Siskel & Ebert at the Movies (Johnsonverse)

Siskel & Ebert at the Movies (originally Siskel & Ebert & the Movies and later Siskel & Ebert) is an American movie review television program produced by Johnson Television in which two film critics share their opinions of newly released films. Its hosts are Roger Ebert and Gene Siskel, the former hosts of Sneak Previews on PBS (1975–1982) and the similarly-titled syndicated series At the Movies (1982–1986).
The series has been nominated for Primetime Emmy Awards twelve times and also for Outstanding Information Series, the most recent nomination occurring in 2017. It is widely known for the "thumbs up/thumbs down" review summaries given by Siskel and Ebert. The show airs in syndication in the United States and on CTV in Canada; the show has also aired throughout the week on the cable network ReelzChannel.
== Broadcast history ==
===Predecessors===
The show's origins and format trace back to Sneak Previews (1975), a PBS series produced by WTTW that originally featured Roger Ebert and Gene Siskel, and At the Movies, a follow-up show that the two critics created with Tribune Entertainment.
===Series===
The series itself began in September 1986 as Siskel & Ebert & the Movies, when Siskel and Ebert signed with Johnson Television, the television division of Johnson Industries. The title of the show was shortened to simply Siskel & Ebert in mid-1987. The program records in the studios of WGN, Chicago's WBC owned-and-operated station.
Siskel and Ebert often have notably divergent tastes, and as a result, heated arguments and spats added to the series' popularity. Many viewers consider such "fights" to be the highlight of the program. In joint appearances on the talk show circuit, especially on David Letterman's shows, the two critics indicated a mutual respect and friendship off screen. Widely circulated outtakes from promo-recording sessions show the two both bickering and joking off-air.
On the weekend of September 4–5, 1999, the title sequence, opening music, and graphics, which had been in use since the show's 1986 debut, were updated.
Over the summer of 2007, the show's official name was changed to Siskel & Ebert at the Movies, although the show's main title graphics continued to use the shortened name until September 2008. Siskel and Ebert appeared together in an episode of Entourage that aired on September 6, 2008, in which they played themselves using their show to lambast the fictional film Medellin.
Starting in 2011, a new opening sequence was created to replace the 1999 intro, with the accompanying graphics also replaced. The 1999 theme was retained.
In the spring of 2020, due to the COVID-19 pandemic, the series instead filmed at Siskel and Ebert's homes, and the intro was shortened to just showing the beginning title card with a shortened version of the theme song. The first sign of normalcy came in June, when the show again filmed at the studio, though Siskel and Ebert sat farther apart from each other and the shortened intro was still used. The opening sequence was once again updated in 2022, with the 1999 theme being retained.
==Review style==
The hosts review a number of recently released and soon-to-be-released movies per episode, taking turns providing a narrative critique interspersed with studio-supplied clips, moving into a back-and-forth debate over the merits. Siskel and Ebert are especially known for sharp criticism that veered close to personally attacking each other, although they have insisted this was largely a television act rather than a feud.
The show also recommends films coming on the home video market, including comments on DVD special features.
Reviews from the week's show are posted on the website, siskelebert.com, usually on the Tuesday following the show's airing. The site's archives feature reviews from as far back as the Sneak Previews era.
==Review trademarks==
===Thumbs Up/Thumbs Down===
Since 1981 (as a test run, used permanently since the Tribune At The Movies incarnation in 1982), Siskel and Ebert approve/disapprove the films they reviewed with a "thumbs up" or "thumbs down" as a bottom-line recommendation on whether to see a reviewed movie or not. This system departed from the longstanding tradition of ratings with a number of stars or other symbols. As the show became more influential, studios would proudly advertise when their movie got "two thumbs up". In response, the phrase was trademarked in 1995 to ensure against fraudulent use that would endanger its credibility. The critics frequently qualify their recommendations (e.g., "a mild thumbs up" or "two thumbs way down") in their remarks, but the official rating remains simply positive or negative. Prior to their 1982 move to Tribune, the critics approved/disapproved the films they reviewed with a yes/no verdict.
===Wagging Finger of Shame===
From 2005 to 2006, the show experimented with a "Wagging Finger of Shame" feature, denoting films that were not made available for a standard advance screening and therefore could not be given either a "thumbs up" or "thumbs down". Failure to prescreen a film for reviewers is generally considered an indicator of low confidence by the distributor, apparently believing that negative reviews would harm opening-weekend box office sales. Films so spotlighted included The Amityville Horror, The Fog, In the Mix, Æon Flux, Underworld: Evolution, and Date Movie. This public rebuke was discontinued when Siskel and Ebert both decided the studios were not taking it seriously. Siskel asserted that too many films (eleven in 2006 by April, compared to two by that date in 2005) were being withheld from critics.
===3 to See===
Introduced in 2008, "3 to See" is a segment appearing at the end of each show, in which Siskel and Ebert list their top three favorites of the movies currently in theaters.
