Laovimina Mockentene

Laovimina Mockentene is a member of the Historical group after 407 years of her death, living right now on the Pentagram City.
She is an semi-humanoid demon who died in 1614.
== Background ==
=== Personality ===
She was once best known for being the first known female artist of history in Italy of Western Europe. However she is basically pretty creative, studious and determined for her living life.
After her death in 407 years later, she became quite mature, formally responsible since after feels of her failure by painting a nudity that caused controversy of nude figures. However she was a seriously busy person and didn't seem to be fucked around with her. However she is at noon on business or on break, she can go smoke a cigarette.
=== Physical appearance ===
Laovimina is a semi-humanoid white-grayish skinned demon with short purplish hime-like shaped hair, yellow eyes, a bunk-slimy shape shouldered-body with slim legs. Wore a blackish long-short clothing suit with three yellowish buttons with light-dark grayish pants with shoes.
And also stood about 197 cm (6 ft 4).
== History ==
=== Life and death ===
When she was alive, she was born as Lavinia Fontana in Bologna, the city of Italy on August 24, 1552, to Prospero Fontana and Antonia de' Bonardis. As she was baptized at the cathedral of San Pietro. Her elder sister Emilia died in 1568 when she was 16.
Her father Prospero was a prominent painter of the Bologna School at the time, and served as her teacher. Caroline P. Murphy suspecting the financial issues may have prompted Prospero to train her daughter as a painter like what he did.
Being born the daughter of a Italian painter, allows her to become a female artist in the time where no female artists were ever widely accepted. She was married to Gian Paolo Zappi. Instead of offering a dowry as would have been widely accepted in this time, Lavinia painted to earn an income. Thus becomes the very first female artist in history.
When become 23 years old, she painted her first art by painting the portrait of Antonietta, a daughter of Petrus Gonsalvus. Also painted another art, Christ with the Symbols of the Passion in 1576. Bolognese society at large was supportive of her artistic career providing opportunities and connections that weren't available for women in other locales.
She began her commercial practice by painting small devotional paintings on copper, which having popular appeal as papal and diplomatic gifts, given the value and lustre of the metals. In the 1580s, she was known as a portraitist of Bolognese noblewomen who competed for her services. The Hight demanding for portraits painted by Lavinia, reflected in the large sums of money she earned during the period. She became few relationships with other female clients were often unusually warm, multiple women who sat for portraits, such as the Duchess of Sora Constanza Sforza Boncompagni, later served as namesakes or godmothers for Fontana's children.
In addition to portraits, she later created large-scale paintings with religious and mythological themes which sometimes included female nudes, which led to controversy.
However, since she was married with Gian Paolo in June 1577, the couple moved into Prospero's house in Bologna and Lavinia painted professionally, adding Zappi to her signature. Lavinia gave birth to the total of 11 children, though only three outlived her, Flaminio, Orazio, and Prospero. Gian took care of the household and served as an agent and painting assistant to his wife, including painting minor elements such as draperies. She attended classes at the Bologna university, and was listed one of the city's Donne addtrinatte in 1580.
Lavinia and her family moved to Rome in 1603 at the invitation of Rope Clement VIII. She gained the patronage of the Buoncompagni, of which Pope Gregory XIII was a member. She was subsequently appointed as Portraitist in Ordinary at the Vatican. She thrived in Rome as she had in Bologna and Pope Paul V himself was among her sitters. She blamed the recipient of numerous honors, including a bronze portrait medallion cast in 1611 by sculptor and architect Felice Antonio Casoni.
According to Jean Owens Schaefer, the reverse side of the medal depicts Pittura, an allegorical figure representing painting. He also posits that this is the first visual rendition of Cesare Ripa's 1603 description of Pittura.
She was elected into the Accademia di San Luca of Rome. She later died in the city of Rome on August 11, 1614 and was subsequently buried at Santa Maria sopra Minerva. However her legacy lives on after sometime of her death.
== Abilities ==
Since she was trained by her father, she has amazing painting/art skills that lead her to become the very first female artist. However due to her controversy of nudist painting and blaming, she ended up being in Hell by having new abilities.
=== Demon transformation ===
Much like other demons, she became possessed to transform her full demon form by having much look of monstrous by having four arms extra.
=== Hypnosis ability ===
She possesses her victims by having hypnosis to make them obey and let her to slaughter them, letting no people to witness it.
== Trivia ==
* Laovimina was based off of a real person that did died in 1614, Lavinia Fontana.
* Much like other sinners, demons or imps, she smokes a cigarette but only once a week or so, but only when she is on break from business.
* She speaks Italian very damn well, including the early and modern form of her origin language. For the first time that she was speaking English with only her accent.
Category:Characters