	Neutral 50 	[A single tap comes from the speaker, then silence.] 	
 	NVDLC01GodToChristineTopic01 	Neutral 50 	[Christine narrows her eyes, gets into a combat stance.] 	
 	NVDLC01GodToChristineTopic02 	Neutral 50 	[Christine frowns.] 	
 	NVDLC01WTChristineGalaBark 	Neutral 50 	[Christine flicks her finger back and forth quickly like a switch, then nods to the north.] {<Indicates to the player that the Switching Station is to the north>} 	
 	NVDLC01WTChristineRoofBark 	Neutral 50 	[Christine frowns, looks upward, then back at you. She nods her head upwards, then makes the motion of holding a gun at the ready.] {<Indicates that it might be safer to find higher ground>} 	
 	NVDLC01WTChristineSmallSpaceBark 	Fear 20 	[Christine's eyes dart around at the walls and the ceiling. She glances at the exit, then takes a slow breath. Sweat appears on her brow.] {<When entering a small underground room Christine indicates that she doesn't like small spaces and would prefer to be above ground>} 	
 	NVDLC01WTChristineTerrifiedSoundBark 	Neutral 50 	[Christine's eyes dart in the direction of the screeching sound. She looks frightened and trembles slightly, as if fighting an urge to run.] 	
 	PLAYER IN IRON SITES 	Neutral 50 	[Christine frowns, points at your collar, then hers.] 	
 	PLAYER LAY MINE 	Neutral 50 	[Christine points at mine, then taps her temple.] 	
 	PLAYER THROW GRENADE 	Neutral 50 	[Christine covers her ears.] 	
 	Just die, tired of listening to you anyway. 	Anger 50 	{Cold, determined} Silence suits me fine. When your master shows, I'll deal with him, too. {< Christine talks smack back and starts the fight. "Master" is delivered with disgust.>} 	
 	What do you want to say? 	Neutral 50 	{Takes a breath} I've been hunting the one who hijacked your Pip-Boy, Elijah, for... some time. {< voice is restored. Christine tells the player about her mission to kill Elijah. >} 	
 	What do you want to say? 	Neutral 50 	{Deadly serious} He {emph} cannot leave the Sierra Madre alive. What he's done... what he's done here is nothing compared to what he's done in the past. 	
 	What do you want to say? 	Neutral 50 	The only way to bring him out is if you get to the vault... he won't allow you to go down there {emph} alone. That's when we kill him. 	
PlayersaystheywerehappytodoitandChristineshouldtakeoffTheyllhandletherest	Just glad you're safe. Hold up here, I'll take care of Elijah. 	Neutral 50 	{Studies player, thinks the player is worth it} Good luck. He's... not an easy opponent. If I can, I'll help. {Beat, thinking} Might be able to figure something out using the Sierra Madre's computer systems. {< voice is restored. Christine wishes the player good luck and walks over to the intercom to disable security. >}	
== Conversation ==
TOPIC	TOPIC TEXT / PROMPT 	EMOTION 	RESPONSE TEXT 	#
 	Goodbye. 	Neutral 50	[Christine nods.] 	
 	NVDLC01ChristineDialogueClinicBark 	Anger 10 	[Christine stares at the headless corpses for a second. Then she makes a slow, angry scowl.] 	
 	NVDLC01ChristineCloudBark 	Neutral 50	[Christine sniffs the air, then touches her neck and frowns. She gestures at the air and taps her wrist.] 	
 	NVDLC01ChristineDialogueCloudTerminal 	Neutral 50	[Christine looks around, then nods toward a terminal on the far side of the room.] 	
 	NVDLC01ChristineDialogueGala02FirstDoor 	Neutral 50	[Christine points to an electrical box on the wall, and twists her hand.] 	
 	NVDLC01ChristineDialogueGala02JumpBark 	Neutral 50	[Christine shakes her head as you approach the edge of the catwalk. She turns away from the catwalk and begins looking around.] 	
 	NVDLC01ChristineDialogueGala02ToxicCloud	Neutral 50	[Christine nods at the toxic cloud below, then makes a walking motion with her fingers and slowly shakes her head.] 	
