Canon

Canon is a fan-based idea that exists in a unique way within the Doctor Who fandom. The degree to which the concept can be defined meaningfully for Doctor Who media is a subject of long-standing debate, but it is most commonly summarised as what a fan considers, or "ought" to consider, to form part of the Doctor Who universe — which sources describe events that "really happened" in this imaginary construct, and which do not. Despite this being a personal choice, it has been discussed and argued about in practically every Doctor Who-related forum or message board that has existed on the internet.
== A literary canon of Doctor Who ==
In academic theory, "canon" refers to a body of work in an established body of literature that can be drawn upon by future instalments in the same broader tradition. In this sense, Doctor Who objectively has a canon, in the sense of later stories drawing upon the concepts and imagery of earlier works.
A good demonstration of this principle may be the mythos of Peter Cushing's Dr. Who; Dr. Who and the Daleks and Daleks' Invasion Earth 2150 A.D., due to being retellings of the TV stories The Daleks and The Dalek Invasion of Earth which brazenly contradicted the televised version of events, are often considered "extra-canonical" in the continuity sense of the term. However, these stories still "exist" and have not been ignored by even the BBC; a short story starring this Dr. Who notably appeared in the BBC Books short story anthology Short Trips and Side Steps featuring Dr Who, and critics have noted clear influences by the movies on the imagery of the Steven Moffat era of Doctor Who, from the vibrant colour of the Doctor's TARDIS to the fairy-tale atmosphere to even the details of Matt Smith's physical performance as the Doctor owing something to Cushing's.
As a narrative history, the fact that it exists is enough to consider it "part of the canon", in the sense that elements might make their way into future productions. The Dalek spacecraft of The Daleks were worked into CGI replacement shots on the DVD of The Dalek Invasion of Earth, and then further into television stories such as The Parting of the Ways. Again, this in an example of narrative continuity within the show rather than as an established canon.
== In-universe canonicity ==
=== Acknowledgement by the BBC — or lack thereof ===
Unlike the principal rights-holders of other popular science-fiction and fantasy universes, such as Star Trek, Star Wars or Lord of the Rings universes, the British Broadcasting Corporation has never made a pronouncement about what is or is not canon for Doctor Who.
In 1999, Big Finish Productions secured the licence to produced Doctor Who audio dramas. Stephen Cole was appointed as executive producer for the BBC to oversee Big Finish's content. In Doctor Who Magazine issue 275, Cole said of Big Finish:
Shortly after he brought Doctor Who back to television in 2005, Russell T Davies said that "canon" was a word not used in his production office. He also stated that making the purchase of non-televised stories required to understand the TV series would break the guidelines of the BBC Charter:
Even when specifying that the television show was going to contradict certain revelations about Time Lord history and biology from the Virgin New Adventures, Steven Moffat declared that those novels were "a separate" but "equally valid continuity".DWM 482
A rare exception to this is in regards to video games: in August 2010, a BBC press release stated that, in Doctor Who: The Adventure Games, "Players will encounter new and original monsters, in stories which form part of the overall Doctor Who canon". Similarly, in July 2018, BBC Studios announced that, with games like Doctor Who Infinity, they would be "taking content from our major brands and delivering gaming experiences that actually form part of the canon. It's not led from TV series it comes to the game first."
Another factor regarding the BBC's lack of an "official canon" for Doctor Who is that the BBC would simply not have the proper authority to declare one, as they do not, strictly speaking, own the Doctor Who universe; while they control the trademark "Doctor Who" and the copyright of a handful of key concepts and characters (such as the Doctor, the TARDIS or the Time Lords), a staggering amount of essential building blocks of the DWU are (or once were) in the control of individual rights-holders, including such elements K9, the Daleks or the War in Heaven mythosDowntime – The Lost Years of Doctor Who'.. As Paul Cornell noted
As close to executive non-canonisation as the BBC ever came was the effective "disowning" of the animated serial Scream of the Shalka over the course of its production. 2003's Scream of the Shalka was to have been the continuation of Doctor Who, with Richard E Grant promoted as the "new" Ninth Doctor, and was written in that spirit; The BBC's first edition of Doctor Who: The Legend even has several pages which details the "Ninth Doctor".The Legend. However, some time before release, plans for Russell T Davies's live-action revival of the series kicked into gear and prompted the BBC to cease all advertising of the "Shalka Doctor" soon after, due to the understanding that Russell T Davies intended to cast his own Ninth Doctor.
=== Discussion among authors ===
In the 1996 book The Completely Useless Encyclopedia, a parodical and tongue-in-cheek encyclopaedia of Doctor Who, stated that "hordes of fans procured [Shada] from the BBC archives and practically treated it as canonical".
