(49) Inkblots to the Léopard's Hyde

///(Sardonic Note): An insider's first look, if you will:-----the oldboy is still working on it (Gateways & Transitions)---(Semantic Deepening, "Game Phasing," and The Gestalt);
///(Sardonic Notes): a variable image, derived by {that} one, '[Altar of Memory]';
# ( ¿ )[Ptolemy's Canal]( ? )
#* "Ptolemy" ~ ~ ~ "Pompée" ~ ~ ~ "Pompeio" ~ ~ ~ "Pomeus" ~ ~ ~ "Suez"(?)
#* https://1drv.ms/i/s!AiilmHUqX6bumxXen0xH6iEuBMDc?e=E4ffus
#* Canals & Dredging (Dugdale)
#* . . .Tombs and Sewers. . .
#* . . .and do not forget, "History" is rife with instances of the same people, (being) twice named. . .
#** [County of Orange] {vs} "Orange County"
#** ///(Sardonic Note): "Orange County," word-sense-usage, allows one to too easily disconnect "it" from the greater history (of that land); In other words, their is more to Orange County than Oranges; A Map is not its Territory[ ]
#
# ( ¿ )The Crack in The World( ? )
#* Linked to the "Wind Heads"(?)
#* Linked to the "Great Undersea"(?)
#**The Sightless Sea(?) Perhaps, has something to do with the raising of the sea level and the Moon's distance-----relative to the earth(?)
#* Linked to Gyre sea-currents(?)
#* . . .and lands not depicted;
#** [ Tissot's Indicatrix/Ellipse(s-of-distortion) ]
#** ///(Sardonic Note): perhaps there is something there after all: More to the Mu undulations of the globe, or about your (F)laurel Wreath an' Ruffled collar; My previous depth to this suspicion ended at "The Doldroms"; Now? Who can say. . .
#* "(Game) Phasing," perhaps? At least II Our Rigorous Scientific Body (J.Borges and also of D.Hume)
#** ->
#** "aught" ~ ~ ~ "at-sign" ~ ~ ~ @
# ( ¿ )"Our earth was but a burned up star and its crust but a very fragmentary part of its bulk"( ? )
#* What is "The 25th Hour"(?)
#* What is "The Green Flash"(?)
#* What are "The Central Fires"(?)
#* What are "The Climbs of the Earth"(?)
#** ///(hint): Climate?
#* What are strattholmes/Strathalm/"Earth-strata"(?)
#** ///(hint): not unlike habitable pockets, self-contained bow-shock dome-bubbles, in a rolling twisting space-mound of hillsides?
#( ¿ )The Diode-Sockets, what we see & find in old coffered ceilings are for Light-Bulbs; The "Flower," tends to be a decorative accent, not unlike a cork or collar( ? )
#* Get on an old carousel, if you can find one; look up(!)
#* It's as symbolic as that; Edison (and Company re:) created a light-bulb(!)
# ( ¿ )Various Sized Peoples( ? )
#* ~Upper & Lower Deck~
#* The (open) "second story," being not unlike a viewing platform for smaller persons (to keep safe, out from under the feet); The House of Representatives & The Senate, being such examples;
#* in a joking, not so joking manner: "Don't look up!"
# ( ¿ )Tale of a TUB, and The Battle of The Reformation. . . and The Charge of Imposture( ? )
#* what be "Polity"?:-----all those small-countries (until rather recently/turn-of-the-century) that suddenly became regions of land (just that).
#* what be "Heterodoxy"?
#* ///(Sardonic Note): as another point of context, to the triangulation this Time-period (Domesday & United States of What-ever), what follows is said w/o subscription
#** Church of Later Day Saints
#** All Saints Day
#** ~When the saints a go marchin in~
#** "These later days..."
#* ///(Sardonic Note): we may now find ourselves in the gap/transitory/"Clay Age"-----of equal parts, great opportunity, and dis-par. . .
