Kekish

(Language created by the Memelord Durelzo)
(Kekish Dictionary)
The Kekistani Language (Keks Avvah) , also known as Kekish, is an Eastern Iranian language of the Indo-European language family originating from Kekistan and historically spoken by the Kekistani people. Kekish is spoken as a first language by a small minority of people, and as a second language by a larger group of non-native speakers.
The suppression of both the Kekistani culture and language by the Normies has led to significant division in spoken and written varieties of Kekish; there is no standardized form, though this article will be using assumed common vocabulary and grammar. In addition to wide dialectal variations, there is also a considerable latitude in terms of personal choice when speaking, that is, one person might use a word order or pronunciation inconsistent with more widely accepted Kekish forms, but will still be understood by and intelligible to other Kekish speakers.
As of 2018, Kekish remains an unrecognized language in the Republic of Kekistan.
==Phonology==
===Consonants===
 	Bilabial	Labio-dental	Dental	Alveolar	Post-alveolar	Palatal	Velar	Uvular	Glottal
Nasal 	m 	 	 	n 	 	 	ŋ 	 	
Plosive 	p b 	 	 	t d 	 	(c ɟ)* 	k g 	q 	
Fricative 	 	f v 	θ ð 	s z 	ʃ ʒ 	(ç ʝ)* 	 	χ ʁ 	h
Affricate 	 	 	 	t͡s d͡z 	t͡ʃ d͡ʒ 	 	 	 	
Approximant	 	 	 	l 	 	j 	w 	 	
Rhotic 	 	 	 	r 	 	 	 	 	
All consonants, other than voiced plosives and /ŋ/, are subject to gemination; spelled using a double of the consonant, geminate consonants are held out for twice as long as the plain consonant (eg. saveniy /sav'ɛnij/ "potential"; savvenke /sav:'ɛnkɛ/ "to declare")
*Some speakers will realize /k, g, χ, ʁ/ as palatals when articulated adjacent to /i/ or /j/.
===Vowels===
 	Front	Central	Back
High	i 	 	u
Mid 	ɛ 	ə 	o
Low 	 	a 	
The realization of /a/ can vary from front [a] to far back and pharyngealized [ɑˤ] depending on the exact phonetic environment and speaker.
===Phonotactics===
The syllable structure of Kekish is as follows:
(C(C))(G)V(G)(C(C))
Where C is a consonant, G is a glide (/j/ or /w/), and V is an obligatory vowel.
==Writing System (Orthography)==
=== Orthography ===
The original Kekish Alphabet is no longer in use by the average Kekistani, instead being substituted by variants of the Latin, Cyrillic, Arabic, or (rarely) Armenian scripts. This article uses the Latin script.
Letter	m 	n 	ng	p	b 	t 	d 	k 	g	q 	f 	v
Sound 	m 	n 	ŋ 	p	b 	t 	d 	k 	g	q 	f 	v
Letter	th	dh	s 	z	sh	zh	kh	gh	h	c, ts	dz	ch
Sound 	θ 	ð 	s 	z	ʃ 	ʒ 	χ 	ʁ 	h	t͡s 	d͡z	t͡ʃ
Letter	j 	l 	y 	w	r 	i 	u 	e 	o	a 	è 	
Sound 	d͡ʒ	l 	j 	w	r 	i 	u 	ɛ 	o	a 	ə 	
=== Spelling Conventions ===
The following rules denote common and significant conventions, in addition to some important restriction:
* Kekish has no long vowels and thus has no double vowels in spelling, except across morpheme boundaries.
* {y} represents a voiced palatal approximant /j/, never a vowel.
* Kekish does not utilize diacritics other than the grave accent above {e} to denote schwa /ə/.
* Geminate varients of {th, dh, sh, zh, gh, ch, ts, dz} are spelled {tth, ddh, ssh, zzh, kkh, ggh, cch, tts, ddz} respectively.
