Official News BOG, December 2006

The Residents' Official News BOG was a news blog maintained by Big Brother of The Cryptic Corporation beginning in August 2003 (originally titled The Residents' Official News Blog and Website Wrapper), following the company's purchase of the residents.com domain name from fan site RZWeb (now defunct).
Around March 2004, this blog became known as the Official News BOG. In this form, the blog became The Cryptics' (and thus, The Residents') main outlet for communication with their fans until the website's redesign in 2008.
This page collects posts made to this news blog in December 2006, as archived on archive.org, transcribed to this wiki by a Mysterious Spanish Lady.
== Blog entries ==
=== WHOOPY SNORP: The Residents Hour - Dec 4 and 9 ===
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Posted: Sat - December 2, 2006 at 07:08 AM
=== Do you leave messages for me in myspace? ===
:Messages going unread.
:MySpace has a handy way of leaving messages for the owner of the "space." Unfortunately if you try doing it at myspace.com/the residents, it probably will never be seen. The problem is that there are too many messages being left and they seem to primarily amount to "How's it going?" or "When are you guys playing (name of place)?" that I only scan them a couple of times a month, randomly read a few, and then erase them all.
:Same with "Event invitations."
:Just thought you should know.
Posted: Sun - December 3, 2006 at 07:13 AM
=== Brumalian treats ===
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Posted: Mon - December 4, 2006 at 10:12 AM
=== New BLU Two ===
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:I know all of you were concerned that there would be no new album for the month of December, but rest assured, my little sparrows, it is not true, not true at all.
:Ralph America today announced that the pre-sale will start really soon on:
:==============================
:BEST LEFT UNSPOKEN...
:The Residents Obscure Instrumentals Volume 2
:High Horses and other selections
:========================================
:Complete track list will be posted once I get it.
Posted: Tue - December 5, 2006 at 09:14 AM
=== Timmy and the Scary Mice (Vid20) ===
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Posted: Wed - December 6, 2006 at 07:00 AM
=== Brumalian treat thanks to MTV ===
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Posted: Sat - December 9, 2006 at 07:12 AM
=== Meet the 10,000th friend on MySpace.com/theresidents ===
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Posted: Sat - December 9, 2006 at 09:19 AM
=== Strange Culture to be shown at Sundance ===
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:A film that was soundscaped by The Residents last year will pop up at Sundance in January.
Posted: Tue - December 12, 2006 at 08:52 AM
=== Today is Saint Lucy Day ===
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:Illustration by Donna Catanzaro
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Posted: Wed - December 13, 2006 at 08:44 AM
===Timmy and the Bad Party (Vid21)===
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:Yes, folks Timmy is back with an all new vid series. Catch it weekly on YouTube. It's from The Residents and it's FREE. 
:TIMMY 
Posted: Wed - December 13, 2006 at 09:00 AM
=== "The Booklyn Rail" checks in on the Residents ===
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:Eyeballing the Future: The Residents Turn Thirty-Five, We Think
:by Jim Knipfel
:The Residents don’t do things like normal people. Normal people wouldn’t, say, form a band in order to remain anonymous, make a fourteen-hour movie about one-armed midgets, or stage a live show intentionally designed to upset and baffle the audience.
:It’s not that they’re trying to be weird—that’s just the way they are.
:Yet by simply doing what they do with music, video, and performance, the Residents have become among the most revered and influential avant-garde groups in history. In 2007 they’ll be marking three-and-a-half decades’ worth of shadows, surrealism, and remarkable, indefinable music. And because they’ve always worn disguises, the Residents have remained ageless, meaning they’ll never have to deal with those “wheelchair” jibes that haunt the Rolling Stones.
:Most performers who’ve stuck it out in the music industry for thirty-five years are more than ready to take it easy—maybe release another greatest hits album, play a few state fairs, then take a nap. The Residents, though, are observing the occasion with a massive retrospective of their video work at MoMA, the re-release of 1991’s seminal Freak Show in a fancy two-disc set, and three new albums in three radically different styles.
:That’s another thing. Of all their releases to date—the Residents discography stretches well over fifty titles—it’s difficult to find two that sound anything alike. From the primitive atmospheres of Eskimo, to the unbearably catchy sixty-second ditties of The Residents’ Commercial Album, to the savage operatics of Mark of the Mole, each is unique, yet immediately recognizable. Much of it sounds vaguely like pop music—but pop music reconstructed from fading memory by the inhabitants of some distant planet. As a result, they’ve forged a sound utterly their own: lyrical, unsettling, funny, and jarring.
