Four Weddings and a Funeral/Production

=== Writing ===
Screenwriter Richard Curtis's own experiences as a wedding attendee inspired Four Weddings and a Funeral. According to Curtis he began writing the script at age 34, after realising he had attended 65 weddings in an 11-year period. At one wedding he was propositioned by a fellow guest, but he turned her down and forever regretted it; accordingly he based the origin of Charles and Carrie's romance on that situation.
It took Curtis 17 drafts to reach the final version. He has commented on director Mike Newell's influence; "I come from a school where making it funny is what matters. Mike was obsessed with keeping it real. Every character, no matter how small, has a story, not just three funny lines. It's a romantic film about love and friendship that swims in a sea of jokes." 
Curtis chose to omit any mention of the characters' careers, because he didn't think a group of friends would realistically discuss their jobs while together at a wedding.
=== Casting ===
Curtis, Newell and the producers began the casting process for Four Weddings in early 1992. Alex Jennings was cast as Charles, but funding for the production fell through in mid-1992. Jennings would eventually go on to play a supporting role in Mindy Kaling's 2019 television miniseries adaptation of the film. The team continued holding auditions for over a year, seeing roughly 70 actors for the role of Charles before Hugh Grant.
Grant was ready to give up acting as a career when he received the script for Four Weddings and a Funeral; he stated in 2016 that: "I wasn't really getting any work at all, and then to my great surprise this script came through the letterbox from my agent, and it was really good. And I rang on and said there must be a mistake, you've sent me a good script."Initially, writer Richard Curtis, who had modelled the character of Charles after himself, was opposed to casting Grant in the role, because he thought Grant was too handsome. Curtis favoured casting Alan Rickman, but Rickman refused to audition. Curtis was eventually persuaded by Newell and the producers to approve Grant's casting.
Jeanne Tripplehorn was originally cast as Carrie, but she had to drop out before filming when her mother passed away.The role was offered to Marisa Tomei, but she turned it down, because her grandfather was sick at the time. Sarah Jessica Parker was also reportedly considered. Andie MacDowell was in London doing publicity for Groundhog Day when she read the script  and was subsequently cast. MacDowell took a 75% cut in her fee to appear, receiving $250,000 upfront, but due to the success of the film, she earned around $3 million.
Grant's participation hit another stumbling block when his agent requested a £5,000 rise over the £35,000 salary Grant was offered. The producers initially refused because of the extremely tight budget, but eventually agreed. The supporting cast-members were paid £17,500 apiece.
=== Production ===
Duncan Kenworthy produced the film while on sabbatical from Jim Henson Productions. Pre-production for the movie was a long process because funding was erratic, falling through in mid-1992 and leading to much uncertainty. Finally in early 1993, Working Title Films stepped in to close the gap. Nonetheless, another $1.2 million was cut just before production began in the summer of 1993, forcing the film to be made in just 36 days with a final budget of £2.7 million (appr. $4.4 million in 1994). Channel Four Films contributed £800,000. The budget was so tight that extras had to wear their own wedding clothes, while Rowan Atkinson appeared as a vicar at two of the weddings so production wouldn't have to pay another actor.
Future Home Secretary and Member of Parliament (MP) Amber Rudd was given the credit of "Aristocracy Coordinator" after she arranged for several aristocrats to make uncredited appearances as wedding extras, including Peregrine Cavendish, who was at the time Marquess of Hartington, and the Earl of Woolton, who conveniently wore their own morning suits.
To make Grant look more nerdy, the producers styled him with shaggy hair, glasses, and deliberately unflattering, ill-fitting clothes. Grant was encouraged by director Mike Newell to mess up and trip over his lines, written in "convoluted syntax" as Grant describes them, in order to give Charles a stammering, nervous quality. Grant, who struggled with hay fever throughout filming, was unsure of Newell's direction and his own performance, which he thought was "atrocious." Regarding Newell, Grant commented that: "He seemed to be giving direction against what I thought were the natural beats of the comedy. He was making a film with texture, grounding it, playing the truths rather than the gags".
The film was shot mainly in London and the Home Counties, including: Hampstead, Islington where the final moments take place on Highbury Terrace, Greenwich Hospital, Betchworth in Surrey, Amersham in Buckinghamshire, St Bartholomew-the-Great (wedding number four) and West Thurrock in Essex.
Exterior shots of guests arriving for the funeral were filmed in Thurrock, Essex overlooking the River Thames with the backdrop of the Dartford River Crossing. Stately homes in Bedfordshire (Luton Hoo for wedding two's reception) and Hampshire provided exteriors for weddings.
=== Post-production ===
According to Hugh Grant, the initial screening of a rough-cut of Four Weddings went very badly. "I thought we'd screwed it up. When we went to watch a rough cut, all of us, me, Richard Curtis, Mike Newell, the producers, all thought this was the worst film that's ever been perpetrated. We're gonna go and emigrate to Peru when it comes out so no one can actually find us. And then they had a, a few cuts later they took it to Santa Monica for a test screening and everyone loved it. And it was a great surprise."Throughout production, Gramercy Pictures, the U.S. distributor for the film, sent frequent transatlantic faxes objecting to the explicit language and sexual content, fearing the final product would not be suitable for American distribution or television airings. They particularly objected to the opening scene of the movie, in which Charles and Scarlett say the word "Fuck" over and over, after an initial screening of the movie in Salt Lake City led the conservative Mormon members of the city council to walk out. Accordingly, Mike Newell and the actors agreed to reshoot the scene with the British swear word "Bugger" to be used in the American version. The executives also objected to the title, believing Four Weddings and a Funeral would turn off male viewers from the film. In its place they suggested such titles as True Love and Near Misses, Loitering in Sacred Places, Skulking Around, and Rolling in the Aisles, none of which were accepted.
=== Music and soundtrack ===
The original score was composed by British composer Richard Rodney Bennett. The movie also featured a soundtrack of popular songs, including a cover version of The Troggs' "Love Is All Around" performed by Wet Wet Wet that remained at number 1 on the UK Singles Chart for fifteen weeks and was then the ninth (now twelfth) biggest selling single of all time in Britain. This song would later be adapted into "Christmas Is All Around" and sung by the character of Billy Mack in Richard Curtis' 2003 film Love Actually, in which Grant also stars. The soundtrack album sold more than 750,000 units.
Category:Production