==Grammar==
===Nominals===
==== Nouns ====
Kekish has two nouns genders. All Kekish nouns fall under one of the two genders; masculine and feminine, and five declensions:
# Closed, Masculine
# Closed, Feminine
# Open, Masculine
# Open, Feminine
# -iy, (all nouns with -iy nominative endings are masculine) (Includes diy "the")
Declension Table:
 	1, -C masc	1, -C masc	2, -C fem	2, -C fem	3, -V masc	3, -V masc	4, -V fem	4, -V fem	5, -iy	5, -iy
 	Sing 	Plur 	Sing 	Plur 	Sing 	Plur 	Sing 	Plur 	Sing 	Plur
Nominative 	 	 	 	 	 	 	 	 	 	
Accusative 	 	 	 	 	 	 	 	 	 	
Prepositional	 	 	 	 	 	 	 	 	 	
Genitive 	 	 	 	 	 	 	 	 	 	
Ergative* 	 	 	 	 	 	 	 	 	 	
Absolutive* 	 	 	 	 	 	 	 	 	 	
Ergative-Absolutive marking is only used to create the progressive aspect.
==== Pronouns ====
Kekish pronouns are quite regular, though they follow their own declension pattern. The genitive form of each pronoun can be used as a possessive determiner.
 	I 	You (singular)	He 	She 	It 	We 	You (plural)	They 	One (impersonal)
Nom. 	mim 	et 	keh 	wi 	ket 	hesr 	tesr 	kesr 	almr
Acc. 	mi 	eti 	kih 	wi 	keti 	hisr 	tisr 	kisr 	almri
Prep.	miya	eta 	kah 	wiya	keta 	hasr 	tasr 	kasr 	almra
Gen. 	mis 	etis 	kehis	wis 	ketis	hess 	tess 	kess 	alvirs
Erg. 	min 	en 	kehin	win 	ketin	hesrin	tesrin 	kesrin	almrin
Abs. 	mid 	eyd 	kehid	wid 	ketid	hesrid	tesrid 	kesrid	almrid
==== Adjectives and Determiners ====
Adjectives occur after the noun they modify and must agree with the noun in number and case. Determiners also decline in accordance to the nouns with which they are used, but they proceed the noun; this includes quantifiers, numbers, articles, and demonstratives. Determiners and adjectives share declensional patterns; which declension to use is determined by the adjective/determiner's ending (i.e. whether the adjective/determiner ends in a vowel or a consonant). The adjective/determiner does not have grammatical gender, and does not need to be declined to agree with the gender of its associated noun. Adjectives/determiners are declined in the accusative case when used with Ergative-Absolutive case nouns.
 	 	 	Vowel Ending	Vowel Ending	Vowel Ending	Consonant Ending	Consonant Ending	Consonant Ending
 	 	 	Sing 	Plur 	Plur 	Sing 	Plur 	Plur
Nominative 	Nominative 	Nominative 	 	 	 	 	 	
-k 	-k 	 	 	 	 	 	 	
-uk 	-uk 	 	 	 	 	 	 	
Accusative 	Accusative 	Accusative 	 	 	 	 	 	
-sh 	-sh 	 	 	 	 	 	 	
-ish 	-ish 	 	 	 	 	 	 	
Prepositional	Prepositional	Prepositional	 	 	 	 	 	
-dh 	-dh 	 	 	 	 	 	 	
-edh 	-edh 	 	 	 	 	 	 	
Genitive 	Genitive 	Genitive 	 	 	 	 	 	
-v 	-v 	 	 	 	 	 	 	
-iv 	-iv 	 	 	 	 	 	 	
Comparatives are formed by adding the suffix -tam; superlatives by adding the suffix -darb. Comparatives and superlatives both decline according to the consonant ending declension pattern.
==== Adpositions ====
All Kekish adpositions invoke the prepositional case of their associated noun phrase. Though normally preceding their compliment, in certain circumstances, especially when used with pronouns, adpositions can occur postpositionally, such as in the phrase eta-vay wed' Kek "goodbye; farewell"; such cases are orthographically indicated with a hyphen {-}.
