Matthew E. Taylor

Matthew E. Taylor is a sound editor, mixer, and designer, who has worked as such on almost all incarnations of Kurtzman-era Star Trek.
He has also worked on several Star Trek titles including where he worked on ADR and Foley editing on six episodes of the first season, garnering an Emmy Award nomination for his work on . For the second season, he worked as a Sound Supervisor, garnering another Emmy nomination for . He continued in this role for the third season with a similar result for . During that time, he also worked as a Sound Supervisor on and then a Supervising Sound Editor on the remaining episodes of .
Following those, he worked as a Supervising Sound Editor on , garnering another Emmy (co-)nomination for , alongside one for a Golden Reel Award, which he won for a second time for a Star Trek production after his 2019 win for . For his work on the second season episode he received yet another Emmy co-nomination in 2022, as he did for his work on the season one episode , neither of which won though.
==Career==
He has worked on a variety of titles since starting in 2002 including Mission Impossible: III, Grindhouse, Psych Eureka, Human Target, Supernatural, Sicario, Silicon Valley, and Clarice.
Aside from the ones he was nominated for in regard to Star Trek, Taylor has been frequently honored for his sound editing work on other productions by additional nominations for both Emmy, and Golden Reel awards, winning one of the former for the television comedy series Barry in 2018, and two of the latter in 2019 and 2002 for the animated series Spider-Man: Into the Spider-Verse and again Barry respectively.
== Star Trek awards ==
Taylor received the following award nominations and win as sound designer and editor in the various sound editing categories,
=== Emmy Award ===
* nomination for in the category "Outstanding Sound Editing for a One Hour Comedy or Drama Series", shared with Jon Mete, Tim Farrell, Christopher Assells, Trevor Sperry, Ashley Harvey, Angelo Palazzo, Peter D. Lago , Christopher Scarabosio, , James Bailey, Alex Ullrich, and Matt Salib
* nomination for in the category "Outstanding Sound Editing for a One Hour Comedy or Drama Series", shared with Tim Farrell, Michael Schapiro, Clayton Weber, Dan Kenyon, Rickley W. Dumm, Sean Heissinger, Bob Jackson, Matt Decker, Alyson Dee Moore, and Christopher Moriana
* nomination for in the category "Outstanding Sound Editing for a One Hour Comedy or Drama Series", shared with Tim Farrell, Harry Cohen, Michael Schapiro, Sean Heissinger, Clay Weber, Moira Marquis, Stan Jones, Alyson Dee Moore, and Chris Moriana
* nomination for , shared with Harry Cohen, Sean Heissinger, Tim Farrell, Michael Schapiro, Darrin Mann, Clay Weber , Moira Marquis, Alyson Dee Moore, and Chris Moriana
* nomination for , shared with Michael Schapiro, Sean Hessinger, Alex Pugh, Clay Weber, John Sanacore, Ben Schorr, Katherine Harperg, and Ginger Geary
* 2022 nomination for , shared with Michael Schapiro, Kip Smedley, Clay Weber, John Sanacore, David Barbee, Matt Decker, Alyson Dee Moore, Rick Owens, and Chris Moriana
=== Golden Reel Award ===
* win for in the category "Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Live Action Broadcast Media Under 35 Minutes", shared with Tim Farrell, Michael Schapiro, Sean Heissinger, Nancy Parker, Christopher Moriana, John Sanacore, and Matt Decker
* nomination for in the category "Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Live Action Broadcast Media Under 35 Minutes", shared with Tim Farrell, Sean Heissinger, Matt Decker, Ginger Geary, Doug Madick, and Trevor Sperry
* nomination for in the category "Outstanding Achievement in Sound Editing – Animation Short Form", shared with Tim Farrell, Harry Cohen, Moira Marquis, Stan Jones, and Sean Heissinger
* 2021 nomination for in the category "Outstanding Achievement in Sound Editing – Episodic Long Form – Dialogue and ADR", shared with Sean Heissinger
* 2021 win for in the category "Outstanding Achievement in Sound Editing – Episodic Long Form – Effects and Foley", shared with Tim Farrell, Harry Cohen, Michael Schapiro, Clayton Weber, Darrin Mann , Alyson Dee Moore, and Christopher Moriana
* 2021 nomination for in the category "Outstanding Achievement in Sound Editing – Episodic Long Form – Effects and Foley", shared with Tim Farrell, Harry Cohen, Michael Schapiro, Clayton Weber, and Darrin Mann
* Golden Reel Award nomination for in the category "Outstanding Achievement in Sound Editing – Series One Hour – Effects/Foley", shared with Harry Cohen, Michael Schapiro, Katie Halliday, Andrew Twite, Clayton Weber, Alyson Dee Moore, and Christopher Moriana
* 2022 Golden Reel Award nomination for "Kobayashi Maru" in the category "Outstanding Achievement in Sound Editing – Series One Hour – Dialogue/ADR", shared with Sean Heissinger, and Cormac Funge
==External links==
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Category:Sound department
Category:Emmy Award nominees
Category:Golden Reel Award winners
Category:Golden Reel Award nominees