In the foreword fo The Nth Doctor, Jean-Marc Lofficier argued for the "canonicity" of even the unproduced 1990s script for a Doctor Who movie, although granting that the concept was "subjective". According to him, their occasional contradictions, albeit radical, to earlier stories, should not overshadow their clear intent to serve as continuations to the TV series, and, coupled with their having been approved by the BBC, this should allow them to stand as "canonical" to the same extent as other continuations like the Virgin New Adventures.
Paul Magrs argued that a large issue when attempting to construct a definition of canon for Doctor Who is that it is never finished; between its many stories across practically every medium, Doctor Who has been in more or less constant production in one way or another since 1963. Some fans may want a complete narrative, but Doctor Who can never be complete; therefore "canon" is a non-starter.Magrs, Paul, (2007), "Afterword - My Adventures", Time and Relative Dissertations in Space, Manchester University Press, Manchester, UK, &, Room 400, New York, USA, p.302
At a 2008 San Diego Comic-Con panel, Steven Moffat remarked, "It is impossible for a show about a dimension-hopping time traveller to have a canon", laying the foundation for one way for "all stories to be true": rampant time travel and dimension-jumping combined to allow seemingly-contradictory stories to make up a single reality. Paul Cornell later wrote an essay on his blog in which he accused "canon" of being a reductive concept which primarily boils down to an excuse for fandom quarrels, highlighting how "‘non-canonical’ is a term of abuse in Who circles. A threat. It’s the worst thing someone can say about a televised Who story, that they regard it as not having ‘happened’." 
Echoing a similar sentiment, Nate Bumber released a short essay in which he compared the conception of canonicity in Doctor Who to the original context of terms such as "canonicity": the history of the Abrahamic religions. Bumber's fellow Faction Paradox writer Jayce Black pioneered systematic use of the more positive term "canon-welding" in online Doctor Who circles, treating "canon" not as quantifiable data, but as raw material to be "welded" into new patterns of continuity.
Ian Winterton suggested in 2021 that if there were a definition of "Canon", it should boil down to "whatever can be accessed via the BBC Licence Fee" — but that this did not devalue spin-offs, "tangential" as their connection to the BBC's Doctor Who might be. Winterton, however, admitted in the same interview that his definition did not seem to be foolproof, considering references to non-TV media on television such as Abslom Daak's cameo in Time Heist or the Eighth Doctor's "regeneration speech" in The Night of the Doctor which mentioned a few of his Big Finish companions. Big Finish themselves put out a joking tweet in March 2021, parodying the UK National Census with a question "Is it canon?" which was answered as "Other" rather than "Yes" or "No", and appended with a "helpful note" stating, "This question is going to cause an argument".
John Dorney drew a distinction between "canon" and "continuity", in that each audience member is free to choose which stories to accept in their personal continuity, whereas canon simply means "the recognised ‘official’ body of work. That ‘generally regarded as true’." "I don’t have a ‘personal canon’. I think the canon exists and it’s basically all the TV episodes, as they’re basically what everyone agrees on. I have a ‘personal continuity’, which includes the audios, the books, the DWM strips. No idea how they fit, but they’re in there."
In April 2021, Nicholas Briggs responded to a fan who about whether the Big Finish audio stories were canon, with Nicholas stating outright, albeit in a unserious way, that the stories were canon.
Writer Scott Gray later stated on his Twitter account that "all [of] Doctor Who is canon. Even the TV show."Scott Gray on Twitter
In October 2021, Chris Farnell made comments on Twitter referring to his two Doctor Who tie-in novels, Knock! Knock! Who's There? and Time Traveller's Diary, as "canon".Chris Farnell on Twitter via the Wayback Machine (1)Chris Farnell on Twitter vis the Wayback Machine (2)
In October of 2022, Faction Paradox and Iris Wildthyme writer Blair Bidmead stated that there was "no canon".Blair Bidmead on Twitter
In November of 2022, prolific Doctor Who writer Cavan Scott replied to concerns about whether the novel At Childhood's End was still canonical in the wake of its contradiction by The Power of the Doctor with "Ah it’s still canon. Everything is canon and nothing is canon in Doctor Who!"
In DWM 585, released on 8 December 2022, in a review of the late 2022 Character Options' 5" action figures sets, reviewer Greg Martin states that "[David] Bradley's Doctor was granted canonical status in 2017's Twice Upon a Time."DWM 585
By 2023, Davies acknowledged that fans often wrote their own "personal canon";DWM 597 - Letter from the Showrunner, Page 13 in response to SFX magazine asking Davies if Tales of the TARDIS was canonical, he responded that it "absolutely" was, although stating that some fans would be justified in deeming it non-canonical as it wasn't broadcast on BBC One.SFX 372 - History Repeating, Page 44 In the same issue, Davies addressed his unwillingness to ignore Chris Chibnall's , stating that, among other things, it was canonical.SFX 372 - Spilling the T, Page 28
== Footnotes ==
Category:Fan terminology