==== Numbers ====
 	Cardinal	Ordinal	Multiplier	Adverbal
1 	uwe 	uwed 	 	wel
2 	dur 	durd 	duraz 	amidh
3 	riys 	riyzd 	riysaz 	riyso
4 	kedu 	kedud 	kedaz 	keduwo
5 	vakè 	vakèd 	vakaz 	
6 	sheys 	sheyzd 	sheysaz 	
7 	awd 	awdid 	awdaz 	
8 	astè 	astèd 	astaz 	
9 	noh 	nohid 	nohaz 	
10	das 	dasid 	dasaz 	
=== Verbs ===
Except for a few exceptions, Kekish verbs are highly regular. There is only one conjugation and all forms can easily be made by knowing the infinitive. The main irregular verbs, whose forms must be memorized independently, are wede "to be"; zhude "to go"; ghezde "to want"; and shikhde "to make, do". Verbs in Kekish are conjugated for three persons and two numbers (singular and plural). Kekish makes use of the following tenses: simple present, present progressive, present perfect, simple past (preterite), past progressive, past perfect, imperfect, simple future, future progressive and future perfect. There are no independent forms for the progressive tenses; these are constructed using Ergative-Absolutive cases with the simple tense form. Additionally, all verbs have two subjunctive moods (plain and perfect) that are used in much the same way as the Persian subjunctive - often used where English would use an infinitive in catanative verb strings.
==== Participles ====
Kekish verbs have two participle forms- present and perfect. Both participles are used as verbal adjectives; the perfect always assumes the past tense, and the present always assumes active voice.
The perfect participle is used to form the perfect tenses. It is passive when used with wede and active when used with shikhde. The perfect is formed by dropping the infinitive -e ending and adding -anè.
* shadile "to fight" > shadilanè "fought"
* wede "to be" > wedanè "been"
* re "to see" > ranè "seen"
The present participle is formed by dropping the infinitive -e ending, adding the suffix -adh, and adding the prefix in'. When used in isolation, the present participle can be used as an agent noun.
* shadile > in'shadiladh "fighting, fighter"
* wede > in'wedadh "being"
* re > in'radh "seeing, seer"
A verbal adverb can be constructed by adding the suffix -i to the present participle.
==== Conjugation ====
Conjugation is relatively quite simple and very consistent in comparison to other Iranian languages. The Imperfect is formed by reduplication of the final syllable before the personal ending. To form the present perfect, past perfect, or future perfect, the perfect participle is used in conjunction with either the present, past, or future form of the verb shikhde "to make, do" (eg. Shim [mim] danè "I have given").
The following tables are a template for all regular verbs with de "to give" as the example verb:
de "to give"	de "to give"	de "to give"	Singular	Singular	Singular	Plural	Plural 	Plural
de "to give"	de "to give"	de "to give"	1st 	2nd 	3rd 	1st 	2nd 	3rd
Present 	Present 	Present 	dem 	desti 	dest 	demu 	destid 	dend
Past 	Past 	Past 	devam 	devasti 	devast 	devamu	devastid	devand
Future 	Future 	Future 	dam 	dasti 	dast 	damu 	dastid 	dand
Imperfect 	Imperfect 	Imperfect 	dedem 	dedesti 	dedest 	dedemu	dedestid	dedend
Subjunctive 	Subjunctive 	Subjunctive 	duram 	durasti 	durast 	duramu	durastid	durand
de "to give" 	de "to give" 	 	 	
Perfect Participle	Perfect Participle	danè 	danè 	danè
Present Participle	Present Participle	in'dadh 	in'dadh 	in'dadh
Verbal Adverb 	Verbal Adverb 	in'dadhi 	in'dadhi 	in'dadhi
Imperative 	singular 	da 	da 	da
Imperative 	plural 	day 	day 	day
Optative 	Optative 	dura, dur'	dura, dur'	dura, dur'
==== Irregular Conjugations ====
The following four table sets are the full conjugations for the four irregular Kekish verbs: wede "to be"; zhude "to go"; ghezde "to want"; and shikhde "to make, do". Note that the imperfect appears to be formed as if it were the present tense of a regular verb.
