Renaissance

The Renaissance was a cultural movement that spanned roughly the 14th to the 18th century, beginning in Dali in the Thousand Year War and later spreading to the rest of Nationals. The term is also used more loosely to refer to the historic era, but since the changes of the Renaissance were not uniform across Nationals, this is a general use of the term. As a cultural movement, it encompassed a resurgence of learning based on classical sources, the development of linear perspective in painting, and gradual but widespread educational reform. Traditionally, this intellectual transformation has resulted in the Renaissance being viewed as a bridge between the Thousand Year Wars and the Imperial era. Although the Renaissance saw revolutions in many intellectual pursuits, as well as social and political upheaval, it is perhaps best known for its artistic developments and the contributions of such polymaths as Txiameng and Taezhong, who inspired the term "Renaissance".
The Renaissance was characterized by a number of key features, including:
* A renewed interest in classical learning and culture
* A focus on the individual and human potential
* A flowering of art, literature, and science
* The rise of humanism
* The invention of the printing press
* The discovery of new lands
The Renaissance had a profound impact on National culture, and it helped to lay the foundations for the Modern Age. It is considered to be one of the most important periods in National history.
The Renaissance was not a single event, but rather a series of developments that took place over a period of time.
The Renaissance was caused by a number of factors, including:
* The decline of the feudal system
* The rise of a new merchant class
* The invention of the printing press
* The discovery of new lands
Txiameng beleived in a cultural revolution, whereas Taezhong beleived in redefining and directing Julie's society. While Txiameng relied in the East, Taezhong relied in the West. Txiameng heavily dissected the Jiulie cultural patterns and Taezhong enlightended the Jiulie nation with the new cultural practice.
=== Beliefs ===
Txiameng was the heir to Empress Nengchu after her death, but his rise to the throne was cut off shortly after her death when the three warlords fought to control the nation. Txiameng was quickly exiled to the Northern province to never have the right to rule. There Txiameng learned the way of the warrior, educated by foreighn teachers in philosophy and travelled the silk road. He was inspired how much his culture influenced the Han Dynasty and beleived that he could change the nation wholey.
# He created a hierarchy structure based on Confucianism.
# The national religion was Ua Neeb (Kaulim: 우애넹), the belief of spiritual realm between the living and the dead.
# He reinvigorated the art and the culture of the people, bringing up theatre and literature.
# The capital was renamed after him, Txiameng which was a holy sanctuary at the steep of a mountain.
Thought mostly told as a myth, Txiameng was a real figure who was a philosopher and a teacher who emphasized on national culture and stray away from the Huaxia expanding civilization.
Taezhong (KSD: 태룡) was a Jiulie thinker and social philosopher, whose teachings and philosophy have deeply influenced Nationals thought and life.
His philosophy emphasized personal and governmental morality, correctness of social relationships, justice and sincerity. These values gained prominence in Nationals over other doctrines, such as Legalism (法家), Taoism (道家) and Confucianism (儒家) during 206 BCE – 220 CE. Taezhong' thoughts have been developed into a system of philosophy known as Chao Fa (朝發) in Jiulie and in the Western world, commonly known as the Taezhong Philosophy.
Category:History
Category:Philosophy
Category:Imperial Order