Ariel

Ariel is the protagonist of Disney's 1989 animated feature film, The Little Mermaid. She is the seventh, youngest daughter and mermaid princess of King Triton and Queen Athena, rulers of the undersea kingdom of Atlantica. She lived through much of her young life with a passionate - yet forbidden - admiration of the human world, and longed to someday experience life on the surface.
Ariel is loosely based on the nameless protagonist of the Danish fairy tale "The Little Mermaid" by Hans Christian Andersen, but unlike the Andersen tale in which the mermaid loses her prince and dies, the Disney adaptation features a happy ending.
Ariel is the fourth official member of the Disney Princess line-up. She is also the first princess to be developed after Walt Disney's lifetime, having been conceived over two decades after his death in 1966. Incidentally, Disney himself made efforts to adapt The Little Mermaidin the late 1930s, and early 40s. She is the first princess developed during the Disney Renaissance.
==Personality==
Ariel is a bright, spirited and headstrong mermaid princess with a strong passion for adventure and exploration. Her tendency to explore the more mysterious depths of the ocean (or more importantly, the world beyond the ocean) can lead to an array of problems to both herself and her friends, and in the confines of her personal life - as seen when she gets into an argument with her overprotective father, King Triton. Despite this, Ariel's selflessness, compassion and intuitive way of thinking often resolve such problems, as she always takes full responsibility for her actions.
At the start of the original film, Ariel is shown to have a burning obsession with the human world and a desire to learn more about their culture. Unlike her father at first, she views humans as aspiring creatures, astonished by their ability to constantly create, and heavily goes against the idea of them being "barbaric" and selfish as a result of this. This passion is revealed to have been prominent throughout Ariel's life years before the events of the film, as seen in the television series. By the point of the film, as seen through her lament, "Part of Your World", Ariel's obsession with the human world has reached unimaginable heights, as she spends most of her time focusing on finding, observing, and collecting various human objects that have sunk into the sea. Her obsession has also taken a toll on her emotionally, as the song begins with a sense of wonder and enchantment, ultimately climaxing in a soft end, filled with hopelessness and despair, representing Ariel's dying hopes of ever experiencing life upon the surface. These factors of desperation and despair are the prime motive behind Ariel's eventual deal with the sea witch, Ursula, to become human and experience the world above the surface. Despite not having the best relationship with her father, especially in regard to their respective views on humanity, she nonetheless was very loyal to him as well as her sisters, as after Ursula explained the deal to her, Ariel expressed some hesitance as she realized that if she succeeded in the deal (never mind if she failed her end of the bargain) she wouldn't be able to see Triton or her sisters again, and later when Ursula cursed Triton, Ariel's first action was to attack Ursula to avenge him, even calling the sea witch a monster for what she did.
Ariel is extremely compassionate and loving towards almost all living things; more so platonically than romantically. This is most notably seen through her friendship with her closest companion, Flounder, and even her father's court composer, Sebastian who, despite being against Ariel's recklessness and overly adventurous nature, is given a considerably large amount of love and respect from the princess, which is often reciprocated. With Flounder, she is comforting and patient, as well as protective, with the tendency to risk her own life for the guppies on various occasions. Her ability to befriend all various creatures, which be an abandoned killer whale, an irrationally feared sea creature and even the son of one of her nemesis are displayed throughout the franchise. Before she met Eric, she was rarely interested in romantic relationships, not even with any of the merman princes that Triton tried to get her to marry. The only known exception was Prince Waverly of the Pacifica Kingdom, with whom she was infatuated. However, after meeting Eric, Ariel is revealed to be a romantic, willing to make daring sacrifices for the sake of true love. Her love for him is validated by Eric's returned selflessness and sacrificial actions for the sake of love; notably seen during the climax of the film.
Like Ariel's father, Triton, she has a bad temper if she ever is provoked, although hers is not as bad as his. Although spirited, even she has had some degree of self-doubts about herself, as she actually at one point considered her father might have been correct and that she may have been a freak for having any fascination for humanity. She also had a degree of seeing the good in things, as she also doubted that humans could have been pure evil from their tools and artworks.
Also, despite her usual naivety and impulsiveness, Ariel has shown to be serious, careful, and very intuitive on many occasions. One example of her occasionally showing intuitiveness was just before exploring the sunken ship, where she suggested that Flounder stay outside and be on the lookout for sharks in the area when the latter tried to fake illness.
In The Little Mermaid II: Return to the Sea, as an adult, Ariel has matured into a sophisticated and distinguished woman; fully embracing her responsibilities as a mother and the princess consort of Eric's kingdom and fully adapting to her human body that she has had for some time now thanks to her father's magic. However, when Morgana threatens Melody at her christening, Ariel becomes overprotective of her daughter similarly to how she was treated by Triton in the first film. As a result, she severs all ties with Atlantica and the ocean in hopes of preventing Morgana from using Melody's heritage to her advantage. Despite being happy with her new life as a human mother and wife, she misses her father and sisters, but keeps this hidden from Melody for the latter's own safety. Later, she comes to realize that this decision does more harm than good.
However, at one point, Ariel subtly alludes to her true heritage, as she mentioned to Melody when sympathizing with her about not fitting in that she was "a fish out of water", with Melody not quite believing her.
Regardless of Ariel's few flaws, she is very much selfless, sweet-natured, and inspirational. However, her most notable trait was her deep love and fascination for humans, having desired to become human during the first film's events, even before meeting her future husband, Eric. However, she did not always have this trait; until she was 15 years old, she expressed a deep fear of humans similar to Triton's prejudice towards humans, although her witnessing a human saving a beached dolphin changed her views on the matter. Ironically, the human responsible for saving the dolphin was Eric, although she never knew it.
Category:Females
Category:Cartoon Characters