===== Wede "to be" =====
wede "to be"	wede "to be"	wede "to be"	Singular	Singular	Singular	Plural	Plural 	Plural
wede "to be"	wede "to be"	wede "to be"	1st 	2nd 	3rd 	1st 	2nd 	3rd
Present 	Present 	Present 	em 	i 	ast 	aw 	id 	nay
Past 	Past 	Past 	wem 	wi 	west 	wemu 	wid 	wend
Future 	Future 	Future 	wedam 	wedi 	wedast 	wedamu	wedid 	wedand
Imperfect 	Imperfect 	Imperfect 	wedem 	wedesti 	wedest 	wedemu	wedestid	wedend
Subjunctive 	Subjunctive 	Subjunctive 	ram 	rasti 	rast 	ramu 	rid 	ray
wede "to be" 	 	 	
Perfect Participle	wedanè 	wedanè 	wedanè
Present Participle	in'wedadh 	in'wedadh 	in'wedadh
Verbal Adverb 	in'wedadhi	in'wedadhi	in'wedadhi
Imperative 	way 	way 	way
Optative 	weda, wed'	weda, wed'	weda, wed'
===== Shikhde "to make, do" =====
shikhde "to make, do"	shikhde "to make, do"	shikhde "to make, do"	Singular	Singular 	Singular 	Plural 	Plural 	Plural
shikhde "to make, do"	shikhde "to make, do"	shikhde "to make, do"	1st 	2nd 	3rd 	1st 	2nd 	3rd
Present 	Present 	Present 	shim 	shi 	shikht 	shiv 	shid 	shind
Past 	Past 	Past 	shivam 	shivsti 	shivst 	shivamu 	shivid 	shivand
Future 	Future 	Future 	sham 	shakhti 	shakht 	shav 	shad 	sha
Imperfect 	Imperfect 	Imperfect 	shikhdem	shikhdesti	shikhdest	shikdemu	shikhdestid	shikhdend
Subjunctive 	Subjunctive 	Subjunctive 	shiram 	shirasti 	shirast 	shiramu 	shirid 	shiray
shikhde "to make, do"	shikhde "to make, do"	 	 	
Perfect Participle 	Perfect Participle 	shikhdanè 	shikhdanè 	shikhdanè
Present Participle 	Present Participle 	in'shikhdadh 	in'shikhdadh 	in'shikhdadh
Verbal Adverb 	Verbal Adverb 	in'shikhdadhi	in'shikhdadhi	in'shikhdadhi
Imperative 	singular 	shikhda 	shikhda 	shikhda
Imperative 	plural 	shikhday 	shikhday 	shikhday
Optative 	Optative 	shida, shid' 	shida, shid' 	shida, shid'
===== Zhude "to go" =====
zhude "to go"	zhude "to go"	zhude "to go"	Singular	Singular	Singular	Plural 	Plural 	Plural
zhude "to go"	zhude "to go"	zhude "to go"	1st 	2nd 	3rd 	1st 	2nd 	3rd
Present 	Present 	Present 	ezh 	ezhdi 	ezhèst 	ezhim 	ezhid 	ezhi
Past 	Past 	Past 	yam 	yasti 	yast 	yamu 	yid 	yi
Future 	Future 	Future 	azh 	azhdi 	azhèst 	azhim 	azhid 	azhi
Imperfect 	Imperfect 	Imperfect 	zhudem 	zhudesti	zhudest 	zhudemu	zhudestid	zhudend
Subjunctive 	Subjunctive 	Subjunctive 	zhuram 	zhurasti	zhurast 	zhuramu	zhurid 	zhuray
zhude "to go" 	zhude "to go" 	 	 	
Perfect Participle	Perfect Participle	yanè 	yanè 	yanè
Present Participle	Present Participle	in'yadh 	in'yadh 	in'yadh
Verbal Adverb 	Verbal Adverb 	in'yadhi 	in'yadhi 	in'yadhi
Imperative 	singular 	zha, ya 	zha, ya 	zha, ya
Imperative 	plural 	zhay, yay 	zhay, yay 	zhay, yay
Optative 	Optative 	zhuda, zhud'	zhuda, zhud'	zhuda, zhud'
===== Ghezde "to want" =====
ghezde "to want"	ghezde "to want"	ghezde "to want"	Singular	Singular 	Singular	Plural 	Plural 	Plural
ghezde "to want"	ghezde "to want"	ghezde "to want"	1st 	2nd 	3rd 	1st 	2nd 	3rd