 	NVDLC01ChristineGenericIdle 	Pained 10 	{Coughs, getting her voice back} The quick... the quick scribe... jumped over the lazy paladin. {Script Notes: Christine has just gotten her voice back. It's a little sore, new, and she's testing it out. These lines would also be duped for the ra} 	
 	NVDLC01ChristineGenericIdle 	Pained 10 	{Warming up her new voice, a little tender} Mi-mo-mih. {Script Notes: Christine has just gotten her voice back. It's a little sore, new, and she's testing it out. These lines would also be duped for the ra} 	
 	NVDLC01ChristineGenericIdle 	Pained 10 	{Warming up her new voice, a little tender} This is Knight Christine Royce, of the Brotherhood... {emphasizes last two words} Christine Royce. {Script Notes: Christine has just gotten her voice back. It's a little sore, new, and she's testing it out. These lines would also be duped for the ra} 	
 	NVDLC01ChristineGenericIdle 	Pained 10 	{Coughs, warming up her voice} Ugh... feels like a sore throat - after chewing on nails. {Script Notes: Christine has just gotten her voice back. It's a little sore, new, and she's testing it out. These lines would also be duped for the ra} 	
 	NVDLC01ChristineGenericIdle 	Pained 10 	{Coughs, beats} Sounds like I smoked a mile of cigarettes. {Script Notes: Christine has just gotten her voice back. It's a little sore, new, and she's testing it out. These lines would also be duped for the ra} 	
 	NVDLC01ChristineGenericIdle 	Pained 10 	{Shakes head, feeling bleh} Feels like the Cloud crawled in my mouth and died. {Script Notes: Christine has just gotten her voice back. It's a little sore, new, and she's testing it out. These lines would also be duped for the ra} 	
 	NVDLC01ChristineGenericIdle 	Neutral 50	{Testing out how words sound} Chris-tine. Chris-tine. Hello. Hello. Hello. {Script Notes: Christine has just gotten her voice back. It's a little sore, new, and she's testing it out. These lines would also be duped for the ra} 	
 	NVDLC01ChristineGenericIdle 	Neutral 50	[Christine makes a sweeping motion of the room, does a deep inhalation, then gives a thumbs up.] 	
 	NVDLC01ChristineGenericIdle 	Neutral 50	[Christine sniffs the air, then gives a thumbs up.] 	
 	NVDLC01ChristineGenericIdle 	Fear 50 	{Confined space} [Christine's breathing quickens, and her eyes dart around the walls.] 	
 	NVDLC01ChristineGenericIdle 	Fear 50 	{Confined space} [Christine seems to be sweating heavily, and her hand is twitching slightly. She looks ready to bolt.] 	
 	NVDLC01ChristineGenericIdle 	Fear 20 	[Christine nods at the ground, points at her eyes, then points at the ground again, as if in warning.] 	
 	NVDLC01ChristineGenericIdle 	Neutral 50	[Christine motions at ground, makes a snapping motion with her hand, then taps her eyes and pantomimes walking slowly, looking in front of her.] 	
 	NVDLC01ChristineGenericIdle 	Fear 10 	[Christine scans the area. She seems on edge, checking the arcades and arches for movement.] 	
 	NVDLC01ChristineGenericIdle 	Neutral 50	[Christine makes a motion of loading a fake gun, then suiting up.] 	
 	NVDLC01ChristineGenericIdle 	Anger 10 	{Slight frustration} Can't believe I came all this way to have my voice stolen. {Script Notes: Christine has just gotten her voice back. It's a little sore, new, and she's testing it out. These lines would also be duped for the ra} 	
 	NVDLC01ChristineGhostBark 	Anger 20 	[Christine's eyes narrow. She raises an index finger, as if listening, then points ahead grimly and pulls back an imaginary trigger.] 	
 	NVDLC01ChristineDialogueGhostDeadBark 	Neutral 50	[Christine nods at you, then the Ghost Person on the ground, makes a neck-chopping motion.] 	
 	NVDLC01ChristineSuiteIntro2 	Neutral 50	{Thinking, determined} Should be able to rewire them, failing that, shoot them, {beat, backpedals, slight frustration} although that'll alert the others, they're on a linked patrol pattern. 	
 	NVDLC01ChristineSuiteIntroBad2 	Anger 50 	Leaving me in that goddamn elevator in the dark? You'll beg me to do the same to you while the Holograms are tracing lasers across your face. 	
 	NVDLC01ChristineDialoguePoliceBark 	Neutral 50	[Christine studies the area, then the Police Station. She pretends to unload a weapon and holds up the imaginary cartridge, waving it.] 	
 	NVDLC01ChristineVendingBark 	Anger 50 	[Christine looks at the machine and frowns. She points at the narrow slot on the side and raises an eyebrow.] 	
 	NVDLC01ChristineGalaPositionBarks 	Fear 10 	[Christine motions to you, points at the door uneasily, then makes a pulling motion with her hand. She seems hesitant to go near it.] {<She is signaling this is where the event takes place.>} 	
 	NVDLC01ChristineSuiteIntro 	Neutral 50	{More military professional} All doors are locked down, security's activated - and emitter signals are lighting up all over this floor. {Beat, comes to a decision} I'll do what I can from here. {<Christine's is determined, building strength - she's going all military precision here, even with wounded voice.>}	
 	NVDLC01ChristineSuitesBarks 	Pained 50 	{Pained} If it's who I think it is, this is Christine... recovered. {Starts getting voice back, surveying room, professional} In what looks like an Old World hotel room, high class, two rooms - {beat} exit's sealed. {<Christine's voice is a little ragged in this sequence, it just healed up.>} 	
 	NVDLC01ChristineSuitesBarks 	Neutral 50	Floor's got holographic security. {Beat, recalling info, under her breath} Not latest tech, field of view targeting systems, primitive. {Under her breath} Familiar. 	
