Barroc art

Etymologia: Ex id portughesche barroco, quod kyeust in joyelarie un "irregular perle". 
Definition: Id lexis barroco emt, yant id XVIIt secule, in Italian (barocco) id maynen "stragn", quod id hat gwupt in id commun bahsa. Ye id XIXt secule, id prehpt, aun pejorative nuance, bei artHistorian H.Wölfflin, kay kwites un importanto trend os europay Esthetique
==Id barroco sensibilitat==
Id barroco trendo strehct ex id fin ios XVIt do medsu id XVIIIt secule. Id ghehldt pro id esthetique quod, continuendo tod os Renaissance, antslehnct kam id ab Italia (meg abkye Rome), dind covehrt central ed Eust-Europe hina dostighes Russia. 
Men id barroco est unschi manier om ses ed khisses, id affirmation uns extraverten Individualisme ed id taala om ayu, imagination, emotion lasni de contrastes ed surprises. Explosion os lure, id barroco sensibilitat gnaht ed se paydrwnt paradoxal-ye in id catholic Europe ios ContraReformation, id Kyrk vidus in ia seductions uns wekwost ed theatral art id instrument uns rekrig iom atmens.
 Place Saint Peter (Italian : Piazza San Pietro) est id meithel perambhto med colunnades, qua Bernini strugihsit inter 1656 ed 1667 wohlen ab Papp Alexander VII. Tod place est part ios Civitat Vatican, yed sub protection ios Italian police. 
Di Nickel Chromo - Opera propria (Testo originale: selfmade photo), CC BY-SA 2.5 it, https://commons.wikimedia.org/w/index.php?curid=2382160 .''
==Ia kweitus os barroc art==
Barroc art kweit med sumptuositat ed gust os mov. Id kamt irregularitat, assymetria. In architecture, detestet id seid ligne ed ei prefert id effect iom curves ed contracurves qua anime ia fassades, leikent med skadh ed luce. In plastic arts, keult vehemence, id pathetic; kamt illusion ed uset samt extraordinar maestria id trompe-l'oeil. 
Barroco wardht in Rome, circum 1600, sub id impulsion om sponsorpapps, Sixtus V, Clement VIII, dind, pos 1623, Urban VIII, protector om dwo megil maysters, Bernini, architecte, pictor, sculptor, ed Borromini. Ex Italia, id ghehdt do Espania, Portugal ed ir possessions os America (Mexico, Brasilu) poskwo, pos id Trigimwetsen Weir (1648), danubian Europe (Sud Deutschland, Osterreich), Chekhia, Polska, multipliend ia chefdovers. Barroc architecture vaht mathalan edifie in Rome id Saint Peter colunnade (Bernini), San Carlo alle Quattro Fontane ed Sant'Agnese in Agone (Borromini) ed pelu kyrks, fontans ed palats. In Venezia, Longhena struct Santa Maria della Salute ed Fischer von Erlach dehmt in Vienna id Karlskirche. Bihntu udwekwnen iaschi aristocratic baytels os Praha, id Palazzo Carignano os Turin, ia kyrks os Salamanca (Espania), id admirable ensemble os Dresden (Saxen) way pernicen unte Mund Weir Dwo. 
In men sculpture, id barroco gust om mov, distula ed ios pathetic deught wehrgs quer kreuse gwit ed passion : Apollon ed Daphne ed, bilhassa, id extraordinar Extase as Saint Teresa, bo ab Bernini, tem quem iens athletes ab iom Franceois Puget. Pingen de keult unte id XVIIt secule ia contrastes om skadh ed luce, ex iom Italian Caravaggio do iom Hollander Rembrandt, ia specule leiks bei Espaniol Velasquez ed ei Hollander Vermeer. Id kamt srehtwent allegorias ed dramatic scenes samt multiple persons, bei Flaming Rubens, ei Italian Carracci. Maysternd admirable-ye id prospect, id creet stauneihnd illusions : id compont, ibs kyrkscoupels, apparent architectures, laht ab un kwecto naturalo luce quer evolve angels ed symbolic figures, swehbehnd in un grandiose enscenen, kam bei Italian Pozzo.
Todghi dimension os skau est in id kerd ios barroco gust, quod sessiet id golden aiwo ios Europay Theatre, ex Shakespeare do Racine. Inventor om ballett ed Opera, id barroco, esthetique om mov ed illusion, vreht sien plen wekwos in ia fugitive arts qua sont id theatralo leik ed music. Ex Monteverdi do Bach, Barroco music remant oino iom megst artistic brineghs os Europe do tienxia mirath.