:From the beginning, the Residents have always been looking ahead to their next project—some new album, film, DVD, live show. Not all their projects have been realized, and some experiments have come up short, but they’ve never stopped moving, creating their own reality, surrounding themselves as they go with more myths, more apocrypha.
:Of the three new releases, the limited-edition Best Left Unspoken, Vol. 1 (Ralph America) is perhaps the most traditional. That is, it’s a collection of rare and unreleased instrumental tracks reaching back over a quarter-century. The contrast between individual pieces can be striking, but the set works as a convenient sampler, illustrating how the group’s sound has evolved.
:For the obsessive collector, some of these tracks will be familiar. “Pollex Christi,” for instance, is a limited-edition single from 1997. The twenty-minute keyboard piece was (we’re told) composed in the ’20s by the Residents’ spiritual mentor, the mysterious N. Senada, and blends bits of Wagner, Orff, and Beethoven with television theme songs. (Understandably, the composition only confused its original audience, as the television shows in question had not yet aired in 1920s Bavaria.) Among the unreleased pieces are snippets from the Mole sessions, an unused theme for Showtime’s Masters of Horror series, and several outtakes from their most recent albums. It’s hardly a complete picture of their output, but for fans it’s invaluable.
:The legend of the Residents’ origins goes like this: Back around 1970, the then-unnamed group mailed off a demo of their musical experiments to Warner Brothers. Little information was included with the tape—no band name, no list of performers. A few weeks later, the tape was dutifully returned, addressed simply to “Residents.” The band may not have gotten a contract out of the episode, but they did get a name.
:History’s a funny beast, though—not only is it cyclical, but sometimes when it comes around again the forces have shifted a little, and you can’t tell what’ll happen. When Warners finally decided to take the leap into digital music via Cordless Recordings last year, they found the Residents—always a step or two ahead—waiting for them, and a contract finally materialized.
:Instead of giving Cordless a bunch of three-minute songs to post online, the group created what may well be the world’s first radio drama in podcast form: The River of Crime. Think of it as a post-postmodern Mercury Theater. Like the radio dramas of the 1930s and ’40s, River uses multiple actors, sound effects, and music to tell a story that plays out over five episodes. Unlike those old radio dramas, however, things are a bit more shadowy and cryptic. There’s more cursing, too.
:The plot goes something like this: As a young boy in Louisiana, the unnamed narrator became fascinated with the electric chair. As he grew older, that fascination expanded into a generalized obsession with criminal behavior. But as the old cryptozoologist’s dictum warns, if you pursue weirdness long enough, weirdness will start pursuing you. And sure enough, with a mixture of fascination and horror the narrator realizes that crime—real, solid, tangible crime—seems to be spiraling closer and closer to him.
:Each episode plays out on several levels. As the narrator tells his story in the present, actors and sound effects recreate the story from years earlier, with a historic incident (the electrocution of Topsy the Elephant, say) providing the thematic base. There’s also a Greek Chorus commenting on the goings-on, and the score, which hearkens back to the dark jazz of film noir.
:It’s an awful lot to cram into a fifteen-minute episode, but it works. Some connections are left for the listener to make, and some things are left intentionally obscure, as has often been the case in the Residents’ work. While the narrative is more straightforward than usual, plenty of bizarre ambiguities still lurk about in the corners.
:Complexity aside, it remains an incredibly entertaining and compelling show, alternately funny and sad, creepy and exciting. At times it’s downright disturbing. At every turn, it’s unlike anything I’ve heard before—not in the golden era of radio drama, and certainly not since. But given the source, that shouldn’t be much of a surprise.
:The series was originally available exclusively online, but for those of us whose computers are a little iffy, all five episodes are now available in convenient CD form, with an additional disc containing the remarkable musical score.
:And then there’s Tweedles (Mute).
:The two previous Residents studio albums, Demons Dance Alone and Animal Lover, marked a stylistic departure for them. The songs on each were smooth, melodic, even “accessible.” But there was something else going on. While the Residents have always explored dark themes in their work, there was an undercurrent of sadness that hadn’t been heard before. It was subtle, but it wormed its way into you after a few listens. Tweedles’ gentle and plaintive opener, “Dreams,” had me thinking it was going to be another melancholy album. But then, very quickly, the sadness shifted to anger.
