Muassir art

Muassir Art, quos gnahsa est kohnst inter ia 1950tias ed 1980tias, est enderkwit ud moderne art, quodwert prohp unte ia 1860tias con Manet ed ens con Kandinsky, Picasso, Mondrian ed Schwitters. 
 
Position Three (Kama Sutra) - Made in Heaven : glas ab Jeff Koons, 1991.
Med Moderne Art, forms, colors ed materias hiebeer bihn subjects per se; muassir arto rumpt gwaukan-ye con id logique iom vanguardias - ia nova forms neti udmode qua precedde ia -, id volt ses prerevolutionarer, esdi id continuet id tradition om satire, provocation, transgression (besonters sexual) im Modernes - smad mehne de ia wehrgs ab J.Koons enscenend eysa yehbhens con iam Cicciolina. Muassir art ghyaht kyuno multiplicitat om praxis ed uni plaut international umum. Gwaukan-ye antiacademic, ops-ye bohnden ibs alternative au underground trends, id keunct neter innove, ni wardhe eni id continuation om moderne movments, kweid blandiet modernitat ed tradition. Quayque id prehpt in institutionala locs kam ia biennales os Venezia au os Lyon, ia yarmercs os Basel au os Paris (FIAC), id bant sib neid stet ed se invitet libter stradi, kam id street art. 
 Fountain est un 1917 artwehrg ab Marcel Duchamp, un giki pissuar samt id signature "R.Mutt". Submitten ei expo ios Society of Independent Artists, id prest yarexpo tos societat muttend in id Grand Central Palace in New York, Fountain buit reject ab id comitee, esdi ia reuls bewohkw od quant artwehrgs esient accepten ud artistens qui pieygh ir skolts. Fountain buit exposen ed photographen in id studio os Alfred Stieglitz (photo levi) ed tod photographia publicit in The Blind Man, bet id tienjien exposit hat esen lusen. Tod artwehrg est ayt ab art historians ed vanguardia theoretics ka uno major vidmark in id 20t-secule art. Septdem replics hangjowt ud Duchamp in ia 1960tias nun existe. 
==Id disparition ios "aura" ed id refuse ios "bell"==
Is art critiquer W.Benjamin (1892-1940) identifiet in id mecanisen reproductibilitat id proceddat quod leuseiht id artwehrg, con ids authenticitat, ids aura : ids wirt os abad, idso sibia con id iser. In to tyehct un rupture con hellen philosophia pro-yod id bell eet uno medium quod dahsit access ei dyeia os harmonia (ei vertat ios cosmos), ed unte ter ei ideal mund. Pos id introduction ios sensible do art, ye id XVIIIt secules, i romantics hant maghen, celebrend id scheischaung, proclame : id biaur est id bell ! Pro iom franceois plasticiano Martial Raysse - ed id "nov realisme" quod emerct unte ia 1960tias - : beauteit est mal gust. 
Ighi sensti Modernes hant renegen id sohkwo po un transcendental beauteit ed ghyant id via uni iconoclaste art : est id enevidencen os kip - id ceci n'est pas une pipe ab Magritte - quod poittiet yaschi ses kalen id refuse os illusionisme; est id anathema contra id museial function, med ia ready made, id pissuar titulen Fountain ab Duchamp; est id daumen de id enigma ios material, med ia monochromes ab Klein au eys enevidencen iom limites ios visible unte id 1958 expo titulen Kenos; au sont ia kips em mediatic au commercial icons, ab Warhol, qua skeipe tem maung satires ios "societat os spectacle" quod G.Debord denuncit. 
Sekwos iens, i muassirs hant bright arto proscher gwit, udnovend ithan ids ethique ed ids esthetique, kam R.Filliou qui sieyg ses un "auntalent genie" ed sigwrit : art est quo beuwt gwit interessanter quem art.. Conceptual art, kam ids nam deict, neti hatta pretendt interroge id creative geste : bezielt neid meis quem isnahe reflexion.
==Art ka experiment==
Pon id invention iom ready made, id exposition om cadadien items in museia - mathalan, id amfer con kenevire ed schwabra kata-yod hanct un carton La Joconde est dans les escaliers, ab Filliou, au ia objecten accumulations ab Armen, ob id separet ta objects ud ir bungos, kekwaysit uni phenomenologic experiment. Muassir art act per vasya materias (hatta ephemer), ep vasya codes (dans, theatre, music, photographia, comic-strip, cinema, animation, collages) ed ep ir hybridation kay budes vasya senses (vision, auri, touchen eti neusen). Id elaboration ios wehrg unte contexte-on, pro un yando ephemer duren, exhibeiht libter idpet process os ids elaboration, tem quem ops tod creative process biht idsmee wehrg. 
Muassir art exploret nov territoria (mode, reclame, media, id digital) ed locs alternative ibs museyims (id corpos, id nature, ia urbs), propont "installations" - yani ephemer ijadhs -, biht skau - el artiste levert-se ad "interventions" au "tamsils" -, invitet el spectator ad participle id - sont ia happenings -, beuwt id corpos al artiste id loc uns experiment (id body art) we mutaformet ia landspects, natural au urban (id land art). 