Present 	Present 	Present 	ghem 	ghi 	ghezd 	ghev 	ghid 	ghay
Past 	Past 	Past 	ghevam 	ghevi 	ghevèst 	ghevu 	ghevid 	ghevay
Future 	Future 	Future 	gham 	ghazdi 	ghazd 	ghu 	ghazid 	ghand
Imperfect 	Imperfect 	Imperfect 	ghezdem 	ghezdesti	ghezdest	ghezdemu	ghezdestid	ghezdend
Subjunctive 	Subjunctive 	Subjunctive 	ghoram 	ghorasti 	ghorast 	ghoramu 	ghorid 	ghoray
ghezde "to want" 	 	 	
Perfect Participle	ghanè 	ghanè 	ghanè
Present Participle	in'ghadh 	in'ghadh 	in'ghadh
Verbal Adverb 	in'ghadhi 	in'ghadhi 	in'ghadhi
Imperative 	---- 	---- 	----
Optative 	ghoda, ghod'	ghoda, ghod'	ghoda, ghod'
===Syntax===
Word order in Kekish is largely VSO, with prepositional phrases coming before the direct object or at the beginning of the IP. Adjectives come after the nouns they modify; adverbs can be used either directly before or directly after the verbs they modify.
== Translation of "Shadilay" (Kekistan National Anthem) ==
Shadiley 	Shadilay
Keks Avvah	Italiano
khakamilka kawniyit, haslika adiyit
avira udh ancores, akhatka temedis
gazsalilik mayaduk grohiv bishadid
alwatem jav kawniya, tarbaram keta
ris 'sti dug akhtiy, ety'anamavdesti, mi stam so manam
oooh oooh
-
shadiley shadiley oh mis azadis
shadiley shadiley oh naaa
shadiley shadiley oh ghab no haslika
shadiley shadiley oh naaa
deri misek ziswi alwata, ast khakamilit na
mi stam so manam
miya-vay azshira, deri azamniya aw deris domidha
wedast mis bavriy eta
-
harmoni falisit, haslika ostid
vidyoklip eletronit, afrina temedis
gazsalilik mayaduk grohiv bishadid
alwatem jav kawniya, tarbaram keta
ris 'sti dug akhtiy, ety'anamavdesti, mi stam so manam
oooh oooh
-
shadiley shadiley oh mis azadis
shadiley shadiley oh naaa
shadiley shadiley oh ghab no haslika
shadiley shadiley oh naaa
deri misek ziswi alwata, ast khakamilit na
mi stam so manam
miya-vay azshira, deri azamniya aw deris domidha
wedast mis bavriy eta	assoluto cosmico, regolare realtà
respiro di un immagine, sintonia di civiltà
confusa progenia di cellule ribelli
volo verso l'universo, l'attraverserò
se sei stella fatti vedere, io mi fermerò
oooh oooh
-
shadilay shadilay la mia libertà
shadilay shadilea oh nooo
shadilay shadilay oh sogno o realtà
shadilay shadilay oh nooo
vola nella mia vita, no non è finita
io mi fermerò
sciogli le mie vele, nel cielo e in fondo al mare
io ti crederò
-
armonia metallica, concreta realtà
videoclip elettronico, elogio di civiltà
confusa progenia di cellule ribelli
volo verso l'universo, l'attraverserò
se sei stella fatti vedere, io mi fermerò
oooh oooh
-
shadilay shadilay la mia libertà
shadilay shadilay oh nooo
shadilay shadilay oh sogno o realtà
shadilay shadilay oh nooo
vola nella mia vita, no non è finita
io mi fermerò
sciogli le mie vele, nel cielo e in fondo al mare
io ti crederò
khakamilka kawniyit, haslika adiyit
avira udh ancores, akhatka temedis
gazsalilik mayaduk grohiv bishadid
alwatem jav kawniya, tarbaram keta
ris 'sti dug akhtiy, ety'anamavdesti, mi stam so manam