# ( ¿ )(i wonder), Why do American festival grounds (i.e. county fairs) smell like CHOW MEIN( ? )
#* ###
#* [Romanticism --- The Slow Life, or "slife"]:
#* "She was in a different world now. Walking through the forest, face-to-face interactions with people, riding the carriage (while seemingly inconvenient compared to the life she'd left behind), [...] was genuinely starting to take pleasure in these experiences."
#* Rustic-ism & Re-Enactment
#* Harkening to what was a time-place where diversity was celebrated. . .
#* ###
# ( ¿ )The "Tonsure" haircut is not a Haircut( ? )
#* for whatever reason, this one is reminded of the bee-hive. . .
#* Devo..., and also Devo.
#* cowlick
#* Manna Hats, "Silly Hats", Magneto, ...
#* They say fate is naked from behind; what comes next is what to do with that information. . .
# ( ¿ )[Signal_Station] ~ ~ ~ "Lifeguard Hut" ~ ~ ~ "Ranger Station" ~ ~ ~ "Watch Tower"( ? )
#* [Radio Opera House]
#* Also for a time used as water pumps(?) ///(Sardonic Note): "weather vane" 
#* ...interesting how the same construction technique remains unimproved upon by those modern "transmission towers" (or hydro towers)!
#* ///(sardonic notes): look at the vintage!! of this construction. It appears a little at odds with how we do to-day;
# ( ¿ )How 'bouts the [Intercontinental_Highway], the one no-one seems to remember( ? )
#* ///(poi): "Adam's Bridge"(?)
#* ///(poi): "Bimini Road"(?)
#* ///(poi): other as of yet named "Causeways";
#* The Yellow Brick Road (also seen in the "Miners"/"Gold Hunters" call to action in California poster) is paved with good intentions?
#** The Yukon {v} The Yucatan ("trail"/tale)
#** "Not all that glitters is gold"; the "Gold" rush seems more ado with free infrastructure (looking for a situation), than flecks of a shiny yellow substance; Though, to be sure, there is a relation from one to another. . .
#* The Wending Dragon/Serpentine-Hydra Bridge (that supposedly ran thru the "underworld" but, in time, became robbed out in places)?
#** what fins or lunulations ("crenellations") undulate with the passage of the day
#* Continental Breakfast(?) "Opening up the country". Many U.S. highways (prior infrastructure) were at one time or another for railways(?)
# ( ¿ )[The Union of 13], "Union Station", "The Union" & "The Confederate"; "The Federales"( ? )
#* The Confederacy of Canada (a survival of land-holding companies), & the "Confederacy". . .
#* ///(a bit on the nose, but): Con-federate <--> Con-federal
#* The "Civil War," being one United States against another United States:-----this extract finds concourse with [A.Fomenko];
#* ///(Sardonic Note): its remnant may be as simple as that-----the Federal branch of US government w/ the RUSsian Federation-----or not.
# ( ¿ )[Terra_Firma] ~ ~ ~ Underlying Landmass ~ ~ ~ "Bedrock"( ? )
#* ///(Sardonic Note): not unlike our Buildings of Good Standing, being built atop The Shoulders of Giants. . .
#* ///: "mines" & "quarries" are anything but (what they now appear to be); "dismantling" is more on the nose.
# ( ¿ )The Cowpox Vaccine( ? )
#* Dance of "The Dead"
#* (THE) PROMETHEUS (PROJECT)(UNBOUND)
#* 'Scarecrows' (please forgive, but it seemeth necessary. . .even if it be Pejorative) ///: ~"Dried Up Husks"~
#* . . .and the DIRE repercussions of this ((EVENT)). . .
#* a little out from this:
#** old Halloween masks. . .
#** dead Vitorian photographs. . .
#** a step removed from "ghouls". . .
#** (from depictions, famished yet rock hard looking musculature remains; "skin and bones"). . .
#** awful and old taotie jars. . .