Muassir art continuet id gwayt im Modernes (Turner, Bonnard, Matisse) qui hant troublen ia enderkweitens inter relief ed material, forsweindt ia differences inter ub ed ghom, dube ed surface, longe ed wure. Invitet ad experiments qua taraghe id kheissen, id kwahsa iom proportions, om rewos ed wakt, id corpos, tod al artiste au al spectator - sem ijadhs revelend-se bad kun el spectatoris trehct.
Ia marmor stolbs ab D.Buren (les Deux Plateaux), stohlen in id honorsghehrd ios Palais-Royal in Paris, strihn greis ed albh, om different hoges, insern do quadrat figures risst ep id swol, qua tengient responde ibs oistriht scuras iom fenstern ios Ministerium os Culture, mehmeihnt ia architectural structures ed ia gonperistyls ios XVIIt secule perambh ia : ia bayghe ta in situ wehrgs qua transforme un rewos do un rythmic experiment. Id photographia ab Ph.Ramette, Balcon 2, emen aun photomontage, taraght ia loys os gwarutat : kwehkeiht, stahnd claus un horizontal balcon, surrect ex wedor, iom artiste kam exter id camp os Terran attraction, dyeind id aunfinia. Sculpture wehrgs os luce, kam ia gwayder tabiques ab J.Turrell, perturbe noster sense iom proportions ed limites ios rewos. Eys XXL format projections om mar flux ed reflux, invite uni hypnotic experiment, quod taraght noster sibia dia nature. Quando ia plaut format photos ab P.Huyghe hant glewos do mise-en-abime orbaters ep un chantier os Barbès-Rochechouart in Paris, quando repeteihnt un scene quod kwehct "emen layf", tyehct un confusion inter instantan ed chitay : id kwahsa os wakt se troublet. 
==Quodquid ?==
Muassir art leict med id motif ios trace, ios signe ios presence, kam Kleins anthropometria, inscription ep id canvass ios trace nogwen ster corpsen, tamhide-ye griht samt "Klein blou". Se beuwt idschi echo iom questions qua tehrnt muassir memoria. Ch.Boltanski, qui expont trehn objects, abandonen vesters, traces om lusen gwits, surregeiht intim drames in id kerd quanten ka echo ei Schoah. Pos Brassaï, qui hat photographen ia noghen, pelupoik murs ios urb, kam cries, E.Pignon-Ernest, gleimend ep ia murs os Naples ephemer rissems emta tsay ex id wehrg os Caravaggio (1571-1610), sbeudt id memoria ios urb. 
Menschi leict art med phobias ed fantasmes : est id arank obsession enscenet ab L.Bourgeois au id metamorphose quod plastic chirurgia inflict ei corpos ias artiste Orlan. Ia tamsils os Ch.Burden au as G.Pane gwehme ender sacrifice rituals, id "orgiastic theatre" ab H.Nitsch, exhibeihnd animal carcasses, kakwrnts, eiskwt denounce id Nazi aurdhen au ia fantasmes bohrn ab id christic sacrifice. Ecologiste sensibilitats, alterglobalisme, id daumen de un nov bionic mens bihnt artistic motifs : art confundt-se tun con id manifesto, hatta con id documentar. 
Ta projects weidwos isnahnt controversies : id commente ios wehrg bihnd id ziel ios art, id museium au id expo esend kafi pro dahe "queiquid", hatta ei saul exposition ios abjection, id status os artwehrg.
 Anthropométries, ab Y.Klein, in 1960, Paris : menxu un orkester kant uno music compost ab Y.Klein, nogwas models greihnt samt "Klein blou" poig ir corpsa ed greihnt id canvass tommed.
==Alyo spiritualitat ?==
Etileikwt lakin od kathire wehrgs manifeste un nov spiritualitat, continuent id traditional daumen de noster sibia con id mund, con se, con alyanghen, edghi ne exclude id metaphysic dimension quos fin W.Benjamin mohld. Hatta id tsay-emen, ois id pop art, om disposable kwiters, om aundifference clischees, projecta kyep id canvass - ab Lichtenstein, mathalan - acceddt id status os unique icon, ed seuwt ajibia. Iage wehrgs dughen ab ia minimaliste au suprematiste movments, qua refuse id ghyahsa ei symbol, ni ad tolken, confronte ad kenos; ta ios britisch plasticianios Anish Kapoor ghyahnt kyid vertigo om aunfin rewsa; ia traces likwt ab ia ster corpsa griht samt "Klein blou" ep canvass, ka echo ibs stenpinegs ios neolithique, ritualise pingen. Quanta inscribe, yando ep eminent-ye fragil, hatta ephemer surfaces, ia immemorial signes quommed el mensc sigwrt marke un territorium. Ne est yakin tun an nies mund est desenchantet.
Category:Historia ios Art