oooh oooh
-
shadiley shadiley oh mis azadis
shadiley shadiley oh naaa
shadiley shadiley oh ghab no haslika
shadiley shadiley oh naaa
deri misek ziswi alwata, ast khakamilit na
mi stam so manam
miya-vay azshira, deri azamniya aw deris domidha
wedast mis bavriy eta
-
harmoni falisit, haslika ostid
vidyoklip eletronit, afrina temedis
gazsalilik mayaduk grohiv bishadid
alwatem jav kawniya, tarbaram keta
ris 'sti dug akhtiy, ety'anamavdesti, mi stam so manam
oooh oooh
-
shadiley shadiley oh mis azadis
shadiley shadiley oh naaa
shadiley shadiley oh ghab no haslika
shadiley shadiley oh naaa
deri misek ziswi alwata, ast khakamilit na
mi stam so manam
miya-vay azshira, deri azamniya aw deris domidha
wedast mis bavriy eta	assoluto cosmico, regolare realtà
respiro di un immagine, sintonia di civiltà
confusa progenia di cellule ribelli
volo verso l'universo, l'attraverserò
se sei stella fatti vedere, io mi fermerò
oooh oooh
-
shadilay shadilay la mia libertà
shadilay shadilea oh nooo
shadilay shadilay oh sogno o realtà
shadilay shadilay oh nooo
vola nella mia vita, no non è finita
io mi fermerò
sciogli le mie vele, nel cielo e in fondo al mare
io ti crederò
-
armonia metallica, concreta realtà
videoclip elettronico, elogio di civiltà
confusa progenia di cellule ribelli
volo verso l'universo, l'attraverserò
se sei stella fatti vedere, io mi fermerò
oooh oooh
-
shadilay shadilay la mia libertà
shadilay shadilay oh nooo
shadilay shadilay oh sogno o realtà
shadilay shadilay oh nooo
vola nella mia vita, no non è finita
io mi fermerò
sciogli le mie vele, nel cielo e in fondo al mare
io ti crederò
khakamilka kawniyit, haslika adiyit
avira udh ancores, akhatka temedis
gazsalilik mayaduk grohiv bishadid
alwatem jav kawniya, tarbaram keta
ris 'sti dug akhtiy, ety'anamavdesti, mi stam so manam
oooh oooh
-
shadiley shadiley oh mis azadis
shadiley shadiley oh naaa
shadiley shadiley oh ghab no haslika
shadiley shadiley oh naaa
deri misek ziswi alwata, ast khakamilit na
mi stam so manam
miya-vay azshira, deri azamniya aw deris domidha
wedast mis bavriy eta
-
harmoni falisit, haslika ostid
vidyoklip eletronit, afrina temedis
gazsalilik mayaduk grohiv bishadid
alwatem jav kawniya, tarbaram keta
ris 'sti dug akhtiy, ety'anamavdesti, mi stam so manam
oooh oooh
-
shadiley shadiley oh mis azadis
shadiley shadiley oh naaa
shadiley shadiley oh ghab no haslika
shadiley shadiley oh naaa
deri misek ziswi alwata, ast khakamilit na
mi stam so manam
miya-vay azshira, deri azamniya aw deris domidha
wedast mis bavriy eta	assoluto cosmico, regolare realtà
respiro di un immagine, sintonia di civiltà
confusa progenia di cellule ribelli
volo verso l'universo, l'attraverserò
se sei stella fatti vedere, io mi fermerò
oooh oooh
-
shadilay shadilay la mia libertà
shadilay shadilea oh nooo
shadilay shadilay oh sogno o realtà
shadilay shadilay oh nooo
vola nella mia vita, no non è finita
io mi fermerò