 Id Transverberazione wa Estasi di Santa Teresa d'Avila est un sculpture ex marmor ed golden bronze ab Gian Lorenzo Bernini, makht inter 1647 ed 1652 ed dohmt in id kyrk Saunta Maria della Vittoria, in Rome. Id keipt id extase as Saintu Teresa os Àvila, unte quod ays kerd habietwert est plurs-ye transbaurt med un ardent sawin ghesort ab un angel.
==Barroco ed classic==
Id disaurdhen ed irregularitat inherent ad barroco menos hant oku beswurght ia waldhs. Id Roman Kyrk, quod hieb tem promot ids artistic wekwos quem Protestant Europe hiebit bevis reticence de wides ids formules, biht alarmen ob aunstehge ter un vector om lure ed contestation. Id educationsenderghenden betrust ibs Jesuits, bezielt forme un type os sakwn, punctual ed disciplinen wir, qui privileget intelligence ed raison contra intuition ed emotion : tod gwayt est idpet antithese ios barroc ideal. 
Id Franceois monarchia quod se enplacet sub id forme os absolutism, unte dwoto tridel ios XVIIt secule, neschi meis preiht disaurdhen ed fantasia. Richelieu, minister os Ludvic XIII ab 1624, sigwrt : "Id aurdhen ios Stat neudht un certain uniformitat iom conducts". Un intellectual noiyen tun wardht - id Académie française biht sulen in 1635 -, quod adduct tod aunsamia wi ad France : id emergence, pos 1660, os ludvic-quardemsk classicisme, ye id moment kun barroco gusto triumph unte hol Europe. 
In fact, ne est zaruri exagere ia oppositions. Id France os Ludvic XIII ed ios inkapem ios regne os Ludvic XIV est barroco, ye id literar kam ye id artistic nivell : id orversion iom gardens os Versailles, samt idsa jeu-d'eaus, idso srehtwento statuar, ia festa dahta ter, est pregen ab barroc esthetique. Bet, in id druna iom 1670tias, aurdhen ed tula se pregnant, kam un inikas ios centralisen Stat quod se edifiet ed quod toleret neter indiscipline ni dissidence. Id colonnade quod Perrault construct in id Louvre, id Versailles os Hardouin-Mansart, id hol franceois "grand gust" affirme id orthogonal ed id stable, quer barroco prefert kehmb ed srehtwent. Bet, in id detail, id inner decoration iom chateaus, id "Louis XIV" meublar pau abveice ud id dominant gust tos zaman : kjinfawngtawng, tumultueusa scenes, curves ed luxe iom materials. Biht banto meis id barroco, duskwol ed aristocratic, menos quem un esthetique quos seduction remant bohnden idsi inventionsimkan. Ludvic-quardemsk classicisme gwehmt meis ender un politic gwayt quem id elaboration uns artistic sonterlurhat. Id part os barroco quod id conservet est aundwoi quod id behrct ud pehde do academic teursen. 
Also, trans id Grand Regne, id franceois XVIIIt secule vrohyet yant id Regence, in 1715, id gust iom barroc elegancen ed curves. Id "Louis XV" style kwecto wehst na id deutsch rococo : tod werd kyeust ia nafassata decorative forms endut, in central Europe, ab ia ultim formules ios end ios barroco. 
Idghi druv termin ios barroc aiwios mutt pos 1760 quando, sekwos id aunstehgen om Pompei ed Ercolano, guraghen ye id 1sto secule ab id Vesuvio, biht revelen uno neti imaginen - kam tod exsohgnet ab i Artistens om Renaissance ed barroco -, sontern asli Antiquitat. Ep tod model se dwinght tun un severe classicisme, kalt in France "Neoclassicisme", kay vergihes id confusion con id "Louis XIV" style : vaht commande id esthetique ios fin ios XVIIIt ed ios inkapem ios XIXt secule, in reaction contra barroca sumptuositat ed elegance. 
Barroco gwi sgwent con ia aristocratic societats os Awo Regime, nu-yibs id hieb-se identifien; neoclassicisme correspondt id emergence om nov tids, id aiwo iom politic ed industrial revolutions, id era iom triumphant burgesias. Con barroco disareihnt weidsa om ses, due : id strict ed sword ner costume tayt ia adornen vesters ed perucas; functional supplantet fantasia. Also est sigwrim od id franceois classicisme ios XVIIt secule, esdi antslehnct kwecto protiapo, hat est in sien aunsamia tik oin specific-ye franceois forme os europay barroco. Yinjier, id traditional debat opponend barroco ed classic in id quader ios XVIIt secule est neid meis quem un fals probleme.