 	NVDLC01ChristineSuitesCollarOff 	Anger 20 	{First bark} Need to reset this damn thing... switching the frequencies... come on, come on... 	
 	NVDLC01ChristineSuitesCollarOff 	Anger 10 	{Under her breath, slight frustration} Resetting signal... resetting signal. 	
 	NVDLC01ChristineSuitesCollarOn 	Happy 20 	{Smug, player walked into a trap} That's it... signal frequency's hot, let's see how you deal with this. 	
 	NVDLC01ChristineSuitesCollarOn 	Anger 50 	{Anger, player's rushing at her for melee combat} Switching frequency, asshole. 	
 	NVDLC01ChristineSuitesCollarOn 	Anger 50 	{Anger, player's rushing at her for melee combat} Switching frequency, bitch. 	
 	NVDLC01SuitesCollarScanning 	Anger 50 	{Under her breath, pissed} Think you can run? The longer you try and keep your distance, this scanning frequency will flush you out. 	
== Combat ==
TOPIC	TOPIC TEXT / PROMPT	EMOTION 	RESPONSE TEXT 	#
 	AcceptYield 	Anger 50 	[Christine checks herself, stops attacking, looks angry, points at collar.] 	
 	ArmorIneffective 	Anger 30 	[Christine quickly taps what she's wearing, makes a hatchet motion.] 	
 	Assault 	Neutral 50 	[Christine points at your collar, then hers.] 	
 	Attack 	Anger 20 	[Christine narrows her eyes, and her stance changes.] 	
 	AvoidThreat 	Surprise 30	[Christine makes frantic motions with her hands.] 	
 	Crippled 	Pained 30 	[Christine taps herself, then waves her hand - she looks in pain.] 	
 	Death 	Pained 20 	[Christine clutches her collar as she falls, clawing at it.] 	
 	FireExplosive 	Neutral 50 	[Christine waves for you to get back, makes throwing motion.] 	
 	Flee 	Pained 20 	[Christine shakes her head, waves at you to follow.] 	
 	Frenzy 	Anger 20 	[Christine's face peels back in a snarl.] 	
 	HealthHalf 	Neutral 50 	[Christine winces, then tries to hide it.] 	
 	HealthQuarter 	Pained 20 	[Christine winces, clutches her side.] 	
 	Hit 	Neutral 50 	[Christine takes the blow, doesn't flinch.] 	
 	KOed 	Neutral 50 	[Christine's eyes blank, and she falls.] 	
 	KnockedBack 	Neutral 50 	{TEMP: No line needed.} 	
 	NoAmmo 	Disgust 20 	[Christine taps her gun in frustration.] 	
 	OnFire 	Neutral 50 	[Christine begins to beat at the flames on her body.] 	
 	Poison 	Pained 10 	[Christine looks at you, touches her throat, frowns.] 	
 	PowerAttack 	Neutral 50 	{TEMP: Not sure needed. Power attack.} 	
 	Regenerating 	Neutral 50 	[Christine blinks, takes a breath, then nods.] 	
 	Steal 	Disgust 30 	[Christine narrows her eyes, then shakes her head and waves you off.] 	
 	UsedDoctorBag 	Neutral 50 	[Christine checks herself, gives the thumbs up.] 	
 	Wake 	Neutral 50 	[Christine shakes her head, gets quickly back on her feet.] 	
 	Wake 	Neutral 50 	[Christine quickly leaps to her feet, narrows her eyes, and scans the area.]	
 	WeaponIneffective 	Anger 30 	[Christine taps her weapon angrily, assumes defensive stance.] 	
== Detection ==
TOPIC	TOPIC TEXT / PROMPT	EMOTION 	RESPONSE TEXT 	#
 	AlertIdle 	Neutral 50	[Christine raises her hand, and starts scanning the area.] 	
 	AlertToCombat 	Neutral 50	[Christine motions to you, points.] 	
 	AlertToNormal 	Neutral 50	[Christine does one final scan, then shakes her head, and motions forward.]	
 	CombatToLost 	Neutral 50	[Christine narrows her eyes, shakes her head.] 	
 	CombatToNormal 	Neutral 50	[Christine scans the area, then relaxes slightly.] 	
 	LostIdle 	Anger 20 	[Christine scans the area intently.] 	