# ( ¿ )"Man Corn" ~ ~ ~ The Cycles of Ablutions, or "Washings"( ? )
#* ///(Sardonic Note): 'Man Corn,' now, seems over-literal, thus {this} grimace.
# ( ¿ )"Roof of Copper" ~ ~ ~ "Copper Top" ~ ~ ~ Conducting Plate (+) Faraday-Cage( ? )
#* Patina Green (verdigris), Green Roofs (Green Handed), &c.
# ( ¿ )Chariots & "Parade Floats"( ? )
#* Btw, can be larger than a modern house. . .
#* its design is somewhat reminiscent of the cab or cart of an airship; also the "captain's cabin" of a ship;
# ( ¿ )[Aero-statics], as in to be in stasis w/ The Airs. . .( ? )
#* ///(and to some): Not hate-fully Tearing thru the airs for some self-proclaimed plein air reason; 'Depthless Fields' are holy-ground to some of us...
#* ///: Airships, not unlike Cabooses in that they have their proper Cars, Cabins, Fittings, Guards, Saddle, & Shoulders; Without these they are like hollow shells (that is to say are not up to snuff);
#* ///: Solar sails, and the old electro-static silks. . .
#* ///: the buoyancy-force, steady flow, and material in resonance;
# ( ¿ )"Amber Soul" & "Steam," ...the Gauss of it seems all but forgotten now( ? )
#* ///(Sardonic Note): as in "the old ghost lanthorns";
# ( ¿ )"Moermont Fort" ~ ~ ~ "Moeurs" ~ ~ ~ [Mormons]( ? )
#* ~The Mariner points to the East~
# ( ¿ )Ch'meerial Creatures ~ ~ ~ Griffon-headed Waterhorse ~ ~ ~ Vulture-headed Camel ~ ~ ~ Wolfs in sheep's clothing ~ ~ ~ &c. &c.( ? )
#* ///(Sardonic Note): the (inter) "breeds" of creatures that you no longer hear about. . .
#* ///(Sardonic Notes): "Hmm, everything else (in this drawing) seems Historically accurate, save for that Uncanny Horse(!)"
#* Camels, that are larger than Elephants!
#* Lama-like-Horses ("Horses" that are more like the Lama, than modern breeds)
#* Sheep-doe like skunk
#* "Dew claws" what run with venuum or smoak. . .
#* Pig-like-bears
# ( ¿ )Four Cities aflame in the Great Lake( ? )
#* S(eboim).
#* S(odoma).
#* G(omorra).
#* A(doma).
# ( ¿ )[Magellanic Lines], ...important to "Space Elevators" & "Flight Paths"( ? )
# ( ¿ )Rare Earth Metals, , ,( ? )
# ( ¿ )Buried Ships, their peeking masts:-----as if by the Decree of some long lost Emperor; The flood waters, too, were here( ? )
#* So called "islands". . .
#** ///(Sardonic Note): not unlike parade floats or "on a pedestal";
#* Buried Steamships (Ellipsoid Band or Rinc); Giant Twin Towers (smokestacks, if you please). . .
#* The "masts" that hold up the trolley wires. . .
#* Electric ships (at the very least, the phenomenon of St. Elmo's Fire). . .
# ( ¿ ) "The further end of the world" ( ? )
#* Cockamamie --- The Land of Daydreams -- Cloud Kuckoo Land (The Golden Ass) -- The Sphinx's Riddle -- Howl's Moving Castle
#** ~The ham that slices itself~
#** Cochiminded
#** Cockaigne/Cockayne/Land of Cockayne/Cocagne
#** Cockamamy
#** Of Foolish Daydreams, Land a'Plenty
#** "Cock Eyed" (Rembrandt, 'tis not all bad; some of it can even be quite good; "sweet waters" and all that. . .)
#** Cocaine/Cocamine
#** Cockney Rhymes
#* ...
#** "A-okay"
#** Okay Corral
#** O.K.
