Louis XIV Of France

Louis XIV (Louis Dieudonné; 5 September 1638 – 1 September 1715), known as Louis the Great (Louis le Grand) or the Sun King (le Roi Soleil), was King of France from 14 May 1643 until his death in 1715. His reign of 72 years and 110 days is the longest recorded of any monarch of a sovereign country in European history.[1][a] In the age of absolutism in Europe, Louis XIV's France was a leader in the growing centralisation of power.[2]
Louis began his personal rule of France in 1661, after the death of his chief minister, the Italian Cardinal Mazarin.[3] An adherent of the concept of the divine right of kings, Louis continued his predecessors' work of creating a centralised state governed from the capital. He sought to eliminate the remnants of feudalism persisting in parts of France and, by compelling many members of the nobility to inhabit his lavish Palace of Versailles, succeeded in pacifying the aristocracy, many members of which had participated in the Fronde rebellion during Louis' minority. By these means he became one of the most powerful French monarchs and consolidated a system of absolute monarchical rule in France that endured until the French Revolution.
Louis also enforced uniformity of religion under the Gallican Catholic Church. His revocation of the Edict of Nantes abolished the rights of the Huguenot Protestant minority and subjected them to a wave of dragonnades, effectively forcing Huguenots to emigrate or convert, and virtually destroying the French Protestant community.
The Sun King surrounded himself with a variety of significant political, military, and cultural figures such as Mazarin, Colbert, Louvois, the Grand Condé, Turenne, Vauban, Boulle, Molière, Racine, Boileau, La Fontaine, Lully, Charpentier, Marais, Le Brun, Rigaud, Bossuet, Le Vau, Mansart, Charles, Claude Perrault, and Le Nôtre.
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During Louis' long reign, France was the leading European power, and it fought three major wars: the Franco-Dutch War, the War of the League of Augsburg, and the War of the Spanish Succession. There were also two lesser conflicts: the War of Devolution and the War of the Reunions. Warfare defined the foreign policy of Louis XIV, and his personality shaped his approach. Impelled "by a mix of commerce, revenge, and pique", Louis sensed that warfare was the ideal way to enhance his glory. In peacetime he concentrated on preparing for the next war. He taught his diplomats that their job was to create tactical and strategic advantages for the French military.
=== Patronage of the Arts: ===
Louis generously supported the royal court of France and those who worked under him. He brought the Académie Française under his patronage and became its "Protector". He allowed Classical French literature to flourish by protecting such writers as Molière, Racine, and La Fontaine, whose works remain greatly influential to this day. Louis also patronised the visual arts by funding and commissioning various artists, such as Charles Le Brun, Pierre Mignard, Antoine Coysevox, and Hyacinthe Rigaud, whose works became famous throughout Europe. In music, composers and musicians such as Jean-Baptiste Lully, Jacques Champion de Chambonnières, and François Couperin thrived. In 1661, Louis founded the Académie Royale de Danse, and in 1669, the Académie d'Opéra, important driving events in the evolution of ballet. The King also attracted, supported and patronized such artists as André Charles Boulle who revolutionised marquetry with his art of inlay, today known as "Boulle Work".
Over the course of four building campaigns, Louis converted a hunting lodge built by Louis XIII into the spectacular Palace of Versailles. With the exception of the current Royal Chapel (built near the end of Louis' reign), the palace achieved much of its current appearance after the third building campaign, which was followed by an official move of the royal court to Versailles on 6 May 1682. Versailles became a dazzling, awe-inspiring setting for state affairs and the reception of foreign dignitaries. At Versailles, the king alone commanded attention.
Several reasons have been suggested for the creation of the extravagant and stately palace, as well as the relocation of the monarchy's seat. For example, the memoirist Saint-Simon speculated that Louis viewed Versailles as an isolated power center where treasonous cabals could be more readily discovered and foiled.[49] Alternatively, there has been speculation that the revolt of the Fronde caused Louis to hate Paris, which he abandoned for a country retreat. However, his sponsorship of many public works in Paris, such as the establishment of a police force and of street-lighting,[97] lend little credence to this theory. As a further example of his continued care for the capital, Louis constructed the Hôtel des Invalides, a military complex 
and home to this day for officers and soldiers rendered infirm either by injury or old age. While pharmacology was still quite rudimentary in his day, the Invalides pioneered new treatments and set new standards for hospice treatment. The conclusion of the Treaty of Aix-la-Chapelle, in 1668, also induced Louis to demolish the northern walls of Paris in 1670 and replace them with wide tree-lined boulevards.[98]
Louis also renovated and improved the Louvre and other royal residences. Gian Lorenzo Bernini was originally to plan additions to the Louvre; however, his plans would have meant the destruction of much of the existing structure, replacing it with an Italian summer villa in the centre of Paris. Bernini's plans were eventually shelved in favour of the elegant Louvre Colonnade designed by three Frenchmen: Louis Le Vau, Charles Le Brun, and Claude Perrault. With the relocation of the court to Versailles, the Louvre was given over to the arts and the public.[99] During his visit from Rome, Bernini also executed a renowned portrait bust of the king.
== Links: ==
-http://www.louis-xiv.de/index.php?id=31
-https://en.wikipedia.org/wiki/Louis_XIV_of_France#Patronage_of_the_arts
-https://www.history.com/topics/france/louis-xiv
Category:French Art
Category:Patron of the Arts
Category:Art History
Category:Francophile