Mikio Naruse

Mikio Naruse (成瀬 巳喜男, Naruse Mikio, August 20, 1905 – July 2, 1969) was a Japanese filmmaker, screenwriter, and producer who directed some 89 films spanning the period 1930 (towards the end of the silent period in Japan) to 1967.
Naruse is known for imbuing his films with a bleak and pessimistic outlook. He made primarily shomin-geki (working-class drama) films with female protagonists, portrayed by actresses such as Hideko Takamine, Kinuyo Tanaka, and Setsuko Hara. Because of his focus on family drama and the intersection of traditional and modern Japanese culture, his films are frequently compared with the works of Yasujirō Ozu. His reputation is just behind Akira Kurosawa, Kenji Mizoguchi, and Ozu in Japan and internationally; his work remains less well known outside Japan than theirs.
Among Naruse's most revered films are Late Chrysanthemums (1954), Floating Clouds (1955), and When a Woman Ascends the Stairs (1960). Akira Kurosawa referred to Naruse's style of melodrama as "like a great river with a calm surface and a raging current in its depths".
==Career== 
Mikio Naruse was born in Tokyo in 1905. For a number of years he worked at the Shochiku film company under Shiro Kido as a property manager and later as an assistant director. He was not permitted to direct a film at Shochiku until 1930, when he made his debut film, Mr. and Mrs. Swordplay (Chanbara fūfū).
Naruse's earliest extant work is Flunky, Work Hard (Koshiben gambare, also known as Little Man Do Your Best) from 1931, where he combined melodrama with slapstick, trying to meet the demands set by Shochiku's Kamata studio, who wanted a mix of laughter and tears. In 1933, he quit Shochiku, and began working for Photo-Chemical Laboratories (later known as Toho).
His first major film was Wife! Be Like a Rose! (1935) (Tsuma yo Bara no Yo ni). It was elected as the Best Movie of the Year by the magazine Kinema Junpo, and was the first Japanese film to receive theatrical release in the United States (where it was not well received). The film concerns a young woman whose father deserted his family many years before for a geisha. As so often in Naruse's films, the portrait of the "other woman" is nuanced and sympathetic: It turns out, when the daughter visits her father in a remote mountain village, that the second wife is far more suitable for him than the first. The daughter brings her father back with her in order to smooth the way for her own marriage, but the reunion with the first wife – a melancholy poet – is disastrous: They have nothing in common, and the father returns to wife number two.
In the war years, Naruse went through a slow breakup with his wife Sachiko Chiba (who had starred in Wife! Be Like a Rose!). Naruse himself claimed to have entered a period of severe depression as a result of this. In the postwar period he collaborated with others more often, less frequently writing his own scripts. Notable successes included Mother (1952) (Okasan), a realistic look at family life in the postwar period, which received theatrical distribution in France, and 1955's Floating Clouds (Ukigumo), a doomed love story based (like many of Naruse's films) on a novel by Fumiko Hayashi.
When a Woman Ascends the Stairs (1960) (Onna ga kaidan o agaru toki) tells the story of an aging bar hostess trying to adapt to modern times. Scattered Clouds (1967) and Two in the Shadow (a.k.a. Midaregumo) was his last film, and is regarded as one of his greatest works. A tale of impossible love between a widow and the driver who accidentally killed her husband, it was made two years before his death. 
==Filmography:==
*All films on IMDb