#** Okane -- "money" handsign
#** "Hoaky"
#*** Hoax/Coax/Corny/Phony
#*** waxy-wavy (tallow-made)
#*** Hokey/Hokie/Hoky
#*** "Hokum powder" -- Alchemical in nature
#*** Hoke -- "to hawk their goods"
#*** Hack/Hag -- I'm just an old hack of a writer; One trick pony; Bird in the hat; 
#** Hooky -- Playing hooky
#** Hoagie -- the sammich 
#** Ahoge -- (growing) sprouts out of the hair
#** Cahokia, US --- Old World stuff. . .
#** Hoekje (Hook Eye & Okay & The Game)
#*** Apuleius (of The Beholder) 
#*** "The Hook" of a good story
#*** One in the Eye
#**** thumb in the eye;
#**** artist's palette-board
#**** Pip!/Zip!
#**** globe/"world" spinning on the thumb
#*** One in the Hand
#*** Two in the Bush...
#*** Egg & Eggy & Egg-headed & Ego & "Egg on the Face" & Again?!
#*** &c. &c. &c. (lol)
#* Touche,
#** Touche'
#** (just a) touch (bit overmuch)
#** Car-touche -- (if nothing else a) Nameplate 
#*** (Carthage, the older & the younger not un~like York & New York)
#*** "tosh"
#*** "Scosh"
#*** Cheesy/Kitschy/Kooshy
#* "Balgonie", Balognia (City of "Towers"), Balloon, Ballyhoo, Bollywood, Yahoo, Holly Road, "High Road" &c.
#** "Well Blow me Over"
#* "Sky King"?
#** Pie in the Sky, and the screaming mimis?
#** (. . .) -- so much more but that's all folks
#* Decalcomania -- "a design left by a transfer"
#* Cockamaroo -- another game
#** it's pockets are made of pins!?
#** light and playful in character
#** bagatellise
#** a tease / to tease
#** "Tells," give-a-ways, gimmicks, gimmies, free-space (once you know, you know) --- "Bird's Eye View" *cough* *caugh*
#* Cock and Bull
#** to lie dozing. . . zZz
#** my love is a bulldozer -- to be steamrolled, merrily
#** "Bull Hockey!"
# ( ¿ )Cemeteries, not all mind you, but many "cemeteries" are rooftop gardens that are no more. The Cafe Society had a good run on what rooftop gardens, those that remain, could be (again)( ? )
#* Crosses and "Stone Tables". . . ///(Sardonic Note): there was some-thing here once, this for now is all that remains. . .
#* Though on the other hand, The Cafe Society is too in part responsible for the "Bogus Antique". . .
#* At a certain point, Tribesmen (of the land) had to make a choice:-----to live inside of or out of "The Earth"; For whatever reason, these salient points of access began to "choke up";
# ( ¿ )"Blue Ice" & The Hydrogels of the Sea Bed, & "Perma-Frost", & "Hail"-----think Pluto( ? )
#* Exotic states of matter & phase transitions
#** ///: how might rocky-bricks transform into what appears to be blocks of ice. . .
#* perhaps, (about that) plasma-heat-event & at certain polar regions, the resultant surface mass was less like the-big-melt & more like the-big-freeze(?)
#** ///: as to why so called glacial ice looks exactly like man-made ruins
#** ///: regardless, both variants (i.e. big freeze & big melt) fall under that overarching descriptor of "Birthday Cake";
# ( ¿ )What spans Spain, . . .a road( ? )
#* ///: VIADUCTS, and "staircases to no where"-----as in the found state of these viaducts and what that may mean
#* the "film scroll" & asymptotic lines 
#* Sumer {&} Sumer-i(t)an/(Samaritan)?
# ( ¿ )Funiculars, and Elevated-Railway (Systems)( ? )
#* Why are some funiculars found of a stair-step pattern(?)
#* Brooklyn, Germany, France(?)
# ( ¿ )fluted chimneys & smokey lighthouse-beacons( ? )
#* empathion  (+)  coloured-fragrence-smokey-incense  (+)  CitCF (Charlie in the Choco.Factory)
#* not "smoke" as a modern man knows it
#** The production of Candy Floss or Gossamer fibers may yield a Semantic Deeping in what is "smoke"?
