Babes in Toyland

Babes in Toyland, established in Year 94 was a Grunge band that has been heavily attributed to the Hardcore Punk scene, however, many consider it the second earliest example of the Hardcore Genre, with Cro-Mags being the first.
The band consisted of Punk Legend, Clementine Di Angelo, the former bassist of Grunge-Punk band L7, and Rhythm Guitarist of Hardcore Punk/Hardcore band Cro-Mags as the vocalist and guitarist, Alongside up and coming musician Janessa Wahl on bass guitar, and Marian Mcarthi former drummer of Grunge-Punk band L7 as the drummer, a powerhouse trio that is known for their talent and harshness with their instruments.  
The band formed only a month after Clementine Di Angelo’s departure and break up of Cro-Mags. Clementine contacted her former bandmate, Marian Mcarthi to form a new band with her, Marian quickly accepted the request and they would begin putting flyers around Gilneas in order to find a Bassist. They eventually hired young and aspiring bassist, Janessa Wahl, who impressed them with her skill with a bass guitar.
The trio officially christened themselves "Babes in Toyland" after the eponymous book penned by feminist author Jennifer Harrison, a prominent figure in Azeroth who is considered the first feminist. 
Seeking to record under Flipper Records, owned by Jackson Nazrim Shatterfly, the band's all-female lineup sparked enthusiasm in the studio owner, who eagerly welcomed them aboard.
Their sound marries Cro-Mags' ferocity, L7's Grunge distortion, alongside TAD and Hole’s raw aggression.
In Year 95, they unveiled their debut album "Spanking Machine," a pivotal contribution to the Riot Grrrrl Punk movement's evolution. While rooted in their Hardcore Punk origins, the album showcases distinctive instrumentals reminiscent of the Hardcore genre pioneered by Cro-Mags. This captivating sound resonates with the youth and women of Gilneas.
However, Critics often took aim at the band's perceived vulgarity, citing tracks like "Swamp Pussy" from their debut album "Spanking Machine." Some dismissed them as immature shock value, but Clementine defended their stance: "If that offends you, then every male band should too."