Roger Allers

Roger Allers (born June 29, 1949) is an American film director, screenwriter, storyboard artist, animator and playwright. He is most well known for co-directing the highest-grossing 2D animated film of all time, Walt Disney Animation Studios' The Lion King, and for writing the Broadway adaptation, The Lion King.
== Life and career ==
Born in Rye, New York, but raised in Scottsdale, Arizona, Allers became a fan of animation, at the age of five, after seeing Disney's Peter Pan. Deciding that he wanted to pursue a career at Disney and even work alongside Walt Disney himself, a few years later, he was sent off to Disneyland for a do-it-yourself animation kit. However, Allers, by then a high school student, grew discouraged about achieving his dream when he heard of Walt Disney's death in 1966.
Despite not getting the chance to meet Walt, Allers still pressed on to receive a Fine Arts degree from Arizona State University. But when he enrolled in a class at Harvard University, he realized his interest in animation had been revitalized. After receiving his degree in Fine Arts, he spent the next two years traveling and living in Greece. While there, he spent some time living in a cave, and eventually met Leslee, whom he later married. As a young adult, Allers accepted a job with Lisberger Studios, where he worked as an animator for projects such as Sesame Street, The Electric Company, Make a Wish, and various other commercials.
In 1978, he relocated to Los Angeles with Steven Lisberger to work on a feature film titled Animalympics to which he provided story work, character design and animation for the film. Three years later, Allers found work serving as part of the storyboard team for Tron, which was the first theatrical feature film he worked on. In 1980, Allers and his family moved to Toronto, Canada, where he worked for Nelvana Studios as an animator on a feature titled Rock & Rule. Following a brief return to Los Angeles, Allers provided character design, preliminary animation, and story development for the Japanese-produced animated feature, Little Nemo: Adventures in Slumberland. For the next two years, he resided in Tokyo to serve as an animation director overseeing the Japanese artists.
Returning to Los Angeles in 1985, he heard that Disney was looking for a storyboard artist to work on Oliver & Company. When he applied for the job, Allers was asked to draw some sample character model sheets as a tryout, and worked on a portfolio and was hired shortly there after. Since then, he served as a storyboard artist on The Little Mermaid, The Prince and the Pauper, and The Rescuers Down Under before he was appointed as Head of Story on Beauty and the Beast. When story work on Beauty was finished, Allers assisted as a storyboard artist during the re-writing of Aladdin.
In October 1991, Allers signed on to co-direct King of the Jungle alongside its initial director George Scribner. Allers brought on board Brenda Chapman, who would become the head of story. Afterwards, several of the lead crew members, including Allers, Scribner, Don Hahn, Chapman, and production designer Chris Sanders, took a safari trip to Hell's Gate National Park in Kenya, in order to study and gain an appreciation of the environment for the film. After six months of story development work, Scribner decided to leave the project, as he feuded with Allers and the producers on their decision to turn the film into a musical, as Scribner's intention was to make a documentary-like film more focused on natural aspects. Following Scribner's departure and dissatisfied with the original story, Allers along with Hahn, Sanders, Chapman, and Beauty and the Beast directors Kirk Wise and Gary Trousdale conceived a new story outline for the film over the course of two days in February 1992. In April 1992, Allers was joined with Rob Minkoff who was assigned as co-director, and the title was changed to The Lion King.
Following the release of The Lion King, Allers and writer Matthew Jacobs conceived the idea of Kingdom of the Sun, and development on the project went underway in 1994. Meanwhile, Disney Theatrical Group had begun production on the Broadway musical production of The Lion King as they had done with Beauty and the Beast. At first skeptical, Allers joined the Broadway production team, and together with Lion King co-screenwriter Irene Mecchi, they wrote the libretto for which they were both nominated the Tony Award for Best Book of a Musical. After nearly four years on Kingdom of the Sun, Allers asked to leave the project due to creative differences with co-director Mark Dindal, poorly received test screenings, and the failure to meet its promotional deadlines. Ultimately, the project was reworked into The Emperor's New Groove, and Allers left to work on Lilo & Stitch as an additional story supervisor. In 2001, he was approached by Hahn to direct the short film, The Little Matchgirl. The project underwent four years of work, and was accompanied as a bonus feature on The Little Mermaid Platinum Edition DVD.
Meanwhile, Allers pitched the Celtic folk ballad tale Tam Lin to Michael Eisner, who at the time was in a corporate struggle with Roy E. Disney. Once he recognized the project as Disney's "baby", he declined to green-light the project. In May 2003, it was announced that Allers and Brenda Chapman would direct Tam Lin for Sony Pictures Animation. However, one year later, Allers was recruited to serve as an additional director on Open Season alongside director Jill Culton and co-director Anthony Stacchi, featuring the voice talents of Martin Lawrence and Ashton Kutcher.
In January 2012, it was announced that Allers will oversee the narrative structure, as well as supervise the production of an animated adaptation of The Prophet. In May 2014, a work-in-progress version of The Prophet was screened at the Cannes Film Festival, and was given a limited release in August 2015.
== Personal life ==
Allers is married to Leslee Allers, who lives in Venice, California and they have a daughter, Leah, and a son, Aidan.
== Filmography ==
Year	Title 	Credits 	Notes
1979	For Pete's Sake 	Story 	
1980	Animalympics 	Character Development / Story / Animator 	Television film
1982	Tron 	Pre-production concepts 	
1983	Rock & Rule 	Animator 	
1987	The Brave Little Toaster 	Storyboard Artist 	
1988	Oliver & Company 	Story 	
1989	The Little Mermaid 	Story 	
1989	Little Nemo: Adventures in Slumberland	Animator 	Uncredited
1990	The Rescuers Down Under 	Story 	
1990	The Prince and the Pauper 	Story 	
1991	Beauty and the Beast 	Head of Story 	
1992	Aladdin 	Story 	
1994	The Lion King 	Director 	
2000	The Emperor's New Groove 	Original Director / Story: Kingdom of the Sun	
2002	Lilo & Stitch 	Additional Story Supervisor 	
2002	The Sweatbox 	Himself 	Documentary
2002	Return to Never Land 	Storyboard Artist 	
2004	The Lion King 1½ 	Additional screenplay material 	
2006	Brother Bear 2 	Additional storyboard artist 	Uncredited
2006	The Little Matchgirl 	Director / Story Adaptation 	
2006	Open Season 	Director 	
2007	Surf's Up 	Special Thanks 	
2010	Waking Sleeping Beauty 	Himself / Caricaturist Artist 	Documentary
2014	The Prophet 	Director / Screenplay 	
Category:Disney people
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Category:American film producers
Category:Animated film directors
Category:An American Tail
Category:The Lion King