# ( ¿ )Giant's Chess (Pieces)( ? )
#* (e.g.) as seen in Chitty Chitty Bang Bang (at the "Castle")
#* pawn & pedestal (self-reflection x fawn/found); also, the front line of pawns (in chess) reminds us of a balustrade without its rail (just the balusters). . .
# ( ¿ )Why are there so many buried particle accelerators( ? )
#* (tbd)
#** Under the Influence
#** Influenza
#** Duende
# ( ¿ )The Phylactery Scroll & The Speech Bubble( ? )
#* Parse-l Tongue. Silver Tongued:-----like a cloud & banner-flag. . .
#* Why does old script lay in a meter (i.e. look like music)
#** The runs in paragraphs; negative space & positive objects
#* Nondiegetic & "The 4th Wall"
#* Shadow of Ideas and "The Looking Glass"
#* (. o .)
#* Also the "checkerboard" and what role that may play in setting up a void/sandbox/shadowbox. . .
# ( ¿ )[Court House] ~ ~ ~ [Law Offices]( ? )
#* [Buildings PUBLICWORKES] ((LIST)).txt
#* https://1drv.ms/t/s!AiilmHUqX6bumwVS3Y4nblKFoWsC?e=5fvvCe
#* [Buildings PUBLICWORKES] ((LIST)).txt
#* Tower-Mills, WINDMILLS, THAUMS, THORS, MOLE, ...
#** (e.g. ALGIERS): ~its harbour or safe-haven was one that could fit 200 ships; this harbour was locked in by a Mole~
# ( ¿ )Turkish Bath-tile Blue  -&-  Chinese porcelain blue( ? )
#* **************
#* the red & white stripes & Tartar Buildings
#* The stars & star fortifications ///: as well, here I might mention, what they call "Star Forts" now in common, are but the base or dock of what we once called PILLARS OF CREATION
#* **************
# ( ¿ )Pedantry & “Mussolini spelling”( ? )
#* Where there are no Diacritic marks in (American) English...
# ( ¿ )The Gregariousness of Grasshoppers, perhaps a lasting Vestige of the CICADA, eh dear Ant( ? )
#* "thick vegetation growth after droughts"
#* luscious - green in appearance
#* "drought resistant," plant species -- with quick rebound
# ( ¿ )Those starry awards. . .( ? )
#* French Ministers
#* Old Domain Americans (i.e. "Giant White Indians")
#* "Blue Ribbon (Award)"
#* Sheriff/Sharif Stars; Serif Font & Seraphined-Eye. . .
# ( ¿ )Prism Lighting, Old Streetlamps, & "Sky Lights"( ? )
#* Board Walks
#* Prismatic. . .
#* Not unlike the compliment of wainscoting, the box/shelf/ledge at the top of the wall by the ceiling:-----where people adorn with plants now (if room nough)-----may have something to do with the even dispersion of light. . .
# ( ¿ )Water Clock Secrets, & "The Living Waters"( ? )
#* NORIAS. . .
#* "Drinking Fountain":-----two words, one thing. Shall I say it slower, fontaine? Sometimes you can still see the chain-loop for the cups. 
#* The rhythmic flowing of water, almost musical, to sanitize of-it-self, itself, instead of using nasty chemicals?
#** musical roads are nice aren't they; not everywhere, perhaps, but sometimes is nice?
#* "energetics", channeling, and the lay of the land. . .
# ( ¿ )Pneumatic Tubes, Mario Pipes, "The Horn"( ? )
#* (e.g.) [A.Kircher]'s book on the same; ...in a broadened sense of "Logistics":-----and not just "plumbing".
#* Cornucopia
#* the spaces within balustrade and pillars for moving whatever that was. . .