 	LostToCombat 	Neutral 50	[Christine's eyes narrow, points.] 	
 	LostToNormal 	Neutral 50	[Christine scans the area, then shakes her head.] 	
 	NormalToAlert 	Neutral 50	[Christine holds up her hand, pauses, then starts scanning the area.] 	
 	StartCombat 	Anger 10 	[Christine's eyes narrow, stance changes.] 	
== Radio ==
TOPIC	TOPIC TEXT / PROMPT 	EMOTION 	RESPONSE TEXT 	#
 	NVDLC01RadioChristineAct1	Neutral 50	<AUDIO: Mikey, this line needs to dupe the horrible saw-like whirring sound effects of Christine's Auto-Doc in the Clinic, so the PC can track it.> { } 	
 	NVDLC01RadioChristineAct1	Neutral 50	[Christine narrows her eyes, gets into a combat stance.] {Since this is a radio conversation there should be some shuffling sounds} 	
 	NVDLC01RadioChristineAct1	Neutral 50	[Christine studies Dean, frowns.] 	
 	NVDLC01RadioChristineAct1	Neutral 50	[Christine shakes her head slowly.] 	
 	NVDLC01RadioChristineAct1	Neutral 50	[Christine frowns, tilts her head slightly.] 	
 	NVDLC01RadioChristineAct1	Neutral 50	<AUDIO: After freeing Christine, she's at the fountain or at the Clinic alone.>{Normal Christine breathing.} 	
 	NVDLC01RadioChristineAct1	Neutral 50	[STATIC] {Static Sound} 	
 	NVDLC01RadioChristineAct2	Neutral 50	[Christine frowns.] {This will need some sound effect.} 	
 	NVDLC01RadioChristineAct2	Anger 20 	[Christine's eyes narrow.] 	
 	NVDLC01RadioChristineAct2	Anger 50 	[Christine eyes narrow to slits.] 	
 	NVDLC01RadioChristineAct2	Neutral 50	<AUDIO: If the player hasn't dropped Christine off at the Gala Event and she is alone at the fountain, this will be crackling silence.>{Clicking or Christine breathing, "normally" for her.} 	
 	NVDLC01RadioChristineAct2	Neutral 50	<AUDIO: After Gala Event, not Act 3 yet.>{Frantic beating on the elevator door, desperate breathing, sounds of Gala event in streets above, muted.} 	
 	NVDLC01RadioChristineAct2	Neutral 50	<AUDIO: If the player has left Christine at the Gala Event in a "good" way, this is the signal that will play.> {Christine is breathing slightly faster than normal, no banging or panic. She taps on metal, as if tapping a message in Morse code for "hurry up" - if}	
 	NVDLC01RadioChristineAct2	Neutral 50	<AUDIO: If the player has left Christine at Gala Event and she hates the player, she'll bang on the doors of the elevator to be let out.>{Hammering on door, desperate, her breathing ragged and panicked.} 	
 	NVDLC01RadioChristineAct2	Neutral 50	[STATIC] {Static Sound} 	
 	NVDLC01RadioChristineAct3	Neutral 50	<AUDIO: Christine after Executive Suits, killed her. Static.>{Nothing but a flatline signal.} 	
 	NVDLC01RadioChristineAct3	Neutral 50	<AUDIO: Needs radio filter for this, and ambient sounds outside suites after Christine has been saved and is speaking to herself.>{Mikey, we'll dupe Christine's radio barks while she's in the Exec Suites with her voice back and add a filter.} 	
 	NVDLC01RadioChristineAct3	Neutral 50	<AUDIO: Christine in Executive Suites.>{Christine breathing, normally, she sounds like she's walking around and doing stuff. Any ambient sounds from the suites should be duped.} 	
 	NVDLC01RadioChristineAct3	Neutral 50	<AUDIO: Christine after Executive Suites, still lost voice.>{Christine breathing normally, calm. Any ambient sounds from the suites should be duped.} 	
 	NVDLC01RadioChristineAct3	Neutral 50	[STATIC] {Static Sound} 	
 	RadioHello 	Neutral 50	<AUDIO: Christine's radio freq opener.>{Mikey, might make a few sec of crackling, static, or radio knob whirring/tuning, dupe it for other companions radio intro openers for simplicity.} 	
 	RadioHello 	Neutral 50	<AUDIO: Christine's radio freq opener.>{Mikey, might make a few sec of crackling, static, or radio knob whirring/tuning, dupe it for other companions radio intro openers for simplicity.} 	
 	RadioHello 	Neutral 50	<AUDIO: Christine's radio freq opener.>{Mikey, might make a few sec of crackling, static, or radio knob whirring/tuning, dupe it for other companions radio intro openers for simplicity.} 	
Category:Dead Money dialogue files
ru:DialogueExportNVDLC01Christine.txt