A Room with a View/Credits

== Opening Logos and Credits ==
* Cinecom International Films
* Janus Films
* Goldcrest in association with National Film Finance Corporation, Curzon Film Distributors and Film Four International Present
* A Merchant Ivory Film
* Based on the Novel by: E.M. Forster
* "A Room with a View"
* in Florence
** Maggie Smith - Charlotte Bartlett, A Chaperon
** Helena Bonham-Carter - Lucy Honeychurch, Miss Bartlett's Cousin and Charge
** Denholm Elliott - Mr. Emerson, an English Tourist
** Julian Sands - George Emerson
** Simon Callow - The Reverend Mr. Beebe
** Patrick Godfrey - The Reverend Mr. Eager, Chaplain of the Anglican Church in Florence
** Judi Dench - Eleanor Lavish, a Novelist
** Fabia Drake & Joan Henley - The Misses Catharine and Teresa Alan
** Amanda Walker - The Cockney Signora
* in England
** Daniel Day Lewis - Cecil Vyse
** Maria Britneva - Mrs. Vyse, Cecil's Mother
** Rosemary Leach - Mrs. Honeychurch
** Rupert Graves - Freddy Honeychurch
** Peter Cellier - Sir Harry Otway, a Landlord
** Mia Fothergill - Minnie Beebe
* and: Leslie Adams, Kitty Aldridge, Brigid Erin Bates, Isabella Celani, Luigi di Fiori, Matyelock Gibbs, Mirio Guidelli, Mark Heenehan, Freddy Korner, Patty Lawrence, Elizabeth Marangoni, Peter Munt, Royston Munt, Richard Robbins, Lucca Rossi, Stefano Serboli, Phillida Sewell, Margaret Ward, James Wilby
== Ending Credits ==
* Directed by: James Ivory
* Produced by: Ismail Merchant
* Screenplay: Ruth Prawer Ihabvala
* Photography: Tony Pierce-Roberts
* Music: Richard Robbins
* Edited by: Humphrey Dixon
* Production Design: Gianni Quaranta, Brian Ackland-Snow
* Costume Design: Jenny Beavan, John Bright
* Hairdresser: Carol Hemming
* Make-up: Christine Beveridge
* Assistant Director: Kevan Barker
* Assistant to the Director: Pippo Pisciotto
* Casting: Celestia Fox
* Associate Producers: Paul Bradley, Jake Eberts
* Production Managers: Ann Wingate, Lanfranco Diotallevi
* Associate Producer (Italy): Peter Marangoni
* Production Co-ordinator: Caroline Hill
* Location Manager: Daniele Nepi
* Location Manager (England): Jilly Gutteridge
* Special Effects Supervisor: Martin Gutteridge
* Production Secretaries: Lisa Strout, Nicky Kentish Barnes
* Follow Focus: Graham Hazard
* Daily Clapper-Loader: Dennis Morgan
* Clapper-Loader: Jonathan Earp
* Camera Assistants: Phillip Sindall, Steve Dembitzer, Massimo Zeri
* Second Unit Cameraman: Sergio Melaranci
* Assistant: Adriano Gangi
* Grips: Malcolm Huse, Sergio Serantoni, Angelo Tiberti
* Riggers: Massimo Fantauzzi, Dennis Harrison
* Sound: Ray Beckett
* Boom Operator: Nick Hammond
* Sound Editors: Tony Lenny, Peter Compton, Alan Killick
* Assistants: Anna Shepherd, Phillip Alton, Tom Freeman
* Italian Re-Recording: Dino Colizzi
* Sound Re-Recording: Richard King · World Wide Sound ~ London
* Music Recording: Brian Masterson · Windmill Lane Studios ~ Dublin
* Music Orchestrated and Conducted by: Francis Shaw and Barrie Guard
* Music Produced by: Simon Heyworth
* Soundtrack Album by Filmtrax
* Songs
** "O Mio Babbino Caro" from Gianni Schicchi, "Chi il Bel Sogno no di Doretta" from La Rondine
*** by: Giacomo Puccini
*** Performed by: Kiri Te Kanawa
*** with the London Philharmonic Orchestra
*** Conducted by: Sir John Pritchard
*** Courtesy of CBS Masterworks
** "Mademoiselle Modiste"
*** Composed by: Victor Herbert
*** Courtesy of Caedmon/Arabesque Records
*** Performed by: The Dryden Orchestra
*** of the Eastman School of Music
* Assistant Picture Editors: Paul Keye Jr., Joanna Jimenez, Kevin Brooks
* Art Direction: Brian Savegar, Elio Altamura
* Assistants: Stefano Secchi, Anita Overland, Roberto Galante, Malachi Smyth
* Property Masters: Dennis Fruin, Goffredo Massetti
* Set Dressers: Floriano Porzionato, Dennis Simmonds, Mick Flanders
* Stand-by Propmen: Mark Fruin, Kieran Mcnamara
* Properties Buyer: Jeanne Vertigan
* Costume Co-ordinator: William Pierce
* Assistant Costume Designer: Sally Turner
* Costume Supervisor: Brenda Dabbs
* Assistant: Elena Puliti
* Costumes: Cosprop ~ London
* Assistant Makeup: Sally Harrison
* Assistant Hairdresser: Paolo Mantini
* Gaffers: Luigi Bisioli, Lou Bogue
* Best Boys: Glen Parsons, Alvaro Romagnoli
* Electricians: Harry Bisson, Aldo Laureti, Marco Romagnoli, Steve Senior
* Second Assistant Directors: Daniel Sonnis, Simon Moseley
* Continuity: Renée Glynn
* Special Assistant to the Director: Linsey Lee
* Production Assistants: Andrew Bergen, Daniele Nepi, Nayeem Hafizka, Paul Scacchi, Carlo Mantegazza, Elizabeth Swisher, Jane Delandro
* Construction Managers: Bob Cross, Franco Pizzonia
* Carpenters: Bob Coleman, Roy Hansford, Ulderico Nanni
* Painters: John Chapple, James Ede, Antonio Vandilli, Umberto Vandilli
* Stagehands: James Loftus, Len Serpant
* Production Accountants: Alan John, Sunil Kirparam, Luigi Riitano
* Assistant Accountant: Sarah Nichols
* Transport: Carlo Quinterio
* Financial Services: Frans J. Afman
* Finance Executive: John Chambers
* Marketing Coordinator: Vincent R. Nebrida
* Unit Projectionist (Mercury Theatres): Kevin Phelan
* Processed and Printed by Technicolor ~ London
* Dolby Stereo® In Selected Theatres
* Publicity: Zakiya Powell
* Still Photographs: Sarah Quill, Katya Grenfell
* Title Design: Chris Allies
* Title Backgrounds: Folco Cianfanelli
* Exclusive Clip and Still Licensing: Visual Icon
* The makers of this film would like to thank: Alitalia, Comune di Firenze; The Estonian Legation ~ London; Donna Rezia Miari ~ Corsini; The National Gallery ~ London; The National Trust; John Pym' Pensione Quisiana; The Victorian Society
* © Copyright MCMLXXXV A Room with a View Productions Limited
* 34, South Molton Street ~ London, England
Category:Credits