# ( ¿ )World Truths, World Story, Evolution, . . .( ? )
# ( ¿ )Rustic Man & Rustic Arts, Benches, Groves, &c.( ? )
#* (living) vines (have been found) woven into benches, fences, lattices, columns, &c.
#* Rustic and "Antikki"
#* Out of Doors
# ( ¿ )The Grottos of Giants( ? )
#* ...Plutonic Relationships...The More The Merrier...The Immaculate Conception...
#* [Lust-Gartens], or "luster gardens". . .
#** ba.lusters
#* contrivances and water-works. . .
#* moss encumbered walls. . .
#* The Mountain is The Building. Aaand sometimes within such piles are the ruined courtyards of a different time. 
#* Pockets of Preservation. Vaults. Time Capsules, or what-have-you. . .
# ( ¿ )The Inherited, after long being unoccupied( ? )
#* "Mud Floods" 10-40 ft. Why streets are muddy over the cobble in "Victorian Photographs". . .
#**"Perro semihundido" ([F.Goya]) depicts one such Mud Flood ((EVENT)). Viewer Discretion is advised.
#* Why many cities are being un-buried in American "Birds Eye View" depictions of Cities. . .
#* Niter Encrustation, Nitruous Dust, . . . 
# ( ¿ )Háu ~ ~ ~ Hail( ? )
#* As above so Below
#* Hail, First Impressions, and all that. . .
#* "How do you do?" // Par~Le & Parley
#* Beyond the parabola. . .
# ( ¿ )OBJECT CONTROL, "antiaging". . .( ? )
#* ~places that keep their own time~
#* Hermetically sealed, Vacuums (and atmosphere), the "leading" of old latticed windows, ventilation shafts and fans... 
# ( ¿ )[Blackbeard], and the "summoning of spirits":-----Japanese much? The candles. . .( ? )
# ( ¿ )How old is the concept of "photograph"(?)
#* [VISTA OPTICA.], ya'know the photographs before photographs, or that arbitrary decision to change the definition (in Common speak); not unlike Pluto, Planets, and the IAU; (Elsewise put): perhaps in some unnamed future, all analog variants of what be a 'photograph' will be discluded from the (Information) Common(s) man.
#* ///: what (snapshot) follows is an ongoing process, one to aggregate such leads as to better represent what a 'photograph' may be. . .
#** Old colored original copperplate engraving. Peep box picture.
#** Altkolorierter original Kupferstich mit viersprachigem Guckkastenbild.
#** Mezzotint in meerdere kleuren / Mezzotint in more colors
#** Twee prenten.
#** [Optica print, Optica prent]
#** [Guckkastenblatt]
#** Original altkolorierter Kupferstich.
#** VUE d' OPTIQUE de Handcolored Opticaprent / Optical view
#** handkolorierte Kupferstiche
#** Opticaprent/Optical view
#** Antique print, handcolored optica
#** Handkolorierte Kupferstich  //  Handkolorierter Kupferstich
#** OPTICAPRENT - KOPERGRAVURE
#** Vue d'optique / Optical view
#** [Kolorierter Original-Kupferstich, gerahmt / original colored copper engraving, framed].
#** Guckkastenbild: - Handkolorierte Kupferstich
#** Altkolorierter original Kupferstich mit viersprachigem Text im unteren weißen Rand. Guckkastenbild. Blattgröße
#** OPTICAPRENT - KOPERGRAVURE
#** Photoglob.
#** (To a lesser Degree): Lithophanes, Camera Obscura, Magick Lanthorn, Viewing Glass, Telescope (Projector), Looking Glass, Opera Glass(es), Magnifying Glass, Fiber Optics
#** . . .
#** , , , - 1: as a matter of point it is not unlike the telescope problem or the V/POS question; Somewhere in the line, it, that, the first image held of the camera (shadow-box) was itself drawn of the collection of another hand; Diminishing returns, amid all those truisms.
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Category:Metastability
Category:MONOGRAPH
Category:Event
Category:Beans
Category:Being
Category:L.Solnox