:I don’t mean silly punk-rock anger, but rather emotional anger. Tweedles is narrated by a compulsive, manipulative sex addict who moves from lover to lover, draining their affections before cruelly casting them aside. In his world, no one really cares about anyone else, and if they do, they’re stupid. As the album progresses, though, it becomes clear that the contempt he expresses for his conquests is merely an expression of self-hatred. We also learn that he always wanted to be a clown. Exactly what kind of clown is best left for listeners to hear for themselves—but it ain’t Emmett Kelly, that’s for damn sure.
:Tweedles is another, very different take on two themes the Residents have been exploring for years—emotional vampirism and the confusion of love with need. In other hands, the result could’ve been merely trite—the makings of an off-Broadway one-man show. The Residents, however, have transformed it into something psychologically complex and smart—with some awfully good lines tossed in. Above all, it’s a very human album—not always comfortable, but deadly honest.
:Stylistically, Tweedles represents a logical progression from River of Crime. Again there’s straightforward narration, a Greek chorus, and layers of odd sounds—foreign airports, Hungarian circus performers, dripping water, other voices. The music is rougher around the edges than it’s been in recent years, with instrumentation that includes traditional guitars and electronics—as well as orchestral strings and street musicians. The songs themselves swing between fragility and outright raucousness. While tiny elements may recall earlier releases, as a whole the disc doesn’t resemble anything they’ve done before—and it’s a helluva lot more interesting than anything you’ll hear on the radio, something that could be said for all three new releases.
:It’s a pretty astonishing trio of projects (quartet, if you count Freak Show), considering they were all produced by a single group. Thirty-five years along, and the Residents are more productive than ever, working at the top of their game, producing things that are weirder and wiser than ever—which leaves me more convinced then ever that they really are aliens.
Posted: Wed - December 13, 2006 at 04:20 PM
=== Best Left Unspoken Vol 2 Pre-Sale ===
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:KEEP IN MIND, THIS IS A PRESALE, and will probably NOT be shipped before xmas (Brumalia.)
:Here's the track list:
:HIGH HORSES (2001 Limited Edition Ralph Release)GOD IN 3 PERSON’S OVER (1988 from UWEB Buckaroo Blues), PRELUDE FOR A TODDLER - (from Safety is a Cootie Wootie - 1984), ANGAKOK (1991 - from Roosevelt), DAY 2 (2003 - 12 Days of Brumalia), SOUR SMELL (2006 - unreleased track from River of Crime), NINTH RAIN (2000 - Dot.com), TWINKLE 2000 (2000 - Diskomo), BIJOU (2004 - B-side from WBRMX vinyl Euro release), TWO TESTES (2004 - unreleased Animal Lover session), ICKY FLIX THEME (2001)
:Buy Best Left Unspoken Vol. 2 $16.50
:http://www.ralphamerica.com/
Posted: Thu - December 14, 2006 at 07:14 AM
=== Brumalian treat - Videowest - 1980 ===
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Posted: Sat - December 17, 2006 at 12:08 PM
=== WHOOPY SNORP: The Residents Hour - December 18 & 23 ===
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Posted: Mon - December 18, 2006 at 10:36 AM
=== Timmy and Kruger's Apple (Vid22) ===
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Posted: Wed - December 20, 2006 at 07:00 AM
=== Santa Dog 2006 ===
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Posted: Thu - December 21, 2006 at 11:01 AM
=== Timmy and the Dirty Meat (Vid23) ===
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Posted: Wed - December 27, 2006 at 07:00 AM
=== Best Left Unspoken Vol 2 now shipping ===
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Posted: Fri - December 29, 2006 at 09:14 AM
=== WHOOPY SNORP: The Residents Hour - January 1 & 6 ===
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Posted: Sat - December 30, 2006 at 07:36 AM
==See also==
*BOG
==External links and references==
*The Residents' Official News BOG, archived December 5th 2006 by archive.org
*The Residents' Official News BOG, archived December 9th 2006 by archive.org
*The Residents' Official News BOG, archived December 14th 2006 by archive.org
*The Residents' Official News BOG, archived December 24th 2006 by archive.org
*The Residents' Official News BOG, archived January 1st 2007 by archive.org
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