Shakespeare

Dat nature semper vikwehct kam art, est ops exspectet ud sem gwit ke sia id anticipen kip uns wehrg, bilhassa quando tod wehrg hat id amplor ed id diversitat os gwit. Est tun ghabim ma pelus im samzamans os William Shakespeare (Stratford on Avon 1564-1616) - ed un notable part irs posteritat - buir tenten ab denege eys existence ed ab iom buwes tik id namber om namic ed cultiven persons, kam Francis Bacon au iom graf os Oxford. Est ver od xeihms pauk precis malumats de eys gwit ed od moliet enderkwites ia ud legendar additions. Maght lakin ses sayct od is eet is son uns prosper notable qui bihsit destull oku ruinen ed od is octdemat wohd un oct yars ater gwen, Ann Hathaway. Nemen est yakin an is gwohm prosch theatres preter dehrjend-ye per id ansia i ekwens im smautrers, is de est, sekwent ia prest archive documents (1594), actor ed actionnaire ios trupp ios Lord Chamberlain : id scene est preter pro iom uno manafi (in 1596, is hat reskipen id familial bayga ed obtenen id nobleihsa siens pater), ed, in 1598, is pact do id nov Globe Theatre. Id rouna os eys gwit maght bihe paursct alyer, in eys poems (Venus and Adonis, 1593; The rape of Lucrece, 1594), au in eysa 154 sonnetts, publiet in 1609 : ter bihnt skwiten, meis auminter kweiter-ye, trouble, frustration, homosexualitat, masochisme. Ed iswert mehrt sekwos un banquet con Ben Jonson. 
 Id Chandos portrait os William Shakespeare (circum 1600) est id fameusstum tom qua maghent kipes iom. Est negnoht quel pig id ed an id druve-ye kip W.Shakespeare, esdi est probable, ar kad id dieughit ka base pro id portrait grehven ep id 1623 First Folio os eys wehrgs, de-yod Ben Jonson sieyg id destull samkwohk eys decedden prient.
Eys dramatic wehrg est gnohner. Id preter behrt ia marks ios elisabethan civilisation. Uniet it uni poetic ed dienghia vision (delectation ios Curt ed ios aristocratia) un popularo ritual, quer maurdhs, dwinghyehbhs, incesta ed khaniats sont ia lytst ingredients ios lab uns public quod consent linkwes po oik pence ia urxen ed kwaunen katus qua skeipe ids adic wehnos. Smad addihes ad to ia professional dwineghs due id composition iom trupps : kwalis sont bayna i actors samt id hogst paygh, yani i prihtstens. Quetos un general kweitu tos theatre, id refuse os distance, tem kheissim in id material organisation (id meis deub quem weur scene forstehlpt medsu i smautrers) quem in id neud iom antique themen (adaptation ios Rome Senecas ei London cadadien). 
 (1870 olpineg ab Ford Madox Brown). Tod piece publien in 1597, yed skaun prever, jinkdout in Verona, Italia. Dwo familias, i Montagues ed Capulets, sont medsu un cruorcheid. Romeo Montague ed Juliet Capulet enlieubhent-se do mutu ed se strehnge ad mantines iro relation speit id familial haines. Bet Romeo neict Juliets cousin Tybalt unte un passionsadfall. Bo lieubhers suicide ed ir familias conclude pace ob gomra.
Ia 37 au 38 pieces anadehn ad Shakespeare sont traditional-ye dayt in tri periodes : prest esiet tod iom elangver comedias ed iom historic affrescos; dwot, prect ab personal deceptions ed politic desillusions, tod iom megil tragedias; trit, quer wardhiet un nov tula, tod iom romanlik piecen. Un evolution est yakin, tod ios style, quod uperleit ex barroc rhetorique do bare lyrisme. Ne est impossible vrehe, unte takriban oin quardel secule os creation, un sam logique. Ei atroce melodrame ios debute (Henry IV, Titus Andronicus, Richard III) sult ep un compensationsysteme (anghen inflict terror quando anghen khact inspire liubh) respondt id comedia construgen ep id probleme os identitat (The comedy of errors, The taming of the shrew). In id merit, un sam illusion, graverihn ab ia tricks os bahmen (Love's Labour's Lost) : gwit est neid als quem theatre, id magh, a hollow crown (Richard II, Henry IV, Henry V), kam liubh (The Two Gentlemen of Verona, Romeo and Juliet, A Midsummer's Night Dream), kwohrt ex caprices ed prestvid liubhs. Ed theatre est neid meis quem ambiguitats : est Falstaff un cynic au un gwaurach (The merry wives of Windsor) ? Est Antonio druve-ye uno martyr os torgprabhtat au uno masochiste homosexual (The Merchant of Venice) ? Kwe emt id sexenweir un curieus tonalitat ob id khwoyic travestisme iom ner actors quoy age ia gwenenrols (Much ado for nothing) ? Gwens quas, ep ir roig, desguise do pagens, messagers dohrn inter id object irs liubh ed irens rivalas (Twelfth Night) ? Id impossible reiken do natural harmonia (As you like it) beuwt gwitu id mund os mispreten, ye id tragic modus (Othello), ed ios qui-pro-quo, in comique (All is well that ends well) au parodia (Measure for Measure). Id loco quer ia contradictions ne aboleihnt-se sontern sont acceptet est paursctu, trans id cadadien chronique, trans antique historia, in id skeipen em megil mythic rjienbwutsens (Julius Caesar, Hamlet, Troilus and Cressida), darn lakin sub un critic spect : naiwo nakmos id kohlen ed id invisible, yed heihmos aiwo tik id kohlen ed id invisible (per un behang Hamlet neict, rhalt-ye, Polonius); Hamlet spreuft id opacitat im sesen ed iom werds, ed id saul communication is druve-ye panct, est con comedians ed eni id dramatic rewos; id sibia dia alyanghen est yinjier semper agen, skaun (ne prince Hamlet daumt de To be or not to be, sontern un actor qui act id rol uns prince : Joyce hieb suaghaben to). Cosmic vision ios mensccondition quod leict med un symbolique iom elements (King Lear, Macbeth), au tolk de absurd ed social derisor (Timon of Athens), Shakespeare ne tehmt, is blandt : in ir sliebes ed contradictions sont Antony, face un sampurna comedian qua leict alternative-ye med liubh ed mohrt (Antony and Cleopatra), au Coriolanus, accompliht jenchi ed magvisk politic (Coriolanus) sem exemplar figures. Neghi biht daumt od id romanlik periode gwehmt ka conclusion ios wehrg (Cymbeline, The Winter's Tale, The Tempest). Caliban, incarnation ios genie ed ios poesis ios material, ed Prospero, orincho magician (We are such stuff as dreams are made on) kwehrent id facit tos leik om werds ed jects : tod hol wekwosvraj kay pruves id smiele os bahmen ka instrument os mundwaldh ed ka communicationzariya.