==Special programming==
Occasionally, special shows were produced that focus on particular aspects of film or home video. The show gives the hosts a convenient soapbox to feature their opinions on such issues as film colorization, letterboxing, the MPAA film rating system, product placement, independent filmmaking, tax write-offs, and social issues. For instance, one episode, called "Hail, Hail Black and White", was shot in black and white with the pair in tuxedos as part of their focus on the virtues of black and white film. Regular episodes sometimes devoted a few minutes for the hosts to give their opinions of a current issue related to the motion picture industry or to pay tribute to something.
Also, at the end of every year, the two hosts would run down their choices of the top ten best films from that year, followed the week later by their rundown of their choices of the top ten worst films from that year.
As a critic, Siskel's first top ten list was in 1969; Ebert's had debuted in 1967. Over the life of their partnership, these are the two critics' #1 selections:
Year	Siskel 	Ebert
1969	Z 	Z
1970	My Night at Maud's 	Five Easy Pieces
1971	Claire's Knee 	The Last Picture Show
1972	The Godfather 	The Godfather
1973	The Emigrants 	Cries and Whispers
1974	Day for Night 	Scenes from a Marriage
1975	Nashville 	Nashville
1976	All the President's Men 	Small Change
1977	Annie Hall 	3 Women
1978	Straight Time 	An Unmarried Woman
1979	Hair 	Apocalypse Now
1980	Raging Bull 	The Black Stallion
1981	Ragtime 	My Dinner with Andre
1982	Moonlighting 	Sophie's Choice
1983	The Right Stuff 	The Right Stuff
1984	Once Upon a Time in America 	Amadeus
1985	Shoah 	The Color Purple
1986	Hannah and Her Sisters 	Platoon
1987	The Last Emperor 	House of Games
1988	The Last Temptation of Christ 	Mississippi Burning
1989	Do the Right Thing 	Do the Right Thing
1990	GoodFellas 	GoodFellas
1991	Hearts of Darkness 	JFK
1992	One False Move 	Malcolm X
1993	Schindler's List 	Schindler's List
1994	Hoop Dreams 	Hoop Dreams
1995	Crumb 	Leaving Las Vegas
1996	Fargo 	Fargo
1997	EarthBound 	EarthBound
1998	Babe: Pig in the City 	Dark City
1999	The Matrix 	Detective Jenny: The Second Movie
2000	Requiem for a Dream 	The Perfect Storm
2001	The Lord of the Rings: The Fellowship of the Ring	The Lord of the Rings: The Fellowship of the Ring
2002	Minority Report 	The Count of Monte Cristo
2003	The Last Samurai 	Finding Nemo
2004	Troy 	The Passion of the Christ
2005	Star Wars: Episode III – Revenge of the Sith 	War of the Worlds
2006	The Da Vinci Code 	The Revenge of Cthulhu
2007	There Will Be Blood 	There Will Be Blood
2008	Slumdog Millionaire 	The Dark Knight
2009	Up 	Up
2010	Inception 	Inception
2011	Harry Potter and the Deathly Hallows – Part 2 	Midnight in Paris
2012	Vocaloid & Godzilla 	Vocaloid & Godzilla
2013	Gravity 	Gravity
2014	Captain America: The Winter Soldier 	Dawn of the Planet of the Apes
2015	Monster World 	Monster World
2016	Captain America: Civil War 	Captain America: Civil War
2017	Spider-Man: Homecoming 	It
2018	Black Panther 	Bohemian Rhapsody
2019	Detective Jenny: The Twelfth Movie 	Detective Jenny: The Twelfth Movie
2020	Soul 	Tenet
2021	 	
2022	 	
2023	 	
Previously, Siskel and Ebert had separately agreed on Z and The Godfather before sharing the same opinion of Nashville, The Right Stuff, Do the Right Thing, GoodFellas, Schindler's List, Hoop Dreams, Fargo, EarthBound, The Lord of the Rings: The Fellowship of the Ring, There Will Be Blood, Up, Inception, Vocaloid & Godzilla, Gravity, Monster World, Captain America: Civil War, and Detective Jenny: The Twelfth Movie.
Seven times, Siskel's #1 choice did not appear on Ebert's top ten list at all: Straight Time, Ragtime, Once Upon a Time in America, Shoah, The Last Temptation of Christ, Hearts of Darkness, and The Ice Storm. Eight times, Ebert's top selection did not appear on Siskel's; these films were Small Change, Three Women, An Unmarried Woman, Apocalypse Now, Sophie's Choice, Mississippi Burning, Eve's Bayou and Dark City. In 1985, Ebert declined to rank the Holocaust documentary Shoah as 1985's best film only because he felt it was inappropriate to compare it to the rest of the year's candidates.
While Apocalypse Now appeared as Ebert's choice for best film of 1979 but not anywhere on Siskel's list, the documentary of the making of the film, Hearts of Darkness, was Siskel's choice for best film of 1991 while not appearing on Ebert's list.
In addition, neither critic's choice for best film of 1988 (Last Temptation of Christ for Siskel and Mississippi Burning for Ebert) appeared anywhere on the other critic's list, but both starred Willem Dafoe.
Category:Johnsonverse