sciogli le mie vele, nel cielo e in fondo al mare
io ti crederò
-
armonia metallica, concreta realtà
videoclip elettronico, elogio di civiltà
confusa progenia di cellule ribelli
volo verso l'universo, l'attraverserò
se sei stella fatti vedere, io mi fermerò
oooh oooh
-
shadilay shadilay la mia libertà
shadilay shadilay oh nooo
shadilay shadilay oh sogno o realtà
shadilay shadilay oh nooo
vola nella mia vita, no non è finita
io mi fermerò
sciogli le mie vele, nel cielo e in fondo al mare
io ti crederò
===== =====
== Example Text ==
Keks Avvah	English 		
Satepnakek	Ozymandias		
Direvam mim uyi in'wathrajadhè ith udh kharzhek gèhanitwadedh
Gè tarfast: "der diya ajariya fikkend dur yangaq sanges
Meruwad so vidadhis. Zdi kasr, al diya reyghwi,
kyayghorganè, leshtest u paykr shekastavdanè, gès rayenku,
aw liv chiqotanè, aw dozhboru fordamkayi sarutes,
vadtarfend gè ghandast shah ketwis in'burdadh kalsish ehsasish
Gè zis shikhdest naz, al elsedh vizis ceyzku burdanè,
Widz diya lasku gè parshgevast kisr, so diya ceyadha gè yudiy devast:
Aw badend elsuk kalmaq al diya fenkadha:
'Ast mis kekk Satepnakek, sultan sultanev:
Katèlavdavday misi karish, tesr neghwit, aw noviday!'
Manest hichèceyzuk zur. Jav diya vasswi
Kalses luwidayi zhinjes, vihadhek so baynadh
Lèray-lèra dumend diy reyghik tanha so rutib."	I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.”		
Direvam mim uyi in'wathrajadhè ith udh kharzhek gèhanitwadedh
Gè tarfast: "der diya ajariya fikkend dur yangaq sanges
Meruwad so vidadhis. Zdi kasr, al diya reyghwi,
kyayghorganè, leshtest u paykr shekastavdanè, gès rayenku,
aw liv chiqotanè, aw dozhboru fordamkayi sarutes,
vadtarfend gè ghandast shah ketwis in'burdadh kalsish ehsasish
Gè zis shikhdest naz, al elsedh vizis ceyzku burdanè,
Widz diya lasku gè parshgevast kisr, so diya ceyadha gè yudiy devast:
Aw badend elsuk kalmaq al diya fenkadha:
'Ast mis kekk Satepnakek, sultan sultanev:
Katèlavdavday misi karish, tesr neghwit, aw noviday!'
Manest hichèceyzuk zur. Jav diya vasswi
Kalses luwidayi zhinjes, vihadhek so baynadh
Lèray-lèra dumend diy reyghik tanha so rutib."	I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.”		
Direvam mim uyi in'wathrajadhè ith udh kharzhek gèhanitwadedh
Gè tarfast: "der diya ajariya fikkend dur yangaq sanges
Meruwad so vidadhis. Zdi kasr, al diya reyghwi,
kyayghorganè, leshtest u paykr shekastavdanè, gès rayenku,
aw liv chiqotanè, aw dozhboru fordamkayi sarutes,
vadtarfend gè ghandast shah ketwis in'burdadh kalsish ehsasish
Gè zis shikhdest naz, al elsedh vizis ceyzku burdanè,
Widz diya lasku gè parshgevast kisr, so diya ceyadha gè yudiy devast:
Aw badend elsuk kalmaq al diya fenkadha:
'Ast mis kekk Satepnakek, sultan sultanev:
Katèlavdavday misi karish, tesr neghwit, aw noviday!'
Manest hichèceyzuk zur. Jav diya vasswi
Kalses luwidayi zhinjes, vihadhek so baynadh
Lèray-lèra dumend diy reyghik tanha so rutib."	I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.”